This manual is intended for qualified service personnel only.
To reduce the risk of electric shock, fire or injury, do not perform any servicing other than that
contained in the operating instructions unless you are qualified to do so. Refer all servicing to
qualified service personnel.
! WARNUNG
Die Anleitung ist nur für qualifiziertes Fachpersonal bestimmt.
Alle Wartungsarbeiten dürfen nur von qualifiziertem Fachpersonal ausgeführt werden. Um die
Gefahr eines elektrischen Schlages, Feuergefahr und Verletzungen zu vermeiden, sind bei
Wartungsarbeiten strikt die Angaben in der Anleitung zu befolgen. Andere als die angegeben
Wartungsarbeiten dürfen nur von Personen ausgeführt werden, die eine spezielle Befähigung
dazu besitzen.
! AVERTISSEMENT
Ce manual est destiné uniquement aux personnes compétentes en charge de l’entretien. Afin
de réduire les risques de décharge électrique, d’incendie ou de blessure n’effectuer que les
réparations indiquées dans le mode d’emploi à moins d’être qualifié pour en effectuer d’autres.
Pour toute réparation faire appel à une personne compétente uniquement.
DXC-D35/D35WS (UC)
DXC-D35P/D35WSP (CE) V1
CAUTION
ADVARSEL
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type
recommended by the manufacturer.
Dispose of used batteries according to the
manufacturer’s instr uctions.
Vorsicht!
Explosionsgefahr bei unsachgemäßem Austausch
der Batterie.
Ersatz nur durch denselben oder einen vom
Hersteller empfohlenen ähnlichen Typ. Entsorgung
gebrauchter Batterien nach Angaben des
Herstellers.
ATTENTION
Il y a danger d’explosion s’il y a remplacement
incorrect de la batterie.
Remplacer uniquement avec une batterie du même
type ou d’un type équivalent recommandé par le
constructeur.
Mettre au rebut les batteries usagées conformément
aux instructions du fabricant.
Lithiumbatteri - Eksplosjonsfare.
Ved utskifting benyttes kun batteri som
anbefalt av apparatfabrikanten.
Brukt batteri returneres
apparatleverandøren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en likvärdig typ
som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt gällande
föreskrifter.
VAROITUS
Paristo voi räjähtää jos se on virheellisesti
asennettu.
Vaihda par isto ainoastaan laitevalmistajan
suosittelemaan tyyppiin.
Hävitä käytetty paristo valmistajan ohjeiden
mukaisesti.
Lithiumbatteri-Eksplosionsfare ved fejlagtig
Udskiftning må kun ske med batteri
Levér det brugte batteri tilbage til leverandøren.
DXC-D35/D35WS (UC)
DXC-D35P/D35WSP (CE) V1
ADVARSEL!
håndtering.
af samme fabrikat og type.
1 (P)
For the customers in the U.S.A. and Canada
RECYCLING NICKEL-CADMIUM
BATTERIES
Nickel Cadmium batteries are
recyclable. You can help preserve our
environment by returning your unwanted
batteries to your nearest point for
collection, recycling or proper disposal.
Note: In some areas the disposal of
nickel cadmium batteries in household or business trash
may be prohibited.
RBRC (Rechargeable Battery Recycling Corporation)
advises you about spent battery collection by the
following phone number.
Call toll free number: 1-800-822-8837
(United States and Canada only)
Caution: Do not handle damaged or leaking nickelcadmium batteries.
For the customers in the Netherlands
Voor de klanten in Nederland
Dit apparaat bevat een MnO
2-Li en Li-ion batterij voor
memory back-up.
Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat bij einde
levensduur afdankt.
Gooi de batterij niet weg. maar lever hem in als KCA.
Bij dit produkt zijn batterijen geleverd.
Wanneer deze leeg zijn, moet u ze niet
weggooien maar inleveren als KCA.
Für Kunden in Deutschland
Entsorgungshinweis: Bitte werfen Sie nur entladene
Batterien in die Sammelboxen beim Handel oder den
Kommunen. Entladen sind Batterien in der Regel dann,
wenn das Gerät abschaltet und signalisiert “Batterie
leer” oder nach längerer Gebrauchsdauer der Batterien
“nicht mehr einwandfrei funktioniert”. Um
sicherzugehen, kleben Sie die Batteriepole z.B. mit
einem Klebestreifen ab oder geben Sie die Batterien
einzeln in einen Plastikbeutel.
X-RAY RADIATION WARNING
Be sure that parts replacement in the high voltage block
and adjustments made to the high voltage circuits are
carried out precisely in accordance with the procedures
given in this manual.
2 (P)
DXC-D35/D35WS (UC)
DXC-D35P/D35WSP (CE) V1
Table of Contents
Manual Structure
Purpose of this manual .............................................................................................. 3
Related manuals......................................................................................................... 3
3-3-15. MIC Level/MIC Level IND Adjustment.................................. 3-15
3-3-16. Character Position Adjustment ................................................3-16
3-3-17. 4 : 3 Title Adjustment (Only for DXC-D35WS/D35WSP) .....3-17
3-4.Changing the Standard Setting Values (Video Level) .............................. 3-18
3-4-1.Setting Status before Changing the Setting.............................. 3-18
3-4-2.Changing the Setting Value of Black Level............................. 3-18
3-4-3.Changing the Flare Compensation Setting Value .................... 3-19
3-4-4.Changing the Gamma Correction Setting Value......................3-19
3-4-5.Changing the Manual Knee/White Clip Setting Value ............3-20
2
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
Purpose of this manual
Related manuals
Manual Structure
This is the Service Manual Volume 1 of the color video camera DXC-D35/D35P
and DXC-D35WS/D35WSP.
Contains the operation manual related to the operations of this equipment, the
replacement of the parts and adjustments.
Besides this Service Manual Volume 1, the following manuals are availabel for
color video camera DXC-D35/D35P and DXC-D35WS/D35WSP.
..
. Service Manual Volume 2 (Available on request)
..
Part No. 9-955-214-21
This manual describes parts list, semiconductor pin assignments, block diagrams,
schematic diagrams and board layouts.
For obtaining, contact your local Sony Sales Office/Service Center.
..
. Service Manual DXF-801/801CE (Available on request)
..
Part No. 9-955-212-01
This manual describes the replacement of the parts, alignments, parts list, semiconductor pin assignments, block diagrams, schematic diagrams and board layouts
of the viewfinder.
For obtaining, contact your local Sony Sales Office/Service Center.
..
. Service Manual VCT-U14 (Available on request)
..
Part No. 9-977-221-01
This manual describes exploded view and parts list of the tripod adaptor.
For obtaining, contact your local Sony Sales Office/Service Center.
..
. Service Manual VCL-918BY (Available on request)
..
Part No. 9-977-329-01
This manual describes exploded view and parts list of the zoom lens.
For obtaining, contact your local Sony Sales Office/Service Center.
..
. “Semiconductor Pin Assignments” CD-ROM (Available on request)
..
This “Semiconductor Pin Assignments” CD-ROM allows you to search for
semiconductors used in Communication System Solutions Network Company
equipment.
Semiconductors that cannot be searched for on this CD-ROM are listed in the
service manual for the corresponding unit. The service manual contains a complete list of all semiconductors and their ID Nos., and thus should be used together
with the CD-ROM.
Part number: 9-968-546-XX
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
3
DXC-D35/D35WS(UC)
2000 by Sony Corporation
Operating Instructions
Before operating the unit, please read this manual
thoroughly and retain it for future reference.
Battery may explode if mistreated.
Do not recharge, disassemble or dispose of in fire.
Note
Keep the lithium battery out of the reach of children.
Should the battery be swallowed, consult a doctor
immediately.
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering.
Udskiftning må kun ske med batteri af samme fabrikat og
type.
Levér det brugte batteri tilbage til laverandøren.
ADVARSEL
Lithiumbatteri - Eksplosjonsfare.
Ved utskifting benyttes kun batteri som anbefalt av
apparatfabrikanten.
Brukt batteri returneres apparatleverandøren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en likvärdig typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt gällande föreskrifter.
VAROITUS
Paristo voi räjähtää jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan
tyyppiin.
Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
For the customers in the USA and Canada
RECYCLING NICKEL-CADMIUM BATTERIES
Nickel Cadmium batteries are recyclable.
You can help preserve our environment by
returning your unwanted batteries to your
nearest point for collection, recycling or
proper disposal.
Note: In some areas the disposal of nickel
cadmium batteries in household or
business trash may be prohibited.
RBRC (Rechargeable Battery Recycling Corporation)
advises you about spent battery collection by the following
phone number.
Call toll free number: 1-800-822-8837 (United States and
Canada only)
Caution: Do not handle damaged or leaking nickel-cadmium
batteries.
For safety reasons, be sure to discharge the battery
before discarding it.
WARNING
To prevent fire or shock hazard, do not
expose the unit to rain or moisture.
To avoid electrical shock, do not open
the cabinet. Refer servicing to qualified
personnel only.
This symbol is intended to alert the user to
the presence of uninsulated “dangerous
voltage” within the product’s enclosure that
may be of sufficient magnitude to
constitute a risk of electric shock to
persons.
This symbol is intended to alert the user to
the presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.
Owner’s Record
The model and serial numbers are located on the top.
Record these numbers in the spaces provided below. Refer
to them whenever you call upon your Sony dealer regarding
this product.
Model No.
Serial No.
LITHIUM BATTERY
Replace the battery with a Sony CR2032 lithium battery. Use
of another battery may present a risk of fire or explosion.
3
For customers in the USA (for DXC-D35K/D35L/D35WSL/
D35H)
This equipment has been tested and found to comply with the
limits for a Class A digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable
protection against harmful interference when the equipment
is operated in a commercial environment. This equipment
generates, uses, and can radiate radio frequency energy
and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio
communications. Operation of this equipment in a residential
area is likely to cause harmful interference in which case the
user will be required to correct the interference at his own
expense.
You are cautioned that any changes or modifications not
expressly approved in this manual could void your authority
to operate this equipment.
The shielded interface cable recommended in this manual
must be used with this equipment in order to comply with the
limits for a digital device pursuant to Subpart B of Part 15 of
FCC Rules.
For the customers in Europe (for DXC-D35PK/D35PL/
D35WSPL/D35PH)
This product with the CE marking complies with the EMC
Directive (89/336/EEC) issued by the Commission of the
European Community.
Compliance with this directive implies conformity to the
following European standards:
• EN55103-2: Electromagnetic Susceptibility (Immunity)
This product is intended for use in the following
Electromagnetic Environment(s):
E1 (residential), E2 (commercial and light industrial), E3
(urban outdoors) and E4 (controlled EMC environment, ex.
TV studio).
Example System Configuration....................................... 103
Data Generated When Shooting...................................... 104
Chapter 1 Overview
7
Chapter
1
Overview
Product Configurations
The eight models, DXC-D35K, DXC-D35L/D35WSL,
DXC-D35H, DXC-D35PK, DXC-D35PL/D35WSPL,
and DXC-D35PH, comprise both NTSC and PAL
versions and the components as shown in the figure on
next page. The operation of the basic camera unit is
the same in all cases.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 1 Overview
8
Chapter 1 Overview
VCT-U14 Tripod
Adaptor
Microphone
DXF-801/801CE Viewfinder
DXC-D35H/D35PH
Test chart for flange
focal length
adjustment
DXC-D35/D35P/D35WS
a)
/
D35WSP
a)
Camera Head
b)
VCL-918BY
Zoom Lens
DXC-D35K/D35PK
DXC-D35L/D35PL
RM-LG1 Remote Control Unit
a) DXC-D35WSL/D35WSPL only
b) Illustration: DXC-D35WS/D35WSP
Camera adaptor
The product kit does not include a camera adaptor: to
use a camera adaptor, you will need to purchase a
model CA-537/537P or CA-327/327P.
Product Configurations
Chapter 1 Overview
Chapter 1 Overview
9
Features
Features on the DXC-D35/D35P/
D35WSL/D35WSPL
The DXC-D35WSL/S35WSPL is a 16:9 wide-screen
type (4:3-16:9 switchable) digital video camera while
the DXC-D35/D35P is a 4:3 standard-screen type
digital video camera. Common features on both types
are described in this section. See also “Features on the
DXC-D35WSL/D35WSPL” (page 12) for using the
DXC-D35WSL/S35WSPL.
2
/3-inch IT type Power HAD (WS) CCD
The DXC-D35/D35P Color Video Camera uses
2
/3inch IT type Power HAD CCDs. (For the DXCD35WSL/D35WSPL, Power HAD WS CCDs are
used. ) It outperforms most of the exiting FIT type
CCD cameras for high-end use, in both picture quality
and sensitivity.
•Smear: –125 dB (DXC-D35/D35P) or –120 dB
(DXC-D35WSL/D35WSPL)
•Sensitivity: F11.0 (at 3200 K, 2000 lux)
•S/N: 63 dB (DXC-D35/D35WSL) or 61 dB (DXC-
D35P/D35WSPL)
Sophisticated image processing
TruEye™ processing makes possible the following
performance features. This new digital signal
processing has brought reproduction of natural colors
to the level achieved by the human eye.
DynaLatitude™
Enables detailed adjustment of contrast control in each
pixel in accordance with a histogram of luminance
signal levels (see page 45).
DCC+ (dynamic contrast control plus)
Prevents white breakup when shooting a high intensity
subject, and also prevents color faults in high intensity
subject.
Black stretch and compress
Enables control of luminance signal levels in black
areas without changing the hue.
Variety of detail corrections
•Skin detail function: this function gives a slightly
softer appearance to the subject’s face. The target
skin color can be automatically set.
•Black halo correction
•Red/green vertical detail correction: this function
performs vertical detail compensation for both red
and green signals.
•Horizontal detail frequency control
Recording and managing setup data
In addition to the setup menu that is displayed in the
viewfinder screen, the DXC-D35/D35P/D35WSL/
D35WSPL is equipped with the following functions to
facilitate camera head setup.
Setup file system
You can use setup files when making adjustments or
settings. The DXC-D35/D35P/D35WSL/D35WSPL
comes with factory preset files that contain shipped
settings and you can freely create user files as well.
Automatic recording of setup data (when
using DSR-1/1P)
When the DXC-D35/D35P/D35WSL/D35WSPL is
connected to the DSR-1/1P VTR, two types of setup
data can be recorded.
SetupLog™: Shooting-related environment settings
are recorded onto the tape at intervals of a few
seconds. This recorded data can then be used to
reproduce the same shooting conditions in
subsequent shots. It also makes it easier to
identify the causes of problems in previous shots.
SetupNavi™: The setup conditions selected with the
setup menu and setup files are recorded onto the
tape. The recorded setup data can be copied to
other camera heads so that the same setup can be
shared among several camera heads.
DXC-D35P/D35WSP(CE) V1
1-5
1-6
Chapter 1 Overview
10
Chapter 1 Overview
ClipLink™ Function (when using DSR1/1P)
The ClipLink function can be used at every step from
acquisition to editing. Information necessary for
editing is recorded when shooting to ensure fast and
efficient editing operations.
When you set a recording start (Rec IN) point or when
you press the TAKE button to set a Mark IN point, the
video image at that point is recorded on the tape in
compressed form as an Index Picture. In addition, the
time codes for such editing points (Mark IN/Mark
OUT points or cue points) are recorded along with
other editing point data (such as the cassette number
and scene number) into cassette memory (as ClipLink
log data). Unsuccessful scenes containing faults can
also be marked in cassette memory as “NG”, so that
only the good scenes are taken up from cassette
memory when editing.
Dockable with various types of VTRs
The DXC-D35/D35P/D35WSL/D35WSPL docks with
the DSR-1/1P DVCAM VTR to configure
a
digital
camcorder. It also docks with the PVV-3/3P Betacam
SP VTR to configure a Betacam SP camcorder. In
addition, the DXC-D35/D35P/D35WSL/D35WSPL
docks with the EVV-9000/9000P Hi-8 VTR. Using an
adaptor (not supplied), it is also able to dock with a
variety of existing S-VHS VTRs.
New Functions boost operability
EZ (easy) mode function
When there isn’t time to check the camera head
settings, simply press the EZ mode button to start the
auto adjustment function using standard settings.
There is no need to lose a shot for lack of setup time.
EZ (easy) focus
Press the EZ focus button before shooting to ensure a
quick and accurate focus.
The amount of gain relative to the GAIN switch
setting (H, M, or L) can be programmed as –3 dB, 0
dB, 3 dB, 6 dB, 9 dB, 12 dB, 18 dB, 18 dB+DPR
1)
, 24
dB,
24 dB+DPR and hyper gain.
Hyper gain
Hyper gain (36 dB or 42dB, i.e. about 60 times or 120
times greater than
0 dB) can be easily set via one switch setting. This
can also be done from remote equipment.
Auto tracing white balance
This function automatically traces the white balance,
which constantly changes as lighting conditions
change. Auto tracing white balance is especially
useful when there is no time to manually adjust the
white balance or when shooting moves between indoor
and outdoor locations.
Total level control system (TLCS)
Even if the incoming light exceeds the range in which
the standard auto iris can control exposure, the auto
gain control (AGC) or auto exposure (AE) backs up to
ensure proper exposure.
Dual pixel readout (DPR)
When the gain is set to either 18 dB or 24 dB, the gain
setting can be doubled (6 dB up) without increasing
the noise level.
Recording time display
Recording time can be displayed in either of the
following modes.
•Total recording time for all cuts
•Total recording time for current cut
Viewfinder super detail
Video signals for the viewfinder are mixed with DTL
signals to make focusing easier.
Features
Chapter 1 Overview
Chapter 1 Overview
11
Dual zebra pattern display
Two types of zebra patterns, zebra 1 and zebra 2 can
be displayed simultaneously or independently. The
zebra 1 can be set to the levels ranging from 70 to 90
IRE on the DXC-D35/D35WSL (or from 70 to 90% on
the DXC-D35P/D35WSPL) and the zebra 2 indicates
the levels of 100 IRE for the DXC-D35/D35WSL or
more (or the levels of 100% or more for the DXCD35P/D35WSPL).
Color temperature display
When reading the white balance, the color temperature
is displayed on the viewfinder screen.
Switching the color temperatures for the
preset white balance
You can select the preset white balance at 3200 K
(default) or 5600 K (default) by setting the FILTER
control. The preset white balance can be changed to
other value through menu setting (see page 59).
Video monitor output with text
The video signal with text superimposed that is shown
in the viewfinder can also be output to an external
video monitor.
Camera head microphone output indicator
An indication 9 appears in the viewfinder whenever a
signal is being output from the camera head’s
microphone.
1-kHz reference signal output
Along with a color bar, a 1-kHz reference signal can
also be output.
Freeze mix function (when using DSR-1/1P)
The freeze mix function superimposes any previously
recorded still picture on the viewfinder screen to
facilitate framing the subject when reshooting the
scene.
Edit Search Function (when using DSR-1/1P)
When using the DXC-D35/D35P/D35WSL/D35WSPL
with the DSR-1/1P, pressing the EDIT SEARCH
buttons allow the tape to play back in search mode.
Set either of two playback speeds.
Designed for ease of operation
Dynafit Pad
Thanks to the Dynafit Pad which fits well to the
shoulder, the camera is stable on the shoulder.
Slide cover
The slide cover can hide the switches and buttons that
are seldom used during shooting. The cover can be
locked so as not to open during shooting.
High-performance viewfinder (DXF-801/
801CE)
•High resolution (600 TV lines of horizontal
resolution)
•Large-diameter eye cup for easier viewing and
focusing
•PEAKING potentiometer for vertical and horizontal
detail control
•Two indicators can be used as TALLY indicators.
•Tough die-cast aluminum body
•DISPLAY switch that can turn the character display
on and off
•Light that can light the lens control elements
•Switching the aspect ratio automatically between
16:9 (wide screen) and 4:3 (standard screen) when
used with the DXC-D35WSL/D35WSPL
VTR data display
When connected to a VTR, the DXC-D35/D35P/
D35WSL/D35WSPL is able to display the following
data on the viewfinder screen.
•Time values (counter, time code, or user bit vales)
•VTR audio levels
•Remaining tape time
•VTR operation mode
•Remaining battery capacity (when using an Anton
Bauer Intelligent Battery System)
•ClipLink information (when using the DSR-1/1P)
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 1 Overview
12
Chapter 1 Overview
Features on the DXC-D35WSL/
D35WSPL
Features only on the DXC-D35WSL/S35WSPL is
described in this section. See “Features on the DXCD35/D35P/D35WSL/D35WSPL” (page 9) for
common features on a 4:3 standard-screen type digital
video camera and 16:9 wide-screen type digital video
camera.
Switchable between 16:9 and 4:3 aspect
ratios
A simple menu operation provides instant switching
between the 16:9 and 4:3 aspect ratios. In 4:3 mode, a
screen equivalent to a 4:3 screen is obtained through
digital processing of the 16:9 video signals produced
by the WS CCD. (See page 68.)
Wide-aspect ID signals
A menu setting is available to add wide-aspect ID
signals
1)
to 16:9-mode video signals.
2)
(See page 68.)
Selection of the safety zone size in 16:9
mode
When the aspect ratio is 16:9, you can change the
safety zone size through menu setting (see page 65.)
1) ID signals complying with EIAJ CPR-1204 (DXCD35WSL) or complying with ETS WSS (DXCD35WSPL).
2) Video signals refer to the following:
• Video signals output from the VIDEO OUT connector
and MONITOR OUT connector.
• The Y component of Y/C separate signals and the Y
component of component signals output from the VTR
connector.
Features
Chapter 1 Overview
Chapter 1 Overview
13
Location and Function of Parts
Camera Head
Right side view
TTL
DUR
OFF
ON
OFF
TTL RESETSET
REC TIME SKIN DTL
ON
OFF
FILE
STD
ON
OFF
ZEBRA HYPER
GAIN
SETUP
DOWN/OFF UP/ON
qf REC TIME switch
qg TTL RESET button
qh SKIN DTL switch
qj SKIN DTL SET button
qk SET UP switch
ql HYPER GAIN switch
w; ZEBRA switch
wa UP/ON button
ws DOWN/OFF button
1 EZ MODE button and indicator
2 EZ FOCUS button
3 EDIT SEARCH buttons
4 Slide cover lock
5 A.IRIS MODE switch and indicator
6 ATW button and indicator
7 POWER switch
8 MENU/STATUS switch
9 W. BAL switch
q; OUTPUT/DL/DCC+ switch
qa GAIN switch
qs NG button
qd Breaker switch
Illustration: DXC-D35WS/D35WSP
DXC-D35P/D35WSP(CE) V1
1-7
1-8
Chapter 1 Overview
14
Chapter 1 Overview
1 EZ (“easy”) MODE button and indicator
Depress this button (EZ mode on) when you want to
be able to shoot immediately, with automatic
adjustment of the camera settings to standard values.
(See page 68.) When this function is used, the iris and
the white balance are adjusted automatically. (The
total level control system functions.) Press this button
again to return the camera to the previous settings (EZ
mode off).
Note
When connecting the CCU-M5/M7 (or CCU-M5P/
M7P) Camera Control Unit or the RM-M7G Remote
Control Unit, the “easy mode” function is disabled.
2 EZ FOCUS button
Press this button to turn the “easy focus” function on.
This opens the iris, to make it easier to focus before
beginning shooting. The indication “EZ FOCUS”
appears in the viewfinder while the function is on; to
turn it off, press the EZ FOCUS button again. If left
on, the function automatically turns off after about ten
seconds.
Note
If the “easy focus” function is still on when you press
the VTR button, it turns off automatically and
recording starts about one second later.
3 EDIT SEARCH buttons (for operation with
DSR-1/1P)
When using the DSR-1/1P to record, you can see the
search playback while pressing either of these buttons
at recording pause mode to quickly find the next
recording start point. Two playback speeds are
available, and press either of the buttons to the inner
position to increase the speed.
4 Slide cover lock
This lock keeps the slide cover closed.
5 A.IRIS (auto iris) MODE switch and indicator
When you use the auto iris function (by setting the iris
selector on the lens to A), set this switch to suit the
shooting conditions. Selecting BACK L gives more
light to back-lit subjects, and selecting SPOT L adjusts
for high contrast in spot-lit subjects. For normal
shooting, set this switch to STD.
6 ATW (auto tracing white balance) button and
indicator
Press this button, turning the indicator on, when you
want the white balance to be adjusted automatically to
follow changes in lighting conditions. (See page 81.)
7 POWER switch
This powers the camera on and off. There are two
different ON settings as follows.
ON STBY: This puts the VTR on standby. In this
state, pressing the VTR button on the camera
head, the lens or a camera adaptor starts recording
immediately.
ON SAVE: This puts the VTR in the power-saving
state, with the video head drum stationary. In this
state, it takes a few seconds to start recording after
pressing the VTR button.
Note
The VTR state when this switch is in the ON STBY or
ON SAVE position may depend on the VTR model.
8 MENU/STATUS switch
When you press this switch to the MENU position, the
basic menu is displayed. Keep pressing it to the
MENU position to cycle through the various menu
displays. When you press the switch to the STATUS
position, the DXC-D35/D35P/D35WSL/D35WSPL’s
status (of current settings) is displayed.
9 W. BAL (white balance) switch
This selects the white balance setting from the preset
value, the value in memory A or the value in memory
B. (See page 79.)
0 OUTPUT/DL/DCC+ (DynaLatitude/dynamic
contrast control plus) switch
Use this switch to select the DCC+ function, the
DynaLatitude function, or color bar output.
Select the CAM/DCC+ position in most cases.
CAM/DCC+: This activates the DCC+ function.
This prevents color faults when shooting highintensity subjects.
LOCKFREE
LOCKFREE
EDIT SEARCHEDIT SEARCH
Unlocked positionLocked position
Pull the upper panel forward and then lift it up.
Location and Function of Parts
Chapter 1 Overview
Chapter 1 Overview
15
CAM/DL: This setting uses the DynaLatitude
function, which finely adjusts the contrast of each
pixel according to a histogram of luminance signal
levels. Access advanced menu page 2 to set the
DynaLatitude function ON or OFF. The
DynaLatitude effect can be set to any of three
levels, Low, STD (standard), and High with basic
menu page 2.
BARS: This setting displays color bars.
For details of menu operation, see Chapter 4 “Viewfinder
Screen Displays and Menus” (page 51).
qa GAIN switch
This selects one of the three gain settings, high,
medium or low. You can choose the gain values
assigned to the H, M and L settings from values from
–3 dB to 24 dB + DPR and HYPER GAIN. (See page
64.) The factory default selections are 18 dB (H), 9 dB
(M) and 0 dB (L).
