Sony Alpha 100 User Manual

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Sony Consumer Products Group,
Registered Head Office:
Sony United Kingdom Limited,
The Heights, Brooklands,
Weybridge, Surrey, KT13 0XW.
Company No. 2422874.
Registered in England.

The “ ” symbol is pronounced “Alpha”

‘Sony’, ‘like.no.other’, the logo, Bionz, Super SteadyShot, Memory Stick, Memory Stick PRO Duo/Memory Stick Duo and their logos are trademarks of Sony Corporation, Japan. All other
trademarks are acknowledged. Whilst the information is true at the point of production, small production changes in the course of the Company's policy of improvement through research and
design might not necessarily be indicated in the specification. Subject to errors, design and technical changes.

Dynamic Range Optimiser Advanced mode uses technology provided by Apical Ltd.

Microsoft®, MS, and Windows®are either registered trademarks or trademarks of Microsoft Corporation in the United States and / or other countries. Windows 2000 Professional is an
abbreviation for Microsoft®Windows® 2000 Professional operating system. WindowsXP Home Edition / Professional is an abbreviation for Microsoft®Windows®XP Home Edition / Professional.

Apple, the Apple logo, Macintosh, iBook, iMac, eMac, iPod, PowerBook, and MacBook are registered trademarks of Apple Computer, Inc. Additional company and product names may be
trademarks or registered trademarks and are hereby acknowledged.

Digital SLR Camera

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It’s a brand new name.
And it’s a brand new spirit in photography.

is about inspiration. It’s about
exploration and discovery. And it’s
about the power of imagination.

Whether you’re serious about taking better
pictures – or just serious about having fun with
photography – takes you to the next level.

Welcome to

100 Features

Super SteadyShot inside
camera body reduces
camera shake with all lenses.

The 100 features an innovative
image stabilisation system that shifts

the CCD sensor to compensate for
camera shake to deliver crisp,
blur-free images with all compatible

system lenses.

10 Megapixel CCD
and BIONZ image
processing engine produce
superb quality images.

The combination of a newly­developed 10.2 effective Megapixel
CCD sensor and BIONZ image
processing engine ensures
extremely detailed, lifelike high
resolution images right up to
A3 print size.

2.5" 230K pixel Clear
Photo LCD Plus screen
displays beautiful,
high-resolution pictures.

The large 2.5" (230,000 pixel) Clear
Photo LCD Plus screen displays
shots with stunning authenticity
and detailing. The anti-reflection
coating and Clear Processing
assure beautiful images that are
easy to view… even outdoors or in
bright ambient lighting conditions.

Wide line-up of
interchangeable lenses.

There’s an extensive choice of
high-quality lenses – from ultra
wide angle to super telephoto –
to get the very best out of the
extraordinary imaging capabilities
of the 100. The full range
includes Carl Zeiss and Sony G
lenses that have been designed to
deliver the ultimate in imaging
performance with outstanding
clarity, geometric accuracy and
colour reproduction.

High-speed response with
built-in Eye-Start AF feature
ensure stress-free shooting.

The powerful BIONZ image
processing engine allows you to
capture high-quality images
quickly, allowing high-speed
continuous shooting at up to three
frames per second in JPEG fine
mode – limited only by your
memory card’s capacity. In
addition, the camera’s innovative
Eye-Start AF system brings images
into crisp, clear focus the moment
you lift the viewfinder to your eye.

CCD sensor coating
and anti-dust vibration
system for clear,
dust-free images.

The 100 represents a significant
advance in addressing the
challenge of keeping the inside of
the camera body dust-free when
lenses are interchanged. Combined
with an anti-static coating on the
CCD sensor, the anti-dust vibration
system dislodges dust particles
from the sensor when the camera is
turned off.

Up to 750 shots from
a single battery charge.

The high capacity rechargeable
lithium ion battery allows you to
focus on shooting without worrying
about running low on power.
Coupled with the camera’s highly
energy-efficient design, a single
charge of the battery allows up to
750 shots (CIPA measurement).

Conceived and created by Sony, is a synthesis
of the most advanced digital technology, precision
optics and innovative design. The result? A new
family of Digital SLR cameras, lenses and
accessories that’s quite simply like no other.

The way we see it, if you have a camera
and you take photographs, you’re already
a photographer. With we just want you
to be an even better one.

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LCD screen provides shooting information

Easy-to-view navigation display.

Navigation Display shows camera settings. Switch between detailed
display and zoom screens by pressing Display button. If the camera is
held vertically, the screen will automatically switch to vertical display
orientation.

LCD screen

Clear Photo LCD Plus technology for accurate reviewing.

Switch between Single Frame replay and Index screens during
playback by pressing the Display button. A histogram can be viewed
during single frame replay. Single Frame images can be enlarged or
rotated during replay.

Viewfinder information display

Verify shooting information with the camera held to your eye.

The wide Autofocus area covers the scene with nine separate local focus points,
allowing you to achieve a wide range of different compositional effects. You can
also select a single focus area if preferred.

Controls and main functions

Eye sensor see page 13

Infra-red sensor detects when the camera has been
placed to the photographer’s eye to look through the
viewfinder. Looking through the viewfinder activates
the Eye-Start AF system that instantaneously brings
subjects into clear focus.

CCD see page 8

10.2 Megapixel CCD sensor with RGB
primary colour filter. Anti-static sensor coating
reduces build-up of dust particles in
conjunction with CCD vibration feature when
camera is switched off.

Super SteadyShot switch see page 6

Activates Super SteadyShot image stabiliser
system inside camera body to reduce camera
shake during handheld shooting.

CF card cover see page 20

The 100 accepts Compact Flash Type I and II
(including MicroDrive) media. With the supplied
adaptor it can also be used with Memory Stick
Duo / Memory Stick PRO Duo media.

