Studio Technologies 72 User Manual

Model 72
User Guide
Issue 2, July 2004
This User Guide is applicable for serial numbers:
M72-00151 and later
Copyright © 2004 by Studio Technologies, Inc., all rights reserved
www.studio-tech.com
50023-0704, Issue 2
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Model 72
Level Meter / Interface
Introduction
The Model 72 Level Meter/Interface is a compact, portable device that plugs directly into an IFB or intercom circuit and provides two useful functions: audio level meters and line-level audio outputs. IFB (interruptible foldback) circuits are used in broadcast applications, providing one or two channels of talent cue audio. Intercom circuits are used by production personnel, supplying one or two channels of “party­line” communications.
Two 5-segment LED meters allow direct observation of the audio signal levels present on the connected IFB or intercom circuit. The display range is optimized for the signal levels found on typical “wet” (DC with audio) IFB and intercom circuits, rather than traditional “VU” scaling.
Two audio outputs provide transformer­coupled “dry” signals, one output associ­ated with each IFB or intercom channel. These pro-audio-quality outputs are useful for a variety of production and testing ap­plications. For example, the outputs can serve as the interface between a traditional “wet” IFB system and a wireless in-ear monitor or IFB system. The Model 72’s outputs can also be connected to line­level inputs on an audio console, allowing
View showing IFB/intercom input and power present LED indicator
View showing level meters and audio outputs
IFB or intercom audio signals to be com­bined and/or routed to other local or remote talent or production personnel cue systems. Other applications may arise where an am­plified speaker needs to be used to monitor an IFB or intercom circuit. The Model 72’s audio outputs will make achieving this fast and simple.
Power for the Model 72 is provided by the connected IFB or intercom circuit. Active cir­cuitry ensures accurate level metering and excellent audio performance. The compact device is housed in a rugged aluminum enclosure. All inputs and outputs interface using industry-standard 3-pin male and fe­male XLR-type connectors. The connectors are manufactured by Neutrik® and feature gold-plated contacts and metal housings.
The Model 72 is compatible with virtually all single- and dual-channel IFB and inter­com circuits used in broadcast, theatrical, and industrial applications. IFB circuits, typically provided by Studio Technologies’ IFB interface units or the RTS® 4000-series, can be directly connected. Industry­standard party-line intercom circuits are also compatible. Whether a single-channel system from Clear-Com® or a dual-channel TW-series system from RTS, direct connec­tion to the Model 72 is supported.
Model 72 User Guide Issue 2, July 2004 Studio Technologies, Inc. Page 3
Model 72
Level Meter / Interface
The Model 72 provides both 3-pin male and female XLR-type connectors for direct interconnection with IFB and inter­com circuits. The connector’s pins are wired in parallel, allowing compatibility with interconnecting cables having male or female connectors. The two connectors can also serve as a “loop through” func­tion. Pin 1 of the connectors is used as a common point for both DC power and audio signals. Pin 2 of the connectors is always used for DC power, typically in the range of 25 to 30 volts. With dual­channel IFB or intercom circuits pin 2 is also used to carry one of the two audio signals, typically designated as channel 1. (This audio signal is superimposed onto the DC voltage.) Pin 3 is always used to carry an audio signal but never DC power. In dual-channel IFB or intercom systems pin 3 typically carries channel 2 audio. In single-channel intercom systems pin 3 carries the one and only audio signal.
The Model 72 was developed out of necessity, once again proving that the old saying is correct; necessity was definitely the “mother” when it came to the unit’s in­vention. The genesis was very simple. Of­ten when testing audio equipment out “in the field,” Studio Technologies personnel felt “blind” when interfacing with IFB and intercom circuits. Typically it was difficult to obtain “clean” balanced line-level audio signals, and never possible with a nomi­nal level approaching +4 dBu. Worse yet, confirming the signal levels of an IFB or intercom circuit was virtually impossible. It often seemed that the signal levels were either too low or too “hot,” but there was no simple way available to establish that fact. With the Model 72 these problems should disappear. Monitoring of the audio
levels is clear and accurate, and balanced line-level outputs are directly available.
Operation
The only action required for initial opera­tion of the Model 72 is connecting an IFB or intercom circuit. If the audio outputs are going to be utilized interconnecting cables must also be connected. No external power source is necessary and the unit contains no configuration switches or user controls.
Connecting an IFB or Intercom Circuit
Two 3-pin XLR-type connectors, one male and one female, are associated with the Model 72’s IFB/intercom input. The three pins on each connector are wired in par­allel, allowing the mating connector on the interconnecting cable to be of either gender. In addition to providing interfacing flexibility, the two connectors can be used in a loop-through arrangement. This may eliminate the need in some applications to use a “Y” or splitter cable.
