Page 1
For more details, visit the website at: www.worldphoto.org
Main specifications /
General
Camera type Interchangeable-lens digital camera
Lens mount E-mount
Image s ensor
Type APS-C t ype (23.5 x 1 5.6mm) Exm or CMOS sen sor
Numbe r of pixels ( effectiv e) Approx. 24.2 megapixels
Numbe r of pixels ( total) Approx. 25.0 megapixels
Image s ensor asp ect ratio 3:2
Anti-dust system Yes
Recordi ng system (st ill images)
Recording format JPEG (DCF Ver. 2.0, Exif Ver. 2.3 , MPF Baseli ne compli ant), RAW (So ny ARW 2.3 for mat)
Image s ize
(pixels)
Image q uality mo des RAW, RAW & JPEG, JPEG E xtra fine, JP EG Fine, JPEG S tandard
RAW outpu t 14 bit
Pictu re Effect
Creative Style
Dynam ic range fun ctions
Color space s RGB stand ard (with s YCC gamut) a nd Adobe RG B standar d compatib le with TR ILUMINO S Color
Recordi ng system (mo vies)
Recording format XAVC S / AVCHD format Ve r. 2.0 complian t / MP4
Video compression
Audio recording format
Image s ize
(pixels)
Slow & Qu ick motio n (S&Q) Reco rd Settin g
Slow & Qu ick motio n (S&Q) Fram e Rate
Pictu re Profile
Movie f unction s
Color space x vYCC stand ard (x.v.Col or when con nected vi a HDMI cabl e) compat ible with T RILUMIN OS Color
Clean HD MI output
Media
Media
Slot Multi s lot for Memo ry Stick D uo / SD memor y card
Noise re duction
Noise re duction
Multi Fr ame NR Auto / ISO 1 00 to 51200
White ba lance
Modes
AWB micro adjustment G7 to M7 (57 steps) , A7 to B7 (29 ste ps)
Priori ty Set in AWB Yes –
Bracketing 3 frames , H/L select able
Focus system
Type Fast Hybr id AF (pha se-detec tion AF/ contrast- detecti on AF)
Focus point 42 5 points (p hase-d etection A F) / 169 poin ts (contra st-detec tion AF)
Sensi tivity ran ge EV-1 to EV20 ( ISO 100 equ ivalent w ith F2.0 le ns attach ed)
AF modes Automa tic AF (AF- A), Single -shot AF (A F-S), Contin uous AF (A F-C), Direc t Manual Fo cus (DMF) , Manual Focu s
Focus area
Focus ty pe with LA- EA3 (sold s eparatel y) Phase-detection/contrast-detection selectable
Other fe atures
Expos ure control
Metering type 1200- zone eval uative met ering
Metering sensor Exm or CMOS sen sor
Metering sensitivity EV-2 to EV20 ( at ISO 100 eq uivalen t with F2.0 l ens attac hed)
Metering modes
Exposure modes
Scene Se lection Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, Anti Motion Blur
Exposure compensation +/-5.0 EV ( in 1/3 EV or 1 /2 EV steps )
AE bracketing
AE lock Availa ble with AE l ock butto n. Locked whe n shutter b utton is pre ssed half way.
ISO sen sitivit y
(Recommended Exposure Index)
Viewfinder
Type XGA OLED, 1.0 cm (0.39 ty pe) elect ronic vie wfinder ( color)
Total numb er of dots 2,359,296 dots
Brightness control Auto/Manual ( 5 steps bet ween -2 and + 2)
Color te mperatur e control Manual (5 steps)
Field coverage 100%
Magnification A pprox. 1.07x ( 35mm came ra equival ent: Approx . 0.70x) with 5 0mm lens at i nfinity, -1m
Diopte r adjustm ent -4.0 to + 3.0m
Eye poin t Approx . 23mm from the e yepiece l ens, 21.4m m from the ey epiece fra me at -1m-1 (CIPA standard)
Display Graphic Dis play / Dis play All In fo. / No Disp. Info . / Histogram / D igital Le vel Gauge
Real- time imag e-adjus tment di splay On / Off
Finde r Frame Rate se lectio n Yes (1x, 2x)
3:2 aspect ratio L: 6000 x 400 0 (24M), M: 4240 x 28 32 (12M) , S: 3008 x 2000 (6.0 M)
16:9 as pect ratio L: 6000 x 3376 ( 20M), M: 4240 x 240 0 (10M), S: 300 8 x 1688 (5.1M)
Sweep Panorama
NTSC
PAL
NTSC 3840 x 216 0 (30p/24 p) / 1920 x 10 80 (60p/2 4p) / 1920 x 10 80 (60i), YCb Cr 4:2:2 8b it/ RGB 8b it
PAL 3840 x 21 60 (25p) / 1 920 x 1080 (5 0p) / 1920 x 10 80 (50i) , YCbCr 4:2:2 8 bit/ RGB 8b it
Wide: hor izontal 1 2416 x 1856 ( 23M), vert ical 5536 x 2 160 (12M ), Standard : horizonta l 8192 x 1856 ( 15M), vert ical
3872 x 216 0 (8.4M)
13 modes: Posteriz ation (Color, B/W), Pop Color, Retro Photo, Partial Co lor (R, G, B, Y), High Contrast Monoch rome,
Toy Camera, Soft H igh-key, Soft Foc us, HDR Painting , Rich-tone Mo nochrome, Min iature, Watercolo r, Illustratio n
Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White,
Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps) (Style Box 1-6 also provided)
Off, Dynamic Range O ptimizer (Auto/Lev el (1-5)), Auto High Dyn amic Range: Auto Expos ure Difference, Exposure
Differ ence Level ( 1.0-6.0 E V, 1.0 EV step)
XAVC S: MPEG -4 AVC/H.2 64
AVCHD: MPE G-4 AVC/H. 264
MP4: MPEG -4 AVC/H. 264
XAVC S: LPCM, 2ch
AVCHD: Dol by Digita l (AC-3), 2ch, Dol by Digita l Stereo Cre ator
MP4: MPEG -4 AAC-LC, 2ch
XAVC S 4K: 3840 x 2160 (30p/100Mbps, 30p/60Mbps, 24p/100Mbps, 24p/60Mbps)
XAVC S HD: 192 0 x 1080 (60p /50Mbp s, 30p/50M bps, 24p/50 Mbps, 120p /100M bps, 120p/ 60Mbps)
AVCHD: 192 0 x 1080 (60p /28Mbp s/PS, 60i/ 24Mbps/ FX, 60i/1 7Mbps/F H, 24p/24Mb ps/FX, 24p /17Mbp s/FH)
MP4: 1920 x 1 080 (60p /28Mbps , 30p/16M bps), 1280 x 7 20 (30p/6 Mbps)
XAVC S 4K: 3840 x 2160 (25p/100Mbps, 25p/60Mbps)
XAVC S HD: 192 0 x 1080 (50p /50Mbp s, 25p/50M bps, 100p/ 100Mbp s, 100p/60 Mbps)
AVCHD: 192 0 x 1080 (50p /28Mbp s/PS, 50i/ 24Mbps/ FX, 50i/1 7Mbps/F H, 25p/24M bps/FX, 25 p/17Mb ps/FH)
MP4: 1920 x 1 080 (50p /28Mbps , 25p/16M bps), 1280 x 7 20 (25p/6 Mbps)
NTSC mode: 1920x1080 (60p, 30p, 24p) –
PAL mode: 1920x1080 (50p, 25p) –
NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps
PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
Yes (Off / PP1-PP9) Parameter s: Black level, Gamma (Movie , Still, Cine1-4, ITU709, ITU709 [800%] , S-Log2, S-Log3),
Black G amma, Knee, Col or Mode (M ovie, Still , Cinema, Pro, ITU 709 Matri x, White&B lack, S-Ga mut, S-Gam ut3.
