Studio Technologies 5120 User Manual

Model 5120
User Guide
Issue 3, November 2011
This User Guide is applicable for serial numbers
M5120-00151 and later
Copyright © 2011 by Studio Technologies, Inc., all rights reserved
www.studio-tech.com
50176-1111, Issue 3
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Model 5120
Line/IFB Output Module
Table of Contents
Introduction ................................................................... 5
Installation .................................................................... 7
Configuration ................................................................ 8
Operation ...................................................................... 9
Technical Notes ............................................................ 11
Specifications ............................................................... 16
Appendix A—Model 5120 Front Panel and
Printed Circuit Board (PCB) Dimensions ...................... 17
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Model 5120
Line/IFB Output Module
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Issue 3, November 2011 Model 5120 User Guide Page 4 Studio Technologies, Inc.
Model 5120
Line/IFB Output Module
Introduction
The Model 5120 Line/IFB Output Module is a compact, self-contained 2-channel mod­ule intended for use in custom broadcast, live-performance, and other specialized audio applications. The module provides broadcast and production talent cueing interfaces, specifically two line-level (“dry”) and one IFB (“wet”) outputs, in an easy-to­use yet technically sophisticated package. (Note that IFB is an acronym for Interrupt­ed Fold Back, an arcane broadcast tech­nical term meaning the cue signals sent to on-air talent or other technical support personnel.) The module’s basic functions include selectable analog and digital audio inputs, input level and status LED indica­tors, two analog line-level outputs, and a 2-channel DC-biased (“wet”) broadcast­standard IFB output. Module operation requires only a source of analog or digital audio, along with an externally-provided source of 12 volts DC.
Applications for the Model 5120 include sports broadcasting booth packages, remote news gathering “fly-packs,” stadium audio/video interface (I/O) locations, and other broadcast-infrastructure projects. The number of Model 5120 modules used
in a project can vary widely—from one to dozens. In each case the Model 5120’s performance will be completely “pro” with audio quality, reliability, and installation flexibility matching that of larger-scale audio consoles, matrix intercom systems, and stand-alone IFB systems. Typical applications will find the Model 5120’s analog and digital inputs being inter­faced with outputs provided by fiber-optic transport modules, audio/video routers, broadcast/production consoles, and matrix intercom systems.
The Model 5120’s line-level outputs would typically be connected to battery-powered listen-only headphone amplifiers, amplified speakers, or inputs on broadcast media storage systems. In remote-broadcast applications these two outputs may be referred to as “dry” (no DC voltage present) IFB signals. The Model 5120’s IFB output is directly compatible with listen-only por
­table IFB amplifiers, such as the Models 32A, 33A, or 34A from Studio Technolo
­gies, Inc. The 2-channel IFB output pro­vides signal common on one pin, +28 volt DC power with superimposed analog audio on a second pin, and analog audio only on a third pin. This complies with a long-popu­lar broadcast-standard implementation.
Figure 1. Model 5120S Line/IFB Output Module front and back views
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Model 5120
Line/IFB Output Module
Model 5120 Line/IFB Output Modules do not include a mounting enclosure or chas­sis. They are intended for mounting in custom 19-inch rack panels, equipment boxes, broadcast furniture, or other spe
­cialized settings. It is expected that integra­tion firms will create applications that use Model 5120 modules as part of complete broadcast, production, corporate, and government solutions.
Separate audio inputs are provided for interfacing with analog and digital audio sources. The two analog inputs are bal­anced (differential) and compatible with line-level signals. An unbalanced AES3id digital audio input allows the connection of two digital audio channels. A configura­tion DIP-type switch allows selection of the desired input signal. Two 7-segment LED meters provide the user with an indication of the inputs levels.
The Model 5120’s audio performance is very good. Low-noise, wide dynamic-range circuitry ensures that the input audio qual­ity is preserved. The audio from the digital audio input is routed to a high-performance digital-to-analog conversion (DAC) section that supports sample rates of up to 48 kHz with a bit depth of up to 24. The outputs of the analog inputs or DAC circuitry are routed to two line-level analog audio out
­put sections. These provide the line-level, balanced (differential), ESD-protected, capacitor-coupled output signals.