The connected IFB or intercom circuit must have common on pin 1, DC power (and possibly audio) on pin 2, and audio on pin 3. For correct Model 72 operation the DC power on pin 2 must be within the range of 22 to 32 volts and capable of supplying 42 milliamperes of current. Once an IFB or intercom circuit is connect­ed the red LED, labeled PIN 2 POWER, should light.
Level Meters
Any time that an IFB or intercom circuit is connected to the Model 72 the two 5-segment LED meters will be active.
Issue 2, July 2004 Model 72 User Guide Page 4 Studio Technologies, Inc.
Model 72
Level Meter / Interface
They display the level of audio signals present on pins 2 and 3 of the connected circuit. The meters are calibrated to clearly display the signal levels found on typi­cal IFB and intercom circuits. The meters display the actual signal levels that are present on the pins in dBu. (This relates to the voltage level, in dB, as referenced to
0.775 volts RMS.) The ballistics of the me­ter is a cross between that of a VU and a peak (PPM) meter. (We affectionately refer to it as a “PU” meter!) The way the LEDs “move” in response to signals should be comfortable for most users to observe.
Green LEDs are used to display the me­ters’ lowest four level steps. They light to indicate signal levels that are typically present on a correctly functioning IFB or intercom circuit. The LED that displays the highest value on the meter scale (–4 dBu) is yellow in color, indicating that a relatively “hot” signal is present. While not necessarily a problem, having the yellow LED lighting steadily would typi­cally indicate a signal level that may be of concern.
Audio Outputs
Two transformer-balanced line-level audio outputs are provided. One output is as­sociated with the audio signal that may be present on pin 2 of the connected IFB or intercom circuit. The other output is associated with the audio signal that is present on pin 3 of the connected circuit. Whether signal is available on both audio outputs will depend on the type of IFB or intercom circuit that is connected. The actual level on the audio outputs is 14 dB above its source, i.e., there is 14 dB of input-to-output gain. This was selected so that connecting a typical IFB or intercom
circuit that has a nominal level of –10 dBu will result in a +4 dBu nominal level on the audio output connectors.
Each audio output is connected to exter­nal devices using a 3-pin male XLR-type connector. Mating connectors (females) should be prepared so that signal high (+ or hot) is on pin 2 and signal low (– or cold) is on pin 3. The cable’s shield can be connected to pin 1, but it will have no function. To limit the chance of ground­ing interaction between the Model 72 and connected equipment, the pin 1 connec­tions on both audio output connectors are isolated from any point in the Model 72. The fact that pin 1 “floats” will minimize the chance of hums, noise, or buzzes be­ing present on the equipment connected to the main output.
For full electrical isolation, the audio out­puts are transformer isolated. To provide protection against accidental connec­tion to cables that have DC power pres­ent, the audio outputs are also capacitor coupled. In series with the output leads are 300 ohm resistors, making the effec­tive output impedance 600 ohms. These resistors serve several purposes. They will limit the maximum amount of output current that can be drawn in the event of a cable short. In addition, they allow multiple audio outputs to be connected together, creating a passive summing network. By using a simple “Y” cable the two audio outputs can be passively summed. A side effect from using this passive summing technique is that signal attenuation will oc­cur. The audio quality won’t suffer, but this passive summing method does create an audio “pad.” If the two audio outputs are connected together a signal attenuation of 6 dB can be expected.
Model 72 User Guide Issue 2, July 2004 Studio Technologies, Inc. Page 5
Model 72
Level Meter / Interface
Technical Notes
Channel Assignments
By design, the Model 72 doesn’t define what signals will be present on the pins of the connected IFB or intercom circuit. This is because of the many different ways signals and signal names can be assigned to the same type of circuit. For univer­sality, the meters and audio outputs are referenced to the pins on the IFB/intercom input, rather than having assigned names. This naming method leads to one level meter and one audio output being asso­ciated with pin 2. The second meter and audio output is associated with pin 3. For reference it may be worthwhile to list some standard pin assignments:
• In broadcast IFB applications pin 2 is often defined as the “interrupt” or the “program-with-interrupt” channel. It may also be referred to as IFB channel
1. Pin 3 is often defined as “program” or “program-only.” It may also be re­ferred to as IFB channel 2.
• Many broadcast applications use TW-type intercom systems from RTS. In these cases pin 2 will be intercom channel 1; pin 3 will be intercom channel 2.
• Often theatrical and industrial applica­tions use single-channel intercom sys­tems from Clear-Com. In these cases pin 2 will only provide DC power, hav­ing no audio source associated with it. Pin 3 will provide intercom audio or intercom channel 1.