Note
When the HYPER GAIN switch ql is in the ON
position, the GAIN switch has no effect.
qs NG button
When using the ClipLink function during shooting,
you can designate a particular scene as “NG” (No
Good) by pressing this button before shooting the next
scene. Press the button again to cancel the NG setting.
qd Breaker switch
If there is a fault in the camera power supply, the
breaker trips, and the camera power supply is
disconnected. Correct the fault in the power supply,
then press this switch.
qf REC (recording) TIME switch
This selects the recording time indication in the
viewfinder.
TTL: Displays the total recording time.
The total recording time is not reset even when
you stop the VTR and power off the camera, for
example, to replace the battery pack.
DUR: Displays the recording time of the current cut.
OFF/TC: Switches off the recording time display.
If, however, a PVV-3/3P is connected, and in the
advanced menus you set the time code display
item (TC IND) to ON (see page 67), then the VTR
time data (time code, CTL count, or user bit
value) is displayed.
Note
The recording time displayed when this switch is set
to the TTL or DUR position is obtained by counting
the duration of the internal reference signal input to
the camera.
The value may not agree exactly with the value
derived from the time code values. Furthermore, the
value displayed may not be correct when another
manufacturer’s VTR is connected to the camera.
qg TTL (total) RESET button
Pressing this button resets the total recording time
(TTL selection) to zero.
qh SKIN DTL (skin detail) switch
Set this switch to ON to use the skin detail correction
function.
For details, see “Skin Detail Correction” (page 93).
qj SKIN DTL (skin detail set) SET button
Press this button with the SKIN DTL button qh to
display the area detect cursor on the viewfinder screen.
Place the cursor on the target and press this button to
perform skin detail correction.
For details, see “Skin Detail Correction” (page 93).
qk SET UP switch
Use this switch to select the camera head setup
method.
STD: Set up using the setup menu. Setup file data is
not displayed.
FILE: Set up using setup files and the setup menu.
ql HYPER GAIN switch
Setting this switch to the ON position increases the
gain by a factor of about 60 or 120 with respect to 0
dB (a 30 or 36 dB increase by electronic amplification
and a 6 dB increase for DPR, bringing about a total
gain increase of 36 or 42 dB).
When this switch is in the ON position, the indication
“HYPER” appears in the viewfinder, and the GAIN
UP indicator in the viewfinder also lights.
When finished shooting, return this switch to the OFF
position. The “HYPER” indication disappears and the
GAIN UP indicator goes out.
Note
Increasing the gain with this switch reduces the
horizontal resolution by 50%.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 1 Overview
16
Chapter 1 Overview
wa UP/ON button
Use this button to open displays and to make “ON”
settings. When using the advanced menus, use this
button to change menu pages or to switch to the
ordinary screen display.
ws DOWN/OFF button
Use this button to close displays and to make “OFF”
settings. You can also use this button to change menu
pages when using the advanced menus.
Location and Function of Parts
w; ZEBRA switch
Set this switch to the ON position to display a zebra
pattern (diagonal stripes) in the viewfinder.
Depending on the zebra setting in advanced menu page
4 (page 65), the zebra 1 for video levels between 70 to
90 IRE (or 70 to 90%) and the zebra 2 for video levels
100 IRE or more (or 100% or more) can be displayed
independently or simultaneously.
Connect the supplied microphone or an optional
microphone (operable with a 48 V supply).
2 VF (viewfinder) connector (20-pin)
This is the connector for the DXF-801/801CE
viewfinder.
Note
When using this connector, do not connect a DXF-41/
51 viewfinder to the VF connector on the left side.
3 MIC LOW CUT switch
Set this switch to the ON position to insert a high-pass
filter in the microphone circuit, reducing wind noise.
Normally leave the switch in the OFF position.
4 FILTER control
Select the color temperature conversion filter
appropriate to the lighting conditions. (See page 43.)
5 Lens mount
Attach the zoom lens here.
Illustration: DXC-D35WS/D35WSP
Chapter 1 Overview
Chapter 1 Overview
17
6 SHUTTER switch
Use this switch to set the shutter speed, CLS (clear
scan), or EVS setting (see page 84). Usually, set this
switch to OFF.
7 TAKE button
Press this button to specify an editing point (Mark IN/
OUT or cue point) at the current tape position during
shooting.
8 AUDIO LEVEL knob
When the DSR-1/1P is attached, you can use this knob
to manually adjust the channel 1 audio recording level.
9 WHT/BLK (white/black) switch
This switch is used for automatic adjustment of the
white balance and black balance. (See pages 79 to 83.)
0 VTR button
Pressing this button starts and stops recording on the
VTR.
Left and upper view
1 Fitting for optional microphone holder
You can fit an optional CAC-12 Microphone Holder
here. (See page 33.)
2 Accessory fitting shoe and screw hole
Attach optional video lights or other accessories here.
3 Shoulder strap fixture
To use the supplied shoulder strap, fix one end here
and the other end to the VTR.
4 Viewfinder fitting shoe
Fix the DXF-801/801CE Viewfinder here.
5 Viewfinder left-to-right position fixing ring
Loosen this ring to adjust the left-to-right position of
the viewfinder. (See page 32.)
6 Viewfinder front-to-back position locking catch
Release this catch to adjust the front-to-back position
of the viewfinder. (See page 32.)
1 Fitting for optional microphone holder
2 Accessory fitting shoe and screw hole
3 Shoulder strap fitting
4 Viewfinder fitting shoe
5 Viewfinder left-to-right positioning ring
6 Viewfinder front-to-back position locking lever
7 REMOTE connector 1
Connect the RM-LG1 Remote Control Unit to enable
remote operation of the ClipLink function.
8 MONITOR OUT connector (BNC)
Outputs both the camera video and the character
information as displayed on the viewfinder screen.
You can connect an optional LCD color monitor to this
connector.
9 VIDEO OUT connector (BNC)
This outputs the video signal captured by the camera.
0 REMOTE connector 2 (10-pin)
Connect the optional RM-M7G Remote Control Unit
to this connector. Set the CAMERA HEAD SELECT
switch on the bottom of RM-M7G to 1.
Note
When using the RM-M7G, note the following points.
•When operating the camera head from the camera
control unit, connect the RM-M7G to the camera
control unit.
•EZ mode cannot be used if the RM-M7G is
connected to the camera head.
Location and Function of Parts
qa LENS connector (12-pin, for
2
/3-inch lens)
Connect the lens connector.
qs VF (viewfinder) connector (8-pin)
This is the connector for the DXF-41/51 viewfinder.
Note
When using this connector, do not connect a DXF-801/
801CE viewfinder to the VF connector on the front of
the camera head.
qd VTR connectors (PRO 76-pin DIGITAL and
PRO 50-pin)
Connect a dockable VTR. A PRO 76-pin DIGITAL
connector is for the DSR-1/1P and a PRO 50-pin
connector is for the PVV-3/3P or a camera adaptor.
Chapter 1 Overview
Chapter 1 Overview
19
VCL-918BY Zoom Lens
1 Iris ring
4 M button
5 F.B adjustment ring
and F.B fixing screw
6 MACRO ring
7 ZOOM selector
8 Zoom remote control
connector
9 Lens connector
qa VTR button
0 RET button
2 Zoom ring
Lens hood
3 Focus ring
qd IRIS selector
qf Motorized zoom lever
qs Instant automatic iris adjustment
button
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 1 Overview
20
Chapter 1 Overview
Location and Function of Parts
1 Iris ring
For manual iris control, set the IRIS selector qd to the
“M” position, and turn this ring.
2 Zoom ring
For direct manual zoom control, set the ZOOM
selector 7 to the “MANU.” position, and turn this
ring.
3 Focus ring
Turn this ring to focus the lens on the subject.
4 M (close-up) button
For close-up work, turn the MACRO ring 6 while
holding this button down. (See page 91.)
5 F.B (flange focal length) adjustment ring and
F.B fixing knob
F.B adjustment ring : To adjust the flange focal
length, loosen the F.B fixing knob, then turn the
ring. (See page 89.)
F.B fixing knob: Fixes the F.B adjustment ring.
6 MACRO (close-up) ring
For close-up, turn this ring while holding the M
button 4 down. (See page 91.)
7 ZOOM selector
This selects the mode of zoom operation.
SERVO: power zoom
MANU. (manual): manual zoom
8 Zoom remote control connector (8-pin)
Connect the optional LO-26 lens remote control unit
for remote control of zooming.
9 Lens connector (12-pin)
Connect to the LENS connector (qa on page 18) of the
Camera Head.
0 RET (return) button
This allows you to check the video signal as follows.
When operating with a portable VTR connected
via other equipment: when the VTR is in
recording, pressing this button connects the E-E
video signal1) from the VTR to the viewfinder.
When operating with a DSR-1/1P or PVV-3/3P
mounted on the camera head: when the VTR is in
recording pause mode, press this button to review
the last few seconds of the recording in the
viewfinder (recording review).
When operating with a CCU-M5/M5P/M7/M7P
Camera Control Unit connected: pressing this
button connects the return video signal from the
camera control unit to the viewfinder.
When this button is not pressed, the viewfinder
displays the video signal captured by the camera.
qa VTR button
When operating with a VTR: this button starts and
stops recording, and once more to stop.
When operating with a CCU-M5/M5P/M7/M7P
Camera Control Unit connected: pressing this
button connects the return video signal from the
camera control unit to the viewfinder.
(Starting and stopping recording is controlled on
the VTR.)
qs Instant automatic iris adjustment button
While using manual iris control, press this button to
switch temporarily to the automatic iris control setting.
The automatic setting is maintained as long as you
hold the button down.
qd IRIS selector
This selects the mode of iris operation. (See page 14.)
A (automatic): automatic iris
M (manual): manual iris
qf Motorized zoom lever
Use this to carry out a power zoom. Pressing the lever
harder increases the zoom speed.
W end: zoom toward wide angle
T end: zoom toward telephoto
1) E-E video signal: “electric-to-electric” video signal.
This is the input video signal which has passed through
internal electrical circuits, but has not been converted to
a magnetic signal.
9 PEAKING control
0 CONTRAST control
qa Tally lamp
qs BRIGHT control
qd Eyepiece release catch
qf TALLY switch
qg DISPLAY switch
qh Viewfinder connector
Eye cup
1 Eyepiece focusing knob
2 Stopper
Microphone holding screw
Microphone holder
1 Eyepiece focusing knob
Turn this to adjust the viewfinder focus to match your
eyesight. (See page 88.)
2 Stopper
Lift up when detaching the viewfinder (See page 32).
3 LIGHT switch and light
The light lights the lens and the switch controls the
light as follows.
HIGH/LOW: Turn the light on and control the
brightness.
OFF: Turns the lights off.
4 TAKE/TALLY indicator (orange)
When using the ClipLink function while shooting, this
indicator lights when the TAKE button (7on page
17) has been pressed to set a Mark IN point and goes
out when a Mark OUT point is set.
5 BATT (battery) indicator (red)
This lights when the battery capacity is low.
Note
When using a camera control unit, this indicator
flashes when
you operate the controls, but this is not a malfunction.
You can switch the scan size of the DXF-801/801CE
in accordance with the aspect ratio selected on the
camera or camcorder.
Microphone
DXC-D35P/D35WSP(CE) V1
1-11
1-12
Chapter 1 Overview
22
Chapter 1 Overview
Location and Function of Parts
6 REC/TALLY (recording/tally) indicators (red)
•This flashes from the time when you press the VTR
button (0on page 17 and qaon page 20) on the lens
or camcorder until recording starts, then stays on
continuously during recording.
•When using a camera control unit, this lights when
the video from the camera is selected.
•This is also used to indicate a fault. (See page 97.)
•The lower indicator can be disabled by menu setting.
(See page 66.)
7 GAIN UP indicator (orange)
This lights when the gain is 3 dB or more.
8 SHUTTER indicator (red)
This lights when the SHUTTER switch (6 on page
17) is in the ON position. (If the EVS is selected, the
indicator will not light.)
9 PEAKING control
This adjusts the outline intensity of the viewfinder
image. (See page 88.)
0 CONTRAST control
This adjusts the contrast of the viewfinder image. (See
page 88.)
qa Tally lamp
When the TALLY switch qf is in the ON position, this
operates in the same way as the REC/TALLY
indicators 6.
qs BRIGHT (brightness) control
This adjusts the brightness of the viewfinder image.
(See page 88.)
qd Eyepiece release catch
To view the viewfinder screen directly, press this
catch, and hinge up the eyepiece.
qf TALLY switch
Set this switch to the ON position to use the tally lamp
qa.
qg DISPLAY switch
Set this switch to OFF when you want to remove the
character data from the viewfinder and the monitor
connected to the MONITOR OUT connector.
However, items which are set to OFF in advanced
menu page 5 and page 6 are not displayed even when
this switch is set to ON.
qh Viewfinder connector (20-pin)Connect this to the VF connector (2 on page 16).
Chapter 2 Fitting and Connections
23
Chapter
2
Fitting and
Connections
Replacing the Lithium Battery
The camera head uses a lithium battery (CR2032) to
retain date and time data.
When the lithium battery’s voltage falls, the clock
indication dose not appear. Replace the lithium
battery and set the clock (see page 86).
Notes
•Carefully read the instructions for replacing the
lithium battery. Lithium batteries may explode ifmisused.
•Use only CR2032-type lithium batteries. Other types
of lithium batteries may come loose when the
camcorder is moved. If you have difficulty finding
CR2032-type lithium batteries, contact your Sony
dealer.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 2 Fitting and Connections
24
Chapter 2 Fitting and Connections
Press down and pull out toward you.
Rear of the
camera head
Battery cover
1
Pull the upper part of the
battery cover (on the rear of
the camera head) forward and
turn the cover clockwise.
For detaching the VTR or camera
adaptor, see “Fitting a VTR” next
page.
2
Take out the lithium battery.
3
Reverse step 2 to insert a
replacement lithium battery.
Make sure that the + symbolon the battery is facing you.
4
Close the battery cover.
Replacing the Lithium Battery
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
25
Fitting a VTR
1
Set the PRO 76-pin DIGITAL
connector on the DSR-1/1P.
(The camera connector on the
PVV-3/3P is PRO 50-pin.)
For details, see the operating
instructions for the DSR-1/1P.
2
Loosen the two screws and
remove the shoulder pad.
3
Align the projection on the
bottom of the DSR-1/1P with
the slot on the camera head.
This section explains how to attach the DSR-1/1P to
the camera head. The method for attaching a PVV-3/
3P is similar.
When replacing the camera head grip with a camcorder
grip, see “Using the Camcorder Grip” (page 27).
Camera connector
(PRO 76-pin DIGITAL)
DSR-1/1P
Projection
Camera head
Slot
Groove
(continued)
Screws
DXC-D35P/D35WSP(CE) V1
1-13
1-14
Chapter 2 Fitting and Connections
26
Chapter 2 Fitting and Connections
4
Slide the DSR-1/1P and the
camera head together in the
groove as far as possible.
5
Tighten the two screws in the
grip connector and the two
screws in the shoulder pad
section.
Screws
6
Attach the shoulder pad.
To remove the VTR
Reverse the fitting procedure.
To fit a camera adaptor
Follow the same procedure as when fitting a VTR.
Fitting a VTR
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
27
Using the Camcorder Grip
When using the camera head with a VTR as a
camcorder, you can replace the camera head’s grip
with a camcorder grip (not supplied). The type of
camcorder grip and the method for attaching it differ
slightly depending on the type of VTR.
Attaching a camcorder grip to the DSR-1/1P
1
If the viewfinder is attached,
adjust the viewfinder to the
full-forward position.
For details, see “Adjusting the
viewfinder position” on page 32.
2
Remove the camera head
grip’s three screws, then pull
up the grip to remove it.
3
Remove the VTR connection
plate.
4
Remove the DSR-1/1P’s
shoulder strap fitting and the
camera head connection plate.
VTR connection
plate
Camera head
connection plate
Shoulder strap
fitting
(continued)
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 2 Fitting and Connections
28
Chapter 2 Fitting and Connections
5
Perform the first three steps in
“Fitting a VTR”.
6
Screw the connection plate
(supplied with the grip for the
DVCAM camcorder) which
straddles the connection
between the camera head and
the DSR-1/1P. Also, tighten
the two screws in the shoulder
pad section. (See step
5
on
page 26.)
7
Screw the grip for the
DVCAM camcorder.
Grip for the DVCAM camcorder
Connection
plate
Attaching a camcorder grip to the PVV-3/3P
1
Perform steps 2 to 4 in “Fitting
a VTR”.
2
If the viewfinder is attached,
adjust the viewfinder to the
full-forward position.
For details, see “Adjusting the
viewfinder position” on page 32.
Fitting a VTR
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
29
Shoulder strap
fitting
Grip for the Betacam
camcorder
3
Remove the grip’s three
screws, then pull up the grip to
remove it.
4
Remove the PVV-3/3P’s
shoulder strap fitting.
5
Screw the grip for the Betacam
camcorder.
DXC-D35P/D35WSP(CE) V1
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Chapter 2 Fitting and Connections
30
Chapter 2 Fitting and Connections
Fitting the Lens
In the case of the DXC-D35K/D35PK model, the lens
is already fitted. In other cases, use the following
procedure to fit the lens.
1
Remove the retaining rubber
which prevents the lens mount
from coming loose, then raise
the lens fixing lever, and
remove the lens mount cap.
2
With the lens fixing lever
turned fully counterclockwise,
push in the lens, aligning the
projection on the lens with the
cutout on the camera.
3
Supporting the lens, turn the
lens fixing lever fully
clockwise. Replace the
retaining rubber on the lens
mount.
Retaining rubber
Lens mount cap
Lens fixing lever
Align and push in.
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
31
4
Using the triangular mark as a
guide, push the lens connector
into the LENS connector on
the camera head, until it clicks
into place. Fasten the cable
with the clamps.
LENS connector
Triangular
mark
Fitting optional filters
Remove lens hood
Lens hood fixing screw
Filter (optional)
Loosen the lens hood fixing screw to remove the lens
hood, then attach the filter.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 2 Fitting and Connections
32
Chapter 2 Fitting and Connections
Using the Viewfinder
Removing the Viewfinder
Remove any microphone from the viewfinder before
beginning.
1
Pull the viewfinder connector
out of the VF connector on the
front of the camera head.
2
Loosen the viewfinder left-toright position fixing ring, then
pulling up the retaining catch,
slide the viewfinder out.
VF connector
Retaining catch
To fit the viewfinder
Reverse the removal procedure.
Adjusting the viewfinder position
To adjust the viewfinder left-to-right position, loosen
the left-to-right fixing ring, and to adjust the front-toback position loosen the front-to-back position locking
catch.
Viewfinger front-to-back
position locking catch
Using Accessories
Viewfinder left-to-right
position fixing ring
Viewfinder left-to-right
position fixing ring
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
33
Left eye adaptor
By fitting a left eye adaptor, you can use the camera
with your left eye to the viewfinder.
Screws removed
from the camera
CAC-12
Fitting an optional microphone
Use the following procedure to attach an optional
ECM-670 Microphone.
1
Loosen the screw of the CAC12 Microphone Holder, then
open the holder and replace the
microphone adaptor with the
one supplied with the ECM670 Microphone.
2
Insert the microphone in the
microphone holder, close the
holder, and tighten the screw.
Connect the microphone cable
to the MIC IN +48 V
connector.
Microphone adaptor
MIC IN +48 V
connector
Mark
Note
You cannot stow the camera attached with a left eye
adaptor in the LC-421 Carrying Case.
For details, consult your Sony dealer.
Using an Optional Microphone
To use a long microphone such as the optional ECM670/672, fit an optional CAC-12 Microphone Holder
to the camera, then mount the microphone in this
holder.
Fitting the optional CAC-12 Microphone
Holder
Remove the two retaining screws (M3 × 8) for the
optional microphone holder, then use these screws to
attach the CAC-12 Microphone Holder.
DXC-D35P/D35WSP(CE) V1
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1-18
Chapter 2 Fitting and Connections
34
Chapter 2 Fitting and Connections
Fitting optional microphones (operable with a
48 V supply) other than the ECM-670
Use the same fitting procedure as for the ECM-670,
but note the following differences with respect to the
microphone adaptor.
ECM-672: no microphone adaptor required.
Slender microphones (19 mm (
3
/4 inch) diameter):
use the microphone adaptor supplied with the
CAC-12.
Fitting to a Tripod
First fit the VCT-U14 Tripod Adaptor to the tripod,
then mount the camera on the tripod adaptor.
Removal
VCT-U14 Tripod Adaptor
Side the camera forward
along the slot, until it clicks
firmly into place.
Tripod
Hold down the red button
and pull the lever in the
direction of the arrow.
Note
After removing the camera, if the tripod adaptor pin
has not returned to its original position, hold down the
red button and move the lever in the direction of the
arrow to return the pin to its original position. It is not
possible to mount a camera with the pin left out.
Using the Optional CAC-4 Chest
Pad
When using the camera on your shoulder, attaching the
optional CAC-4 Chest Pad reduces the load on your
right hand supporting the zoom lens, and makes
operation easier.
For details see the instructions provided with the CAC-4.
Pin
Using Accessories
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
35
Using the Carrying Case
Stowing the camera
Align the camera with the base of the case, and slide
the camera in forward.
Checking that the pin at the rear engages correctly,
push forward until it locks into place.
Notes
•Bring the viewfinder into the horizontal position,
slide it fully rearward and to the left, then fix before
stowing.
•When an optional microphone (ECM-670/672, C-74,
etc.) is attached, loosen the microphone fixing
screws, move the microphone to the lowest position,
and fix before stowing.
Example of fully-stowed carrying case
Align the camera with the base of the
carrying case.
DXC-D35/D35P/D35WS/D35WSP Color
Video Camera
This can be stored with the following system
component fitted.
• CA-537/537P/327/327P/325A/325AP/325B
Camera Adaptor or DSR-1/1P, PVV-3/3P or
EVV-9000/9000P
• DXF-801/801CE Viewfinder
• ECM-670/ECM-672/C-74 Microphone
• Zoom lens (VCL-918BYetc.)
(Largest lens which can be stowed is
Canon J18 X 8.5BI-B.)
• CAC-12 Microphone Holder
• CAC-4 Chest Pad
Cassettes, camera cables, etc.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 2 Fitting and Connections
36
Chapter 2 Fitting and Connections
Connections
Connecting a Portable VTR
Using the optional CA-537/537P or CA-327/327P
Camera Adaptor and a camera cable, you can connect
a portable VTR. Set the VTR selector switch on the
camera adaptor according to the VTR connected.
If using a VTR from another manufacturer, consult your
Sony dealer.
Checks before making connections
Check first that the video camera, camera adaptor,
VTR, and other devices are all powered off.
Making connections
Using a camera cable, connect the VTR/CCU/CMA
connector on the camera adaptor to the camera input
connector of the VTR.
Camera cable
•Select a camera cable to fit the camera input
connector on the VTR you are using.
•The maximum camera cable extent is 10 m (33 ft).
For details, consult your Sony dealer.
Video monitor
•If using an S-VHS VTR, using a video monitor with
an S-video input connector and connecting it to the Svideo connector of the VTR will allow you to
monitor a clear picture, with no flecking.
•The output video signal from the VIDEO OUT
connector of this unit is a composite video signal.
Connect the VIDEO OUT connector of this unit to a
composite video signal input connector of the
monitor.
Setting the VTR selector switch on the
camera adaptor
When using the camera with a CA-537/537P/327/327P
Camera Adaptor, it is essential to correctly set the
VTR selector switch on the camera adaptor according
to the VTR connected. This switch determines the
type of video signal output from the VTR/CCU/CMA
connector and the audio output signal level.
Example: Connecting a BVW-50/50P Portable VTR to a CA-537/
537P Camera Adaptor
26-pin connector
VTR/CCU/CMA
DXC-D35/D35P/
D35WS/D35WSP
CCZ-A Camera Cable
26-pin connector
CAMERA IN
BVW-50/50P Portable VTR
CA-537/537P Camera
Adaptor
Example: When using a CA-537/537P
13
2
VTR SELECT switch
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
37
VTR selector settings on the CA-537/537P
a) Set the audio input level on the VO-6800/6800PS to –60
dB.
b) When the BVV-5/5PS is used as a portable VTR, a VA-
5/5P VTR Composite/Component Adaptor is required.
c) Set the input selector switch on the AG-7400 to Y/C.
VTR selector settings on the CA-327/327P
a) Set the audio input level on the VO-6800/6800PS to –60
dB.
b) Set the input selector switch on the AG-7400 to Y/C.
Connected VTR
VTR
selector
switch
setting
Video output
signal
Audio
output
signal
level
Sony broadcast and
professional VTRs:
BVU-150/150P and
VO-6800/6800PS
a)
1Composite–60 dB
Sony professional
VTRs: VO-8800/8800P
and EVV-9000/9000P
3Y/C–60 dB
Panasonic AG-6400
VHS VTR
Connected VTRVTR
selector
switch
setting
Video output
signal
Audio
output
signal
level
Sony broadcast and
professional VTRs:
BVU-150/150P, VO6800/6800PS
a)
, BVW50/50P and BVV-5/
5PS
b)
1Composite
(BVU-150/
150P and VO6800/6800PS)
or component
(BVW-50/50P
and BVV-5/
5PS)
–60 dB
Sony professional
VTRs: VO-8800/
8800P and EVV-9000/
9000P
3Y/C–60 dB
2Composite–20 dB
Panasonic AG-7400 SVHS VTR
c)
and JVC
BR-S405 S-VHS VTR
3Y/C
–20 dB
Connecting a Number of Cameras (Using a Camera Control Unit)
When using a number of cameras in the studio, it may
be necessary to use a CCU-M5/M5P/M7/M7P Camera
Control Unit to provide video and color sync between
cameras, and special effects and other devices to allow
switching, wipes and so forth.
In the studio it may also be convenient to use a DXF41/51 Viewfinder.
The figure in the next page shows an example studio
configuration.
For details, consult your Sony dealer.
Notes
•When using a camera control unit, put the camera
head into the EZ mode off state beforehand (see page
14). (Otherwise, it is impossible to access the
advanced menu.)
•With the DXC-D35/D35P/D35WSL/D35WSPL,
color matrix switching on the CCU-M5/M5P is
invalid.
•When the DL in advanced menu page 2 is set to ON
(see page 64) and the OUTPUT/DL/DCC+ switch is
set to DL, knee adjustment does not function on the
CCU-M7/M7P.