The two analog signals from the selected input channels are also routed to the IFB circuitry. One channel is used to modulate the DC power source circuitry. The second channel is routed to a single-ended (unbal­anced) line-driver circuit. The IFB power source circuitry provides a low-noise, current-limited source with a nominal
28 volt DC output. This is essentially identi­cal to that created by “big time” broadcast IFB systems. Logic circuitry contained within the Model 5120 monitors the DC output voltage. Should a low-voltage/over­current condition be detected the DC output enters a protection mode. Once the fault condition is removed normal opera­tion will again resume. An LED, located on the Model 5120’s front panel, provides an indication of the IFB output’s status. Note that for additional flexibility, the source impedance of both IFB output channels is 200 ohms, allowing intercom “beltpacks” to also serve as listen-only devices.
All audio inputs and outputs were carefully designed for use in permanent as well as field applications. Filtering on the inputs minimizes the chance that radio frequency (RF) energy will interfere with audio input sources. Other components were included to address ESD (“static”) and DC over­voltage conditions The DC power input is protected from accidental polarity reversal.
The Model 5120 requires an external source of nominal 12 volts DC for opera­tion. The acceptable input voltage range is 10 to 18 allowing a variety of power sources to be utilized. Internal power sup
­ply circuitry within the Model 5120 creates the voltages required for the analog audio, digital audio, and IFB circuitry.
Standard connectors are used through­out the Model 5120. Line-level and IFB output connections are made using 3-pin male XLR-type connectors. The two ana­log audio inputs use a 5-position, 0.1-inch “header” connector. A DIN 1.0/2.3 coaxial connector is used to interface with the digi­tal audio input. The DC power input con­nections use a 4-position, 0.1-inch header. Low-cost IDC (insulation displacement)
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Model 5120
Line/IFB Output Module
mating connectors allow simple intercon­nection with the analog audio inputs and DC power signals.
For compliance with international broad­cast audio level standards two versions of the Model 5120 are available. The Model 5120S supports SMPTE® audio levels where the analog audio reference level is +4 dBu and the digital audio reference level is –20 dBFS (SMPTE RP155). The Model 5120E supports applications that require European Broadcast Union (EBU) compli
­ance with an analog audio reference level of 0 dBu and a digital audio reference level of –18 dBFS (EBU R68).
Installation
Integration of the Model 5120 into the selected application is quite simple, only requiring connecting sources of audio and DC power. The audio source can be either analog or digital. The DC power source is nominal 12 volts with an acceptable range of 10 to 18 volts. After the connections have been completed, the module can then be secured into the designated mounting location.
circuit board. For connecting to balanced sources the signal + (high), signal – (low), and common/shield connections should be used. With unbalanced sources con­nect signal high to the Model 5120’s signal + (high) and signal low to both the signal – (low) and common/shield connections.
The required mating receptacle is from the AMP MTA100 series of IDC (insulation displacement) connectors. Parts are avail­able that are compatible with 22-28 AWG wire. The color of the receptacle indicates the intended wire gauge. The part number for compatibility with 24 AWG is AMP 3-643814-5. This receptacle is white in color.
For effective and reliable termination a semi-automatic termination tool is recom­mended. At Studio Technologies we get excellent results using the AMP 58074-1 handle assembly with associated die 58246-1. (For reference you’ll find these items stocked by Digi-Key: www.digikey. com.) This tool assembly will support 22-28 AWG and stranded wire should be used.
The analog audio inputs should be con­nected following the details in Figure 2.
Analog Audio Inputs
The Model 5120 allows two channels of analog line-level audio to be connected. The circuitry is electronically balanced and capacitor coupled. The nominal input level of Model 5120S (SMPTE) version modules is +4 dBu with a maximum input level of
Analog Audio Inputs
1. Common/Shield
2. + CH1
3. – CH1
4. + CH2
+24 dBu. The nominal input level of Model 5120E (EBU) version modules is 0 dBu
5. – CH2
with a maximum level of +18 dBu.
Connections to the analog audio inputs are
Figure 2. Analog audio inputs
made using a 5-position header connec­tor located on the Model 5120’s rear-most
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Model 5120
Line/IFB Output Module
Digital Audio Input
The Model 5120’s two audio input chan­nels can be supplied in the form of a 75 ohm unbalanced digital signal that is compatible with AES3id (technically the “id” suffix is no longer part of the AES stan­dard). The physical connection is made by way of a DIN 1.0/2.3-compliant receptacle. This receptacle is located adjacent to the analog audio input connector. This type of signal and connector is commonly used in broadcast and related applications. It was specifically selected for the Model 5120 because of its small size.