Viewfinder

Power switch

DC power in

Execute button/
Spot AF button

Preview button Lens signal contact Lens mount

Remote release
terminal

Auto/Manual
focus switch

Function button Function dial Drive button

Shutter button

Control dial

Menu button

Press this button to display the
Menu screen on the LCD monitor.
From the Menu screen, you can
select various menus such as the
Shooting or Replay menus.

Display button

Changes display mode

Delete button

To delete an image, press this
button and confirm with + key.

Replay button

When you press the Replay button,
the photo that you have shot is
displayed on the LCD screen. You
can select other images by using
the + key or the Control dial.

Lens attachment mark

When attaching a lens, align the
attachment mark on the lens with
this mark and turn the lens
clockwise.

Lens release button

Remove the lens by holding down
the button and turning the lens
anticlockwise.

Exposure Adjustment
button/Reduce button

AEL button/Zoom button

Access lamp

+ key

Self-timer lamp

LCD monitor see page 14

Photos and shooting information are displayed in the

2.5-inch (230,000-dot) high-resolution LCD screen
featuring Clear Photo LCD Plus technology. Choice of
Navigation Display modes makes optimum use of large
information screen that flips automatically to vertical
orientation when camera is rotated.

Mode dial see page 16

Enables one-touch setting
of shooting modes. Turn
dial to select desired
shooting mode.

Built-in flash

Integrated flash unit
(GN 12 @ ISO 100, m)
moves up and down manually.

Spot metering
circle

Spot focus
frame

Focus display

Wireless
flash

Flash
adjustments

Flash mode

High-speed synchronisation EV scale

Continuous shooting
frames remaining counter

Camera shake
warning

Super
SteadyShot
indicator

Aperture value

Shutter speed

Local focus frame

Wide focus
frame

AE lock

Exposure Adjustment

Date and
time

Protect DPOF printing

Image
number/
Total images

Folder
number ­file number

Image
Quality
Mode

Image size

EV scale

Sharpeness adjustment

Colour saturation adjustment

Flash mode

Flash exposure
adjustment

Auto exposure
lock

Contrast adjustment

Release priority

Aperture
value and
shutter
speed

ISO equiv.
setting

Image size

Image
quality mode

Drive mode

Frame
counter

Focus mode

Focus frame

White balance

Metering mode

Battery
capacity

Dynamic range
optimiser

Colour mode

Exposure mode

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Beautiful, sharp photos with no blurring

Super SteadyShot inside camera body reduces effects of camera shake

Combats camera shake for sharper
handheld shots every time

Camera shake is one of the most common reasons for spoiled pictures
– and it’s particularly noticeable with large prints. To reduce the number
of unnecessarily spoiled photos, the 100 features Super SteadyShot
– a sophisticated image stabilisation system that’s built into the camera
body itself. Instead of depending on an anti-shake mechanism within
each lens, Super SteadyShot operates by compensating for small
movements of the CCD image sensor itself. This means that it works
with all compatible Sony system lenses – and without the need for
expensive specialist optics that include built-in image stabilisation.

The actual compensation effect depends on the selected lens and
shooting conditions, but typically it’s equivalent to between 2 and 3.5
steps in shutter speed. As well as reducing the blur caused by camera
shake, Super SteadyShot also permits handheld shooting in situations
that would normally require a tripod or flash. An indicator in the bottom
right hand corner of the viewfinder also provides real time indication of
the amount of camera shake.

Super SteadyShot
detects camera
shake and shifts the
position of the CCD
sensor to
compensate for
movement of the
camera body, thus
reducing image blur.

Anti-Shake switch
on back of camera.
Without Anti-Shake
the whole screen is

blurred due to

camera shake and

the photo is ruined.

High danger
of camera
shake

Small
camera
shake

Photo data / 50mm
F1.4 / Handheld at
1/8sec. F2,
ISO 100 White
balance: Sunlight,
Anti-Shake: ON

The seated subject is
depicted clearly with
no blur. The 1/8 sec.
slow shutter speed
captures the movement
of the waves.

Indicator and warning icon in the
viewfinder provides immediate

indication of camera shake status.

Amount of camera shake is measured on a
scale of 1 to 5 indicator bars. Warning icon
also illuminates whenever the danger of
camera shake is high.

Operating Tip

Turn on Super
SteadyShot using the
switch on the back of
the camera body.

✔ Super SteadyShot inside camera body prevents blur by compensating for camera shake

✔ Image stabilisation system operates with all system lenses

✔ Compensation equivalent to 2-3.5 steps in shutter speed

Effective with all system lenses

Anti-dust system for flawless photos

Banish spotting, speckling and
imperfections that can ruin even the best
shots when dust enters the camera body
as you’re changing lenses. The 100
features an advanced anti-dust system
to minimise the effects of dust particles
entering the camera body when lenses
are exchanged. The CCD sensor’s anti­static coating acts as a barrier to dust,
while a CCD vibration function briefly
shakes the sensor every time the 100
is powered off to dislodge dust particles.
There’s also a selectable menu function
that vibrates the sensor more strongly.

Since it’s built into the camera body
itself, Super SteadyShot compensates
for camera shake with all
interchangeable system lenses.
The result? Shoot with greater
confidence using all compatible optics
including zooms, telephotos, macros and
wide-angles.

Enjoy sharp, blur-free photos… even
with a telephoto or zoom lens at high
magnification.

The 100 combats the effects of
dust entering the camera body when
lenses are exchanged.

The dark faint blur is dirt

accumulated on the CCD

image sensor.

75-300mm F4.5-5.6

50mm

F2.8 Macro

Super SteadyShot allows handheld
macro shooting with a reduced risk
of camera shake.

TECHNICAL POINT

Super SteadyShot allows shutter speeds 2–3.5 steps slower than normal

The fraction ‘one over focal length’ offers a useful
calculation of the minimum shutter speed (in
seconds) at which sharp images can be obtained
by handheld shooting. Unlike 35mm cameras, the
actual shooting angle of the 100 is equivalent to
the shooting angle of 1.5 times of the focal length
indicated on the lens. For example, a lens with a
focal length of 50mm would have an equivalent
focal length of 75mm, meaning that a minimum
shutter speed of approx. 1/80 sec. would be
required for sharp images. Since Super
SteadyShot provides compensation equivalent to 2
– 3.5 steps in shutter speed, compensation of 2
steps from 1/80 sec. would allow sharp images to
be taken at 1/20 sec., while 3 steps would allow a
minimum speed of only 1/10 sec.