Panasonic AG-6400
VHS VTR
2Composite–20 dB
Panasonic AG-7400 SVHS VTR
b)
4Y/C–20 dB
DXC-D35P/D35WSP(CE) V1
1-19
1-20
Chapter 2 Fitting and Connections
38
Chapter 2 Fitting and Connections
INTERCOM
VIDEO IN
PGM OUT
TALLY/INTERCOM
PGM OUT
VBS OUT
RETURN VIDEO IN
GEN LOCK IN
TALLY/INTERCOM
VIDEO IN
VIDEO IN
GEN LOCK OUT
RETURN VIDEO OUT
VBS OUT
CAMERA
CAMERA
TALLY/INTERCOMVBS OUT
GEN LOCK IN
RETURN VIDEO IN
1
4
2
2
3
3
3
3
3
3
43
1
TALLY/INTERCOM
DXC-D35/D35P/D35WS/D35WSP
CA-537/537P
Headset
Headset
VTR
Switcher, special
efects unit, etc.
75Ω termination switch to ON
CA-537/537P
DXF-41
or DXF-51
Headset
Headset
INTERCOM
(on the front)
INTERCOM
(on the front)
CCU-M5/M5P
Camera Control
Unit
CCU-M5/M5P
Camera Control
Unit
To AC power supply
DXC-D35/D35P/D35WS/
D35WSP
To AC power
supply
Cables used
1 Power cord (supplied)
2 CCZ-A Camera Cable
3 BNC cable
4 DIN 4-way cable
DXF-41 or DXF-51
75Ω
termination
switch to OFF
Connections
Chapter 2 Fitting and Connections
Chapter 2 Fitting and Connections
39
Connecting a Number of Cameras (Without Using a Camera Control
Unit)
When using two or more synchronized cameras
without a camera control unit, connect an external sync
signal to the GEN LOCK IN connector on the camera
adaptor (CA-537/537P etc.), supplying a VBS or BS
signal. The camera will then operate synchronized to
this signal.
You can adjust the synchronization using the basic
menus. (See page 59.)
VTR/CCU/CMA
VIDEO OUTVIDEO OUT
GEN LOCK IN
VIDEO OUT
GEN LOCK IN
VIDEO OUT
GEN LOCK IN
Example 1: Camera 2 synchronized to the signal from camera 1
CA-537/537P
Camera 1
DXC-D35/D35P/
D35WS/D35WSP
CCZ-A Camera Cable
BNC cable
Portable VTR
To camera
connector
To video input
connector
CA-537/537P
Camera 2
DXC-D35/D35P/
D35WS/D35WSP
Example 2: Cameras 1 and 2 synchronized to the signal from a special effects unit or similar
Special effects
unit or similar
Video input connector
BNC cable
Sync signal output
connector
CA-537/537P
DXC-D35/D35P/D35WS/
D35WSP
BNC cable
Video input connectorBNC cable
CA-537/537P
Camera 2
Camera 1
DXC-D35/D35P/D35WS/
D35WSP
Sync signal output
connector
BNC cable
BNC cable
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
Chapter 2 Fitting and Connections
40
Chapter 2 Fitting and Connections
Power Supply
This unit operates on either a battery pack or an AC
supply (using the optional CMA-8A/8ACE AC
Adaptor).
For details of the power supplies which can be used, refer to
the documentation supplied with the VTR connected to this
unit or the camera adaptor.
Using an Anton Bauer Intelligent Battery
System and Ultralight System
Fitting the special battery mount made by Anton Bauer
Corporation to this unit allows you to use their
Intelligent Battery System and Ultralight System.
For details, consult your Anton Bauer products supplier or
Sony dealer.
Using Battery Packs
Always fully charge a battery pack before using it.
Notes
•Be careful that other metal objects do not come in
contact with the metal parts of the battery pack, as
this could cause a short.
•Do not leave the battery pack in the camera if it is not
going to be used for a long time.
•If the battery pack is recharged after use while still
hot, it may not be possible to obtain a full charge.
Fitting a battery pack (NP-1B)
Open the lid of the battery case, insert a fully-charged
battery pack, and close the lid.
Battery pack operating times
The following table shows approximate continuous
operating times, when operating the camera and 1.5inch viewfinder at normal temperatures, with a camera
adaptor and an DSR-1/1P or PVV-3/3P connected.
Approximate operating times with
a fully-charged battery pack
DXC-D35/D35P
DXC-35WSL/D35WSPL
a) Requires the special-purpose DC-500 Battery Case.
Cannot be used with a camera adaptor.
Battery low indications
When the voltage of the supply to the camera head
lowers to or below 11.0 V, the battery voltage
indication appears in the viewfinder. At this time, the
BATT indicator in the viewfinder flashes when
operating with the DSR-1/1P or PVV-3/3P.
If you continue using the camera head, the BATT
indicator lights up.
When the battery pack is low, replace it with a fullycharged battery pack.
Before using a battery pack, charge it as shown in the
following table.
For details of battery charger operation, refer to the
instructions provided with the battery charger to be used.
Camera Adaptor Power Supply
The camera adaptor automatically operates on power
supplied to the VTR/CCU/CMA connector from the
portable VTR, CCU-M7/M7P Camera Control Unit,
CMA-8A/8ACE AC Adaptor or other connected
device.
Note
Before use, check that the device connected to the
VTR/CCU/CMA connector is able to provide the
power required by the camera.
If it is not able to provide the necessary power, or
when it is necessary to prolong the operating time, use
the camera with a separate power supply.
Approximate
charging time
(normal temperature)
Battery chargerBattery pack
NP-1ABC-1WD/1WDCE,
BC-410/410CE
70 minutes
NP-1BBC-1WD/1WDCE,
BC-410/410CE
95 minutes
BP-90ABC-410/410CE160 minutes
DXC-D35P/D35WSP(CE) V1
1-21
1-22
Chapter 3 Shooting
43
Chapter
3
Shooting
Basic Procedure for Shooting
FILTER control
Focusing ring
RET button
VTR button
ZEBRA switch
POWER switch
1
Attach the VTR or camera adaptor to the camera
head, then turn each device’s power on.
2
Set the FILTER control appropriately for the
lighting conditions.
(continued)
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
44
Chapter 3 Shooting
Chapter 3 Shooting
1) Hunting: This occurs if the automatic iris function is not
able to reach a stable state, and as a result the image
brightness keeps changing, alternately lighter and darker.
2) Depth of field: This is the range over which the subject
/8 neutral density
filter (reducing the exposure by the
equivalent of three stops). Use it to prevent
hunting
1)
or to reduce the depth of field
2)
.
3 (5600K)Cloudy or rainy outdoor shooting, and
fluorescent lighting.
4 (5600K +
1
/64ND)
Sunlight.
This setting includes a
1
/64 neutral density
filter (reducing the exposure by the
equivalent of six stops). Use it to prevent
hunting
1)
or to reduce the depth of field
2)
.
3
Check the switch settings on the camera head.
(See pages 13 to 18.)
If there is not sufficient time to check the camera
settings, you can use “easy mode” by setting the
EZ MODE switch to the ON position. The camera
is automatically adjusted to standard settings, and
the iris and the white balance are adjusted
automatically. (See page 68.)
4
Check the settings in the basic menu (page 58) and
advanced menu (page 64).
5
Check the lens settings (pages 30 and 31) and
flange focal length adjustment (page 89).
6
Adjust the eyepiece focus, and the contrast and
brightness of the viewfinder image (page 88).
7
Check the sound system settings.
•Microphone connections
•Settings on the VTR (refer to the VTR
instructions)
8
If required, switch on the center marker and/or
safety zone (basic menu page 5 and advanced
menu page 4) and zebra pattern (ZEBRA switch)
in the viewfinder image.
9
Adjust the white balance (page 79) and black
balance (page 83).
10
Turn the focusing ring so that the subject is
sharply in focus. It may be convenient to use the
EZ FOCUS button for the “easy focus” function
(see page 14).
11
Set up the VTR according to your shooting
objectives, then start recording.
If a camera control unit is not connected: Press
the VTR button on the camera head or on the
lens.
If a camera control unit is connected: Press the
VTR’s record button to begin recording.
For details of VTR setup and operations, see your
VTR’s operating instructions.
•During recording, the REC/TALLY indicator(s)
in the viewfinder light(s), and “REC” appears on
the viewfinder screen.
•Depending on the setting of the REC TIME
switch (See page 15), you can display the total
recording time or the length of the camera cut on
the viewfinder screen.
•When recording on the DSR-1/1P, you can use
the AUDIO LEVEL knob on the front of the
camera head to manually adjust the channel 1
audio level. To do this, you must first set up the
DSR-1/1P to enable manual adjustment of the
audio recording level.
For details of this operation, see the operating
instructions for the DSR-1/1P.
12
To pause recording, press the VTR button again.
Basic Procedure for Shooting
Chapter 3 Shooting
45
Chapter 3 Shooting
Reviewing the recording
It is possible to review the last few seconds of the
recording on the tape (recording review).
Press the VTR button to pause recording, then press
the RET button on the lens.
Depending on how long the button is pressed, the tape
is automatically rewound over the last two to ten
seconds from the paused position, and then this part is
played back in the viewfinder. If the RET button is
kept pressing, about ten seconds of the recording
review is possible.
The VTR then returns to the paused state.
Note
This function may not be provided by some VTRs.
Refer to the instructions for the VTR.
Using the DynaLatitude Function
This function detects the bright and dark parts of the
subject and automatically adjusts for the appropriate
contrast. The DynaLatitude function enables finegrained contrast adjustment according to the
luminance level of each pixel. It is effective when
shooting scenes with mixed light and dark parts.
However, the brightness of the subject on the screen
may change if the subject moves during shooting.
Also, for some subjects, there may be increased noise
in dark sections of the picture.
For information on turning this function on and off, see
page 64. For information on setting effect levels, see page
59.
DL OFF
DL ON
DXC-D35P/D35WSP(CE) V1
1-23
1-24
46
Chapter 3 Shooting
Chapter 3 Shooting
Shooting with the DSR-1/1P
The DXC-D35/D35P/D35WS/D35WSP docks with
the DSR-1/1P to configure a DVCAM Camcorder.
The following describes how to shoot using a
DVCAM camcorder.
Using the ClipLink Function
The ClipLink function can be used at all stages from
shooting to editing. This function makes editing
operations more efficient by automatically recording
index pictures (Mark IN point images) that provide a
searchable index of recorded scenes, along with other
data such as time code and scene numbers.
For concept of the ClipLink function, see the section “What
Is ClipLink”(page 102).
1
Dock the DSR-1/1P to the camera head and turn on
the power, then perform steps 2 to 10 from “Basic
Procedure for Shooting” (page 43).
2
Insert a cassette into the DSR-1/1P and set
ClipLink mode to ON by menu setting.
For details of this operation, see the operating
instructions for the DSR-1/1P.
The following display appears on the viewfinder
screen.
TCG 12:34:56:00
W:A
CLIPM
198
F5.6
56ND
99 04 01
10:10
AM
a) For details, see “Basic menu page 6” (page 60).
To record the cassette name/number
Access basic menu page 6 to specify a name or
number for the inserted cassette.
For details, see “Basic menu page 6” (page 60).
ClipLink mode indication:
CLIP M or C
a)
Clip remaining:
Indicates the number of
available Index pictures
(198 max.)
3
Press the VTR button on the camera head or the
lens.
The DSR-1/1P starts recording, and the REC/
TALLY indicator lights in the viewfinder.
Meanwhile, the time code at the recording start
point (Rec IN) is recorded (HH:MM:SS) in the
DSR-1/1P’s internal memory.
4
When a shooting of the scene completes, press the
VTR button on the camera head or the lens.
This pauses recording.
To continue recording the next scene, repeat steps
3 and 4. The scene number will be automatically
incremented.
To set/clear NG (No Good)
If you press the NG button before you start
shooting the next scene, the previous scene will be
designated as “NG” (the “NG” display appears in
the viewfinder).
Once NG has been set, you can cancel it by
pressing the NG button again before you start
shooting the next scene (the “NG” display in the
viewfinder disappears, which means that the
previous scene has been re-designated as “OK”).
Each time you press the NG button before starting
shooting the next scene, the status of the previous
scene toggles between “NG” and “OK”. It is
always the last selected status that will take effect
and be stored in the cassette memory.
5
To finish recording, press the STOP button on the
DSR-1/1P.
This stops recording.
Note
When using the ClipLink function while shooting, if
you continue shooting after stopping or if you change
the tape’s recording position, your subsequent shots
may overwrite and erase the previously recorded
ClipLink log data (time codes, scene number, etc.) or
index pictures.
To avoid this problem, press the DSR-1/1P’s ClipLink
CONTINUE button before restart of shooting.
For details, see the operating instructions for the DSR-1/1P.
Chapter 3 Shooting
47
Chapter 3 Shooting
Setting Mark IN/OUT points as you shoot
Instead of continuing shots from scene to scene, you
can specify Mark IN and Mark OUT points as you
shoot and set scene numbers (ranging from 001 to
198).
1
Perform steps 1 and 2 from “Using the ClipLink
Function” (page 46).
2
Access basic menu page 6 and perform the
following operations.
1) Set MARK/CUE to MARK.
The ClipLink mode indication “CLIP M”
appears on the viewfinder screen.
2) Set the cassette name or number if necessary.
For details of menu operations, see “Basic Menu
Operations” (page 58).
3
Press the VTR button on the camera head or the
lens.
The DSR-1/1P starts recording, and the REC/
TALLY indicator(s) light(s) in the viewfinder.
4
Press the TAKE button when you find a shot
where you would like to set a Mark IN point.
The TAKE/TALLY indicator (orange) lights in the
viewfinder and “TAKE” appears on the screen.
5
Press the TAKE button when you find a shot
where you would like to set a Mark OUT point.
The TAKE/TALLY indicator (orange) goes out in
the viewfinder and the “TAKE” disappears from
the screen.
At this time, the time code (HH:MM:SS) at the
Mark IN/OUT point for scene 001 is recorded to
the DSR-1/1P’s internal memory, and then
recorded to the cassette memory.
To set/clear NG
If you press the NG button before you set the next
Mark IN point, the previous scene will be
designated as “NG” (the “NG” display appears in
the viewfinder).
Once NG has been set, you can cancel it by
pressing the NG button again before you set the
next Mark IN point (the “NG” display in the
viewfinder disappears).
6
Repeat steps 4 and 5 as needed to record (to
cassette memory) time codes at Mark IN/OUT
points, scene numbers, and NG designations to the
cassette memory.
The scene number is automatically incremented
each time you specify a Mark OUT point.
7
To finish shooting, press the VTR button on the
camera head or the lens, then press the DSR-1/1P’s
STOP button.
This stops the recording operation.
The index pictures of each Mark IN point are
recorded onto the tape.
TAKE button
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
48
Chapter 3 Shooting
Chapter 3 Shooting
Setting cue points as you shoot
You can make edit search operations easier by
specifying cue points to highlight scenes.
1
Perform steps 1 and 2 in “Using the ClipLink
Function” (page 46).
2
Access basic menu page 6 and perform the
following operations.
1) Set MARK/CUE to CUE.
The ClipLink mode indication “CLIP C”
appears on the viewfinder screen.
2) Set the cassette name or number if necessary.
For details of menu operations, see “Basic Menu
Operations” (page 58).
3
Press the VTR button on the camera head or the
lens.
The DSR-1/1P starts recording, and the REC/
TALLY indicator lights in the viewfinder.
Meanwhile, the recording start point (Rec IN) is
recorded in the DSR-1/1P’s internal memory.
4
Press the TAKE button when you find a shot
where you would like to set a cue point.
The “CUE” indication appears (for about 1 second)
on the viewfinder screen. At this point, the time
code (HH:MM:SS:frame) at the cue point is
recorded into the cassette memory.
5
Repeat step 4 to specify more cue points.
6
To finish shooting, press the VTR button on the
camera head or the lens, then press the
DSR-1/1P’s STOP button.
This stops recording operation.
Time codes (HH:MM:SS) and scene number
(scene 001) are recorded to the cassette memory
and the index picture of the Rec IN point is
recorded onto the tape.
Shooting with the DSR-1/1P
Using the Edit Search Function
While Back Space Editing
While the DSR-1/1P is in recording pause mode, press
and hold the EDIT SEARCH buttons to activate the
search playback function for as long as you hold down
the button. You can use the edit search function to
find the desired tape location after a recording stop
during back space editing or when continuing to record
from any other location on the tape.
1
Dock the DSR-1/1P to the camera head and turn on
the power, then insert a cassette into the DSR-1/1P.
2
Perform steps 2 to 12 in “Basic Procedure for
Shooting” (page 43).
3
Press and hold either of the EDIT SEARCH
buttons (REV or FWD)
The tape is moved in reverse or forward search
mode for as long as you hold down the REV or
FWD button, and the image is shown in the
viewfinder.
To change the playback speed
Press the REV or FWD button down firmly into
the inner position to make the tape move at the
faster speed. Press the button down lightly to
make the tape move at the slower speed.
Note
Do not shut off the camera head’s power while
using the edit search function. The DSR-1/1P may
not be able to find the continue point.
REV button
FWD button
Chapter 3 Shooting
49
Chapter 3 Shooting
4
Release the REV or FWD button when you find
the tape location where you wish to continue
shooting.
The DSR-1/1P enters recording pause mode.
5
Press the VTR button on the camera head or the
lens.
The DSR-1/1P starts recording.
Using the Freeze Mix Function
The freeze mix function superimposes a freeze-frame
image of a previously recorded shot on the shooting
image displayed on the viewfinder screen.
You can use this function to easily frame a subject
within the same framework from a previous shot.
Note
When the camera head is in EZ mode, the freeze mix
function is disabled. Release the EZ mode beforehand.
(See page 14.)
1
Dock the DSR-1/1P to the camera head and
connect a color monitor to the MONITOR OUT
connector.
2
Perform steps 2 to 10 from “Basic Procedure for
Shooting” (page 43).
3
Play back the tape on which the image to be used
for framework alignment has been recorded.
For playback operation, refer to the operating
instructions for the DSR-1/1P.
4
Press the MENU/STATUS switch down.
The following indication appears on the screen.
PLAY
c
FREEZE MIX(ONcv)
EXIT MENU (YES
c
v)
5
Press the UP/ON button when you see the image
you want to freeze.
The frozen playback image is displayed, mixed
with the shooting image, in monochrome. The
indication “FREEZE MIX ON” appears on the
screen.
FREEZE MIX ON
MIX OFF (YES
c
v)
To release the freeze mix mode, press the UP/ON
button again.
To change the freeze-frame image
Press the DSR-1/1P’s PLAY button.
This returns to the screen shown in step 3 above,
and color playback mode begins.
Use the DSR-1/1P’s tape transport buttons to find
the desired image and then perform steps 4 and 5
again.
6
Once you have framed your subject, press the UP/
ON button to cancel the freeze function.
7
Find the recording start point or insert a new
cassette for recording, then begin recording.
Note
If you use the DSR-1/1P’s tape transport buttons
during back space editing, the back space editing mode
will be stopped. When you were using the ClipLink
function when shooting, If you simply restart the
recording you will lose any ClipLink data that was
recorded. To avoid this, press the DSR-1/1P’s
ClipLink CONTINUE button before restarting
recording.
For details, see the operating instructions for the DSR-1/1P.
DXC-D35P/D35WSP(CE) V1
1-25
1-26
Chapter 4 Viewfinder Screen Indications and Menus
51
Chapter
4
Viewfinder Screen
Indications and Menus
Viewfinder Screen Indications
There are four types of indication screen which appear
in the viewfinder, as follows.
•Normal indications
These show the operating state of the camera and
connected VTR. (See page 54.)
•Status indications
Pressing the MENU/STATUS switch up while the
normal indications are present calls a display of
current settings. (See page 57.)
•Basic menu
These provide settings for the lens iris, shutter speed
and so forth, and also a titling screen. (See the
section “Viewfinder Basic Menu” page 58.)
•Advanced menu
These provide settings for the center marker, zebra
pattern, viewfinder screen indications, and so forth.
(See the section “Viewfinder Advanced Menu” page
64.)
Changing the Viewfinder Display
Use the buttons and switches shown in the following
figure to switch the viewfinder display among the
normal indications, basic menu pages and advanced
menu pages.
Displaying the normal indications and
switching to the basic menu
To display the normal indications, move the POWER
switch to the ON position.
To switch to and from the basic menu, use the MENU/
STATUS switch.
MENU
STATUS
DOWN/OFF button
UP/ON button
MENU/STATUS switch
POWER switch
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
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Chapter 4 Viewfinder Screen Indications and Menus
Chapter 4 Viewfinder Screen Indications and Menus
Displaying the advanced menu and
switching to the normal indications
Use the following procedure to display the advanced
menu.
1 Move the POWER switch to the ON position while
holding down the UP/ON button to display the
advanced menu selection screen.
2 To display advanced menu page 2
immediately, move the cursor to the menu
number and then press the DOWN/OFF button.
To reinitialize all settings in the advanced
menu to their factory defaults
1 Align the cursor to ALL RESET and press the UP/
ON button.
(The indication changes to “ALL RESET
SURE?”.)
2 Press the UP/ON button again. (The indication
changes to “ALL RESET OK” and reinitialization
completes.)
To cancel the reinitialization, move the cursor
instead of pressing the UP/ON button.
Display by moving the
POWER switch to the
ON position.
Normal indications
Page 1
Page 2
Page 8
a)
Switch by pressing the
MENU/STATUS switch up.
Switch by pressing
the MENU/STATUS
switch down.
Basic menu
Display by holding the
MENU/STATUS switch up
while the normal
indications are present.
a) The menu configuration differs according to the camera
head’s switch settings, the connected VTR, and the type of
input signal. An eight-page configuration results when all of
the basic menu pages are displayed.
a) Set the cursor to the page number and press the UP/ON or
DOWN/OFF button.
b) The menu configuration differs according the camera head’s
switch settings, the connected VTR, and the type of input
signal. A 15-page configuration results when all of the
advanced menu pages are displayed.
c) Set the cursor to EXIT MENU and press the UP/ON button.
Move the POWER switch to the
ON position with the UP/ON
button held down
UP/ON button
a)
Align the cursor to ALL
RESET and press the
UP/ON button.
Confirmation
screen
DOWN/OFF button
a)
UP/ON
button
c)
Normal indications
UP/ON
button
c)
UP/ON or DOWN/
OFF button
a)
page 3
page 2
page 15
b)
UP/ON button
c)
DOWN/OFF button
a)
UP/ON or DOWN/
OFF button
a)
Advanced menu
page 1
UP/ON
button
a)
Press the UP/
ON button.
Move the cursor.
Move the cursor.
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Chapter 4 Viewfinder Screen Indications and Menus
Chapter 4 Viewfinder Screen Indications and Menus
Viewfinder Normal Indications
During normal operation, the following items can be
indicated in the viewfinder.
The significance of each of the indications shown in
the figure is as follows.
1 VTR operation status indication
This indicates the VTR’s current operation status
(REC, PLAY, etc.).
2 TAKE/CUE indication
This displays a TAKE or CUE indicator when using
the ClipLink function and recording with the DSR-1/
1P.
TAKE: When recording in Mark mode, this
indication appears when a Mark IN point is set
and disappears when the next Mark OUT point is
set.
CUE: When recording in Cue mode, this indication
appears for about 1 second when a cue point is set.
3 Recording time or time data indication
This shows the following values.
•When the REC TIME switch on the camera is in the
TTL position: The total recording time
•When the REC TIME switch on the camera is in the
DUR position: The duration of the current recording
cut
•With a VTR connected, when the REC TIME switch
on the camera head is in the OFF position and the
item TC IND in advanced menu page 6 is set to
“ON”: A time data value from the VTR depending on
the DISPLAY switch settings on the VTR as shown
in the following table
When using the DSR-1/1P, time data values appear
during playback, fast forward, rewind, or recording
review.
4 NG indication
An “NG” (No Good) indicator appears if you
designate a recorded scene as “NG” when using the
ClipLink function and recording with the DSR-1/1P.
REC TAPE NEAR END
TAKE
TCG 12:34:56:00
W:A
NG AUTO BLACK
SKIN
CLIPM
-OK-
EVS
198
F5.6
DRP 18dB
EZ FOCUS
56ND
:LOW LIGHT 99 04 01
SS :1/100 10:00
AM
30-25 BATT:14.4V
a) Displayed only when a DSR-1/1P is connected.
b) Displayed only when a PVV-3/3P is connected.
c) Whether or not to display can be selected by menu setting.
d) This is recorded over the picture being shot.
qd VTR warning indication
a), b)
qh EVS indication
qj Lens f-stop indication
c)
qk Gain indication
c)
ql Filter setting indication
c)
w; Clock indication
a), b), c), d)
wa Voltage/error indication
ws Shutter setting indication
c)
qf White balance indication
c)
qg SK/N DTL indication
c)
1 VTR operation status indication
a), b)
2 TAKE/CUE indication
a)
3 Recording time or time data
indication
a), b), c)
4 NG indication
a)
5 Clip mode indication
a)
6 Clip remaining
indication
a)
7 Status display area
8 EZ FOCUS indication
9 LOW LIGHT indication
c)
0 Camera microphone output
indication
c)
qa Audio recording level indicators
a), b), c)
qs Tape remaining indication
a), b), c)
DISPLAY switch
setting
Time data displayed
COUNTERCNT: Tape transport time
TCTCG: a time code from the time code
generator
TCR: a time code from the time code
reader
UBG: a user bit value from the user
bit generator
U-BIT
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Chapter 4 Viewfinder Screen Indications and Menus
5 Clip mode indication
A “CLIP M” or “CLIP C” indication appears when
you use the ClipLink function and record using the
DSR-1/1P.
CLIP M: Indicates shooting in Mark mode
CLIP C: Indicates shooting in Cue mode
6 Clip remaining indication
The number of available index pictures remaining is
displayed when you use the ClipLink function with the
DSR-1/1P.
7 Status display area
One of the following values or messages is displayed
to indicate the camera head’s current status or its
operation status.
•New values when changing camera head’s settings
•Messages indicating progress or results of
adjustments
•The camera head’s current settings
•SetupLog data recorded to tape during shooting (see
page 78)
Note
The status indication is not shown while the EZ
FOCUS indication 8 appears.
8 EZ FOCUS indication
This appears when the EZ FOCUS button is pressed,
enabling the “easy focus” function.
9 LOW LIGHT indication
This warning appears if the lighting level is
inadequate.
0 Camera microphone output indication
This appears when there is an input from the camera
microphone.
Note
This indication serves as a check on whether the
camera microphone is operating correctly, but it does
not provide confirmation that the VTR is recording
sound. Check that the audio recording levels on the
VTR are set correctly.
qa Audio recording level indicators
These show the recording levels of audio channels 1
and 2 on the VTR.
qs Tape remaining indication
This shows the tape remaining in the VTR as follows.
qd VTR warning indication
This shows warning indications about operation or
status of the connected VTR.
The battery is exhausted.
TAPE NEAR END The tape is near the end.
TAPE ENDThe tape is at the end.