The digital audio input signal is intended to have a sample rate of 48 k/sec, although the less-common 32 k/sec and 44.1 k/sec are also compatible. The recommended nominal level of the connected digital audio source will depend on the specific Model 5120 version being installed. For Model 5120S (SMPTE) version modules the nominal level should be –20 dBFS. For Model 5120E (EBU) version modules the nominal level should be –18 dBFS.
DC Power
A 4-position header, located adjacent to the analog audio input connector, is used to connect DC power to the Model 5120. A source of nominal 12 volts DC, with an acceptable range of 10 to 18, is required for Model 5120 operation. The maximum current is 600 milliamperes at 12 volts DC.
Only pins 1 and 2 of the connector are used to connect to DC power; pins 3 and 4 should remain unconnected.
The mating connector is, like the analog audio inputs, compatible with the AMP MTA series of IDC receptacles. For 22 AWG wire the receptacle would be AMP
part number 3-644540-4 with a body color of red. For 24 AWG the AMP part number is 3-643814-4 and the color is white. Refer to Figure 3 for details.
DC Power Input
1. – DC (Common)
2. +DC (10-18 volts)
3. No connection
4. No connection
Figure 3. DC Power input interface connector
Mounting
The Model 5120 is intended for mounting into an installation-specific enclosure or rack panel. Refer to Appendix A for the required mounting opening and screw locations. Please contact the factory to discuss mounting options.
Configuration
One configuration step must be performed to ensure that the desired audio input source is selected. One DIP switch is used to select which audio source, analog or digital, is to be used by the Model 5120. Refer to Figure 4 for details.
DIP Switch 1
Off Digital Input
(
)
0
OFF
(
)
1
ON
Switches 2 through 4 not used.
Figure 4. Model 5120 audio source selection
On Analog Input
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Model 5120
Line/IFB Output Module
Operation
The Model 5120 is designed for con­tinuous operation with no adjustment or maintenance required. On the input side, maintaining the correct levels coming from the analog or digital audio sources is very important. This will ensure proper signal levels are being presented to users and maintain optimal audio fidelity. The audio meters and IFB output voltage status LED function (“DC PIN 2”) will assist users in confirming that correct operation is taking place. In addition, the under-voltage shut down function will help to protect the IFB output circuitry should a fault condition be detected.
The line outputs are designed for general­purpose use and can drive balanced or unbalanced loads. The IFB output is intend­ed to directly support listen-only beltpacks such as the Models 32A, 33A, and 34 Talent Amplifiers from Studio Technologies.
Level Meters
The two audio level meters on the Model 5120 are calibrated differently from typical “VU” meter scales. Their “steps” are labeled in reference to the nominal level of both the line and IFB outputs. For 5120S modules the green “0” LED corresponds to a +4 dBu line output and a –10 dBu IFB output au­dio level. For 5120E modules the “0” LED corresponds to 0 dBu and –10 dBu output levels respectively. The ballistics of the me­ters is also different, being a cross between VU and peak.
The four green LEDs indicate that the out­put levels are in the normal range. The two yellow LEDs light when the signals are 6 to approximately 17 dB above the reference level. The red LEDs, labeled “18,” will light
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when the output levels have come close to, or have reached, the maximum level. An optimal input signal will result in the four green LEDs lighting almost solidly with the yellow LEDs lighting only on peak signals. The red LED lighting is not a good thing and indicates that the input signal level must be reduced.
Line Outputs
The line outputs are designed for general­purpose use which could include connect­ing to externally-powered listen-only user beltpacks, transmitters associated with wireless in-ear monitors, audio consoles, or amplified speakers. The audio qual­ity is such that using the line outputs for on-air applications would be appropriate. The outputs are analog, electronically bal­anced, capacitor coupled, and will perform optimally when driving loads of 2000 (2 k) ohms or greater. When using Model 5120S (SMPTE-compatible) modules the line out­put level will be +4 dBu when a signal at reference level is applied to the input. (An SMPTE reference level signal will either be +4 dBu analog or –20 dBFS digital.) With Model 5120E (EBU-compatible) modules the line output level will be 0 dBu when an input signal at reference level is applied. (An EBU reference level will either be 0 dBu analog or –18 dBFS digital.)