OFF Anti-Shake ON

1/80
sec.

1/20
sec.

1/10
sec.

1/80
sec.

1/20
sec.

1/10
sec.

Shooting with a 50mm F2.8 macro lens

(35mm equivalent of 75mm)

1/100 1/80 1/60 1/50 1/40 1/30 1/25 1/20 1/15 1/13 1/10

1 2 3

Risk of blurring becomes larger

Compensation can be expected

Rough estimate for lowest speed possible without camera shake at 50mm focal length (75mm equivalent with 100) is around 1/80 sec.

Anti-Shake

ON

OFF

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High resolution image quality

10.2 Megapixel CCD sensor reveals highest levels of detail Four image quality modes

✔ 10.2 Megapixel effective resolution for crisp, clear results even at large print sizes

✔ APS-C size sensor offers low noise and wide dynamic range

✔ The perfect match for Sony system lenses and BIONZ image processor

✔ Two commonly used types of JPEG formats (fine and standard)

✔ Two RAW format modes for highest image quality (RAW and RAW+JPEG)

Resolution down to the
breadth of a single hair

Discern clearly every strand
of hair, even in cases such
as all brown hair with no
other colours for contrast.

Sharp representation
of the eyes

Crisply portrayed
eyelashes bring out
impact and texture in
deep eyes.

Natural, blurred
backgrounds

The APS-C size wide area
CCD blurs backgrounds to
create a melting beauty that
brings out the character of
the subject.

Smooth skin
expression

The softness and
freshness of the skin is
always captured
thanks to resolution
that can almost make
out individual pores.

10.2 effective
Megapixel CCD sensor

Photo data / 70-200mm, F2.8 G / 1/200sec.
F5.6 ISO 100, Manual white balance

Sharp eyes, soft skin texture, and resolution down
to a single hair are captured with the realism that
can only be achieved by a large number of pixels
and wide area CCD.

More pixels mean more detail. With an outstanding resolution of 10.2
million effective pixels, the Sony-developed CCD sensor inside the 100
offers high sensitivity and exceptionally low noise performance for
stunning prints… even when they’re blown up to A3 size.

The combination of large (APS-C size) CCD sensor, RGB primary colour
filter and BIONZ image processor assures breathtakingly crisp, High
Definition images with superlative detailing, a wide tonal range and the
subtlest colour gradations.

The 100 offers four image quality modes and three
image sizes. Choosing the right mode and image size is
all about finding the right balance between quality and
capacity to suit your needs. For a higher image quality
the required storage for each image increases, so the
camera’s removable media will store fewer photographs
for a specific capacity. Smaller image sizes are generally
ideal for the web or e-mailing pictures – and here the
JPEG compression format can be perfect to keep file
sizes down while maintaining good image quality. When
you need to retain the highest possible image quality
however, the RAW format records the image signal
exactly as it’s been captured by the CCD to create
‘digital negatives’. Since the RAW data is uncompressed,
there’s none of the compression artefacts commonly
associated with JPEG images. RAW files also provide
the opportunity to process the image further with
minimum degradation.

Photo data / 50mm F2.8 Macro, F4 Auto (+1 compensation), ISO 100, Manual white
balance, RAW+JPEG

RAW

Without image
compression (processing
using the included
software is required)

RAW + JPEG

Records two images
simultaneously

Fine

JPEG format
(low compression ratio
= high image quality)

Standard

JPEG format (high
compression ratio =
standard image quality)

The number of possible photographs remaining is the standard calculated value when
using a 512Mb CF card. The number of photographs that can be stored depends on the
camera settings and subject.

Displays the image size
that has been chosen.

Displays the number of possible
photographs remaining.

Displays the image
quality mode that has
been chosen.

TECHNICAL POINT Verify shooting information with the camera held to your eye.

Relationship between number of images that can be stored, dependent on
quality mode/compression ratio/image size

Large image sensor provides greater control over image blur for greater creative expression

A major creative advantage offered by digital SLR photography is
the ability to control the ‘blurring’ of out-of-focus areas in an image
– such as the foreground or background. Blurring of other parts of
the image can make the subject stand out even more, providing a
more three-dimensional feel. The large image sensor inside the

100 makes it possible to exercise greater control over blurring

using wide aperture settings for a wide range of creative effects.

Comparison of the CCD image sensor size (approximately full size)

A 100 APS-C size = 15.8mm x 23.6mm (approx.)

Typical compact digital cameras
(1/2.5 inch) = 4.3 x 5.7mm (approx.)

Operating tips

Call up ‘Shooting Menu 1’ using
the menu button on the rear of the
camera and set using the + key.

Image quality Compression

Number of possible photographs remaining

mode ratio approx. 10.2 approx. 5.6 approx. 2.5

megapixels megapixels megapixels

RAW No compression CF Approx. 32 –– ––

RAW+JPEG –– CF Approx. 25 –– ––

Fine Standard compression CF Approx. 120 Approx. 208 Approx. 433

(JPEG format) (High image quality)

Standard High compression CF Approx. 188 Approx. 319 Approx. 630

(JPEG format) (Standard image quality)

L M S

100

The blurring of out-of-focus areas is the greatest when aperture is open (small
‘f’ value). These photographs were taken using the 100 and a compact
digital camera with an open aperture. Because the background of the 100
image is blurred very gently, the in-focus section stands out more effectively.