Cine, S-G amut3), Sa turation , Color Phas e, Color Dept h, Detail, Copy, Res et
Audio Level D isplay, Audio Rec Leve l, Auto Slow Shutte r, HDMI info. Display (On /Off selecta ble), Time Code/U ser
Bit, Pictu re Profile, Creat ive Style, Pict ure Effect, Rec Co ntrol, Dual Vid eo Rec, Marker Se tting, PAL/NTSC S elector,
Gamma D isplay As sist
Memor y Stick PRO D uo, Memory S tick PRO- HG Duo, Memo ry Stick Mi cro (M2), SD m emory car d, SDHC memo ry
card (UH S-I compl iant), SDXC me mory card ( UHS-I com pliant) , microSD me mory card , microSDHC m emory ca rd,
microS DXC memory c ard
Long exp osure NR: On/ Off, availa ble at shut ter speed s longer th an 1 sec., Hig h ISO NR: Norm al/Low/ Off
selectable
Auto WB / Da ylight / Sh ade / Clou dy / Incand escent / Fl uorescen t (Warm Whit e / Cool Whit e / Day White /
Dayli ght) / Flas h / Color Tempe rature (25 00 to 9900K ) & Color Filt er (G7 to M7: 57 ste ps, A7 to B7: 29 step s) /
Custom / Underwater
Wide (425 p oints (phas e-detecti on AF), 169 point s (contrast-de tection AF) ) / Zone / Center / Fle xible Spot (S /M/
L) / Expa nd Flexibl e Spot / Lock- on AF (Wid e / Zone / Center / F lexible S pot (S/M/ L) / Expan d Flexibl e Spot)
Lock-on AF, Eye AF, Predictive contro l, Focus lock; Eye-Start AF a nd AF micro adjust ment (both only a vailable with
option al LA-EA2 o r LA-EA4 at tached) , AF illumin ator (bui lt-in, LED ty pe, range: Appr ox. 0.30-3m ), AF ON
Multi-segment, Center-weighted, Spot (Standard/Large),
Entire S creen Avg. , Highligh t
Auto (iA uto, Superi or Auto), Pro grammed A E (P),
Aperture p riority (A) , Shutter-speed p riority (S) , Manual
(M), Scen e Selecti on, Sweep Pano rama, Movi e / S&Q
motion ( Programm ed AE (P) / Ape rture pri ority (A ) /
Shutte r-speed pr iority ( S) / Manual ( M))
Bracket : Single/B racket: Cont ., 3/5/9 fra mes selec table. With 3 o r 5 frames, in 1 /3, 1/2, 2/3, 1.0, 2.0 or 3 .0 EV
increm ents, with 9 f rames, in 1/3 , 1/2, 2/3 or 1.0 EV i ncremen ts.
Still imag es: ISO 100-2560 0 (expandable t o 51200), AUTO (ISO 100 -6400, selectab le lower limit a nd upper limit ),
Movie s: ISO 100-2 5600 equi valent, AUTO ( ISO 100- 6400 equi valent, se lectabl e lower lim it and upp er limit)
6500 (ILCE-6500
-1
)
Multi-segment, Center-weighted, Spot
Auto (iA uto, Superi or Auto), Pro grammed A E (P),
Aperture p riority (A) , Shutter-speed p riority (S) , Manual
(M), Scen e Selecti on, Sweep Pano rama, Movi e/High
Frame Rat e (Program med AE (P) / Ap erture pr iority (A )
/ Shutte r-speed pr iority ( S) / Manual ( M))
6300 (ILCE-6300
Library
Trademarks & Remarks
• "
", "G Master", "4D FOC US", "Exmor", "B IONZ X", "BRAV IA", "SteadyShot ", "VAIO", "InfoL ithium", "Translucen t Mirror Technol ogy", "Tru-Find er", "Memory St ick", "Memor y Stick PRO Duo",
"Memor y Stick XC-HG Duo", "Memo ry Stick PRO -HG Duo", "PlayMe mories Home", "Pl ayMemories S tudio", "PlayMem ories Online", "P layMemorie s Mobile", "PlayM emories Came ra Apps",
"x.v.Color ", "TRILUMINO S", "TRILUMIN OS Color", "TRI LUMINOS Colo r", "TRILUMI NOS Display", and " XAVC S" are trad emarks or regi stered tradem arks of Sony Co rporation.
• "Xper ia" is a trademark o r registered tr ademark of Son y Mobile Commun ications AB.
• "AVCHD" and "AVCHD P rogressive" are t rademarks o f Panasonic Cor poration and S ony Corporat ion.
• The SD Log o, SDHC Logo and S DXC Logo are trade marks of SD-3C , LLC.
• WhiteMa gic is a trademar k of Japan Displa y Inc.
• The t erms HDMI and H DMI High-De nition Mult imedia Inter face, and the HDM I Logo are trade marks or regis tered tradema rks of HDMI Li censing LLC in the U nited States an d other countri es.
• iMovie i s a trademark of A pple Computer, In c., registered i n the U.S. and oth er countries. Wo rks with iMo vie is a trademar k of Apple Comp uter, Inc.
• The Wi-F i Protected S etup Identi er Mark is a mark of t he Wi-Fi Allia nce.
• N-Mark i s a registered tr ademark of the N FC Forum.
• Androi d is a trademark of G oogle Inc.
• Dolby is a tr ademark of Dol by Laborator ies.
• Window s is a trademark of M icrosoft Co rporation in t he United State s and/or other count ries.
• Mac and Mac O S are registere d trademarks o f Apple Inc.
• "Facebook " is a registere d trademark of Face book, Inc.
• "Flick r" is a registere d trademark of Yah oo, Inc.
• All o ther company an d product name s mentioned he rein are used for i denticati on purposes on ly and may be the tr ademarks or r egistered tra demarks of th eir respecti ve owners.
• "InfoL ithium" is a lith ium batter y pack which can e xchange data wi th compatible e lectronic e quipment abou t its energy con sumption.
