Sennheiser Evolution E 906, E 906 - 04-05, Evolution 906 Instructions For Use Manual

Bedienungsanleitung

Instructions for use

Notice d‘emploi

Istruzioni per l‘uso

Instrucciones para el uso

Gebruiksaanwijzing

906

Bedienungsanleitung..............................................................3

Instructions for use...............................................................11

Notice d’emploi...................................................... ................19

Istruzioni per l’uso.................................................................27

Instrucciones para el uso..................... .................................35

Gebruiksaanwijzing...............................................................43

906

High-quality dynamic microphone with super-cardioid
pick-up pattern, ideal for miking guitar amps, percussion
instruments, snares and toms.

Its laterally mounted capsule has been specially
developed for miking guitars amps face on and and
extremely close to the signal source.

The switchable sound characteristics have been optimally
adapted to the requirements of guitarists.

The super-cardioid pick-up pattern provides good
isolation from other on-stage signals.

Due to its flat design, the 906 is also very suitable for
use with drums, since it can easily be positioned in
cramped space conditions (e.g. below the cymbals).

Features

y Vivid, powerful sound
y Sound can be shaped as needed to fit all styles of

music

y Switchable presence filter
y Humbucking coil protects against electromagnetic

interference

y Shock-mounted capsule
y Extremely rugged for rough stage use
y Gold-plated XLR connector

11

Delivery includes

y 906 microphone
y MZQ 100 microphone clamp
y Pouch
y Instructions for use
y Warranty Certificate

Adapting the sound characteristics

The 906 microphone features a switchable presence
filter which allows to adapt the sound characteristics to
the different sound requirements and styles.

The filter is adjusted via the slide switch on the
microphone. To move the slide switch to a different
position, use a pointed too l su ch as a small sc rew driver.

The switch has three positions (see also the frequency
response curve):

Boosts the presence range, the mid frequency is

4.2 kHz, e.g. for aggressive metal rhythm guitars.

Normal position, e.g. for classic rock.

Attenuates the presence range, the mid frequency
is 4 kHz, e.g. for warm and smooth jazz and blues
sounds.

12