CHECK REMOTE
(PVV-3/3P only)
A device other than a remote control
unit (e.g. headphones) is connected to
the REMOTE connector.
SERVOThe servo lock has been lost.
HUMID
SLACK
OXIDE TAPE
(PVV-3/3P only)
An oxide tape has been loaded. (The
tape is automatically ejected.)
There is condensation.
The video heads are clogged, or there
is some other fault in the recording
system.
The tape is not wound properly.
RF
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Chapter 4 Viewfinder Screen Indications and Menus
Only when connecting the DSR-1/1P
qf White balance indication
The following indications appear.
qg SKIN DTL indication
This appears when the skin detail function is activated
(The SKIN DTL switch is set ON.)
qh EVS indication
This appears when the EVS (Enhanced Vertical
definition System) function is enabled. (See page 84.)
qj Lens f-stop indication
This shows the f-stop of the lens.
Note
Depending on the lens being used, this indication may
differ slightly from the actual f-stop on the lens.
qk Gain indication
This shows the gain value, and the settings of the
HYPER GAIN switch and the DPR (Dual Pixel
Readout) function (see page 64) as shown in the
following table.
ql Filter setting indication
This shows the setting of the FILTER control.
w; Clock indication
The clock indication is shown in one of the following
ways (according to the CLOCK IND setting of CAM,
BARS, or OFF in advanced menu page 8).
CAM: Always displayed.
BARS: Displayed whenever color bars are
displayed.
OFF: Not displayed.
If the clock indication is displayed during recording, it
is recorded onto the image.
Indication
Meaning
50P CONNECTConnection with the PRO 50-pin
connector on the DSR-1/1P.
(Freeze mix function is disabled.)
MP TAPEAn incorrect type of cassette has
been loaded. (The cassette is
automatically ejected and the
indication disappears in about two
seconds.)
CLIP DATA ERRAbnormality of the cassette memory
data.
AUDIO 48kHz?
(4 flashes/s)
At back space editing, audio
recording mode has changed from
32 kHz mode (4-channel mode) to
48 kHz mode (2-channel mode).
AUDIO 32kHz?
(4 flashes/s)
At back space editing, audio
recording mode has changed from
48 kHz mode (2-channel mode) to
32 kHz mode (4-channel mode).
ERROR:91-13FFailure in loading or saving the
cassette memory data.
When other error indication
appears, refer to the operating
instructions for the DSR-1/1P.
CLIP CONT?
Asking whether you will continue
shooting in ClipLink mode or not
when the cassette contains ClipLink
data. (The indication disappears
when you press the ClipLink
CONTINUE button on the DSR-1/
1P or start the next shooting without
pressing it.)
CLIP NEAR END
CLIP ENDImpossible to record any more clip
shots.
At back space editing in ClipLink
mode, capacity for only 1 to 3 index
pictures remains.
Indication Meaning
EZOperating in EZ mode (The ATW function is
selected.)
ATWThe ATW function is selected. (The ATW
button was pressed and the indicator is lit.)
W:AWhite balance memory A is selected.
W:BWhite balance memory B is selected.
W:PPreset white balance is selected.
W:MManual adjustment is performed remotely.
Example indication Meaning
18dBGain setting is 18 dB.
DPR 18dBThe DPR function is enabled.
In this case the DPR function
approximately doubles the gain (an
increase of 6 dB) over the current
gain setting (in this case 18 dB).
HYPERThe HYPER GAIN switch is in the
ON position.
In this case the hyper gain function
increases the gain by a factor of
about 60 or 120 with respect to 0
dB regardless of the current gain
setting (that is, increased to 36 or
42 dB).
IndicationFilter setting
32001 (3200K)
56ND2 (5600K +
1
/8ND)
56003 (5600K)
56ND4 (5600K +
1
/64ND)
Viewfinder Normal Indications
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Chapter 4 Viewfinder Screen Indications and Menus
wa Voltage/error indication
The current voltage is displayed whenever the camera
head’s power supply voltage dips below 11.0 V DC.
However, you can also display the current voltage at
any time by pressing and holding the MENU/STATUS
switch in the upward position (the display is shown for
as long as you hold the switch upward).
An error message is displayed when an abnormality
has been detected by the auto diagnostic function
(page 62).
If an error message appears, contact your Sony dealer.
If using a VTR and an Anton Bauer Intelligent
Battery System
The remaining battery capacity is shown as a
percentage.
ws Shutter setting indication
When the SHUTTER switch has been set to ON, the
shutter speed, CLS frequency or EVS set in basic
menu page 1 is displayed here.
Status Indications
If you set the MENU/STATUS switch to STATUS
while a menu is being displayed, the camera head’s
current setting status will be shown in this display
area.
a) When both the DCC+ and DynaLatitude
functions are set to OFF
Display
Description
WHITEWhite balance adjustment method
selection (PRE/A/B) and color
temperature during auto white
balance adjustment
A.IRIS
FILESTD (when not using the setup files),
or a selected file name (when using
the setup files) (see page 71).
For DCC+ indication: ON with the
OUTPUT/DL/DCC+ switch set to
CAM/DCC+ (DCC+ON), and OFF with
the switch set to CAM/DL and DL in
advanced menu page 2 (page 64) set
to OFF (both DCC+ and DynaLatitude
OFF).
For DL indication: When setting the
OUTPUT/DL/DCC+ switch to DL and
DL in advanced menu page 2 to OFF
(DynaLatitude OFF), LOW, STD or
HIGH is displayed according to DL
LEV setting in basic menu page 2
(page 59).
DCC+ or DL
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Chapter 4 Viewfinder Screen Indications and Menus
Chapter 4 Viewfinder Screen Indications and Menus
Viewfinder Basic Menu
To display the basic menu pages, press the MENU/
STATUS switch downward while the normal
indications are being shown in the viewfinder. The
basic menu configuration can include up to eight pages
(the configuration depends on the switch settings and
the type of connected VTR).
Basic Menu Operations
The common operations on all basic menu pages are
described below.
To change the page or item
The cursor is moved downward each time you press
the MENU/STATUS switch down. Once the cursor
has reached the last item on a page, press down the
MENU/STATUS switch to go to the next page. When
the last page is being displayed, pressing down the
MENU/STATUS switch returns the display to the
normal indications.
The cursor is moved upward each time you press up
the MENU/STATUS switch. Once the cursor has
reached the first item on a page, pressing up the
MENU/STATUS switch returns the display to the
normal indications.
To change settings
After using the MENU/STATUS switch to move the
cursor to the item on which you will change the
setting, press either the UP/ON button or the DOWN/
OFF button to select the desired value.
To reset any item to its shipped settings, press the UP/
ON button and the DOWN/OFF button at the same
time.
Contents and Settings of Each
Page
Each page’s contents and settings are described below.
On the DXC-D35WSL/D35WSPL, when the MENU
MODE is set to 2 in advanced menu page 9, a page for
aspect ratio settings (16:9/4:3) is added before basic
menu page 1.
Basic menu page 1
Item
Settings
A. IRIS
Sets a base value
for auto adjustment
of lens iris.
–1.0, –0.5, ±0 (normal value), +0.5,
+1.0
Negative adjustment values set a
narrower lens iris and positive values
set a wider lens iris.
DTL LEV
Sets the detail
(edge) emphasis.
–99 to ±0 (normal value) to +99
Negative adjustment values soften the
image’s edges and positive values
sharpen them.
M. BLACK
Sets the master
pedestal level.
–99 to ±0 (normal value) to +99
Negative adjustment values make
dark areas of the picture darker and
increase the contrast. Positive
adjustment values dark areas of the
picture lighter and reduce the
contrast.
Hz)
This selects either the shutter speed
or the scan frequency or EVS for the
clear scan function.
STRETCH
Sets black stretch/
compress value.
–16 to ±0 (normal value) to +15
This function adjusts the intensity of
dark areas of the screen. Negative
values make these areas darker
(black compress) and positive values
make these areas brighter (black
stretch).
SHUTTER
Sets shutter speed
or CLS/EVS setting
(see page 84)
.
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Chapter 4 Viewfinder Screen Indications and Menus
Basic menu page 2
Basic menu page 3
This is displayed when the SET UP switch has been
set to FILE.
For details of this operation, see “Setup Files” (page 71).
Basic menu page 4
This menu is displayed only when an external sync
signal is input to the camera adaptor or VTR connected
to the camera head.
a) This applies when using an external sync signal to
synchronize operation of several cameras (see page
39).
Basic menu page 5
ItemSettings
SKIN DTL
Sets the amount of
skin detail
correction.
0.0 (normal value) to 1.0
Smaller values set a softer skin detail.
LOW, STD (normal value), HIGH
Set the amount of DynaLatitude
effects as high level, standard level
(STD), or low level.
DL LEV
Sets the
DynaLatitude level.
PRE.WHT
Sets the color
temperature of the
preset white
balance.
When the FILTER control is set to 1
(3200K): 2200 to 3200 (normal value)
to 4300
When the FILTER control is set to 2
(5600K +
1
/8 ND), 3 (5600K) or 4
(5600K +
1
/
64
ND): 4600 to 5600
(normal value) to 12000
ItemSettings
SC PHASE
Sub carrier phase
adjustment for
when camera is
genlocked.
a)
000 (normal value) to 999
H PHASE
Horizontal phase
adjustment for
when camera is
genlocked.
a)
000 to 135 (normal value) to 199
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Chapter 4 Viewfinder Screen Indications and Menus
Chapter 4 Viewfinder Screen Indications and Menus
Setting the recording time in seconds
Move the cursor to DUR TIME, then press the UP/ON
button or DOWN/OFF button.
A value of seconds is displayed under “SS”.
Basic menu page 6
The following display is shown when the DSR-1/1P is
connected.
To set the cassette name/number (when using
DSR-1/1P)
1
Connect the DSR-1/1P and load a cassette.
2
Press the MENU/STATUS switch to move the
cursor to CHG REEL NO, then press the UP/ON
button.
The cursor (→) changes to the text entry arrow (↓)
and the current cassette name/number is displayed.
(“NO TAPE” is displayed if you neglected to load
a cassette.)
ItemSettings
MARKER
Sets MARKER display ON/OFF.
ON (normal value), OFF
MARKER is displayed
when this setting is ON
and is not displayed
when it is OFF.
When the setting is ON,
go to Advanced Menu 4
to select the type of
marker
(see page 65)
.
DUR TIME
Sets the recording time
Setting the recoriding time
before shooting helps you with
making scenes of equal
duration.
When shooting with displaying
the recording time of the current
cut in the viewfinder (with the
REC TIME switch set to DUR),
the recording time indication
flashes to remind you that the
recording time has passed.
00:00 to 59:59 (minute
to second)
See “Setting the
recording time in
seconds” below.
Item
Settings
MARK/CUE
Selects MARK
mode or CUE mode
MARK (normal value), CUE
See “Using the ClipLink Function”
(page 46).
CHG REEL NO
Sets the cassette
name/number
See “To set the cassette name/
number” below.
Current cassette
name/number
Viewfinder Basic Menu
Chapter 4 Viewfinder Screen Indications and Menus
61
Chapter 4 Viewfinder Screen Indications and Menus
3
Press the MENU/STATUS switch to move the text
entry arrow.
Press the MENU/STATUS switch upward to move
the cursor to the right or downward to move it to
the left.
The character cycles through the following
sequence.
4
Press the UP/ON button or DOWN/OFF button to
enter the desired characters.
The displayed character changes each time the UP/
ON button is pressed. It changes in reverse order
each time the DOWN/OFF button is pressed.
5
Return to step 2 and repeat the text entry
procedure.
6
After completing text entry, move the text entry
cursor to the parenthesis position.
The display changes as follows.
7
Check your cassette name/number setting, and
press the UP/ON button if no more changes are
required. (To make changes or to abort the
procedure for this setting, return to step 2.)
This writes the new cassette name/number to the
cassette memory, after which the display changes
as follows.
Basic menu pages 7 and 8
You can create a title of up to four lines, each of
twelve alphanumeric or punctuation characters, and
then save it. It is then possible to record the title over
the picture while shooting.
Entering the title (page 7)
1
Press the MENU/STATUS switch as necessary to
display basic menu page 7 (title setting display) in
the viewfinder.
If a title is already present, it appears on this
screen. To delete the displayed title, press the UP/
ON and DOWN/OFF buttons simultaneously.
2
Press the UP/ON button.
This brings up the cursor on the screen (flashing),
and switches to title editing mode.
3
Press the DOWN/OFF button to move the cursor to
the position where you wish to insert a character.
To move the cursor back
With the DOWN/OFF button held down, press the
UP/ON button.
Initial cursor position
(continued)
(Space)
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Chapter 4 Viewfinder Screen Indications and Menus
4
Press the UP/ON button to select the required
character.
Each time you press the UP/ON button, the
character cycles through the following sequence.
To reverse the character sequence
With the UP/ON button held down, press the
DOWN/OFF button.
5
Press the DOWN/OFF button to confirm the
character selection.
The cursor advances to the next character position.
To change a character after confirming it
Return to step 3, and input the character again.
6
Repeat steps 4 and 5 until the title is complete.
7
When the title is complete, press the MENU/
STATUS switch as necessary to return to the
normal viewfinder indications.
The title created is retained, even when you power
the camera off.
To record a title (page 8)
1
Press the MENU/STATUS switch as necessary to
access basic menu page 8 (title display).
2
Press the UP/ON button once.
The title is superimposed to the picture displayed
on the viewfinder screen.
3
Start shooting.
4
To stop the title recording, press the MENU/
STATUS switch to clear the title display.
Note on using the CCU-M5/M5P Camera Control Unit
When the CCU-M5/M5P has a function switch setting
of “TITLE ON”, the title display takes precedence, and
the status display (see page 57) do not appear in the
normal incidations. However, when you press the
MENU/STATUS switch up, for as long as you hold it
up the status indications appear in place of the title.
When “CHECK DIAG” is displayed
The “CHECK DIAG” indication appears in the status
display area whenever the camcorder’s automatic self
diagnostic function detects an abnormality. Access
this page and perform error checking. (This page is
displayed as basic menu page 1.)
“CHECK DIAG” will also be displayed if there is a
problem on the sync signal input to the GEN LOCK
IN connector. Input a proper sync signal and then
perform error checking.
To perform error checking
Press the UP/ON button.
The error checking performs on the digital signal
processing (DSP) and memory circuits and the results
are displayed.
When no error is detected, “OK” appears.
Viewfinder Basic Menu
(Space)
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63
Chapter 4 Viewfinder Screen Indications and Menus
Example: If an abnormality is detected in the DSP
circuit.
The error message “DIAG ERROR” appears when the
normal indications are displayed. If this message
appears, contact your Sony dealer.
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Chapter 4 Viewfinder Screen Indications and Menus
Viewfinder Advanced Menu
Bring up the advanced menu pages by setting the
POWER switch to ON while pressing the UP/ON
button up (see page 52).
There are up to 15 advanced menu pages (the number
displayed depends on the switch settings and the type
of connected VTR).
Note on EZ mode
When the camera is in EZ mode, the advanced menu
does not appear. Release the EZ mode beforehand.
(See page 14.)
Advanced Menu Operations
To change the page
Move the cursor to the menu number, then press the
UP/ON button or the DOWN/OFF button.
Pressing the UP/ON button displays the previous page
and pressing the DOWN/OFF button displays the next
page. Pressing the DOWN/OFF button when the last
page is being displayed returns the display to the first
page.
To select items in a page
Press the MENU/STATUS switch to move the cursor
among the menu items.
To change settings
This operation is the same as for the basic menus.
For a description of basic menu operations, see page 58.
To return to the normal indications
Move the cursor to EXIT MENU, then press the UP/
ON button.
Contents and Settings of Each
Page
Each page’s contents and settings are described below.
Advanced menu page 1
Use this page to return all advanced menu settings to
their factory preset values.
For details of this operation, see “Displaying the advanced
menu and switching to the normal indications” (page 52).
Advanced menu page 2
Item
Settings
GAIN
This sets gain values for the positions of the GAIN switch.
The HIGH, MID, and LOW values must be set so that LOW
< MID < HIGH.
MID
Sets the M position.
0 dB, 3 dB, 6 dB, 9 dB
(normal value), 12 dB, 18
dB, 18 dB + DPR, 24 dB, 24
dB + DPR
LOW
Sets the L position.
–3 dB, 0 dB (normal
value), 3 dB, 6 dB, 9 dB, 12
dB, 18 dB, 18 dB + DPR, 24
dB
HIGH
Sets the H position.
3 dB, 6 dB, 9 dB, 12 dB, 18
dB (normal value), 18 dB +
DPR, 24 dB, 24 dB + DPR,
HYPER GAIN
HYPER
Sets gain value when the
HYPER GAIN is selected.
36 dB (normal value), 42
dB
DL
Sets DynaLatitude function
ON/OFF.
This setting is valid only
when the OUTPUT/DL/
DCC+ switch has been set to
DL.
ON (normal value), OFF
When set to ON, the amount
of DynaLatitude effects is
set in basic menu page 3
(see page 59).
Chapter 4 Viewfinder Screen Indications and Menus
65
Chapter 4 Viewfinder Screen Indications and Menus
Advanced menu page 3
a) For DXC-D35P/D35WSPL: EBU75
Item
AWB MEM
Selects whether or not to
make the FILTER knob
settings (1 to 4) correspond
to separate white balance
adjustment values stored in
memory.
2 (normal value): No
correspondence with FILTER
knob settings. Only two
adjustment values (A and B)
are stored in memory.
2 × 4FL: Correspondence
with FILTER knob settings.
Each of the four knob
settings can be used to set A
and B adjustment values, for
a total of eight settings.
TONE
Selects whether or not to
output a 1-kHz audio signal
with the color bars when the
OUTPUT/DL/DCC+ has
been set to BARS.
ON (normal value): Output
audio signal.
OFF: Do not output audio
signal.
BARS
Selects normal width or
narrower width for color
bars.
SMPTE (normal value for
DXC-D35/D35WSL):
Normal width
EBU75 (normal value for
DXC-D35P/D35WSPL): EBU
75%
EBU100 (for DXC-D35P/
D35WSPL): EBU 100%
SPLIT (for DXC-D35P/
D35WSPL): Not for normal
operation
SNG: Narrower than normal
(used for satellite
communications, etc.)
REMOTE1
Sets a function for position 1
of a switch connected to the
REMOTE1 connector.
REC (normal value):
Specifies recording start/stop
MARK: Specifies a Mark IN/
OUT point.
CUE: Specifies a cue point.
NG: Specifies NG/OK.
REMOTE2
Sets a function for position 2
of a switch connected to the
REMOTE1 connector.
9600, 38400 (normal value)
REC: Specifies recording
start/stop.
MARK (normal value):
Specifies a Mark IN/OUT
point.
CUE: Specifies a cue point
NG: Specifies NG/OK.
Settings
BAUD RATE
Sets a baud rate for a
computer connected to the
REMOTE connector 2 (to be
supported in future version).
Selects ON/OFF setting for
center marker, size setting
(percentage of viewfinder
screen area), and display
ON/OFF setting.
CENT/90% (normal value):
Displays center marker and
safety zone marker at 90%
size.
CENT/80%: Displays center
marker and safety zone
marker at 80% size.
90%: Displays only safety
zone marker at 90% size.
80%: Displays only safety
zone marker at 80% size.
CENT: Displays only center
marker.
ZEBRA
Selects type of zebra pattern
display.
1 (normal value): Displays
the zebra pattern over parts
having a video level.
between 70 and 90 IRE (or
70 and 90%).
Use the next item (ZEBRA1)
to select the base level.
2: Displays the zebra pattern
over parts having video
levels of 100 IRE or above
( or 100% or above).
1/2: Dual display (both 1
and 2)
ZEBRA1
Sets base level for zebra
pattern 1.
70 IRE (normal value) to 90
IRE or 70% (normal value)
to 90%
Can be set for each IRE
step or 1% step.
VF S DTL
Sets the detail level of
images on the viewfinder
screen (displayed only when
a viewfinder other than the
DXF-701/701CE/701WS/
701WSCE/801/801CE is
attached).
–99 to ±0 (normal value) to
+99
Negative values set softer
edges and positive values
set sharper edges.
Settings
(continued)
LIMITS (For DXC-D35WSL/
D35WSPL)
Selects the safety zone size
when the scan size is 16:9.
OFF (normal
value):FDepends on the
scan size.
4:3, 13:9, 14:9, 15:9
a)
a)
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Chapter 4 Viewfinder Screen Indications and Menus
Item
Settings
×1: Uses only the upper
REC/TALLY indicator.
×2 (normal value): Uses
two REC/TALLY indicators.
VF TALLY
Selects whether or not to use
more than one REC/TALLY
indicators in the viewfinder
(displayed only when the
DXF-701/701CE/701WS/
701WSCE/801/801CE
viewfinder is attached).
VF PLAY
Selects the video signal
displayed in the viewfinder
during playback of the DSR1/1P (displayed only when
the DSR-1/1P is connected)
Y (normal value): Y signal
VBS: Composite video
signal
LENS SEL
Selects the types of the lens.
1 (normal value), 2, 3, 4
For details, see “Designating
the lens” on page 90.
Advanced menu page 5
Item
Settings
SS IND
a)
Selects the mode for
showing the shutter setting
when displaying the normal
indications.
3SEC: Displays shutter
setting for three seconds only
when the setting has been
changed.
ALWAYS (normal value):
Displays the shutter setting at
all times.
LL IND
a)
Selects whether or not to
show the LOW LIGHT
indication on the normal
indications when inadequate
lighting is detected.
ON (normal value):
Displays.
OFF: Not display.
MIC IND
a)
Selects whether or not to
show the camera
microphone output
indication on the normal
indications.
ON (normal value):
Displays.
OFF: Not display.
IRIS IND
a)
Selects whether or not to
show the lens’s F-stop value
(iris indication) on the
normal indications. The Fstop value is always
displayed when in EZ mode.
ON (normal value):
Displays.
OFF: Not display.
a) When the viewfinder’s DISPLAY switch is set to OFF,
indications related to these items are not displayed even
when menu settings are set to ON.
GAIN IND
a)
Selects whether or not to
always show the gain
setting indication on the
normal indications.
ON (normal value): Always
displays.
OFF: displays for two
seconds only when the
setting has been changed.
FILTER IND
a)
Selects whether or not to
always show the FILTER
knob setting indication on
the normal indications.
The FILTER knob setting
indicator is always displayed
when in EZ mode.
ON (normal value): Always
displays.
OFF: Displays for two
seconds only when the
setting has been changed.
Item
Settings
WHITE IND
a)
Selects whether or not to
show the setting of the white
balance switch.
ON (normal value): Displays.
OFF: Not display.
SKIN IND
a)
Selects whether or not to
show the setting for skin
detail correction.
ON (normal value): Displays.
OFF: Not display.
Advanced menu page 6
a) When the viewfinder’s DISPLAY switch is set to OFF,
indications related to these items are not displayed even
when menu settings are set to ON.
ItemSettings
AUDIO IND
a)
Selects whether or not to
show the audio level
indication on the normal
indications (valid only when
the DSR-1/1P or PVV-3/3P
is connected).
ON (normal value):
Displays.
OFF: Not display.
TAPE IND
a)
Selects whether or not to
show the VTR’s remaining
tape indication on the normal
indications. (valid only when
the DSR-1/1P or PVV-3/3P
is connected).
ON (normal value):
Displays.
OFF: Not display.
Viewfinder Advanced Menu
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67
Chapter 4 Viewfinder Screen Indications and Menus
a) When the viewfinder’s DISPLAY switch is set to OFF,
indications related to these items are not displayed even
when menu settings are set to ON.
To set the camera ID
1
Press the MENU/STATUS switch to move the
cursor to ID SET.
The cursor (→) changes to the text entry arrow (↓).
2
Press the MENU/STATUS switch to move the text
entry arrow.
Press the MENU/STATUS switch upward to move
the cursor to the right or downward to move it to
the left.
3
Press the UP/ON button or DOWN/OFF button to
enter the desired characters.
The displayed character changes each time the UP/
ON button is pressed. It changes in reverse order
each time the DOWN/OFF button is pressed.
4
Return to step 2 and repeat the text entry
procedure.
TC IND
a)
Selects whether or not to
show the time data indication
on the normal indications
(valid only when the DSR-1/
1P or PVV-3/3P is
connected).
ON (normal value):
Displays.
OFF: Not display.
ID IND
Selects whether or not to
display the camera ID when
displaying color bars.
ON (normal value):
Displays.
OFF: Not display.
ID SET
Sets the camera ID (up to
eight characters, including
alphanumerics, symbols,
and spaces).
See “To set the camera ID”
below.
ItemSettings
Current camera ID
5
When you have finished entering the text, move
the cursor to the parenthesis position.
This clears the displayed menu and returns to the
normal indications.
Advanced menu page 7
a) At shipping, the EZ MODE is set to STD.
Item
Settings
EZ MODE
When the EZ MODE button
has been set to EZ mode
ON, this selects whether or
not to change the settings of
other switches and menus to
the standard settings. (The
EZ mode function cannot be
used during remote
operation.)
STD (normal value):
Changes settings to
standard settings.
CUSTOM: Changes only
some settings to standard
settings.
For details of the settings
when STD or CUSTOM is
specified, see “EZ mode
settings” on next page.
A.IRIS-AGC
Selects auto iris adjustment
which sets an F-stop value
that can be switched to AGC
(displayed only when the EZ
MODE is set to CUSTOM).
F1.8, F 2.8 (normal value),
F4, F5.6
A.IRIS-AE
Selects auto iris adjustment
which sets an F-stop value
that can be switched to AE
(displayed only when the EZ
MODE is set to CUSTOM).
F5.6 , F8, F11, F16 (normal
value)
0 dB, 3 dB, 6 dB, 9 dB, 12
dB (normal value)
AGC LIMIT
Sets an upper limit value for
AGC adjustment (displayed
only when the EZ MODE is
set to CUSTOM).
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Chapter 4 Viewfinder Screen Indications and Menus
EZ mode settings
The following settings are set for the camera head
when EZ mode has been selected.
Advanced menu page 8
Item
Setting
STDCUSTOM
Setup fileSTD
Selectable
Detail level±0Selectable
Master black±0Selectable
Black stretch±0Selectable
Skin detailOFFOFF
ShutterOFF (AE mode) OFF (AE mode)
Iris override±0Selectable
Color bar outputNot outputNot output
AGC upper limit12dBSelectable
AGC’s F stop value F2.8Selectable
AE’s F stop value F16Selectable
ON
DynaLatitudeOFF
DCC+
F-stop value
indication
ON
OFF
ON
ON
ON
ON
Filter indication
Clock indication
ONON
OFFOFF
Advanced menu page 9
c
PAGE9 (NEXTcV
PREVcv
)
16:9/4:3 : 16:9
WIDE ID : ON
VF SCAN : AUTO
MENU MODE: 1
EXIT MENU (YES
cv)
a) Compared to 16:9 mode, the 4:3 mode video appears as
if a zoom lens has been adjusted slightly toward the
telephoto end (see figure on page 70).
b) When the camera is in 16:9 mode, the viewfinder picture
appears stretched vertically (see figure on page 70).
