Sony 702P, BKDF- 702, BKDF-711, BKDF-712, DFS-700P User Manual

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Page 1

DME SWITCHER

DFS-700 DFS-700P

DIGITAL/ANALOG INPUT BOARD

BKDF-701

ANALOG COMPOSITE INPUT BOARD

BKDF-702/702P

DIGITAL MULTI EFFECTS BOARD

BKDF-711

3D VIDEO MAPPING EFFECTS BOARD

BKDF-712

SERVICE MANUAL

Volume 1 1st Edition

Page 2

Table of Contents

Manual Structure

Purpose of this manual .............................................................................................. 5

Related manuals......................................................................................................... 5

Contents ..................................................................................................................... 5

1. Operating Instructions

2. Service Overview

2-1. Installation................................................................................................... 2-1

2-1-1. Operating Environment ..............................................................2-1

2-1-2. Power Supply Specifications......................................................2-1

2-1-3. Power Supply Cord .................................................................... 2-1

2-1-4. Installation Space .......................................................................2-2

2-1-5. Matching Connector and Cable.................................................. 2-3

2-1-6. Signal Input/Output ....................................................................2-4

2-1-7. Rack Mounting ...........................................................................2-7

2-1-8. Installing Optional Board ...........................................................2-9

2-2. Removal of Cabinet...................................................................................2-10

2-3. Location of Main Parts.............................................................................. 2-11

2-4. Circuit Description ....................................................................................2-12

2-4-1. Processor .................................................................................. 2-12

2-4-2. Control Panel............................................................................ 2-19

2-5. Replacement of Board............................................................................... 2-21

2-5-1. Replacement of Plug-in Board .................................................2-21

2-5-2. Replacement of Board ..............................................................2-21

2-6. Replacement of Switching Regulator........................................................2-22

2-7. Replacement of DC Fan ............................................................................2-23

2-8. Replacement of Main Parts on Control Panel ...........................................2-23

2-8-1. Replacement of Fader Assembly ............................................. 2-23

2-8-2. Replacement of Rotary Encoder ..............................................2-24

2-8-3. Replacement of Joystick .......................................................... 2-25

2-8-4. Replacement of Vacuum Fluorescent Display .........................2-25

2-9. Fuse/IC Link Replacement........................................................................2-26

2-10. Switch, Indicators, and Volume Controls on Board .................................2-27

2-10-1. Control Panel............................................................................ 2-27

2-10-2. Processor .................................................................................. 2-28

2-11. Error Indication .........................................................................................2-41

2-12. Periodic Inspection.................................................................................... 2-42

2-12-1. Periodic Replacement Parts......................................................2-42

2-12-2. Filter Cleaning.......................................................................... 2-42

DFS-700/700P

Page 3

2-13. Fixtures/Measuring Instruments................................................................2-42

2-13-1. Fixtures..................................................................................... 2-42

2-13-2. How to Use Extension Board ...................................................2-43

2-13-3. Measuring Instruments.............................................................2-43

3. Self-diagnosis

3-1. Confirmation of Version ............................................................................. 3-2

3-1-1. Execution....................................................................................3-2

3-1-2. Viewing the Version .................................................................. 3-3

3-2. Check Mode ................................................................................................ 3-3

3-2-1. Activation and Termination .......................................................3-3

3-2-2. Basic Operation ..........................................................................3-4

3-2-3. Checking .................................................................................... 3-5

3-3. Troubleshooting ..........................................................................................3-9

4. Electrical Alignment

4-1. Adjustment Sequence..................................................................................4-1

4-2. Preparation for Adjustment .........................................................................4-4

4-3. OPM-39/39P Board Adjustment .................................................................4-5

4-3-1. +5 V DC Voltage Adjustment ................................................... 4-5

4-3-2. +3.3 V DC Voltage Adjustment ................................................ 4-5

4-3-3. SDI VCO Free-running Frequency Adjustment ........................ 4-6

4-3-4. PGM OUT Component Y Gain Adjustment ..............................4-7

4-3-5. PGM OUT Component R-Y Gain Adjustment ..........................4-8

4-3-6. PGM OUT Component B-Y Gain Adjustment ..........................4-9

4-3-7. PGM OUT Component Y/C Delay Adjustment ......................4-10

4-3-8. Composite SC Leak Balance Adjustment ................................4-11

4-3-9. Composite Y Gain Adjustment ................................................4-12

4-3-10. Composite Modulation AXIS Adjustment...............................4-13

4-3-11. Composite Y/C Delay Adjustment...........................................4-15

4-3-12. Composite C Gain Adjustment ................................................4-16

4-3-13. Composite Burst Balance Adjustment (For PAL only) ...........4-18

4-3-14. Composite Burst Level Adjustment .........................................4-19

4-3-15. S VIDEO Y Gain Adjustment..................................................4-20

4-3-16. S VIDEO C Gain Adjustment ..................................................4-21

4-3-17. Black Burst OUT SC Leak Balance Adjustment .....................4-22

4-3-18. Black Burst OUT Burst Balance Adjustment

(For PAL only) .........................................................................4-23

4-3-19. Black Burst OUT SC Phase Adjustment.................................. 4-24

4-3-20. Black Burst OUT SYNC Level Adjustment ............................4-26

4-3-21. Black Burst OUT Burst Level Adjustment ..............................4-27

4-3-22. INT SC Frequency Adjustment................................................ 4-28

4-3-23. INT SCH Phase Adjustment ....................................................4-29

DFS-700/700P

Page 4

4-3-24. INT Black Burst OUT SCH Phase Adjustment .......................4-31

4-3-25. Preread ON PGM OUT SCH Phase Adjustment

(For PAL only) .........................................................................4-33

4-3-26. Preread ON PGM OUT Burst Start Adjustment

(For PAL only) .........................................................................4-34

4-3-27. GEN Lock H Phase Adjustment .............................................. 4-35

4-3-28. GEN Lock SC Phase Adjustment ............................................ 4-36

4-3-29. PVW OUT Video Gain Adjustment ........................................ 4-38

4-3-30. DSK EXT Key Clamp Level Adjustment ................................4-39

4-3-31. DSK EXT Key Gain Adjustment .............................................4-40

4-4. IPM-96/96P Board Adjustment.................................................................4-41

4-4-1. SDI VCO Free-running Frequency Adjustment ...................... 4-41

4-4-2. Component Y Level Adjustment ............................................. 4-42

4-4-3. Component Chroma Level Adjustment ................................... 4-43

4-4-4. Input Y/C Delay Adjustment ................................................... 4-45

4-4-5. Video Input Phase Adjustment.................................................4-46

4-4-6. RGB Converted Y Level Adjustment ......................................4-47

4-4-7. RGB Converted Chroma Level Adjustment ............................ 4-48

4-5. VIF-19/19P Board Adjustment .................................................................4-50

4-5-1. Composite Y Level Adjustment...............................................4-50

4-5-2. S VIDEO Clamp DC Level Adjustment ..................................4-52

4-5-3. SYNC Separate Adjustment..................................................... 4-54

4-5-4. H Lock Loop Adjustment.........................................................4-55

4-5-5. Burst Delay Adjustment ...........................................................4-57

4-5-6. Composite Input Y Gain Adjustment....................................... 4-59

4-5-7. Composite Input Chroma Level Adjustment ...........................4-61

4-5-8. S VIDEO Input Gain Adjustment ............................................4-63

4-5-9. Composite Input Y/C Delay Adjustment .................................4-65

4-5-10. S VIDEO Input Y/C Delay Adjustment ...................................4-69

4-5-11. Video Input Phase Adjustment.................................................4-73

4-6. VIF-20/20P Board Adjustment .................................................................4-74

4-6-1. SDI VCO Free-running Frequency Adjustment ...................... 4-74

4-6-2. Component Y Level Adjustment ............................................. 4-75

4-6-3. Component Chroma Level Adjustment ................................... 4-76

4-6-4. Input Y/C Delay Adjustment ................................................... 4-78

4-6-5. Video Input Phase Adjustment.................................................4-79

4-7. Adjusting the Power Supply Voltage ........................................................4-80

DFS-700/700P

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Purpose of this manual

Related manuals

Manual Structure

This manual is the service manual Vol.1 of the DME Switcher DFS-700/700P and their optional boards. The service manuals (Vol.1 and Vol.2) are intended for use by trained system and service engineers, and describes the information on installing, maintenance, and detailed service.

This manual (Vol.1) describes the operating instructions, service overviews, diagnosis, and electrical alignment.

Besides this Service Manual Vol.1, the following manuals are available for the DFS-700/700P.

. Service Manual Vol.2

Part No. 9-967-898-01 (for J, UC, CE) Contains the spare parts, semiconductor pin assingments, block diagrams, schematic diagrams, and board layouts.

Contents

. “Semiconductor Pin Assignments” CD-ROM (available on request)

This “Semiconductor Pin Assignments” CD-ROM allows you to search for semiconductors used in Communication System Solutions Network Company equipment. Semiconductors that cannot be searched for on this CD-ROM are listed in the service manual for the corresponding unit. The service manual contains a complete list of all semiconductors and their ID Nos., and thus should be used together with the CD-ROM. Part number: 9-968-546-XX

This manual is organized by following sections.

Section 1 Operating Instructions

This section describes the Operation Manual supplied with the DFS-700/700P.

Section 2 Service Overview

This section explains the information that is required for installing (the operating conditions, power supply and power cords, installaion of the optional board, rack mounting, adaptive connectors), outline of the board circuit, replacement of the parts, switch setting on the board, error indication, and tools and adjustment equipment.

Section 3 Self-diagnosis

This section explains the activation (termination) of the check mode in this unit, the basic operation, and the check method.

DFS-700/700P

Section 4 Electrical Alignment

This section explains the adjustment of the OPM-39, IPM-69, VIF-19, and VIF-20 boards.

Page 7

Page 8

DFS-700/700P

DME Switcher

3-203-834-11(1)

DFS-700/700P

Operating Instructions

Before operating the unit, please read this manual thoroughly and retain it for future reference.

 2000 Sony Corporation

DFS-700/700P

Operating Instructions

Section 1

1-1

This section is extracted

from operation manual.

Page 9

1-2

For customers in the USA (DFS-700 only)

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

The shielded interface cable recommended in this manual must be used with this equipment in order to comply with the limits for a digital device pursuant to Subpart B of Part 15 of FCC Rules.

Caution

Television prograrms, films, video tapes and other materials may be copyrighted. Unauthorized recording of such material may be contrary to the provisions of the copyright laws.

For the customers in Europe (DFS-700P only)

This product with the CE marking complies with both the EMC Directive (89/336/EEC) and the Low Voltage Directive (73/23/EEC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European standards:

• EN60950: Product Safety

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity) This product is intended for use in the following Electromagnetic Environment(s): E1 (residential), E2 (commercial and light industrial), E3 (urban outdoors) and E4 (controlled EMC environment, ex. TV studio).

Owner’s Record

The model and serial numbers are located in the rear. Record these numbers in the spaces provided below. Refer to them whenever you call upon your Sony dealer regarding this product.

Model No.

Serial No.

WARNING

To prevent fire or shock hazard, do not expose the unit to rain or moisture.

Table of Contents

Chapter 2

Location and Function of Parts and Controls

Chapter 1

Overview

Table of Contents

Features of This System................................................1-1

Option Boards ................................................................1-3

Control Panel................................................................. 2-1

Processor Unit..............................................................2-13

Front Panel .....................................................................2-13

Rear Panel ...................................................................... 2-13

Chapter 3

Basic Operation

DME Switcher Introduction .......................................... 3-1

Sequence of Operations.................................................... 3-1

Example Operation (1): Wipe........................................... 3-2

Example Operation (2): Picture-in-Picture ...................... 3-5

Demonstration .................................................................. 3-8

Using the Menus.............................................................3-10

Selecting Images......................................................... 3-12

Background Image and Foreground Image.................... 3-12

Selecting Signals Output to the Auxiliary Bus...............3-16

Selecting an Effect .......................................................3-17

Types of Effect ...............................................................3-17

Example Effects .............................................................3-18

Selection in Direct Pattern Selection Mode ...................3-23

Selection in Pattern Number Specification Mode .......... 3-24

Modifying the Boundary — Border, Soft Edge,

Beveled Edge, and Crop.....................................3-26

Changing the Pattern Position and Size —

Location (X)(Y)(Z)................................................3-29

Modifying the Pattern — User Modifiable Effects .....3-31

(Continued)

DFS-700/700P

Page 10

DFS-700/700P

Table of Contents

Chapter 4

Advanced Operations

Chapter 3

Basic Operation

(Continued)

Inserting Characters and Graphics (1) — Title Key ...3-33

Luminance Key .............................................................. 3-33

Chroma Keying ..............................................................3-36

Masking Part of a Title Key............................................ 3-44

Inserting Characters and Graphics (2) —

Downstream Key................................................ 3-45

Setting Up a Transition ................................................3-51

Setting the Transition Time ............................................ 3-51

Setting the Transition Direction ..................................... 3-52

Executing an Effect......................................................3-54

Adjusting Color Mattes................................................3-57

Adjusting Image Colors — Color Correction.............3-59

Freezing an Input Image — Frame Memory

Function...............................................................3-61

Fade-to-Black................................................................3-63

Changing Direct Pattern Assignments........................ 4-1

User Program Effects ................................................... 4-3

Constructing a User Program Effect ................................4-3

Types of User Program Effect ..........................................4-4

Modification Parameters ..................................................4-5

Creating New User Program Effects.............................. 4-10

Editing User Program Effects......................................... 4-12

Executing User Program Effects .................................... 4-18

Deleting All User Program Effects................................. 4-19

Snapshots.....................................................................4-20

Saving a Snapshot ..........................................................4-21

Recalling a Snapshot ...................................................... 4-22

Snapshot Demonstration ................................................4-23

Reinitializing the Snapshots ........................................... 4-24

Table of Contents

Chapter 5

Control From Editing Control Units

Control From the PVE-500............................................ 5-1

Preparations ...................................................................... 5-2

Cut Editing .......................................................................5-2

A/B Roll Editing...............................................................5-3

Control From the BVE-600............................................ 5-5

Preparations ...................................................................... 5-5

A/B Roll Editing...............................................................5-6

Control From the BVE-900/2000 Series........................5-8

Preparations ...................................................................... 5-9

Notes on Operation......................................................... 5-10

Control Using GPI Signals ......................................... 5-11

Preparations .................................................................... 5-11

A/B Roll Editing.............................................................5-12

Turning a Downstream Key On and Off ........................ 5-13

Preread Editing .............................................................5-14

Chapter 6

System Connections and Settings

Basic System Connections .......................................... 6-2

Key Signal Connections ................................................6-3

System Connections for Preread Editing ................... 6-4

Connections for an A/B Roll Editing System ..............6-5

Setup Menu Settings......................................................6-7

Setup Menu Organization.................................................6-7

System Setup (page 1/8)...................................................6-7

System Information Display (page 2/8) ...........................6-8

Input Video Setup (page 3/8)............................................6-8

Output Video Setup (page 4/8) ......................................... 6-9

Control Panel Setup (page 5/8) ......................................6-10

Initializing User Settings (page 6/8)...............................6-10

Loading User Settings From Memory (page 7/8) ..........6-10

Saving User Settings in Memory (page 8/8) .................. 6-10

1-3

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1-4

Table of Contents

Appendixes

Warning Messages........................................................A-1

Effect Type List .............................................................. A-3

Effect Control Parameter List....................................... A-5

Effect Motion Types..................................................... A-21

Effect Pattern Variant Forms and Decorations .........A-22

Effect Pattern Image List ............................................ A-29

To Exchange the Button Labels................................. A-63

Specifications..............................................................A-64

Glossary.......................................................................A-66

Index.................................................................................I-1

Chapter 1 Overview

1-1

Chapter

Overview

Features of This System

The Sony DFS-700/700P DME Switcher is a Digital Multi Effects system, offering high-performance effects at high image quality. The system consists of a processor unit and control panel.

Support for fully digital component systems with SDI inputs and outputs

This system provides SDI interfaces as standard equipment. This allows it to be incorporated in fully digital linear editing systems using DVCAM-series, Betacam SX-series, and other digital VCRs.

Advanced special effects

This system is equipped with advanced special effects, including trail, lighting effects, ripple, swirl, and explosion. Installing the optional BKDF-711 board adds a second DME channel, and the optional BKDF-712 board enables 3D mapping effects to be used.

For details of option boards, see page 1-3.

Support for wide range of input/output signal formats

•There are eight inputs as standard (VIDEO INPUT 1 to 8). VIDEO INPUT 1 to 4: SDI (serial digital interface)

signals

VIDEO INPUT 5 to 8: analog component signals.

VIDEO INPUT 8 can also be used as an analog

RGB signal input. Installing the optional BKDF-701 board allows all eight inputs to be used as either SDI or analog component inputs. Installing the optional BKDF-702/702P board allows four inputs to be used as either Y/C (S-video) or analog composite inputs.

For details of option boards, see page 1-3.

•The standard outputs are two each of SDI, analog component, analog composite, and Y/C, for a total of eight outputs.

Comprehensive title key functions

Luminance keys, chroma keys, and downstream keys are all provided as standard functions.

DFS-700/700P

Page 12

DFS-700/700P

Chapter 1 Overview

1-2

Chapter 1 Overview

Color correction function

A YUV color correction function is provided for white balance adjustment and general color adjustment.

User program effect and snapshot function

•User program effects: This system has a large

number of built-in effects, but also allows the user to create original effects, and save them in memory, for execution in the same way as the built-in effects. Up to twenty user program effect patterns, both linear and nonlinear, can be saved.

•Snapshot function: The processor unit includes

snapshot registers 0 to 99, each of which can hold a snapshot of the control panel settings. These can then be recalled as required.

Aspect ratio selection

In the setup menu it is possible to select either 4:3 or 16:9 as the screen aspect ratio.

Easy operation for live broadcasting

The following features make this system suitable for live broadcasting from CATV studios and so on.

•Fully-equipped control panel offers easy operability for signal selection and transition setting.

•Parallel tally output and preview output supplied as standard

Interfacing with editors

This system is equipped with I/O interfaces for two sets of control signals, allowing operation together with various editing control units.

•Nine-pin interface connector (one input/output):

for A/B roll editing (two players, one recorder) together with a PVE-500, BVE-2000 series, or other editing control unit

•GPI (General Purpose Interface) and trigger signal connectors (two inputs): for control from external equipment not fitted with the 9-pin interface

This system also supports the background through mode. If connected to a recorder VCR with a preread function, A/B roll editing with a minimum of two VCRs is possible. (In background through mode, the delay to the signal selected on the background bus of this system is 4H. Note that there are restrictions on the effect patterns that can be used for preread editing.)

External synchronizing connectors for higher editing precision

The system is provided with black burst outputs for synchronizing other connected devices, and a genlock input for synchronization to an external signal. This allows more precise editing.

Rack mounting

The processor unit can be mounted in an EIA standard 19-inch rack.

Features of This System

Chapter 1 Overview

1-3

Option Boards

The DFS-700/700P system has the following option boards.

BKDF-701 SDI and Component Input Board

When this board is installed, it allows all eight video inputs to be used as either SDI or analog component inputs. When using this board, you can select the types of the optional inputs individually, using the setup menu.

BKDF-702/702P Y/C and Composite Input Board

When this board is installed, it allows four video inputs to be used as either Y/C (S-video) or analog composite inputs. When using this board, you can select the types of the optional inputs individually, using the setup menu.

BKDF-711 2nd Channel DME Board

This board provides a second DME channel, enabling two-picture box, two-picture brick, and other effects.

BKDF-712 3D Video Mapping Effects Board

This board provides 3D mapping effects, including 3D page turn, 3D beveled edge, and other effects.

1-5

Page 13

1-6

Chapter 2 Location and Function of Parts and Controls

2-1

Chapter

Location and Function of Parts and Controls

Control Panel

This section describes the control panel, which is divided into several sections, as shown below. See the page numbers shown in parenthesis for more details.

Note

If you make an error in operation, a warning sound may occur. You can switch off this audible warning (see page 6-10).

1 Delegation section

(see page 2-2)

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD

INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BG FRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2 Primary cross-point bus section

(see page 2-3)

3 Effect transition section

(see page 2-4)

4 Pattern/numeric keypad

(see page 2-5)

5 Fade-to-black and DSK section

(see page 2-6)

6 EDITOR and GPI buttons

(see page 2-7)

7 Menu control section

(see page 2-7)

8 Effect control section

(see page 2-10)

9 User program section

(see page 2-11)

q; Snapshot section

(see page 2-11)

qa Location section

(see page 2-12)

qs 25-pin

connector

(see

page 2-12)

DFS-700/700P

Page 14

DFS-700/700P

Chapter 2 Location and Function of

Parts and Controls

2-2

Chapter 2 Location and Function of Parts and Controls

1 Delegation section

1 Delegation buttons

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BG FRGD 2 MEMORY FRAME FREEZ

BLACK MEMORY INT

VIDEO

12345678

AUXILIARY

2 AUXILIARY buttons

3 Frame memory buttons

1 Delegation buttons

Use these buttons to delegate the input signal corresponding to the selected AUXILIARY button to the corresponding function. Pressing one of these buttons lights it, and the corresponding AUXILIARY button also lights. Any other previously lit delegation button goes off.

CCR (color corrector) button: Signal for color

correction

TITLE 1 SOURCE button: Title 1 source signal for

inserting characters and graphics using a title key

TITLE 2 SOURCE button: Title 2 source signal for

inserting characters and graphics using a title key (only available when the optional BKDF-711 2nd Channel DME Board is installed)

DSK (downstream keyer) FILL button: Fill signal

for the downstream keyer

SUPER BG (background) button: Background

image for 3D effects

FRGD (foreground) 2 button: One of the

foreground images for 3D effects

MEMORY button: Signal captured in frame

memory

2 AUXILIARY buttons

Select the input signal to be assigned to the function selected with a delegation button. Select from the following buttons.

BLACK button: Black burst signal generated by the

internal synchronizing signal generator in this unit

Buttons 1 to 8: Signals input to the VIDEO INPUT 1

to 8 connectors on the rear panel of the processor unit. You can set the assignment of buttons to input connectors in the setup menu.

MEMORY button: Signal recorded in frame

memory

INT (internal) VIDEO button: Signal generated by

the internal video signal generator

3 Frame memory buttons

FREEZ button: To capture the input signal selected

by the MEMORY button in the delegation buttons (excluding the frame memory output signal) as a freeze image in frame memory, press this button, turning it on. Press once more to end the freeze, turning it off.

FRAME button: Select whether to capture a frame

or a field with the FREEZ button. Press this button, turning it on, to freeze a frame; when the button is off a field is captured. When capturing fields, you can select in the setup menu whether to capture an odd or an even field.

Control Panel

Chapter 2 Location and Function of

Parts and Controls

Chapter 2 Location and Function of Parts and Controls

2-3

2 Primary cross-point bus section

BACKGROUND

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

2 FOREGROUND bus buttons

1 BACKGROUND bus buttons

Select the image to form the background for an effect. Select from the following buttons.

BLACK button: Select the black burst signal

generated by the internal synchronizing signal generator in this unit.

Buttons 1 to 8: Signals input to the VIDEO INPUT 1

to 8 connectors on the rear panel of the processor unit. Press a button, turning it on, to select the corresponding signal. You can set the assignment of buttons to input connectors in the setup menu.

MEMORY button: Select the signal recorded in

frame memory.

INT (internal) VIDEO button: Select the internal

video signal selected by pressing the MATTES button in the menu control section. If you hold down this button and press the DOWN and UP buttons in the pattern/numeric keypad, the

selected video signal pattern changes. When the signal on the background bus is output from the PGM OUT connector on the rear panel of the processor unit, the button which has been pressed lights red.

2 FOREGROUND bus buttons

Select the image to form the foreground for an effect (or the “new” video in a transition). The functions of the buttons are the same as in the BACKGROUND bus buttons. When the signal on the foreground bus is output from the PGM OUT connector on the rear panel of the processor unit, the button which has been pressed lights red. If the signal is not output, the button pressed lights amber.

1-7

Page 15

1-8

Chapter 2 Location and Function of

Parts and Controls

2-4

Chapter 2 Location and Function of Parts and Controls

3 Effect transition section

EFFECT

DSK FTB

SET

TRANS RATE

N/R REV

MIX EFFECT

TITLE

CUT

AUTO

TRANS

2 Display window mode indicators

3 SET button

4 MIX button

7 CUT button

1 TRANS RATE display window

5 EFFECT button

6 TITLE button

8 AUTO TRANS button

9 N/R button

q; REV button

qa Fader lever qs Fader lever stiffness

adjusting screw

qd Transition indicator

1 TRANS (transition) RATE display window

This shows the transition time for effects, downstream keys, and fade-to-black, in units of frames. While you are entering a time, the dot at the lower right of each numeral lights.

2 Display window mode indicators

These indicate the kind of transition time shown in the TRANS RATE display window.

EFFECT: Transition time of an effect DSK: Transition time of a downstream key FTB: Transition time of a fade-to-black

3 SET button

To set the transition time for an effect, downstream key, or fade-to-black, press this button, turning it on. While it is lit, each time you press, the display window mode indicators change. To set the transition time corresponding to the display of the display window mode indicators, enter the value using the pattern/ numeric keypad.

4 MIX button

To carry out the next transition without applying an effect pattern, but as a mix, press this button, turning it on.

5 EFFECT button

To carry out the next transition with an effect pattern applied, press this button, turning it on.

6 TITLE button

To carry out an effect or a mix in title mode, press this button, turning it on. The title keying is carried out, inserting the characters and graphics with the effect pattern and transition settings applied.

7 CUT button

Press this button to carry out an instantaneous transition.

8 AUTO TRANS (automatic transition) button

Press this button to carry out an effect automatically. When you press this button, the effect is carried out automatically, with the transition time which has been set. During the transition this button is lit. Pressing this button during the transition pauses it. Press the button once more to resume the transition. If you set the fader lever to an intermediate position and press this button, the transition pauses at the position corresponding to the fader lever position.

Control Panel

Chapter 2 Location and Function of

Parts and Controls

Chapter 2 Location and Function of Parts and Controls

2-5

9 N/R (normal/reverse) button

To carry out an effect in normal/reverse (i.e. alternating) mode, press this button, turning it on. It lights automatically for animation effects and title keys.

q; REV (reverse) button

To carry out an effect in the reverse direction, press this button, turning it on. For an effect for which normal/reverse (alternating) operation is possible, once the effect is carried out, the direction is automatically reversed. After an effect is carried out in the normal (i.e. forward) direction, this button lights. After an effect is carried out in the reverse direction, this button goes off.

qa Fader lever

Move this to carry out an effect transition manually.

