Soundcraft is a trading division of Harman International Industries Ltd. Information in this manual is subject to change without notice and does not represent
a commitment on the part of the vendor. Soundcraft shall not be liable for any
loss or damage whatsoever arising from the use of information or any error
contained in this manual.
No part of this manual may be reproduced, stored in a retrieval system, or
transmitted, in any form or by any means, electronic, electrical, mechanical,
optical, chemical, including photocopying and recording, for any purpose without
the express written permission of Soundcraft.
Harman International Industries Limited
Cranborne House
Cranborne Road
POTTERS BAR
Hertfordshire
EN6 3JN
UK
IMPORTANT SAFETY INSTRUCTIONS 4
SAFETY SYMBOL GUIDE 5
INTRODUCTION 8
THE 60-SECOND GUIDE 10
WIRING UP 12
BLOCK DIAGRAMS 16
MONO INPUT CHANNELS 18
STEREO INPUT CHANNELS 20
MASTER SECTION 22
FX PROCESSOR OVERVIEW 24
FX OPERATION 25
REVERBS 25
DELAYS 26
MODULATED EFFECTS 26
EFFECTS DATA CHART 27
USING YOUR NOTEPAD 124/124FX CONSOLE 28
MARK-UP SHEETS 30
DIMENSIONS 32
APPLICATIONS 33
TYPICAL CONNECTING LEADS 34
TYPICAL SPECIFICATIONS 36
WARRANTY 37
GLOSSARY 38
Soundcraft Notepad User Guide
3
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any ventilation openings. Install in accordance with the manufacturer’s
instructions.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus
(including ampliers) that produce heat.
Do not defeat the safety purpose of a polarised or grounding type plug. A polarised plug
has two blades with one wider than the other. A grounding type plug has two blades and
a third grounding prong. The wide blade or the third prong are provided for your safety. If
the provided plug does not t into your outlet, consult an electrician for replacement of the
obsolete outlet
Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles and the point where they exit from the apparatus.
Only use attachments/accessories specied by the manufacturer.
Use only with the cart, stand, tripod, bracket or table specied by the manufacturer, or sold
with the apparatus. When a cart is used, use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
Unplug this apparatus during lightning storms or when unused for long periods of time.
NOTE: This equipment has been tested and found to comply with the limits for a Class A
digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this equipment in a residential
area is likely to cause harmful interference in which case the user will be required to correct
the interference at his own expense.
This Class A digital apparatus meets the requirements of the Canadian Interference-Causing
Equipment Regulations.
Cet appareil numérique de la Classe A respecte toutes les exigences du Règlement sur le
matériel brouilleur du Canada.
4
Soundcraft Notepad User Guide
For your own safety and to avoid invalidation of the warranty please read this
section carefully.
SAFETY SYMBOL GUIDE
For your own safety and to avoid invalidation of the warranty all text marked
with these symbols should be read carefully.
WARNINGS
The lightning ash with arrowhead symbol, is intended to
alert the user to the presence of un-insulated ‘dangerous
voltage’ within the product’s enclosure that may be of suf-
cient magnitude to constitute a risk of electric shock to
persons.
CAUTIONS
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
NOTES
Contain important information and useful tips on the opera-
tion of your equipment.
HEADPHONES SAFETY WARNING
Contain important information and useful tips on headphone
outputs and monitoring levels.
Recommended Headphone Impedance >= 32 Ohms.
Soundcraft Notepad User Guide
5
Refer all servicing to qualied service personnel. Servicing is required when the
apparatus has been damaged in any way, such as power-supply cord or plug is
damaged, liquid has been spilled or objects fallen into the apparatus, the
apparatus has been exposed to rain or moisture, does not operate normally, or has
been dropped.
Note: It is recommended that all maintenance and service on the product should be
carried out by Soundcraft or its authorised agents. Soundcraft cannot accept any
liability whatsoever for any loss or damage caused by service, maintenance or repair
by unauthorised personnel.
WARNING: To reduce the risk of re or electric shock, do not expose
this apparatus to rain or moisture.
Do not expose the apparatus to dripping or splashing and do not
place objects lled with liquids, such as vases, on the apparatus.
No naked ame sources, such as lighted candles, should be placed
on the apparatus.
Batteries (battery pack or batteries installed) should not be exposed
to excessive heat such as sunshine, re or the like.
Ventilation should not be impeded by covering the ventilation
openings with items such as newspapers, table cloths, curtains etc.