Power LED and Input Voltage
It’s important to note that the LED labeled PIN 2 POWER will light essentially any time a positive DC voltage is present on pin 2 of either of the IFB/intercom input connectors. Any DC that’s above approxi­mately 3 volts is sufficient to light the LED. This is by design as the LED is really just intended to indicate that a “wet” circuit has been connected. For full Model 72 operation the DC input needs to be in the range of 20 to 22 volts.
IFB Audio Levels
The nominal level of audio signals associ­ated with IFB circuits is typically –10 dBu. This is the case with the interface units from Studio Technologies, as well as such systems as the RTS 4000-series. But actu­ally having the correct level present on an IFB circuit is often a “hit-or-miss” proposition. During field testing Studio Technologies’ personnel found that a wide range of nominal audio levels were present on “real-world” IFB circuits. Many were fine, being reasonably close to the desired –10 dBu. But some were much too low, while others were much too “hot.” We observed one unfortunate baseball “color” commentator being sent interrupt audio signals so “hot” relative to program audio as to almost make his ears bleed! This situation should not have been allowed to happen.
In defense of field technical personnel, measuring the audio level of an IFB circuit hasn’t traditionally been an easy proposi­tion. But that situation has now changed with the Model 72. Using the unit will allow level controls on the source equipment to be adjusted as required.
Issue 2, July 2004 Model 72 User Guide Page 6 Studio Technologies, Inc.
Model 72
Level Meter / Interface
Intercom Audio Levels
In North America the two most common intercom systems are those from RTS and Clear-Com. From tests performed in Studio Technologies’ lab the nominal RTS TW-series audio level was approxi­mately –10 dBu. The dynamic range control provided by belt-packs such as the MP-325 was very good, limiting the maximum level to at most 10 dB above the nominal. The nominal audio level as­sociated with a single-channel Clear-Com system was harder to characterize. It ap­peared to be a few dB less than –10 dBu, but with a much larger dynamic range. Level peaks of 10 to 20 dB over nominal were easy to produce.
The contents of this section, along with the previous one, may elicit howls of protest from a host of engineers and intercom­system experts. But for years we’ve heard differing reports as to the actual nominal audio levels for RTS and Clear-Com systems. The “in-the-know cats” agreed that the nominal level of RTS TW-series intercom (and 4000-series IFB) was –10 dBu, a value that we confirmed in our tests. But the nominal level for Clear-Com party-line systems was variously reported as –20, –15, –12, –10, and “you know, the Clear-Com level!” It’s most likely that early Clear-Com systems did use a nomi­nal level in the –20 dB range. But after making controlled tests, their contempo­rary equipment seemed to be much closer to –10 dBu. And with the limited dynamic-range control that we experi­enced, the actual level during operation may vary widely.
In conclusion, the engineers at Studio Technologies are always open to learning more. Additional information from the field concerning IFB and intercom system lev­els would be welcomed. Stopping by our offices for an in-person chat would be also great. (And bringing along pizza and beer for a tech-talk session would certainly get our attention!) Just park the production trailers on the street!
Model 72 User Guide Issue 2, July 2004 Studio Technologies, Inc. Page 7
Model 72
Level Meter / Interface
Specifications
General Audio:
Frequency Response: 20 Hz-20 kHZ, ±0.5 dB
Distortion (THD+N): 0.02%, measured at 1 kHz,
–10 dBu in/+4 dBu out
S/N Ratio: 93 dB, referenced to –10 dBu in/ +4 dBu out
Connectors:
IFB/Intercom Input: 3-pin male and female
XLR-type
Audio Outputs: 3-pin male XLR-type
IFB/Intercom Input:
Type : single- or dual-channel, unbalanced (pin 1
common; pin 2 DC (or DC with audio); pin 3 audio)
Impedance: 20 k ohms, nominal
Level: –10 dBu, nominal
Compatibility: virtually all single- and dual-channel
IFB and intercom circuits
Audio Outputs:
Type : balanced, transformer-coupled with series
capacitors and isolation resistors
Impedance: 600 ohms, nominal
Nominal Level: +4 dBu, measured with –10 dBu
IFB/intercom input level
Maximum Level: +16 dBu into 2 k ohms
Gain: 14 dB, input-to-output
Power Requirement:
22-32 Vdc, 42 mA (provided by IFB/intercom input)
Dimensions (Overall):
4.2 inches wide (10.7 cm)
2.0 inches high (5.1 cm)
4.7 inches deep (11.9 cm)
Weight: 0.8 pounds (0.35 kg)
Specifications and information contained in this User Guide subject to change without notice.
Issue 2, July 2004 Model 72 User Guide Page 8 Studio Technologies, Inc.
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