• Sony reco mmends that you u se the batter y pack with el ectronic equ ipment beari ng the "InfoLi thium" mark.
• Screen d isplays and ee cts used to ill ustrate some f unctions ar e simulated.
http://www.sony.net/digitalimaging/
)
–
–
-1
Enter the exciting world of Sony α products through α Library, the
new photography-themed application for tablets.
LCD screen
Type 7.5cm (3.0 -type) wi de type TF T
Total numb er of dots 921,600 dots
Touch Panel Yes –
Touch Focu s Yes (Touch Panel / Touc h Pad) –
Brightness control Manual (5 step s between -2 a nd +2), Sunn y Weather mo de
Adjus table ang le Up approx. 90 degrees, down approx. 45 degrees
Displ ay selecto r (Finde r/LCD) Auto / Man ual
Display
Real- time imag e-adjus tment di splay On / Off
Focus magnifier 5.9x, 11.7x
Zebra Yes (selec table lev el + range or l ower limi t as custo m setting )
Peaking MF Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow)
Other features
Face detec tion On / On (R egist. Face s) / Off, Face regi stration , Face select ion (Max. nu mber of dete ctable fa ces: 8)
Auto Object Framing Yes
Clear I mage Zoom Still / Mo vie: Approx . 2x
Digital zoom
PlayMemories Camera Apps Ye s
Lens compensation Peripheral Shading, Chromatic Aberration, Distortion
Zoom Ring Rotate Ye s
Others
Shutter
Type Electr onicall y controll ed, vertic al-trav erse, focal -plane ty pe
Shutte r speed
Flash s ync. speed 1/160 sec.
Electr onic fron t curtain s hutter Yes, On / Off
Silent Shooting Yes, On / Off
Steady Shot INSIDE ( image stabi lization)
Type
Flash co ntrol
Control Built-in flash
Guide N o. 6 (in met ers at ISO 10 0)
Flash co verage 16mm (focal l ength pri nted on the l ens body )
Control Pre-flash TTL
Flash co mpensat ion +/- 3.0 EV (swit chable b etween 1/3 a nd 1/2 EV st eps)
Flash b racketing
Flash m odes
Recycling time Approx. 4 sec.
External flash
FE level lock Yes
Wireless control Yes (wirele ss flash wi th lighti ng ratio con trol)
Drive
Drive modes
Self-timer
Speed (approx., max.)
No. of record able fram es
Playback
Modes
Interface
PC interface Mass Storag e, MTP, PC Remote
Multi / M icro USB Termi nal Yes
Wirele ss LAN (bui lt-in)
NFC
Bluetooth Yes (Blueto oth Stand ard Ver. 4.1 (2.4G Hz band)) –
HD output HD MI micro conne ctor (Type-D), BRAVI A Sync (link me nu), PhotoTV HD, 4K mov ie output, 4K sti ll image play back
Multi I nterface S hoe Yes
Others Microp hone term inal (3.5 mm Stereo mi nijack )
Audio
Microphone Built-in s tereo mic rophone or X LR-K2M / X LR-K1M / EC M-XYST1M ( sold sep arately)
Speaker Built-in, monaural
Print
Compat ible stan dards Exif Pri nt, Print Im age Match ing III, DPOF s etting
Custom function
Type Custom k ey settin gs, Programm able sett ing
Memor y functio n Yes (Bo dy: 2 sets/ Mem ory card: 4 se ts)
Power
Battery Recharg eable bat tery pack N P-FW50
Still images
Movies
External power AC A daptor AC-P W20 (sold s eparatel y)
Weight
With bat tery and M emory Sti ck PRO Duo Approx . 453g (appro x. 1 lb. ) A pprox. 404g ( approx. 14. 3 oz.)
Body only Approx. 410g (approx. 14.5 oz.) Approx . 361g (approx . 12.8 oz.)
Dimensions
W x H x D (exclu ding protr usions )
Operati ng temperatu re
Range 3 2°-104° F / 0-40°C
Speci ficatio ns and feat ures are sub ject to cha nge witho ut notice.
*1 With compatible external flash.
*2 With “Hi +” continuous shooting mode. Approximate. May vary depending on shooting conditions and media.
*3 Supports Micro USB-compatible device.
*4 Configuration method/Access method: WPS or manually/infrastructure mode. When connecting to smartphones, the camera can always work as a base without
*5 Continuous movie recording is possible for approximately 29 minutes (limited by product specifications).
*6 Indicated recording time is defined by repeating the following cycle: Power on, start recording, zoom, stand-by and power off.
*7 Indicated recording time is defined by repeating the following cycle: Pressing the MOVIE button. No other operations such as zoom are performed.
Smart zoom (still images) M: Approx. 1.4x, S: Approx. 2.0x
Digital zoom (still images)
Digital zoom (movies) Approx. 4x
*2
*2
(approx.)
TM
a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK)
“sony α librar y“
Go to Google Play for Android Tablet. For iPad, go to App Store.Then search for “sony α library“.
©October 2016 by Sony Corporation First edition for digital distribution only. All rights reserved. Availability depends on regions.
6500 (ILCE-6500
Graphi c Display / D isplay A ll Info. / No Dis p. Info. / Histog ram / Digit al Level Ga uge / Shoot ing infor mation fo r
viewf inder mod e
L: Approx. 4x, M: Approx. 5.7x, S: Approx. 8x
ISO Auto M inimum Shu tter Speed , Bright Moni toring, Copy right Inf o, Set File Name , Location Info rmation L ink*
(*Locat ion Infor mation L ink for
Still images: 1/4000 to 30 sec., Bulb
Movie s: 1/4000 to 1/4 (1/ 3 step)
NTSC: Up to 1 /60 in AUTO mo de (up to 1/3 0 in Auto Slo w Shutter m ode)
PAL: Up to 1/50 i n AUTO mode (u p to 1/25 in Au to Slow Shu tter mode )
Image S ensor-Shi ft mechan ism with 5 -axis
compen sation (C ompensa tion depe nds on lens
specifications)
3/5/9 fram es selectab le. With 3 or 5 frame s, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV incre ments, with 9 fra mes, in 1/3, 1/2,
2/3, 1.0 EV in crement s.
Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync*1, Wireless
System F lash comp atible wi th Multi In terface S hoe. Attach t he shoe ad aptor for fl ash compa tible wit h
Sony
Auto-l ock Access ory Shoe .