Note

After powering the system on, move the fader lever to the end of its travel once in each direction. This ensures that the fader lever will function correctly.

qs Fader lever stiffness adjusting screw

Turn this screw with a miniature Phillips screwdriver to adjust the fader lever stiffness. Turn clockwise to make the fader lever harder to move, and counterclockwise to make it easier to move.

qd Transition indicator

This indicator consisting of 20 LEDs shows the progress of an effect transition.

LAST X

INS

RST

SET

PATTERN NUMBER

789

456

123

DOWN UP

ENTER

P IN P

DEL

DIRECT RECALL

DIRECT

PATTERN

PATTERN/KEY PAD

4 Pattern/numeric keypad

This is used for effect pattern selection, transition time setting, and other data entry.

1 PATTERN NUMBER display window

This shows an effect pattern number. While you are entering a pattern number, the dot at the lower right of each numeral lights.

2 SET button

Press this button, turning it on, to enter the pattern number specification mode. In this mode, you can use the PATTERN/KEY PAD buttons to specify an effect pattern number. Press this button once more, turning it off, to return to the direct pattern selection mode.

3 DIRECT RECALL button

Press this button, turning it on, to enter the direct recall mode. In this mode, pressing one of the PATTERN/ KEY PAD buttons 0 to 9 recalls the corresponding snapshot 0 to 9.

4 DIRECT PATTERN button

Press this button, turning it on, to enter the direct pattern selection mode. In this mode, you can use the PATTERN/KEY PAD buttons (0 to 9 and P IN P/ RST) to directly select the assigned effect patterns. When the system is powered on, and after exiting any other operating mode, it automatically switches to direct pattern selection mode.

1 PATTERN NUMBER

display window

3 DIRECT RECALL button

2 SET

button

4 DIRECT

PATTERN button

5 PATTERN/

KEY PAD buttons

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Chapter 2 Location and Function of Parts and Controls

5 PATTERN/KEY PAD buttons

These function as shown in the following table, according to the selected mode.

Changing labels

You can change the labels on the buttons, using the supplied labels.

For details of how to change the labels, see page A-63.

Button

Mode

DIRECT PATTERN

PATTERN

TRANS USER PGM

SNAP SHOT

DIRECT RECALL

0 to 9 Select the

pattern shown on the button.

Set the pattern number.

Set the transition time.

–

Specify a snapshot number.

Recall one of snapshots 0 to 9.

LAST X/INS –

–

– Add a key

frame.

Return to the state before recalling a snapshot. (Press LAST X while holding down the ENTER button.)

DEL –

Delete the last character entered.

Delete a key frame.

Delete the last character entered.

–

P IN P/RST

Select the pattern shown on the button.

Reset the input value.

Initialize the parameters.

Reset the input value.

–

UP Increment the

pattern number.

Increment the pattern number.

Increment the transition time by one frame.

Increment the key frame number.

Increment the snapshot number.

DOWN Decrement the

pattern number.

Decrement the pattern number.

Decrement the transition time by one frame.

Decrement the key frame number.

Decrement the snapshot number.

ENTER – Confirm the

input value.

Confirm the input value.

Change the key frame.

Confirm the input value.

–: Not used a) For the pattern allocation, see pages 3-18 to 3-20.

5 Fade-to-black and DSK section

FADE

BLACK

DSK

DSK PVW

1 DSK PVW button

2 FADE TO BLACK button

1 DSK PVW (downstream keyer preview) button

When this button is pressed, turning it on, the program output video is output from the preview output connectors with the downstream key inserted.

2 FADE TO BLACK button

Press this button, turning it on, to change the entire program output video to a preset color (factory default: black). To set the color, press the MATTES button in the menu control section, and display the setting menu in the effect control section ((F1) SELECT-FTB).

By pressing the SET button in the effect transition section, you can set the fade-to-black transition time.

Control Panel

Functions of the PATTERN/KEY PAD buttons

Return to the state before recalling a snapshot. (Press LAST X while holding down the ENTER button.)

3 DSK button

Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

2-7

3 DSK (downstream keyer) button

Press this button, turning it on, to insert the downstream key set by the DSK section buttons in the menu control section into the program output video. By pressing the SET button in the effect transition section, you can set the downstream key transition time.

6 EDITOR and GPI buttons

1 EDITOR button

Press this button, turning it on, to accept control from an external editor connected to the EDITOR connector on the rear panel of the processor unit. Press this button once again to turn it off; control is no longer accepted from the external editor.

2 GPI button

Press this button, turning it on, to accept GPI signals input to the GPI/T 1 and 2 connectors on the rear panel of the processor unit. Press this button once again to turn it off; GPI signals are no longer accepted.

7 Menu control section

For various effect settings, you press a particular button in the menu control section, to display a setting menu in the effect control section. Some buttons toggle on and off when pressed: in this case the corresponding effect is disabled when the button is off.

Displaying the menu for a button already lit

Hold down the SHIFT button and press the button again. This leaves the button lit (and the effect enabled), while bringing up the menu in the effect control section. For the LUM and CRK buttons in the TITLE section, it is not necessary to hold down the SHIFT button.

EDITOR

GPI

2 GPI button

1 EDITOR button

1 TITLE section

The title key function allows you to superimpose characters or graphics by cutting out part of the foreground video with a key source signal, and applying the effect to the background video. There are two ways of using the key source signal: as a luminance key depending only on image intensity, or as a chroma key, based on a particular color. Using the buttons in columns 1 and 2 of the TITLE section, you can insert two title keys (TITLE 2 requires the optional BKDF-711 board to be installed). To insert a title key, press the TITLE button in the effect transition section. The TITLE 1 and TITLE 2 buttons include the following.

CRK (chroma key) button: Press this to use a

chroma key to cut out the image. When pressed, this button lights, and portions of the foreground image of the designated color are cut out as the key source signal. When this button is lit, the LUM button is off. You can carry out chroma keying simply, using the auto chroma key function.

LUM (luminance) button: Press this to use a

luminance key to cut out the image. When pressed, this button lights, and portions of the foreground image are cut out based on the luminance level. When this button is lit, the CRK button is off.

TITLE

LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

2 DSK section

4 CCR, LIGHTING, and

MATTES buttons

1 TITLE section

5 SHIFT

button

6 SET UP

button

3 EDGE

section

1-9

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Chapter 2 Location and Function of Parts and Controls

MASK button: Press this button to mask off a part

of the key source signal. When you press this

button, it lights, and the system is now in mask

mode, and you can select a rectangular mask in

the effect control section. Normally, the area

outside the mask rectangle is the area which is

masked. To invert the mask, so that the area inside

the rectangle is masked, set INVERT (F5) to ON

in the effect control section.

Press the button once more to turn it off and end

mask mode.

2 DSK (downstream keyer) section

Using a downstream key, you can add characters or graphics to an image to which an effect has already been applied. Unlike a title key, you can add this to an image with a foreground and background superimposed. To insert a downstream key, press the DSK button in the fade-to-black and DSK section.

LUM (luminance) button: Press this to display a

menu in the effect control section for adding a key

based on the luminance level of an input signal. In

the effect control section you can select the input

signal to the DSK KEY IN connector on the rear

panel or the input signal selected by the DSK

FILL button in the delegation section as the key

source signal.

BORDER button: Press this button to apply a border

to the characters and graphics inserted as a

downstream key. When you press this button, it

lights, and you can adjust the border settings in the

effect control section.

Press the button once more to turn it off, and

remove the border.

MASK button: Press this button to mask unwanted

parts of the characters and graphics inserted as a

downstream key. When you press this button, it

lights, and the system is now in mask mode, and

you can select a rectangular mask in the effect

control section. Normally, the area outside the

mask rectangle is the area which is masked. To

invert the mask, so that the area inside the

rectangle is masked, set INVERT (F5) to ON in

the effect control section.

Press the button once more to turn it off and end

mask mode.

3 EDGE section

This controls the edge effects applied to the boundary between the foreground and background images.

TRAIL SHADOW button: Press this button to

apply a trail, drop border, or shadow effect. When you press this button, it lights, and you can select and adjust the effect in the effect control section.

•Trail: The foreground pattern leaves a trail of

afterimages.

•Drop border: This applies a border in the

background of the foreground image.

•Shadow: This applies a shadow behind the

foreground image. Press the button once more to turn it off and remove the edge effect.

BEVELD (beveled) EDGE button: Press this button

to apply a three-dimensional beveled effect to the boundary between the foreground and background images. When you press this button, it lights, and you can adjust the beveled edge settings in the effect control section. Press the button once more to turn it off and remove the beveled edge effect.

SOFT button: Press this button to soften the

boundary between the foreground and background images. When you press this button, it lights, and you can adjust the degree of softness in the effect control section. Press the button once more to turn it off and remove the soft edge effect.

BORDER button: Press this button to apply a border

to the boundary between the foreground and background images. When you press this button, it lights, and you can adjust the border settings in the effect control section. Press the button once more to turn it off and remove the border.

Adjusting the cropping: To adjust the cropping, use

the second page (CROP) of the adjustment menu for beveled edge, soft edge, or border.

Control Panel

Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

2-9

4 CCR, LIGHTING, and MATTES buttons

CCR (color corrector) button: Press this button to

use the color corrector. When you press this button, it lights, and you can adjust the color corrector settings in the effect control section. Press the button once more to turn it off and exit the color corrector.

LIGHTING button: Press this button to apply

lighting effects to the foreground image. When you press this button, it lights, and you can adjust the lighting settings in the effect control section. Press the button once more to turn it off and remove the lighting effect.

MATTES button: By pressing this button, you can

carry out various matte adjustments, matte copies, and internal video signal selections in the effect control section.

5 SHIFT button

When a button in the menu control section is lit, but the corresponding menu is not displayed in the effect control section, hold down the SHIFT button and press the lit button. This brings up the menu, without interrupting the function selection, and leaving the button lit. This applies to the following buttons:

•MASK buttons in the TITLE section

•BORDER and MASK buttons in the DSK section

•TRAIL SHADOW, BEVELD EDGE, SOFT, and BORDER buttons in the EDGE section

•CCR button and LIGHTING button

6 SET UP button

To access the setup menus for system and control panel settings, press this button. The setup menu appears in the effect control section.

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Chapter 2 Location and Function of Parts and Controls

8 Effect control section

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

2 INITIAL button

3 PAGE button

5 Control knobs

6 F1 to F5 buttons

1 Menu display

4 PATTERN ADJ button

1 Menu display

This shows system and effect settings. Watch this display while checking and adjusting the settings.

2 INITIAL button

This returns settings to their factory defaults.

•To return a selected setting to its factory default

Hold down the INITIAL button, and press the corresponding F button (F1 to F5).

•To return all settings on the selected page to their

factory defaults

Hold down the INITIAL button, and press the PAGE button.

•To return all settings on all pages of the currently

selected menu to their factory defaults (not valid in setup menu or matte menu)

Hold down the INITIAL button, and press the PATTERN ADJ button.

INIT SETUP--SNAP--USRPGM--KEYPAD EXEC 6/8 OFF OFF OFF OFF

Menu name or pattern number

Settings

Menu page

Setting values (ON/OFF or parameter values)

3 PAGE button

Press this button to move to the next page of a menu. Pressing this button on the last page of a menu returns to the first page. Holding down the SHIFT button in the menu control section and pressing this button moves to the previous menu.

4 PATTERN ADJ (adjust) button

Press this button to adjust the settings for the pattern number displayed in the PATTERN NUMBER display window. This displays the settings for the pattern in the effect control section.

5 Control knobs

These correspond to the five settings shown in the menu display. Turn the corresponding knob to adjust a setting.

6 F1 to F5 buttons

These correspond to the five settings shown in the menu display. Press the corresponding button to select a setting, or toggle it on and off.

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Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

2-11

•Changing a setting value preceded by “+” (setup menu operations)

Hold down the corresponding F button (F1 to F5), and turn the control knob.

•Changing a setting value followed by “+” (user

program effect setting operations)

Hold down the corresponding F button (F1 to F5), and enter the numeric value using the numeric keypad.

9 User program section

1 STATUS display

When a user program effect is selected, this shows the number of key frames comprising the effect. (Maximum 8)

2 EDIT display

In the user program edit mode, this shows the key frame number to which editing applies.

3 EDIT button

Press this button to edit a user program effect. When you press this button, it lights, and the system enters the user program edit mode. Press the button once more to turn it off and exit the user program edit mode.

Note

If you press the EDIT button when an effect other than a user program effect is selected, this does not switch to user program edit mode.

EDIT

USER

STATUS

EDIT

PGM

1 STATUS display

2 EDIT display

3 EDIT button

q; Snapshot section

1 SNAP SHOT number display

This shows a snapshot number (0 to 99). While you are entering a number, the dot at the lower right of each numeral lights.

2 LEARN button

Press this button to save the control panel settings as a snapshot (learn function). When you press this button, it lights, and the system enters learn mode. Enter the snapshot number (0 to 99) from the numeric keypad, and press the ENTER button to save the control panel settings in the snapshot.

3 RECALL button

Press this button to recall settings saved as a snapshot. When you press this button, it lights, and the system enters recall mode. Enter the snapshot number (0 to

99) from the numeric keypad, and press the ENTER button to recreate the control panel settings from the snapshot on the control panel.

LEARN

RECALL

HOLD

INPUT

SNAP SHOT

1 SNAP SHOT number display

2 LEARN button

3 RECALL button

4 HOLD INPUT button

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Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

4 HOLD INPUT button

To hold the primary cross-point bus settings and the auxiliary bus settings (signal selections) fixed when recalling a snapshot, press this button. When you press this button, it lights, and when you recall a snapshot, the system is in the hold input mode. When you recall a snapshot in this mode, all settings are recreated on the control panel except those relating to the primary cross-point bus and the auxiliary bus. Press the button once more to turn it off and exit the hold input mode.

qa Location section

1 LOCATION button

Press this button to use the joystick and Z-knob. When you press this button, it lights, and enables the joystick and Z-knob. Press the button once more to disable the joystick and Z-knob, and return the effect pattern to its default position. Holding down the INITIAL button while pressing this button returns the setting to its default value.

2 Joystick

Use the joystick to position the effect pattern in the xand y-directions.

3 Z-knob

Turn the Z-knob to move an effect pattern in the depth direction (the z-axis). With this you can change the effective size of the pattern.

LOCATION

1 LOCATION button

2 Joystick

3 Z-knob

qs 25-pin connector (rear panel)

Use the supplied 25-pin control cable to connect this to the PANEL connector on the processor unit.

Control Panel

Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

2-13

Processor Unit

Front Panel

Power indicator

Power switch

Power switch and indicator

This powers the unit on and off. Press the “

” side of

the switch to power on, and the “

” side to power off. When the power is on, the power indicator lights amber.

Rear Panel

1 PGM OUT connectors

COMPOSITE

PGM OUT

CLEAN

OUT

OPTION

SDI INPUT PGM OUT

BLACK BURST OUT

VIDEO INPUT

COMPONENT

S VIDEO

COMPONENT/COMPOSITE

COMPONENT

DIGITAL I/O

ANALOG I/O

AC IN

R-Y

PVW

B-Y

Y/V

R-Y

B-Y

6/2 5/1

R-Y

B-Y

8/4 7/3

2 1

REF.VIDEO IN

GPI/T

PANEL

TALLY

EDITOR

TERMINAL

DSK KEY IN

OFF

75Ω

7 6 5

S VIDEO

(OPTION)

2 1

2 VIDEO INPUT connectors

3 EDITOR

connector

4 PANEL connector

5 TALLY connector

6 TERMINAL connector

7 CLEAN OUT connector

8 PVW connector

9 BLACK BURST OUT 1 to 3

connectors

q; DSK KEY IN connectors

and 75Ω terminator switch

qa REF. VIDEO IN connectors and 75Ω

terminator switch

qs GPI/T 1 and 2 connectors

qd U terminal

qf - AC IN connector

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Chapter 2 Location and Function of Parts and Controls

1 PGM OUT (program output) connectors

These output the final program output, that is, the video to which effects have been applied. Connect to VTR (recorder) and program monitor video input connectors. The following four types of output are provided, each with two channels (1 and 2).

SDI (BNC): Output serial digital signals (270 MHz). COMPOSITE (BNC): Output composite video

signals.

COMPONENT (BNC): Output Betacam format

component video signals (Y, R–Y, B–Y).

S VIDEO (4-pin): Output S-video (Y/C separation)

signals. You can use all four formats simultaneously. The same signals are output from connectors 1 and 2.

2 VIDEO INPUT connectors

These input video camera and VTR (player) video signals. The connectors are in four groups, as follows.

•SDI INPUT 1 to 4, (OPTION) 5 to 8 (BNC)

•COMPONENT 5/1, 6/2, 7/3, 8/4 (BNC)

•COMPONENT/COMPOSITE (OPTION) 5 to 8

(BNC)

•S VIDEO (OPTION) 5 to 8 (4-pin)

SDI INPUT 1 to 4, (OPTION) 5 to 8 (BNC-type)

Input serial digital signals (270 MHz). Connectors 5 to 8 can only be used when the optional BKDF-701 SDI and Component Input Board is installed. The input signals to these connectors must be synchronized to this unit.

COMPONENT 5/1, 6/2, 7/3, 8/4 (BNC-type)

Input Betacam format component video signals.

Y: Input the luminance (Y) signal. R–Y: Input the R–Y color difference signal. B–Y: Input the B–Y color difference signal.

The input signals to these connectors must be synchronized to this unit. Therefore, when inputing from a VTR, the signal must come through a time base corrector. The 8/4 column of connectors can be changed to RGB input connectors by a setup menu operation. In this case, connect G (with sync), R, and B signals to Y, R– Y, and B–Y respectively.

When the optional BKDF-702/702P Y/C and Composite Input Board is installed, you can select in the setup menu whether to use the 5/1, 6/2, 7/3, and 8/4 connectors for component inputs 5 to 8 or component inputs 1 to 4.

COMPONENT/COMPOSITE (OPTION) 5 to 8 (BNC-type)

These connectors can be used by installing either of the optional BKDF-701 and BKDF-702/702P boards. When the BKDF-701 board is installed, connect Betacam format component video signals. When the BKDF-702/702P board is installed, connect composite video signals. The signals can be input from a VTR with no time base corrector. When using the BKDF701 to input signals from a VTR, they must come through a time base corrector.

S VIDEO (OPTION) 5 to 8 (4-pin)

Input S-video (Y/C separation) signals. These connectors can only be used when the optional BKDF702/702P board is installed. The signals can be input from a VTR with no time base corrector.

3 EDITOR connector (9-pin)

Use this connector when controlling this unit with an editor (PVE-500, BVE-2000 series, or other editing control unit). Using an optional 9-pin remote control cable, connect to the 9-pin control connector of the editor.

4 PANEL connector (25-pin)

With the supplied 25-pin control cable, connect to the 25-pin connector of the control panel.

5 TALLY connector (25-pin)

Tally signals are output from this connector when the signal input to a VIDEO INPUT connector is selected on the control panel. Connect to the input signal sources (video cameras etc.). The outputs are relay contact signals, with a capacity of 200 mA / 30 V.

6 TERMINAL connector (USB type B)

This is a USB interface connector. Use it when connecting to a computer for a software version upgrade.

Connector

Input signal for BKDF-701

Input signal for BKDF-702/702P

Y/V Luminance (Y) signal

Composite signal

R–Y Color difference

signal (R–Y)

Not used

B–Y Color difference

signal (B–Y)

Not used

Processor Unit

Chapter 2 Location and Function of

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Chapter 2 Location and Function of Parts and Controls

2-15

7 CLEAN OUT connector (BNC-type)

Outputs serial digital signals (270 MHz). Using the setup menu, you can select the output from the following three signals.

CLEAN OUT: The program output signal, without

the downstream key inserted.

PVW OUT: The signal output is the same as the

program output after completion of the effect

transition. The title area can also be shown.

KEY OUT: This outputs a key signal corresponding

to the shape of a selected effect. Use it as the key

source input to another device.

8 PVW (preview) connector (BNC-type)

This is an analog composite preview output. The signal output is the same as the program output after completion of the effect transition. It is not possible to include the title area.

9 BLACK BURST OUT 1 to 3 connectors (BNCtype)

These output the black burst signals generated by the synchronizing signal generator internal to this unit. When an external synchronizing signal is input to the REF. VIDEO IN connectors, the black burst signal output is locked to the external synchronizing signal. Use the output from these connectors as a reference synchronizing signal when synchronizing input signal sources (character generators, etc.), or when synchronizing this unit with a VTR or editor to improve the precision of editing.

q; DSK (downstream keyer) KEY IN connectors (BNC-type) and 75 Ω terminator switch

Input the key source signal for a downstream key, from a character generator or other device. When the 75 Ω terminator switch is in the OFF position, the connectors provide a loop-through connection; with the key signal input to one connector, the other provides the same key source signal to another device. By connecting to an analog component Y connector on this unit, you can use it as a title key source. When not using the loop-through output, the 75 Ω terminatior switch must be in the ON position.

qa REF. (reference) VIDEO IN connectors (BNCtype) and 75Ω terminator switch

When using this unit synchronized to an external signal, input the external reference signal (black burst). When the 75Ω terminatior switch is in the OFF position, the connectors provide a loop-through connection; with the reference signal input to one connector, the other provides the same reference signal for another device. When not using the loop-through output, the 75Ω terminatior switch must be in the ON position.

qs GPI/T (GPI/trigger) 1 and 2 connectors (BNCtype)

Input external trigger signals. These are used when controlling editing with GPI signals or an editor (BVE-

600).

qd U (ground) terminal

Connect this to ground as required.

qf - AC IN connector

With the supplied power cord, connect to the AC supply.

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1-14

Chapter 3 Basic Operation

3-1

Chapter

Basic Operation

DME Switcher Introduction

This section selects two of the many effects provided by the DFS-700/ 700P as examples, and describes the basic flow of operations to use them. It also describes the demonstration function, which automatically executes one hundred sample effects.

Sequence of Operations

The flow charts below show the general sequence of operations when using a DME switcher.

Basic operations (to be

always carried out)

Advanced operations (to be carried out as required)

Select the background image

(see page 3-13)

Select the foreground image

(see page 3-13)

Inserting characters and graphics (1)

• Luminance key

(see page 3-33)

• Chroma key

(see page 3-36)

Select the effect

(see pages 3-23 and 24)

• Modifying the boundary

(see page 3-26)

• Changing the position and size

(see page

3-29)

• Modifying the pattern

(see page 3-31)

Set up the transition

(see page 3-51)

Reversing the direction of the effect

(see page 3-52)

Execute the effect

(see page 3-54)

Inserting characters and graphics (2)

• Downstream key

(see page 3-45)

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Chapter 3 Basic Operation

Example Operation (1): Wipe

In this example we’ll use the AUTO TRANS button, to make a wipe, with the new image appearing from the center of the screen.

Setting items

As an example, we’ll set the control panel as follows.

Background image (the image output before the transition): video

signal connected to the VIDEO INPUT 1 connector

Foreground image (the image output after the transition): video

signal connected to the VIDEO INPUT 2 connector

Effect: wipe (pattern number 24) Transition time: 30 frames

Program output

Executing the above effect produces the following changes in the output on a program monitor connected to the PGM OUT connector of the processor unit.

DME Switcher Introduction

Start of effect

Transition time

End of effect

Chapter 3 Basic Operation

3-3

Procedure

Pull the fader lever toward you as far as it will go.

Press BACKGROUND Bus button 1.

The pressed button lights red, and the video signal connected to the VIDEO INPUT 1 connector is selected as the background image. The selected background image appears on the program monitor.

Press FOREGROUND Bus button 2.

The pressed button lights amber, and the video signal connected to the VIDEO INPUT 2 connector is selected as the foreground image. To check the selected image on the program monitor, move the fader lever to the opposite end. After checking, return the lever to the position closest to you. If a preview monitor is connected, the selected foreground image appears in the preview monitor.

Press the DIRECT PATTERN button, turning it on. (If it is already lit, omit this step.)

The unit is now in direct pattern selection mode. In this mode, you can select the eleven patterns assigned to buttons in the pattern/numeric keypad using the corresponding button.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

910

5,7

(Continued)

1-15

Page 23

1-16

Chapter 3 Basic Operation

3-4

Chapter 3 Basic Operation

Press button 9 in the pattern/numeric keypad.

The button lights, and this selects the wipe assigned to this button (pattern number 24). The PATTERN NUMBER display window shows “0024”.

Press the SET button once or twice, so that the EFFECT display window mode indicator lights. (If it is already lit, omit this step.)

In the pattern/numeric keypad, press buttons 3 and 0 in that order.

The TRANS RATE display window shows “.3.0.”.

Press the ENTER button.

The dots to the lower right of the digits disappear, and the value entered in step 7 is set as the transition time.

Press the EFFECT button, turning it on. (If it is already lit, omit this step.)

Press the AUTO TRANS button.

The wipe is carried out over 30 frames, switching from the background image to the foreground image. When the transition completes, BACKGROUND bus button 2 is lit red, and FOREGROUND bus button 1 is lit amber. This indicates that as a result of the transition, the video signal connected to the VIDEO INPUT 2 connector is automatically selected as the background image, and the video signal connected to the VIDEO INPUT 1 connector as the foreground image.

DME Switcher Introduction

Dots appear to the lower right of the digits

Chapter 3 Basic Operation

3-5

Example Operation (2): Picture-in-Picture

Using the fader lever, we’ll insert the foreground image within the background image. We’ll apply a border around the edge of the foreground image.

Setting items

As an example, we’ll set the control panel as follows.

Background image: internal video signal (color background ) Foreground image: video signal connected to the VIDEO INPUT 1

connector

Effect: picture-in-picture (pattern number 1100) Border: ON

Program output

Executing the above effect produces the following changes in the output on a program monitor.

Background image

Foreground image

Effect execution

Program output

DFS-700/700P

Page 24

DFS-700/700P

Chapter 3 Basic Operation

3-6

Chapter 3 Basic Operation

Procedure

Pull the fader lever toward you as far as it will go.

Press the MATTES button in the menu control section, and display page 1 of the MATTE menu, then with the F1(SELECT) button select “INT V”.

MATTE 1/2

SELECT INT V

Lum 0-100

Sat 0-100

Hue 0-99

CH2BRD BRDMAT

PA GE F1 F2 F3 F4 F5

You can change the color of matte color and embossing pattern. For details, see the section “Adjusting Color Mattes” (page 3-57).

Press the BACKGROUND bus INT VIDEO button.

The pressed button lights red, and a color matte is selected as the background image.

Press the FOREGROUND bus button 1.

The pressed button lights amber, and the video signal connected to the VIDEO INPUT 1 connector is selected as the foreground image.

Press the SET button to the right of the PATTERN NUMBER display window, turning it on. (If it is already lit, omit this step.)

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

1,9

DME Switcher Introduction

Chapter 3 Basic Operation

3-7

In the numeric keypad, press buttons 1, 1, 0, 0, in that order.

The TRANS RATE display window shows “1.1.0.0.”.

Press the ENTER button.

