Soundcraft RM1D, RM1DS BROCHURE
RM1d / RM1ds
CONSOLE WIDTH WEIGHTS
6-fader 431.4mm (16.98") 15kg (33.0 lbs)*
12-fader with script tray 851.4mm (33.51") 25kg (55.0 lbs)*
12-fader without script tray 624.4mm (24.59") 20kg (44.0 lbs)*
*not including power supply unit & cables
637.0mm (25.079")
310.0mm (12.205")
56.0mm
(2.205")
8.0mm
(0.315")
70.5mm
(2.776")
Series15
Series10
CONSOLE WIDTH WEIGHTS
16 module Series15 609mm (23.98") 20kg (44.0 lbs)
24 module Series15 889mm (35.00") 28kg (61.6 lbs)
32 module Series15 1169mm (46.02") 32kg (70.4 lbs)
12 input Series 10 609mm (23.98") 22kg (48.4 lbs)
20 input Series 10 889mm (35.00") 32kg (70.4 lbs)
28 input Series 10 1169mm (46.02") 38kg (83.6 lbs)
DIMENSIONS
Broadcast Consoles
Broadcast Consoles
series
series
SOUNDCRAFT
HARMAN INTERNATIONAL INDUSTRIES LTD.,
CRANBORNE HOUSE,
CRANBORNE ROAD,
POTTERS BAR,
HERTS, EN6 3JN, UK
T: +44 (0)1707 665000
F: +44 (0)1707 660742
E: info@soundcraft.com
SOUNDCRAFT USA
8500 BALBOA BLVD,
NORTHRIDGE, CA 91329, USA
T: +1-818-920-3212
F: +1-818-920-3208
E: soundcraft-usa@harman.com
www.soundcraft.com
Soundcraft Registered Community Trade Mark / RTM No. 000557827
Part No. ZL0518-01
Soundcraft reserves the right to improve or otherwise alter any information supplied
in this document or any other documentation supplied hereafter. E&OE 12/07
This equipment complies with the EMC Directive 89/336/EEC
PLAN VIEW: 6 FADER CONSOLE
PLAN VIEW: 12 FADER CONSOLE WITH SCRIPT TRAY
SEE TABLE BELOW
375mm (14.76")
436mm (17.16")
MODULES AT 10"
83mm
(3.27")
246mm (9.68")
RM105
RM100
CONSOLE WIDTH WEIGHTS
8 input RM105 / RM100 432mm (17.01") 11kg (24.2 lbs)
12 input RM105 / RM100 572mm (22.52") 13kg (28.6 lbs)
20 input RM105 / RM100 852mm (33.54") 20kg (44.0 lbs)
PLAN VIEW: 12 FADER CONSOLE
CONTENTS
8-11
Pages
12
Page
13
Page
14
Page
16
Page
17
Page
Every day, all over the world, broadcast
facilities large and small rely on Soundcraft
consoles. During our 30 year history,
Soundcraft has established an enviable
reputation for innovation, reliability and
intuitive design, along with unbeatable
value for money. Today’s Soundcraft
Broadcast Console range incorporates both
analogue and digital technologies. Facilities
seeking an analogue solution can choose
from a comprehensive range of nine
consoles, each of them modular in design
and configurable to match precisely the
relevant application. Those choosing a
digital route will discover in Soundcraft’s
RM1d / RM1ds a console which achieves
exceptional sound quality, flexibility and
ease of use at a price not previously
associated with digital consoles of such
sophisticated specification. Analogue or
digital, the choice is yours. A console for
broadcast, the choice is Soundcraft.
Soundcraft.
We Talk
Broadcast.