The Model 5120 provides two 3-pin male XLR connectors for interfacing with asso­ciated equipment. Pin 2 should be con­nected as signal + (high), pin 3 as signal – (low), and pin 1 as common/shield. To connect to an unbalanced load use pin 2 as signal + (high) and pin 1 as low/shield. Pin 3 should be left unconnected. To clar­ify, for correct unbalanced operation it is important not to connect pin 3 to anything, e.g., do not connect pins 1 and 3 together.
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Model 5120
Line/IFB Output Module
The line output circuitry is protected from damage should a moderate DC voltage be applied. For example, no damage will occur if a Model 5120’s IFB output (28 volts DC) is accidentally connected. This protection would also be effective should a party-line intercom circuit or microphone phantom power signal be accidentally connected.
IFB Output
One or more listen-only broadcast-standard IFB devices can be connected to the IFB output. The only restriction on the number of units that can be connected is that the total current draw must be equal to or less than 120 milliamperes. Devices such as the Studio Technologies’ Models 32A, 33A, or 34 are directly compatible and will provide excellent performance. While not cost-effective, it’s also possible to con­nect intercom beltpacks such as the RTS® BP325 as listen-only devices.
An interesting Model 5120 characteristic is that its IFB output maintains a 200 ohm impedance on both pin 2 and pin 3. This effectively creates a low-current party-line intercom power supply. With this capability two BP325 beltpacks connected to a Model 5120 IFB output cannot only listen to the IFB signals but also communicate between themselves; a very small party line indeed, but possibly a useful one too.
To clarify, the signals that are present on the IFB output’s 3-pin male XLR connector: pin 1 is power and audio common; pin 2 is 28 volts DC with channel 1 audio modulated on it; pin 3 is channel 2 audio. The nominal audio output level on the IFB output chan­nels is –10 dBu, no matter if the module is a 5120S or a 5120E. The maximum current draw from pin 2 to pin 1 is 120 milliamperes. The circuitry associated with
pin 3 is protected from damage should pin 2 (nominal 28 volts DC) be connected to it.
DC Voltage Monitoring
The Model 5120’s microcontroller inte­grated circuit, under software control, “watches” to ensure that the DC voltage present on pin 2 of the IFB output is at an acceptable level. The low-voltage threshold for the Model 5120’s nominal 28 volt DC output is 24 volts. The DC Pin 2 status LED provides an indication of the DC voltage on the IFB output’s XLR connector. The LED will “flash” at a moderate cadence if the voltage on the IFB circuit falls below the acceptable value. This can be caused by a temporary over-current or short-circuit condition, such as when interconnecting user devices to the IFB circuit using por­table cabling.
An under-voltage condition that’s pres­ent for a continuous 1-second period will cause a fault condition to be recognized. The status LED will indicate this condition by flashing at a faster rate. In addition, the output voltage on the IFB circuit will auto­matically shut down to an essentially off condition. A 5-second “cool-down” period will then take place, after which the output voltage will again become active. As soon as the output is enabled normal output voltage monitoring will again take place. A continuous short-circuit presented to the IFB output will result in a continuous 4-seconds-on, 5-seconds-off error cycle. It’s important to note that during the 5-seconds-off period no voltage monitoring takes places. Removing the fault condition will not result in the output voltage immedi­ately turning on again; the 5-second shut­down period must first elapse.
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Model 5120
Line/IFB Output Module
Technical Notes
Maintaining Correct Input Signal Levels
The Model 5120’s two audio inputs are de­signed for either SMPTE (5120S) or EBU (5120E) audio level compatibility. Applying signal levels significantly lower than the intended nominal will reduce the signal­to-noise ratio (raising the perceived noise floor) and can prevent the connected user devices from operating optimally. Apply­ing signal levels significantly higher than nominal will reduce the headroom and greatly increase the chance of reaching audio “clipping.” Obviously, these cautions are not unique to the Model 5120, but ap­ply to most audio equipment. The front­panel level meters provide an easy means of confirming that a Model 5120 is being presented with the correct audio levels.
For the Model 5120S the nominal input signal level is +4 dBu for an analog source and –20 dBFS for a digital source. For the Model 5120E the nominal input level is 0 dBu for analog and –18 dBFS for digi­tal. The analog output level for nominal level input signals is +4 dBU for the Model 5120S and 0 dBu for the Model 5120E. For both versions the nominal output level of the two channels associated with the IFB output is –10 dBu. (Of course pin 2 on the IFB output has both DC and audio present on it.)