The dots to the lower right of the digits disappear, and picture-inpicture, or pattern number 1100, is selected.

In the menu control section, press the BORDER button.

The button lights, enabling the border.

You can change the color and width of the border. For details, see the section “Modifying the Boundary” (page 3-26).

Move the fader lever to the opposite end.

Both the BACKGROUND bus INT VIDEO button and the FOREGROUND bus button 1 light red. As you move the lever, the picture-in-picture effect takes place, and a foreground image with a border is inserted into the background image.

Dots appear to the lower right of the digits.

1-17

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1-18

Chapter 3 Basic Operation

3-8

Chapter 3 Basic Operation

Demonstration

The DFS-700/700P is equipped with a demonstration function, which automatically plays back one hundred effects stored in ROM in the processor unit. The effects (which by factory default are snapshots 0 to 99) have been chosen to demonstrate the features of the DFS-700/700P as effectively as possible. For maximum effect, the demonstration function uses the signals connected to VIDEO INPUT connectors 1 and 2, and the internal video signal.

Buttons used for the demonstration

To start the demonstration

In the pattern/numeric keypad, hold down buttons 1 and 9, and press the AUTO TRANS button. The one hundred effects stored in ROM are played back continuously, and repeated until you press the AUTO TRANS button once more. During the demonstration, the buttons on the pattern/numeric keypad light in turn in the clockwise direction. During the demonstration, the control panel does not accept any operations other than pressing the AUTO TRANS button.

Demonstration with user-registered snapshots

It is also possible to have a demonstration with user-registered snapshots. In this case, hold down buttons 3 and 7 in the pattern/numeric keypad, and press the AUTO TRANS button. During the demonstration, the buttons on the pattern/numeric keypad light in turn in the counterclockwise direction.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Pattern/numeric keypad

AUTO TRANS button

DME Switcher Introduction

Chapter 3 Basic Operation

3-9

To end the demonstration

Press the AUTO TRANS button once more. The demonstration ends, and the control panel settings are those of the last effect in the demonstration.

DFS-700/700P

Page 26

DFS-700/700P

Chapter 3 Basic Operation

3-10

Chapter 3 Basic Operation

Using the Menus

This unit incorporates menus for various effect settings and internal color matte settings, and also a setup menu for system settings. This section describes the basic menu operation.

Accessing a menu

Press one of the buttons in the menu control section. For example, to recall the menu for internal color matte settings, press the MATTES button in the menu control section. The MATTE menu appears in the menu display in the effect control section.

In this manual, menus are shown in a tabular format. The following example shows the MATTE menu.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Menu control section

Menu page number “1/2” means that this is the first of two pages.

Menu name

Refers to the PAGE button.

Refers to buttons and knobs F1 to F5.

Setting items (parameters)

Values for the settings “0-100” indicates a numerical range.

Menu display

MATTE P 1/2

SELECT INT V

Lum 0-100

Sat 0-100

Hue 0-99

CH2BRD BRDMAT

PA GE F1 F2 F3 F4 F5

A “P” appears here when preread editing is on.

DME Switcher Introduction

Chapter 3 Basic Operation

3-11

Changing settings

•For settings with values shown in letters, press the corresponding one of buttons F1 to F5. In the text, this is shown as “the F1(SELECT) button,” with the setting name after the button name F1 to F5.

•To change a setting with a numerical value, turn the corresponding one of control knobs F1 to F5. In the text, this is shown as “the F2(Lum) knob,” with the setting name after the knob name F1 to F5.

•In the setup menu, when an item has a plus sign in front, hold down the F button (F4 or F5) and turn the corresponding knob. For example, in page 3/8 of the setup menu, to change the setting for F4 [+H-pos], hold down the F4 button and turn the F4 knob.

To change the menu page

Press the PAGE button.

Buttons of the menu control section which light when pressed

When you press one of these buttons, it lights, and the settings in the menu recalled by the button are reflected in the monitor display. To avoid this, for example just to check the settings in a menu, hold down the SHIFT button while pressing the menu button.

1-19

Page 27

1-20

Chapter 3 Basic Operation

3-12

Chapter 3 Basic Operation

Selecting Images

BF FB

B: background image F: foreground image

Background Image and Foreground Image

Background and foreground in a transition effect

In a transition from one image to another, the old image is referred to as the “background image”. The new image, which replaces the old image, is referred to as the “foreground image”. When a transition completes, the background image and foreground image are interchanged.

Example transition effect: wipe

Background and foreground in an animation effect

In an animation effect, in which an effect pattern is inserted in the image or moved about on the image, the background image is the background to the effect, and the inserted effect is referred to as the “foreground image”. When an animation effect completes, the background image and foreground image are not interchanged.

Example animation effect: picture-in-picture

Chapter 3 Basic Operation

3-13

Selecting the background image and foreground image

As the background image and foreground image you can select any of the video signals connected to the VIDEO INPUT 1 to 8 connectors of the processor unit (corresponding to BACKGROUND/FOREGROUND bus buttons 1 to 8), a freeze frame stored in the frame memory (MEMORY button), or internal pattern signal (INT VIDEO button).

To select the background image, press one of BACKGROUND bus buttons 1 to 8.

The pressed button lights red.

To select the foreground image, press one of FOREGROUND bus buttons 1 to 8.

The pressed button lights amber.

Program output and lit button colors

The BACKGROUND bus buttons and FOREGROUND bus buttons light in two colors, depending on whether or not the corresponding image is present in the current program monitor output (on a video monitor connected to the PGM OUT connector).

•A button lights red when the image is present in the program monitor output.

•A button lights amber when the image is not present in the program monitor output.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

DFS-700/700P

Page 28

DFS-700/700P

Chapter 3 Basic Operation

3-14

Chapter 3 Basic Operation

Switching the internal video signal selected by the INT VIDEO button

To switch the internal video signal selected by pressing the INT VIDEO button on either the background bus or foreground bus, use the following procedure.

Press the MATTES button in the menu control section.

Page 1 of the MATTE menu appears.

Press the PAGE button in the effect control section, to display page 2 of the MATTE menu, then press the F4(INTVID) button to select the desired signal.

MATTE 2/2

FROM INT VTOBORD

COPY EXEC

INTVID Matte

PTN 1-80

PA GE F1 F2 F3 F4 F5

You can select any of the following three possibilities. Matte: color background signal. In the following step 3, you can select

any of plain, or 79 different embossed patterns.

You can adjust the color of the color background signal as desired. For details, see the section “Adjusting Color Mattes” (page 3-57).

Bar: color bars Grid: a grid pattern

If you have selected a color background signal carry out either of the following.

•Hold down the INT VIDEO button in the background bus or foreground bus, and in the pattern/numeric keypad press the UP or DOWN button. Each time you press, the pattern changes, and the new pattern appears on the program monitor.

•Turn the F5(PTN) knob.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Selecting Images

Chapter 3 Basic Operation

3-15

Previewing the image after an effect is executed

Select the background image and foreground image, and set up the effect, then move the fader lever to the opposite end. You can now check on the program monitor the result of carrying out the currently set effect. If a preview monitor is connected, you can check the foreground image on the preview monitor.

1-21

Page 29

1-22

Chapter 3 Basic Operation

3-16

Chapter 3 Basic Operation

Selecting Signals Output to the Auxiliary Bus

To select the signal to be output to the auxiliary bus, press the desired AUXILIARY button (BLACK, 1 to 8, MEMORY, or INT VIDEO), turning it on.

To specify the function for which the selected signal is used, press one of the delegation buttons, turning it on.

CCR button: use for color correction. TITLE 1 SOURCE button: use as the key source signal for title key 1. TITLE 2 SOURCE button: use as the key source signal for title key 2. DSK FILL button: use as key fill for the downstream keyer. SUPER BG button: use as background for 3D effects, two-channel

DME effects and so on.

FRGD 2 button: use as the second foreground channel for 3D effects,

two-channel DME effects and so on.

MEMORY button: capture in frame memory.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT

PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Delegation buttons

AUXILIARY buttons

Selecting Images

Chapter 3 Basic Operation

3-17

Selecting an Effect

This section describes the types of effects you can use on this system, and how to select an effect.

Types of Effect

The DFS-700/700P has more than 450 built-in effect patterns provided as standard. Each pattern is identified by a number, and the patterns are grouped together under headings such as “wipe” and “picture-in-picture”.

Transition effects and animation effects

Effects are broadly divided into transition effects and animation effects.

Transition effects: in these effects the background image is completely

replaced by the foreground image. When the effect completes, the colors in which the BACKGROUND and FOREGROUND bus buttons are lit become the reverse of those before the effect.

Animation effects: in these effects, for example, the foreground image is

inserted in the background image, and moved around. The foreground image does not completely replace the background image, and the colors in which the BACKGROUND and FOREGROUND bus buttons are lit stay the same.

For the differences between transition and animation effects, see the section “Background Image and Foreground Image” (page 3-12).

Modifications to effects

Depending on the effect pattern, the following modifications can be added.

•You can add a border to the boundary between the background image and foreground image, or blur the boundary.

•You can change the pattern position and size.

For details of the modifications that can be applied to the effect patterns, see the section “Effect Pattern Variant Forms and Decorations” (page A-22).

•You can change a pattern by changing its parameters. (Effects which can be changed by setting parameters are referred to as “user modifiable effects”.)

DFS-700/700P

Page 30

DFS-700/700P

Chapter 3 Basic Operation

3-18

Chapter 3 Basic Operation

Example Effects

This section shows as examples the effect patterns (“direct patterns”) which you can access simply by pressing a button in the pattern/numeric keypad. Note that the effect patterns shown below are the factory default assignments, and you can change the patterns assigned to buttons 0 to 9 and P IN P/RST.

For details of how to change the assignments, see the section “Changing Direct Pattern Assignments” (page 4-1).

The foreground image appears from the left, and wipes over the background image to the right.

The foreground image appears from the upper left corner, and wipes over the background image to the lower right.

The foreground image appears as a circle in the center of the image, and this circle grows, wiping over the background image.

Pattern number: 1 Effect type: wipe Motion type: transition

Pattern number: 9 Effect type: wipe Motion type: transition

Pattern number: 24 Effect type: wipe Motion type: transition

Selecting an Effect

Chapter 3 Basic Operation

3-19

The foreground image appears in the upper left corner, and fills the screen in a series of vertical strips.

The foreground image appears from the right, and slides over the background image to the left.

The foreground image appears as a door rotating toward the viewer to close, and covers the background. When the door is completely closed, the foreground fills the screen.

The image rotates about a vertical axis as though a panel with the background on one side. When the panel reaches 90 degrees to the plane of the screen, the foreground image appears on the other side, and completely fills the screen when the transition ends.

Pattern number: 700 Effect type: matrix wipe Motion type: transition

Pattern number: 1300 Effect type: slide Motion type: transition

Pattern number: 1700 Effect type: 3D rotation Motion type: transition

Pattern number: 1902 Effect type: flip Motion type: transition

1-23

Page 31

1-24

Chapter 3 Basic Operation

3-20

Chapter 3 Basic Operation

The foreground image appears as though progressively covering the background image.

The foreground image appears in a ball shape in the upper right. It “bounces” on the bottom of the screen, then when it reaches the top, turns into a plane and fills the screen, covering the background image.

The foreground image appears in the center as a rectangle, of the same aspect ratio as the screen, and grows larger until it covers the background image.

The foreground image appears as from within the ripples, finally covering the whole screen with no movement.

Pattern number: 2100 Effect type: page turn Motion type: transition

Pattern number: 2200 Effect type: sphere Motion type: transition

P IN P

RST

Pattern number: 1100 Effect type: picture-in-picture Motion type: animation

Pattern number: 2260 Effect type: ripple Motion type: transition

Selecting an Effect

Chapter 3 Basic Operation

3-21

Nonlinear effects

These effects include effects such as ripples, under names such as lens, burst, explosion, swirl, and rings.

Two-channel DME effects

These effects combine two foreground images with the background image. They include two-channel picture-in-picture, two-picture intersect, twopicture brick, two-channel page turn, and so on.

Note

To use two-channel DME effects requires the optional BKDF-711 2nd Channel DME Board.

Ripple

Lens Swirl

Explosion

Two-channel picture-in-picture

Two-picture Intersect Masked flip

DFS-700/700P

Page 32

DFS-700/700P

Chapter 3 Basic Operation

3-22

Chapter 3 Basic Operation

3D mapping effects

These effects use nonlinear image processing techniques. They include 3D page turn, 3D beveled edge, and so on.

Note

Using 3D mapping effects requires the optional BKDF-712 3D Video Mapping Effects Board. Using the three-picture cube effect also requires the optional BKDF-711 2nd Channel DME Board.

3D wave

3D page turn

3D beveled edge

Selecting an Effect

Three-picture cube

Multi-cube

3D cylinder

Chapter 3 Basic Operation

3-23

Selection in Direct Pattern Selection Mode

In the direct pattern selection mode, pressing any button (other than INS, DEL, UP, DOWN, or ENTER) in the pattern/numeric keypad directly selects an effect pattern.

For details of the effects assigned by factory default to the buttons in the pattern/ numeric keypad, see the previous section “Example Effects” (page 3-18).

Procedure

To select an effect pattern in the direct pattern selection mode, use the following procedure.

Note

If the EDIT button in the user program section (see page 2-11) is lit, first press it, turning it off.

Press the DIRECT PATTERN button, turning it on.

The unit is now in direct pattern selection mode.

In the pattern/numeric keypad, press the button assigned to the desired effect pattern, turning it on.

This selects the effect assigned to the button, and the pattern number appears in the PATTERN NUMBER display window.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

1-25

Page 33

1-26

Chapter 3 Basic Operation

3-24

Chapter 3 Basic Operation

Selection in Pattern Number Specification Mode

In the pattern number specification mode, you select the desired effect pattern by entering the number.

Procedure

To select an effect pattern in the pattern number specification mode, use the following procedure.

Note

If the EDIT button in the user program section (see page 2-11) is lit, first press it, turning it off.

Press the SET button, turning it on.

Enter the desired pattern number using buttons 0 to 9 on the pattern/ numeric keypad.

The number you entered appears in the PATTERN NUMBER display window. Dots appear at the lower right of each digit, indicating that the entry is not yet confirmed.

Press the ENTER button.

The dots to the lower right of the digits in the PATTERN NUMBER display window disappear, confirming the pattern number.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2 3

Selecting an Effect

Chapter 3 Basic Operation

3-25

If you enter a wrong number

Before pressing the ENTER button press the P IN P/RST button to cancel the wrong number, then enter the correct number.

Note

If you enter an invalid number (a number with no corresponding pattern), this is automatically corrected to the closest valid number larger than the number you entered. However, if you enter a number larger than 9309 this is corrected to pattern number 0001.

Adjusting the number before confirming

To increment the number by one, press the UP button. Hold down the UP button to increase the number continuously. To decrement the number by one, press the DOWN button. Hold down the DOWN button to decrease the number continuously.

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Chapter 3 Basic Operation

Modifying the Boundary — Border, Soft Edge, Beveled Edge, and Crop

You can apply a border to the boundary between the foreground image and background image, or mask unwanted parts of the image. There are four effects for modifying the boundary, as follows. You can use all four simultaneously.

Border: apply a border to the image boundary. Soft edge: blur the image boundary. Beveled edge: apply a bevel to the image boundary. Crop: adjust the image boundary position, to eliminate unwanted parts.

(For picture-in-picture and other effects in which a reduced image is used, reduce noise on the periphery of the image.)

Note

Depending on the effect pattern, you may not be able to apply the above effects. For details, see the section “Effect Pattern Variant Forms and Decorations” (page A-22).

Procedure

Controls used in modifying the boundary

To apply a border

Use the following procedure.

Press the BORDER button in the EDGE section, turning it on, and display page 1 of the EDGE menu.

EDGE 1/2

Border 0-100

Soft 0-100

BvlWid –100-100

BVLTYP 01-20

BvlInt 0-100

PAGE F1 F2 F3 F4 F5

Turn the F1(Border) knob, to set the width of the border.

EDGE section

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Effect control section

Chapter 3 Basic Operation

3-27

To blur the image boundary

Use the following procedure.

Press the SOFT button in the EDGE section, turning it on, and display page 1 of the EDGE menu.

EDGE 1/2

Border 0-100

Soft 0-100

BvlWid –100-100

BVLTYP 01-20

BvlInt 0-100

PAGE F1 F2 F3 F4 F5

Turn the F2(Soft) knob, to set the degree of boundary blurring.

To apply a beveled edge to the image boundary

Use the following procedure.

Press the BEVELD EDGE button in the EDGE section, turning it on, and display page 1 of the EDGE menu.

EDGE 1/2

Border 0-100

Soft 0-100

BvlWid –100-100

BVLTYP 01-20

BvlInt 0-100

PAGE F1 F2 F3 F4 F5

Turn knobs F3(BvlWid), F4(BVLTYP), and F5(BvlInt) to set the width, type, and contrast of the beveled edge.

To remove unwanted portions of the image

Use the following procedure.

Press any one of the BORDER, SOFT, and BEVELD EDGE buttons, turning it on, and display page 2 of the EDGE menu. (Press the PAGE button to change the page.)

EDGE 2/2

CROP AUTO

Left –400-400

Right –400-400

Top –300-300

Bottom –300-300

PAGE F1 F2 F3 F4 F5

To adjust the image boundary manually, press the F1(CROP) button to select “MANUAL”.

Turn the F2(Left), F3(Right), F4(Top), F5(Bottom) knobs, to adjust the four sides of the image boundary.

Note

If in step 2 you set F1(CROP) to “AUTO”, the automatic adjustment for the particular effect pattern is carried out. Selecting “OFF” disables the cropping.

When effect parameters are already adjusted

When parameters of a border, soft edge, beveled edge, or crop effect are already adjusted, simply pressing any one of the BORDER, SOFT, and BEVELD EDGE buttons in the EDGE section to turn it on allows you to apply the selected effects to the effect pattern.

1-27

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1-28

Chapter 3 Basic Operation

3-28

Chapter 3 Basic Operation

Indications in the EDGE menu with square brackets [ ]

The parameters in the EDGE menu for functions which are turned off appear in square brackets [ ]. For example, when the border function is off, when you display the EDGE menu the setting for Border appears in square brackets. In this state the knob adjustment is still valid. When you press the BORDER button, turning the function on, the new setting is reflected accordingly.

Modifying the Boundary — Border, Soft Edge, Beveled Edge, and Crop

Chapter 3 Basic Operation

3-29

Changing the Pattern Position and Size — Location (X)(Y)(Z)

You can adjust the position and size of an effect pattern when inserting a foreground image into the background image.

Note

For some effect patterns it is not possible to change their position and size. If pressing the LOCATION button does not turn it on, it means that one of those effect patterns is selected.

For details of whether position and size adjustment is possible for an effect, see the section “Effect Pattern Variant Forms and Decorations” (page A-22).

Procedure

To change the position and size of an effect pattern use the following procedure.

After checking in the section “Effect Pattern Variant Forms and Decorations” (page A-22), select an effect pattern for which it is possible to change the position and size.

To move the pattern horizontally (x-axis) or vertically (y-axis), move the joystick in the location section.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD

INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2 3

Y-axis (+)

X-axis (–) X-axis (+)

Y-axis (–)

Joystick

(continued)

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Chapter 3 Basic Operation

To move the pattern in the depth direction (z-axis), turn the Z-knob in the location section.

Z-knob

Changing the Pattern Position and Size — Location (X)(Y)(Z)

Chapter 3 Basic Operation

3-31

Modifying the Pattern — User Modifiable Effects

User modifiable effects are those effects for which you can modify the effect pattern by varying the parameters. The variable parameters vary from effect to effect.

For the pattern number of user modifiable effects, and the variable parameters, see the section “Effect Control Parameter List” (page A-5)

Procedure

To modify the effect pattern by varying the parameters, use the following procedure.

After checking in the section “Effect Control Parameter List” (page A-

5), select a user modifiable effect.

The variable parameters of the selected effect appear in the menu display. If the selected effect has no variable parameters, the menu display shows a message “No Adjustable Parameter”.

Using knobs and buttons F1 to F5, set the parameters.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

1-29

Page 37

1-30

Chapter 3 Basic Operation

3-32

Chapter 3 Basic Operation

Example of user modifiable effect parameters

As an example, if you select mosaic (pattern number 1016), the following parameters appear in the menu display.

1016 1/1

Size 0-100

Aspect 0-100

Soft 0-100

MskAsp 0-100

TYPE FLAT

PAGE F1 F2 F3 F4 F5

For the effect of the parameters, see the following figure.

Parameters for mosaic (pattern number 1016)

F1(Size): size of a mosaic cell F2(Aspect): aspect ratio of a mosaic cell

F4(MskAsp): aspect ratio of area to which mosaic is applied

Modifying the Pattern — User Modifiable Effects

Chapter 3 Basic Operation

3-33

Inserting Characters and Graphics (1) — Title Key

You can insert (or superimpose) text and graphics into the background image while applying effects. You can use either a luminance key or a chroma key for this insertion.

Luminance Key

In a luminance key, a certain luminance level in the foreground image is used as the threshold for creating the key signal, and the corresponding part of the foreground image is inserted into the background image. Normally the foreground image is on a black background, consisting of bright text to be inserted in the background image.

Two-channel luminance keying

With the optional 2nd Channel DME Board installed, you can also use a second luminance key channel. When using two luminance keys, you must make both title 1 and title 2 settings in the TITLE section of the menu control section. Note that to select the foreground signal used for the second luminance key, in the delegation section press the FRGD 2 button, turning it on, then select the desired video signal with one of the AUXILIARY buttons.

Background image

Foreground image

Composite image formed by

luminance keying (program output)

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Chapter 3 Basic Operation

Procedure

To insert text and graphics in a background image by means of a luminance key, use the following procedure.

With the BACKGROUND bus buttons, select the background image.

The selected background image appears on the program monitor.

With the FOREGROUND bus buttons, select the foreground image.

If a preview monitor is connected, the selected foreground image appears in the preview monitor.

Select the effect pattern, and press the TITLE button in the effect transition section, turning it on.

Note

Depending on the effect pattern, it may not be possible to use a luminance key. If such a pattern is selected, the TITLE button does not light. Check the “TITLE” column of the table in the section “Effect Pattern Variant Forms and Decorations” (page A-22), and select a pattern for which this shows a check mark (√).

When the TITLE button lights, the N/R button also automatically lights, indicating that the system is in N/R (normal/reverse) mode. While the TITLE button is lit, it is not possible to switch out of N/R mode.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Inserting Characters and Graphics (1) — Title Key

Chapter 3 Basic Operation

3-35

In the TITLE section of the menu control section, press a LUM button, turning it on.

The luminance key menu appears in the menu display. In the following example, the LUM button in column 1 is lit.

T1LUM 1/1

Clip 0-100

Gain 0-100

INVERT OFF

FILL VIDEO

Densty 0-100

PAGE F1 F2 F3 F4 F5

Either press the CUT button in the effect transition section, or move the fader lever.

A composite of the foreground and background images appears in the program monitor. At this point, though, (before adjustment), either of the background image or foreground image may not be visible.

When the foreground image consists of dark lettering on a light background

In the luminance key menu, press the F3(INVERT) button, turning it on, then continue to step 6.

Watching the composite image on the program monitor, use the F1(Clip) knob and F2(Gain) knob to adjust the clip and gain as necessary.

To switch between the composite image and the background image

Press the CUT button. This toggles between the composite image and the background image.

To fill the inserted text or image with a color matte (using a color matte as key fill)

You can use the same color as a border or the same color as an effect.

•To use the same color as a border, in the luminance key menu, press the F4(FILL) button to select “BDRMAT”.

•To use the same color as an effect, in the luminance key menu, press the F4(FILL) button to select “EFFMAT”.

To change the color of color mattes, see the section “Adjusting Color Mattes” (page 3-57).

To return from a color matte key fill to the foreground image, press the F4(FILL) button to select “VIDEO”.

Creating a composite image with a semi-transparent foreground image

Watching the composite image on the program monitor, turn the F5(Densty) knob, to adjust the transparency of the foreground image.

To remove the luminance key

Press the TITLE button in the effect transition section, turning it off.

1-31

Page 39

1-32

Chapter 3 Basic Operation

3-36

Chapter 3 Basic Operation

Inserting Characters and Graphics (1) — Title Key

Chroma Keying

In chroma keying, a key signal is created based on a specific reference color in the foreground image, and used to replace the corresponding parts of the foreground image by the background image. Normally, the foreground image is created with a plain blue background, which is then replaced by the background image.

In this system, you can use either of the following methods to carry out chroma keying.

•Auto chroma keying

You point the cursor at part of the background, thus specifying the keying color. This is the quick and easy way to make a composite image.

•Manual chroma keying

You specify the keying color by manual adjustment. This allows you finer control than with auto chroma keying.

By starting with auto chroma keying, then using manual chroma key adjustments as required, you can get the optimum composite image efficiently.

Two-channel chroma keying

With the optional BKDF-711 2nd Channel DME Board installed, you can use a second chroma key channel. To use two chroma key channels, set both title 1 and title 2 in the TITLE section of the menu control section. To select the foreground image used for the second chroma key channel, press the FRGD 2 button in the delegation section, turning it on, then with one of the AUXILIARY buttons select the desired video signal.

To use a normal effect for a title key

In this case, use one of the buttons in column 1 of the TITLE section to recall the title 1 setting menu (T1LUM, T1CRK, or T1MSK), and make the settings.

Background image

Foreground image

Composite image formed by chroma

keying (program output)

Chapter 3 Basic Operation

3-37

Auto chroma keying

To combine the background image and foreground image by auto chroma keying, use the following procedure.

Select the background image with the BACKGROUND bus buttons.

The selected background image appears on the program monitor.

Select the foreground image with the FOREGROUND bus buttons.

If a preview monitor is connected, the selected foreground image appears in the preview monitor.

Select the effect pattern, and press the TITLE button in the effect transition section, turning it on.

Note

Depending on the effect pattern, it may not be possible to use chroma keying. If such a pattern is selected, the TITLE button does not light. Check the “TITLE” column of the table in the section “Effect Pattern Variant Forms and Decorations” (page A-22), and select a pattern for which this shows a check mark (√).

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT

PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

5,7

(continued)

DFS-700/700P

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Chapter 3 Basic Operation

3-38

Chapter 3 Basic Operation

Inserting Characters and Graphics (1) — Title Key

In the TITLE section of the menu control section, press the CRK button, turning it on.

In the menu display page 1 of the chroma key menu appears. The following example appears when the CRK button in column 1 is lit.

T1CRK 1/3

Clip 0-100

Gain 0-100

Hue 0-99

Angle 0-100

AUTO

PAGE F1 F2 F3 F4 F5

Press the F5(AUTO) button.

In the program monitor screen, the foreground image appears with a white box cursor.

The menu changes to the auto chroma key menu (T1ACR).