Singl e shootin g, Continuo us shooti ng (Hi+/H i/Mid/ Lo selecta ble), Self -timer, Sel f-timer ( Cont.), Bra cketing
(Cont. , Single, Whit e Balance , DRO)
10 sec. dela y/5 sec. dela y/2 sec. delay /Continu ous self-t imer (3 fram es after 10 se c. delay/5 fra mes after 10 s ec.
delay /3 frames af ter 5 sec. del ay/5 fram es after 5 sec . delay/3 fr ames afte r 2 sec. delay /5 frames af ter 2 sec.
delay )/Bracket ing self -timer (O ff/2 sec. de lay/5 sec . delay/1 0 sec. delay )
Continuous mode: 11fps (Hi+), 8fps (Hi), 6fps (Mid), 3fps (Lo)
233 frames ( JPEG Extra fin e L), 269 frames (JP EG Fine L),
301 fram es (JPEG Sta ndard L), 107 f rames (RAW) , 100
frames ( RAW & JPEG)
Single (with or without shooting information, Y RGB histogram & highlight/shadow warning), 12/30-frame index
view, Enlarged display mode (Maximum magnification L: 16.7x, M: 11.8x, S: 8.3x), Auto Review (10/5/2 sec, off), Image
orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Still / Date / MP4 / AVCHD
/ XAVC S HD / XAVC S 4K), Forward/Rewind (Movie), Delete, Protect, Photo Capture* (*Photo Capture for
*3
Wi-Fi compatible, IEEE802.11b/g/n (2.4GHz band)*4, Playback of still images and movies on smartphones, PCs and TVs
Yes (NFC For um Type 3 Tag compat ible, One- touch rem ote, One-tou ch shari ng)
Approx. 310 sho ts (viewfind er) / Approx. 350 sh ots (LCD
screen ) (CIPA stand ard)
*5*6
: Approx. 65 min. (viewfinder) / Approx. 70 min.
Actual
(LCD scre en) (CIPA sta ndard)
*5*7
Continuous
: Approx. 105 mi n. (viewfi nder) / App rox.
105 min. (LC D screen) (C IPA standa rd)
Approx . 120.0mm x 66.9 mm x 53.3mm
(appro x. 4 3/4 x 2 3/4 x 2 1/8 in.)
)
6500 only)
Not supp orted (im age stab ilizati on suppli ed by lens)
44 frames (JPEG E xtra fine L), 47 frames (JPEG F ine L), 55
frames ( JPEG Stand ard L), 21 fra mes (RAW), 21 f rames
(RAW & JPEG )
Approx. 350 shots (v iewfinder) / Approx . 400 shots (LCD
screen ) (CIPA stand ard)
Actual
(LCD scre en) (CIPA sta ndard)
Continuous
115 min . (LCD screen) ( CIPA standa rd)
Approx . 120.0mm x 66.9 mm x 48.8mm
(appro x. 4 3/4 x 2 3/4 x 1 15/16 i n.)
6300 (ILCE-6300
*5*6
: Approx. 70 min. (viewfinder) / App rox. 75 min.
*5*7
: Approx. 115 m in. (viewf inder) / Ap prox.
)
6500 only)
Sony Photo Galley:
http://www.sony.net/Products/di_photo_gallery/
Sony Camera Channel:
https://www.youtube.com/c/ImagingbySony
Interchangeable-lens
digital camera
*1
Page 2
Immortalize infinite possibilities
3840 x 216 0
Now, there are more ways to capture decisive moments in captivating detail. Super-speed
autofocus, razor-edged resolution, expanded continuous shooting and other advances are
seamlessly designed and integrated. The latest qualities and capabilities you need to
make recordings, including 4K movies, look sharper, smoother and more professional are
smartly contained in strong compact bodies. With the 6500 and 6300
interchangeable-lens cameras from Sony at your command, the possibilities are endless.
ISO
100~25600
Phase Detec tion
425
AF points
(Model ILCE-6500) (Model ILCE-6300)
ISO
100~25600
Phase Detec tion
425
AF points
Page 3
6500 with 500mm F4 G SSM (SAL500F40G), 1/500 sec., F4, ISO 500
Page 4
6500 with FE 70-300mm F4.5-5.6 G OSS (SEL70300G), 1/2000 sec., F5.6, ISO 400
Page 5
8
Contrast-detection AF coverage (169 points*)
* 25 points + 144 points (each of 9 central AF points is divided into 16 segments.)
Phase-detection AF coverage (425 points)
Focus at the speed of sight
The evolution of 4D FOCUS accelerates
Without spectacular focus, you lose your edge. So raise
your sights, with Sony taking autofocus to new heights of
innovation. At the forefront of this progress is 4D FOCUS,
extending phase-detection AF point coverage, increas-
ing AF speed and incorporating High-density Tracking AF
Technology. With 4D FOCUS AF performance, it’s never
been easier to capture fleeting moments in stunningly
detailed sequences of images that leave the rest behind.
Wide
The
premely accurate and reliable at capturing subjects in clear focus wherever
they move within the frame. After all,
they have the world’s highest number*
(425*) of focal plane phase-detection
AF points widely and densely positioned throughout their image areas.
* Am ong interchan geable-le ns digital cam eras as of Oc tober 2016,
based on S ony research .
Fast
These cameras achieve the world's
fastest* (0.05 sec.*) AF speed with
the enhanced Fast Hybrid AF’s inte-
grated autofocusing performance
and the uncanny efficiency of the
BIONZ X
to handle so much information with
astonishing accuracy.
* Amo ng interchangea ble-lens dig ital cameras e quipped with a n
APS- C image sensor as o f October 20 16, based on Son y research.
Based o n CIPA standard an d internal meas urement metho d with
an E PZ 16-5 0mm F3.5-5 .6 OSS, Pre-AF o ff and view finder in use.
425
6500 and the 6300 are su-
0.05
TM
image processing engine
sec.
World’s highest number* of AF points
points
World’s fastest* AF speed
Fast Hybrid AF system
6500 with FE 70-300mm F4.5-5.6 G OSS (SEL70300G), 1/2500 sec., F5.6, ISO 100
Steadfast
For supremely reliable accuracy
and tracking stability, High-density
Tracking AF Technology activates
AF points to cover the area around
the subject with approx. 7.5 times
as much density as the
focal plane phase-detection autofocus function can activate AF points
seamlessly and track subjects moving within frame with such unerring
precision.
High-density Tracking AF Technology
6000. This
9
Page 6
10
11
Eye AF
Eye AF mode automatically detects,
then focuses on and tracks focus on
a subject’s eye with pinpoint precision, even as the face moves. This
extends your freedom to focus and
frame a shot, even when shooting
with a fast lens with aperture fully
open (with shallow depth of field).
Eye AF also works in AF-C mode,
so even if the subject moves, the
wide coverage of the high-density
425-point focal plane phase-detection AF sensor maintains focus on
the eye.
6500 with FE 70-200mm F2.8 GM OSS (SEL70200GM), 2xTeleconverter (SEL20TC), 1/800 sec., F9, ISO 160
Live-view continuous shooting with minimal lag
High-speed continuous shooting is available at up to approx. 11fps (Hi+), and up to approx. 8fps (Hi) in live-view. In
live-view continuous shooting at up to 8fps, display lag on
the electronic viewfinder (EVF) or LCD screen is kept to an
absolute minimum, so you can capture moving subjects
just as if you are shooting using an optical viewfinder.