The Soundcraft Notepad mixer must only be connected through the
AC power adapter supplied, which must have one of the following
part numbers:
Notepad AC Adaptor UK C089.202100
Notepad AC Adaptor EU C089.202101
Notepad AC Adaptor US C089.202102
Notepad AC Adaptor JP C089.202103
Notepad AC Adaptor AZ C089.202104
The mains supply disconnect device is the mains plug. It must remain accessible so
as to be readily operable when the apparatus is in use.
6
Soundcraft Notepad User Guide
If any part of the mains cord set is damaged, the complete cord set should be
replaced. The following information is for reference only.
The wires in the mains lead are coloured in accordance with the following code:
Earth (Ground): Green and Yellow (US - Green/Yellow)
Neutral: Blue (US - White)
Live (Hot): Brown (US - Black)
As the colours of the wires in the mains lead may not correspond with the coloured
markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured Green and Yellow must be connected to the
terminal in the plug which is marked with the letter E or by the earth symbol.
The wire which is coloured Blue must be connected to the terminal in the
plug which is marked with the letter N
The wire which is coloured Brown must be connected to the terminal in the
plug which is marked with the letter L
Ensure that these colour codes are followed carefully in the event of the plug being
changed.
This unit is capable of operating over a range of mains voltages as marked on power
supply unit.
Soundcraft Notepad User Guide
7
INTRODUCTION
Thank you for purchasing a Soundcraft Notepad mixer. The Notepad range is a
compact mixing solution, bringing you all the features and performance that you
expect from a Soundcraft product, at an extraordinarily low price.
The packaging in which your Notepad arrived forms part of the product and should
be retained for future use.
Owning a Soundcraft console brings you the expertise and support of one of the
industry’s leading manufacturers, and the results of over 3 decades of
supporting some of the biggest names in the business. Our knowledge has been
attained through working in close contact with leading professionals and institutes
to bring you products designed to get the best possible results from your mixing.
Built to the highest standards using quality components and surface mount
technology, the Notepad is designed to be as easy to use as possible. We have
spent years researching the most efcient methods of control for two key reasons:
1) Engineers, musicians, writers and programmers all need to have very few
interruptions to the creative process; our products have been designed to be
almost transparent, allowing this process to breathe.
2) Whether performing or recording, time is a very expensive and rare commodity. Our products have a user interface which is recognised by millions to be the
industry standard because of its efciency.
The sonic qualities of our products are exemplary - some of the same circuits
which are used on our most expensive consoles used on International tours are
employed in the Notepad, bringing you the great Soundcraft quality in a small
format console without
compromise.
You will also be glad to know you have a one year warranty with your product from
the date of purchase. The Notepad has been designed using the latest high-end
software based engineering packages. Every console from Soundcraft has been
proven to stand up to all the stress and rigours of modern day mixing environments.
The entire Notepad is manufactured using some of the most advanced techniques
in the world, from high density surface mount PCB technology, to computer aided
test equipment able to measure signals well outside the range of normal hearing.
8
Soundcraft Notepad User Guide
ADVICE FOR THOSE WHO PUSH THE BOUNDARIES
Although your new console will not output any sound until you feed it signals, it has the
capability to produce sounds which when monitored through an amplier or
headphones can damage hearing over time.
Please take care when working with your audio - if you are manipulating controls which
you don’t understand (which we all do when we are learning), make sure your
monitors are turned down. Remember that your ears are the most important tool of your
trade, look after them, and they will look after you. Most importantly - don’t be afraid
to experiment to nd out how each parameter affects the sound - this will extend your
creativity and help you to get the best from your mixer and the most respect from your
artists and audience.
Soundcraft Notepad User Guide
9
THE 60-SECOND GUIDE (NOTEPAD 124FX shown)
To get you working as fast as possible, this manual begins with a 60-second guide. Here you can nd quick
information on any feature of the console.
1
2
3
5
6
7
u
7
8
9
y
i
0
q
r
a
o
g
s
e
d
f
p
8
9
4
t
1 MIC INPUT (XLR)Connect Microphones here. If you are using a condenser mic, ensure phantom
power is supplied by pressing the switch at the top of the master section.
WARNING: Do Not apply Phantom Power before connecting a microphone.
2 LINE INPUT (¼” Jack) Connect Line level sources here, e.g. Synth, Drum Machine, DI etc.
3 GAIN CONTROL Adjust this to increase or decrease the level of the incoming signal.
4 PEAK LED This is used to indicate that the signal is close to distorting (clipping) on a specic
channel.