T1ACR 1/1

Pos H –100-100

Pos V –100-100

Size 0-100

– – AUTO CANCEL START

CRK – –

PAGE F1 F2 F3 F4 F5

Turn the following knobs to adjust the cursor, to select the background color which is used as the reference color for chroma keying.

Notes

•You can also adjust the cursor using the joystick and Z-knob in the LOCATION section.

•If you press a button which is not related to auto chroma key operations, this automatically ends the auto chroma key mode.

If there are variations in the background color

Make the cursor as large as possible.

Press the F5(START) button.

This executes the auto chroma key, and a composite of the background and foreground images appears in the program monitor.

Cursor

Foreground image

Cursor adjustment Control knob

Move horizontally. F1(Pos H) Move vertically. F2(Pos V) Change the size. F3(SIZE)

Chapter 3 Basic Operation

3-39

Making fine adjustments to the composite image

Following the manual chroma key procedure (see next page), adjust the hue, clip, and gain for the specified chroma key color. You can also adjust the luminance of the part cut out by the chroma key.

To switch between the composite image and the background image

Press the CUT button. This toggles between the composite image and the background image.

To fill the inserted text or image with a color matte (using a color matte as key fill)

You can use the same color as a border or the same color as an effect.

•To use the same color as a border, in the chroma key menu (T1CRK), press the F4(FILL) button to select “BDRMAT”.

•To use the same color as an effect, in the chroma key menu (T1CRK), press the F4(FILL) button to select “EFFMAT”.

To change the color of color mattes, see the section “Adjusting Color Mattes” (page 3-57).

To return from a color matte key fill to the foreground image, in page 2 of the chroma key menu (T1CRK) press the F4(FILL) button to select “VIDEO”.

Color matte key fill

Composite image (program output)

1-33

Page 41

1-34

Chapter 3 Basic Operation

3-40

Chapter 3 Basic Operation

Manual chroma key

To combine the background image and foreground image by manual chroma keying, use the following procedure.

Using the same process as in steps 1 to 3 of the procedure for auto chroma keying (see page 3-37), select the background image, foreground image, and effect pattern.

In the TITLE section of the menu control section, press the CRK button, turning it on.

In the menu display page 1 of the chroma key menu appears. The following example appears when the CRK button in column 1 is lit.

T1CRK 1/3

Clip 0-100

Gain 0-100

Hue 0-99

Angle 0-100

AUTO

PAGE F1 F2 F3 F4 F5

Press the CUT button in the effect transition section.

A composite of the foreground and background images appears in the program monitor. At this point, though, (before adjustment), either of the background image or foreground image may not be visible.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Inserting Characters and Graphics (1) — Title Key

Chapter 3 Basic Operation

3-41

Watching the composite image on the program monitor, in page 1 of the chroma key menu, adjust the hue, clip, and gain.

When the background part of the foreground image is not completely replaced by the background image

Adjust the hue with the F3(Hue) knob and the clip with the F1(Clip) knob.

When the outline of the foreground image is not clear

Adjust the clip with the F1(Clip) knob and the gain with the F2(Gain) knob.

In combination with a luminance key

Press the PAGE button to display page 3 of the chroma key menu, then press the F1(LUM) button, setting the parameter to “ON”.

T1CRK 3/3

LUM ON

Clip 0-100

Gain 0-100

INVERT OFF

PAGE F1 F2 F3 F4

Watching the composite image on the program monitor, use the F2(Clip) knob to adjust the clip, and the F3(Gain) knob to adjust the gain. To leave dark portions, press the F4(INVERT) button, setting the parameter to “ON”.

To switch between the composite image and the background image

Press the CUT button. This toggles between the composite image and the background image.

To fill the inserted text or image with a color matte (using a color matte as key fill)

Use the same procedure as for an auto chroma key (see page 3-39).

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Chapter 3 Basic Operation

Adjusting the hue range for chroma keying (the “angle” setting)

If there are fluctuations in the background color in the foreground image, it may not be immediately possible to key the background image into the whole of the desired background. In this case, you can correct this by increasing the range of hues (the “angle” setting) used for chroma keying. (This means using a wider-angled sector of the hue circle.)

Angle setting (Example: using a blue background color)

•Increasing the angle increases the range of hues replaced by the background image, including shades of cyan and magenta.

•Decreasing the angle decreases the range of hues replaced by the background image, restricting it to closely-matching blues.

Note

If the foreground image includes a color close to the “background” color in a position not intended to be replaced by the background image, then if you make the hue range too wide this part will also be filled by the background image (key fill).

Eliminating bleeding of colors into the edge of the inserted image (color cancel function)

In a chroma key composite image, on the boundary of the inserted image, the “background” keying color in the foreground image (usually blue) tends to bleed into the boundary with the background image. In this case, by replacing the keying color in the composite image by another color (for example gray), the boundary is made to stand out less. This function is called “color cancel”.

To use the color cancel function, use the following procedure.

In the TITLE section of the menu control section, press the CRK button, turning it on, and display page 2 of the chroma key menu.

The following example appears when the CRK button in column 1 is lit.

T1CRK 2/3

COLCANONSat

0-100

Hue 0-99

Densty 0-100

FILL VIDEO

PAGE F1 F2 F3 F4 F5

In the effect transition section, press the TITLE button, turning it on, then press the CUT button.

A composite of the foreground and background images appears in the program monitor.

Press the F1(COLCAN) button, setting the parameter to “ON”.

Inserting Characters and Graphics (1) — Title Key

Chapter 3 Basic Operation

3-43

Watching the composite image on the program monitor, turn the F3(Hue) and F2(Sat) knobs, until the boundary between the background image and foreground image provides a natural match of hue and saturation.

Creating a composite image with a semi-transparent foreground image (density function)

You can make the inserted image semi-transparent, and insert it into the background image.

Use the following procedure.

In the TITLE section of the menu control section, press the CRK button, turning it on, to display page 2 of the chroma key menu.

The following example appears when the CRK button in column 1 is lit.

T1CRK 2/3

COLCANONSat

0-100

Hue 0-99

Densty 0-100

FILL VIDEO

PAGE F1 F2 F3 F4 F5

Watching the composite image on the program monitor, turn the F5(Densty) knob, to adjust the transparency of the inserted image.

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Chapter 3 Basic Operation

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Chapter 3 Basic Operation

Masking Part of a Title Key

You can apply a rectangular mask, to eliminate unwanted parts of the key. The masked part is filled with the background image. This operation is common to luminance and chroma keys.

In the TITLE section of the menu control section, press one of the MASK buttons, turning it on.

The mask menu appears in the menu display. The following example appears when the MASK button in column 1 is lit.

T1MSK 1/1

Left –400-400

Right –400-400

Top –300-300

INVERT OFF

Bottom –300-300

PAGE F1 F2 F3 F4 F5

Turn the F1(Left), F2(Right), F3(Top), and F4(Bottom) knobs to set the mask region.

Removing the mask Press the MASK button lit in step 1, turning it off.

To invert the mask

In the mask menu, press the F5(INVERT) button, setting it to “ON”.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Inserting Characters and Graphics (1) — Title Key

Chapter 3 Basic Operation

3-45

As its name implies, the downstream key (often abbreviated as DSK) is a key which is added downstream the title keying stages, to the alreadyformed composite image made up of the background and foreground images.

Note that if a preview monitor is connected, you can use it to preview the downstream key on the composite image by pressing the DSK PVW button in the fade-to-black/downstream key section.

Inserting Characters and Graphics (2) — Downstream Key

Background image

Foreground image

Program output

Key source signal

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Chapter 3 Basic Operation

Inserting Characters and Graphics (2) — Downstream Key

Procedure

To insert a downstream key, use the following procedure.

For details of key source and key fill signal connections, see the section “Key Signal Connections” (page 6-3).

First create the image into which the downstream key is to be inserted.

1) Select the background and foreground images.

2) Select the effect, and create the desired composite image.

Select the key source signal for the downstream key.

1) In the DSK section of the menu control section, press the LUM

button, turning it on, and display page 2 of the downstream key (DSK) menu.

DSK 2/2

SOURCE EXT

PAGE F1

2) Press the F1(Source) button, and select the signal to be used as the

key signal. EXT: Use the signal input to the DSK KEY IN connector (external

key mode).

SELF: Use the signal specified as “DSK FILL” in the delegation

section (self-keying mode).

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

342

Chapter 3 Basic Operation

3-47

Select the downstream key fill signal.

1) Press the PAGE button, and switch to page 1 of the downstream

key menu.

DSK 1/2

Clip 0-100

Gain 0-100

INVERT OFF

Densty 0-100

FILL VIDEO

PAGE F1 F2 F3 F4 F5

2) Press the F4(FILL) button, to select the signal used as the key fill

signal. VIDEO: Use the signal specified as “DSK FILL” in the delegation

section. When you select this, press the DSK FILL button in the delegation section, turning it on, then select the desired bus with the AUXILIARY buttons.

DSKMAT: Use an internal DSK matte signal. NONE: Do not use a key fill signal (applying the border only).

Note

When you select “NONE”, DSK border automatically goes on. If you now forcibly turn the DSK border off, the downstream key will not appear.

Set the downstream key transition time (the time taken to insert the key). For an instantaneous insert, set the transition time to zero.

For details of the setting, see the section “Setting the Transition Time” (page 3-51).

Press the DSK button to insert the downstream key.

When the downstream key has been inserted, the DSK button lights red. During the transition, the DSK button lights amber.

Note

Downstream keys are always delayed by 6H.

Deleting the downstream key

When the DSK button is lit red, press it, turning it off.

Adjusting the outline of the downstream key

If the outline of the inserted text or graphics is not sharp, in page 1 of the downstream key menu, adjust the F1(Clip) and F2(Gain) knobs as follows.

•To adjust the degree to which the key is cut out, turn the F1(Clip) knob to adjust the clip level.

•To adjust the sharpness of outline of the key, turn the F2(Gain) knob to adjust the key gain.

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Chapter 3 Basic Operation

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Chapter 3 Basic Operation

To invert the downstream key source signal

Depending on the desired sense of the key source signal (whether the white or black portions form the key), in page 1 of the downstream key menu make the following setting.

•For white lettering on a black background, press the F3(INVERT) button, setting it to “OFF”.

•For black lettering on a white background, press the F3(INVERT) button, setting it to “ON”.

Applying a border to a downstream key

You can apply a border to the text or graphics inserted as a downstream key, and adjust the border color.

For details of adjusting the border color, see the section “Adjusting Color Mattes” (page 3-57).

To apply a border to a downstream key, use the following procedure.

In the DSK section of the menu control section, press the BORDER button, turning it on.

The downstream key border setting menu (DSK)appears.

DSK 1/1

TYPE Double

PAGE F1

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

321

Inserting Characters and Graphics (2) — Downstream Key

Chapter 3 Basic Operation

3-49

Press the F1(TYPE) button, to select the border type.

Wide: wide border Narrow: narrow border Drop: drop border Double: double border (combination of drop and narrow borders)

If you selected drop border or double border, you can now specify the border position with the F2 button.

DSK 1/1

TYPE Double

POS T+R

PAGE F1 F2

If in step 2 you selected drop border or double border, press the F2(POS) button to specify the border position.

Each time you press the button it cycles to the next in the sequence “T+L” (top and left)” t “T+R” (top and right)” t “B+R” (bottom and right) t “B+L” (bottom and left).

To remove the border

In the DSK section of the menu control section, press the BORDER button, turning it off.

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Chapter 3 Basic Operation

To mask a part of the downstream key

You can mask out unwanted portions of a downstream key (text or graphics).

To use the mask function, use the following procedure.

In the DSK section of the menu control section, press the MASK button, turning it on.

The mask menu (DKMSK) appears in the menu display.

DKMSK 1/1

Left –400-400

Right –400-400

Top –300-300

INVERT OFF

Bottom –300-300

PAGE F1 F2 F3 F4 F5

Turn the F1(Left), F2(Right), F3(Top), and F4(Bottom) knobs to set the mask region.

Removing the mask Press the MASK button lit in step 1, turning it off.

To invert the mask

In the mask menu, press the F5(INVERT) button, setting the parameter to “ON”.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Inserting Characters and Graphics (2) — Downstream Key

Chapter 3 Basic Operation

3-51

Setting Up a Transition

This section describes how to set the transition time and transition direction.

Setting the Transition Time

The transition time measures the duration of an effect in frames (1/30 second (NTSC) or 1/25 second (PAL)), ranging from 0 to 999 frames. In this system, you can set the transition time for a downstream key or fade-to-black independently of the transition time for an effect.

Procedure

To set the transition time, use the following procedure.

Press the SET button in the effect transition section until the appropriate display window mode indicator (EFFECT, DSK, or FTB) is lit.

EFFECT: for setting the effect transition time DSK: for setting the downstream key transition time FTB: for setting the fade-to-black transition time

Note

If the EDIT button in the user program section is lit, it is not possible to set the transition time. Press the EDIT button, turning it off.

With buttons 0 to 9 in the pattern/numeric keypad, enter the desired transition time (0 to 999 frames).

The value entered appears in the TRANS RATE display window, and dots appear to the lower right of the digits. You can use the UP and DOWN buttons to adjust the value.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD

INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

(continued)

1-39

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Chapter 3 Basic Operation

3-52

Chapter 3 Basic Operation

Press the ENTER button.

The dots to the lower right of the digits disappear, confirming the transition time.

If you make a mistake entering the time

Before pressing the ENTER button press the P IN P/RST button to return the display to the last confirmed value, then enter the correct time.

Setting the Transition Direction

Transition effects are normally executed in the direction in which the foreground image enters (forwards, or “normal”). To reverse the direction, before executing the transition, press the REV button in the effect transition section, turning it on. Pressing the REV button once more turns it off, and reverts to the normal direction.

If you have selected an animation effect, the N/R button lights, and the normal and reverse directions are used alternately. Each time an effect completes, the REV button goes on or off alternately.

REV button

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD

INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

N/R button

Setting Up a Transition

Chapter 3 Basic Operation

3-53

Operation of transition effects

The following figure illustrates the execution of an example transition effect. In the figure, “B” is the background image and “F” the foreground image.

For the direction of operation of other transition effects, see the section “Effect Motion Types” (page A-21).

Operation of animation effects

The following figure illustrates the execution of an example animation effect. In the figure, “B” is the background image and “F” the foreground image.

For the direction of operation of other animation effects, see the section “Effect Motion Types” (page A-21).

Operation in the normal direction (REV button off)

Pattern number 1630

Operation in the reverse direction (REV button on)

Pattern number 1630

Operation in the normal direction (REV button off)

Pattern number 1100

Operation in the reverse direction (REV button on)

Pattern number 1100

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Chapter 3 Basic Operation

To execute an effect, after setting the execution direction (normal/reverse), in the effect transition section press the AUTO TRANS button, or move the fader lever.

Using the fader lever

By moving the fader lever from one end of its travel to the other at any desired speed, you can manually control the transition. The transition indicator on the left of the fader lever lights progressively corresponding to the status of the transition. When the transition completes, the transition indicator goes completely off. For an effect in which the image switches like a cut, the transition occurs when the fader lever is in the center position.

Note

After powering on the system, move the fader lever once through the whole of its travel. This will ensure that the fader lever operates correctly.

To pause the transition

Stop moving the fader lever.

To resume the transition

Start moving the fader lever again.

Executing an Effect

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

AUTO TRANS button

Fader lever

Chapter 3 Basic Operation

3-55

Using the AUTO TRANS button

To execute the effect automatically at the preset transition time, press the AUTO TRANS button, turning it on.

To pause the transition

During the transition, press the AUTO TRANS button, turning it off.

Note

If the fader lever is in an intermediate position, then the transition pauses at the corresponding position. To make sure the transition does not pause, first move the fader lever to either end of its travel.

To resume the transition

Press the AUTO TRANS button again.

Using the fader lever and AUTO TRANS button together

You can use the AUTO TRANS button to complete a transition started and paused with the fader lever, or in the opposite way, use the fader lever to complete a transition started and paused with the AUTO TRANS button.

•If you resume a transition partially executed with the fader lever, using the AUTO TRANS button, then the transition time taken is in proportion to the setting for the entire transition. For example, if the transition time is set to 100 frames, and you carry out the equivalent of 25 frames with the fader lever, then press the AUTO TRANS button, the remainder of the transition will take 75 frames.

•If you partially execute the transition with the AUTO TRANS button, then start moving the fader lever, the transition resumes when the fader lever reaches the corresponding intermediate position.

Note

When you carry out an auto transition by controlling the processor unit from an external editor through the EDITOR connector, then regardless of the fader lever position, the transition is executed in its entirety.

1-41

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Chapter 3 Basic Operation

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Chapter 3 Basic Operation

Checking the direction and state of progress of the transition

Whether you are carrying out the effect manually or automatically, the transition indicator on the left of the fader lever (20 LEDs) shows the state of progress of the transition. When you start the transition, the indicator lights progressively in the direction of the transition, and goes off when the transition completes. If you pause the transition, the indicator remains on in the corresponding position. You can always complete a paused transition by moving the fader lever in the direction of the unlit indicator segments.

Direction of progress of transition

Direction of moving fader lever

Transition indicator Of the 20 LEDs, ten are lit, showing that the transition is one-half completed.

Executing an Effect

Chapter 3 Basic Operation

3-57

Adjusting Color Mattes

You can adjust the color of each color matte individually, and also copy parameters from other color mattes.

Procedure

To adjust a color matte, use the following procedure.

Press the MATTES button in the menu control section, to display page 1 of the MATTE menu.

MATTE 1/2

SELECT INT V

Lum 0-100

Sat 0-100

CH2BRD BRDMAT

Hue 0-99

PAGE F1 F2 F3 F4 F5

Press the F1(SELECT) button, to select the color matte to adjust.

INT V (internal video): color matte used for foreground and

background images

BORD (border): color matte used to fill the border applied to an

effect pattern, and as key fill for a title key

EFFECT: general-purpose color matte for use in effects SHADOW: color matte used for shadows around an input image (fill) DSKFL (DSK fill): color matte used as key fill for a downstream key DSKBD (DSK border): color matte used for a downstream key border FTB: color matte used in place of black in the fade-to-black function

Turn the F2(Lum), F3(Sat), and F4(Hue) knobs, to adjust the luminance, saturation, and hue.

Note

If you vary the luminance of a color matte signal with high saturation, the saturation is automatically adjusted so as not to go outside the signal specifications.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

123

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Chapter 3 Basic Operation

To copy a matte color

To copy the color matte parameters from another color matte, use the following procedure.

Press the MATTES button in the menu control section, to display page 2 of the MATTE menu. (Press the PAGE button to change pages.)

MATTE 2/2

FROM INT VTOBORD

COPY EXEC

PAGE F1 F2 F3

INTVID Matte

PTN 1

F4 F5

Press the F1(FROM) button, to select the color matte to be copied.

Press the F2(TO) button, to select the color matte to which you want to make the copy.

Press the F3(COPY) button, to carry out the copy.

Adjusting Color Mattes

Chapter 3 Basic Operation

3-59

The color correction function allows you to adjust the overall color balance of images, or correct the white balance for different lighting color temperatures. You can apply color correction to the signal input to any one of the primary input connectors (VIDEO INPUT 1 to 8).

Notes

•Color correction settings cannot be saved in a snapshot.

•The color correction function cannot be used for the effect patterns numbered 2261, 2264, 2267, 2269, and 2279.

Procedure

To adjust the color balance with the color correction function, use the following procedure.

Press the CCR button in the delegation section, turning it on.

Press one of the AUXILIARY buttons, turning it on, to select the bus to which the color adjustment applies.

Press the CCR button in the menu control section, turning it on, to display the color correction menu (CCR).

CCR 1/1

Gain 0-100

Hue 0-99

Offset 0-100

Gamma 0-100

HueRot 0-99

PAGE F1 F2 F3 F4 F5

Adjusting Image Colors — Color Correction

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT VIDEO

12345678

PATTERN/KEY PAD

(continued)

1-43

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Chapter 3 Basic Operation

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Chapter 3 Basic Operation

Watching the image on the monitor, turn the F1 to F5 knobs to adjust the color.

F1(Gain): adjust the chrominance gain (the depth of the colors). F2(Hue): adjust the hue.

Note

When F3(Offset) is set to its minimum value of zero, turning the F2(Hue) knob has no effect on the hue.

F3(Offset): vary the adjustment range of the F2(Hue) knob.

The larger the value of “Offset,” the wider the range of color adjustment. A smaller value for “Offset” means that the F2(Hue) knob can be used for fine adjustment.

F4(HueRot): set the hue. F5(Gamma): adjust the gamma value of the luminance signal.

To turn off the color correction function

In the menu control section press the CCR button, turning it off.

Adjusting Image Colors — Color Correction

Chapter 3 Basic Operation

3-61

Using the frame memory function, you can capture a “freeze frame” from input video or store a still frame. You can then use this still image as a video source.

Procedure

To capture a freeze frame in memory, use the following procedure.

If the FREEZ button is lit, press it, turning it off.

In the delegation section press the MEMORY button, turning it on.

Press one of the AUXILIARY buttons, turning it on, to select the input video signal.

Press the MEMORY button in the BACKGROUND bus button row, turning it on.

• To capture a frame from still video, press the FRAME button turning it on.

• To capture a field from moving video, leave the FRAME button off.

(Pressing the FRAME button toggles it on and off.)

Press the FREEZ button, turning it on, to capture the image. (For capture from a moving video input, press the FREEZ button at the point you want to capture.)

The captured image appears on the output bus, and is written to memory.

Note

Even if other than MEMORY is selected on the BACKGROUND bus buttons, you can still capture the selected image with an AUXILIARY button.

Freezing an Input Image — Frame Memory Function

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT DSK

FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT VIDEO

12345678

PATTERN/KEY PAD

3 4

5 1,6

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Chapter 3 Basic Operation

Recalling a freeze frame saved in memory

In the BACKGROUND or FOREGROUND bus button row, press MEMORY, turning it on.

Note

When the unit is powered off, the saved frame is lost from memory.

Freezing an Input Image — Frame Memory Function

Chapter 3 Basic Operation

3-63

Fade-to-Black

The fade-to-black allows you to gradually fade the image on the preview monitor (the background image) until it is completely black.

To carry out a fade-to-black

Press the FADE TO BLACK button in the fade-to-black/downstream key section. During the transition, the FADE TO BLACK button lights amber, and when the transition completes (when the image is completely black), lights red.

To end a fade-to-black

When the FADE TO BLACK button is lit red (the screen is black), press the FADE TO BLACK button. The output gradually changes from black to the image selected on the BACKGROUND bus buttons.

To reverse the direction of a fade-to-black transition during execution

During the transition (while the FADE TO BLACK button is lit amber), press the FADE TO BLACK button. This immediately reverses the direction of the transition.

Setting the fade-to-black transition time

Follow the procedure in the section “Setting the Transition Time” (page 3-

51).

To change the color from black

Follow the procedure in the section “Adjusting Color Mattes” (page 3-57).

To prohibit a fade-to-black

See F4 in the section “Control Panel Setup (page 5/8)” (page 6-10).

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

FADE TO BLACK button

1-45

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1-46

Chapter 4 Advanced Operations

4-1

Chapter

Adv anced Operations

Changing Direct Pattern Assignments

You can change the effect patterns assigned to the buttons 0 to 9 and P IN P/RST. Doing so allows you to select frequently used patterns simply by pressing the corresponding buttons in direct pattern selection mode.

To change the direct pattern assignment

To change the direct pattern assignment to the buttons 0 to 9 and P IN P/ RST, use the following procedure.

Press the SET button.

The button lights, and the unit enters pattern number entry mode.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD

INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2,4

PATTERN NUMBER display window

(continued)

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Chapter 4 Advanced Operations

4-2

Chapter 4 Advanced Operations

Use buttons 0 to 9 to enter the pattern number you want to assign to a button.

For more information about pattern numbers, see the section “Effect Pattern Image List” (page A-29).

The number you enter appears in the PATTERN NUMBER display window.

Press the ENTER button.

While holding down the DIRECT PATTERN button, press the button (0 to 9, or P IN P/RST) to which you want to assign the pattern.

The button you pressed lights, and the pattern number entered in step 2 is assigned to the button.

To restore the default assignments (direct pattern reinitialization)

After changing pattern assignments, you can restore the factory default assignments shown in “Example Effects” (page 3-18).

To return all of the buttons 0 to 9 and P IN P/RST to their factory default assignments, use the following procedure.

Press the SET UP button.

The setup menu appears.

Press the PAGE button to display page 6/8.

Press the F4(KEYPAD) button to set it to “ON”.

Press the F5(EXEC) button.

Press the F3(OK) button.

This returns all of the assignments to the 0 to 9 and P IN P/RST buttons to their factory default settings.

Changing Direct Pattern Assignments

Chapter 4 Advanced Operations

4-3

User Program Effects

In addition to the internal effect patterns, you can also create usercustomized effect patterns. These are referred to as “user program effects.” With standard equipment you can save a maximum of 40 effects. You use these effect patterns in the same way as the internal patterns, using the assigned number.

Constructing a User Program Effect

You build a user program effect from key frames, which show an outline of the animation. A user effect can consist of up to eight key frames, numbered from 1 to 8. When you execute the effect, it runs through the key frames in sequence, starting from the highest numbered, and ending on key frame 1. Therefore, when creating the effect you save the movement in the reverse direction (with the image selected on the foreground bus moving outside the screen). By pressing the REVERSE button, turning it on, you can execute the effect in the reverse order of the created key frames. You can adjust the interval between key frames by a menu setting. When you execute a user program effect, the interval between key frames is automatically interpolated using spline curves, producing a smooth effect. You can also adjust the smoothness of the spline curves (i.e. the movement) when executing the effect.

If you execute a user program effect that consists of a single key frame, the result is that the foreground image appears against the background image, subjected only to the effect defined for key frame 1.

Key frame 1 Key frame 2

Key frame 1

Key

frame 2

Effect created by interpolation

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Chapter 4 Advanced Operations

4-4

Chapter 4 Advanced Operations

Types of User Program Effect

There are four types of user program effects. The four types must be registered saved in the pattern number ranges shown below.

Linear: effects built from rotation, magnification, and movement of the

x-, y-, and z-axes

For details of the modification parameters, see page 4-6.

Nonlinear: modifications of the page turn, page roll, and sphere effects,

together with z-axis rotation, magnification, and movement

For details of the modification parameters, see page 4-7.

Transition effects: effects which accomplish a transition from one scene

to another. After the effect completes, the background image (B) and foreground image (F) are interchanged.

Example of a transition user program effect

When you execute an effect saved as shown above in the “normal” direction (with the REV button off), the key frames go in the sequence from 4 to 1.

Animation effects: effects in which the foreground image (F) remains on

the background image (B). You can vary the shape of the foreground image, or move it about the screen.

Example of an animation user program effect

When you execute an animation effect saved as shown above in the “normal” direction (with the REV button off), again the key frames go in the sequence from 4 to 1.