2
Ample buffer for continuous shooting
1
3
4
5
6
304
305
306
307
Focus Release/Balance
You can choose settings to optimize focus and release
action in ways that are most suitable for shooting each
scene. Priority setup (AF, Release or Balanced Emphasis)
is available in AF-S and AF-C modes. Also, you can ad-
just shutter release timing by choosing Release (shutter)
priority, AF (focus) priority or Balanced Emphasis setting,
to achieve a balance between Release and AF priorities.
AF in Focus Magnifier
You can use autofocus even while enlarging a selected
image area on the viewfinder or LCD screen, for finer
adjustment of focus, for example. This is excellent for
macro shooting, when accurate focusing is crucial.
Focal plane phase-detection AF for A-mount lenses
The cameras offer 425-focal-plane-phase-detection-AF
point coverage even with an A-mount lens mounted via
LA-EA3 (LA-EA1) mount adaptor*. So you can take full
advantage of speedy response and high performance
when shooting with an A-mount lens.
* A- mount lense s with SSM or SA M only. Users ca n choose pha se-detec tion AF or con trast-det ection AF i n AF System men u.
"Phase -detecti on AF" is not av ailable dur ing movie sho oting. AF- C is availabl e only when "P hase-dete ction AF" i s selected
with AF Sy stem, but no mo tion track ing is perf ormed duri ng continuo us shooting (Hi +, Hi, Mid).
Expand Flexible Spot
When the selected AF point loses track of or is not positioned on a moving subject, Expand Flexible Spot
function automatically directs surrounding AF points to
restore focus instantly on that subject.
Faster internal processing and a higher-capacity buffer
memory now allow up to 307 shots (around 36 seconds)*
of high-speed continuous shooting. This increases the
chances of capturing more decisive moments.
* With "Hi" continuous shooting mode and "Fine” image quality settings.
Approx. 36 seconds
Page 7
12
Built-in stabilization, complete and compact Touchscreen for more intuitive, tactile focus
Immediate focus point selection by touch operation when shooting stills and movies
The Touch Focus function puts the power of more immediate, intuitive focus right at your fingertip. Simply touch
the area of the still/movie image on the LCD screen that
you want to focus on. There’s no need to lock autofocus
and adjust composition, or use Flexible Spot to shift
between areas of focus. When shooting stills with manual focus, you can double-tap the screen to enlarge the
desired area of focus on display.
Touch Focus function
5-axis
image stabilization
The re-engineering of the brilliant
6000 series layout paved the way
for creation of the compact
6500 —
the APS-C camera with built-in 5-axis
optical image stabilization for shooting movies and stills. A new gyro
sensor achieves stabilization to the
effect of shooting with 5-stops-faster* shutter speed. Compensation for
five types of image-blurring camera
shake lets you shoot with assurance
that high-resolution recordings,
made even while zooming in on distant subjects, or shooting close-ups
or night scenes, will look surprisingly
crisp and clear.
* Based on CIPA standard. Pitch/yaw stabilization only. With Sonnar T*
FE 55mm F1.8 ZA. Long exposure NR off.
Pitch and yaw compensation Horizontal and vertical shift compensation Roll compensation
Smooth focus point selection while looking into the viewfinder by using Touch Pad function
While monitoring the electronic viewfinder, you can
conveniently use the LCD screen for Touch Pad function.
Simply swipe your fingertip to shift focus point intuitively
and smoothly from one area to another onscreen.
Touch Pad function
Compe nsati on for com monl y expe rience d pitch a nd
yaw shake a t long fo cal len gth shown at bottom.
Compensation for X- and Y-axis shi ft shake at high
magni fication, d uring m acrophotogr aphy, etc.
Compatibility with wide-ranging
mountable lenses
5-axis image stabilization lets you enjoy unparalleled handheld
shooting freedom with more of your favorite mountable lenses.
The short flange-back in the E-mount of the
6500 extends
compatibility with a range of lenses.
Note: When using a third-party mount adaptor, performance, functionality and operation are not guaranteed and Sony will
take no responsibility if a malfunction occurs.
Compensation for roll shake on t he Z-axis du ring long
expo sures. Most in -lens s ystems for interchan geablelens cameras cannot compens ate for ro ll shake.
13
Page 8
Inside imaging innovation
24.2-megapixel APS-C ExmorTM CMOS sensor
An APS-C sensor with approximately 24.2 effective megapixels features copper wiring and enhanced
circuit processing that lower the
wiring layer and boost light collection efficiency. In conjunction with
the BIONZ X image processor, it
minimizes noise throughout a wide
sensitivity range of ISO 100-51200*.
The highly conductive copper in the
circuitry significantly raises readout
speed in order for the camera to of-
fer 4K movie recording with full pixel
BIONZ X image processing engine
readout without pixel binning and
Full HD 120fps shooting among its
advanced functions.
* Stan dard ISO range: ISO 1 00-25600 f or stills and mo vies.
Expa ndable up to ISO 512 00 for stills on ly.
ISO 1600 ISO 6400
High-q uaity image s with reduced n oise even at high IS O settings.
The BIONZ X image processing engine applies an algorithm to work seamlessly with the image sensor, resulting
6500 with Vario-Tessar T* E 16-70mm F4 ZA OSS (SEL1670Z), 1/20 sec., F5.6, ISO 6400
in unrivaled clarity, low noise levels, and more detailed
texture depiction, particularly in the mid-to-high ISO range.
New Front-end LSI 14-bit RAW output
New front-end LSI (large-scale integration) in the 6500
supports BIONZ X image processing power even further,
benefiting image quality.
14-bit digital signals that are converted from analog
signals in the image sensor undergo 16-bit processing
by the image processing system for 14-bit RAW image
output. This enriches tonal gradation for RAW recording.
* For sh ooting in Long e xposure NR, Bu lb, or continuous s hooting mode, o nly 12-bit reco rding is possibl e.
14
6500 with Vario-Tessar T* E 16-70mm F4 ZA OSS (SEL1670Z), 1/60 sec., F11, ISO 100
Page 9
4K Movie
Still
3840 pixels
2160 pixels
16
17
3840 x 2 160
Unleash magnificent movie star quality
4K movies*1 oversampled from 6K (20MP)
2.4 times as much information
The
6500 and 6300 record high-resolution 4K movies*1
of wide dynamic range in the Super 35mm format favored
among cinema camera users. Full pixel readout without
pixel binning collects approx. 2.4 times
much information as is required for 4K (QFHD: 3840 x 2160)
movie output. This oversampling ef fect gives 4K images
the realistic depth and dimension that you might experience when witnessing the actual scene.
*1 T he camera may au tomatically t urn off to cont inuously recor d a high quality m ovie. Recordi ng time may be shor tened, depe nding on shooti ng conditions .
