Studio Technologies 41 User Manual

User Guide
Issue 1, October 2004
This User Guide is applicable for serial numbers:
M41-00151 and later
Copyright © 2004 by Studio Technologies, Inc., all rights reserved
www.studio-tech.com
50012-1004, Issue 1
Table of Contents
Introduction ................................................................... 5
Installation ..................................................................... 8
Post-Installation ............................................................. 12
Operation ...................................................................... 13
Troubleshooting ............................................................ 15
Technical Notes ............................................................. 17
Specifications ................................................................ 20
Appendix A .................................................................... 21
Block Diagram
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Introduction
The Model 41 is designed to create broadcast-standard IFB circuits from line­level audio sources. The unit’s primary application is to interface analog outputs associated with digital matrix intercom systems with broadcast IFB user devices. The Model 41 provides four independent IFB circuits. Each IFB circuit provides DC power and two analog audio signals to support the connected IFB user devices. The Model 41’s audio quality is excellent; little hiss, hum, or other artifacts are pres­ent. To ensure optimal operation, the unit provides extensive resources for visually and audibly monitoring the audio and DC output signals.
Installation of the Model 41 is very simple. Audio input connections are made using a 25-pin D-subminiature connector. The IFB output circuits interface using standard 3-pin XLR-type connectors. The compact, one-rack-space package is constructed using heavy-gauge steel components. The unit’s mains power input can range from 100 to 230 volts, 50/60 hertz. This “universal input” ensures correct opera­tion virtually anywhere in the world.
There may be persons not familiar with the term IFB. That’s not unreasonable as it’s a somewhat obscure acronym for interrupt­ible foldback. On its own, the term fold­back is an alternate way of describing a cue or monitor function. Adding “interrupt­ible” before it means that the cue source can be temporarily replaced with an audio signal originating from a producer, direc­tor, or other production personnel. IFB circuits are often used in the broadcast in­dustry for talent cueing applications, both in studio and field settings. Both “dry” and “wet” IFB circuits can be deployed and their characteristics are worth review­ing. The term “dry” IFB typically refers to a transformer-balanced line-level audio circuit with a +4 dBu nominal level. This is essentially a standard audio circuit that is commonly used to interconnect audio equipment. The term “wet” IFB refers to a circuit that combines DC power and one or two channels of analog audio. The audio is unbalanced with a typical nominal level of –10 dBu. The Model 41 imple­ments wet IFB circuits. As such, in this user guide the term IFB will always repre­sent this type of circuit.
Model 41 Front Panel
Model 41 Back Panel
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IFB circuits provide an effective means of delivering power and two channels of audio to user devices by means of stan­dard audio cables. These cables, ubiqui­tous to the audio industry, interface using 3-pin male and female XLR-type connec­tors. With IFB circuits and standard audio cables it’s a simple matter to support user devices such as listen-only belt packs and announcer’s consoles with no external power source required. Whether 100 or 1000 feet apart, reliable operation can be provided.
In many cases, the Model 41 Interface will be used in on-air television applications. Whether installed in a fixed location or as part of a remote facility, excellent perfor­mance can be obtained. In addition, the Model 41 is applicable for non-broadcast applications. For example, audio record­ing and post-production facilities can also effectively use the unit. Combined with stereo or mono listen-only belt packs, also available from Studio Technologies, a variety of headphone cue systems can easily be deployed. As the Model 41’s audio inputs are compatible with standard line-level audio signals virtually any analog source can be connected.
to stereo or monaural headsets or head­phones. Generally one source is config­ured in the matrix intercom system as “interrupt” while the other is configured as “program.” An alternate term often used for the “interrupt” channel is “program­with-interrupt.” This may be more descrip­tive as the function is actually a program source that gets interrupted with talkback audio. The “program” channel is typically a continuous source of program audio. An alternate term is “program-only.” For other applications, the Model 41’s audio inputs can be connected to a 2-channel or stereo audio source. This configuration may prove useful in radio broadcasting, audio-with-picture, or recording studio applications.
Maintaining excellent audio performance was a major Model 41 design goal—the hiss, hum, and noise associated with typical IFB circuits was simply not accept­able. The Model 41 meets those require­ments with audio that is “on-air” quality: low distortion, high signal-to-noise ratio, and ample headroom. On-air talent and guests, production personnel, and techni­cians will all appreciate the clean, quiet cue signal.
Four Independent IFB Circuits
The Model 41 supplies four independent IFB circuits. Each circuit consists of two audio inputs and a “wet” IFB output cir­cuit. The audio inputs are transformer coupled, have a nominal level of +4 dBu, and are compatible with balanced or unbalanced sources. In on-air television broadcast applications the audio sources will often be analog outputs from matrix intercom systems. Two sources are typi­cally designated to feed user cue signals
power and two channels of unbalanced audio over a single 3-conductor output. The DC output is nominally 30 volts with a maximum rated current of 200 milliam­peres. A major strength of the Model 41 is the IFB circuit’s ability to effectively deliver DC power over a variety of condi­tions. Unlike other interface devices that use a common but less-than-ideal circuit topology, a unique IFB circuit was devel­oped by Studio Technologies to achieve the desired performance goals. The re­sult is a major improvement in effectively
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The Model 41’s IFB circuits provide DC
supporting IFB user devices over a wide range of conditions. Connected devices can draw up to the full rated 200 milli­amperes of current with little drop in DC voltage. This output voltage stability is the key—whether drawing 50, 100, or 200 mil­liamperes, the output will remain close to 30 volts. In practical terms this means that reliable IFB-based cue systems can now be deployed in more stadiums, concert halls, or motor racing facilities than was previously possible; longer cable runs, more user devices, excellent performance.