Effect type Pattern number

Linear Transition 9000 to 9009

Animation 9100 to 9109

Nonlinear Transition 9200 to 9209

Animation 9300 to 9309

Key frame 1 Key frame 2 Key frame 3 Key frame 4

User Program Effects

Chapter 4 Advanced Operations

4-5

Modification Parameters

You can adjust key frames, using the effect control section and location section to set the parameters described on pages 4-6 and 4-7.

• If you specify a linear user program effect number, the following three pages appear in the menu display. Page 1/3: Rot-X, Rot-Y, Rot-Z, Pers Page 2/3: Loc-X, Loc-Y, Loc-Z, KfDur

You can control Loc-X, Loc-Y, and Loc-Z from the location section.

Page 3/3: key frame temporary storage

• If you specify a nonlinear user program effect number, the following three pages appear in the menu display. Page 1/3: Angle, Offset, Rot-Z, Radius, FORM Page 2/3: Loc-X, Loc-Y, Loc-Z, KfDur

You can control Loc-X, Loc-Y, and Loc-Z from the location section.

Page 3/3: key frame temporary storage

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

Location section

Menu display

Control knobs

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Chapter 4 Advanced Operations

4-6

Chapter 4 Advanced Operations

Parameters for linear user program effects (9000 to 9009 and 9100 to 9109)

User Program Effects

Controls and parameters

Impression of parameter adjustment

Joystick, Loc-X knob Movement along x-axis

Joystick, Loc-Y knob Movement along y-axis

Location section, Z-knob, Loc-Z knob Magnification

Rot-X knob Rotation about the x-axis

Rot-Y knob Rotation about the y-axis

Rot-Z knob Rotation about the z-axis

Pers knob Perspective adjustment

Chapter 4 Advanced Operations

4-7

Parameters for nonlinear user program effects (9200 to 9209 and 9300 to 9309)

Controls and parameters Impression of parameter adjustment

Joystick, Loc-X knob Movement along x-axis

Joystick, Loc-Y knob Movement along y-axis

Location section, Z-knob Loc-Z knob Magnification

Angle knob Direction of folding

OFFSET knob Degree of modification

Rot-Z knob Rotation about the z-axis

Radius knob Tightness of winding

FORM (F5 button) Type of modification

KfDur Time interval from one key frame to the next. (Not valid for key frame 1)

(See page 4-9.)

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Chapter 4 Advanced Operations

4-8

Chapter 4 Advanced Operations

Displaying parameter values

The numerical values of the parameters appear in the menu.

Numerical parameter values

a) 600 corresponds to the full width of the screen. b) 300 corresponds to the full height of the screen. c) 100 corresponds to 360 degrees. d) For SPHERE, the Angle and the Radius parameter do not function.

Resetting the parameters to their initial values

•To reset all of the parameters, hold down the INITIAL button, and press the PATTERN ADJ button. The initial values of the parameters are for an unmodified image occupying the whole screen.

• To reset all of the parameters on a particular page, hold down the INITIAL button, and press the PAGE button.

• To reset a particular parameter only, press the corresponding function button while holding down the INITIAL button.

User Program Effects

Parameter Function Value range Default

Loc-X Movement along x-axis –800 to +800

Loc-Y Movement along y-axis –600 to +600

0 Loc-Z Magnification 0 to 200 100 KfDur Key frame duration 1 to 100 50 Rot-X Rotation about the x-axis –400 to +400

0 Rot-Y Rotation about the y-axis –400 to +400

0 Rot-Z Rotation about the z-axis –400 to +400

0 Pers Perspective 0 to 400 200 Angle Direction of folding –100 to +100

20 Offset Degree of modification 0 to 200 0 Rot-Z Rotation about the z-axis –400 to +400

0 Radius Radius 0 to 100 0 FORM Type of modification TURN, ROLL, SPHERE

TURN

Chapter 4 Advanced Operations

4-9

About the key frame duration

The KfDur value (key frame duration) for key frame n corresponds to the interval between key frame n and key frame n+1. Therefore, if the settings are as follows:

Key frame 1 ... not effective Key frame 2 ... KfDur 100 Key frame 3 ... KfDur 50 Key frame 4 ... KfDur 50

The interval between key frames 1 and 2 is twice that between the other pairs of frames. For example, if the transition duration is set to 100 frames, the transition will proceed as follows:

Key frame 4 t 3 ... 25 frames Key frame 3 t 2 ... 25 frames Key frame 2 t 1 ... 50 frames

Setting the type of interpolation

When executing the effect, using the F1 button in the menu, you can set the type of interpolation between key frames as follows:

Lin: linear interpolation S-Lin: S-curve interpolation Spln: spline interpolation V-Spln: parameterized spline interpolation

If you select V-Spln, with the F2(Tens) knob you can adjust the tension of the spline curve in the range –100 to +100. This controls the smoothness, with the initial value 0 and –100 giving the smoothest result.

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Chapter 4 Advanced Operations

4-10

Chapter 4 Advanced Operations

User Program Effects

Creating New User Program Effects

To create a new user program effect, use the following procedure.

Press the SET button.

Using the numeric buttons, enter the pattern number of the user program effect to be created.

If you enter a number outside the user program effect range, an audible warning sounds in step 4. (The warning sounds only if the item BEEPER on page 5 of the setup menu is set to ON.)

The number you entered appears in the PATTERN NUMBER display window.

Press the ENTER button.

The STATUS display window should show “1”. If it shows any value other than “1” this means that there are already a number of key frames assigned to this number.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT

PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2 3

4,7

STATUS display window

EDIT display window

PATTERN NUMBER display window

Effect type Pattern number

Linear Transition 9000 to 9009

Animation 9100 to 9109

Nonlinear Transition 9200 to 9209

Animation 9300 to 9309

Chapter 4 Advanced Operations

4-11

Press the EDIT button.

The button lights, the system enters user program edit mode, and the monitor shows the image (key frame 1) selected on the FOREGROUND bus buttons. This is because for a new effect, key frame 1 is saved as an unmodified, full-screen foreground.

In the menu, set the parameters, and create key frame 2.

When creating a transition effect, see the section “Notes on creating a transition user program effect” below.

When you have the image you want to save, press the LAST X/INS button.

This creates key frame 2 with the parameters set in step 5, and saves the key frame after key frame 1. A “2” appears in the EDIT display window and STATUS display window. If this is an animation effect, instead of the LAST X/INS button, you can press the ENTER button to save the key frame created with the parameters set in step 5 as key frame 1 (thus modifying key frame 1). This is because an animation effect is allowed to have key frame 1 different from an unmodified foreground image.

By repeating steps 5 and 6 (making parameter settings and adding key frame with the LAST X/INS button), you can create the required sequence of key frame (maximum eight). The STATUS display window shows the number of saved key frames.

When you have saved all the required key frames, press the EDIT button once more.

The button goes off, and the created user program effect is now ready to be used.

Notes on creating a transition user program effect

• Make key frame 1 an unmodified full-screen image. (In a new pattern, key frame 1 is automatically saved as a full-screen image.)

• In the last key frame, make the background image completely disappear. (Either make it of zero size, or move it outside the screen area.) This will make the created effect smoother.

• For the linear PERS parameter and the nonlinear FORM parameter, the key frames must all have the same value. The value saved in the last key frame is used for all key frames.

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Chapter 4 Advanced Operations

4-12

Chapter 4 Advanced Operations

User Program Effects

Editing User Program Effects

You can recall a created user program effect, and change its parameters, or add, delete, or copy key frames.

To recall a user program effect

Use the following procedure.

Press the SET button.

Use buttons 0 to 9 to enter the user program effect number.

The number you entered appears in the PATTERN NUMBER display window.

Press the ENTER button.

The STATUS display window shows the number of key frames in the user program effect you specified in step 2.

Press the EDIT button.

The button lights, and the editing screen for the user program effect you specified in step 2 (the image selected on the FOREGROUND bus buttons) appears. The STATUS display window shows the number of key frames saved in the user program effect.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT

PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

2 3,7

4,8

STATUS display window

EDIT display window

Chapter 4 Advanced Operations

4-13

To change the key frame parameters

After carrying out the procedure to step 4 in the section “To recall a user program effect” above, use the following procedure.

Press the UP or DOWN button in the pattern/numeric keypad, so that the number of the key frame for which you want to change the parameters appears in the EDIT display window.

Change the parameters in the menu.

Press the ENTER button.

This saves the changed key frame parameters.

Repeat steps 5, 6, and 7, to change the key frame parameters in all desired key frames in turn.

When all the changes are made, EDIT button.

The button goes off, and the modified user program effect is resaved.

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Chapter 4 Advanced Operations

4-15

When you have added all the key frames, press the EDIT button.

The button goes off, and the user program effect is resaved with the added key frames.

Deleting a key frame

Deleting a key frame (before deletion)

After carrying out the procedure to step 4 in the section “To recall a user program effect” on the page 4-12, use the following procedure.

Press the UP or DOWN button in the pattern/numeric keypad, so that the number of the key frame you want to delete (key frame 3 in the example above) appears in the EDIT display window.

Press the DEL button. (To prevent you from inadvertently deleting a key frame, you must hold the button down for at least 0.5 seconds.)

An alarm sounds, and the key frame you specified in step 5 is deleted. The number of key frames shown in the STATUS display window decreases by 1.

Deleting a key frame (after deletion)

Repeat steps 5 and 6 as required to delete more key frames.

A1B

C3D4E

5 6

7 8

Example: Deleting key frame 3

Undefined key frames

STATUS display window = 5 EDIT display window = 3

Key frame to delete

A1B

D3E

4 5

6 7 8

Example: Deleting key frame 3

Undefined key frames

STATUS display window = 4 EDIT display window = 3

(continued)

Chapter 4 Advanced Operations

4-14

Chapter 4 Advanced Operations

User Program Effects

Adding a key frame

Adding a key frame (before addition)

After carrying out the procedure to step 4 in the section “To recall a user program effect” on the page 4-12, use the following procedure.

Press the UP or DOWN button in the pattern/numeric keypad, so that the number of the key frame before where you want to insert the new frame (key frame 3 in the example above) appears in the EDIT display window.

Set the parameters in the menu.

Press the LAST X/INS button.

This inserts a new key frame with the parameters you set in step 6 after the key frame specified in step 5, and the number of key frames shown in the STATUS display window increases by 1.

Adding a key frame (after addition)

Repeat steps 5 to 7 as required to add more key frames.

C’

A1B

C3D

5 6

7 8

Example: Adding a key frame after key frame 3

Undefined key frames

STATUS display window = 5 EDIT display window = 3

A1B2C

C'4D

5 6 7

Example: Adding a key frame after key frame 3

Undefined key frames

STATUS display window = 6 EDIT display window = 4

1-53

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Chapter 4 Advanced Operations

4-16

Chapter 4 Advanced Operations

User Program Effects

When you have deleted all the desired key frames, press the EDIT button.

The button goes off, and the user program effect is resaved without the deleted key frames.

Temporarily saving key frame data (temporary assignment function)

While editing user program effects, you can temporarily assign key frame data to keypad numeric buttons. This makes it easy to recall the data for use in changing or adding key frames. You can save 10 sets of data each for linear and nonlinear effects, for a total of 20 key frames.

To save key frame data

Use the following procedure.

Press the EDIT button to switch to user program edit mode.

Adjust the parameters in the menu, to create the key frame.

Display page 3/3 of the menu.

Hold down the F1(CpTo+) button, and press a numeric button in the pattern/numeric keypad.

The indication for the selected number in the menu changes from “–” to “*”, and this saves the key frame temporarily.

To recall a key frame

Use the following procedure.

Press the EDIT button to switch to user program edit mode.

Display page 3/3 of the menu.

Hold down the F2(CpFrm+) button, and press a numeric button in the pattern/numeric keypad.

This recalls the temporarily saved key frame.

Notes

• You cannot use a linear key frame in a nonlinear effect, nor a nonlinear key frame in a linear effect.

• The key frames temporarily saved in numeric buttons are lost when the DFS-700/700P is powered off.

Chapter 4 Advanced Operations

4-17

Copying a key frame

You can use the temporary assignment function to copy data from one key frame to another. Use the following procedure.

Recall the user program effect you want to copy from, and press the EDIT button, turning it on.

For details see “To recall a user program effect” (page 4-12).

Press the UP or DOWN button in the pattern/numeric keypad until the number of the key frame you want to copy from appears in the EDIT display window.

Display page 3/3 of the menu.

Hold down the F1(CpTo+) button, and press a numeric button in the pattern/numeric keypad.

The indication for the selected number in the menu changes from “–” to “*”, and this saves the key frame temporarily.

Press the EDIT button, turning it off, and exit user program edit mode.

Recall the user program effect to which you want to copy, and press the EDIT button, turning it on.

Note

The copy destination must be a user program effect of the same type (linear or nonlinear) as the copy source.

Press the UP or DOWN button in the pattern/numeric keypad, until the number of the key frame you want to copy to appears in the EDIT display window.

In page 3/3 of the menu, hold down the F2(CpFrm+) button, and press the numeric button in which you saved the key frame in step 4.

Press the ENTER button.

This copies the key frame data to the destination.

When the copy is completed, press the EDIT button, turning it off.

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Chapter 4 Advanced Operations

4-18

Chapter 4 Advanced Operations

User Program Effects

Executing User Program Effects

You execute a user program effect in the same way as a built-in effect, by entering the pattern number. Transitions between the key frames in user program effect are smooth because spline interpolation is used to generate intermediate effects. You can control the smoothness of transitions by adjusting the spline curve. To execute a user program effect, use the following procedure. Except for step 4, the procedure is the same as for executing a built-in effect by specifying the pattern number.

Select the background and foreground images.

Press the SET button.

In the pattern/numeric keypad, enter the user program effect number with buttons 0 to 9 and press ENTER.

The STATUS display window shows the number of key frames in the effect.

If necessary, use F1 button and F2 knob to adjust the smoothness of the transition.

Set the duration and direction of the transition as required.

Execute the effect with the fader lever or AUTO TRANS button.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT

PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

3,5

STATUS display window

Chapter 4 Advanced Operations

4-19

Deleting All User Program Effects

To delete all user program effects, use the following procedure.

Press the SET UP button.

The setup menu appears.

Press the PAGE button, to display page 6/8.

Press the F4(USRPGM) button, to set it to “ON”.

Press the F5(EXEC) button.

A confirmation message appears.

To go ahead and delete all user program effects, press F3(OK); to cancel press F5(CANCEL).

When you press F3, all of the saved user program effects are deleted.

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Chapter 4 Advanced Operations

Snapshots

This unit’s snapshot function allows you to save the control panel state, and recall it whenever necessary. You can save up to one hundred control panel states in snapshot registers in the processor numbered from 0 to 99. When you recall a saved snapshot, the control panel settings all change automatically. The following are the settings which you can save in a snapshot.

Note

The color corrector settings and fader lever position are not saved in a snapshot.

Operational section

Settings

Primary cross-point bus section

Signal selected by the FOREGROUND bus buttons Signal selected by the BACKGROUND bus buttons Signal selected by the TITLE1 SOURCE bus button Signal selected by the TITLE2 SOURCE bus button Signal selected by the DSK FILL bus button Signal selected by the SUPER BG bus button Signal selected by the FRGD 2 bus button Signal selected by the MEMORY bus button

Effect transition section Transition time

Transition direction (REVERSE button setting) FRAME button setting

Pattern/numeric keypad

Specified pattern number LIGHTING section All settings TITLE section

All settings MATTES section

Color matte colors DSK section All settings

Effect control section User modifiable effect parameter settings

EDGE section All settings

Location section All settings

Chapter 4 Advanced Operations

4-21

Saving a Snapshot

To save a snapshot, use the following procedure.

Note

The unit is shipped with snapshots saved in registers 0 to 99. By carrying out the following procedure you overwrite these settings.

Set the buttons and controls on the control panel so that it is configured to the state you want to save.

Press the LEARN button.

The button lights, and the pattern/numeric keypad is ready to accept a snapshot number.

With the buttons 0 to 9, enter the snapshot number you want to save (0 to 99). You can use the UP and DOWN buttons to adjust the number displayed.

Press the ENTER button.

This saves the current settings in the snapshot register.

To cancel the snapshot saving operation

In step 4, press the LEARN button instead of the ENTER button. The LEARN button goes out and the operation is canceled.

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2 SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

3 4

SNAP SHOT number display

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Chapter 4 Advanced Operations

Recalling a Snapshot

To recall a snapshot, use the following procedure.

To leave the primary cross-point bus section settings unaltered, press the HOLD INPUT button, turning it on.

Press the RECALL button.

The button lights, and the pattern/numeric keypad is ready to accept a snapshot number.

With the buttons 0 to 9, enter the snapshot number you want to recall. You can use the UP and DOWN buttons to adjust the number displayed.

Press the ENTER button.

This recalls the specified snapshot, and the control panel settings all change correspondingly. If, however, you turned the HOLD INPUT button on in step 1, the settings of the primary cross-point bus section do not change.

Direct Snapshot Recall

You can recall snapshots 0 to 9 with a single button operation.

Snapshots

LAST X

INS

RST

TITLE

EDITOR LUM LUM LUM

DSK EDGE

TRAIL

SHADOW

GPI CRK CRK BORDER BEVELD

EDGE

SET UP MASK MASK MASK SOFT

SHIFT CCR LIGHTING BORDERMATTES

LOCATION

LEARNEDIT

RECALL

HOLD INPUT

INITIAL

PATTERN

ADJ

PAGE

F1 F2 F3 F4 F5

USER PGM

STATUS EDIT

SNAP SHOT

SET

PATTERN NUMBER

EFFECT

DSK FTB

SET

TRANS RATE

789

456

123

DOWN UP

ENTER

FADE

BLACK

P IN P

DSK

DEL

N/R REV DSK PVWDIRECT

RECALL

DIRECT PATTERN

CCR TITLE 1

SOURCE

TITLE 2

SOURCE

DSK FILL

SUPER BGFRGD 2 MEMORY FRAME FREEZ MIX EFFECT

BACKGROUND

BLACK MEMORY INT

VIDEO

TITLE

12345678

CUT

AUTO

TRANS

AUXILIARY

BLACK

MEMORY

INT

VIDEO

12345678

FOREGROUND

BLACK

MEMORY

INT

VIDEO

12345678

PATTERN/KEY PAD

3 4

SNAP SHOT number display

Chapter 4 Advanced Operations

4-23

Use the following procedure.

In the pattern/numeric keypad, press the DIRECT RECALL button, turning it on.

This switches to direct recall mode.

Press the one of buttons 0 to 9 corresponding to the snapshot you want to recall.

This recalls the snapshot.

To cancel the snapshot recall operation

In step 4, press the LEARN button instead of the ENTER button. The LEARN button goes out and the operation is canceled.

Returning to the previous image with the LAST X function

To return to the state before recalling a snapshot, use the following procedure.

Press the RECALL button in the snapshot section, turning it on. Alternatively, press the DIRECT RECALL button, turning it on.

Hold down the ENTER button in the pattern/numeric keypad, and press the LAST X button.

Snapshot Demonstration

You can automatically show all of snapshots 0 to 99 in sequence. You can use this function for checking the snapshots, and also in the same manner as the factory setting demonstration (see page 3-8). The snapshot registers and factory setting demonstration registers are separate. Even after changing the settings in the snapshot registers, you can still run the factory setting demonstration unchanged.

To start the demonstration

Hold down buttons 1 and 9 in the pattern/numeric keypad, and press the AUTO TRANS button in the effect transition section. This plays back the snapshots in sequence, starting from the snapshot whose number is specified at the time. During the demonstration, the buttons on the pattern/numeric keypad light in turn in the clockwise direction.

•The HOLD INPUT button setting also applies to the demonstration.

•During the demonstration, the control panel does not accept any operations other than pressing the AUTO TRANS button.

To end the demonstration

Press the AUTO TRANS button once more.

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Chapter 4 Advanced Operations

Reinitializing the Snapshots

By reinitializing the snapshot registers, you can return them all to their factory defaults. Use the following procedure.

Press the SET UP button.

The setup menu appears.

Press the PAGE button to display page 6/8.

Press the F2(SNAP) button, to set it to “ON”.

Press the F5(EXEC) button.

A confirmation message appears.

To go ahead and reinitialize all snapshots, press F3(OK); to cancel press F5(CANCEL).

When you press F3, all of the snapshots are returned to their factory defaults.

Snapshots

Chapter 5 Control From Editing Control Units

5-1

Chapter

Control From Editing Control Units

Control From the PVE-500

You can combine the DFS-700/700P with the PVE-500 Editing Control Unit to carry out A/B roll editing using two players and one recorder. The PVE-500 controls the DFS-700/700P using PVE-500 control signals and GPI signals.

Note

For details of preread editing, see the section “Preread Editing” (page 5-

14).

Control using PVE-500 control signals

You can control the following DFS-700/700P functions using 9-pin serial control signals from the PVE-500. Input these signals to the EDITOR connector on the rear panel of the DFS-700/700P.

•Selecting the background image (FROM source) and foreground image (TO source)

•Setting the transition duration

•Executing auto transitions

•Automatic snapshot (when you save editing data on the PVE-500, DFS700/700P snapshots are saved and recalled automatically.)

For more information about controlling these functions, refer to the PVE-500 Operating Instructions.

Downstream key control using GPI signals

You can use GPI pulse signals from the PVE-500 to turn the DFS-700/ 700P downstream key function on or off on the falling edge of a pulse. Input the GPI signals to the T2 connector on the DFS-700/700P.

For details of GPI signal timing, see page 5-13.

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Chapter 5 Control From Editing Control Units

Preparations

Make the following preparations to control the DFS-700/700P from the PVE-500.

On the DFS-700/700P

•In page 1 of the setup menu, set F3(PORTS) to “PVE-500”.

•To accept 9-pin serial control signals, press the EDITOR button on the control panel, turning it on. To accept GPI signals, press the GPI button, turning it on. (When the DFS-700/700P is powered on, it accepts either 9-pin serial control signals or GPI signals.)

On the recorder VCR

•Set the recorder VCR so that it enters PB (playback) mode when stopped. (If the VCR has a selector for PB or PB/EE, set it to PB.)

•If the VCR has a built-in TBC, set the VCR to DELAYED SYNC mode.

On the PVE-500

Using the setup menu, make the following settings.

For more information about using the setup menu, refer to the PVE-500 Operating Instructions.

•Set the switcher type (menu item SEtUP-20) to 500. (The factory default setting is 500.)

•If you want to use the automatic snapshot function, set snapshot control (menu item SEtUP-21) to On. (The factory default setting is OFF.)

Cut Editing

To perform a cut edit by controlling the DFS-700/700P from the PVE-500, use the following procedure.

For this operation, refer also to the PVE-500 Operating Instructions.

Press the A/B button on the PVE-500 turning it off.

Select the player VCR as the FROM source.

Set the IN and OUT points for the FROM source and recorder, in any order.

Conduct a preview as required, and execute the edit.

Control From the PVE-500

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-3

A/B Roll Editing

Signal flow

The flow of signals in A/B roll editing is shown below.

For more information about connections, see “Connections for an A/B Roll Editing System” (page 6-5).

Signal flow in A/B roll editing

Player VCR A

VIDEO INPUT

VIDEO INPUT PGM OUT

FROM source signal (background video)

Recorder VCR

TO source (foreground video) signal

DFS-700/700P

Control signals

Player VCR B

Control signals

PVE-500

Note

To improve editing accuracy, supply a reference sync signal to the PVE-500 and VCRs from the BLACK BURST OUT connectors on the DFS-700/700P.

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Chapter 5 Control From Editing Control Units

Procedure

To perform A/B roll editing by controlling the DFS-700/700P from the PVE-500, use the following procedure. Read this in conjunction with the PVE-500 Operating Instructions.

On the PVE-500, press the A/B button, turning it on.

On the PVE-500, select the FROM source and TO source. The FROM source corresponds to the background on the DFS-700/ 700P, and the TO source corresponds to the foreground.

Set the IN and OUT points for the FROM source, the TO source, and the recorder, in any order.

Note

Because the DFS-700/700P has a built-in frame synchronizer, output of player VCR edit points set on the PVE-500 is delayed by 1 frame, so that recording begins with the previous frame. However, recorder edit points are not delayed.

On the PVE-500, press the TRANS button, turning it on, and set the transition duration.

On the DFS-700/700P, select the effect and make other settings as required. Note that the transition duration set on the PVE-500 takes priority.

Conduct a preview as required and execute the edit.

The edit is recorded as shown below.

Recorder and FROM source IN points

FROM source OUT point TO source IN point

Recorder and TO source OUT points

Recorder video

Player A video

Player B video

Recorder video

Transition duration

Control From the PVE-500

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-5

Control From the BVE-600

You can combine the DFS-700/700P with a BVE-600 Editing Control Unit to carry out A/B roll editing using two players and one recorder. The BVE-600 controls the DFS-700/700P using the GPI trigger signals T1 and T2.

Notes

•You cannot use the built-in switcher of the BVE-600 (BKE-611/612/621/

622) when you are using the DFS-700/700P.

•For details of preread editing, see the section “Preread Editing” (page 5-

14).

Preparations

Make the following preparations to control the DFS-700/700P from the BVE-600. For details of operation, refer to the BVE-600 Operating Instructions.

On the DFS-700/700P

•In page 1 of the setup menu, set F3(PORTS) to “BVE-600”.

•Press the EDITOR button on the control panel, turning it on.

(This button is lit when the DFS-700/700P is powered on.)

On the recorder VCR

•Set the recorder VCR so that it enters PB (playback) mode when stopped. (If the VCR has a selector for PB or PB/EE, set it to PB.)

•If the VCR has a built-in TBC, set the VCR to DELAYED SYNC mode.

On the BVE-600

On the rear panel, set S502 DIP switch 3 and S503 DIP switch 2 to the lower position (OFF), and power the BVE-600 on again. When the unit is shipped from the factory, all DIP switches are set to the upper position (ON).

Notes

•To display the background image during or after a transition, press an appropriate BACKGROUND bus button on the DFS-700/700P.

•Because the DFS-700/700P has a built-in frame synchronizer, output of player VCR edit points set on the BVE-600 is delayed by 1 frame, so that recording begins with the previous frame. However, recorder edit points are not delayed. For example, if the IN point of the player VCR is set to 00:00:10:15, actual recording begins from 00:00:10:14.

•The timing of the start of a transition is delayed by two frames from the BVE-600 setting.

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Chapter 5 Control From Editing Control Units

A/B Roll Editing

Signal flow

Signal flow in A/B roll editing

PGM OUT

VIDEO INPUT

Player VCR A

Recorder VCR

Background bus video

DFS-700/700P

Player VCR B

Foreground bus video

T1 signal

T2 signal

Control signal

BVE-600

Note

To improve editing accuracy, supply a reference sync signal to the BVE-600 and VCRs from the BLACK BURST OUT connectors on the DFS-700/700P.