*2 In 24 p recording. Ap prox. 1.6 times in 3 0p recording.
Quicker, denser, smoother Fast Hybrid AF coverage
Now, this extra-dense phase-detection AF point coverage gives movie autofocus unprecedented speed and
precision, so it’s especially valuable for 4K movie recording. Moreover, the
6500 and 6300 feature adjustable
AF Drive Speed and AF Tracking Sensitivity to help you
express more creativity by manipulating focus, as far as
conditions and your imagination allow.
*2
(6K equivalent) as
3376 pix els
6000 p ixels 384 0 pixels
2160 p ixels
Full HD 120fps (100fps
*1
) shooting
S-Gamut/S-Log shooting
You can shoot high-quality Full HD
HD 120fps (100fps
*1
) high-speed shooting with a high bit
rate up to 100Mbps.
*1 In PAL s etting.
*2 Pixels to be read are l imited to the sen sor area that is req uired for Full HD m ovies.
Slow and Quick motion
Now, up to 5x slow motion and up to 60x quick motion
*2
footage, even in Full
*1*2
Photo Capture
Use Photo Capture function to select, extract and save
still images of decisive moments from movie footage.
Approximately 8-megapixel images from 4K movies, and
approximately 2-megapixel images from Full HD movies
can be created and saved as image files.
S-Gamut/S-Log shooting give you flexibility to make
more expressive movies by performing color grading in
post-production. The S-Log3 and S-Log2 gamma curves
feature wide dynamic range (up to 1300%) to minimize
blown highlights and blocked shadows. These cameras
even offer impressive 14-stop latitude in S-Log3 gamma
setting, and also support S-Gamut, S-Gamut3, and SGamut3.Cine color space from Sony.
Note: S-L og2 and S-Log3 a re premised on pr ocessing pict ures.
can be recorded at up to 50Mbps in high-quality Full
HD in camera. Choose among eight movie frame rates
ranging from 1fps to 120fps (100fps
*3
). After shooting, no
High-bit-rate XAVC S* format
PC-based post-processing is required for viewing your
slow motion and quick motion footage. As a more consumer-friendly version of the XAVC 4K/HD
*1 In NT SC setting . Up to 5x slow motion a nd up to 50x quick m otion recordin g is available in PAL s etting.
*2 So und cannot be rec orded. SDHC/ SDXC memory ca rd of Class 10 or hig her is required.
*3 In PAL set ting.
NTSC 24p 30p 60p
S&Q
Record
Setting
PAL 25p 50p
NTSC 1fps 2fps 4fps 8fps 15fps 30fps 60fps 120fps
S&Q
Frame
Rate
PAL 1fps 2fps 3fps 6fps 12fps 25fps 50fps 100fps
format for professional use, the XAVC S* format is great
for capturing high-quality images at a maximum 100Mbps
bit rate for 4K 30p (25p)/24p. The benefits of finer details
and less compression noise are perfectly clear.
* SDHC /SDXC memor y card Class 10 or hi gher is require d for movie recor ding in XAVC S for mat. UHS-I (U3)
SDHC /SDXC card is requir ed for 100Mbp s recording.
Recording format Image size Frame rate Wrapper Bit-rate
XAVC S 4K 4K 3840 x 2160 30p (25p)/24p MP4 100Mbps/60Mbps
XAVC S HD
Full HD
1920 x 1080
60p (50p)/30p (25p)/24p
120p (100p) 100Mbps/60Mbps
MP4
50Mbps
Clean HDMI output
Choose 4K (QFHD: 3840 x 2160 pixels) output with 30p
and 24p frame rates for recording high-quality 4K mov-
ies as uncompressed footage on a compatible external
recorder, or for direct viewing on a compatible monitor
or TV, while recording in-camera*.
* Image wi ll not be displaye d on the camera’s LCD s creen during 4 K recording.
Supports professional-quality mic and audio input
In addition to plug-in microphones, these cameras support line input from professional-standard audio devices
with XLR terminal, with use of a separately sold XLR adaptor kit (XLR-K2M/XLR-K1M) that enables connection with
various high-end microphones. That way, you can make
fine audio setting adjustments and high-quality/low-
noise sound recordings worthy of serious movie shooting.
More features for fine tuning and post-production
Picture Profile, Gamma Display Assist, Zebra Function, Time
code, User bit, etc. support movie production workflow.
Page 10
18
19
Rock-solid and ready for everything
200,000 shutter releases and beyond
The shutter is tested to withstand about 200,000 release cycles* while transmitting very low vibration. The shutter system is designed to minimize vibration, maximize image sensor resolution performance and suppress shutter
sound.
* Wit h the electro nic front cur tain shutter, un der internal tes t conditions o f Sony.
Robust lens mount Dust and moisture resistance
The strength and rigidity of each camera body and lens mount provide an
especially solid foundation for mounting and withstanding rugged use
with even large, heavy lenses such
as super telephoto lenses and lenses
preferred for movie shooting.
Tough magnesium alloy body
With internal frames, rear cover, top cover and front cover constructed of
magnesium alloy, the robust, rigid, light bodies of the
6500 and 6300 are
stronger than those of their predecessors. Designed for solid reliability and
steady handling, these compact bodies readily withstand the rigors of shooting in the field.
Enjoy carefree shooting in tough en-
vironments, thanks to comprehensive
dust and moisture resistance measures that help prevent water and dust
from entering the body. These measures include sealing around the buttons and dials, as well as a protective
double-layered structure that tightly
interlocks panels and components.
Note: T hese cameras ar e designed for op timal dust and m oisture
resist ance, but are not wa terproof or spla shproof.
Enhanced grip for secure handling
Ergonomically refined grip contours let you grasp either of these cameras
and feel per fectly at ease and secure at handling any operation, even when a
large lens is mounted. The grip of the
6500 in par ticular is deeply recessed
for a hand to take an exceptionally firm, comfortable hold, regardless of
shooting position and conditions.
Extra-smooth views on
XGA OLED Tru-Finder
TM
EVF
The 6500 and the 6300 both employ a high-contrast, high-resolution
XGA OLED Tru-Finder of fering high
visibility and fine details in dark areas
and color reproduction. These camer-
as also feature an additional mode to
display at 120fps (100fps*), so you can
see smooth action and track it easily.
* In PAL set ting.
Expanded
custom function
The
6500 has ten customizable
buttons (and the
6300 has nine)
to which you can assign functions
for quicker, more intuitive shooting
and playback. 68 functions (and 64
for the
6300) are easily assignable
to the buttons for convenient access when shooting, although some
functions can only be assigned to
certain buttons.
Power supply via USB
Camera operation can be powered
via USB connection to mobile battery. This conserves the camera bat-
tery, extending the length of time
that the camera can be used before
the battery is depleted. When the
camera is turned off, the batter y
can be charged via the same connection.
Convenient tiltable LCD screen
The LCD screen tilts up approx.
