Studio Technologies 40 User Manual

Model 40 Central Controller
and Related Components
Issue 1, July 1994
© 1994 by Studio Technologies, Inc., all rights reserved
5520 West Touhy Avenue
Skokie, Illinois 60077 U.S.A.
Telephone (847) 676-9177
Fax (847) 982-0747
www.studio-tech.com
50065-794, Issue 1
Tab le of Contents
Introduction ................................................................. 5
What This User Guide Covers ................................ 5
System Overview .................................................... 5
Model 40 Central Controller .................................... 5
Model 35 Talent Amplifier ....................................... 7
Model 38 Talent Amplifier ....................................... 7
Installation................................................................... 9
Configuration............................................................... 13
Operation .................................................................... 13
Model 40 Central Controller .................................... 1 3
Talent Amplifiers ..................................................... 1 4
Troubleshooting .......................................................... 15
Technical Notes .......................................................... 15
Circuit Description ....................................................... 17
Specifications .............................................................. 2 3
Appendix ..................................................................... 25
Block Diagrams
Model 40 Central Controller
Model 35/Model 38 Talent Amplifiers
Model 40 User Guide Issue 1, July 1994 Studio Technologies, Inc. Page 3
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Issue 1, July 1994 Model 40 User Guide Page 4 Studio Technologies, Inc.
Introduction
The Model 40 Central Controller, along with related components, are part of the StudioComm series. StudioComm prod­ucts provide monitoring and communica­tions functions for professional audio applications. The Model 40 Central Controller, along with up to eight Model 35 or Model 38 Talent Amplifiers, allow the creation of sophisticated headphone (cue) systems for use in recording, broadcast, film, and specialized applications. With a totally unique, proprietary design, a spe­cialized, high-quality headphone system is easily configured and installed.
What This User Guide Covers
This User Guide is designed to assist you when installing, configuring, and using the Model 40 Central Controller, Model 35 Talent Amplifier, and Model 38 Talent Amplifier. It also contains detailed service information, including block and schematic diagrams.
System Overview
cables to up to four Model 35 or Model 38 Talent Amplifiers. Two pairs of head­phones can be connected to each talent amp. By placing the final output stage in the talent amplifiers, superior audio quality can be delivered directly to the user.
The highlight of a StudioComm head­phone system is the sonic quality; low distortion, low noise “high fi” audio with an output level loud enough for “rock ‘n roll.” The entire audio path is optimized for one thing: making headphones sound great.
The design and implementation of a StudioComm headphone system is simple. Cables terminated with standard 3-pin XLR-type connectors link the Model 40 Central Controller with the talent amplifi­ers. For assistance, both input and loop­through connectors are provided on each talent amp. For the first time, cable length simply stops being an issue. Locating talent amplifiers over 500 feet (164m) away from a Model 40 is perfectly acceptable.
The underlying concept of a StudioComm headphone system is distributed amplifica­tion. The Model 40 Central Controller provides two stereo line inputs, each which can be assigned to two output groups. Each output group distributes line­level stereo audio and DC power over standard 3-conductor microphone-type
Model 40 User Guide Issue 1, July 1994 Studio Technologies, Inc. Page 5
Model 40 Central Controller
The Model 40 is the connection point for the audio inputs, and provides the talent amplifier outputs which connect to the talent amplifiers. The unit mounts in one standard rack space.
Two Stereo Line Inputs
Talent Amplifier Output Groups
The analog outputs of consoles, worksta­tions, off-air receivers, or virtually any analog source can be connected to the Model 40’s line inputs. The inputs accept balanced or unbalanced signals, with an acceptable input level range of –10dBV to +10dBu. Signal Present LEDs provide assistance when adjusting the input level controls.
Model 40 Front Panel
POWER
INPUT LEVEL
INPUT 1
SIGNAL
PRESENT
LR
INPUT LEVEL
INPUT 2
SIGNAL
PRESENT
LR
MODEL 40 CENTRAL CONTROLLER
Each of the two output groups is designed to feed up to four StudioComm talent amplifier modules. The physical output of each group is a 3-pin male XLR-type connector that provides power and left and right audio to the talent amplifiers. The talent amplifier output groups are short circuit protected. Error conditions are displayed by the Over Current LEDs on the Model 40’s front panel.
INPUT 1 INPUT 2
CURRENT
OUTPUT GROUP A
OVER
INPUT 1 INPUT 2
CURRENT
OUTPUT GROUP B
OVER
SKOKIE, ILLINOIS U.S.A.
Power
present LED
Input level adjustable
over –10dBV to
+10dBu range
Model 40 Back Panel
SEE INSTRUCTION MANUAL
!
100V
0.4A 120V
0.2A
220/240V
50/60Hz
AC mains
connection
Mains voltage
configuration chart
CAUTION:
TO PREVENT ELECTRICAL SHOCK, DO NOT REMOVE
COVER OR BACK.
NO USER SERVICEABLE
PARTS INSIDE. REFER
SERVICINGTO QUALIFIED
SERVICE PERSONNEL.
Signal
Present LEDs
5520 WEST TOUHY AVE. SKOKIE, IL 60077 U.S.A.
(708) 676-9177
MADE IN U.S.A.
Output to talent
TO TALENT AMPLIFIERS
OUTPUT B
amplifiers—
Group B
Switch between
Input 1 and 2 for the
Output Groups
TO TALENT AMPLIFIERS
OUTPUT A
Output to talent
amplifiers—
Group A
LEDs display
error conditions
MODEL 40 CENTRAL CONTROLLER
L
R
INPUT 2
Stereo line inputs
1 and 2
L
R
INPUT 1
Issue 1, July 1994 Model 40 User Guide Page 6 Studio Technologies, Inc.