Control From the BVE-600

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-7

Timing of the trigger (T1/T2) signals

The timing of the trigger signals output by the BVE-600 is as follows.

Timing of trigger signals in A/B roll editing

VCRs start

IN point Effect start point OUT point

VCRs stop

Player A

Player B

Recorder

PGM OUT signal

Background bus image

Foreground bus image

Preroll

Effect execution (transition)

Postroll

A-roll period

B-roll period

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Chapter 5 Control From Editing Control Units

Control From the BVE-900/2000 Series

You can combine the DFS-700/700P with a BVE-900/910 or BVE-2000 Series Editing Control Unit to carry out A/B roll editing using two players and one recorder.

For details of preread editing, see the section “Preread Editing” (page 5-14).

Connectable editing control units

To control the DFS-700/700P, the BVE-900/910/2000 and optional BKE913 board (for BVE-900/910) must have the following ROM versions or higher. BVE-900 Ver. 1.11 or later BVE-900 with BKE-900K Ver. 2.01 or later BVE-910 Ver. 1.02 or later BKE-913 Ver. 1.06 or later BVE-2000 Ver. 1.10 or later

Control using editor control signals

You can control the following DFS-700/700P functions using 9-pin serial control signals from the BVE-900/910/2000. Input these signals to the EDITOR connector on the rear panel of the DFS-700/700P. The functions marked with an asterisk below can only be controlled from the BKE-900 after installation of the optional BKE-900K board.)

•Background image (FROM source) and foreground image (TO source) selection

•Pattern number selection

•Transition direction (normal or reverse) selection

•Transition duration selection

•Automatic transition execution

•Downstream key on and off

•Snapshot saving and recall*

•Saving and loading DFS-700/700P data (snapshots and user program effects)*

Notes

•It is not possible to load and save user program effects or snapshots from the BVE-900/910.

•KEY FADE IN and KEY FADE OUT cannot be used. Also, KEY WIPE OUT and KEY MIX OUT can only be used with versions 2.24 and later of the BVE-2000. When using KEY WIPE OUT, the effect must be executed in the reverse direction.

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-9

Downstream key control using GPI signals

You can use signals from the GPI output connector on the BVE-900/910/ 2000 to turn the DFS-700/700P downstream key function on and off. Input the GPI signals to the T2 connector on the rear panel of the DFS-700/ 700P. (The BVE-2000 can also use 9-pin serial control signals to turn the downstream key on and off and to set the transition duration.)

Preparations

Make the following preparations to control the DFS-700/700P from the BVE-900/2000-series editor.

For details about operation, refer to the Operating Instructions or User’s Guide supplied with the editor.

On the DFS-700/700P

•In page 1 of the setup menu, set F3(PORTS) to “PVE-500”.

•To improve editing accuracy, supply a reference sync signal to the VCRs and editing control unit from the BLACK BURST OUT connectors on the DFS-700/700P.

On the recorder VCR

Set the recorder VCR so that it enters PB (playback) mode when stopped. (If the VCR has a selector for PB or PB/EE, set it to PB.)

On the BKE-900/910

Set the PVW (preview) mode to EE.

•BVE-900 with no BKE-900K installed: In SYSTEM SETUP mode, set BYTE-1 of the MAIN BLOCK INTERFACE parameters to hexadecimal “01” (EE).

•BVE-910, or BVE-900 with BKE-900K installed: In SYSTEM SETUP mode, set PVW MODE under SW’ER CONFIGURATION to EE.

On the BVE-2000

•In SYSTEM SETUP mode, set PVW MODE under SW’ER CONFIGURATION to EE.

•In SYSTEM SETUP mode, set SW’ER TYPE under SW’ER CONFIGURATION to DFS. However, for versions 2.24 and later of the BVE-2000, select DFS-700/ 700P.

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Chapter 5 Control From Editing Control Units

Notes on Operation

Editing point delay

Because the DFS-700/700P has a built-in frame synchronizer, output of player VCR edit points set on the BVE-900/910/2000 is delayed by 1 frame, so that recording begins with the previous frame. However, recorder edit points are not delayed. Example: If the IN point of the player VCR is set to 00:00:10:15, recording begins from 00:00:10:14. If you are using a BVE-2000 with a ROM version of 2.00 or higher, in SYSTEM SETUP mode under SYSTEM CONFIGURATION you can set the DIGITAL EFFECT DELAY item to 01 so that the BVE-2000 compensates for the delay automatically.

Executing effects in the reverse direction

•To execute an effect in the reverse direction from the BVE-900/910, add 3000 to the DFS-700/700P effect pattern number. However, add 500 to the pattern numbers of user program effects (pattern numbers 9000 and above). Examples: To execute effect 25 in the reverse direction, specify pattern number

3025. To execute effect 9203 in the reverse direction, specify pattern number

9703.

•To execute an effect in the reverse direction from the BVE-2000, add a minus sign (–) before the DFS-700/700P pattern number. Example: To execute effect 25 in the reverse direction, specify effect pattern number –25.

Effect intervals

Effects cannot be executed if there is no interval between transitions, as shown below in figure (a). Be sure to leave an interval of at least two frames or more between transitions, as shown in figure (b).

Minimum interval between transitions

(a)

IN OUT IN OUT

(b)

Transition Transition Transition

TransitionAt least two

frames

Control From the BVE-900/2000 Series

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-11

Control Using GPI Signals

You can combine the DFS-700/700P with any editing control unit capable of GPI signal output to carry out A/B roll editing using two players and one recorder. You can use one GPI signal to execute DFS-700/700P effects, and a second GPI signal to turn the downstream key function on and off.

Preparations

Make the following preparations to control the DFS-700/700P using GPI signals output by the editing control unit.

For details about operation, refer to the manuals supplied with your editing control unit.

On the DFS-700/700P

•In page 1 of the setup menu, set F3(PORTS) to “GPI”.

•Press the EDITOR button on the control panel, turning it on. (This button is lit when the DFS-700/700P is powered on.)

On the recorder VCR

•Set the recorder VCR so that it enters PB (playback) mode when stopped. (If the VCR has a selector for PB or PB/EE, set it to PB.)

•If the VCR has a built-in TBC, set the VCR to DELAYED SYNC mode.

On the editing control unit

•Set the GPI signal output timing to 3 frames before the IN point.

•Set the GPI signal pulse length to at least 1 frame.

Notes

•To display the background image during or after a transition, press an appropriate BACKGROUND bus button on the DFS-700/700P.

•Because the DFS-700/700P has a built-in frame synchronizer, output of player VCR edit points set on the editing control unit is delayed by 1 frame, so that recording begins with the previous frame. However, recorder edit points are not delayed. For example, if the IN point of the player VCR is set to 00:00:10:15, recording begins from 00:00:10:14.

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Chapter 5 Control From Editing Control Units

A/B Roll Editing

Signal flow

The flow of signals in A/B roll editing is as follows.

For more information about connections, “see Connections for an A/B Roll Editing System” (page 6-5).

Signal flow in A/B roll editing

Player VCR A

PGM OUT

VIDEO INPUT

Recorder VCR

Foreground bus video

DFS-700/700P

Player VCR B

Background bus video

GPI signals

Control signal

Editing control unit

Note

To improve editing accuracy, supply a reference sync signal to the editing control unit and the VCRs from the BLACK BURST OUT connectors on the DFS-700/700P.

Control Using GPI Signals

Chapter 5 Control From Editing

Control Units

Chapter 5 Control From Editing Control Units

5-13

Timing of the GPI signal

The timing of the GPI signal from the editing control unit is as follows.

Timing of GPI signal in A/B roll editing

Turning a Downstream Key On and Off

If in page 1 of the setup menu you have set F3(PORTS) to “PVE-500” or “GPI” then you can turn a downstream key on and off using a GPI signal input to the T2 connector on the DFS-700/700P. As shown below, the downstream key is turned alternately on and off at the falling edge of the GPI signal.

Turning a downstream key on and off — GPI signal timing

VCRs start

IN point

Effect start point

OUT point

VCRs stop

Player A

Player B

Recorder

GPI signal

3 frames

PGM OUT signal

Background bus image

Foreground bus image

Preroll

Execution of effect (transition)

Postroll

A-roll period

B-roll period

GPI signal

3 frames

DSK ON

DSK OFF

DFS-700/700P

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Chapter 5 Control From Editing Control Units

Preread Editing

Notes on preread editing

•A BVE-2000 Ver. 2.24 or later is recommended as the editor. In this case, set PREVIEW MODE to FULL, and use a monitor connected to the DFS-700 PROGRAM OUT. If using a BVE-2000 earlier than Ver. 2.24 or another editor, previewing is not possible.

•It is not possible to set the DFS-700 preread mode from the editor. It must be set manually. For an editor other than the BVE-2000, it is not possible to set the preread mode for the VTR. It must be set manually.

•During preread editing, the effect patterns which can be used are restricted to those for which a title can be used automatically.

•During normal editing the video output is delayed by one frame, but during preread editing, the video selected on the background bus only is delayed by 4H. When carrying out R to P or P to R editing make sure that the background bus signal is available to the R.

•To obtain the DFS-700/700P program output, use digital PGM OUT or analog component PGM OUT connectors on the DFS-700/700P processor unit.

Settings for preread editing

Preparations on the DFS-700/700P

In page 1 of the setup menu, set F2(PRE_RD) to ON. When PRE_RD is set to ON, a "P" appears at the beginning of line 2 of the menu display, indicating preread mode. (Except during preread editing, if PRE_RD is set to ON the edit points will be shifted, so be sure to set it to OFF. It is not possible to make this setting from the editor.)

Preparations on a BVE-2000 earlier than Ver. 2.24

Set AUX F7(PREREAD) to ON.

Preparations on a BVE-2000 Ver. 2.24 or later

•In SYSTEM SETUP mode set the PREVIEW MODE of SW'ER CONFIGURATION to FULL.

•Set AUX F7(PREREAD) to ON.

•In SYSTEM SETUP mode set the DIGITAL EFFECT DELAY of SYSTEM CONFIGURATION to 01.

Chapter 6 System Connections and Settings

6-1

Chapter

System Connections and Settings

This section describes how to connect the DFS-700/700P to other equipment. It also lists the setup operations required before you can use the DFS-700/700P.

Note

Before making connections, ensure that all of the devices are powered off.

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Chapter 6 System Connections and

Settings

6-2

Chapter 6 System Connections and Settings

Basic System Connections

The following are the connections required for basic image creation with the DFS-700/700P.

Basic system connections

Synchronizing signal input

PGM OUT

BLACK BURST OUT

PANEL

VIDEO INPUT

Recorder VCR, program monitor, etc.

Player VCR, video camera, character generator, etc.

Synchronizing signal input

DFS-700/700P processor

25-pin control cable (supplied)

25-pin connector (rear panel)

To AC supply

AC power cord (supplied)

DFS-700/700P control panel

Video signals Control signals Black burst signal

(reference synchronizing signal)

Synchronizing signal input

Chapter 6 System Connections and

Settings

Chapter 6 System Connections and Settings

6-3

Key Signal Connections

These connections are for the signals for title keys and downstream keys (DSK) for inserting text and graphics.

Key signal connections

Character generator

BLACK BURST OUT PANELDSK KEY IN

KEY OUT

VIDEO INPUT

VIDEO OUT

VIDEO IN (GEN LOCK IN)

Character generator

External title key source signal

Title key fill signal (can also be used as key source.)

DFS-700/700P processor

To AC supply

DSK key fill signal (can also be used as key source.)

External DSK key source signal

DFS-700/700P control panel

Video/key signals Control signals

Black burst signal (reference synchronizing signal)

Note

For the cables used for connection to a character generator, check in the instructions supplied with the character generator.

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Chapter 6 System Connections and Settings

System Connections for Preread Editing

By combining a BVE-2000 editing control unit and a VCR capable of preread editing (such as the DSR-2000), you can build a preread editing system.

Note

The video from the player VCR is delayed by one frame in the DFS-700/ 700P, and therefore playback advanced by one frame is required.

Preread editing system connections

Player VCR

VIDEO OUT

VIDEOINVIDEO

OUT

AUDIO LINE INAUDIO LINE OUT

REMOTE

PGM OUT PGM OUT

VIDEO INPUT 1~8

EDITOR

SWER

PLAYER RECORDER

11 33

Recorder VCR

Monitor

SRP-L300 Delay Unit

DFS-700/700P control panel

DFS-700/700P processor

BVE-2000 editing control unit

Video and audio signals

Control signals

Cables used 1 These depend on the type of VCR being connected. Check with the instructions

supplied with the VCR.

2 XLR (3-pin) cables 3 RCC/5G/10G/30G 9-pin remote control cables or RCC-5F 33-pin remote control

cables

Chapter 6 System Connections and

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Chapter 6 System Connections and Settings

6-5

Connections for an A/B Roll Editing System

By combining a BVE-2000 or PVE-500 editing control unit with the DFS700 and two players and one recorder VCR, you can build an A/B roll editing system. Using an editor with GPI signal support, A/B roll editing controlled by GPI signals is also possible.

When using GPI signals

Control the M/E through the GPI/T1 connector, and the downstream keyer through the GPI/T2 connector. You can control M/E and downstream keys simultaneously.

A/B roll editing system connections (1) — using GPI signals

Player VCR A

VIDEO OUT

VIDEO IN

VIDEO OUT

REMOTE

VIDEO OUT

REMOTE

PGM OUT

VIDEO INPUT

VTR

REF

VTR

REF VIDEO IN

GPI/T 1

GPI

GPI/T 2

REF VIDEO IN

BLACK BURST OUT

Player VCR B

Recorder VCR

Monitor

DFS-700/700P control panel

DFS-700/700P processor

Editor

Video signals Control signals Black burst signal

(reference synchronizing signal)

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Chapter 6 System Connections and Settings

When using the BVE-2000

Control the M/E and downstream keyer through the 9-pin connector. You can control M/E and downstream keys simultaneously.

A/B roll editing system connections (2) — using the BVE-2000

Player VCR A

VIDEO OUT VIDEO

VIDEO OUT

AUDIO IN

REMOTE

VIDEO OUT

REMOTE

PGM OUT

LINE OUT

LINE IN

VIDEO INPUT

VTR

REF IN

VTR

REF VIDEO IN

EDITOR

VIDEO SW’ ER

REF VIDEO IN

BLACK BURST OUT

AUDIO LINE OUT

Player VCR B

Recorder VCR

DFS-700/700P control panel

DFS-700/700P processor

SRP-L300 Delay Unit

SRP-V200R Audio Mixer

BVE-2000 Editing Control Unit

Video and audio signals Control signals Black burst signal (reference

synchronizing signal)

Cables used 1 These depend on the type of VCR being connected. Check with the instructions

supplied with the VCR.

2 XLR (3-way) cables 3 RCC/5G/10G/30G 9-pin remote control cables 4 RCC11A audio mixer control cable

Connections for an A/B Roll Editing System

Chapter 6 System Connections and

Settings

Chapter 6 System Connections and Settings

6-7

Setup Menu Settings

Setup Menu Organization

The setup menu is divided into eight pages, and each appears as shown in the following example. Example display:

SYS P 1/8

SCREEN 4:3

PRE RD OFF

PORTS PVE500

TALLY OFF

CpnIN IN 4

System Setup (page 1/8)

F3(PORTS) setting and control

Menu name

Settings

Page

Values

To submenu

Button

Setting Meaning Values

(First value is factory default.)

SCREEN

Set screen aspect ratio. 4:3/16:9

F2 PRE RD Toggle preread editing on/off.

When this is on, a “P” appears at the beginning of line two of the menu display.

OFF/ON

F3 PORTS Select type of editor connected to

EDITOR connector. (See table below.)

PVE-500/BVE-600/GPI (Select “PVE500” when a BVE-2000 is connected.)

TALLY Toggle rear panel tally output signal on/

off.

OFF/ON

CpnIN (Only appears when optional BKDF-702/702P is installed.)

Assignment of numbers to rear panel COMPONENT connectors

/1 to 8/

IN1-4 r: assign 1 to 4.

1-4/5-8 To confirm displayed assignment, press F3(OK); to cancel press F5(CANCEL).

IN5-8 r: assign 5

to 8.

Values Valid control for each connector

EDITOR connector GPI/T 1 GPI/T 2 PVE-500 DVS control – DSK transitions BVE-600 – Auto transitions GPI – Auto transitions DSK transitions

A “P” appears here when preread editing is on.

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Chapter 6 System Connections and Settings

System Information Display (page 2/8)

Input Video Setup (page 3/8)

Button Setting Meaning

Values

F1 INFO Display options installed. CONFIG r BKDF-701/711/712

(Appears as “***” when not installed.) To return, press F5(EXIT r).

INFO Display software version.

VER r DFS-700/700P :x.xx

BKDF-712: x.xx DATA: x.xx Panel: x.xx (Appears as “----” when not installed.) To return, press F5(EXIT r).

PW ON Select setup mode at power on. FACTRY (factory default)/USER (user

settings)

INSTL

Install new software.

r Press F3(OK) to confirm install; press

F5(CANCEL) to cancel.

Button Setting Meaning

Values (First value is factory default.)

F1 In No. Select input to set. 1/2/3/4/5/6/7/8/DSK F2

TYPE Select input signal format.

SDI/YUV/Cps/YC/RGB/*** (Only types which can be set appear.

See the table

on the next page.

When F1(In No.) is set to DSK,

appears as “***”.)

TBC TBC Center setting for the input

signal The output signal is output in the correct phase if the phase relationship of the center value with respect to the reference synchronizing signal is in the range ±0.3H.

0H/0.5H/1H/*** This setting is not possible when TYPE is Cps or YC.

+H–pos

Video phase adjustment of input signal

• When SDI, YUV, Cps, YC, or RGB is selected, this can be adjusted from –24 to +24 in steps of 2.

• When DSK is selected, this can be adjusted from –30 to +31 in steps of 1.

+XPT

Cross-point button assignment to input signals

Setup Menu Settings

1/2/3/4/5/6/7/8/*** (When F1(In No.) is set to DSK, appears as “***”.) To assign a signal, hold down the function key, and press a cross-point button on the background bus.

Chapter 6 System Connections and

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Chapter 6 System Connections and Settings

6-9

a) Setup menu item CpnIN set to “IN 1-4” b) Setup menu item CpnIN set to “IN 5-8”

Output Video Setup (page 4/8)

Primary inputs and signal formats

SDI: serial digital signals Component: analog component signals Composite: analog composite signals

Input number

1234

678

With standard equipment

SDI SDI SDI SDI Component Component Component Component

RGB

With BKDF-701 installed

SDI Component

SDI Component RGB

SDI Component

With BKDF-702/ 702P installed (mode 1)

SDI Component

SDI Component RGB

CompositeYCCompositeYCCompositeYCComposite

With BKDF-702/ 702P installed (mode 2)

SDI SDI SDI SDI Component

Composite YC

Component Composite YC

Component RGB Composite YC

YC: analog YC signals RGB: analog RGB signals (G signal with sync)

Button Setting Meaning

Values (First value is factory default.)

F1 CLEAN Select output video from

CLEAN OUT connector.

CLEAN/KEYOUT/PVW

(See page 2-15.)

CLIP Toggle white clip and dark clip on/

off. Only valid for SDI output signals, and the SDI standard white and dark values are applied.

OFF/ON

T-Area Toggle safe title indication on

preview video using CLEAN OUT connector on/off. When on, the safe title indication shows approximately 85% of the whole image area.

This item appears when F1(CLEAN) is set to “PVW”.

OFF/ON

FLD FZ

Select the field output when the internal frame memory is set to field freeze mode.

ODD/EVEN

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Chapter 6 System Connections and Settings

Control Panel Setup (page 5/8)

Initializing User Settings (page 6/8)

Loading User Settings From Memory (page 7/8)

Saving User Settings in Memory (page 8/8)

Button Setting Meaning

Values (First value is factory default.)

F1 SETUP Initialize setup data. OFF/ON

To initialize an item, set it to “ON”. It is not possible to initialize more than one item at a time.

SNAP

Initialize snapshot.

USRPGM

Initialize user program effects.

KEYPAD

Initialize keypad data.

EXEC

Execute initialization selected from F1 to F4.

To initialize, press F3(OK); to cancel press F5(CANCEL).

Button Setting Meaning

Values (First value is factory default.)

F1 SETUP Load setup data. OFF/ON F2

SNAP Load snapshot. OFF/ON F3 USRPGM Load user program effects. OFF/ON F4 KEYPAD Load keypad data. OFF/ON F5 EXEC Execute load selected from F1 to

F4.

To load, press F3(OK); to cancel press F5(CANCEL).

Setup Menu Settings

Button Setting Meaning

Values (First value is factory default.)

F1 BEEPER Toggle beeper on/off. ON/OFF

ON: Beeper sounds if the fan stops, there is a power supply error, an operation error or a key pad operation. OFF: Beeper only sounds if the fan stops or there is a power supply error.

BRIGHT Brightness of control panel

fluorescent indicators

LOW/HIGH

SAVER

Toggle screen saver on/off. When on, the screen saver operates when there is no button operation for ten minutes.

OFF/ON

FTB

Enable/disable FADE TO BLACK function. Setting DISABL makes the function not available.

ENABLE/DISABL

Button

Setting Meaning

Values (First value is factory default.)

F1 SETUP Save setup data. OFF/ON F2

SNAP Save snapshot. OFF/ON F3 USRPGM Save user program effects. OFF/ON F4 KEYPAD Save keypad data. OFF/ON F5 EXEC Execute save selected from F1 to

F4.

To save, press F3(OK); to cancel press F5(CANCEL).

Appendixes

A-1

Appendixes

Warning Messages

Warning messages appear in the menu display panel of the control panel when trouble occurs during operation of the DFS-700/700P. Press the F5 (OK) button to erase the message.

Warning message format

Warning messages are displayed in the following format.

Number Problem What to do

rr r

011 FAN STOP!!-> Turn OFF Power

DFS-700/700P

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Appendixes

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Appendixes

Warning message list

The following warning messages are displayed.

031 Data Backup Error

User program, setup or other data could not be written to backup memory.

Display Meaning What to do

011 FAN STOP!!

->Turn OFF Power

The processor detected that the power supply fan is stopped.

Turn off the power and check the power supply fan. If this does not solve the problem, contact a Sony service representative.

012 Power Unit Error

->Turn OFF Power

There is trouble with the power supply.

Turn off the power and check the power supply. If this does not solve the problem, contact a Sony service representative.

021 Reference Signal Error

Video sync signals are not being sent correctly from the main unit to the control panel.

Check the cable connection.

022 Self Diagnostic Error xxxx/xxxx

-> Check on Maintenance menu

An error was detected during self diagnostics when the system was powered on. (xxxx/xxxx indicates the error status.)

Contact your vendor or a Sony service representative.

023 Software Version Mismatch

-> Load the latest S/W

The processor and control panel software versions are different.

Contact your vendor or a Sony service representative.

Warning Messages

Contact your vendor or a Sony service representative.

Appendixes

A-3

Effect T ype List

The effects provided by the DFS-700/700P are classified as follows.

Pattern No.

Types of effects

The number of available patterns

Reference page no.

Varieties in standard configuration

Varieties with BKDF-711 installed

Varieties with BKDF-712 installed

Varieties with BKDF-711 and 712 installed

1-676 Wipe 79 79 79 79 A-29, A-30 700-809 Matrix wipe 37 37 37 37 A-30, A-31 1000-1018 Mosaic 10 10 10 10 A-31 1020-1027 Still mirror 8 8 8 8 A-32 1030-1058 Y&C modify 10 10 10 10 A-32 1059 Cut 1 1 1 1 A-32 1065-1067 Strobe, Cinema 3 3 3 3 A-33 1075-1079 Cropping 5 5 5 5 A-33 1080 Mix 1 1 1 1 — 1100-1128 Picture-in-picture 19 19 19 19 A-33 1130, 1131 Zoom up 2 2 2 2 A-33 1150, 1151 Spotlight 2 2 2 2 A-34 1200-1207 Dynamic mirror 8 8 8 8 A-34 1210-1213 Stream 4 4 4 4 A-34 1230-1233 Accordion 4 4 4 4 A-34 1240, 1241 Multi-screen 2 2 2 2 A-35 1250-1271 Wave modulation 13 13 13 13 A-35 1280-1283 Real paint 4 4 4 4 A-35 1285-1288 Stained glass 4 4 4 4 A-35 1300-1307 Slide 8 8 8 8 A-35 1330-1394 Split slide 32 32 32 32 A-36, A-37 1500-1524 Compress 20 20 20 20 A-38 1530-1535 Expand 6 6 6 6 A-38 1600-1613 2D rotation 12 12 12 12 A-39 1620-1690 2D rotation + Compress + 7 7 7 7 A-39

Slide 1700-1707 3D rotation 8 8 8 8 A-40 1730-1742 Door 6 6 6 6 A-40 1750-1753 Split 3D rotation 4 4 4 4 A-40 1760-1824 3D rotation + Compress + 24 24 24 24 A-41

Slide 1850-1855 Album turn 6 6 6 6 A-42 1900-1964 Flip, Tumble 33 33 33 33 A-42, A-43 2000-2006 Twist 4 4 4 4 A-43 2100-2144 Page turn 40 40 40 40 A-44 2150-2154 Page turn (modified) 5 5 5 5 A-45 2160-2167 Split page turn 8 8 8 8 A-45 2200-2251 Sphere 11 11 11 11 A-45 2260-2269 Ripple 10 10 10 10 A-46 2270-2279 Burst, Explosion, Ring, Swirl 10 10 10 10 A-46 2280-2284 Amoeba, Melt, Lens 5 5 5 5 A-47

(continued)

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Appendixes

A-4

Appendixes

2300-2307 Two-picture slide 0 8 0 8 A-47 2320-2329 Two-picture slide, 0 10 0 10 A-47

2D rotation 2340-2357 Two-picture rotation + 0 18 0 18 A-48

Compress + Slide 2360-2375 Two-picture intersect 0 12 0 12 A-49 2380-2395 Two-picture box 0 16 0 16 A-50 2400-2419 Two-picture brick 0 18 0 18 A-51 2420-2437 Two-picture brick (flip type) 0 18 0 18 A-52 2470-2473 Split 3D rotation 0 4 0 4 A-52 2480-2499 Masked flip 0 20 0 20 A-53 2500-2519 2ch picture-in-picture 0 20 0 20 A-54 2520-2534 2ch picture-in-picture 0 13 0 13 A-55 2550-2554 Two-picture page turn 0 5 0 5 A-55 2560-2564 Split page turn 0 5 0 5 A-56 2600-2625 3D split 0 0 10 10 A-56 2630-2633 3D split flip 0 0 4 4 A-57 2640-2651 Multi-cube 0 0 9 9 A-57 2660, 2661 Three-picture multi-cube 0 0 0 2 A-57 2690-2692 Special wipe 0 0 3 3 A-58 2700-2715 3D page turn 0 0 12 12 A-58 2720-2724 3D twist 0 0 5 5 A-58 2730-2739 3D box twist 0 0 10 10 A-59 2740-2752 3D modeling effect 0 0 4 4 A-59 2800-2805 3D beveled edge, 0 0 6 6 A-60

Picture-in-picture 2810-2813 3D modeled edge, 0 0 4 4 A-60

Picture-in-picture 2820-2827 3D cube, 3D brick 0 0 8 8 A-60 2830-2833 3D cube 0 0 0 4 A-60 2840-2845 3D cylinder, Sphere, Heart 0 0 6 6 A-61 2850-2857 3D wave, 3D flag 0 0 8 8 A-61 2860, 2861 Kaleidoscope 0 0 2 2 A-61 2865, 2866 3D crystal, Mirror cube 0 0 2 2 A-61 2870-2881 3D object effect 0 0 9 9 A-62 9000-9009 Linear user program 10 10 10 10 4-4

(transition) 9100-9109 Linear user program 10 10 10 10 4-4

(animation) 9200-9209 Nonlinear user program 10 10 10 10 4-4

(transition) 9300-9309 Nonlinear user program 10 10 10 10 4-4

(animation)

Pattern No.

