Roland V-Bass User Manual
CORRECTIONS
Please correct the contents of the “V-Bass Owner’s Manual” as follows:
Page 46 “BASS SELECT”
(Error)
* “VIOLIN” and “M-MAN” cannot be selected if the COSM
BASS parameter TYPE is set to “POLY OCTAVE,” “POLY
DISTORTION,” or “POLY SG.”
(Correct)
* “ACTIVE, ” “VIOLIN,” and “M-MAN” cannot be selected if the
COSM BASS parameter TYPE is set to “POLY OCTAVE,”
“POLY DISTORTION,” or “POLY SG.”
Page 48 “WAVE SYNTH”
DECAY:
(Error)
Adjusts the time over which the tonal character of the sound
decays when the bass is plucked strongly.
(Correct)
Adjusts the decay time for the synth sound.
Page 71
“Pedal Assign Parameter List”
Page 23, 27, 30, 48, 57
LEVEL/TEMPO/KEY screen and the key of the
song:
(Error)
CF BE
Major
Am Dm Gm Cm Fm BmMinor
Major GDAEB
A
D
G
Em
F
Minor
Em Bm FmCmGm
Dm
AC BODY’s ASSIGN TARGET:
(Error)
LEVEL
(Correct)
BODY LEV
(Correct)
Copyright © 2002 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.
Owner’s Manual
Thank you, and congratulations on your choice of the Roland V-BASS.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (Owner’s manual p. 2), “USING THE UNIT SAFELY” (Owner’s
manual p. 3–4), and “IMPORTANT NOTES” (Owner’s manual p. 5). These sections
provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, the manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.
* All product names mentioned in this document are trademarks or registered trademarks of
their respective owners.
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. When the provided
plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Never use with a cart, stand, tripod, bracket,
or table except as specified by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
2
USING THE UNIT SAFELY
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
..........................................................................................................
002a
• Do not open or perform any internal modifications on the unit.
..........................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
008a
• The unit should be connected to a power supply
only of the type described in the operating instructions, or as marked on the unit.
..........................................................................................................
008e
• Use only the attached power-supply cord.
..........................................................................................................
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
011
• Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
..........................................................................................................
013
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
..........................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
015
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
3
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
101a
• The unit should be located so that its location or
position does not interfere with its proper ventilation.
..........................................................................................................
102b
• Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
107b
• Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from,
an outlet or this unit.
..........................................................................................................
108a
• Before moving the unit, disconnect the power
plug from the outlet, and pull out all cords from
external devices.
..........................................................................................................
109a
• Before cleaning the unit, turn off the power and
unplug the power cord from the outlet.
..........................................................................................................
110a
• Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
4
IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2
and 3–4, please read and observe the following:
Power Supply
301
• Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric motor
or variable lighting system).
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/
or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
355
• To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up in another MIDI device (e.g., a
sequencer), or written down on paper (when possible).
During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to
memory itself is out of order), we regret that it may not be
possible to restore the data, and Roland assumes no liability
concerning such loss of data.
Memory Backup
501b
• This unit contains a battery which powers the unit’s memory
circuits while the main power is off. When this battery
becomes weak, the message shown below will appear in the
display. Once you see this message, have the battery replaced
with a fresh one as soon as possible to avoid the loss of all
data in memory. To have the battery replaced, consult with
your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
“BATTERY LOW”
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory in another MIDI device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents of
data that was stored in another MIDI device (e.g., a
sequencer) once it has been lost. Roland Corporation assumes
no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
557
• A small amount of heat will radiate from the unit during
normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (Roland EV-5, BOSS
FV-300L; sold separately). By connecting any other
expression pedals, you risk causing malfunction and/or
damage to the unit.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this unit.
The use of such cables can cause the sound level to be
extremely low, or impossible to hear. For information on
cable specifications, contact the manufacturer of the cable.