Compact camera

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Naturally beautiful

BIONZ image processing engine ensures vivid, beautifully reproduced colours

The complete Sony 100 system represents a
harmonious, perfectly balanced blend of lens,

10.2 Megapixel CCD sensor and BIONZ image
processing engine.

It’s the job of any digital camera to retain every nuance
of detail entering the lens that’s captured by the
sensor... and translate it faithfully into stunning
pictures. The BIONZ image processing engine inside
the 100 ensures that what’s falling on the camera’s
10 Megapixel CCD sensor accurately represents the
full beauty of every moment without compromise.

You can think of the newly-developed BIONZ
processor as the camera’s brain that uses a powerful
image processing algorithm to reduce sensor noise
without lowering resolution. Tones are reproduced
accurately with vivid colouration and excellent
sharpness, creating images with astonishing natural
beauty and depth.

Photo data/ DT 18~70mm, F3.5-5.6, F11 auto, ISO 100, White balance: Daylight, Vivid image finishing

Raw data from the 10.2 Megapixel CCD sensor is processed by the BIONZ engine to create the highest quality image

✔ Clearer images with reduced noise

✔ Accurate reproduction of rich tones

✔ Realistic textures and vivid colours

Beautifully exposed, natural results even in difficult, high-contrast lighting conditions

The Dynamic Range Optimiser inside the 100
ensures evenly-balanced reproduction of the
brightest highlights and the deepest shadows...
even when you’re shooting high-contrast
scenes or against the sun. High-contrast or
strongly backlit scenes can lead to loss of
highlight and shadow detail. While normal
exposure compensation retrieves low-light
detail at the expense of burnt out highlights,
Dynamic Range Optimiser assures perfectly
exposed pictures by automatically adjusting
gamma curve and colour balance settings. In
Standard Mode brightness and contrast levels
for the whole image are automatically corrected
in real time. Advanced Mode offers a higher
degree of compensation by analysing and
adjusting tone and colour reproduction for each
area of the image separately – a process that
only takes around 0.5 seconds to achieve.

Fine-tune your image or create powerful, dramatic effects with
eight image finishing modes that select optimum white balance,
contrast, colour saturation and sharpness to suit any scene.
Whether you’re looking for an ultra-sharp look or highly
saturated colours, it’s easy to choose the right image finishing
mode to match the vision that’s inside your head. You can also
adjust individual parameters to suit your personal preference.

1) Standard

2) Vivid

3) Portrait

4) Landscape

5) Evening Scene

6) Night Scene

7) Monochrome

8) Adobe RGB

TECHNICAL POINT

Show your true colours with choice of white balance settings.

A choice of white balance setting modes ensures natural-looking
results under virtually any lighting conditions… or use it as a
creative tool to enhance or suggest a mood. Get the balance right
with a choice of six preset white balance modes – sunlight,
shadow, cloudy, tungsten, fluorescent and flash. There’s an auto
(AWB) mode approximating the human eye that ensures
dependable, fuss-free results with any scene under a wide range
of lighting conditions. You can also customise your own white
balance settings – and if you’re not sure which WB setting is
going to achieve the best results, white balance bracketing
captures the same scene with three different WB settings,
allowing you to select the best-looking result. Fine tuning an
image’s colour balance can turn a great picture into something
really special. Manual colour temperature adjustment features
19-step magenta/green compensation to emulate the effect of
professional colour correction filters.

Auto (AWB)

Shadow

Flash

Sunlight

FluorescentTungsten

Cloudy

From retina to brain:

Light entering the lens of the 100
falls on the CCD sensor the instant the
shutter opens, where it’s transformed
into an analogue electrical signal. This
signal is converted with high precision
into 12-bit digital data through the A/D
converter before being sent to the
BIONZ image processing engine.
The newly-developed BIONZ image
engine is a dedicated processor using
a specially developed algorithm that
performs noise reduction, sharpness
processing, dynamic range
optimisation, colour matrixing and
white balance adjustment before
digital data is compressed, encoded
and stored to memory. The result?
Faithful reproduction of vivid, natural
colours with rich tonal graduations and
the sharpest detail.

BIONZ image engine
processes signals from
the camera’s CCD ‘eye’

Great-looking against-the-sun shots with Dynamic Range Optimiser

Eight image finishing options allow image settings
to be adjusted according to your personal preference.

Image finishing feature

✔ Automatic analysis and optimisation of ‘difficult’ scenes shot against the sun or with strong contrast

✔ Balanced reproduction of areas of sky and shade in same image

✔ Exposure and tone control prevents shadow and highlight detail loss

Dynamic Range Optimiser

Standard

With the default Standard
setting, the contrast and
exposure of the complete
image are automatically
adjusted and the subject’s
expression is easier to see
compared to the OFF setting.

Dynamic Range Optimiser

Advance

If set to Advance, a higher
degree of compensation
occurs. The photograph
balances with high precision
the strength of the colour of
the background sky, the
brightness of the subject’s
face and the green of
vegetation.

Dynamic Range Optimiser OFF

If the Dynamic Range Optimiser is switched off,
the face of the subject will appear dark in
photographs taken directly against the sun.
Switching it off is appropriate if the intention is
to take a photograph with a silhouette.

Exposure

(CCD image sensor)

A/D conversion

Electronic

developing process

Data compression

Temporary memory

(Buffer memory)

Data recording
(Memory card)

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Quick response

Responsive autofocus and high speed Eye-Start system

The 100 features a high speed autofocus
(AF) with all compatible system lenses.
Continuous advance shooting allows you to
shoot without interruption at up to three frames
per second until the memory card is full* – even
in full-resolution JPEG fine mode – so you can
keep on shooting to your heart's content.

In ‘Wide focus area’ mode, the 100
automatically selects optimum sections from
the nine individual focus points displayed in

the viewfinder, making it easier to capture
moving subjects.

Predictive focus control dynamically predicts
precise focus for moving subjects at the
moment the shutter is released. This makes
the 100 the perfect choice for sports and
action photography. You can also focus on
the centre of the frame only or select manually
from one of nine focus points.