Types of effects

The number of available patterns

Reference page no.

Varieties in standard configuration

Varieties with BKDF-711 installed

Varieties with BKDF-712 installed

Varieties with BKDF-711 and 712 installed

Effect Type List

Appendixes

A-5

Effect Control Parameter List

You can change effect pattern parameters by using the pattern adjustment knobs, joystick, and Z-knob on the control panel.

F1 to F5: Menu page 1 F6 to F10: Menu page 2 F11 to F15: Menu page 3 X/Y: Joystick Z: Z-knob

Effect control parameters

1010 1011

1015 to 1018

User mosaic

1040 1043 1046

1050

1055 to 1058

Pattern No.

Effect type and adjustable parameters

F1: Size of a mosaic cell (Size = 0 to 100) F2: Aspect ratio of a mosaic cell (Aspect = Wider to taller) F3: Softness (Soft = 0 to 100) F5 : Type of cell (TYPE = FLAT, GLASS 1 to GLASS 4) Pattern mosaic F1: Size of a mosaic cell (Size = 0 to 100) F2: Aspect ratio of a mosaic cell (Aspect = Wider to taller) F3: Softness (Soft = 0 to 100) F4: Aspect ratio of the mask area (MskAsp = Wider to taller) F5: Type of cell (TYPE = FLAT, GLASS 1 to GLASS 4) Y&C modify F1: Degree of luminance masking (PstSol = OFF, LEVEL 1 to LEVEL 7)

Y&C modify F1: Degree of luminance masking (Poster = OFF, LEVEL 1 to LEVEL 7) F2: Positive/negative selection (VIDEO = NORMAL/NEGA/MONO/

MN+NEG) F3: Softness (Soft = 0 to 100) Y&C modify F1: Degree of luminance masking (Poster = OFF, LEVEL 1 to LEVEL 7 F2: Positive/negative selection (VIDEO = NORMAL/NEGA/MONO/

MN+NEG) F3: Softness (Soft = 0 to 100) F4: Aspect ratio of the mask area (MskAsp = Wider to taller)

0017 0018

Wipe F2: Rotation angle (Angle = 0 to 99) F3: Rotation speed (Rot = 0 to 100) F4: Auto center (CENTER = AUTO/FIX)

0021 to 0029

0034 to 0039

Wipe F1: Pattern aspect ratio (Aspect = Taller to wider) F2: Rotation angle (Angle = 0 to 99) F3: Rotation speed (Rot = 0 to 100) F4: Auto center (CENTER = AUTO/FIX)

(continued)

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Appendixes

A-6

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

1075 to 1079

Cropping F1: X-coordinate of center (Pos_X = Left to right) F2: Y-coordinate of center (Pos_Y = Bottom to top) F3: Size of pattern (Size = 0 to 100) F4: Aspect raito of the pattern (Aspect = Taller to wider)

Picture-in-picture (three-dimensional)

F1: X-axis rotation (Rot_X = –70° to +70°) F2: Y-axis rotation (Rot_Y = –70° to +70°) F3: Z-axis rotation (Rot_Z = –70° to +70°) F4: Perspective (Pers = 0 to 100) Picture-in-picture (skew) F1: Expansion and reduction along X-axis (Size_X = Small to 3 times) F2: Expansion and reduction along Y-axis (Size_Y = Small to 3 times) F3: Degree of distortion along X-axis (Skew_X = Min: No distortion)

(default)

F4: Degree of distortion along Y-axis (Skew_Y = Min: No distortion)

(default)

Spotlight F1: Spotlight brightness at maximum fader lever position (Shadow = Dark

to bright)

F4: Aspect ratio of the processing area (Aspect = Taller to wider)

1102 1103 1106 to 1109

1104 1105

1150 1151

1210 to 1213

Stream F1: Stream direction (Dirctn)

Wave modulation F1: Degree of modification 1 (Amp_X = 0 to 100) (1250: Modification

along X-axis)

F2: Degree of modification 2 (1250: Amp_Y = 0 to 100) (1251/1271:

Angle = 0 to 99)

1250: Modification along Y-axis

1251, 1271: Direction of modification

1252, 1253, 1270: Not used

F3: Wave cycle (Freq = 0 to 100) F4: Wave speed (Speed = 0 to 100)

1250 to 1253 1270 1271

Effect Control Parameter List

1065 Strobe

F1: Frames displayed per second (Strobe = 0 to 100) Cinema F1: Frames displayed per second (Strobe = 0 to 100) F2: Wide screen degree (Wide = 0 to 100) F3: Wide screen position (Posi = Bottom to top) F4: Softness (Soft = 0 to 100)

1120 to 1128

Picture-in-picture F2: Display position (POS = TOP_L/TOP/TOP_R/LEFT/CENTER/RIGHT/

BTM_L/BOTTOM/BTM_R)

F3: Picture size (Size = 0 to 100) F4: X-axis picture position (Pos_X = –100 to +100) F5: Y-axis picture position (Pos_Y = –100 to +100)

1066 1067

(continued)

Appendixes

A-7

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

1280 to 1283 1285 1286

1380 to 1383 1385 to 1388

1390 to 1394

1690

1750 to 1753

2150 to 2154

Real paint, Stained glass

Split slide

Split slide F1 :Slide frequency (Freq = 0 to 100)

2D rotation + Compress + Slide (modified)

Split 3D rotation

Page turn F1: Direction of turn (Angle = 0 to 99) F2: Change in turn direction (Curve = –100 to +100)

2160 to 2167

Split page turn

2250 2251

F1: Number of split (Freq = 0 to 100) Picture-in-picture (sphere)

F1: Degree of paint effect (Amp = 0 to 100) F2: Frames per second (Strobe = 0 to 100) F3: Softness (Soft = 0 to 100) F4: Mask pattern (MASK = OFF/CIRCLE/RECT/CIRINV/RECINV) F5: Aspect ratio of the mask area (MskAsp = Taller to wider)

F1: Amount of curving (Curve = 0 to 100) F2: Curve direction (Angle = 0 to 99) F3: Amount of spiral (Spiral = –100 to +100) F4: Z-axis rotation (Rot_Z = –100 to +100)

F1: Number of split (Freq = 0 to 100)

F1: Degree of modification (Amp = 0 to 100) F2: Z-axis rotation (Rot_Z = –100 to +100) F3: X-axis mapping area (Area_X = 0 to 100) F4: Y-axis mapping area (Area_Y = 0 to 100)

F1: Slide frequency (Freq = 0 to 100) F2: Split frequency (Angle = 0 to 99) F3: Z-axis rotation (Rot_Z = –100 to +100)

(continued)

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Appendixes

A-9

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2284

Lens F1: Amplitude of modulation (Amp = 0 to 100) F2: Size of lens (Size = 0 to 100) F3: Form of lens (FORM = FLAT/INNER/OUTER/SPHERE) F4: Modulation aspect ratio (Aspect = Taller to wider) F5: Direction of modulation (Angle = 0 to 99)

2400 to 2407

2410 to 2419

Two-picture brick F1: Depth (Depth = 0 to 100) F3: Stretching of picture in depth section (Strch = 0 to 100) F4: Position of picture in depth section (Posi = –100 to +100)

2420 to 2437

Two-picture brick (flip type) F1: Depth (Depth = 0 to 100) F2: Form model (FORM = SLAB/DUAL) F3: Stretching of picture in depth section (Strch = 0 to 100) F4: Position of picture in depth section (Posi = –100 to +100)

2470 to 2473

Split 3D rotation F1: Fineness of splitting (Freq = 0 to 100)

2480 to 2489

Masked flip F1: Mask shape (PATTERN = CIRCLE/HEART/RECT/DIA/HEXA/

5STAR/6STAR/WAVE) F2: Fineness of splitting (Freq = 0 to 100) F3: Bias of splitting (Bias = 0 to 100)

2490 to 2499

Masked flip F1: Mask shape (PATTERN = CHECK1/ CHECK2/ CHECK3/CHECK4/

CHECK5/LINE/RECT1/RECT2) F2: Mask slant (SLANT = ON/OFF)

2501 to 2507

2ch picture-in-picture F1: Timing at which picture appears (Delay = 0 to 100) F2: Picture position (POSITN = HORZ1/HORZ2/HORZ3/VERT1/VERT2/

VERT3/DIAG1/DIAG2) F3: Picture size (Size = 0 to 100) F4: Relative position on X axis (Gap_X = 0 to 100) F5: Relative position on Y axis (Gap_Y = 0 to 100)

2508 2509

2ch picture-in-picture F2: Picture positon (POSITN = HORZ1/HORZ2/HORZ3/VERT1/VERT2/

VERT3/DIAG1/DIAG2) F3: Picture size (Size = 0 to 100) F4: Relative positon on X axis (Gap_X = 0 to 100) F5: Relative positon on Y axis (Gap_Y = 0 to 100)

(continued)

Appendixes

A-8

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2260 to 2269

Ripple F1: Amplitude of modulation (Amp = 0 to 100) F2: Frequency of modulation (Freq = 0 to 100) F3: Speed of modulation (Speed = –100 to +100) (2260 to 2265 only)

or area of modulation (Area = –100 to +100) (2266, 2267) F4: Aspect ratio of modulation (Aspect = 0 to 100) F5: Direction of modulation (Angle = 0 to 99) F6: Swirl modulation selection (SPMOD = OFF, IN, OUT) (2260 to 2265

only) F7: Degree of swirl modulation (Spiral = 0 to 100) (2260 to 2265 only)

2270 2271

Burst F1: Degree of splitting (Freq = 0 to 100) F2: Rotation around Z axis (Rot = –100 to +100) F3: Degree of modulation (Spiral = –100 to +100) (2270) or area of

modulation (Area = 0 to 100) (2271) F4: Form of modulation (FORM = RANDAM/CONST/WAVE1/WAVE2/

LINE1/LINE2/PIXEL1/P1XEL2)

2272 Broken glass

F1: Degree of splitting (Freq = 0 to 100) F2: Rotation around Z axis (Rot = –100 to +100) F3: Splitting adjustment (Split = 0 to 100)

2273 Explosion

F1: Stream area (AREA = NARROW/MEDIUM/WIDE/SPWIDE) F2: Form of modulation (FORM = RANDAM/PIXEL/LINE/WAVE1/

WAVE2/WAVE3/WAVE4/CONST) F3: Degree of swirl modulation (Spiral = –100 to +100) F4: Modulation aspect ratio (Aspect = Taller to wider) F5: Direction of modulation (Angle = 0 to 99)

2274 Ring

F1: Amplitude of modulation (Amp = –100 to +100) F2: Degree of splitting (Freq = 0 to 100) F4: Modulation aspect ratio (Aspect = Taller to wider) F5: Direction of modulation (Angle = 0 to 99)

2275 to 2277

Swirl F1: Amplitude of modulation (Amp = –100 to +100) F4: Modulation aspect ratio (Aspect = Taller to wider) F5: Direction of modulation (Angle = 0 to 99)

2278 2279

Swirl (soft rotation) F1: Degree of modulation (Soft = 0 to 100)

2280 Amoeba

F2: Fineness of modulation (Freq = 0 to 100)

2283 Meltdown

F1: Form of modulation (FORM = WAVE1/RAND1/WAVE2/RAND2) F2: Direction of modulation (TRANS = NORM1/NORM2/REV1/REV2)

Effect Control Parameter List

(continued)

DFS-700/700P

Page 82

DFS-700/700P

Appendixes

A-10

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2514 to

2517

2ch picture-in-picture (with perspective, vertical alignment) F1: Perspective (Pers = 0 to 100) F2: X-axis size (Size_ X = 0 to 100) F3: X-axis position (Pos_ X = 0 to 100) F4: Y-axis size (Size_Y = 0 to 100) F5: Relative position on Y axis (Gap_Y = 0 to 100)

2518 2ch picture-in-picture (manual)

F1: X-axis rotation (Rot_X = –100 to +100) F2: Y-axis rotation (Rot_Y = –100 to +100) F3: Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Form of picture (PTN = RECT/CIRCLE/HEART/DIA/PENTA/HEXA/

5STAR/6STAR) F6: Direction of X-axis rotation (SYM RX X = ON/OFF) F7: Direction of Y-axis rotation (SYM RY Y = ON/OFF) F8: Direction of Z-axis rotation (SYM RZ Z = ON/OFF) F11: Relative position on X axis (Loc_X2 = –100 to +100) F12: Relative position on Y axis (Loc _Y2 = –100 to +100) F13: Relative position on z axis (Loc _Z2 = –100 to +100) F14: Two-picture combination type (COMBIN = ZLOC/CH1/CH2/MIX)

2519 2ch picture-in-picture (manual)

F1: X-axis rotation (CH1) (Rot_X1 = –100 to +100) F2: Y-axis rotation (CH1) (Rot_Y1 = –100 to +100) F3: Z-axis rotation (CH1) (Rot_Z1 = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Form of picture (PTN = RECT/CIRCLE/HEART/DIA) F6: X-axis rotation (CH2) (Rot_X2 = –100 to +100) F7: Y-axis rotation (CH2) (Rot_Y2 = –100 to +100) F8: Z-axis rotation (CH2) (Rot_Z2 = –100 to +100) F11: X-axis position (CH2) (Loc_X2 = –100 to +100) F12: Y-axis position (CH2) (Loc_Y2 = –100 to +100) F13: Z-axis position (CH2) (Loc_Z2 = –100 to +100) F14: Two-picture combination type (COMBIN = ZLOC/CH1/CH2/MIX)

2520 2ch picture-in-picture

F1: Delay between channels (Delay = 0 to 100)

Effect Control Parameter List

2510 to 2513

2ch picture-in-picture (with perspective, horizontal alignment) F1: Perspective (Pers = 0 to 100) F2: Y-axis size (Size_Y = 0 to 100) F3: Y-axis position (Pos_Y = 0 to 100) F4: X-axis size (Size_X = 0 to 100) F5: Relative position on X axis (Gap_X = 0 to 100)

(continued)

Appendixes

A-11

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2522 2ch picture-in-picture

F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHDIR = LEFT/RIGHT/TOP/

BOTTOM/BTM-R/BTM-L/TOP-L/TOP-R) F3: Direction of picture movement (CH2) (2CHDIR = LEFT/RIGHT/TOP/

BOTTOM/BTM-R/BTM-L/TOP-L/TOP-R)

2523 2524

2ch picture-in-picture (compressed, expanded) F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHDIR = LEFT/RIGHT/TOP/

BOTTOM/HORZ/VERT) F3: Direction of picture movement (CH2) (2CHDIR = LEFT/RIGHT/TOP/

BOTTOM/HORZ/VERT)

2525

2ch picture-in-picture F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHDIR = LEFT/RIGHT/TOP/

BOTTOM) F3: Direction of picture movement (CH2) (2CHDIR = LEFT/RIGHT/TOP/

BOTTOM) F4: Direction of effect (CH1) (1chAng = –100 to +100) F5: Direction of effect (CH2) (2chAng = –100 to +100)

2526

2ch picture-in-picture F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHROT = TOP-L1/ TOP-L2/

TOP-R1 /TOP-R2/BTM-R1/ BTM-R2/BTM-L1/ BTM-L2) F3: Direction of picture movement (CH2) (2CHROT = TOP-L1/ TOP-L2/

TOP-R1 /TOP-R2/BTM-R1/ BTM-R2/BTM-L1/ BTM-L2)

2527 2ch picture-in-picture

F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHROT = TOP1/ TOP2/

BTM1/ BTM2/LEFT1/LEFT2/RIGHT1/RIGHT2) F3: Direction of picture movement (CH2) (2CHROT = TOP1/ TOP2/

BTM1/ BTM2/LEFT1/LEFT2/RIGHT1/RIGHT2)

2530 2531

2ch picture-in-picture F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (ROTDIR = PLUS/MINUS) F3: Perspective (Pers = 0 to 100)

2532

2ch picture-in-picture F1: Delay between channels (Delay = 0 to 100) F2: Speed of rotation (Rot = –100 to +100)

2521 2ch picture-in-picture (slide)

F1: Delay between channels (Delay = 0 to 100) F2: Direction of picture movement (CH1) (1CHDIR = LEFT/RIGHT/TOP/

BOTTOM/BTM-R/BTM-L/TOP-L/TOP-R) F3: Direction of picture movement (CH2) (2CHDIR = LEFT/RIGHT/TOP/

BOTTOM/BTM-R/BTM-L/TOP-L/TOP-R)

(continued)

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Appendixes

A-12

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2624 3D split 2625 F1: Speed at which cracks spread (Speed = 0 to100)

F2: Degree to which fragments fly away (Fly = 0 to 100) X/Y: Move the break center point

2630 3D split flip 2631 F1: Direction of flip (Angle = 0 to 99)

F2: Area of the part that flips (Area = 0 to 100) F3: Amount of randomness in flip (Rand = 0 to 100) F4: X direction divisions (Div_X = 1 to 16) F5: Y direction divisions (Div_Y = 1 to 16) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of flip (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2632 3D split flip 2633 F1: Direction of split (Angle = 0 to 99)

F2: Change in direction of split (Curve = –100 to +100) F3: Area of the part that splits (Area = 0 to 100) F4: Split frequency (Freq = 0 to 100) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of split (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2690 Special wipe

F1: Width of crystal (Width = 0 to 100) F2: Angle of wipe (Angle = 0 to 99) F3: Refractive index of crystal (Refrct = 0 to 100)

2691 Special wipe 2692 F1: Angle of wipe (Angle = 0 to 99)

F2: Degree of edge curve (Angle = 0 to 99) X/Y: Move the center point

Effect Control Parameter List

2560 to 2564

Split page turn F1: Direction of turn (Angle = 0 to 99) F2: Change in turn direction (Curve = –100 to +100) F3: Type of turn (DIVTYP = VERT1/VERT2/HORZ1/HORZ2)

2533 2534

2ch picture-in-picture F1: Delay between channels (Delay = 0 to 100) F2: Speed of rotation (Rot = –100 to +100) F3: Perspective (Pers = 0 to 100)

2550 to 2554

Two-picture (front, reverse) page turn F1: Direction of turn (Angle = 0 to 99) F2: Change in turn direction (Curve = –100 to +100)

(continued)

Appendixes

A-13

Effect control parameters (continued)

2700 3D page turn 2701 F1: Direction of turn (Angle = 0 to 99)

F2: Change in turn direction (Curve = –100 to +100) F3: Radius of turn (Radius = 0 to 100) F4: Adjustment of effect end position (EndAdj= –100 to +100) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of turn (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2702 3D page turn 2703 F1: Direction of turn (Angle = 0 to 99)

F2: Change in turn direction (Curve = –100 to +100) F3: Radius of turn (Radius = 0 to 100) F4: Adjustment of effect end position (EndAdj= –100 to +100) F5: Type of division (TYPE = HORZ1/HORZ2/VERT1/VERT2) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of turn (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2704 3D page turn 2705 F1: Direction of turn (Angle = 0 to 99)

F2: Spread in turn direction (Spread = –100 to +100) F3: Radius of turn (Radius = 0 to 100) F4: Adjustment of effect end position (EndAdj= –100 to +100) F5: Type of division (TYPE = HORZ/VERT) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of turn (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

Pattern No.

Effect type and adjustable parameters

(continued)

DFS-700/700P

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Appendixes

A-14

Appendixes

Pattern No.

Effect type and adjustable parameters

Effect control parameters (continued)

2710 3D page turn 2711 F1: Direction of turn (Angle = 0 to 100)

2712 3D page turn 2713 F3: Radius of turn (Radius = 0 to 100)

F4: Adjustment of effect end position (EndAdj= –100 to +100) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of turn (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2714 3D page turn 2715 F3: Radius of turn (Radius = 0 to 100)

2720 3D twist

F1: Direction of twist (Angle = 0 to 99) F2: Change in twist direction (Curve = –100 to +100) F3: Area of the part that twists (Area = 0 to 100) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of twist (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern 3D twist F3: Area of the part that twists (Area = 0 to 100) F4: Type of twist (TYPE = TYPE01/TYPE02/TYPE03/TYPE04) F6: Amount of X-axis rotation (Rot_X = –100 to +100) F7: Amount of Y-axis rotation (Rot_Y = –100 to +100) F8: Amount of Z-axis rotation (Rot_Z = –100 to +100) F9: Perspective (Pers = 0 to 100) F10: Delay before start of twist (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

Effect Control Parameter List

2721 to 2724

(continued)

Appendixes

A-15

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2730 3D box twist to F3: Area of the part that twists (Area = 0 to 100) 2739 F4: Type of twist (TYPE = TYPE01/TYPE02/TYPE03/TYPE04)

F5: Delay before start of twist (Delay = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2750 3D modeling effect

F1: Amplitude of swirl (Amp = 0 to 100) F2: X-axis rotation of path into swirl (Path_X = –100 to +100) F3: Y-axis rotation of path into swirl (Path_Y = –100 to +100) F4: Z-axis rotation of path into swirl (Path_Z = –100 to +100)

2800 3D beveled edge, Picture-in-picture to F1: Amount of X-axis rotation (Rot_X = –100 to +100) 2805 F2: Amount of Y-axis rotation (Rot_Y = –100 to +100)

F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Bevel frame type (TYPE = TYPE01 to TYPE10) F6: Width of frame (Width = 0 to 100) F10: Position of light source (Light = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2810 3D modeled edge, Picture-in-picture to F1: Amount of X-axis rotation (Rot_X = –100 to +100) 2813 F2: Amount of Y-axis rotation (Rot_Y = –100 to +100)

F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Border frame type (TYPE = TYPE01 to TYPE04) F6: Width of frame (Width = 0 to 100) F7: Length of protruding part of frame (Length = 0 to 100) F8: Sharpness of frame edges (Sharp = 0 to 100)(2810 and 2811 only) F9: Position in the depth direction of the picture (Depth = 0 to 100) F10: Position of light source (Light = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

(continued)

1-77

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1-78

Appendixes

A-16

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2820 3D two-picture cube 2821 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Frame type (TYPE = TYPE01 to TYPE04/OFF) F6: Cube degree (Cube = 0 to 100) F7: Stretching of picture in X-axis direction (Strtch = 0 to 100) F8: Position in X-axis direction (Posi = –100 to +100) F9: Width of frame (Width = 0 to 100) F10: Position of light source (Light = –100 to +100) F11: Amount of X-axis auto rotation (Spd_X = –100 to +100) F12: Amount of Y-axis auto rotation (Spd_Y = –100 to +100) F13: Amount of Z-axis auto rotation (Spd_Z = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2822 3D one-picture cube 2823 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

2824 3D two-picture brick 2825 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Frame type (TYPE = TYPE01 to TYPE04/OFF) F6: Height of brick (Hight = 0 to 100) F7: Stretching of brick side in Y-axis direction (Strtch = 0 to +100) F8: Position of brick side in Y-axis direction (Posi = –100 to +100) F9: Width of frame (Width = 0 to 100) F10: Position of light source (Light = –100 to +100) F11: Amount of X-axis auto rotation (Spd_X = –100 to +100) F12: Amount of Y-axis auto rotation (Spd_Y = –100 to +100) F13: Amount of Z-axis auto rotation (Spd_Z = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

Effect Control Parameter List

(continued)

Appendixes

A-17

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2826 3D one-picture brick 2827 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Frame type (TYPE = TYPE01 to TYPE04) F6: Height of brick (Hight = 0 to 100) F7: Stretching of brick side in Y-axis direction (Strtch = 0 to 100) F8: Position of brick side in Y-axis direction (Posi = –100 to +100) F9: Width of frame (Width = 0 to 100) F10: Position of light source (Light = –100 to +100) F11: Amount of X-axis auto rotation (Spd_X = –100 to +100) F12: Amount of Y-axis auto rotation (Spd_Y = –100 to +100) F13: Amount of Z-axis auto rotation (Spd_Z = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2830 3D three-picture cube 2831 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

2832 3D two-picture cube 2833 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

(continued)

DFS-700/700P

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Appendixes

A-18

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2840 3D cylinder 2841 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Fine adjustment of mapping in X-axis direction (Area_X = 0 to 100) F5: Fine adjustment of mapping in Y-axis direction (Area_Y = 0 to 100) F6: Thickness of cylinder (Radius = 0 to 100) F7: Degree of wave modulation on cylinder sides (Amp = 0 to 100) F8: Frequency of wave modulation on cylinder sides (Freq = 0 to 100) F9: Phase of wave modulation on cylinder sides (Phase = 0 to 99) F10: Position of light source (Light = –100 to +100) F11: Amount of X-axis auto rotation (Spd_X = –100 to +100) F12: Amount of Y-axis auto rotation (Spd_Y = –100 to +100) F13: Amount of Z-axis auto rotation (Spd_Z = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2842 Sphere, Heart to F1: Amount of X-axis rotation (Rot_X = –100 to +100) 2845 F2: Amount of Y-axis rotation (Rot_Y = –100 to +100)

F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Fine adjustment of mapping in X-axis direction (Area_X = 0 to 100) F5: Fine adjustment of mapping in Y-axis direction (Area_Y = 0 to 100) F6: Amount of X-axis auto rotation (Spd_X = –100 to +100) F7: Amount of Y-axis auto rotation (Spd_Y = –100 to +100) F8: Amount of Z-axis auto rotation (Spd_Z = –100 to +100) F10: Position of light source (Light = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2850 3D wave to F1: Amount of X-axis rotation (Rot_X = –100 to +100) 2853 F2: Amount of Y-axis rotation (Rot_Y = –100 to +100)

F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Direction of wave modulation (Angle = 0 to 99) F6: Amplitude of wave modulation (Amp = 0 to 100) F7: Frequency of wave modulation (Freq = 0 to 100) F8: Phase of wave modulation (Phase = 0 to 99) F9: Speed of auto change in phase of wave modulation (Speed = –100 to

+100) F10: Position of light source (Light = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

Effect Control Parameter List

(continued)

Appendixes

A-19

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2854 3D wave 2855 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Direction of wave modulation (Angle = 0 to 99) F6: Amplitude of wave modulation 1 (Amp1 = 0 to 100) F7: Frequency of wave modulation 1 (Freq1 = 0 to 100) F8: Phase of wave modulation 1 (Phase1 = 0 to 99) F9:Speed of auto change in phase of wave modulation 1 (Speed1 =

–100 to +100) F10: Position of light source (Light = –100 to +100) F11: Amplitude of wave modulation 2 (Amp2 = 0 to 100) F12: Frequency of wave modulation 2 (Freq2 = 0 to 100) F13: Phase of wave modulation 2 (Phase2 = 0 to 99) F14:Speed of auto change in phase of wave modulation 2 (Speed2 =

–100 to +100)

X/Y/Z: Location, enlargement, and reduction of the pattern

2856 3D flag 2857 F1: Amount of X-axis rotation (Rot_X = –100 to +100)

F2: Amount of Y-axis rotation (Rot_Y = –100 to +100) F3: Amount of Z-axis rotation (Rot_Z = –100 to +100) F4: Perspective (Pers = 0 to 100) F5: Position of pole (POLE = RIGHT/LEFT) F6: Amplitude of wave modulation (Amp = 0 to 100) F7: Change in direction of waving (Swing = 0 to 100) X/Y/Z: Location, enlargement, and reduction of the pattern

2860 Kaleidoscope

F1: Size of repetition (Size = 0 to 100) F2: Amount of auto rotation (RotSpd = –100 to +100)

2865 3D crystal

F1: Amount of auto repetition in X-axis rotation (Swng_X = 0 to 100) F2: Amount of auto repetition in Y-axis rotation (Swng_Y = 0 to 100) F3: Amount of auto rotation on Z-axis (Spd_Z = –100 to +100) F4: Width of beveled edge (Width = 0 to 100) F5: Height of beveled edge (Hight = 0 to 100) X/Y/Z: Location, enlargement, and reduction of the pattern

2866 Mirror cube

F1: Amount of auto rotation on X-axis (Spd_X = –100 to +100) F2: Amount of auto rotation on Y-axis (Spd_Y = –100 to +100) F3: Amount of auto rotation on Z-axis (Spd_Z = –100 to +100) X/Y/Z: Location, enlargement, and reduction of the pattern

2870 3D object effects

F1: Mapping mode (MapMod = POINT/FACE1/FACE2)

(continued)

1-79

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Appendixes

A-20

Appendixes

Effect control parameters (continued)

Pattern No.