5 EQ STAGE Adjust these controls to change the signal tone (the character of the signal).
6 HPF The high-pass lter reduces the level of bass frequencies only. Use this in live PA
situations to reduce stage rumble or ‘popping’ from mics.
7FX SEND /AUX SENDAdjust this control to change the level of the signal to the FX processor (Notepad
124FX) or an artist’s monitors (headphones/in-ear/stage monitors, Notepad 124).
8 PAN or BAL CONTROLUse the PAN control to position the signal within the stereo eld. On Stereo inputs,
BAL adjusts the balance of the stereo signal within the mix.
9 INPUT CHANNEL FADER This is used to control the level fed to the Mix Bus outputs.
10 +4/-10 SWITCH Used to set the input sensitivity of the stereo input channels (not Notepad 102)
11 MIX OUTPUTS (¼” Jack) Connect these to your analogue recording device, or to your amplication system.
12 MASTER FADER This fader controls the overall level of the mix outputs.
w
10
Soundcraft Notepad User Guide
13 MAIN METERSThese show the level of the mix outputs. This signal is replaced by the FX or 2-Track
return signals depending upon the settings of the 2-Track and FX switches.
14 MONITOR OUTPUTS These are used to feed your monitoring system. This can be directly connected to
(¼” Jack) powered monitors, or indirectly via an amplier to standard monitors.
15 MONITOR/PHONES CONTROL This controls the level of the signal sent to your monitoring system and signal sent
to the headphones jack socket.
16 HEADPHONES (¼” Jack)Plug your headphones into this socket. Recommended headphones impedance is
32 ohms or greater.
17 FX SEND/AUX OUTPUT This output can be used to send the channel signal to an artist’s monitors
(¼” Jack) (headphones/in-ear/stage monitors). or external FX processor).
18 STEREO INPUTS These inputs can be used to connect line level stereo inputs from keyboards, sound
(¼” Jack, and RCA on modules, samplers, computer based audio cards etc. The Notepad 102 has RCA
Notepad 102) Phono sockets on inputs 7&8 and 9&10, set to -10dBV.
19 2-TRACK INPUTS
20 2-TRACK CONTROLS Use these to control the 2 Track signal. The TO MON switch sends the signal to the
21 RECORD OUTPUTS You can connect these to the inputs of your recording device.
(RCA Phono)
22 PHANTOM POWER Press this to switch the phantom power (48V) on for condenser microphones.
WARNING: Do Not apply Phantom Power before connecting a
(RCA Phono)
You can connect the playback from your recording device or CD/MP3 player here.
monitor outputs and phones, whilst the TO MAIN switch sends it to the main mix.
microphone.
Notepad 124FX only
23 FX TO MAIN The rotary control regulates the signal level being fed from the FX processor to the
MAIN MIX L and R outputs.
24 FX TO MON The FX TO MON switch routes the post-FX signal to the monitor/headphones outputs.
25 FX PROCESSOR See the information starting on page 24.
Notepad 102 and 124 only
26 AUX SEND The rotary control regulates the signal level being
27 AUX TO MON The AUX TO MON switch routes the AUX signal to the
h
fed from the AUX bus to the AUX OUTPUT socket (and
MON output when selected).
Monitor/Headphone outputs.
j
Soundcraft Notepad User Guide
11
WIRING UP
Mic Input
The MIC input accepts XLR-type connectors and is designed to suit a wide
range of BALANCED or UNBALANCED low-level signals, whether from
delicate vocals requiring the best low-noise performance, or drum kits
needing maximum headroom. Professional dynamic, condenser or ribbon
mics are best because these will be LOW IMPEDANCE. While you can use
low-cost HIGH IMPEDANCE mics, you do not get the same degree of
immunity to interference on the microphone cable and as a result the level
of background noise may be higher. If you turn the PHANTOM POWER on,
the socket provides a suitable powering voltage for professional condenser
mics.
DO NOT use UNBALANCED sources with the phantom power
switched on. The voltage on pins 2 & 3 of the XLR connector may
cause serious damage. BALANCED dynamic mics may normally be
used with phantom power switched on (contact your microphone
manufacturer for guidance)
The input level is set using the input GAIN knob.
The LINE input offers the same gain range as the MIC input, but at a higher
input impedance, and is 15dB less sensitive. This is suitable for most line
level sources.