Monitor Section
To help ensure proper installation and operation, the Model 41 includes a sophis­ticated monitor section. Two 5-segment LED meters provide an indication of the IFB audio levels as they appear directly on the output connectors. This unique feature makes it simple to adjust and maintain the correct level of the audio sources so as to provide optimal IFB performance. A head­phone output is also provided, allowing “real world” checking of IFB audio quality. In addition to being able to manually select the IFB circuit to be monitored by the meters and headphones, an “auto scan” mode is included. This allows each of the four IFB circuits to be monitored in a continuously repeating sequence.
The DC output voltage present on pin 2 of each IFB circuit is also monitored. Four LED indicators, one for each IFB circuit, will “flash” if the voltage on its associ­ated IFB circuit falls below the acceptable value. Over-current or short-circuit condi­tions will no longer fall “below the radar,” causing problems for IFB device users with little chance of early detection.
Compatibility
The Model 41 is compatible with virtu­ally every digital matrix intercom system, including those from Clear-Com®, Drake, RTS™, and Riedel Communications. Interfacing requires only the connection of analog output ports from the intercom system to the Model 41’s audio inputs. With the Model 41’s excellent audio and power delivery performance it’s an ideal alternative to the interface devices offered by the intercom system vendors. Using the Model 41 the intercom system’s audio quality can be maintained all the way to the IFB users.
The Model 41’s IFB circuits allow virtually every IFB user device to be supported. These include the Model 30-series listen­only belt packs and Model 200-series announcer console products from Stu­dio Technologies. The 200-series units combine a variety of microphone control, headphone monitoring, IFB and intercom system interfacing, and related functions into compact desktop units. Industry­standard listen-only belt packs from RTS, including the 4020 and 4030, can also be directly supported.
Alternate Applications
In addition to broadcast intercom applica­tions, the Model 41 can be used to create high-performance stereo headphone cue systems. Stereo line-level signals coming from audio consoles, routing switchers, or off-air receivers can be connected to the Model 41’s audio inputs. The IFB cir­cuits can be connected to listen-only belt packs, several models of which are avail­able from Studio Technologies. For exam­ple, the Model 35 Talent Amplifier will allow one or two pairs of stereo headphones to
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be supported. Each of the four Model 41 IFB circuits will support up to six Model 35 Talent Amplifiers.
Installation
In this section you will be installing and interconnecting the Model 41. The one-rack-space unit will be mounted in an equipment rack. Audio input connec­tions will be made by way of a 25-pin D-subminiature connector. IFB circuits will be interfaced using four 3-pin XLR-type connectors. AC mains power is connected by means of a detachable cord set that is compatible with the Model 41’s 3-pin IEC 320 C14-type inlet connector.
System Components
minimize cable length. In general, shorter cables will lead to more reliable and consistent system performance. It’s also helpful if a technician can readily view and access the monitor section that is located on the right side of the Model 41’s front panel. The output status LEDs and levels meters can serve important roles in ensur­ing correct IFB circuit operation. Access to the headphone output jack and level control can also be useful.
Mounting the Model 41
Once the desired mounting location has been selected, the Model 41 will require one space (1.75 vertical inches) in a stan­dard 19-inch (48.3 cm) equipment rack. Secure the unit into the equipment rack using two mounting screws per side.
The shipping carton contains the Model 41 Interface and associated user guide. Units destined for North America and Japan also include an AC mains cord. Your dealer or distributor should provide an AC mains cord for other destinations.
Locating the Model 41
The Model 41’s IFB circuits provide DC power and unbalanced audio to operate external IFB user devices. These devices are often IFB “belt packs,” broadcast announcer consoles, or other “talkback boxes.” The Model 41’s mounting loca­tion will dictate the length of the cable runs needed to link the unit with the con­nected devices. In some cases the loca­tion choice is already established. For example, in field broadcast applications the Model 41 will almost always be located in a production truck or trailer. But in fixed applications it may be possible to select the Model 41’s mounting location so as to
Audio Input Connections
The Model 41 has eight line-level audio inputs, arranged as four 2-channel pairs. Each pair serves one of the four IFB cir­cuits. Each IFB circuit, along with its two associated audio inputs, is completely independent. Literally any audio source with a nominal operating level of +4 dBu can be successfully connected. Trans­former coupled, the inputs are compat­ible with balanced or unbalanced signals. In many applications the analog outputs from digital matrix intercom systems will be connected to the Model 41.
For on-air television applications the IFB sources are generally configured to pro­vide a single- or dual-channel cue “feed” to talent personnel. In such cases channel one of a pair is generally designated as the “interrupt” channel while channel two is the “program” channel. For other broad­cast applications, such as live radio, it’s possible that a stereo cue source will be
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