Effect type and adjustable parameters

2871 3D object effects to F1: Mapping mode (MapMod = POINT/FACE1/FACE2) 2876 F2: Size of model (Size = 0 to 100)

F3: Acceleration of fall (Accel = 0 to 100) F4: Snaking on X-axis (Wave_X = 0 to 100) F5: Snaking on Y-axis (Wave_Y = 0 to 100) F6: Amount of auto rotation on X-axis (Spd_X = –100 to +100) F7: Amount of auto rotation on Y-axis (Spd_Y = –100 to +100) F8: Amount of auto rotation on Z-axis (Spd_Z = –100 to +100) F9: Frequency of snaking on X-axis (Freq_X = 0 to 100) X/Y/Z: Location, enlargement, and reduction of the pattern

Effect Control Parameter List

Appendixes

A-21

Effect Motion T ypes

The effects of the DFS-700/700P can be classified by their direction type, as follows.

Effects classified by direction type

Pattern No.

Characteristics

Direction type

Transition type

Animation type

When you move the fader from one end to the other and back, the effect is executed in the same direction. Crosspoints selected with the BACKGROUND and FOREGROUND bus buttons change when the effect is executed.

• When you move the fader from one end to the other and back, the effect is executed in the opposite direction. Crosspoints selected with the BACKGROUND and FOREGROUND bus buttons do not change.

• If the editing control unit select switch is set to PVE-500, the N/R button lights during execution of the effect.

1 to 1000 1003 to 1010 1059 1080 1200 to 1233 1260 to 1271 1300 to 2213 2260, 2261 2263, 2264 2266 to 2283 2300 to 2499 2550 to 2752 9000 to 9009 9200 to 9209

1001 1011 to 1058 1065 to 1079 1100 to 1151 1130 to 1171 1240 to 1253 1280 to 1288 2250 to 2251 2262 2265 2284 2500 to 2534 2800 to 2881 9100 to 9109 9300 to 9309

DFS-700/700P

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Appendixes

A-22

Appendixes

Effect Pattern Variant Forms and Decorations

Some effect patterns have attributes that allow you to change them, for example by changing the position or adding a border. The following list shows the attributes that are available for each pattern. TITLE: Title key transition

EDGE: Edge effects BD: Border SF: Blurring BV: Bevel edge

CROP: Cropping

L: Left R: Right T: Top B: Bottom

LOCATE: Location of the pattern

XY: X-axis and Y-axis location Z: Z-axis location

LIGHTING: Lighting

SP: Spotlighting LN: Direct lighting PL: Even lighting

TRAIL: Trail

TR: Trail DB: Drop border DS: Drop shadow

OPTION: Options

711: The ✩ mark indicates that the BKDF-711

is required for this function.

712: The ★ mark indicates that the BKDF-712

is required for this function.

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

0001 to 0016 √√√ 0017 to 0018 √√√ √ 0019 to 0020 √√√ 0021 to 0029 √√√ √ 0030 to 0033 √√√ 0034 to 0039 √√√ √ 0104 to 0676 √√√ 0700 to 0809 √√√ √√√

1000 √√√ √√√ 1001 √√√√ √√√

1003 to 1010 √√√ √√√

1011 √√√√ √√√ 1015 to 1018 √√√ √√ √√√ 1020 to 1027 √√√√ √√√ 1030 to 1050 √√√√ √√√ 1055 to 1058 √√√ √√ √√√

1059 √√√√

1065 √√√√ √√√ 1066 to 1067 √√√ √ √√√ 1075 to 1079 √√√ √√ √√√

1080 √√√√ √√√ 1100 to 1101 √√√√√√√√√ √√√ 1102 to 1105 √√√√√√√√√√ √√√ 1106 to 1109 √√√ √√√√√√ √√√ 1120 to 1128 √√√√√√√√ √√√ 1130 to 1131 √√√√√√√√√ √√√ 1150 to 1151 √√√ √√ √√√

1200 √√√√ √ √√√

1201 √√√√√ √√√

Appendixes

A-23

1202 √√√√ √ √√√

1203 √√√√ √ √√√

1204 √√√√ √ √ √√√

1205 √√√√√ √ √√√

1206 √√√√√ √ √√√

1207 √√√√ √√ √√√

1210 and 1211 √√√√ √√ √√√ 1212 and 1213 √√√√√√ √√√

1230 √√√√√ √ √ √√√

1231 √√√√ √ √ √ √√√

1232 √√√√ √√ √ √√√

1233 √√√√ √ √ √ √√√

1240 and 1241 √√√√√√√√ √ √√√

1250 √√√√√√√√√√ √√√

1251 √√√√√√√√√√ √ √√√ 1252 to 1253 √√√√√√√√√√ √√√ 1260 to 1269 √√√√√√√√ √√√

1270 and 1271 √ √√√√√ √√√

1280 to 1283 √√√ √√√ √√√ 1285 to 1288 √√√ √√ √√√

1300 √√√√√ √√√

1301 √√√√ √ √√√

1302 √√√√ √ √√√

1303 √√√√ √ √√√

1304 √√√√√ √ √√√

1305 √√√√ √√ √√√

1306 √√√√ √ √ √√√

1307 √√√√√ √ √√√ 1330 to 1332 √√√√ √√√

1340 √√√√√ √√√

1341 √√√√ √ √√√

1343 √√√√ √ √√√

1344 √√√√ √ √√√

1347 √√√√ √√ √√√

1349 √√√√√ √ √√√

1350 and 1351 √√√√ √√√

1360 √√√√√√ √√√

1361 √√√√ √√ √√√

1362 √√√√√√ √√√

1363 √√√√ √√ √√√

1370 and 1371 √√√√√√ √√√ 1372 and 1373 √√√√ √√ √√√

1380 to 1388 √√√√√√√√ √√√

1390 √√√√√√ √ √√√

1391 √√√√√ √ √√√

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

1-81

Page 89

1-82

Appendixes

A-24

Appendixes

1392 √√√√ √ √ √√√

1393 √√√√√ √ √√√

1394 √√√√ √√ √√√

1500 √√√√√√√√ √√√

1501 √√√√√ √√ √√√

1502 √√√√ √√√ √√√

1503 √√√√√√ √ √√√

1504 √√√√√√√ √√√

1505 √√√√√ √ √√√

1506 √√√√ √√ √√√

1507 √√√√ √ √ √√√

1508 √√√√√ √ √√√

1510 √√√√√ √√√

1511 √√√√ √ √√√

1512 √√√√ √

1513 √√√√ √

1514 √√√√√√ √√√

1515 √√√√ √√ √√√ 1520 to 1522 √√√√ √√√

1523 √√√√√√ √√√

1524 √√√√ √√ √√√ 1530 to 1535 √√√√ √√√

1600 √√√√ √√ √√√

1601 √√√√√ √ √√√

1602 √√√√ √ √ √√√

1603 √√√√√ √ √√√

1604 √√√√√ √ √√√

1605 √√√√ √√ √√√

1606 √√√√√ √ √√√

1607 √√√√ √ √ √√√

1610 √√√√ √√√ √√√

1611 and 1612 √√√√√ √√ √√√

1613 √√√√ √√√ √√√ 1620 to 1644 √√√√√√√√ √√√

1690 √√√√√√√√√ √√√

1700 √√√√√ √√ √√√√√√

1701 √√√√ √√√ √√√√√√

1702 √√√√√√√ √√√√√√

1703 √√√√√√ √ √√√√√√

1704 √√√√√ √√√√√√

1705 √√√√ √ √√√√√√

1706 √√√√ √ √√√√√√

1707 √√√√ √ √√√√√√

1730 √√√√ √√ √√√√√√

1731 √√√√ √√√√√√

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

Effect Pattern Variant Forms and Decorations

Appendixes

A-25

1732 √√√√√√√√ √√√√√√

1740 √√√√√√ √√√√√√

1741 √√√√ √√√√√√

1742 √√√√√√√√ √√√√√√ 1750 to 1753 √√√√√√√√ √√√√√√ 1760 to 1770 √√√√√√√√ √√√√√√ 1780 to 1783 √√√√√√√√ √ √√√√ 1800 to 1806 √√√√√√√√ √√√√√√ 1807 to 1811 √√√√√√√√ √ √√√√ 1812 to 1816 √√√√√√√√ √√√√√√

1820 √√√√ √ √√√

1821 √√√√√ √√√

1822 √√√√ √ √√√

1823 √√√√ √ √ √√√

1824 √√√√√ √ √√√

1850 √√ √√ √√√

1851 √√ √√ √√√

1852 √√ √√ √√√

1853 √√ √√ √√√

1854 √√ √√ √√√

1855 √√ √√ √√√

1900 √√√√√ √√√

1901 √√√ √√ √√√ 1902 to 1945 √√√√√√√ √√√√√√

1946 √√√√√√√ √ √√√√

1947 √√√√√√√ √√√

1948 √√√√√√√ √ √√√√

1949 and 1950 √√√√√√√ √√√√√√

1951 √√√√√ √√√

1952 √√√ √√ √√√

1954 √√√√√ √√√

1955 √√√√√√√ √√√√√√

1956 √√√√√ √ √√√

1958 and 1959 √√√√√√√ √√√

1960 to 1964 √√√√√√√ √√√√√√ 2000 to 2003 √√√√√√√√ √√ √√√

2100 √√√√√ √ √ √√√

2101 √√√√ √ √ √ √√√

2102 √√√√√ √ √ √√√

2103 √√√√ √ √ √ √√√

2104 √√√√√ √ √ √√√

2105 √√√√√ √ √ √√√

2106 √√√√ √ √ √ √√√

2107 √√√√ √√ √ √√√

2108 √√√√√ √ √ √√√

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

DFS-700/700P

Page 90

DFS-700/700P

Appendixes

A-26

Appendixes

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

2109 √√√√√ √ √ √√√

2110 √√√√√ √ √ √√√

2111 √√√√√ √√ √ √√√

2112 √√√√√ √ √ √√√

2113 √√√√ √ √ √ √√√

2114 √√√√√√ √ √ √√√ 2115 to 2120 √√√√√ √√ √ √√√ 2121 to 2125 √√√√√√√√ √ √√√

2126 √√√√√ √ √ √√√ 2127 to 2144 √√√√√√√√ √ √√√ 2150 to 2154 √√√√√√√√ √ √√√

2160 √√√√ √√ √ √√√

2161 and 2162 √√√√√ √ √ √√√

2163 √√√√ √ √ √ √√√

2164 √√√√ √ √ √√√

2165 √√√√ √ √ √√√

2166 √√√√√ √ √√√

2167 √√√√ √ √ √√√ 2200 to 2213 √√√√√√√√ √ √√√

2250 and 2251 √√√√√√√√√√√ √√√

2260 √√√√√√√√√√ √ √√√

2261 √√√√√√√√√ √ √√√

2262 and 2263 √√√√√√√√√√ √ √√√

2264 √√√√√√√√√ √ √√√

2265 and 2266 √√√√√√√√√√ √ √√√

2267 √√√√√√√√√ √ √√√

2268 √√√√√√√√√√ √ √√√

2269 √√√√√√√√√ √ √√√ 2270 to 2273 √√√√√√√√√√ √√√

2274 √√√√√√√√ √√√ 2275 to 2278 √√√√√√√√√√ √√√

2279 √√√√√√√√√ √√√

2280 and 2281 √√√√√√√√√√ √ √√√

2282 √√√√√√√√ √√ √√√

2283 √√√√√√√√ √√√

2284 √√ √

2300 √√√√√ √√√✩

2301 √√√ √√ √√√ ✩

2302 √√√√√ √√√ ✩

2303 √√√ √√ √√√ ✩ 2304 to 2307 √√√√√√√ √√√ ✩

2320 √√√√√ √√√ ✩

2321 √√√ √√ √√√ ✩

2322 and 2323 √√√√√√√ √√√ ✩

2324 √√√√√ √ √√√ ✩

Effect Pattern Variant Forms and Decorations

Appendixes

A-27

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

2325 √√√√√√ √√√ ✩

2326 √√√√√ √ √√√ ✩

2327 √√√√√√ √√√ ✩

2328 and 2329 √√√√√√√ √√√ ✩

2340 to 2344 √√√√√√√ √√√ ✩

2345 and 2346 √√√√√√√ √√√√√√ ✩ 2347 and 2348 √√√√√√√ √√√ ✩ 2349 and 2350 √√√√√√√ √√√√√√ ✩

2351 √√√√√√√ √ √√√√ ✩

2352 and 2353 √√√√√√√ √√√√√√ ✩ 2354 and 2355 √√√√√√√ √ √√√√ ✩ 2356 and 2357 √√√√√√√ √√√√√√ ✩

2360 to 2375 √√√√√√√ √√√√√√ ✩ 2380 to 2395 √√√√√√√ √√√√√√ ✩ 2400 to 2419 √√√√√√√ √√√√√√ ✩ 2420 to 2427 √√√√√√√ √√√√√√ ✩

2428 and 2429 √√√√√√√ √ √√√√ ✩

2430 to 2437 √√√√√√√ √√√√√√ ✩ 2470 to 2473 √√√√√√√ √√√√√√ ✩ 2480 to 2483 √ √√√√√ √ √√√√ ✩ 2484 to 2499 √ √√√√√ √√√√√√ ✩

2500 √√√√√√√√ √ ✩ 2501 to 2517 √√√√√√√√ √√√ ✩ 2518 to 2519 √√√√√√√√√√ √√√ ✩

2520 √√√√√√√√ √ ✩ 2521 to 2523 √√√√√√√√ √√√ ✩

2524 and 2525 √√√√ √√√ ✩ 2526 and 2527 √√√√√√√√ √√√ ✩ 2530 and 2531 √√√√√√√√ √√√√√√ ✩

2532 √√√√√√√√ √√√ ✩

2533 and 2534 √√√√√√√√ √√√√√√ ✩

2550 to 2554 √√√√√√√√ √ √√√ ✩ 2560 to 2564 √√√√√√√√ √ √√√ ✩ 2600 to 2620 √√√√√√√ √ √√√ ★

2624 √√√√√√√√ √ √√√ ★

2625 √√ √√√ ★ 2630 to 2633 √√√√√√√√√√ √√√ ★ 2640 to 2651 √√√√√√√ √ √√√ ★

2660 and 2661 √√√√√√√ √ √√√✩ ★

2690 √√√√ ★

2691 and 2692 √√√√√√√√ √ √√√ ★

2700 to 2715 √√√√√√√√√√ √√√ ★ 2720 to 2724 √√√√√√√√√√ √√√ ★ 2730 to 2739 √√√√√√√√√√ √√√ ★ 2740 to 2752 √√√√√√√ √ √√√ ★

1-83

Page 91

1-84

Appendixes

A-28

Appendixes

Pattern No.

TITLE

EDGE CROP LOCATE LIGHTING TRAIL OPTION

BD SF BV L R T B XY Z SP LN PL TR DB DS 711 712

2800 to 2805 √√√√√√√√√√ √√√ ★ 2810 to 2813 √√√√√√√√√√ √√√ ★ 2820 to 2827 √√√√√√√√√√ √√√ ★ 2830 to 2833 √√√√√√√√√√ √√√✩ ★ 2840 to 2845 √√√√√√√√√√ √√√ ★ 2850 to 2857 √√√√√√√√√√ √√√ ★

2860 and 2861 ★

2865 √√√√√√√√√√ √√√ ★

2866 √√√ √√√ ★ 2870 to 2876 √√√ √√√ ★

2880 and 2881 √√√√ ★

9000 to 9009 √√√√√√√√√√ √√√ 9100 to 9109 √√√√√√√√√√ √√√ 9200 to 9209 √√√√√√√√√√ √ √√√ 9300 to 9309 √√√√√√√√√√ √ √√√

Effect Pattern Variant Forms and Decorations

Appendixes

A-29

Effect Pattern Image List

This section illustrates the effect patterns of the DFS-700/700P.

123 4 5

TTT

678 910

TTTT

11 12 13 14 15

TTTT

16 17 18 19 20

TTTT

21 22 23 24 26

TTTT

30 31 32 33

TTT

104 105 106 107

TTT

Direction of the effect

Left and right mirror pictures

Upper and lower mirror pictures

Abbreviations in the illustrated patterns FG: Foreground picture BG: Backgrond picture T: Transition type A: Animation type

a) Direction of the effect when executed in normal direction

Wipe

How to read the patterns

DFS-700/700P

Page 92

DFS-700/700P

Appendixes

A-30

Appendixes

Effect Pattern Image List

310 311 312 313 320

TTTT

321 323 324

500 502 504 506 508

TTTT

510 516 518 600 602

TTTT

604 606 608 610 612

TTTT

614 616 618 620

TTT

624 626 628 630

TTT

662 664 674 676

TTT

622

660

700 702 707 710 712

TTTT

717 740 742 750 752

TTTT

754 760 761 762 763

TTTT

764 770 771

RANDOM

Wipe (continued)

Matrix wipe

(continued)

Appendixes

A-31

772 773

774

787 788 789 790 791

TTT

792 793 794 795 796

TTTT

797 798 799 800

808 809

1000 1001

1003 1006

1010 1011

1015

1016 1018

RANDOM

MOSAIC(8X8)

1017

MOSAIC(8X8)

HORIZONTAL

MOSAIC

HORIZONTAL

MOSAIC

VERTICAL

MOSAIC

VERTICAL

MOSAIC

VARIABLE

MOSAIC

VARIABLE

MOSAIC

VARIABLE

MOSAIC

VARIABLE MOSAIC

VARIABLE

MOSAIC

VARIABLE

MOSAIC

VARIABLE

MOSAIC

Matrix wipe (continued)

Mosaic

1-85

Page 93

1-86

Appendixes

A-32

Appendixes

Effect Pattern Image List

1020 1021

1022 1023

1024 1025

1026

1027

1030 1033

1040 1043

1046 1050

1055

1056 1058

1057

(DISSOLVE)

FGFGFG

(DISSOLVE)

FG FG

(DISSOLVE)

NEGATIVE COLOR

(DISSOLVE)

B & W

Y&C MASK

(DISSOLVE)

Y MASK

C MASK

(DISSOLVE)

MODIFY

1059

(CUT)

Sill mirror

Y & C modify

Cut

Appendixes

A-33

1065 1066 1067

1100 1102

1105

1103

1109

1106 1107

1104

1075

1108

1101

1130

1131

STROBE

(DISSOLVE)

B&W STROBE

COLOR STROBE

BG FG

CROPPING

(fade)

P in P

(auto centering)

3D P in P

(fade)

3D P in P

SKEW P in P

(fade)

SKEW P in P

3D CIRCLE

P in P (fade)

3D CIRCLE

P in P

3D HEART

P in P (fade)

3D HEART

P in P

ZOOM UP

(auto centering)

Freeze, Strobe, Cinema

Cropping

Picture-in-picture

Zoom up

DFS-700/700P

Page 94

DFS-700/700P

Appendixes

A-34

Appendixes

Effect Pattern Image List

1210 1212

1213

1211

1150 1151

1200 1201

1206 1207

1202 1203

1204 1205

1230 1232

1233

1231

FGFG+BGFG

FG BGFGFG

FG FG

FGFGFG

FG FG

FGBGFG FG

F G

stream

F G

stream

Spotlight

Dynamic mirror

Stream

Accordion

Appendixes

A-35

1285

1286

1240 1241

1280 1282

1283

1281

1250 1251 1252 1253 1260

AATA

1261 1262 1263 1264 1265

TTTT

1269 1270

1271

1300 1302

1304

1305 1307

1306

1301 1303

FG FG

(DISSOLVE)

FG FG FG

WAVE

FADE

WAVE

FADE

RANDOM

FADE

WAVE

FADE

RANDOM

FADE

PAINT

STROBE

PAINT

STROBE

PAINT

STROBE

PAINT

STROBE

STAINED GLASS

STROBE

STAINED GLASS

STROBE

Multi-screen

Wave modulation

Real paint

Stained glass

Slide

1-87

Page 95

1-88

Appendixes

A-36

Appendixes

Effect Pattern Image List

1330 1332

1340

1341

1331

1343

1344

1347

1349

1350

1351

1360

1361

1362

1363

Split slide

(continued)

Appendixes

A-37

1370 1372

1380 1382

1385 1387

1390

1391

1371 1373

1381 1383

1386 1388

1392

1393

1394

Split slide (continued)

DFS-700/700P

Page 96

DFS-700/700P

Appendixes

A-38

Appendixes

Effect Pattern Image List

1500

1523 1524

1502 1503

1514 1520

TTT

1521

1511

1512

1501

1504 1505

1506 1507

1508 1510

1513 1515

1522

1530

1535

1532

1531 1533

1534

Compress

Expand

Appendixes

A-39

1620

1600 1601 1602 1603

1630

1635

1640

1643

1612

TTT

1605 1606 1607 1610

1604

1611

1613

1644

1690

(variable)

2D rotation

2D rotation + Compress + Slide

2D rotation + Compress + Slide (modified)

1-89

Page 97

1-90

Appendixes

A-40

Appendixes

Effect Pattern Image List

1700 1702

1704

1705 1707

1706

1701 1703

1730 1732

1741

1742

1731 1740

1750

1751 1753

1752

BG FG

FG FG FG

BG FG FG

FG BG

3D rotation

Door

Split 3D rotation

Appendixes

A-41

1760

1762

1770 1780

1781 1782

1783 1800

1802 1806

1807 1810

1811 1812

1813 1814

1815 1816

1820 1821 1822 1823 1824

1765

3D rotation + Compress + Slide (modified)

DFS-700/700P

Page 98

DFS-700/700P

Appendixes

A-42

Appendixes

Effect Pattern Image List

1850 1851

1853

1854 1855

FG BG FG BG

FG BG BG FG

FG BG

BGFG BG FG

FG BG

1900 1901

1902

1906

1905

1909

BG FG

INT VIDEO

BG FG

INT VIDEO

BG FG

INT VIDEO

FGINT VIDEO

BG BG FG FGINT VIDEO

1912 1916

INT VIDEO

BG BG

FG FG

1920

INT VIDEO

BG FG

1921

BG FG

INT VIDEO

1930

INT VIDEO

BG FG

1933

INT VIDEO

1940

INT VIDEO

1941

INT VIDEO

1852

Album turn

Flip, Tumble

(continued)

Appendixes

A-43

1951

1952

1954

1955 1956

1958 1959

19621960

1964

1942

1943

BG FG

INT VIDEO

BG FG

INT VIDEO

BG FG

INT VIDEO

BG INT VIDEO

INT VIDEO

BG FG

INT VIDEO

2002 2003

2000 2001

T T

INT VIDEO

FGBG

1944

1945

1946

1947

1948

1949

1950

INT VIDEO FG

Flip, Tumble (continued)

Twist

1-91

Page 99

1-92

Appendixes

A-44

Appendixes

Effect Pattern Image List

2100 2102

2104 2106

2108 2110

2101 2103

2105 2107

2109 2111

2120

2121

2122

2123

2124

2125

2126

2130

2132

2134

2136

2138

2140

2142

2143

2144

2112 2114

2113 2115

2131

2133 2135

2137 2139

2141

2127

2128

Page turn

Appendixes

A-45

2250 2251

PAGE TURN

(variable)

PAGE TURN

(variable)

PAGE TURN

(variable)

PAGE TURN

(variable)

PAGE TURN

(variable)

P in P SPHERE

( fade )

P in P SPHERE

2150 2152

2153

2151 2154

2160 2161

2162 2163

2164 2165

2166

2167

2212

2200 2201

2202 2203

2204 2210

2211 2213

Page turn (modified)

Split page turn

Sphere

Picture-in-picture (sphere)

DFS-700/700P

Page 100

DFS-700/700P

Appendixes

A-46

Appendixes

Effect Pattern Image List

2270 2271

2272 2273

2274 2275

2276 2277

2278 2279

2260 2261

2262 2263

2264 2265

2266 2267

2268 2269

Ripple

Burst, Explosion, Ring, Swirl

Appendixes

A-47

2300 2301

2302 2303

2304 2305

2306 2307

2320 2321

2322 2323

2324 2325

2326 2327

2328 2329

2280 2281

2282 2283

2284

Amoeba, Melt, Lens

Two-picture slide

Two-picture slide, 2D rotation

1-93