*Dependent on removable media capacity and performance. Unlimited continuous advance shooting can only be achieved in
JPEG Fine or Standard quality mode and is not possible with Memory Stick Duo and Memory Stick PRO Duo media.

Wide focus
area mode

Automatically
selects the
optimum from the
nine focus frames.

Focus frame
‘Fixed to centre’

Autofocusing is
always performed
using only the
centre of the focus
frame.

Focus frame
‘Local’

Easily selected
with the + key and
Spot AF button.

Infra-red sensor positioned below the
eyepiece detects when the photographer
looks through the viewfinder. The LCD
screen is switched off, and autofocus is
activated automatically.

Eye-Start AF can also
be deactivated via the
navigation menu.
Whether you opt to use
it is up to your own
personal preferences
and the demands of
each photographic
assignment.

Focusing is completed when
the camera’s lens is aimed at
the subject – assuring the
fastest possible response.

✔ High speed continuous advance shooting at up to three frames per second

✔ Capture fast-moving subjects with wide focus frame AF system

This mode is ideal for taking
photographs of scenery or still-life
where the subject is stationary.
After focusing with AF, focus stays
fixed at that position. To focus
again, press the shutter button
halfway down once more.

As with AF-S, AF operation stops
when focusing is complete. In
this mode sharpness can be
'retouched' by manually rotating
the focus ring. Convenient if you
want to make final delicate
focusing adjustments – for
example in macro photography.

Is the subject still or moving?
This mode automatically analyses
the scene and selects either AF-C
or AF-S. This gives the
convenience of not having to
worry about switching AF modes
when taking pictures of children,
pets or general snapshots.

Fast, positive focusing is easy
with four modes to suit any
scene and your creative
preferences. AF-S (Single AF)
mode keeps focus fixed at the
point where it’s been brought
into focus. AF-C (Continuous AF)
mode is ideal for keeping a
moving subject in continuous

focus. AF-A mode selects
automatically between two
modes by assessing the scene.
A DMF (Direct Manual Focus)
mode can also be selected,
allowing you to focus manually
after AF is complete for fine­tuning any scene to perfection.

This mode is suitable for sports
photography and other moving
subjects. By pressing the shutter
button halfway down, the subject
can be continuously followed
and kept in focus. Dynamic
prediction control is also active in
this mode.

AF-S

Single-shot AF

DMF

Direct Manual Focus adjustment after AF

AF-A

Automatic selection of AF-C or AF-S

AF-C

Continuous Autofocus

TECHNICAL POINT

Lock on to accurate focusing with those hard-to-capture subjects.

1) First, focus lock on the ship.

AF cannot focus easily on subjects with
no contrast, like a blue sky. First, position
the ship in the centre of the viewfinder
and lock focus in AF-S mode by pressing
the shutter button halfway down.

2) Modify the composition and press

shutter button fully.

By keeping the button pressed halfway
down, the focus will not change even if
you move the camera to re-frame the
composition. Press the shutter button
fully to take the picture when the
composition is just as you want.

White walls and bright blue, cloudless skies can be
tricky subjects for any SLR camera autofocus system.
Alternatively, the subject you’re focusing might be off
at one extremity of the scene and not covered by the
focus frame. These are times when Focus Lock can be
useful, allowing you to ‘freeze’ focus on a particular
point before composing your picture.

Grab the moment with quick-response
Eye-Start system

Four focus modes for complete control

Responding quickly to great picture opportunities depends on more than
autofocus speed and continuous shooting performance alone. The 100
is also equipped with the unique Eye-Start system that ensures focusing
is complete by the time the shutter button has been released. The
camera’s infra-red sensor detects when you look through the viewfinder,
automatically activating autofocus. Coupled with a super-fast response
time of 0.9 seconds from power-on, the 100 is always ready for action.

Operating Tip

Halfway and fully pressing the shutter button

‘Halfway’ means lightly touching the shutter button to
activate the camera. ‘Fully’ means pressing the button
all the way in one movement to operate the shutter.

Operating Tips

Set the function dial on
the top of the camera to
‘FOCUS’, call up using
the centre Fn button,
and set with the + key.

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Large, easy-to-use screen Navigation Display

Large 2.5-inch (230,000 pixels) Clear Photo LCD Plus screen

1. One-touch zoom into centre of focus area.

If a picture is taken
with a selected local
focus frame, pressing
the Zoom button
during instantaneous
replay magnifies the
image with the focus
area which was used
at the centre, allowing
you to check focus
accurately.

2. Search for the image you need with 16-frame Index Display.

Useful when you want to
find an image quickly,
Index Display shows
multiple images when the
Change View button is
pressed during replay. You
can also select between
4, 9, or 16 thumbnail
images displayed
simultaneously on screen.

Tab Browse allows you to
review the contents of
individual storage folders.
For example, if you’ve
taken a large number of
pictures while on holiday,
it’s easy to track down
pictures taken on a
certain date if they’ve
been classified into
folders according to the
date they were taken.

3. Explore folder contents quickly with Tab Browse

TECHNICAL POINT

Information at a glance

2.5-inch 230,000 pixel
Clear Photo LCD
Plus Screen

Size, image resolution and
comfortable viewing are
prerequisites for the screen
of any digital SLR camera,
allowing you to critically
assess the composition,
quality and focus of every
shot. Here the large, easy­to-view 2.5-inch screen of
the 100 helps you see
the big picture in even
more detail. A high 230,000
pixel resolution is teamed
with Clear Photo LCD Plus
technology to reproduce
subtle tones accurately.
The screen’s Anti­Reflective Coating is
a glare-reducing layer that
assures a wide viewing
angle, even in daylight.
It’s teamed with Clear
Processing technology
that reproduces colours
more vividly. The screen’s
superb resolution also
makes it easy to zoom in,
judge picture sharpness
and review the finest image
details with greater clarity.