To confirm correct IFB circuit operation at locations away from where the Model 5120 is installed, it’s possible to use the Model 72 Level Meter/Interface, also available from Studio Technologies. The Model 72 is a compact, portable device that plugs directly into an IFB or intercom circuit and
provides two useful functions. Two 5­segment LED meters display the audio levels present on pins 2 and 3. In addition, “dry” line-level audio outputs are provided, one for each channel. Complete information on the Model 72 is available on the Studio Technologies website.
Maintaining Correct IFB Circuit Current Draw
The Model 5120’s IFB output is designed to provide up to 120 milliamperes of DC current. By design, the IFB circuit is protect ed so that an overload condition, or even a complete short circuit, should not cause damage. Exceeding 120 milliamperes for more than one second will cause the auto shut-down mode to become active. A con­tinuous overload condition will cause the output voltage to cycle through a 1­second-on, 5-seconds-off sequence. Restoring the output load to be within the rated 120 milliamperes will allow the IFB output to again operate normally. In extreme cases, such as where the Model 5120 is located in an environment with elevated temperatures, a few minutes may be re­quired from the time an overload condition is removed to when normal operation will again take place. Please don’t test the Mod­el 5120’s ability to sustain frequent overload or short-circuit conditions! The long-term reliability of the unit can be impacted by the stresses caused by these fault conditions.
The DC Pin 2 status LED makes it simple to know if an excessive load, or a short circuit, is being placed on the IFB circuit. Techni­cally the LED, under software control, pro­vides a direct indication of the IFB circuit’s DC output voltage. And the output voltage is directly related to the amount of current being drawn.
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Model 5120 User Guide Issue 3, November 2011 Studio Technologies, Inc. Page 11
Model 5120
Line/IFB Output Module
The LED lights steadily when the IFB’s DC output is within its normal range. Dur­ing normal operation the DC level on pin 2 of the IFB output will be approximately 28 volts. The LED will begin to flash on and off if the level falls below approximately 24 volts DC. This will occur when the current draw is greater than nominally 120 milliam­peres. If the fault lasts for more than one second the LED will flash at a faster rate. In addition, the DC output will shut down for a 5-second period.
There’s really only one piece of advice when it comes to understanding how to use the status LED: if it flashes there’s a problem that must be corrected! The most likely cause will be too many user devices being connected to the IFB output connec­tor. It’s also possible that a wiring problem could cause a partial or full short circuit between pin 1 (common) and pin 2 (power with channel one audio). Troubleshooting should prove quick and easy. Begin by dis­connecting the IFB user devices. Observe the status LED and see if the problem has gone away. If not, review the intercon­necting cables and find the fault condition. Within five seconds of the problem being “cleared” the status LED will stop flashing.
Cable Length
There are no “hard and fast” rules defining the maximum cable length possible when connecting user devices to the Model 5120’s IFB output. The maximum cable length is directly related to the amount of resistance in the connecting cable; the low­er the resistance per foot (or meter), the longer the cable can be (although cable capacitance affects high-frequency perfor mance, resistance is the limiting factor in most cases). For example, a contemporary
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microphone cable is Belden 1172A which has 18 ohms resistance per conductor pair per 1000 feet. Since we’re using 2-conduc­tor pairs to carry the signal (pins 1 and 2) you’d get 36 ohms per 1000 feet of cable. By knowing the cable resistance value, along with the minimum voltage and maxi­mum load current required by an IFB user device, a simple “ohms law” calculation will tell you the maximum cable length.
Let’s use the example of a Studio Tech­nologies Model 32A Talent Amplifier being connected to a Model 5120 IFB circuit. We’ll select Belden 1172A as the inter­connecting cable. For correct operation, the Model 32A needs at least 24 volts DC between pins 1 and 2 of its IFB input connector. It has a current draw of 35 mil­liamperes. The Model 5120’s IFB circuit presents an output voltage of 28 volts across pins 1 and 2 and can supply a maximum current of 120 milliamperes. (As the Model 32A’s current draw is well within the Model 5120’s capability, this is not a limiting factor.) The difference between the voltage supplied by the Model 5120 (28 volts) and the voltage required by the Model 32A (24 volts) allows a 4 volt maxi­mum drop over the interconnecting cable. Using the current draw and maximum voltage drop figures, the maximum cable resistance can easily be calculated: 4 volts divided by 0.035 amperes equals 114 ohms. And finally, with 1172A’s 36 ohms (total) per 1000 feet of cable, a maximum of approximately 3100 feet of cable can be used and still be less than or equal to 114 ohms. Using this example as a guide, en­tering the appropriate values will allow you to determine the maximum cable length for your application.