• 8, 12 or 20 input frames
• Production and on-air versions
• Mono, stereo, telco and source select modules
• Simple channel strip with no EQ
• Production, on-air and OB Console
• Fully modular production, on-air and OB console
• 8, 12 or 20 input frames
• Production and on-air versions
• Mono, stereo, telco and source select modules
• 2-band EQ fitted as standard, can be removed
• 12, 20 and 28 input frames
• Production and on-air versions
• Mono, stereo, telco and source select modules
• 3-band EQ fitted as standard, can be removed
• 16, 24 and 32 module frames
• Broadcast and production versions of each module
• Mic, telco, stereo and stereo telco input modules
• Four stereo groups
• 6-fader, 12-fader and 12-fader with script tray frames
• Highly flexible input and routing system
• Instant configurability
• 6-fader, 12-fader and 12-fader with script tray frames
• Highly flexible input and routing system
• Instant configurability
series
series
6/7
Pages
RADIO CONSOLES
PRODUCTION CONSOLES
• Production console
PAGE
4
PAGE
5
Soundcraft Broadcast Consoles:
A Comparison of Features
Soundcraft Broadcast Consoles:
A Comparison of Features
TV/RADIO PRODUCTION RADIO PRODUCTION/ON-AIR
B800 B400 BB100 Series 15 Series 10 RM1d RM1ds RM105 RM100
Digital/Analogue Analogue Analogue Analogue Analogue Analogue Digital Digital Analogue Analogue
Frame sizes 24, 32, 24, 32, 14, 22, 30, 16, 24, 32 16, 24, 32 6, 12 6,12 8, 12, 20 8, 12, 20
40, 48, 56 40, 48, 56 38, 46
Script Tray - - - optional optional 12 fader only 12 fader only optional optional
Output busses ST1 ST ST STEREO STEREO STEREO 1 PROGRAMME PGM PGM
(stereo) (stereo) (stereo) (stereo) (stereo) (stereo) (stereo) (stereo) (stereo)
ST2 8 GROUPS 8 GROUPS MONO MONO STEREO 2 AUDITION AUX AUD
(stereo) (4 mono/4 stereo) (8 mono) (mono) (mono) (stereo) (stereo) (stereo) (stereo)
8 GROUPS 3 AUX 8 AUX AUX AUX AUX 1, 2 AUX 1, 2 MONO MONO
(4 mono/4 stereo) (mono) (mono) (mono) (mono) (mono/ste) (mono/ste) (mono) (mono)
6 AUX (mono) 1 AUX (stereo) 1 AUX (stereo) 4 GROUP (stereo) - - - - -
2 AUX (stereo) - - - - - - - -
External inputs 8 stereo 8 stereo - 4 4 4 4 4 4
Effects returns 1 per 1 per 1 per group pair - 2 (production 1 (built-in 1 (built-in - -
group module group module 1 to the mix version only) Lexicon FX) Lexicon FX)
External talkback inputs yes yes - 2 2 1 on 6 fader, 1 on 6 fader, - -
2 on 12 fader 2 on 12 fader
Talkback output yes yes - yes yes yes yes yes yes
Equalisation 4-band sweep 3-band,
4-band swept mids (mono) 3-band * 3-band * 3-band 3-band 2-band * none
swept mid 3-band swept mid (stereo)
Filters HP 100Hz HP variable HP 80Hz HP 80Hz HP 80Hz HP variable HP variable - -
(mono + stereo)
LP 12kHz (stereo)
Remote start / stop yes yes - - yes yes yes - (Mono Module)
Remote start / stop yes yes - yes yes yes yes yes yes
(Stereo Module)
Fader start yes yes yes yes yes yes yes yes yes
Auto-cue / pfl Auto-cue Auto-cue pfl Auto-pfl Auto-pfl Auto-pfl Auto-cue Auto-cue Auto-cue
Phantom power yes yes yes yes yes yes yes yes yes
Headphone outs Engineer's / Engineer's / Engineer’s Presenter's / Presenter's / Presenter's / Presenter's / Presenter's / Presenter's /
Studio / Guest Studio / Guest Studio / Guest Studio Studio / Guest Studio / Guest Guest Guest
* EQ is optional
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