A glance at the Navigation Display screen is all that’s needed to confirm
camera settings and shooting information in large, easy-to-read text.
Concentrate on important information in zoom display mode; the display
also automatically flips into vertical orientation if the camera is turned on

its side to take a portrait picture. When the Eye-Start Sensor detects that
you’re looking through the viewfinder, the LCD screen automatically
switches off to prevent light from the screen distracting you whilst framing
a picture, also saving battery power.

✔ Large 2.5-inch 230,000 pixel LCD screen

✔ Crisp, clear image display even in bright outdoor conditions thanks to AR coating and Clear Processing

✔ One-touch zoom into centre of focus area

Multi-function display

Histogram, Highlights and Shadow Alert

The histogram shows the distribution of brightness in a graph on
the camera’s display screen. The horizontal axis shows the
brightness reproducible with the digital camera (tone), and the
vertical axis shows the amount of brightness. The far left side of
the horizontal axis shows the darkest part (shadow) that can be
reproduced, while the far right side shows the brightest part
(highlight). A histogram that’s shifted to the right side is an
indication of many light areas in the image. If it’s shifted to the left,
the histogram indicates more dark areas in the scene.

An over-exposed picture will be represented by large areas of
blank space displayed on the left side of the histogram.
Conversely, with an under-exposed image there will be blank
space at the right side of the histogram.

In addition, areas of the image that are outside dynamic range –
either under or over exposed – will blink to provide a warning in
the main image display.

Operating Tip

When a single frame is being
replayed, simply press the up
side of the +key to display the
histogram, and the up side
again to return to the single
frame replay.

If the subject is generally white and
bright, the histogram shifts to the
right side, and the graph is far larger
on the right edge.

Both the image and data are displayed
simultaneously. But because there is no data text
over the image, it is possible to view the histogram
and entire image at the same time, which is a very
effective way to decide the exposure.

Highlights and Shadow Alert

Highlighting is occurring on
the bright parts of the shirt,
and shadowing in the dark
part at the upper right side of
the screen. Out of range
sections are displayed flashing
on the screen to warn of
highlighting and shadowing.

Histogram

The areas to take notice of are
the edges. If either side is
blank, the exposure may not
be correct due to over or
under exposure.

How to read the histogram

With a standard subject as in this
photograph, the centre of the
histogram is higher than the edges,
and the left and right sides are
about equal.

If the image is captured at night, or
if a large amount of the subject is
dark, the histogram shifts to the left
side, and the graph is far larger on
the left edge.

Image Zoom Range

size

L: 10M Approx. 1.1 to 12x

M: 5.6M Approx. 1.1 to 9x

S: 2.5M Approx. 1.1 to 9x

Zoom Screen

Text is large and easy to read.

Vertical format detailed
display screen

The screen switches to vertical
display automatically.

Horizontal format
detailed display
screen

(Standard display).

Zoom range for replay

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✔ Fuss-free, fully automatic photography by selecting AUTO mode

✔ Six Scene modes to suit your chosen subject

✔ Optimised AF, exposure, and image finishing settings to suit any scene

Easy to use

Capture exactly the scene you want with a choice of exposure modes and
bright, clear optical viewfinder

The 100: it’s automatically the
best choice, whether you’re an
experienced photographer or
just having fun. Twist the mode
dial to select the Shooting Mode
that suits you best. Six Scene
modes automatically select
focus and exposure values plus
image finishing settings – like
colour saturation and contrast –
providing the perfect match for
any subject.

Accurate framing and focusing depends directly on the quality of the optical viewfinder. The viewfinder
of the 100 features Spherical Acute Matte screen technology that enhances image brightness for
sure, accurate focusing. The viewfinder provides a 95% field of view with 0.83x magnification.

Four shooting modes make it easier to select exactly
the right combination of shutter speed and aperture
for perfectly-exposed results with any scene without
compromising your creativity.

There’s a choice of three metering modes to
help you pinpoint the perfect exposure settings
with any subject and under all lighting
conditions. Ideal for general shooting, multi­segment metering mimics the behaviour of the
human eye, assessing light levels from each of

40 individual exposure areas. Centre-weighted
metering accurately measures light values at
the centre of the frame plus surrounding areas,
while spot mode only measures light right in
the central of the frame.

AUTO Mode

Completely automatic –
leaves everything up to
the camera.

Portrait Mode

Capture images
with the person
clearly standing
out in front of the
blurred
background.

Telephoto zoom or
telephoto lenses
are highly effective
for this type of
photography.

Landscape Mode

A great choice for wide-open
landscapes that emphasises
the sky’s blue colouration and
the freshness of green grass.

Macro Mode

Ideal for capturing small subjects
like flowers and insects when
using a macro lens. Focus and
aperture are controlled for
beautiful background blurring that
emphasises the close-up subject.

Night Portrait
Night Mode

With the flash on,
foreground
subjects and the
night background
are both captured
clearly. The use of
a tripod is
recommended for
night photography.

40-segment honeycomb pattern metering

Photometric data obtained from all 40 areas is
analysed to obtain the optimum exposure value.
This achieves high accuracy with a fast
response in low and high brightness scenes
alike. This also makes it possible to differentiate
the subject from background, with precise
exposure for the subject that takes into account
background exposure.

Centre-weighted metering

Measures light values at the centre of the
screen and adjacent areas.

Spot metering

Light is only measured in the central ‘spot’
area for accurate exposure calculation, even in
difficult lighting conditions.

Evening Mode

Similar to Scenery
Mode, but emphasises
the red of a dusky sky.

Sports mode

Freeze the action:
Continuous AF follows
the movement of the
subject and drive
mode switches to
Continuous shooting.

Aperture Priority mode:

Select preferred aperture to create exactly the required depth
of field effect: the 100 adjusts shutter speed automatically.

Shutter Priority
mode:

Want to freeze fast
moving action or blur
moving water to
create an abstract
effect? Select shutter
speed to suit your
subject and aperture
is adjusted
automatically.

Manual mode:

Select shutter speed
and aperture for
absolute control over
manual exposure.