90 degrees and down approx. 45
degrees to accommodate a wide
range of shooting angles. This flexibility complements the cameras’
compactness and mobility, and
expands shooting options. Views
are clear under direct sunlight,
thanks to the screen’s WhiteMagic
technology with a unique RGBW
pixel structure that nearly doubles
display brightness for easier checking of focus and image details.
TM
All imag es and illustr ations on pp. 18-19 a re of the
6500.
Page 11
21
A feast of higher functions
Highlight and Entire Screen Avg.
metering modes
In addition to the existing Multi,
Center weighted, and Spot metering
modes, the
6500 features High-
light mode that detects the brightest area in the frame to avoid blown
Exposure standard
adjustment
The standard exposure value can be
adjusted from -1 to +1 stop in 1/6stop increments. This setting can be
made separately for each metering
mode.
highlights, and Entire Screen Avg.
mode that can provide stable auto
exposure as composition changes.
Location Information Link via
Bluetooth
*1
From a mobile phone/tablet with
PlayMemories Mobile
TM*2
app installed, the camera can get location
data and record it with stills or mov-
ies. Then, use PlayMemories Home
application on a PC to organize
imported images on a map.
*1 Bluetooth connectivity available with the following terminal
devices (at the date of release):
-Android (Android 5.0 or later, Bluetooth 4.0 or later)
-iOS (Bluetooth 4.0 or later)
*2 Use the latest version of PlayMemories Mobile.
Enhanced
spot metering
The spot exposure metering position
can be linked to the focus area when
the Flexible Spot or Expand Flexible
Spot mode is in use. You also have a
TM
choice of Standard or Large metering
spot size for optimum exposure of
the widest range of subjects.
Go more mobile
With Wi-Fi/NFC/QR code capabilities, the
6500 and
6300 can be coupled with mobile devices for quick, easy
sharing of footage and camera views as well as conve-
nient remote control options. The cameras also introduce
QR code compatibility for easy connection with non-NFC
smartphones.
More convenience
on the menu
With the
6500 menu’s categoriza-
tion scheme newly redesigned from
the
6000 series, it’s easy to find, at
the top of the screen, the name of a
grouping on a tab that can be selected among various other color-coded
tabs. This allows quick access to desired menu items, for smooth changes
of settings even during shooting.
Silent Shooting
Release the shutter of the
6500 and
6300 without a sound when silence
is required, as when shooting wildlife,
even when continuous shooting with
AF/AE tracking is engaged. For quicker
access, assign Silent Shooting mode to
a customizable button.
PlayMemories Home
It’s easy to install this image management software onto
a Windows or Mac computer, then use it for easy viewing,
editing and printing.
You can also upload
and share content via
network services.
Note: Features are different on Mac and
Windows versions.
1 Remote sensor
2 N mark
3 Microphone
4 AF illuminator/Self-timer
lamp
5 Lens release button
6 Flash
7 Multi Interface Shoe
8 ON/OFF (Power) switch
9 Shutter button
10 C1 (Custom 1) button
11 C2 (Custom 2) button
12 Mode dial
13 Control dial
14 Battery/
Memory card cover
15 Access lamp
16 Tripod socket hole
17 Hook for shoulder strap
18 Speaker
19 Multi/Micro USB Terminal
(Supports Micro USB
compatible devices)
20 Charge lamp
21 HDMI micro jack
22 Microphone jack
*1
11
22
66
9
10
7
15
11
12
13
16
22
32
34
7
1414
15
1717
1818
1919
2323
2424
2525
2626
2727
2828
2929
33
4 4
55
88
9
10
12
13
23 Diopter-adjustment dial
24 Eye sensor
25 Viewfinder
26 Eyepiece cup
16
27 For shooting:Fn button
For viewing:Send to
Smartphone button
28 Monitor
29 Playback button
30 Flash pop-up button
31 MENU button
32 For shooting:AF/MF
2020
2121
22
3030
3131
32
3333
34
3535
3636
3738
button, AEL button
For viewing:Enlarge
button
33 MOVIE button
34 AF/MF/AEL switch lever
35 Control wheel
36 Center button
37 C2 (Custom 2) button/
Delete button
38 C3 (Custom 3) button/
Delete button
6500 only.
*1 For
6300 only.
*2 For
*2
*1
www.sony.net/pmca
This application download ser vice lets you add new functions to either camera’s feature set, so you can express
more of your creativity in photographs. Time-lapse for re-
cording and combining images shot
at chosen intervals, Smart Remote
Control for controlling various settings from a smartphone or tablet,
and Sky HDR (high-dynamic-range
imaging) are just some of many
wonderful apps to choose from.
20
Capture One Express (for Sony)PlayMemories Camera Apps™
Take advantage of this RAW converter that you can
download for free from Phase One. Not only is it great
for rendering colors and details with incredible precision
— it also features flexible
digital asset management,
all essential adjustment
tools, and fast, responsive performance in one
convenient, customizable,
integrated solution.
* Please direct all inquiries on purchase, usage and
support on Capture One solutions to Phase One.
Number of recordable frames
for single media
(Image size L 24M, aspect ratio 3:2)
Standard 1,300 2,700 5,400 10,500
Fine 820 1,650 3,300 6,600
Extra fine 405 810 1,600 3,250
RAW & JPEG 215 435 880 1,750
RAW 295 600 1,200 2,400
• Reco mmended memo ry cards for mo vie recording i n AVCHD/MP4 format s: Memory Sti ck PRO Duo (Mark 2), Memory Sti ck PRO-HG Duo, S D memory card /SDHC memor y card/SDXC memo ry card (Class 4 o r more)
• Reco mmended memo ry card for mov ie recording in X AVC S format: SD HC/SDXC memor y card of Class 1 0 or higher is requ ired.
• The n umbers in the ta ble show approxi mate maximum re cordable time o btained by tota ling all movie f iles.
• AVCHD m ovies are autom atically div ided into sepa rate files up to a ma ximum of 2GB eac h.