ItemSetting
CLOCK IND
Selects whether or not to
display the date/time on the
normal indications.
OFF (normal value): Not
display.
CAM: Displays.
BARS: Displays only when
color bars are displayed.
CLOCK SET
Sets date/time.
See “Setting the Clock and
Timestamping Recordings”
(page 86).
Item
Settings
16:9/4:3
Selects whether to put
the camera in 16:9
mode or 4:3 mode.
16:9 (normal value)
4:3
a)
WIDE ID
Selects whether or not
to add a wide aspect ID
signal to video output
signals in 16:9 mode.
ON (normal value): Adds.
OFF: Does not add.
VF SCAN
Selects 16:9 or 4:3 as
the viewfinder scan size
when using the supplied
DXF-801/801CE
Viewfinder.
AUTO (normal value):
Automatically switch to 16:9 size
when the camera is in 16:9
mode, and automatically switch
to 4:3 size when the camera is in
4:3 mode.
a)
FULL: Regardless of camera’s
mode (16:9
b)
or 4:3), the
viewfinder picture completely fills
the display area.
MENU MODE
Selects whether or not
switch the mode (16:9/
4:3) on the basic menu.
1 (normal value): Selects the
16:9 or 4:3 mode only with the
advanced menu.
2: Selects the 16:9 or 4:3 mode
with both the basic and advanced
menus.
Viewfinder Advanced Menu
Chapter 4 Viewfinder Screen Indications and Menus
69
Chapter 4 Viewfinder Screen Indications and Menus
Advanced menu pages 10 to 13
These pages are displayed only when the SET UP
switch has been set to FILE.
For details of this operation, see “Setup Files” (page 71).
Advanced menu pages 14 and 15
These pages are displayed only when a DSR-1/1P has
been connected and the SET UP switch is set to FILE.
For details of this operation, see “Using SetupNavi and
SetupLog with the DSR-1/1P” (page 76).
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Chapter 4 Viewfinder Screen Indications and Menus
Chapter 4 Viewfinder Screen Indications and Menus
Video Output and Viewfinder Picture (For DXC-D35WSL/D35WSPL)
Subject
2
/3-inch optics
4:3 effective area
16:9 effective area
ItemSettings
16:9/4:316:9
VF SCANAUTO
The camera outputs 16:9 video.
The scan size of the viewfinder
picture is 16:9 size.
Viewfinder picture
ItemSettings
16:9/4:316:9
VF SCANFULL
The camera outputs 16:9 video.
The viewfinder picture is 16:9
video that has been stretched
vertically to completely fill the
display area.
Viewfinder picture
ItemSettings
16:9/4:34:3
VF SCANAUTO or FULL
The camera outputs 4:3 video that
has been electronically extracted
from the effective area of the 16:9
aspect ratio. Compared to 16:9
video, this video appears as if a
zoom lens has been adjusted
slightly toward the telephoto end.
The picture in the viewfinder is 4:3
video, which completely fills the
display area.
Viewfinder picture
Viewfinder Advanced Menu
The video output and viewfinder picture of this camera
vary as shown below according to the settings of the
16:9/4:3 item and the VF SCAN item of the advanced
menu page 9.
Chapter 4 Viewfinder Screen Indications and Menus
71
Chapter 4 Viewfinder Screen Indications and Menus
Setup Files
You can use setup files to reproduce a particular
configuration of settings. You can also revise the
contents of setup files.
There are eight types of setup files, of which five are
factory preset setup files and the other three are user
files.
Calling up a Setup File
This describes how to call up a setup file and use it to
replace the current menu settings.
1
Set the SET UP switch to FILE.
The camera head is set according to the currentlyselected file data.
2
Access basic menu page 3.
a)An asterisk (*) appears in front of any factory
preset file whose contents have been revised at
least once.
SET UP switch
Current file
a)
Selected file
3
Move the cursor to SELECT FILE and use the UP/
ON button or the DOWN/OFF button to select the
desired file.
Press the UP/ON button or DOWN/OFF button
repeatedly until the desired file name is displayed.
4
Move the cursor to CHG FILE and press the UP/
ON button.
The display changes as shown below and the
selected file is called up.
You can also call up these files via a similar operation
in advanced menu page 10. In this page, a file
recorded onto a tape can also be called up (when using
the DSR-1/1P).
For details, see “To call up files recorded onto a tape (when
using the DSR-1/1P)” (page 72).
USER1 to USER3User setup files (set to STD at
shipping)
File
Description
STD
Settings for shooting under
standard conditions
HI SATSettings for making pictures
vivid
FLSettings for shooting under
fluorescent lighting
FILMLIKESettings for making pictures like
ones shot by film camera
Settings to optimize camera
image for recording and
playback characteristics of SVHS, VHS, or Hi-8 tape
SVHS/VHS
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Chapter 4 Viewfinder Screen Indications and Menus
To call up files recorded onto a tape (when
using the DSR-1/1P)
First, connect the DSR-1/1P to the camera head and
load the cassette that contains the recorded files.
1
Set the SET UP switch to FILE.
2
Access advanced menu page 10.
3
Move the cursor to SELECT FILE and use the UP/
ON button or the DOWN/OFF button to select
TAPE.
4
Move the cursor to CHG FILE and press the UP/
ON button.
The screen appears as shown below.
5
Press the UP/ON button to call up the file. To
abort the call up operation, press the DOWN/OFF
button (the display returns to the one shown in step
3).
During the call up operation, the following display
appears.
When the call up operation ends, the display
changes as shown below.
The settings of the camera head are now replaced
by the settings in the called file.
Name of file
recorded onto
tape
Setup Files
Chapter 4 Viewfinder Screen Indications and Menus
73
Chapter 4 Viewfinder Screen Indications and Menus
Changing File Settings
When using advanced menu page 11 or 12, you can
change the settings about picture quality in setup files.
(In basic menu page 1, a part of items are changeable.)
The changes are accepted only until another file is
called up, after which the original settings are restored.
If you save the changes, store the modified file as one
of the user files or record it in a cassette. (See the
following section “Saving File Settings”.)
1
Perform the steps described in “To call up files
recorded onto a tape (when using the DSR-1/1P)”
above to call up the selected file.
2
Access advanced menu page 11 or 12.
a) An asterisk (*) appears in front of any factory preset
file whose contents have been revised at least once.
3
Make the desired changes.
Page 11
See “Basic menu page 1”
(page 58).
Item
Settings
M.BLACK, STRETCH and
DTL LEV
M.GAMMA
Adjusts the gamma curve.
V DTL LEV
Adjusts the vertical detail.
–99 to ±0 (normal value) to
+99
DTL FREQ
Adjusts the central
frequency of the detail.
LL, L, M (normal value), H,
HH
–99 to ±0 (normal value) to
+99
Currently selected
file
a)
Currently selected
file
a)
Page 12
Saving File Settings
Files whose settings have been changed for certain
shooting conditions can be saved as a user file or onto
a tape (when using the DSR-1/1P).
For details, see “To save setup files to a tape (when using
the DSR-1/1P)” (page 74).
1
Set the SET UP switch to FILE.
2
Call up a setup file whose settings approximate the
desired shooting conditions and then change some
of the settings.
For details of this operation, see “Calling up a Setup
File” (page 71), “Changing File Settings” (in the left
column on this page), “Basic Menu Operations” (page
58), and “Advanced Menu Operations” (page 64).
Item
Settings
SAT
Adjusts the saturation of the
image.
–99 to ±0 (normal value) to
+99
Negative adjustment values
decrease the saturation and
positive adjustment values
increase the saturation.
HUE
Adjusts the hue of the
image.
–99 to ±0 (normal value) to
+99
SKIN SAT
Adjusts the saturation in the
specified area of the image.
–99 to ±0 (normal value) to
+99
Negative adjustment values
decrease the saturation and
positive adjustment values
increase the saturation.
SKIN HUE
Adjusts the hue in the
specified area of the image.
–99 to ±0 (normal value) to
+99
SET UP switch
(continued)
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Chapter 4 Viewfinder Screen Indications and Menus
3
Access advanced menu page 13.
a) An asterisk (*) appears in front of any factory
preset file whose contents have been revised
at least once.
4
Move the cursor to DESTINATION FILE and
repeatedly press the UP/ON button or the DOWN/
OFF button to select USER1, USER2, or USER3.
5
Press the UP/ON button to move the cursor to
STORE FILE?.
The display changes as shown below.
6
Press the UP/ON button to store the file. To abort
the save operation, press the DOWN/OFF button
(the display returns to the one shown at step 4).
When the save operation is finished, the display
changes as shown below.
To save setup files to a tape (when using
the DSR-1/1P)
Connect the DSR-1/1P to the camera head and load the
tape onto which the file will be recorded.
1
Perform steps 1 to 4 of “Saving File Settings” and
select TAPE as the file saving destination.
2
Press the UP/ON button to move the cursor to
STORE FILE?.
The display changes as shown below.
Currently
selected file
a)
File in which
current settings
are to be stored
Setup Files
Chapter 4 Viewfinder Screen Indications and Menus
75
Chapter 4 Viewfinder Screen Indications and Menus
3
Press the UP/ON button to store the file. To abort
the save operation, press the DOWN/OFF button
(the screen returns to the screen shown in step 2).
The tape automatically rewinds and recording
starts.
The display changes as shown below, which
includes color bars. (“CAN NOT WRITE”
appears on the screen if no tape is loaded or if the
loaded tape is write-protected.)
After the settings are stored, the following display
appears.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
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Chapter 4 Viewfinder Screen Indications and Menus
Using SetupNavi and SetupLog with the DSR-1/1P
The SetupNavi function records the setup menu and
setup files onto a tape, so that the same settings can be
called up and used again or copied to another camera.
The SetupLog function records a camera settings every
few seconds at shooting and displays the recorded data
in the viewfinder during playback.
Note on using an RM-M7G Remote Control Unit
When an RM-M7G is connected to the camera head,
you cannot use the SetupNavi function.
To make it possible to use the function, power OFF the
camera head after disconnecting the RM-M7G, then
power ON the camera head again.
Setting up the Camera Using
Data Recorded on Tape
The procedure to replace camera’s menu settings with
settings recorded onto video tape is described here.
1
Connect the DSR-1/1P and insert the cassette onto
which the data was recorded. Set the SETUP
switch to FILE, then set the POWER switch to ON
while holding down the UP/ON button.
Advanced menu page 1 appears.
2
Repeatedly press down on the MENU/STATUS
switch until advanced menu 14 appears.
For details of menu operation, see “Advanced Menu
Operations” (page 64).
”NO TAPE” is displayed if you neglected to load a
cassette.
3
Press the UP/ON button to call up the data
recorded on the tape. (Press the DOWN/OFF
button to cancel).
The display changes as follows and the call up
operation begins.
To abort the call up operation while in progress
Press the DOWN/OFF button.
The following display appears.
4
Press the UP/ON button.
After the data has been read, the following display
appears.
The previous menu settings are overwritten by the
data recorded on the tape.
5
Change the menu settings if necessary.
Name of data
being called up
Chapter 4 Viewfinder Screen Indications and Menus
77
Chapter 4 Viewfinder Screen Indications and Menus
The cursor (→) changes to the text entry cursor
(↓).
8
Enter a name for the data.
Moving the text entry cursor: Press the MENU/
STATUS switch up to move the cursor to the
right, and press the MENU/STATUS switch
down to move the cursor to the left.
Selecting the character: Press the UP/ON or
DOWN/OFF button repeatedly until the desired
character appears.
9
After completing text entry, move the cursor to the
parenthesis position.
The display changes as follows.
10
Move the cursor to “SURE TO STORE?” and
press the UP/ON button to record the menu
settings onto the tape (press the MENU/STATUS
switch to cancel).
The display changes as follows and the data
recording begins.
Name of data
being recorded
Recording the Menu Settings
onto a Tape
1
Connect the DSR-1/1P and load the tape onto
which the settings are to be recorded. Turn the
camera power on.
2
Make your basic menu settings.
For details of this operation, see “Basic Menu
Operations” (page 58).
3
Again, set the POWER switch to ON while
holding down the UP/ON button.
4
Make your advanced menu settings.
For details of this operation, see “Advanced Menu
Operations” (page 64).
5
Access advanced menu page 15.
“NO TAPE” appears if you neglected to load a
cassette.
6
Press the UP/ON button.
The following display appears.
7
Set the cursor to “NAME SET” and press the UP/
ON button to record the menu setting onto the tape.
(Press the MENU/STATUS switch to cancel.)
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Chapter 4 Viewfinder Screen Indications and Menus
To abort the data recording while in progress
Press the DOWN/OFF button.
After the data has been recorded, the following display
appears.
Viewing SetupLog Data
1
Connect the DSR-1/1P and load the tape that
contains the recording to be viewed. Turn the
camera power on.
2
Play back the tape.
For details of playback operation, see the operating
instructions for the DSR-1/1P.
3
Press the MENU/STATUS switch up to the
STATUS side.
The display changes to page 1 of the status display.
PLAY
TCR 12:34:56:00
SETUP LOG 1/3
W:A
WHITE : A 3200
A.IRIS : STD
FILE : STD
F5.6
DCC+ : ON
0dB
SKIN DTL : OFF
3200
Each time you press upward the MENU/STATUS
switch, the status display cycles through the status
pages and playback display in the order: page 2,
page 3, the playback display (containing the
current settings), and page 1.
Status display (page 2)
PLAY
TCR 12:34:56:00
SETUP LOG 2/3
W:A
A.IRIS : ± 0
DTL LEV : ± 0
M.BLACK : ± 0
F5.6
STRETCH : ± 0
0dB
SS :1/100
3200
Status display (page 3)
PLAY
TCR 12:34:56:00
SETUP LOG 3/3
W:A
M.GAMMA : ± 0
V DTL LEV: ± 0
DTL FREQ : M
F5.6
SKIN SAT : ± 0
0dB
SKIN HUE : ± 0
3200
SAT : ± 0
HUE : ± 0
Notes
•SetupLog data is not recorded while SetupNavi data
or a setup file is being recorded onto a tape. (If you
play back a tape containing SetupNavi data or a setup
file, the data displayed in the setup display is not the
SetupLog data of the playback picture.)
•In the following cases, changed settings that were not
recorded may appear as blank settings.
– SetupLog data is overwritten at intervals of a few
seconds during recording. If the settings are
changed frequently for certain items, it may not
always be recorded in time.
– If the recording time is very short, recording may
be ended before all of the data has been
overwritten.
Settings during
recording
Using SetupNavi and SetupLog with the DSR-1/1P
Chapter 5 Adjustments and Settings
79
Chapter
5
Adjustments and
Settings
1
Make the following settings on the camera.
•POWER switch: ON SAVE
•OUTPUT/DL/DCC+ switch: one of the CAM
positions
•Lens iris selector: A (automatic)
•ATW button: off
2
Set the FILTER control according to the lighting
conditions. (See page 43.)
3
Set the W. BAL switch to A or B.
Adjusting the white balance ensures that as lighting
conditions change white objects remain white in the
image and tones remain natural.
The color of light emitted varies from one light source
to another, and as the lighting changes the apparent
color of an illuminated subject changes. It is therefore
necessary to adjust the white balance each time the
principal lighting source changes.
Saving an Appropriate White
Balance Value in Memory
You can save two white balance values in separate
memories, A and B. Unless changed, the saved values
are retained for approximately ten years, even when
the camera is powered off.
Once a value is saved, you can automatically restore
the adjustment by moving the W. BAL switch to the A
or B position. This makes shooting under alternating
lighting conditions easy.
Separate white balance values for each
FILTER control setting
In the default case, as described above, the same two A
and B white balance values apply to all four settings of
the FILTER control. It is possible, however, to change
the AWB MEM menu setting is advanced menu page 3
(see page 65) so that there are eight possibly different
values for the A and B positions and for the four
FILTER control settings.
White Balance Adjustment
1
21
513
4
(continued)
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4
Arrange a white subject (paper, cloth, etc.) under
the same lighting conditions as for shooting, and
zoom in on it so that as far as possible the whole
screen is white.
The minimum white area requirements for the
adjustment are shown in the following figure.
5
Push the WHT/BLK switch in the WHT direction
and release.
The white balance adjustment is carried out.
During the adjustment the legend “AUTO WHITE
-OP-” appears in the viewfinder.
After a few seconds the adjustment is complete,
and the legend in the viewfinder changes to
“AUTO WHITE -OK-” plus a color temperature,
as shown in the following figure.
AUTO WHITE
-OK-
3200K
The adjustment value is automatically saved in
memory A or B as selected above.
To save the white balance adjustment for different
lighting conditions, repeat steps 2 to 4 above. You can
save two different values for the white balance, in
memories A and B.
Note
When using a camera control unit or remote control
unit, if the W/B BALANCE switch of the control unit
is set to PRESET or MANUAL, it is not possible to
carry out white balance adjustment on the camera.
To recall a white balance value from memory
Before beginning shooting, set the W. BAL switch to
the A or B position. This automatically sets the
camera to the white balance adjustment saved in the
corresponding memory.
If white balance adjustment cannot be
completed automatically
The warning message “AUTO WHITE -NG-” appears
in the viewfinder.
Make the necessary corrections, then carry out the
process again.
Warning messages for white balance adjustment
White Balance Adjustment
Center of the screen
Area of white within this
rectangle should be
equivalent to at least 10% of
the image area.
approximately
70% of the
height of the
image
approximately
70% of the
width of the
image
AUTO WHITE
-NG-
:C.TEMP.LOW
CHG.FILTER
TRY AGAIN
The color temperature is too low. Try
the following, in this order of
precedence.
(1) If the FILTER control is in position 2,
3 or 4, change it to position 1, then
retry the adjustment.
(2) Check that the subject is completely
white, then retry the adjustment.
(3) The color temperature may be
outside the range of the camera. Fit
an appropriate color temperature
conversion filter, then retry the
adjustment.
AUTO WHITE
-NG-
:C.TEMP.HI
CHG.FILTER
TRY AGAIN
The color temperature is too high. Try
the following, in this order of
precedence.
(1) If the FILTER control is in position 1,
change it to position 2, 3 or 4, then
retry the adjustment.
(2) Check that the subject is completely
white, then retry the adjustment.
(3) The color temperature may be
outside the range of the camera. Fit
an appropriate color temperature
conversion filter, then retry the
adjustment.
Message
Meaning and corrections to be made
AUTO WHITE
-NG-
:LOW LIGHT
TRY AGAIN
Light level is too low.
• Increase the illumination level, open
the iris, or use the GAIN switch to
increase the video signal level.
• Check the setting of the FILTER
control.
• After these checks, retry the
adjustment.
AUTO WHITE
-NG-
: ??
TRY AGAIN
The subject is not white, or the lighting
level is too high.
• Use a white subject.
• Lower the illumination level, stop down
the iris, or use the GAIN switch to
decrease the video signal level.
• Check the setting of the FILTER
control.
• After these checks, retry the
adjustment.
Chapter 5 Adjustments and Settings
81
Chapter 5 Adjustments and Settings
Using the Preset White Balance
Settings
The camera provides two preset white balance settings,
for instant shooting with approximately the correct
adjustment. The preset white balance can be selected
between 2200 K and 4300 K when the FILTER control
is set to 1 and between 4600 K and 12000 K when the
FILTER control is set to 2, 3 or 4 (see page 59).
There are also particular shooting conditions under
which the preset values may give better results than the
human eye adjustment.
1
Set the W. BAL switch to PRESET.
2
Set the FILTER control.
The white balance is automatically adjusted for the
preset white balance selected in basic menu page 2
(see page 59).
Light Sources and Color
Temperature
Adjustment of the white balance to match the light
source is essential to ensure correct color rendering.
The color of a light source is indicated as a color
temperature in kelvins (K). It is higher for bluish light,
and lower for reddish light. When the camera is
shipped it is adjusted for use with video lights (halogen
lamps with a color temperature of 3200 K). For use
with other light sources, therefore, adjustment is
required.
First use the FILTER control to set the approximate
color temperature, then carry out white balance
adjustment.
The following table shows typical color temperature
values for different light sources.
WHITE:PRESET
The W. BAL switch is in the PRESET
position.
Move the W. BAL switch to the A or B
position.
The camera is outputting a color bar
signal.
Move the OUTPUT/DL/DCC+ switch to
one of the CAM positions.
Message
Meaning and corrections to be made
BARS
Light source
NaturalArtificial
Color temperature (K)
Clear sky10,000
Light cloud8,000
Cloudy or rainy
skies
Blue light7,000
6,000
Fluorescent light
(daylight white)
5,000
Direct sunlight,
noon
Mercury lighting
Fluorescent light
(white)
White light
One hour after
sunrise or
before sunset
Fluorescent light
(warm white)
4,000
3,500
Studio lighting3,200
Halogen lamps
and video lights
Yellow light 3,000
2,500
Thirty minutes
after sunrise or
before sunset
Incandescent
lighting
Sodium streetlighting
Sunrise or
sunset
CandlelightRed light2,000
V
v
V
v
V
v
V
Color temperatures of different light sources
Using the ATW (Auto Tracing
White Balance) Function
The ATW function continuously adjusts the white
balance automatically to adapt to changes in lighting
conditions.
Note
Depending on the shooting conditions, automatic
adjustment may not necessarily give optimum results.
For the best possible results, use the W. BAL switch.
To use the ATW function
Press the ATW button turning the indicator on.
This activates the ATW function, and the ATW
indication appears in the viewfinder.
To disable the ATW function, press the ATW button
again, turning the indicator off.
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If the ATW function does not operate correctly
A warning massage appears in the viewfinder as
shown in the table below.
Message
Meaning and corrections to be made
If the FILTER control is in position 2, 3 or
4, change it to position 1, then retry the
ATW operation.
:C.TEMP.LOW
If the FILTER control is in position 1,
change it to position 2, 3 or 4, then retry
the ATW operation.
:C.TEMP.HIGH
White Balance Adjustment
Chapter 5 Adjustments and Settings
83
Chapter 5 Adjustments and Settings
Note
When using a camera control unit or remote control
unit, if the W/B BALANCE switch of the control unit
is set to MANUAL, it is not possible to carry out black
balance adjustment on the camera.
If black balance adjustment cannot be
completed automatically
The warning message “AUTO BLACK -NG-” appears
in the viewfinder.
Make the necessary corrections, then carry out the
process again.
Warning messages for black balance adjustment
Message
Meaning and corrections to be made
AUTO BLACK
-NG-
: IRIS
NOT CLOSED
TRY AGAIN
The lens iris did not close fully.
Check whether the lens cable is
connected properly, and whether there is
a fault in the lens. If a second attempt to
carry out the adjustment fails, consult
your Sony dealer.
AUTO BLACK
-NG-
:??
TRY AGAIN
The iris opened during adjustment or
there is a hardware error.
Close the iris and try again. If this fails,
consult your Sony dealer.
Black Balance Adjustment
21
BARSThe camera is outputting a color bar
signal.
Move the OUTPUT/DL/DCC+ switch to
one of the CAM positions.
Correct adjustment of the black balance is important
for optimum operation of a video camera. It is
necessary when using the camera for the first time or
after a significant period out of use, and also when
there has been a sudden change in temperature.
The adjustment value is saved in memory, and
readjustment is not normally necessary after powering
the camera off or simply when lighting conditions
change.
1
Move the POWER switch to the ON SAVE
position, and check that the OUTPUT/DL/DCC+
switch is in one of the CAM positions.
2
Push the WHT/BLK switch in the BLK direction
and release.
The lens iris closes, and black balance adjustment
is carried out.
During the adjustment the legend “AUTO BLACK
-OP-” appears in the viewfinder.
AUTO BLACK
-OP-
After a few seconds the adjustment is complete,
and the legend in the viewfinder changes to
“AUTO BLACK -OK-”.
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1
Set the SHUTTER switch to the ON position.
The SHUTTER indicator in the viewfinder comes
on, and it is now possible to change the shutter
speed or clear scan frequency setting and to set the
EVS function. (If the EVS is already selected, the
SHUTTER indicator will not light.)
2
Operate the MENU/STATUS switch to align the
cursor with the item “SHUTTER” in basic menu
page 1.
3
Press the UP/ON button or DOWN/OFF button to
select the required shutter speed, scan frequency or
EVS.
Each time you press the UP/ON button or DOWN/
OFF botton, the shutter speed or clear scan
frequency setting changes in the following order:
200.3Hz
• • •
60.4Hz
1/100
EVS
1/60
1/250
1/500
1/1000 1/2000
DXC-D35/D35WSL
201.4Hz
• • •
50.3Hz
DXC-D35P/D35WSPL
DXC-D35/D35WSL
DXC-D35P/D35WSPL
(Value when
shipped)
Shutter Settings
This section covers the settings for electronic shutter
speed, CLS (clear scan ) and EVS function.
The new value for the shutter speed or clear scan
frequency and EVS setting remains set until changed,
even when the camera is powered off.
Shutter speeds
There are five shutter speeds, from
1
/
100
s (DXC-D35/
D35WSL) or
1
/
60
s (DXC-D35P/D35WSPL) to
1
/
2000
s.
Increasing the shutter speed reduces blurring when
shooting a fast-moving subject. It is also possible to
reduce flicker when shooting under fluorescent
lighting by changing the shutter speed.
CLS (Clear Scan) function
When shooting a computer screen or projected image,
horizontal bands may appear in the camera image.
This is because the vertical scan frequency of the
computer-generated image is different from the
vertical scan frequency of the video system. The clear
scan function allows you to select a vertical scan
frequency to reduce this interference.
EVS (Enhanced Vertical Scan)
This function enhances the vertical scan resolution
from 400 to 450 lines (or 450 to 530 lines) to reduce
flicker. However, this increases the aliasing.
Setting the shutter speed, CLS and EVS
function
Notes on setting the shutter speed
•The faster you make the shutter speed, the darker the
image becomes. Check the brightness in the
viewfinder, and if necessary increase the lighting
level or adjust the iris.
•When the shutter speed is very fast, shooting a high
intensity subject may cause long vertical tails to
appear on the highlights (smear).
Note on setting the CLS function
The vertical scan frequencies of computer screens
vary, and it may not be possible to eliminate the
interference patterns entirely. Note also that the
vertical scan frequency may change depending on the
software being run.