The
viewfinder’s
bright
spherical
acute matte
screen aids
perfect
focusing.

Programme mode:

Shutter speed and aperture are both determined
automatically, leaving you to concentrate on capturing
the perfect image
without worrying
about exposure
settings. Perfect for
snapshots and
general day-to-day
shooting. PAand P

S

shift modes are
also available.

It’s a hassle remembering to pack a spare battery when you’re heading off
on a long trip or planning to take lots of pictures. The 100 keeps going for
longer thanks to its ultra-low energy consumption design and high
performance Lithium ion battery pack. Enjoy up to 750 shots from a single
battery charge (CIPA measurement, 50% usage of built-in flash) without
worrying about running out of power. Battery level is displayed as five
indicator bars on the LCD screen.

Lithium ion battery enables up to 750 shots from a single charge

TECHNICAL POINT

Use Exposure Adjustment to fine-tune image brightness

It’s easy to adjust exposure settings that have been assessed
automatically by the 100.

Press the Exposure Adjustment button and then turn the control dial to
adjust exposure if you want the image to be brighter or darker.

Positive adjustment

Use positive exposure
adjustment for lighter images –
ideal when you want to make
white subjects look really white.

Negative adjustment

Use negative adjustment when
you want a darker image.

Newly developed 40-segment honeycomb pattern metering sensor and three metering
modes for surer, more accurate auto exposure

Four creative Exposure Modes.

Perfectly-focused results with spherical acute matte screen

Operating tips

Set by turning the control
dial after pushing the
Exposure Adjustment
button once.

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Super wide-angle/wide-angle zone Wide-angle zone Standard zone Medium telephoto zone

Interchangeable lens system

Vario-Sonnar T* DT16-80mm F3.5-4.5ZA

Planar T* 85mm F1.4ZA

70-200mm F2.8G35mm F1.4G

24-105mm F3.5-4.5

16mm F2.8 Fisheye 50mm F1.4 75-300mm

F4.5-5.6

20mm
F2.8

28mm F2.8 50mm F2.8 Macro

DT11-18mm F4.5-5.6

11mm 28mm 50mm 85mm

11mm (16mm) 28mm (42mm) 50mm (75mm) 85mm (128mm)

DT18-70mm F3.5-5.6

DT18-200mm F3.5-6.3

Medium telephoto zone Telephoto zone Telephoto zone Super telephoto zone

Sonnar T* 135mm F1.8ZA

* The value in parentheses represents the shooting angle image when the lens is attached to 100. That is approx. 1.5 times that of 35mm.

300mm F2.8G

500mm
F8 Reflex

SONY Carl Zeiss Lens

SONY G Lens

SONY Lens

SONY DT Lens

100mm
F2.8
Macro

100mm 200mm 300mm 500mm

100mm (150mm) 200mm (300mm) 300mm (450mm) 500mm (750mm)

P

Teleconverter

When attached to the 70-200mm F2.8G or
300mm F2.8G etc, the 1.4x teleconverter
and 2x teleconverter can increase the focal
length by 1.4 times and 2 times respectively.

2x Teleconverter 1.4x Teleconverter

135mm
F2.8 [T4.5] STF

From wide-angles, macros and telephotos to zooms and teleconverters

A wide range of interchangeable lenses to expand your creative possibilities

Explore the full range of Sony 100
system lenses

One of the most useful features of a D-SLR
camera is the choice of interchangeable lenses.
This means you can choose exactly the right lens
to achieve superb results with any scene – from
portraits and close-up macro photography to
expansive landscapes.

There’s a full range of system lenses to help
you get even more out of the 100, spanning
ultra wide-angle, macro, fixed focal length, zoom,
telephoto and reflex models plus two
teleconverters. And remember: since Super
SteadyShot is incorporated inside the camera
body, you can benefit from superb anti-shake
performance, whichever compatible lens you’re
using with the 100.

All Sony lenses offer superb imaging quality and
geometric accuracy, with specially coated optical
surfaces to reduce flare and ghosting, even with
tricky into-the-sun shots. If you’re looking for
wide apertures and extra-high contrast imaging
with reduced chromatic aberration and distortion,
Sony G lenses offer premium optics and
advanced design features to meet the needs of
discerning photographers.

Whichever system lens you choose, you can
be assured of the highest quality optical
performance and reliability… for exquisite results
that perfectly realise your creative vision.

Lenses by Carl Zeiss

There’s only one choice when
there can be absolutely no
compromise on performance or
reliability. Drawing on 150 years
of experience in producing
optical instruments of the highest
precision and quality, Carl Zeiss
Planar, Sonnar and Vario-Sonnar
lenses are designed and
constructed to the most rigorous
optical and mechanical
standards. The result? Beautifully
engineered lenses that capture
the emotion and atmosphere of
any moment with unparalleled
quality and fidelity.

ADI metering for precise flash measurement

Many Sony 100 system lenses support ADI (Advanced Distance
Integration), incorporating a distance encoder that allows extremely
precise through-the-lens calculation of subject distance. Combined with
pre-flash metering and a sophisticated comparison algorithm, the 100
can ensure correct settings even with high, or low-reflectivity subjects.
This means perfectly-exposed results, even with ‘problem’ subjects like
night scenes, dark clothes, distant backgrounds or white walls that make
conventional flash measurement tricky.

Carl Zeiss lenses

From left: DT16-80mm
F3.5-4.5ZA,
135mm F1.8ZA,
85mm F1.4ZA.

Flash Pre-exposure flash

Information from camera body

AF sensor

Subject position

information

Metering Reflected light Normal light

sensor Subject Subject

information

reflectance brightness

Background Background

reflectance brightness

Information from lens

Distance encoder

Subject distance

information

Calculation

Determines flash level guide Number

Flash Actual flash

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Flash accessories

There’s a full range of flash accessories giving you total control over
creating exactly the lighting effects you want. Connecting cables allow
you to trigger up to three external flash units simultaneously – and
remember with wireless flash there’s no limit on the number of external
flashes you can add. You can also reduce recharging time between
flashes using an external power source (only for HVL-F56AM).