8GB 16GB 32GB 64GB
Movie recording time for single media
8GB 16GB 32GB 64GB
XAVC S 4K 30p/25p, 100M 0:09: 00 0: 15: 00 0:35:00 1: 15:00
30p/25p, 60M 0: 15: 00 0:30: 00 1:00:00 2:05:00
24p, 100M 0:09: 00 0:1 5:00 0:35:00 1: 15:00
24p, 60M 0: 15: 00 0:30: 00 1:00:00 2:05:00
XAVC S HD 120p/100p, 100M 0:09: 00 0:1 5:00 0:35:00 1: 15:00
120p/100p, 60M 0:1 5:00 0:30:00 1:00:00 2:05:00
60p/50p, 50M 0:1 5:00 0:35: 00 1:15:00 2:35:00
30p/25p, 50M 0: 15:00 0:35:00 1:15:00 2: 35:00
24p, 50M 0: 15:00 0:35:00 1:15:00 2:35:00
(Hours:Minutes:Seconds)
8GB 16GB 32GB 64GB
AVCHD 60i/50i, 24M (FX) 0:40:00 1: 25:00 3:00:00 6:00:00
60i/50i, 17M (FH) 0:55:00 2:00:00 4:05:00 8:1 5:00
60p/50p, 28M(PS) 0: 35:00 1: 15:00 2: 30:00 5: 05:00
24p/25p, 24M (FX) 0:40:00 1: 25:00 3:00:00 6:00:00
24p/25p, 17M (FH) 0: 55:00 2:00:00 4:05:00 8: 15:00
MP4
60p/50p, 28M 0: 35:00 1:1 5:00 2:35:00 5:20:00
30p/25p, 16M 1:00:00 2:00:00 4: 10:00 8: 25:00
1280 x 720, 30p/25p, 6M 2:35:00 5:20:00 10: 55:00 22:00:00
Page 12
22
23
Explore higher perspectives
Lenses
E-mount APS-C lenses
PZ
E 16mm F2.8
(SEL16F28)
Fisheye Converter
(VCL-ECF2)
*For SEL16F28, SEL20F28 *For SEL28F20 only
Ultra Wide Converter
(VCL-ECU2)
*For SEL16F28, SEL20F28 *For SEL28F20 only
E 35mm F1.8 OSS
(SEL35F18)
Black
E 50mm F1.8 OSS
(SEL50F18)
E 10-18mm F4 OSS
(SEL1018)
Silver
PZ
E 20mm F2.8
(SEL20F28)
Sonnar T* E 24mm F1.8 ZA
(SEL24F18Z)
E 30mm F3.5 Macro
(SEL30M35)
E PZ 16-50mm F3.5-5.6 OSS
(SELP1650)
Vario-Tessar T*
E 16-70mm F4 ZA OSS
(SEL1670Z)
E 18-55mm F3.5-5.6 OSS
(SEL1855)
PZ = Powered Zoom
E PZ 18-105mm F4 G OSS
(SELP18105G)
FE PZ 18-110mm F4 G OSS
(SELP18110G)
E 18-200mm F3.5-6.3 OSS
(SEL18200)
E 18-200mm F3.5-6.3 OSS LE
(SEL18200LE)
E PZ 18-200mm F3.5-6.3 OSS
(SELP18200)
Black
E 55-210mm F4.5-6.3 OSS
(SEL55210)
PZ
PZ
Silver
E-mount Full frame lenses
FE 28mm F2
(SEL28F20)
Ultra Wide Converter
(SEL075UWC)
Fisheye Converter
(SEL057FEC)
Distagon T* FE 35mm F1.4 ZA
(SEL35F14Z)
Sonnar T* FE 35mm F2.8 ZA
(SEL35F28Z)
Planar T* FE 50mm F1.4 ZA
(SEL50F14Z)
Vario-Tessar T* FE 16-35mm F4 ZA OSS
(SEL1635Z)
FE 24-70mm F2.8 GM OSS
(SEL2470GM)
Vario-Tessar T* FE 24-70mm F4 ZA OSS
(SEL2470Z)
FE 24-240mm F4.5-5.6 OSS
(SEL24240)
FE 28-70mm F3.5-5.6 OSS
(SEL2870)
PZ
FE PZ 28-135mm F4 G OSS
(SELP28135G)
Flash
Macro Twin F lash Kit
HVL-MT24AM
Flash
HVL-F60M
Wirele ss Radio
Comander
FA-WRC1M
Microphones
XLR Ada ptor Kit
XLR-K2M
Lens Accessories
Shoe Ad aptor
ADP-MAA
Flash
HVL-F43M
Wirele ss Radio
Receiver
FA-WRR1
Shotg un
Microphone
ECM-CG60
Flash
HVL-F32M
Flash
HVL-F20M
Stereo
Microphone
ECM-XYST1M
Lights / Microphones / Monitor / Bracket
Batter y Video IR Lig ht
HVL-LEIR1
Ring Li ght
HVL-RL1
Batter y Video Ligh t
HVL-LE1
Cases & Straps
Body Ca se
6300
for
LCS-EBE
Soft Ca rrying Cas e
LCS-EMJ
Soft Ca rrying Cas e
LCS-PSC7
Clip- on LCD Monitor
CLM-FHD5
Body Ca se
for 6500
LCS-EBG
Sling B ag
LCS-SB1
Bracket
VCT-55LH
Soft Ca rrying Cas e
LCS-SL20
Explore higher perspectives
See the world from more creative perspectives with
the full range of premium Sony A-mount lenses, including fisheye, wide-angle, super telephoto, macro
and legendary ZEISS® lenses for the ultimate expression of images. (Optional Mount Adaptor LA-EA4 or
LA-EA3 is required to mount an A-mount lens.*)
Mount Adaptor
LA-EA4
Mount Adaptor
LA-EA3
FE 50mm F1.8
(SEL50F18F)
FE 50mm F2.8 Macro
(SEL50M28)
Sonnar T* FE 55mm F1.8 ZA
(SEL55F18Z)
FE 85mm F1.4 GM
(SEL85F14GM)
FE 90mm F2.8 Macro G OSS
(SEL90M28G)
FE 70-200mm F2.8 GM OSS
(SEL70200GM)
FE 70-200mm F4 G OSS
(SEL70200G)
FE 70-300mm F4.5-5.6 G OSS
(SEL70300G)
Circul ar PL Filters
VF-4 9CPAM /
55CPAM / 62 CPAM /
67CPAM / 72CPAM /
77CPAM / 82 MPAM
Power Accessories
Recha rgeable
Batter y Pack
NP-FW50
Batter y Charger
BC-QM1
MC Protec tors
VF-405MP /49MPAM
55MPAM / 62 MPAM
67MPAM / 72MPAM
77MPAM / 82 MPAM
Accesso ry Kit
ACC-TRW
AC Adapt or
AC-PW20
Body Ca p
ALC-B1EM
6500 With
LCS-EBG
6300 With
LCS-EBE
Shoul der Strap
STP-XH1
Tripods / Remote Commander / Memory Cards / Others
Remote C ommander
RM-VPR1
Tripod
VCT-P300
Remote C ontrol
Tripod
VCT-VPR1
Eyepie ce Cup
for 6300
FDA-EP16
Remote
Commande r and
IR Recei ver Kit
RMT-VP1K
For det ails on co mpati ble len ses and a ccessor ies, v isit th e Sony we bsite.
Eyepie ce Cup
for 6500
FDA-EP17
Remote
Commander
RMT-DSLR2
Shoul der Strap
STP-XSG1
Screen P rotect
Semi Ha rd Sheet
PCK-LM15
Shoe Ca p
FA-SHC1M
HDMI Ca ble
(Micro)
DLC-HEU15/30
SD Memo ry Card
Memor y Stick
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