WARNING !
Start with the input GAIN knob turned fully anticlockwise
when plugging high level sources into the LINE input to avoid
overloading the input channel or giving you a very loud surprise!
Line Input
Accepts 3-pole 6.35mm (1/4”) jacks, or 2-pole mono jacks which will
automatically ground the ‘cold’ input. Use this input for sources other than
mics, such as keyboards, drum machines, synths, tape machines or DI
boxes. The input is BALANCED for low noise and immunity from
interference, but you can use UNBALANCED sources by wiring up the jacks
as shown, although you should then keep cable lengths as short as
possible to minimise interference pick-up on the cable. Note that the ring
must be grounded if the source is unbalanced. Set the input level using
the GAIN knob, starting with the knob turned fully anticlockwise. Unplug
any MIC connection when using the LINE input.
Stereo Inputs 5-6. 7-8, 9-10 and 11-12 (Notepad 124
Stereo inputs 3-4 and 5-6 (Notepad 102)
These accept 3-pole 6.35mm (1/4”) jacks, or 2-pole mono jacks which
will automatically ground the ‘cold’ input. Use these inputs for sources
such as keyboards, drum machines, synths, tape machines or as returns
from processing units. The input is BALANCED for low noise and immunity
from interference, but you can use UNBALANCED sources by wiring up the
jacks as shown, although you should keep cable lengths as short as
possible to minimise interference pick-up on the cable, but the ring must
be grounded if the source is unbalanced. Mono sources can be fed to
both paths by plugging into the Left jack only.
12
Soundcraft Notepad User Guide
Stereo Inputs 7-8, 9-10 (Notepad 102)
These accept unbalanced RCA Phono plugs and are optimised for -10dBV
operation from line sources such as a CD or MP3 player. They can accept
signals from balanced sources by using an appropriate cable, see pages
34/35 for cable wiring details.
Mix Outputs
The MIX outputs are on 1/4” TRS jacks, wired as shown, and incorporate balanced line drives, allowing long cable runs to balanced ampliers and other
equipment.
Aux/FX SEND Outputs
The Aux/FX Bus outputs are on 3-pole 6.35mm (1/4”) jack sockets, wired as
shown on the left, and are impedance balanced.
MONITOR Outputs
The MONITOR outputs are on 3-pole 6.35mm (1/4”) jack sockets, wired as
shown on the left, and are impedance balanced.
Headphones
The PHONES output is a 3-pole 6.35mm (1/4”) jack, wired as a stereo output
as shown, ideally for headphones of 32Ω or greater. 8Ω headphones are not
recommended.
We recommend you check out the range of headphones available from AKG,
at www.akg.com
Soundcraft Notepad User Guide
13
Polarity (Phase)
You will probably be familiar with the concept of polarity in
electrical signals and this is of particular importance to balanced audio
signals. Just as a balanced signal is highly effective at cancelling out
unwanted interference, so two microphones picking up the same signal
can cancel out, or cause serious degradation of the signal if one of the
cables has the +ve and -ve wires reversed. This phase reversal can be
a real problem when microphones are close together and you should
therefore always take care to connect pins correctly when wiring audio
cables.
Grounding and Shielding
For optimum performance use balanced connections where possible
and ensure that all signals are referenced to a solid, noise-free
earthing point and that all signal cables have their screens connected
to ground. In some unusual circumstances, to avoid earth or ground
‘loops’ ensure that all cable screens and other signal earths are
connected to ground only at their source and not at both ends.
If the use of unbalanced connections is unavoidable, you can minimise
noise by following these wiring guidelines:
•On INPUTS, unbalance at the source and use a twin screened
cable as though it were balanced.
•On OUTPUTS, connect the signal to the +ve output pin, and the
ground of the output device to -ve. If a twin screened cable is
used, connect the screen only at the mixer end.
•Avoid running audio cables or placing audio equipment close to
thyristor dimmer units or power cables.
•Noise immunity is improved signicantly by the use of low
impedance sources, such as good quality professional microphones or the outputs from most modern audio equipment.
Avoid cheaper high impedance microphones, which may suffer
from interference over long cable runs, even with well-made
cables.
14
Grounding and shielding is still seen as a black art, and the
suggestions above are only guidelines. If your system still hums, an
earth/ground loop is the most likely cause. Two examples of how an
earth loop can occur are shown below.
Soundcraft Notepad User Guide
Loading...
+ 30 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.