213
Chapter 5 Adjustments and Settings
85
Chapter 5 Adjustments and Settings
When using the clear scan function
Watching the monitor screen, adjust the frequency
to give minimum interference.
If there is a black band in the monitor image,
reduce the frequency, and if there is a white band,
increase the frequency.
To return from the basic menu to the normal
indications
Press the MENU/STATUS switch as many times as
necessary until the normal indications appear. The
new setting of the shutter speed or clear scan
frequency appears in the normal screen display.
When shooting is finished
Set the SHUTTER switch to the OFF position.
The SHUTTER indicator in the viewfinder goes off.
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Setting the Clock and Timestamping Recordings
Use advanced menu page 8 to set the camera head’s
internal clock and record the date and time.
Note
If the following date/time setting procedure for the
internal clock does not cause the date/time information
to be displayed in advanced menu page 8, it may be
due to a worn-out lithium battery in the camera head.
See page 23 and replace the lithium battery.
How to set the date and time
1
Access advanced menu page 8.
For details of menu operations, see “Advanced
Menu Operations” (page 64).
2
Move the cursor to CLOCK SET, then press the
UP/ON button.
The following display appears, in which the year
indication is flashing.
3
Press the MENU/STATUS switch and the UP/ON
button to set the desired date and time.
1) Press the MENU/STATUS switch up or down
until the item to be changed starts flashing.
2) Press the UP/ON button to change the number.
Repeat 1) and 2) until you have completed your
date and time settings.
4
Select whether to display a 12-hour clock (showing
AM and PM hours) or a 24-hour clock.
1) Press the MENU/STATUS switch up or down
to select the desired setting (12-hour clock
display or 24-hour clock display).
Example of 12-hour clock display: 6:49 PM
(“6” and “PM” are flashing)
Example of 24-hour clock display: 18:49 (“18”
is flashing)
2) Press the UP/ON button.
5
Press the UP/ON button to select the date display
format.
Each press of the UP/ON button cycles through the
following options.
•Year-month-day: YY MM DD
99 10 27
•Month-day-year: MM DD YY
10 27 99
•Day-month-year: DD MM YY
27 10 99
6
Press the MENU/STATUS switch down.
The cursor is shown at the CLOCK SET position.
7
Press the UP/ON button (to a time signal).
The clock starts from 00 seconds. The clock
display can be viewed if CLOCK IND has been set
to ON.
Flashing
Flashing
Chapter 5 Adjustments and Settings
87
Chapter 5 Adjustments and Settings
Timestamping recordings
You can timestamp recordings by superimposing the
current date and time.
1
Before shooting, set the CLOCK IND to CAM in
advanced menu page 8.
The date and time appear in the viewfinder, and are
superimposed on the video signal output from the
camera.
2
To stop superimposing the date and time, set the
CLOCK IND to OFF.
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Viewfinder Screen Adjustments
The following adjustments are provided to improve the
visibility of the viewfinder screen.
Although these adjustment may make the viewfinder
image clearer, they have no effect on the output video
signal from the camera.
Adjusting the eyepiece focus
Depending on the eyesight of the camera operator —
whether longsighted or shortsighted — the optimal
position of the viewfinder image varies. Adjust the
eyepiece focus to get the clearest viewfinder image for
your eyesight. First focus the image with the lens,
then adjust the eyepiece focusing knob. The
adjustment range is from –3 to 0 diopters
1)
(default
when shipped is 0 diopters).
Using an optional part allows you to modify the
adjustment range to –2 to +1 diopters or –0.5 to +3
diopters.
For details, consult your Sony dealer.
Contrast and brightness adjustment
Carry out these adjustments with the color bars
displayed.
1
Set the OUTPUT/DL/DCC+ switch to the BARS
position.
The color bars appear in the viewfinder.
2
Watching the color bars, turn the CONTRAST and
BRIGHT controls to adjust the contrast and
brightness.
3
Return the OUTPUT/DL/DCC+ switch to its
original position.
Outline emphasis adjustment
Turning the PEAKING control changes the degree of
outline emphasis in the viewfinder image, to make
focusing easier.
1) Diopter: A unit to indicate the degree of convergence or
It is necessary to adjust the flange focal length (the
distance from the lens flange to the plane of the image
along the optical axis) in the following cases.
•When a lens is fitted for the first time
•After changing lenses
•When during zoom operations the focus does not
match properly from telephoto to wide angle
1
Set the iris selector to the M position.
2
Turn the iris ring to f/1.8 (fully open).
3
Place the supplied flange focal length adjustment
test chart at a range of about 3 meters (10 feet), and
adjust the lighting so that an appropriate video
output level is obtained with the iris at f/1.8.
4
Loosen the F.B fixing screw.
5
Set the ZOOM selector to the MANU. position.
6
Move the manual zoom control to the telephoto
position.
7
Turn the focusing ring so that the test chart is in
focus.
8
Move the manual zoom control to the wide angle
position.
9
Turn the F.B adjustment ring so that the test chart
is in focus. Do not move the focusing ring.
10
Repeat steps 6 to 9 until the image stays in focus
from telephoto to wide angle.
11
After adjustment, tighten the F.B fixing screw.
About 3 m (10 feet)
Flange focal length
adjustment test chart
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There are three ways of adjusting the iris:
automatically, manually, and with the instant
automatic iris adjustment function.
Iris adjustment
To make the image lighter when shooting
against the light
In the automatic iris adjustment mode, set the A.IRIS
MODE switch to BACK L, turning the indicator on.
Iris Adjustments
RET
IRIS
W
T
M
A
Iris ring
Instant automatic
iris button
Iris selector
ZEBRA switch
A.IRIS MODE switch
To make the image clearer when shooting a
subject lit by a spotlight
In the automatic iris adjustment mode, set the A.IRIS
MODE switch to SPOT L, turning the indicator on.
Using the zebra pattern in manual
adjustment mode
To use the zebra pattern as a guideline for iris
adjustment in manual adjustment mode, set the
ZEBRA switch to the ON position.
Select the zebra pattern to be displayed in advenced
menu page 4 (see page 65).
•When the subject is a person
Adjust the iris manually so that the zebra pattern
appears on the highlights of the subject’s face.
•For other subjects
Adjust the iris manually so that the zebra pattern
appears on the most important parts of the subject.
Designating the lens
You have to designate the lens number according to
the types of your lens.
If the number is not designated properly, other colors
may appear on the upper and lower of the screen when
shooting a white subject.
Set the number in advanced menu page 4 (page 65)
according to the following table.
If you use the lens that is not mentioned above, set the
lens number as follows:
•When using a lens without an extender, set it to 1.
•When using a lens with an extender, set it to 2.
•When using a lens with a ratio converter, set it to 2.
You can also ask a Sony dealer more precise settings
according to your lens. In this case, set it to 4.
Adjusting the Iris Sensitivity
You usually need not adjust the iris sensitivity because
lenses are equipped with iris sensitivity adjustment
function.
In auto iris mode, if hunting or response delay
happens, adjust the iris sensitivity using the iris
sensitivity trimmer.
You can see the iris sensitivity trimmer when
removing the gum cap on the front of the lens driving
unit. Use a mini-screwdriver to turn the trimmer. If
you turn it clockwise, the sensitivity increases, and if
you turn it counterclockwise, the sensitivity decreases.
It is recommended that you confirm the iris sensitivity
after replacing the lens.
23
1
4
ZOOM
MANU.SERVO
IRIS
GAIN
Iris sensitivity trimmer (S
or IRIS GAIN is indicated.)
Lens number
1
2
3
4
For more information, refer to the operating instructions for
the lens (or consult the lens maker).
Macrophotography
Use the macro function when the subject is less than
about 90 cm (3 feet) (for the VCL-918BY) from the
front of the lens. It is possible to shoot close-ups down
to a range of 10 mm (wide angle, f = 9 mm).
1
Bring the lens up to the subject so that the image is
the required size.
2
Move the focusing ring to the closest focus
position.
3
Slide the M button toward the rear of the camera,
and turn the MACRO ring fully in the direction
shown by the arrow.
4
Move the ZOOM selector to the MANU. position,
and turn the manual zoom control to focus the
image.
Ending close-up shooting
Return the MACRO ring to its original position (turn
fully in the opposite direction to the arrow in the
figure).
Reducing the size of the image
After completing steps 1 to 4 above, if you wish to
reduce the size of the image, turn the MACRO ring
back slightly, then use the manual zoom control again
to focus the image.
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Settings for special cases
The background is very bright, and the
subject is too dark.
Settings for Special Cases
SettingEffect
Set the A.IRIS MODE switch to BACK L,
turning the indicator on.
This lightens the foreground.
The subject is under a spotlight.Set the A.IRIS MODE switch tp SPOT L,
turning the indicator on.
This prevents white burn-out in highlights
of faces and clothes.
The subject is completely still (e.g. when
shooting documents, drawings, etc.).
Enable the EVS (Enhanced Vertical
definition System) function.
(See page
84.)
Note
Enabling the EVS function tends to
increase the occurrence of aliasing
problems (moiré patterns). Therefore,
normally leave the function disabled.
This enhances the vertical resolution.
When you wish to give a lush effect, as
when shooting a wedding or similar
occasion.
Use the HI SAT file. (Access advanced
menu page 10 with the SET UP switch
set to FILE.)
This increases the saturation of primary
colors.
Shooting under fluorescent lighting.Use the FL file. (Access advanced menu
page 10 with the SET UP switch set to
FILE.)
This eliminates the blue-green cast, and
restores natural hues.
Shooting conditions
When shooting bright areas mixed with
dark areas (Example: A person indoors
looking through a window at a bright
landscape outdoors)
Set DL to ON in the advanced menu
page 2 and, then set the OUTPUT/DL/
DCC+ switch to CAM DL.
Prevents white breakup and color faults
in bright areas.
When adjusting for skin detail or tone
(Example: When shooting to hide skin
details)
See “Skin Detail Correction” or
“Adjusting Color in the Specified Area”
(page 93)
.
Adjusts the skin detail or tone to a
designated active area.
When you wish to give pictures a natural
taste created by film camera.
Use the FILMLIKE file. (Access
advanced menu page 10 with the SET
UP switch set to FILE.)
The “filmlike” effect is added to the
picture.
To make focusing before shooting
easier.
Press the EZ FOCUS button, turning the
“easy focus” function on.
This opens the iris, to make it easier to
focus before beginning shooting.
To begin shooting immediately when
there is no time to make adjustments.
Set the EZ MODE switch to the ON
position.
This provides automatic adjustment to a
set of standard values, to allow
immediate shooting.
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Chapter 5 Adjustments and Settings
Skin Detail Correction
The DXC-D35/D35P/D35WSL/D35WSPL provides
an easy push-button function that designates an active
skin tone area.
1
Set the SKIN DTL switch to ON.
The indication “SKIN AREA: ±0” appears in the
viewfinder.
2
Press the SKIN DTL SET button.
This causes the area detect cursor to be shown in
the viewfinder (for 10 seconds).
3
Place the area detect cursor on the target, then
press the SKIN DTL SET button.
This designates the correction area, which is
indicated by a zebra pattern, and the indication
“SKIN AREA: ±0” appears again. If the area
detect cursor disappears before designating the
area, press the SKIN DTL SET button again to
display the cursor. (Return to step 2.)
4
Press the UP/ON or DOWN/OFF button to change
the SKIN AREA value (–99 to +99)so that the
zebra pattern may be displayed in the target area.
Use basic menu page 2 to set the correction level
(see page 59).
You can also change color in the designated area
(see the following section).
2,3
1
ON
OFF
SET
SKIN DTL
Adjusting Color in the Specified
Area
You can adjust the specified color using setup files.
Perform the same procedure with the skin detail
correction to designate the target area .
1
Turn the POWER switch on with holding down the
UP/ON button.
2
Perform steps 1 and 2 in “Changing File Settings”
(page 73) and display advanced menu page 12 in
the most suitable file for shooting.
3
Perform the procedure for the skin detail correction
to designate the area to which you apply color
adjustment.
While this procedure is being performed, the menu
is not displayed.
4
When advanced menu page 12 appears, change the
value of the SKIN SAT or SKIN HUE to adjust
color in the area designated in step 3.
Note
Set the SKIN DTL to 1.0 in basic menu page 2 if the
skin detail correction is unnecessary.
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Appendix
Important Notes on Operation
Fitting the zoom lens
It is important to fit the lens correctly, as otherwise
damage may result. Be sure to refer to the section
“Fitting the Lens” (See page 30).
Do not cover the unit while operating
Putting a cloth, for example, over the unit can cause
excessive internal heat build-up.
Operation and storage
Avoid storing or operating the unit in the following
conditions.
•In excessive heat or cold (operating temperature
range: –10 °C to +45 °C (14 °F to 113 °F))
Remember that in summer in warm climates the
temperature inside a car with the windows closed can
easily exceed 50 °C (122 °F).
•In damp or dusty locations
•Locations where the unit may be exposed to rain
•Locations subject to violent vibration
•Close to radio or TV transmitters producing strong
electromagnetic fields.
Viewfinder
•Do not leave the camera with the eyepiece pointing
directly at the sun.
The eyepiece lens can concentrate the sun’s rays and
melt the interior of the viewfinder.
•Do not use the viewfinder close to strong magnetic
fields. This can cause picture distortion.
Shipping
Use the optional LC-421 Carrying Case for optimal
shipping.
If sending the camera by truck, ship, air or other
transportation service, first store it in the carrying case,
then pack the carrying case in the supplied carton (or
an equivalent).
Care of the unit
Remove dust and dirt from the surfaces of the lenses or
optical filters using a blower.
If the body of the camera is dirty, clean it with a soft,
dry cloth. In extreme cases, use a cloth steeped in a
little neutral detergent, then wipe dry. Do not use
organic solvents such as alcohol or thinners, as these
may cause discoloration or other damage to the finish
of the unit.
In the event of operating problems
If you should experience problems with the unit,
contact your supplier or Sony service representative.
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
96
Appendix
Appendix
Vertical tail on the image
Bright object
(electric light, sun,
etc.)
Monitor screen
Characteristics of CCD Sensors
The following effects may appear in the image. They
are characteristic of cameras using CCDs (chargecoupled devices), and do not indicate a malfunction.
Vertical smear
When shooting a very bright object, such as a light, the
highlight tends to produce vertical tails. This effect is
much reduced in this camera.
White flecks
If the camera is operated at a high temperature, white
flecks may appear in the image.
Important Notes on Operation
Appendix
97
Appendix
Warning indications
Continuous Flashing once per second
Flashing four times per second
Four beeps per second
One beep per second
Continuous
For the warnings appearing in the viewfinder when a VTR is connected, see the section “Viewfinder Normal Indications” (page
54).
Warning Indications
If a fault occurs during operation, a warning is given
by the REC/TALLY and BATT indicators in the
viewfinder and the tally lamp lighting or flashing, and
also by warning indications on the viewfinder screen.
When you are using a DSR-1/1P or PVV-3/3P, the
WARNING indicator on the VTR also lights or
flashes, and warning indications appear in the display
window. There is also a warning tone in the earphone.
Camera
REC/
TALLY
indicator
and tally
lamp
What to do
BATT
indicator
Viewfinder
screen
indication
VTR
WARNING
indicator
Display
window
Warning tone
Fault
VTR action
Carry out head cleaning,
referring to the instruction
manual for the VTR. If the
problem persists after cleaning
the heads, disconnect the
power and consult your Sony
dealer.
——RF
(during
recording
only)
(During
recording only)
The video
heads are
clogged, or
there is some
other fault in
the recording
system.
The VTR emits
a warning tone
when it detects
head clogging.
Disconnect the power and
consult your Sony dealer. (The
SERVO indication may flash
momentarily when the tape
transport starts, but this does
not indicate a problem.)
——SERVOThe servo
lock has
been lost.
Recording
continues, but
the recording
may not be
satisfactory.
Stop the tape transport. Wait
until the HUMID indication
does not appear when you
power the unit on.
——HUMIDThere is
condensation.
Press the EJECT button to
eject the cassette. Close the
cassette compartment and
check that the top panel has
descended before powering
off. Then consult your Sony
dealer. (Do not attempt to
insert any cassette.)
SLACK——
——TAPE
(flashing,
during
recording
only)
The tape is
near the end.
Change the cassette if
necessary.
——TAPE
(flashing)
The tape is at
the end.
Change the cassette.
BATT
11.0V
BATT
(flashing)
The battery is
almost
exhausted.
Change the battery when
possible.
Recording
continues, but
if the tape
sticks to the
drum,
recording
stops.
Playback,
rewind, or fast
forward stops.
The operation
stops. (Refer
to the service
manual or
maintenance
manual.)
Operation
continues.
Recording,
playback, and
fast forward all
stop.
Operation
continues.
(During
recording
only)
(During
recording)
BATT
10.5V
BATT
(flashing)
The battery is
exhausted.
Change the battery.
Operation
continues.
The tape is
not wound
properly.
(During
recording)
(During
playback,
rewind, or fast
forward)
DXC-D35P/D35WSP(CE) V1
1-49
1-50
98
Appendix
Appendix
Specifications
DXC-D35/D35P/D35WS/D35WSP Camera
Head
Imaging element Three-chip interline transfer CCD
Pixel resolution DXC-D35: 768 (horizontal) × 494
(vertical)
DXC-D35P: 752 (horizontal) × 582
(vertical)
DXC-D35WS: 980 (horizontal) × 494
(vertical)
DXC-D35WSP: 980 (horizontal) × 582
(vertical) mm
Imaging areaDXC-D35/D35P: 8.8 × 6.6 mm (
2
/3-
inch, 4:3 optical system)
DXC-D35WS/D35WSP: 9.6 × 5.4
mm (
2
/3-inch, 16:9 optical
system)
Built-in filter settings
1: 3200K
2: 5600K +
1
/8ND
3: 5600K
4: 5600K +
1
/64ND
Lens mountBayonet mount
Signal standards EIA standard signal (NTSC color
system) (DXC-D35/D35WS)
CCIR standard signal (PAL color
system) (DXC-D35P/D35WSP)
Scanning system 525 lines, 2:1 interlace (DXC-D35/
D35WS)
625 lines, 2:1 interlace
(DXC-D35P/D35WSP)
Scanning frequencies
Horizontal:
15.734 kHz
(DXC-D35/D35WS)
15.625 kHz (DXC-D35P/
D35WSP)
Vertical: 59.94 Hz (DXC-D35/
D35WS)
50.00 Hz (DXC-D35P/
D35WSP)
Synchronization Internal sync
External sync, using signal input
(VBS or BS) to the GEN LOCK
IN connector of an optional
camera adaptor or input from
the GEN LOCK connector of a
camera control unit to the VTR/
CCU/CMA connector of an
optional camera adaptor.
Horizontal resolution (center)
DXC-D35/D35P: 880 TV lines
DXC-D35WS/D35WSP: 850 TV
SHUTTER, GAIN UP
Resolution600 TV lines
Power supply12 V DC
Power consumption
2.1 W
Mass620 g approx. (1 lb 5 oz)
Maximum external dimensions
241 (W) × 91 (H) × 203 (D) mm
(9
1
/2 × 35/8 × 8 inches)
Scan sizeSwitchable between 4:3 and 16:9
Supplied accessories
RM-LG1 Remote Control Unit
2)
(1)
VCL-918BY Zoom Lens
1)
(1)
DXF-801/801CE Viewfinder
2)
(1)
Microphone
2)
(1)
Wind screen
2)
(1)
VCT-U14 Tripod Adaptor
2)
(1)
Lens mount cap (1)
Flange focal length adjustment test chart (1)
Operating Instructions (1)
Design and specifications are subject to change
without notice.
Related Products
There is a range of Sony products available to meet
every conceivable video shooting requirement. For
details, consult your Sony sales representative or
supplier.
Lenses
VCL-915BYA/916BY/916BYA/918BY Zoom Lens
Camera adaptor products
CA-325A/325AP/327/327P/511/512
3)
/512P
3)
/513/537/
537P Camera Adaptor
CMA-8A/8ACE AC Adaptor
RM-M7G Camera Remote Control Unit
475(183/4)
242(9
5
/8)
258
(10
1
/4)
1) DXC-D35K/D35PK
2) DXC-D35K/D35L/D35WSL/D35PK/D35PL/D35WSPL
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
100
Appendix
Appendix
VTR products
DSR-1/1P Digital Videocassette Recorder
EVV-9000/9000P Videocassette Recorder
PVV-1/1P/1A/1AP/3/3P Portable Videocassette
The suffix number on a cable part number indicates the
length in meters: e.g. a CCZ-A2 is 2 meters long.
(Approximate equivalents in feet: 2 m = 6 ft, 5 m = 16
ft, 10 m = 33 ft, 25 m = 82 ft, 50 m = 164 ft, 100 m =
328 ft)
Camera cables with Z-type 26-pin connectors
CCZ-A2/A5/A10/A25/A50/A100
Camera cables with Q-type 14-pin connectors
CCZQ-A2/A5/A10/A2AM
CCZZ-1B/1E Cable Extension Connector
Camera cables with Q-type 14-pin connectors
CCQ-2BRS/5BRS/10BRS
CCQ-10AM/25AM/50AM/100AM
CCZJ-2 Camera Cable with Z-type 26-pin connector
and J-type 10-pin connector
LC-421 Carrying Case
LCR-1 Rain Cover
CAC-4 Chest Pad
LC-DS300SFT Soft Case
Specifications
Appendix
101
Appendix
EC-0.5C2 Microphone Cable
ECM-690/672 and C-74 Microphone
RM-M7G Remote Control
Unit
CCA-7 cable
CAC-4 Chest Pad
VCT-U14 Tripod
Adaptor
Tripod
BC-1WD/1WDCE Battery
Charger
LC-421 Carrying Case
LCR-1 Raincover
DSR-1/1P
DVCAM VTR
PVV-3/3P
Betacam SP VTR
CA-511 + BVV5/5PS Betacam
SP VTR
EVV-9000/9000P
Hi-8 VTR
CA-513 + S-VHS
VTR (JVC)
CA-512 + S-VHS
VTR (Panasonic)
AC power source
CMA-8A/
8ACE
CA-537/
537P
Camera
Adaptor
CCZ-A cable
CCZ-A cable
CCZJ-A cable
VA-5/5P + BVV-5/5PS
VA-90/90P + EVV-9000/9000P
CA-327/
327P
Camera
Adaptor
CCQ-BRS cable
CCQJ-2 cable
S-video cable
S-video cable
Video monitor
NP-1B Battery Pack
CAC-12 Microphone Holder
CCU-M7/M7P/M5/M5P
Camera Control Unit
BVW-50/50P Betacam SP
VTR
VO-8800/8800P U-matic
VTR
CCZQ-A cable
CCZ-A cable
CCZQ-A cable
VHS VTR
CCU-M5/M5P Camera
Control Unit
VA-90/90P + EVV-9000/9000P
VO-8800/8800P U-matic
VTR
VHS VTR
Hi-8/S-VHS VTR
VTR
Computer
VTR
Computer
AC power source
CA-325A/325AP
Camera Adaptor
CA-325B/325BP
Camera Adaptor
CCQ-AM cable
CCQ-BRS cable
Chart of Optional Components and Accessories
DXF-51/41 5-inch/4-inch
Viewfinder
DXC-D35/D35P/
D35WS/D35WSP
RM-LG1 Remote Control
Unit
DXC-D35P/D35WSP(CE) V1
1-51
1-52
102
Appendix
Appendix
What Is ClipLink?
The ClipLink
TM
function greatly improves the
efficiency of the video production process as a whole
by recording various editing-related data on tape when
shooting. As such, ClipLink is a revolutionary
function that transcends the conventional separation of
shooting and editing.
Note
When an external equipment, such as VCR, is
connected to the DV OUT connector, the ClipLink
function will not work.
How ClipLink Changes Video
Production T echniques
The following describes various ways in which
ClipLink
1)
video production differs from conventional
video production.
Recording of ClipLink log data lightens
the shooting workload
When you start shooting a scene, ClipLink log data
such as the scene number and time code data are
automatically recorded into the cassette memory. This
eliminates the need for a conventional “shot list”
compiled by someone using a stopwatch, clipboard
and pencil. You can also designate unwanted scenes as
“NG” (no good) and automatically skip all “NG”
scenes when editing.
Recorded Index Pictures drastically cut
editing time
The ClipLink function also features Index
Pictures a time-saving tool for rough editing. Each
Index Picture is a compressed image taken from the
start of each scene, which is recorded onto the tape as
a still picture. When editing, begin by transferring
only the Index Pictures and the ClipLink log data to
the EditStation’s hard disk. You can also transfer OK
scenes only (“NG” scenes are skipped).
Next, begin rough editing by viewing the Index
Pictures on the EditStation’s GUI display and
rearranging them as you wish. This eliminates the
difficult work of matching up a handwritten shot list
with recorded scenes. After you have completed this
rough editing, you can then transfer only the
recordings needed for your video program.
High-speed transfer of recordings
It is also possible to transfer the editing material itself
between the DSR-85/85P and ES-7 at four times
normal speed. In other words, the transfer can be
carried out in one fourth of the real time duration. It is
of course possible to carry out a transfer at four times
normal speed when backing up video and audio data
recorded on the disk drive to the DSR-85/85P, or in the
opposite direction when loading data backed up on the
DSR-85/85P to the disk drive. Thus the time required
is much shorter than with conventional equipment (for
which, for example, transferring a 40-minute segment
of video takes 40 minutes).
Note
When using a tape recorded by a DVCAM camcorder
to transfer digital (video/audio/time code) signals at
four times normal speed from the DSR-85/85P Digital
Videocassette Recorder to the ES-7 EditStation for
editing purposes, there must be about at least 40
seconds of recording on the tape before the IN point.
To perform editing without problems, it is
recommended that you pre-record at least 40
seconds of color bar signals at the beginning of the
tape.
1) The ClipLink system is a video production system which
uses the cassette memory function.
Appendix
103
Appendix
ClipLink Operation Flow
The following is a detailed description of how to use
the ClipLink function during the video production
process.
Example System Configuration
The following illustration shows the optimum system
configuration for using the ClipLink function.
ClipLink operation is possible even with a system
containing existing analog equipment. However, note
that a part of functions are disabled.
Shooting
DVCAM Camcorder
(DXC-D35/D35WS +
DSR-1 or DSR-135P)
ClipLink log data recorded onto DVCAM cassettes
links shooting and editing operations.
DVCAM standard cassette or DVCAM mini cassette
Index Pictures: recorded on
tape
ClipLink log data: recorded in
cassette memory
ClipLink log data transfer
ES-3/7 EditStation™
non-linear editing
system
DSR-60
a)
/70/80/85
b)
(or
DSR-60P
a)
/70P/80P/
85P
b)
) Digital
Videocassette Recorder
Index Pictures
Video output (QSDI)
ClipLink log data
RS-422A interface
Editing
Actual AV data
QSDI input/output
ES-3/7 EditStation™
non-linear editing
system
a) The DSR-60/60P is a videocassette player.
b) Between the DSR-85/85P and ES-7, quadruple transfer is possible through the QSDI.