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Model 5120
Line/IFB Output Module
Cabling Issues – Crosstalk
The Model 5120’s IFB output conforms to a broadcast-industry standard for sending DC power and two channels of audio over a single pair with shielded audio cable. This implementation allows standard portable cables, such as are used for microphone signals, to interconnect various IFB user devices. This method is undoubtedly con­venient and practical, but is not without limitations. The main audio quality issue is the possibility of crosstalk between the two audio channels. This issue arises due to the capacitance presented by the two wires that form the twisted pair. The greater the capac­itance presented and the longer the cable run, the greater the crosstalk will become. Is this normally a problem during actual use? No. But it’s something that should be noted.
Superior Power Delivery and Audio Quality
One of the Model 5120’s strengths is its ability to very effectively deliver energy to the connected IFB user devices. This allows the devices to be supported over longer cable runs. How does the Model 5120 ac­complish this? Simply by having circuitry that is superior to that used in most of the “industry-standard” equipment. In most IFB interface devices, an adjustable volt­age regulator integrated circuit is used as a combination of audio modulator and current limiter. While this is a simple and inexpen­sive solution, it’s not without significant limi­tations. The major problem with this method is the type of voltage-current “knee” that is created. As the load current increases past about 50 percent of the rated maximum the output voltage begins to decrease. This means that the usable power delivered to the connected device(s) will start to drop
well before the rated output is reached. This limitation will become significant in applica­tions that use long cable runs. As the IFB circuit voltage begins to drop problems with user device performance can occur.
Contrast this situation with the performance provided by the Model 5120. The DC volt
­age supplied by its IFB circuit won’t “poop out” when loaded over its entire 0 to 120 milliampere range. This will allow IFB belt­pack devices to work correctly in many more applications. Figure 5 shows the IFB circuit voltage-current curves for the RTS 4000-series and the Model 5120’s IFB out­put. The performance differences are quite interesting. While the RTS Model 4010 is rated to support a much higher maximum current (versus the Model 5120) it doesn’t effectively deliver it. The Model 5120’s output voltage varies little over its rated output current range. Not so with the RTS
4010. Well before its maximum rated current is reached its output voltage falls off precipitously.
It’s also interesting to note the reason why typical IFB circuit audio quality is less than pristine. It’s not hard to notice the back­ground “hiss” that is seemingly always present on pin 2 (DC with channel 1 audio) of the interface connector. Technically, it’s white noise that comes from the adjustable voltage regulator being used as an “AM” modulator and current limiter. The noise is an artifact of the design topology and sim­ply can’t be overcome. How does Studio Technologies know this? Because our first “breadboard” designs used this method and achieved the same poor results! Only after the problem came to light did work on an improved circuit begin. The result was well worth the effort.
Model 5120 User Guide Issue 3, November 2011 Studio Technologies, Inc. Page 13
Model 5120
Line/IFB Output Module
Figure 5. IFB circuit voltage-current curves for RTS 4000-Series and Model 5120 Line/IFB Output Module
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Model 5120
Line/IFB Output Module
Software Version Display
After the Model 5120’s power-up sequence has completed, the unit’s LEDs are used to automatically display the software version number. This is useful when working with factory personnel on application support and troubleshooting situations. The seven LEDs associated with the channel 1 audio level meter are used to display the major release number with a range of 1 through
7. The seven LEDs associated with the channel 2 audio level meter are used to display the release sub-number which ranges from 0 to 7. (No channel 2 LEDs lit indicates sub-number 0.) The software ver­sion number will display for approximately one second after the power-up sequence has completed but before normal operation will begin. Refer to Figure 6 for a detailed view of the LEDs and the corresponding software version numbering scheme.