Model 35 Talent Amplifier
Model 38 Talent Amplifier
The Model 35 Talent Amplifier is a por­table amplifier unit capable of driving two sets of high-impedance headphones (>150). The audio output is loud, and very “clean.” The units feature a built-in level control, a stereo/mono switch, and a power present LED. A single microphone­type cable links the Model 35 with the Model 40 Central Controller.
Model 35 Front Panel
The Model 38 Talent Amplifier takes the basics from the Model 35 and adds a unique stereo preamplifier section. This allows a musician’s microphone or line­level signal to be “looped” through the Model 38, boosted by its preamp, and then combined with the stereo cue mix supplied by the Model 40. This allows the Model 38 user to create an individual headphone
1
STEREO MONO (L+R)
2
OUTPUTLEVELPOWER
HEADPHONE
OUTPUT
Model 35 Back Panel
Power present
LED
MODEL 35 TALENT AMPLIFIER
5520 W. TOUHY AVE.
SKOKIE, IL. 60077
U.S.A.
Connects to additional
talent amplifiers
Headphone output
level control
Connects to the Model 40 or another talent
Switch between stereo
and mono (L+R) output
SN
PUSH
INPUTLOOP THRUMADE IN U.S.A.
amplifier’s loop thru connector
Two headphone
outputs
Model 40 User Guide Issue 1, July 1994 Studio Technologies, Inc. Page 7
mix, solving the classic problem of wanting “more me” in the phones! Like the Model 35, the Model 38 is linked with a Model 40 Central Controller by a single cable.
Model 38 Front Panel
MIC
LINE
POWER
Power
present LED
Mic/Line button switches
the talent input between
microphone and line level
Model 38 Back Panel
MODEL 38 TALENT AMPLIFIER
CUE MIX (FROM CENTRAL CONTROLLER)
LEVEL LEVEL
STEREO MONO (L) MONO (L+R)
TALENT
Talent level
to phones
Switch between
stereo and mono
(L only) for the
talent input
STUDIO TECHNOLOGIES, INC., SKOKIE, IL U.S.A. (708) 676-9177
PUSHPUSH
MADE
IN
U.S.A.
LOOP THRU
CUE MIX
Cue mix level
to phones
TALENT
STEREO
LOOP THRUIN LEFT/MONO IN RIGHTLOOP THRU IN
1
2
HEADPHONE
OUTPUT
Two headphone
Switch between stereo
and mono (L+R) for
the cue mix
SN
PUSH
outputs
Connects to additional
talent amplifiers
Connects to the Model
40 or another talent amplifier’s loop thru
connector
Loop thru connectors parallel the
talent inputs for routing to a digital
audio workstation, effects device,
microphone preamp, etc.
Connects to talent
sources such as key-
boards or microphones
Issue 1, July 1994 Model 40 User Guide Page 8 Studio Technologies, Inc.
Installation
In this section you will be installing the Model 40 Central Controller in an equip­ment rack. Audio input connections will be made. Wiring will be installed to allow Model 35 or Model 38 Talent Amplifiers to be connected. AC mains power will be connected to the Model 40.
System Components
The main StudioComm shipping carton contains a Model 40 Central Controller, User Guide, and warranty card. Units destined for North America are shipped with an AC mains cord. Your dealer or distributor will provide an AC mains cord for non-North American destinations. Model 35 and Model 38 Talent Amplifiers will be contained in separate cartons. Please check to ensure you have every­thing you need.
Sample Installation
Please refer to the following page for a diagram detailing a possible Model 40 and talent amplifier installation.
Mounting the Model 40
The Model 40 requires one space in a standard 19-inch (48.3cm) equipment rack. It is desirable to locate the Model 40 to allow easy access to both the front and the back panels. The back panel contains the input and output connectors, while the front panel contains several controls, switches, and LED indicators. The Model 40 is secured to the equipment rack using two mounting screws per side.
Audio Inputs
The Model 40’s line-level audio input connections are made using ¼-inch 3-conductor phone jacks. Don’t be con-
cerned about damage to your audio quality, the jacks we use are manufactured by Neutrik of Switzerland and feature gold­plated contacts for excellent performance.
Caution: For reliable audio interconnection, the plugs you use must comply with industry standard RS-453. Switchcraft No. 297, Neutrik NP3C, or equivalent will work cor­rectly. Refer to the Technical Notes section for details.
Stereo Line Inputs
The Model 40 allows two stereo line input sources to be connected. During operation either talent amplifier output group can select either of the stereo inputs as its source. This allows flexibility in routing the desired source to the desired group of talent amplifiers. In some installations only one stereo source may be available. In this case the one stereo source should be connected to input 1. For future use it may be wise to connect input 2 to points on a patch bay. This will allow rapid connection of another audio source should the need arise.
The input circuitry is electronically balanced, and is compatible with balanced or unbal­anced signals that have a nominal level range of –10dBV to +10dBu. The input impedance is 50K ohms so that compatibil­ity with virtually every source is assured.
Prepare the input plugs so that tip is posi­tive (+ or hot), ring is negative (– or cold), and sleeve is shield. The input jacks will also accept unbalanced ¼-inch 2-conductor phone plugs. With unbalanced phone plugs, tip is positive (+ or hot) and sleeve is shield. If 3-conductor phone plugs are used to connect unbalanced input signals, connect positive (+ or hot) to tip and shield to ring and sleeve.
Model 40 User Guide Issue 1, July 1994 Studio Technologies, Inc. Page 9
Example Installation
Recorder/Reproducer
Model 40 Central Controller
Model 35 Talent Amplifiers
Model 38 Talent Amplifier
Output Group 1
Output Group 2
Total of eight headphones per group
Issue 1, July 1994 Model 40 User Guide Page 10 Studio Technologies, Inc.
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