DSR-60
a)
/70/80/85
b)
(or
DSR-60P
a)
/70P/80P/
85P
b)
) Digital
Videocassette Recorder
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
DXC-D35/D35WS(UC)
104
Appendix
Appendix
Data Generated When Shooting
The following describes the kinds of data that is
generated when using the ClipLink function.
Index Pictures
When shooting, a single-frame image from the Mark
IN point at the start of each scene is recorded as a still
picture into the DSR-1/1P’s internal memory. These
images are called “Index Pictures”. When you finish
shooting, the Index Pictures from all scenes are
recorded onto the tape after the last scene.
Up to 32 Index Pictures can be recorded onto the tape
space normally occupied by one frame, as shown
below.
Seven frame spaces are reserved at the end of the last
scene as a recording area for Index Pictures. (A
cassette with 16 Kbits of cassette memory can record
up to 198 Index Pictures, and a cassette with 4 Kbits of
cassette memory can record up to 45 Index Pictures.)
ClipLink log data
ClipLink log data can be recorded automatically or
manually into the cassette memory for use as a
convenient alternative to the conventional “shot list”.
ClipLink log data includes the following items.
1
5
9
13
17
21
25
29
2
6
10
14
18
22
26
30
3
7
11
15
19
23
27
31
4
8
12
16
20
24
28
32
0 90 180 270 360 450 540 630
60
120
180
240
300
360
420
(72)
(144)
(216)
(288)
(360)
(432)
(504)
Tape
Scene 1
Scene 2
Scene 3
Scene n
DSR-1/1P’s internal
memory
After shooting, the Index
Pictures in the internal
memory are recorded onto
the video tape.
Index Picture
480 lines (NTSC) or 576 lines (PAL)
720 dots
ClipLink log data
Description
Reel number (cassette number)
Data (maximum length: 8 digits) consisting of alphanumeric characters and/or symbols
(This is left blank at shipping.)
Scene number
A three-digit number from 001 to 198 (starts at 001 and is automatically incremented
with each scene).
Take number
This cannot be changed (set to “1” at shipping).
OK/NG
Indicates the OK/NG status of a particular scene. (In the OK case, nothing is
recorded.)
Mark IN/OUT point time codes
These are the time codes that indicate the Mark IN and Mark OUT points for each
scene (HH:MM:SS). These time codes are recorded when the camcorder has been
set to Mark mode.
The frame digit is incremented at each Mark IN point and is decremented at each Mark
OUT point. (For details, see “Time codes recorded for Mark IN/OUT points” on page
106)
Cue point time codeThis is the time code that indicates the cue points (valid up to the frame digit). This
time code is recorded when the camcorder has been set to Cue mode. When in this
mode, the time codes at the start and end of a recording (the Rec IN and Rec OUT
time codes) are automatically recorded as Mark IN/OUT points.
ClipLink Operation Flow
Appendix
105
Appendix
How to record ClipLink log data
The following describes how to record the various
ClipLink log data items.
OK/NG status
To designate a scene as “NG”, press the NG button on
the camcorder while shooting the scene or at any time
before you begin shooting the next scene.
All scenes that do not receive an “NG” designation are
recorded as “OK” scenes.
(When you exit the VCR recording mode, changing
the OK/NG status is no longer possible.)
Mark IN/OUT points time codes
This data is especially useful when shooting a video
program for which a scenario has been created.
Set the camcorder to Mark mode before you start
shooting. While shooting, each time you press the
camcorder’s TAKE button, Mark IN and Mark OUT
time codes are recorded alternately.
Cue point time codes
This type of data is especially useful when shooting
scenes that may contain unexpected events, such as
when shooting for sports coverage or documentaries.
Set the camcorder to Cue mode before you start to
record. While recording, each time you press the
camera’s TAKE button, the current time code is
recorded as a cue point time code.
Start
recording
Index Picture 1
Index Picture 2
End
recording
Scene 1
Take 1
Scene 2
Take 1
Mark IN
(manual
recording)
Mark OUT
(manual
recording)
Mark IN (manual
recording)
Mark OUT (manual
recording)
Start
recording
Index Picture 1
End
recording
Scene 1
Take 1
Rec IN
(automatic
recording)
Rec OUT
(automatic
recording)
Cue point
time code
(manual
recording)
Cue point
time code
(manual
recording)
Cue point
time code
(manual
recording)
DXC-D35P/D35WSP(CE) V1
1-53
1-54
106
Appendix
Appendix
Time codes recorded for Mark IN/OUT points
There is a gap between actual time codes and Mark IN/
OUT time codes recorded in the cassette memory, as
shown in the figure below. The frame digit is
incremented at each Mark IN point and is decremented
at each Mark OUT point.
Recording capacity for Mark IN/OUT time
codes and Cue point time codes
When in Mark mode, up to 198 pairs of Mark IN and
Mark OUT points can be recorded (if using a cassette
with 16 Kbits of cassette memory).
When in Cue mode, up to 396 time codes points
(including all cue point time codes and all Mark (Rec)
IN and Mark (Rec) OUT time codes) can be recorded
(if using a cassette with 16 Kbits of cassette memory).
12:23:15:10
12:34:20:20
12:39:24:23
12:23:16
12:34:20:20
12:39:24
Actual time code
Time code
recorded in the
cassette memory
Frame digit
incremented
Mark IN
(or Rec IN)
(The Index
Picture is the
image around
12:23:15:10.)
Mark OUT
(or Rec OUT)
Frame digit
decremented
Cue
ClipLink Operation Flow
Cue
DXC-D35P/D35WSP(CE) V1
DXC-D35/D35WS(UC)
2-1.Board Layout
Section 2
Service Overview
TG-222/222(P) board
TG-223 board
CN-1595 board
CN-1594 board
SE-366 board
PA-254 board
PA-254A board
*1
*2
AT-144 board
CN-1410 board
CN-1684 board
PA-256 board
PA-256A board
*1
*2
CN-1194 board
MB-629 board
MB-785 board
CN-1349 board
*1
*2
*1
*2
CN-1294 board
DC-DC converter
BP-30 board
ES-32/32(P) board
ES-33/33(P) board
IF-532 board
IF-700 board
PR-216 board
PR-240 board
*1
*2
*1
*2
*1
*2
SW-792 board
*1 : DXC-D35/D35P
*2 : DXC-D35WS/D35WSP
SW-793 board
SW-790 board
SW-791 board
VA-169A board
VA-185A board
PA-255 board
PA-255A board
*1
*2
*1
*2
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-1
2-2. Removal/Attachment of Cabinet
2-2. Removal/Attachment of Cabinet
2-2-1. Removal of Side Plate
Slacken the eight screws as shown in the figure and remove the right and left side
plates.
2-2
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-2. Removal/Attachment of Cabinet
2-2-2. Removal/Attachment of Top Chassis
1. Remove the right and left side plates. (Refer to Section
2-2-1.)
2. Remove the two screws of the rear plate to remove the
DC/DC converter.
3. Remove the VA, PR, IF and ES boards.
Rear plate
Screws (B3 x 6)
DC-DC converter
ES board
IF board
PR board
VA board
5. Remove the two screws and take off the AT board in
the horizontal direction.
6. Disconnect the four flexible card wires from the three
connectors (CN805, CN806 and CN807) on the CN
board and from the connector (CN103) on the MB
board.
n
When disconnecting flexible card wires, refer to
Section 2-11.
7. Disconnect the eleven harness connectors from the
connectors on the MB board (CN2, CN105, CN106,
CN107, CN117, CN118, CN119, CN120, CN121,
CN122 and CN123).
8. Remove the two screws and two supports on the MB
board and take off the MB board in the horizontal
direction.
CN805
MB board
CN806
Screws (B3 x 4)
CN807
AT board
4. Remove the three screws and take off the SW board in
the horizontal direction.
Screw
(B3 x 4)
SW board
Screws
(B3 x 4)
Supports
Screws (B3 x 4)
Connector layout on the MB-629/785 boards
CN117
CN120
CN119 CN121 CN123 CN122
CN2
CN105
CN106
CN107
CN1
CN103
CN118
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-3
2-2. Removal/Attachment of Cabinet
9. Remove the two screws of the front unit assembly
shown in the figure and the two screws of the rear
plate, and then remove the top chassis.
Screw (K3 x 6)
Screw
(K3 x 6)
Rear plate
Screw
(B3 x 10)
Screw
(B3 x 10)
Front unit assembly
m
. Be sure to route the harnesses as shown in the figure
when reattaching the MB board.
. When reinstalling the VA, PR, IF and ES boards, use
care to insert securely the connectors on each board to
the connectors of the MB board as far as they will go.
. When reconnecting the flexible card wires, refer to
Section 2-11.
MB board
10. To reattach, perform in the reverse order of steps 1 to
9.
Diagram of harness routing on the MB board
2-4
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-3. Replacement of CCD Unit
2-3. Replacement of CCD Unit
Description on CCD Block Number
Every CCD unit has its own ID number called CCD block
number. It shown the CCD block type and serial number
for the CCD block.
The CCD block number label is put in the CCD unit.
1. Remove the lens and viewfinder. (Refer to the instruction manual.)
n
To protect the prism block, be sure to cover the lens
mount portion with the mount cap.
2. Remove the left side plate. (Refer to Section 2-2-1.)
3. Remove the AT board. (Refer to Section 2-2-2.)
4. Disconnect the harness connectors from the four
connectors (CN2, CN105, CN106 and CN107) and the
flexible card wire from the connector (CN103) on the
MB board.
n
When disconnecting the flexible card wire, refer to
Section 2-11.
5. Remove the four screws to remove the front unit
assembly.
Front unit assembly
Screws
with washer
(B3 x 10)
Screws
with washer
(B3 x 10)
6. Remove the setscrew shown in the figure and take off
the filter knob.
7. Remove the four screws and four washers of the front
panel to remove the CCD unit.
n
Use great care to avoid any pressure on the PA board
when handling the CCD unit.
MB board
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
CN103
CN2
CN105
CN106
CN107
CN123
Washer (SW3)
Screw (B3 x 8)
Screws (B3 x 8)
CCD unit
Front panel
Setscrew (3 x 4)
Washers (SW3)
Filter knob
2-5
2-3. Replacement of CCD Unit
8. Take a new CCD unit out of a transport holder and
install it to the unit in the reverse order of steps 1 to 7.
CCD unit
Screws (P3 x 6)
Transport holder
9. Perform the pedestal alignment (in Section 3-3-12), the
shading alignment (in Section 3-3-13) and the flare
alignment (in Section 3-3-14).
m
. Before performing alignment, be sure to read each
item in Section 3-1-4 “Note on Alignment”.
. Reuse the transport holder to transport the CCD unit
removed from the unit.
2-6
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-4.Connectores and Cables
2-4-1. Connector Input/Output Signals
The main connector input/output signals are as follows:
MONITOR OUT (BNC) ;1.0 V p-p ±0.1 V, sync negative 75 Z
VIDEO OUT (BNC) ;1.0 V p-p ±0.1 V, sync negative 75 Z
CAMERA/CA (50P, MALE)
A
12345678910111213141516171819202122232425
B
(EXTERNAL VIEW)
2-4. Connectores and Cables
No. SignalI/OSpecifications
A1 MODE IDINOPEN : COMP, GND : R/G/B
B1 GND (CHASSIS)_
A2 MIC (YOUT _60 dBm
B2 MIC (X)OUT
A3 MIC (G)_
B3 EAR (G)_
A4 REC TALLY INDINZi > 600 Z
B4 EAR (X)IN_6 dBu
A5 VTR TRIGOUT
B5 REC RESETIN
A6 S.D (V/C)INH : 5 V
B6 S.D (V/C)OUT L : 0 ±0.5 V
A7 CS VTRINZi > 47 kZ
B7 SCL VTRINZo < 1 kZ
A8
GENLOCK VIDEO (G)
B8
GENLOCK VIDEO (X) IN
A9 SYNC (G)_H : 4.0 to 5.5 V p-p
B9 SYNC (X)OUT L : 0 ±0.4 V dc
A10 PB RET VIDEO (G) _1.0 V p-p
B10 PB RET VIDEO (X)INZi > 10 kZ
A11 CF/V RESETI/OH : 4.0 to 5.5 V p-p Zo < 2 kZ
A14 CHROMA (G)_NTSC : 0.286 V p-p ±10 %
B14 CHROMA (X)OUT PAL : 0.300 V p-p ±10 %
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
_VBS : 1.0 V p-p
Zi > 1 kZ
: NEGATIVE
Zo > 2 kZ
L : 0 ±0.4 V dc
Zi > 1 kZ, PB : 0 V
4.0 to 5.5 V p-p Zo < 100 Z
SAVE : 0 ±0.25 V
CCU : 5.0 ±0.5 V
Zo < 75 ±5 %
No. SignalI/OSpecifications
A15 Y (G)_1.0 V p-p, SYNC NEGATIVE
B15 Y (X)OUT Zo < 75 Z ±5 %
A16 COMP (CA) GND_R/G/B
B16 R/R-Y (CA)OUT 1.4 V p-p, POSITIVE
A17 G/Y (CA)OUT Zo < 75 Z ±5 %
B17 B/B-Y (CA)OUT COMPONENT OUT
A18 BATT ALARM/S. DATA
B18
REC REVIEW CONT OUT
A19 (SPARE)
B19 (SPARE)
A20 +8.5 VOUT 8.3 V to 9.1 V
B20 +5 VOUT 5 V ±0.1 V
A21 _5 VOUT _5 V ±0.1 V
B21 AGND_REG, GND
A22 POWER EXT DCIN10.6 V to 17.0 V dc
B22 POWER EXT DCIN
A23
Y0.714 V p-p0.700 V p-p
R-Y0.756 V p-p0.525 V p-p
B-Y0.756 V p-p0.525 V p-p
2-7
2-4. Connectores and Cables
CAMERA/CA (76P, MALE)
76
57
38
19
(EXTERNAL VIEW)
No. SignalI/OSpecifications
1REC TALLYINZi > 600 Z
2S.D. (V/C)INH : 5 V
L : 0 ±0.5 V
3SCL VTRINZi > 47 kZ
Zo < 1 kZ
4GENLOCK (G)_GND for GENLOCK (X)
5SYNC (G)_GND for SYNC (X)
6PB (G)_GND for PB (VBS) (X)
7PB (Y) (X)IN
1.0 V p-p, NEGATIVE, Zi > 1 kZ
8VBS (CA) (G)_GND for VBS (CA) (X)
9VTR/CCUOUT VTR : 0 ±0.25 V, Zo < 1 kZ
CCU : 5.0 ±0.5 V
10 C (X)OUT NTSC : 0.286 V p-p ±10 %
PAL : 0.300 V p-p ±10 %
Zo < 75 Z ±5 %
11 Y (X)OUT 1.0 V p-p, SYNC NEGATIVE
Zo < 75 Z±5 %
12 R/R-Y (CA)OUT R/G/B
1.4 V p-p, POSITIVE
13 B/B-Y (CA)OUT Zo < 75 Z±5 %
COMPONENT OUT
*1
14 SKIN GATEOUT Gate area (H : 4 to 5.5 V dc)
Non gate area (L : 0 ±0.2 V dc)
15 +5.0VOUT 5 V ±0.1 V
16 AGND_REG, GND
17 EXT DCIN10.6 V to 17.0 V dc
18 EXT DC GND_GND for EXT DC
19 DCLK (X)OUT
20 VTR TRIGOUT
21 S.D. (C/V)OUT H : 5 V
L : 0 ±0.5 V
22 CS VTRINZi > 47 kZ
Zo < 1 kZ
23 GENLOCK (X)INVBS : 1.0 V p-p
Zi > 1 kZ
24 SYNC (XINH: 4.0 to 5.5 V p-p
: NEGATIVE
L: 0 ±0.4 V dc
Zo < 2 kZ
25 PB (VBS) (X)IN1.0 V p-p, SYNC NEGATIVE
Zo < 75 Z±5 %
26 CF/V RESETI/OH : 4.0 to 5.5 V p-p, Zo < 2 kZ
L : 0 ±0.4 V dc
58
39
20
1
No. SignalI/OSpecifications
27 VBS (CA) (X)OUT 1.0 V p-p, SYNC NEGATIVE
Zo = 75 Z ±5 %
28 C (G)_GND for C (X)
29 Y (G)_GND for Y (X)
30 COMP GND_GND for G/Y (CA)
31 G/Y (CA)OUT R/G/B
1.4 V p-p, POSITIVE
Zo < 75 Z±5 %
COMPONENT OUT
*1
32 BATT S.DATAIN
33 +9.0 VOUT 8.3 V to 9.1 V
34 _5.0 VOUT _5 V ±0.1 V
35 EXT DCIN10.6 V to 17.0 V dc
36 EXT DC GND_GND for EXT DC
37 DCFOUT
38 DCLK GND_
39 MODE IDINOPEN : COMP, GND : R/G/B
40 MIC1 (G)_
41 AUDIO LEVOUT H : 4 to 5.5 V dc
L : 0 ±0.2 V dc, 1 kZ
42 (SPARE)
43 DIGI/ANAINH : Analog
L : Digital
44 (SPARE)
45 (SPARE)
46 (SPARE)
47 (SPARE)
48 (SPARE)
49 (SPARE)
50 (SPARE)
51 (SPARE)
52 DCLK GND_GND for DCLK (X)
53 BYRY (0)OUT H : 3 ±0.2 V dc
54 BYRY (2)OUT L : 0 ±0.2 V dc
55 BYRY (4)OUT
56 BYRY (6)OUT
57 BYRY (8)OUT
58 MIC1 (X)OUT _20 dBm, Zo < 100 Z
59 MIC1 (Y)OUT
2-8
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
REMOTE (10P, FEMALE)
7
6
2-4. Connectores and Cables
18
2
910
3
45
No. SignalI/OSpecifications
60 (SPARE)
61 (SPARE)
62 76P ID
63 (SPARE)
64 (SPARE)
65 (SPARE)
66 (SPARE)
67 (SPARE)
68 (SPARE)
69 (SPARE)
70 (SPARE)
71 (SPARE)
72 BYRY (1)OUT H : 3 ±0.2 V dc
73 BYRY (3)OUT L : 0 ±0.2 V dc
74 BYRY (5)OUT
75 BYRY (7)OUT
76 BYRY (9)OUT
0 ±0.5 V
6S. DATA (X)0 to 5 V Zi > 10 kZ
7RS232C (RM/C)OUT GND for S. DATA
8REC TALLY INDOUT Zo > 600 Z
9
POWER EXT DC GND
10 POWER
EXT
DCOUT 10.6 V to 17.0 V dc
_
GND for
EXT
DC
VF (8P, FEMALE)
2
54
6
87
13
UCCE
Y0.714 V p-p0.700 V p-p
R-Y 0.756 V p-p0.525 V p-p
B-Y 0.756 V p-p0.525 V p-p
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
(WIRING SIDE)
No. SignalI/OSpecifications
1
POWER EXT DC GND
_GND for
EXT
DC
2REC TALLY INDOUT Zo < 1.1 kZ
3SHUTTER INDOUT Zo < 1.1 kZ
4VF VIDEO (G)OUT GND for VF VIDEO
5BATT INDOUT Zo < 1.1 kZ
6VF VIDEO (X)OUT V = 1 V p-p
7POWER
EXT
DCOUT 10.6 V to 17.0 V dc
8GAIN UP INDOUT Zo < 1.1 kZ
2-9
1
6
11
16
5
10
15
20
2-4. Connectores and Cables
LENS (12P, FEMALE)
19
82
10
73
1112
46
5
(EXTERNAL VIEW)
No. SignalI/OSpecifications
1RET SWINON : 0 ±0.5 V dc
2VTR START/STOPINTRIG : 0 ±0.5 V
3
POWER EXT DC GND
_GND for EXT DC
4COMPULSORYOUT AUTO : 4.5 ±0.5 V
AUTO IRIS CONTMANU : 0 +0.5 V or OPEN
5IRIS CONTOUT F16 : 3.4 V dc
F2.8 : 6.2 V dc
6POWER
EXT
DCOUT 10.6 V to 17.0 V dc
7IRIS POSIINF16 : 3.4 ±0.1 V dc
F2.8 : 6.2 ±0.1 V dc
8REMOTE/LOCALOUT REMOTE : 5 V
LOCAL : 0 V
9EXTND ON/OFFIN
10 ZOOM POSIIN
11 (SPARE)
12 (SPARE)
MIC (3P, FEMALE)
21
3
VF (20P, FEMALE)
(EXTERNAL VIEW)
No. SignalI/OSpecifications
1PEAKING CONTINZi > 5 kZ
2POWER EXT DCOUT 10.5 V to 17.0 V dc, 2 A
3REC TALLY INDOUT Zo < 500 Z
4BATT INDOUT Zo < 1.1 kZ
5ZEBRA SWINON : 0 ±0.5 V
6VF VIDEO (X)OUT V = 1.0 V p-p
7POWER EXT DCOUT 10.5 V to 17.0 V dc, 2 A
8(SPARE)
9(SPARE)
10 SDA (VF)OUT Zo < 500 Z, 5 V p-p
11 VF VIDEO (G)OUT GND for VF VIDEO
12 EXT DC GND_GND for EXIT DC
13 (SPARE)
14 DISPLAY SWINON : 4.5 ±0.5 or OPEN
OFF : 0 +0.5 V
15 SCL (VF)OUT Zo < 500 Z, 5 V p-p
16 R-Y (VF)OUT V = 830 mV
17 EXT DC GND_GND for EXIT DC
18 B-Y (VF)OUT V = 830 mV
19 SYNC (VF)OUT V = 5 V p-p
20 LD (VF)OUT Zo < 500 Z, 5 V p-p
(EXTERNAL VIEW)
No. SignalI/OSpecifications
1MIC (G)INGND for MIC
2MIC (X)IN_60 dB
3MIC (Y)INBALANCED
(0 dB = 0.775 V)
2-10
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
MB board
AT-144 board
EX board
CN2
2-5. How to Attach of the Extension Board EX-591
2-4. Connectores and Cables
2-4-2. Connection Connector
Connections made with the connector panels during
installation or service, should be made with the connectors
or complete cable assemblies specified in the following
list, or equivalent parts.
CONNECTOR, ROUND 10P, MALE
HIROSE HR 10A-10P-10P equality
(optional)
CONNECTOR, 12P, MALE
CONNECTOR, 3P, MALE
CONNECTOR, 20P, MALE
2-5. How to Attach of the Extension
Board EX-591
When using the extension board EX-591, attach as follows.
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-11
2-6. Replacement Way of ROM (IC102)
2-7. Switch Settings on Boards
2-6.Replacement Way of ROM (IC102)
n
Perform “RESET” of PAGE 1 in the SERVICE menu after
replacing a ROM.
1. Slide the IC socket cover in the arrow A direction until
it clicks and remove the IC socket cover.
2. Replace a new ROM (IC102).
3. Place the IC socket cover with a clearance at the arrow
A side. (Refer to Fig.1)
4. For attachment, press the IC socket cover in the
reverse direction of arrow A until it clicks while
holding the ROM.
– With ROM mounted –
IC
socket
cover
A
A
IC socket
cover
AT-144 board
S101
ROM
IC
– How to attach (Fig. 1) –
Push
ROM
IC
S102
Clearance
2-7. Switch Settings on Boards
n
Do avoid changing settings of switches designated as “For
factory adjustment”.
AT-114 board
S101: Camera mode setting ON or OFF
ONOFF
S101-1NTSCPAL
S101-2DXC-D35WSDXC-D35
S102: For factory adjustment
Use always with the setting OFF
AT-144 board
S101
ON
ON
S102
OFF
21
IC102
ROM
IC
A
2-12
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-8. DC-DC Converter Voltage
Voltage values can be check as following 1 to != points
on MB board and MIC connector.
2-8. DC-DC Converter Voltage
. MB board
. MIC connector
21
3
(EXTERNAL VIEW)
8
9
10
4
5
6
7
!=
GND.
11321
No.CHECK POINTVOLTAGE VALUE
1CN117-2 pinEXT. DC OUT
2CN117-1 pinEXT. DC GND
3CN114-20 pin+3.1 V
4CN103-25 pin+5.3 V
5CN103-23 pin_5 V
6CN103-22 pin+9 V
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
No.CHECK POINTVOLTAGE VALUE
7CN103-21 pin_10 V
8CN103-28 pin+6.5 V
9CN103-27 pin+16 V
!/CN103-26 pin+32 V
!-E1 (GND)---
!=MIC 2 pin/1 pin(GND)+48 V
2-13
2-9. Recommended Replacement Parts
2-9. Recommended Replacement Parts
Parts listed below are recommended replacement parts. Optical filter unit may be turned cloudy with the
lapse of time. If using a cloudy filter, the performance of the camera will not be delivered. Replace it
according to necessary.
Parts made of rubber used in the unit are subject to cracks with the lapse of time. Visually check them
sometimes and replace them according to necessary.
Fig No.DescriptionSony P/NRemarks
1PAD ASSYA-8278-807-Crubber
2FILTER UNIT, OPTICAL1-547-985-11for DXC-D35
FILTER UNIT, OPTICAL1-547-985-21for DXC-D35P
FILTER UNIT, OPTICAL1-758-131-11for DXC-D35WS/D35WSP
3RACKING, CONTROL3-672-221-02rubber
2
3
1
2-14
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-10. Attaching the 4-type or 5-type Viewfinder
2-10. Attaching the 4-type or 5-type
Viewfinder
An optional 4-type viewfinder (DXF-40 series) or 5-type
viewfinder (DXF-50 series) can be attached in accordance
with the following procedures:
Parts Required (sold separately)
NameSony Part No.
. Accessory shoe kitA-8274-968-B
Shoe3-664-218-0X
Plate spring3-664-228-0X
Stop screw3-664-213-0X
Screw K3 x 6 (4 pcs)7-682-247-0X
Screw K3 x 12 (4pcs)
*1 : These screws are not used.
Attaching Procedure
1. Remove a screw and remove the blind pate.
2. Tighten the shoe with four screws (K3 x 6).
3. Fix the plate spring in the shoe in the arrow direction
and tighten it with the stop screw.
*1
7-682-250-0X
4. Fit the guide plate in the shoe and tighten the fixing
ring.