Note that while it’s easy to determine which software version is loaded into the Model 5120 a trip back to the fac
­tory is required to update it. The 8-bit microcontroller that provides the unit’s logic “horsepower” also includes internal FLASH memory. This nonvolatile memory is used to store the operating software (“firmware”). Re-programming this memory requires using a specialized programming unit. While not outrageous in price, it still costs in the range of US$500. The pro­grammer uses a ribbon cable and socket to interface with a 6-pin “header” on one of the Model 5120’s printed circuit boards. And, as you would guess, once connected reprogramming takes only a matter of sec­onds. But unfortunately the programmer is not something that would be found in a typical “field shop” or repair facility.
Release Sub-Number
Major Release Number (No LED lit indicates .0)
O O O O O O O O O O O O 1 2 3 4 5 6 7 .1 .2 .3 .4 .5 .6 .7
Figure 6. Detail of front panel showing the level meter LEDs that display the software version. In this example, the software version is 1.2.
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Line/IFB Output Module
Specifications
Digital Audio Input: 1 (2-channel) Type: AES3id, unbalanced, 75 ohms Maximum Sample Rate/Bit Depth: 48 kHz/24 Nominal Level: –20 dBFS (Model 5120S);
–18 dBFS (Model 5120E)
Analog Audio Inputs: 2 Type: electronically balanced, capacitor-coupled,
20 k ohms Nominal Level: +4 dBu (Model 5120S), 0 dBu
(Model 5120E) Maximum Level: +24 dBu
Analog Inputs to Line Outputs: THD+N: 0.005% (–86 dB), +4 dBu input, 1 kHz Frequency Response: ±2 dB, 20 Hz to 20 kHz Signal-to-Noise Ratio (A Weighted): 93 dB Dynamic Range: 113 dB Crosstalk: 105 dB, +23 dBu in, 1 kHz and 10 kHz
Digital Inputs to Line Outputs: THD+N: 0.022% (–73 dB), +4 dBu input, 1 kHz Frequency Response: ±1 dB, 20 Hz to 20 kHz Signal-to-Noise Ratio (A Weighted): 82 dB Dynamic Range: 102 dB Crosstalk: 98 dB, –1 dBFS in, 1 kHz; 91 dB,
–1 dBFS in, 10 kHz
Digital Inputs to IFB Output, Pin 2: THD+N: 0.07% (–63 dB), +4 dBu input, 1 kHz Frequency Response: ±1 dB, 100 Hz to 20 kHz Signal-to-Noise Ratio (A Weighted): 64 dB
Dynamic Range:
84 dB
Model 5120
Digital Inputs to IFB Output, Pin 3: THD+N: 0.03% (–71 dB), +4 dBu input, 1 kHz Frequency Response: ±1 dB, 20 Hz to 20 kHz Signal-to-Noise Ratio (A Weighted): 70 dB Dynamic Range: 90 dB
IFB Output: Type: DC power with two channels of unbalanced
audio Connections: common on pin 1, DC (+28 V
nominal) modulated with channel 1 audio (–10 dBu nominal) on pin 2, channel 2 audio (–10 dBu nominal) on pin 3
Maximum Audio Output Level: Pin 2: +9 dBu with +23 dBu on audio input Pin 3: +10 dBu with +24 dBu on audio input
DC Current Output: 120 milliamperes maximum Output Impedance: 200 ohms, nominal
Meters: 2, 7-segment LED, modified VU ballistics
Connectors: Line and IFB Outputs: 3, 3-pin male XLR-type AES3id Digital Audio Input: 1, DIN 1.0/2.3-
compliant coaxial Analog Audio Input: 1, 5-position male header,
AMP® MTA-100-series, part number 2-644486-5 DC Input: 1, 4-position male header, AMP MTA-
100-series, part number 2-644486-4
Power Requirement: 12 volts DC nominal, 600 milliamperes max; acceptable range 10-18 volts DC, 700 milliamperes max at 10 volts
Dimensions (Overall):
3.75 inches wide (9.5 cm)
1.69 inches high (4.3 cm)
2.30 inches deep (5.8 cm)
Mounting: requires custom implementation; no mounting method provided
Weight: 0.2 pounds (91 g)
Specifications and information contained in this User Guide subject to change without notice.
Issue 3, November 2011 Model 5120 User Guide Page 16 Studio Technologies, Inc.
Model 5120
Line/IFB Output Module
Appendix A
Model 5120 Front Panel and Printed Circuit Board (PCB) Dimensions
Model 5120 User Guide Issue 3, November 2011 Studio Technologies, Inc. Page 17
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