Viewfinder accessories

Low-angle and other awkward
shooting positions become more
comfortable with the handy angle
finder. It’s easier to scrutinise close­up, macro or telephoto shots with the
powerful eyepiece magnifier that
enlarges the centre section of the
frame by 2.3x.

Memory Stick media

You’ll appreciate the choice of removable
media options to store your pictures.
Images can be recorded on Memory
Stick PRO Duo or Memory Stick PRO
Duo High Speed using the supplied
Memory Stick CF adaptor. In addition,
the CF slot accepts Type I or Type II
(MicroDrive) removable media directly.

Accessories that take your creativity to the next level

Extend the possibilities of artistic expression Simple image editing using supplied software applications

There’s a range of compatible system flashes and lighting systems that’s
designed for perfect results every time – whether you’re a novice or an
experienced photographer. Two external flashes can be used on-body or
sited off-camera for even more natural, professional-looking results.
High-accuracy ADI metering technology* adjusts flash output power
based on subject distance and reflectivity as well as aperture and ISO
settings for perfect exposure every time. Wireless TTL flash mode makes

it simpler than ever to remove unwanted shadows or create natural­looking fill-in lighting effects. Just add one or more off-camera flash guns
for accurate, perfectly balanced results – with no cables or fiddly
settings. If you are into macro photography there is also a choice of
specialist lighting systems that has been created for the most demanding
still life, nature or scientific close-ups.

* With ADI compatible lenses

Easy wireless flash photography

External flash opens up a new world of creative lighting possibilities,
allowing you to bounce light into places that your camera’s built-in flash
can’t reach. Wireless TTL flash makes it even simpler to remove

unwanted shadows or create natural-looking fill-in lighting effects with no
cables and no fiddly settings. The 100 works it all out for you to assure
beautifully-exposed results every time.

The HVL-F56AM
flash can be
rotated up 90˚,
down 10˚, left 180˚
and right 90˚,
allowing you to
bounce light in
any direction.

External flash units for general use are the high power
HVL-F56AM (Guide No. 56, ISO 100) and HVL-F36AM
(Guide No. 36, ISO 100). There’s also a choice of ring
light and twin macro flash systems for photographing
close-up subjects.

Shooting with external flash attached to camera

An external flash unit
attached to the camera’s
hot shoe provides greater
illumination than the
camera’s built-in flash.

Shooting with off-camera flash

Light from an external
flash sited off-camera can
remove unwanted
shadows on the subject
or create a feeling of
additional depth.

Image Data Converter

Easy RAW data processing

Images captured in RAW mode using the 100 can be refined even
further on your PC with a wide range of functions including tone curve
and sharpness. Easy to use – even for beginners.

Picture Motion Browser

1. Simple storage and management of captured images. 2. Simple image printing and adjustment.

Download images from the 100 to your computer to display, zoom, sort and manage them on-screen.

Recommended system requirements

Computer Windows Macintosh

OS Microsoft Windows 2000 / XP Home / XP Pro Mac OS X v10.3-10.4

CPU Pentium III 1 GHz or faster iMac , eMac, iBook, PowerBook,

Power Mac G4/G5 series

Memory 256MB or more (512MB or more recommended) 256MB or more (512MB or more recommended)

Virtual memory 700MB or more

Display 1024x768 dots or more, High Colour (16 bit colour) or higher 1024x768 dot or more, 32,000 colours or more

Recommended system requirements

Computer Windows

OS Microsoft Windows 2000 / ME / XP Home / XP Pro

CPU/Memory Pentium III 500MHz or faster / 128MB or more RAM (Pentium III 800MHz or faster / 256MB or more RAM preferred)

Required software Direct 9.0c or later

Hard disk space Disk space required for installation: Approx. 200MB

Display 800x600 resolution minimum, High colour (16 bit) or better

(Picture Motion Browser is not compatible with Macintosh.)

Macro Flash and Light

Flash

HVL-MT24AM

Macro Twin Flash Kit

HVL-RLAM

Ring Light

HVL-F56AM

Flash

HVL-F36AM

Flash

HVL-F56AM HVL-F36AM

FA-CS1AM

Off-camera Shoe

for Flash

FA-EC1AM

Extension Cable

for Flash

Angle Finder

FDA-A1AM

Magnifier

FDA-M1AM

MSX-M1GN MSX-M2GN

MSX-M2GS MSX-M4GS

FA-MC1AM

Multi Flash Cable

FA-CC1AM

Off-camera Cable

for Flash

FA-TC1AM

Triple Connector

for Flash

FA-EB1AM

External Battery Adaptor for Flash

*HVL-F56AM only

Accessories

Remote Commander Case & Strap

Battery and Charger

Finder

Removable Memory and Storage Devices

RM-S1AM

Remote Commander

RM-L1AM

Remote Commander

LCS-AMA

Soft Carrying Case

LCS-AMSC30

Soft Carrying Case

NP-FM55H

Rechargeable

Battery Pack

AC-VQ900AM

AC Adaptor/Charger

DPP-FP55

Digital Photo Printer

HDPS-M10

Hard Disk Photo

Storage Unit

FDA-A1AM

Angle Finder

FDA-M1AM

Magnifier

Eyepiece

Correctors

LCL-60AM

Lens Case

LCL-90AM

Lens Case

LCL-140AM

Lens Case

STP-SH1AM /
STP-SS1AM

Shoulder Strap

MSXM2GNX
MSXM1GNX
MSXM4GSX

MSXM2GSX
MSXM1GSX
MSXM512SX

MSXM256SX

Memory Stick PRO Duo

Memory Stick PRO Duo (high speed)

Memory Stick PRO Duo

Digital Photo Printer

Accessories

Multi flash cable
FA-MC1AM

100+HVL-F56AM 100

HVL-F56AM

MSX-M2GN

MSX-M4GS

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Specifications

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