5. Connect the VF connection cable.
VF connection cable
(20pin)
Shoe
Stop screw
Fixing ring
Guide plate
Screws
K3 x 6
Stop screw
Plate
spring
Blind
plate
Screws
K3 x 6
Screws
K3 x 6
Shoe
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-15
2-11. Disconnecting/Connecting the Flexible Card Wire
2-11. Disconnecting/Connecting the Flexible Card Wire
The flexible card wires are used among the CN-1294 board and the MB board, the MB board and the TG
board. Be careful not to bend these wires. This shortens the wire life.
Disconnecting
1. Turn off the power of the camera.
Type A
(between the MB board and CN-1294 board.)
2. Disconnect the flexible card wire.
Type B
(between the MB board and TG board)
2. Slide portion A in the direction of the arrow and disconnect the flexible card wire.
Type AType B
A
A
Contact surface
Contact surface
Connecting
m
. Be careful not to insert the flexible card wires obliquely.
. Check that the contact surface of the flexible card wire is not soiled with dust.
Type A
1. Insert the flexible card wire as far as it will go into connector with the contact surface of the wire
faced to the board.
Type B
1. Slide portion A in the direction of the arrow and insert the flexible card wire as far as it will go into
connector with the contact surface of the wire put down.
2. Slide portion A in the opposite direction of the arrow and lock.
2-16
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-12. Service Mode Operation
2-12. Service Mode Operation
This unit has the BASIC menu, ADVANCE menu, SERVICE menu to be operated in the service mode, and FILE menu.
..
. SERVICE mode
..
To enter the service mode, set the S105 (OPE ↔ ADJ) on the SW-791 board to ADJ.
..
. Menu select screen
..
When the S105 on the SW-791 board is set to ADJ, the menu select screen is displayed.
OPEN MENU
(YES )
SERVICE
..
. Operating method
..
Move the cursor to the menu items by the MENU/STATUS switch, select the menu by UP/ON button or DOWN/OFF
button. (The menu changes in turn SERVICE ↔ BASIC ↔ ADVANCE ↔ FILE ↔ SERVICE.)
Under displaying the menu item to be operated, move the cursor to “OPEN MENU” and press the UP/ON button to go to
the selected menu page.
When the page of the selected menu is displayed, the normal operation for the menu is available.
When exiting from the menu, the screen returns to the menu select screen.
[R[R
eference]eference]
[R
eference]
[R[R
eference]eference]
The menu screen can be seen on the viewfinder or MONITOR OUT of this camera unit.
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-17
2-12. Service Mode Operation
2-12-1. Service Menu
Reset items and standard values to be set.
PageItemStandard set value
UCPAL
4M.PKNEE16565
70
*
M.PKNEE2120120
M.PKNEE3160160
M.PKNEE4215215
R PKNEE128128
B PKNEE128128
9NTSC SETUPON_
READ OUTFD_
V BLKG20H_
PALCOMP LEV_525
READ OUT_FD
10TESTOFFOFF
R-YONON
B-YONON
13GAMMAONON
MATRIXONON
DETAILONON
APERTUREONON
FLAREONON
14R TITLE7575
G TITLE7575
B TITLE7575
R EDGE00
G EDGE00
B EDGE00
15M.GAMMA132132
R GAMMA±0±0
B GAMMA±0±0
M.BLACK20702075
16WHT CLIP255255
HI L.SAT152152
IRIS GAIN128128
IRIS MODE100100
IRIS SET144144
LOW LIGHT144160
Self-diagnosis result display1
Self-diagnosis result display2
Self-diagnosis result display3
11
11
11
26OPTION1OFFOFF
OPTION2OFFOFF
* : for DXC-D35WSP
2-18
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
..
. Page 1 RESET
..
(For DXC-D35/D35WS)
2-12. Service Mode Operation
PAGE1 (NEXT PREV )
RESET
(YES )
DEST : UC
ROM VER : ***
EXIT MENU (YES )
(For DXC-D35P/D35WSP )
PAGE1 (NEXT PREV )
RESET
(YES )
ROM VER : ***
EXIT MENU (YES )
..
. Page 2 Shading Correction
..
Adjusting values such as the electronic volume control of each board except
the values differ in every unit can be restored to their standard setting
values.
Move the cursor to “DEST” position, select “UC,” and move the cursor to
“RESET,” then press UP/ON button twice.
PAGE2 (NEXT PREV )
EXTENDER
AUTO SHAD
(YES )
R W. SHAD
G W. SHAD
B W. SHAD
EXIT MENU (YES )
..
. Page 3 Flare Adjustment
..
PAGE3 (NEXT PREV )
R FLARE
G FLARE
B FLARE
EXIT MENU (YES )
OFF
:
128
:
128
:
128
0
:
0
:
0
:
EXTENDERCurrent LENS EXTENDER status display
AUTO SHADPerforming of AUTO SHADING correction
R W.SHAD/G W.SHAD/B W.SHAD
White shading correction of V
Standard (correct.on 0) = 128
R FLARERch flare correction (0 = no correction) amount adjust-
ment
G FLAREGch flare correction (0 = no correction) amount adjust-
ment
B FLAREBch flare correction (0 = no correction) amount adjust-
ment
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-19
2-12. Service Mode Operation
..
. Page 4 Pre Knee Setting
..
PAGE4 (NEXT PREV )
M.PKNEE1
M.PKNEE2
M.PKNEE3
M.PKNEE4
R PKNEE
B PKNEE
EXIT MENU (YES )
..
. Page 5 Camera COMPONENT Level Adjustment
..
65
:
120
:
160
:
215
:
128
:
128
:
M.PKNEE2 Master pre-knee point in GAIN _3 dB adjustment
M.PKNEE3 Master pre-knee point in flame read out mode adjustment
M.PKNEE4 Master pre-knee point in GAIN _3dB & flame read out
P PKNEEFine adjustment for the R channel’s pre-knee point
B PKNEEFine adjustment for the B channel’s pre-knee point
WY LEV16:9 Y level adjustment
M.PKNEE1 Usual master pre-knee point adjustment
PAGE5 (NEXT PREV )
W Y LEV
W R-Y LEV
W B-Y LEV
Y LEV
R-Y LEV
B-Y LEV
SYNC LEV
SETUP LEV
EXIT MENU (YES )
120
:
100
:
100
:
120
:
111
:
100
:
80
:
135
:
W R-Y LEV 16:9 R-Y level adjustment
W B-Y LEV 16:9 B-Y level adjustment
Y LEV4:3 Y level adjustment
R-Y LEV4:3 R-Y level adjustment
B-Y LEV4:3 B-Y level adjustment
SYNC LEV SYNC level adjustment
SETUP LEV SETUP level adjustment
SC FREQSC frequency adjustment
SC-HSC-H phase adjustment
SETUPON/OFF control of setup
READ OUT FD (Field): CCD switches to Field read mode
FM (Frame): CCD switches to Frame read mode
V BLKGV blanking width setting (19/20/21H)
[Reference][Reference]
[Reference]
[Reference][Reference]
In frame read out, higher vertical resolution can be obtained, however, in
such a case image lag is increasing.
If shutter function is on in frame read out, sensitivity drops in half against
the normal.
(For DXC-D35P/D35WSP )
PAGE9 (NEXT PREV )
SETUP
READ OUT
V BLKG
EXIT MENU (YES )
..
. Page 10 TEST MODE
..
PAGE10 (NEXT PREV )
TEST
R-Y
B-Y
EXIT MENU (YES )
OFF
:
FD
:
20H
:
OFF
:
ON
:
ON
:
COMP LEV 525/700 selection of color difference output
(pin 26)
READ OUT FD (Field): CCD switches to Field read mode
FM (Frame): CCD switches to Frame read mode
TESTTEST OFF: TEST SAW
TEST: 1Displays 100 % TEST SAW.
TEST: 2Displays 226 % TEST SAW.
TEST: 3Displays 226 % TEST SAW
in the lower side of screen.
R-YON/OFF control of R-Y output
B-YON/OFF control of B-Y output
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-21
2-12. Service Mode Operation
..
. Page 11 CCD BLOCK No. Information
..
PAGE11 (NEXT PREV )
HEAD 1
HEAD 2
HEAD 3
HEAD 4
HEAD 5
HEAD 6
HEAD 7
EXIT MENU (YES )
..
. Page 12 Sub-Voltage Information
..
G
:
V
:
0
:
0
:
0
:
1
:
6
:
HEAD1 to 7 CCD block number
n
Be sure to input the CCD block number which is shown on the side of CCD
unit after the replacement of TG board or the EEPROM (IC1) on the TG
board.
PAGE12 (NEXT PREV )
R RG
G RG
B RG
R SUB
G SUB
B SUB
TPC
EXIT MENU (YES )
..
. Page 13 Various Setting 2
..
PAGE13 (NEXT PREV )
GAMMA
MATRIX
DETAIL
APERTURE
FLARE
EXIT MENU (YES )
90
:
90
:
90
:
128
:
128
:
128
:
±0
:
ON
:
ON
:
ON
:
ON
:
ON
:
R RGR RG-voltage setting
G RGG RG-voltage setting
B RGB RG-voltage setting
R SUBR channel sub-voltage setting
G SUBG channel sub-voltage setting
B SUBB channel sub-voltage setting
TPCNR temperature compensation constant setting
n
Values shown on the screen depend on each CCD unit. Never change the
value.
GAMMAON/OFF control of GAMMA
MATRIXON/OFF control of MATRIX
DETAILON/OFF control of DETAIL
APERTURE ON/OFF control of APERTURE
FLAREON/OFF control of FLARE correction
..
. Page 14 TITLE Color Setting
..
PAGE14 (NEXT PREV )
R TITLE
G TITLE
B TITLE
R EDGE
G EDGE
B EDGE
ABC123
EXIT MENU (YES )
75
:
75
:
75
:
0
:
0
:
0
:
2-22
When displaying the title in the video signal, title color can be set manually.
Besides, edge color of title character can be set manually.
R TITLETitle’s R level (0/25/50/75)
G TITLETitle’s G level (0/25/50/75)
B TITLETitle’s B level (0/25/50/75)
R EDGETitle edge’s R level (0/25/50/75)
G EDGETitle edge’s G level (0/25/50/75)
B EDGETitle edge’s B level (0/25/50/75)
ABC123Indication for checking actual title color
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
..
. Page 15 Various Setting 3
..
2-12. Service Mode Operation
PAGE15 (NEXT PREV )
M.GAMMA
R.GAMMA
B.GAMMA
M.BLACK
EXIT MENU (YES )
..
. Page 16 CLIP/IRIS Related Setting
..
PAGE16 (NEXT PREV )
WHT CLIP
HI L.SAT
IRIS GAIN
IRIS MODE
IRIS SET
LOW LIGHT
EXIT MENU (YES )
:
132
:
:
:
2083
255
:
152
:
128
:
100
:
144
:
152
:
± 0
± 0
M.GAMMAStandard value setting of master GAMMA
R.GAMMAR channel’s GAMMA offset setting
B.GAMMAB channel’s GAMMA offset setting
M.BLACKStandard value setting of master BLACK
WHT CLIPStandard value setting of WHITE CLIP level
HI L.SATSetting of saturation in the high-light portion
IRIS GAINSetting of auto iris following speed
IRIS MODE
Setting of auto iris’s peak and average values.
IRIS SETSetting of the target value of auto iris
LOW LIGHTSetting of LOW LIGHT warning indication level
*
For DXC-D35/D35WS :152
For DXC-D35P/D35WSP : 160
..
. Page 17 Color Temperature Calculation Reference Setting
..
COLOR TEMP CAL.Captures the reference value of color temperature
PAGE17 (NEXT PREV )
COLOR TEMP CAL.
(YES PUSH)
R
128
B
MIC ADJ : 130
128::
RR channel's color temperature indication ;
BB channel's color temperature indication ;
EXIT MENU (YES )
m
In COLOR TEMP CAL., it captures the color temperature calculation
reference value during operating of White Balance auto adjusment.
Normally, it is not necessary to perform this adjustment.
If the color temperature value, which is indicated on the screen, differs from
an actual value, perform CCD OUT level adjustment and etc. and to capture
the reference value as follows:
1. Shoot the pattern (color temperature = 3200 K).
2. Set the WHT BAL switch to A or B, and perform Auto White adjust-
ment.
3. Move the cursor on the COLOR TEMP CAL. position and push the UP
/ON button.
indication
. Reference value setting
. Result of capturing the reference value
. Reference value setting
. Result of capturing the reference value
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
MIC ADJ Setting of musical note mark indication level
2-23
2-12. Service Mode Operation
..
. Page 18 FILTER Display Setting
..
PAGE18 (NEXT PREV )
FILTER1
FILTER2
FILTER3
FILTER4
EXIT MENU (YES )
..
. Page 19 Self Diagnosis 1
..
PAGE19 (NEXT PREV )
DIAG ERROR RESET
MEMORY BACKUP
EXIT MENU (YES )
(YES )
(YES )
3200
:
5600+1/8ND
:
5600
:
5600+1/64ND
:
FILTER 1 to 4
Make this setting in accordance with a kind of filter attached.
n
When changing the filter, be sure to make a set.
DIAG ERROR RESET
This item is used for erasing an error check results and a history of
error items.
MEMORY BACKUP
This item is used when back up the EEPROMs data on the TG, IF,
and ES boards to EEPROM on the MB board.
n
Backup is needed when the TG, IF, or ES board has been replaced.
[Reference][Reference]
[Reference]
[Reference][Reference]
If there is a communication error between the TG, IF, or ES board’s
EEPROM and microcomputer when the power is turned on, the
backed up data in EEPROM on the MB board is used.
The “DIAG ERROR RESET” and “MEMORY BACKUP” will be
also carried out when the RESET in Service Menu Page 1 is executed.
2-24
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
..
. Page 20 Selfdiagnosis 2
..
2-12. Service Mode Operation
PAGE20 (NEXT PREV )
ERROR DISP 1/3
DISP SELECT
PP-PMPD1:
PR-PMPD1 000H
PR-PMPD2 :
PR-G2
PR-R2:
EXIT MENU (YES )
:
:
:
000H
000H
000H
000H
DISP SELECT
The contents of the defective item display are switched.
1: The result of latest error check is displayed.
2: This selfdiagnosis is automatically carried out, and the defective
items diagnosed in the past are displayed.
PP-PMPD
The details of check result for the synchronization signal input and the
internal RAM in PP LSI are displayed.
800H: The internal RAM of PP LSI is abnormal.
002H: The input HD signal (PR board IC405, pin 102) to the PP LSI is
abnormal.
001H: The input VD signal (PR board IC405, pin 101) to the PP LSI is
abnormal.
PR-PMPD1
The details of check result for the synchronization signal input in RP
LSI are displayed.
002H: The input HD signal (PR board IC411, pin74) to the PR LSI is
abnormal.
001H: The input VD signal (PR board IC411, pin73) to the PR LSI is
The details of check result for the internal RAM in PR LSI are displayed.
800H: The internal RAM of PR LSI is abnormal.
PR-G2
This display item is not used.
PR-R2
This display item is not used.
[Reference][Reference]
[Reference]
[Reference][Reference]
When the plurality of abnormality is occurs, the hexadecimal numbers of
three digits are displayed for indiacating the total value of each error codes.
Example :When both HD and VD signals input to the PP LSI are abnor-
The details of check result for synchronization signal input and the
internal RAM in RC LSI are displayed.
800H: The internal RAM of RC LSI is abnormal.
004H: The input CF signal (IF board IC520, pin63) to the RC LSI is
abnormal.
002H: The input HD signal (IF board IC520, pin64) to the RC LSI is
abnormal.
001H: The input VD signal (IF board IC520, pin65) to the RC LSI is
abnormal.
RC-CY
The details of check result for the connection regarding the Y signal
between PR LSI and RC LSI are displayed.
400H: The connection between PR board IC411 pin94 and IF board
IC520 pin97 is abnormal. (The No.10 of Y signal)
200H: The connection between PR board IC411 pin93 and IF board
IC520 pin98 is abnormal. (The No.9 of Y signal)
100H: The connection between PR board IC411 pin92 and IF board
IC520 pin99 is abnormal. (The No.8 of Y signal)
080H: The connection between PR board IC411 pin91 and IF board
IC520 pin100 is abnormal. (The No.7 of Y signal)
040H: The connection between PR board IC411 pin90 and IF board
IC520 pin101 is abnormal. (The No.6 of Y signal)
020H: The connection between PR board IC411 pin89 and IF board
IC520 pin103 is abnormal. (The No.5 of Y signal)
010H: The connection between PR board IC411 pin88 and IF board
IC520 pin104 is abnormal. (The No.4 of Y signal)
008H: The connection between PR board IC411 pin86 and IF board
IC520 pin105 is abnormal. (The No.3 of Y signal)
004H: The connection between PR board IC411 pin85 and IF board
IC520 pin106 is abnormal. (The No.2 of Y signal)
002H: The connection between PR board IC411 pin84 and IF board
IC520 pin107 is abnormal. (The No.1 of Y signal)
001H *: The connection between PR board IC411 pin83 and IF board
IC520 pin108 is abnormal. (The No.0 of Y signal)
2-26
*: DXC-D35WS/D35WSP do not have this function.
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-12. Service Mode Operation
RC-CCR (DXC-D35WS/D35WSP do not have this function.)
The details of check result for the connection regarding the CR signal
between PR LSI and RC LSI are displayed.
400H: The connection between PR board IC411 pin108 and IF board
IC520 pin84 is abnormal. (The No.10 of CR signal)
200H: The connection between PR board IC411 pin107 and IF board
IC520 pin85 is abnormal. (The No.9 of CR signal)
100H: The connection between PR board IC411 pin106 and IF board
IC520 pin86 is abnormal. (The No.8 of CR signal)
080H: The connection between PR board IC411 pin104 and IF board
IC520 pin87 is abnormal. (The No.7 of CR signal)
040H: The connection between PR board IC411 pin103 and IF board
IC520 pin88 is abnormal. (The No.6 of CR signal)
020H: The connection between PR board IC411 pin102 and IF board
IC520 pin89 is abnormal. (The No.5 of CR signal)
010H: The connection between PR board IC411 pin101 and IF board
IC520 pin92 is abnormal. (The No.4 of CR signal)
008H: The connection between PR board IC411 pin100 and IF board
IC520 pin93 is abnormal. (The No.3 of CR signal)
004H: The connection between PR board IC411 pin99 and IF board
IC520 pin94 is abnormal. (The No.2 of CR signal)
002H: The connection between PR board IC411 pin98 and IF board
IC520 pin95 is abnormal. (The No.1 of CR signal)
001H: The connection between PR board IC411 pin95 and IF board
IC520 pin96 is abnormal. (The No.0 of CR signal)
RC-CCB (DXC-D35WS/D35WSP do not have this function.)
The details of check result for the connection regarding the CB signal
between PR LSI and RC LSI are displayed.
400H: The connection between PR board IC411 pin121 and IF board
IC520 pin70 is abnormal. (The No.10 of CB signal)
200H: The connection between PR board IC411 pin120 and IF board
IC520 pin71 is abnormal. (The No.9 of CB signal)
100H: The connection between PR board IC411 pin119 and IF board
IC520 pin72 is abnormal. (The No.8 of CB signal)
080H: The connection between PR board IC411 pin118 and IF board
IC520 pin75 is abnormal. (The No.7 of CB signal)
040H: The connection between PR board IC411 pin117 and IF board
IC520 pin76 is abnormal. (The No.6 of CB signal)
020H: The connection between PR board IC411 pin116 and IF board
IC520 pin77 is abnormal. (The No.5 of CB signal)
010H: The connection between PR board IC411 pin115 and IF board
IC520 pin78 is abnormal. (The No.4 of CB signal)
008H: The connection between PR board IC411 pin112 and IF board
IC520 pin79 is abnormal. (The No.3 of CB signal)
004H: The connection between PR board IC411 pin111 and IF board
IC520 pin80 is abnormal. (The No.2 of CB signal)
002H: The connection between PR board IC411 pin110 and IF board
IC520 pin82 is abnormal. (The No.1 of CB signal)
001H: The connection between PR board IC411 pin109 and IF board
IC520 pin83 is abnormal. (The No.0 of CB signal)
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-27
2-12. Service Mode Operation
[Reference][Reference]
[Reference]
[Reference][Reference]
If the input of synchronization signal to the PR LSI or RC LSI is abnormal,
the connection check between PR LSI and RC LSI also detects the abnormality.
RC LSI relation check is carried out only when the digital output of DXCD35/D35P is used for connecting DSR-1/1P and so on.
DSP COM
The details of check result for the communication between each LSI
and microcomputer are displayed.
004H: The communication between RC LSI and microcomputer is
abnormal. (IF IC520)
002H: The communication between PR LSI and microcomputer is
abnormal. (PR IC411)
001H: The communication between PP LSI and microcomputer is
abnormal. (PR IC405)
[Reference][Reference]
[Reference]
[Reference][Reference]
The RC LSI communicates with the microcomputer by six pins of
pin26(CS), pin25(SCK), pin24(SDA0), pin23(SDA1), pin22(SDA2) and
pin21(SDA3).
The PR LSI communicates with the microcomputer by six pins of
pin58(CS), pin57(SCK), pin56(SDA0), pin55(SDA1), pin54(SDA2) and
pin53(SDA3).
The PP LSI communicates with the microcomputer by six pins of
pin41(CS), pin40(SCK), pin39(SDA0), pin38(SDA1), pin37(SDA2) and
pin36(SDA3).If the communication between LSI and the microcomputer is
abnormal, the abnormality of other item may be detected at the same time.
MEMORY
The details of check result for the communication between each
EEPROM and microcomputer are displayed.
080H: The communication between EEPROM of ES and microcom-
puter is abnormal.
040H: The communication between EEPROM of IF and microcomput-
er is abnormal.
020H: The communication between EEPROM of TG and microcom-
puter is abnormal.
010H: The communication between EEPROM of MB and microcom-
puter is abnormal.
[Reference][Reference]
[Reference]
[Reference][Reference]
The corresponding display for the data of each EEPROM on the service
menu becomes a blank column, when the EEPROM on the TG, IF, ES
and MB boards is abnormal.
2-28
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
..
. Page 23 Current Status Display
..
2-12. Service Mode Operation
PAGE23 (NEXT PREV )
POWER
TIS
R GAIN
B GAIN
IRIS POS
KWC
EXIT MENU (YES )
..
. Page 24 TG ROM Operation
..
PAGE24 (NEXT PREV )
TG ROM
EXIT MENU (YES )
13.0V
:
250h
:
800h
:
800h
:
800h
:
800h
:
Information for production.
Not in use
..
. Page 25 Carrier Adjustment When DPR (Dual Pixel Readout) is on.
..
R D.DARKR Carrier balance adjustment at DPR ON
PAGE25 (NEXT PREV )
R D.DARK
G D.DARK
B D.DARK
EXIT MENU (YES )
..
. Page 26 Option
..
:
:
:
128
128
128
G D.DARKG Carrier balance adjustment at DPR ON
B D.DARKB Carrier balance adjustment at DPR ON
KNEE APT242424632424
HIGH DTL636363636363
CCS LEV555555
STRP1202020202020
STRP2454545454545
PRSP1888888
PRSP2636363636363
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
2-33
2-12. Service Mode Operation
..
. Page 1 All Reset
..
(For DXC-D35/D35WS)
PAGE1 (NEXT PREV )
ALL RESET
(YES )
DEST : UC
EXIT MENU (YES )
(For DXC-D35P/D35WSP)
PAGE1 (NEXT PREV )
ALL RESET
(YES )
EXIT MENU (YES )
..
. Page 2 File Name Change/File Reset
..
Each item value in all FILE can be restored to their standard setting
(factory setting).
PAGE 2 (NEXT PREV )
FILE NO.
FILE NAME
(STD )
FILE RESET
(YES )
EXIT MENU (YES )
..
. Page 3 File Recall
..
PAGE3 (NEXT PREV )
FILE RECALL
:*HISAT
FILE
SELECT FILE
STD
CHG FILE
(YES )
EXIT MENU (YES )
1
:
:
FILE NO.File No. of operation item
FILE NAMEFile name of operation item file
FILE RESETPerforming of FILE RESET
FILEFile name which is recalled
SELECT FILESelect file to be recalled
CHG FILEPerforming of FILE RECALL
2-34
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
..
. Page 4 File Basic Setting
..
PAGE4 (NEXT PREV )
M.BLACK
STRETCH
M.GAMMA
DTL LEV
V DTL LEV
DTL FREQ
:
:
:
:
:
:
± 0
± 0
± 0
± 0
_ 10
M
2-12. Service Mode Operation
M.BLACKMaster black level setting
STRETCHBlack stretch level setting
M GAMMAMaster GAMMA level setting
DTL LEVDetail level setting
V DTL LEVV detail level setting
DTL FREQDetail center frequency setting
EXIT MENU (YES )
..
. Page 5 File HUE Setting
..
PAGE5 (NEXT PREV )
SAT
HUE
SKIN SAT
SKIN HUE
EXIT MENU (YES )
..
. Page 6 File Knee /GAMMA Setting
..
PAGE6 (NEXT PREV )
M.KNEE P
M.KNEE S
GAMMA TBL
COMB
EXIT MENU (YES )
:
:
:
:
± 0
± 0
± 0
± 0
:
:
:
OFF
:
300
90
B
FILE DATA selected with SET UP switch is displayed on the PAGE 4 to
11. When data value is changed, the data in the FILE DATA selected with
SET UP switch is also rewriten.
When the SET UP switch is switched while any of PAGE 4 to 11 is
displayed, the display is changed in response to the SET UP switch position.
SATChroma setting
HUEHUE setting
SKIN SATChroma setting for the skin tone area
SKIN HUEHUE setting for the skin tone area
M.KNEE PStandard value setting of master knee point
M.KNEE SStandard value setting of master knee slope
GAMMA TBL Selection of GAMMA table A/B
COMBA : Rising gain 3.5-fold
B : Rising gain 4.0-fold
COMB Filter selection
(OFF/GR/R/G)
..
. Page 7 File Matrix Center Value Setting
..
PAGE7 (NEXT PREV )
R-G LEV
R-B LEV
G-R LEV
G-B LEV
B-R LEV
B-G LEV
EXIT MENU (YES )
DXC-D35/D35WS(UC)
DXC-D35P/D35WSP(CE) V1
38
:
10
:
6
:
15
:
6
:
7
:
R-G LEVR-G coefficient center value setting
R-B LEVR-B coefficient center value setting
G-R LEVG-R coefficient center value setting
G-B LEVG-B coefficient center value setting
B-R LEVB-R coefficient center value setting
B-G LEVB-G coefficient center value setting
APERTUREAperture level setting
AFT DTLSetting of the detail amount to be added after the
gamma circuit
KNEE APTSetting of the detail amount higher than the knee point
HIGH DTLSetting of the detail amount in the high light area
CCS LEVCross color supress level setting