5
Contents
IMPORTANT SAFETY INSTRUCTIONS ..............2
USING THE UNIT SAFELY ...............................3
IMPORTANT NOTES.......................................5
Main Features ..............................................8
About the V-Bass..........................................9
Panel Descriptions......................................10
Front Panel........................................................................ 10
Rear Panel......................................................................... 11
Chapter 1. Playing Sounds .........................12
Attaching the GK pickup.................................................. 12
Making Connections ........................................................ 12
Before making connections.................................................12
Turning On the Power...................................................... 13
Adjusting the Volume....................................................... 14
About the display (Basic operation)............................... 14
GK pickup settings........................................................... 15
Specifying the correspondence for each string................15
Adjusting the sensitivity of each string ............................17
Naming your settings..........................................................18
Tuning your bass.............................................................. 18
Switching sounds (patches)............................................ 19
About the patch numbers ...................................................19
Using the PATCH/VALUE dial to change......................20
Using pedals to change .......................................................20
Chapter 2. Creating sounds ........................21
COSM BASS settings....................................................... 21
COSM AMP settings......................................................... 22
EFFECTS settings ............................................................ 22
Specifying the tempo and key of the song
to be played....................................................................... 23
Pedal function settings (EXP/CTL/GK VOL/GK SW) ..... 24
Specifying the function of the V-Bass’s EXP pedal.........24
Specifying the function of the V-Bass’s CTL pedal.........24
Specifying the function of GK VOL...................................25
Specifying the function of GK SW.....................................25
Assign function settings......................................................26
Adjusting the level of the normal pickup ....................... 27
Exchanging the connection order of the internal
multi-effect and the COSM BASS/COSM AMP............... 27
Combining the normal input with the GK input............. 28
Adjust the volume balance. ................................................28
Specify the connection position .........................................28
Naming a patch................................................................. 29
Adjusting the Volume of a Patch .................................... 30
Saving a sound (patch) you’ve created
(the Write procedure) ....................................................... 30
Changing the order of patches
(Patch Exchange function) .............................................. 31
Adjusting the sound of the entire V-Bass
according to the performance conditions......................31
Using the pedals to turn each effect on/off
(Manual mode) .................................................................. 32
Switching to Manual mode.................................................32
Selecting the effects to be turned off by each pedal........32
Chapter 3. System settings.........................33
GK pickup settings........................................................... 33
Select the GK pickup setting...............................................33
Setting the GK pickup appropriately
for the bass you are using ...................................................33
Specifying the scale length of the bass you are using.....33
Matching the phase of the GK pickup
and normal pickup...............................................................34
Specifying the placement of the S1/S2 switches.............34
Specifying the connecting condition
with the GK pickup..............................................................34
Specifying the distance between the GK pickup
and bridge .............................................................................34
Adjusting the sensitivity of each string ............................35
Naming your settings..........................................................35
Adjusting the contrast of the screen ..............................35
Pedal function settings....................................................36
Specifying the function of the BANK pedals...................36
Specifying the range of banks ............................................36
Specifying the function of an external foot switch
(FS-5U)...................................................................................36
Reflecting the position of the EXP pedal
and GK VOL when a patch is recalled..............................37
Adjusting the depth and range of the built-in
EXP pedal..............................................................................37
Specifying the function of the VALUE dial.....................37
Preventing accidental operation
during a performance..........................................................37
GK pickup function settings............................................38
Changing the function of the S1/S2 switches..................38
Specifying the function of the GK VOL knob..................38
Chapter 4. Using MIDI................................ 39
About MIDI.........................................................................39
Checking the MIDI messages supported by a device
(MIDI implementation chart).............................................39
About MIDI channels ..........................................................39
About MIDI Omni mode.....................................................40
About the MIDI Device ID..................................................40
Bank Select and Program Change......................................40
Selecting Patches from an External Device................... 40
Using an external device to control patch changes......41
Selecting the program change map...................................41
Setting the program change reception map.....................41
Synchronizing to MIDI Clock messages f
rom MIDI IN.........................................................................41
Transmitting pedal operation data..................................41
6
Contents
Transmitting and receiving sound (patch)
or system setting data ..................................................... 42
Transmitting settings to an external device
(Bulk Dump).........................................................................42
Receiving settings from an external device
(Bulk Load)............................................................................42
Chapter 5. Parameter guide .......................43
COSM BASS...................................................................... 43
TYPE.......................................................................................43
PICKUP..................................................................................44
BODY.....................................................................................46
BASS SELECT.......................................................................46
PT SHIFT (Pitch Shift) .........................................................47
FRETLESS..............................................................................48
WAVE SYNTH .....................................................................48
OSC SYNTH..........................................................................49
FILTER...................................................................................49
P-BEND (Power bend).........................................................50
SUSTAIN...............................................................................50
COLOR ..................................................................................50
ATTACK................................................................................50
BODY LEV (Body Level).....................................................50
ORGAN .................................................................................50
PD SHIFT (Pedal Shift)........................................................51
POLY OCTAVE (Polyphonic octave)................................51
POLY DISTORTION (Polyphonic distortion)..................51
POLY SG (Polyphonic slow gear)......................................52
EQ (Equalizer) ......................................................................52
PAN........................................................................................52
MIXER....................................................................................52
COSM AMP........................................................................ 53
SPEAKER ..............................................................................54
EFFECTS ........................................................................... 54
COMP/LM (Compressor/limiter) ....................................54
WAH......................................................................................55
OD/DS (Overdrive/Distortion) ........................................56
EQ (Equalizer) ......................................................................56
MOD (Modulation)..............................................................57
DELAY...................................................................................60
CHORUS ...............................................................................61
REVERB.................................................................................61
NS (Noise suppressor).........................................................62
FV (Foot volume) .................................................................62
FX-BYPASS............................................................................62
PEDAL ASSIGN................................................................. 62
MASTER ............................................................................ 63
SYSTEM............................................................................. 64
GLOBAL................................................................................64
DISPLAY CONTRAST 1–16 ...............................................64
PEDAL FUNCTION ............................................................64
GK FUNCTION....................................................................65
DIAL FUNCTION................................................................65
MIDI.......................................................................................66
TUNER/BYPASS ............................................................... 67
GK SETTING (GK PICKUP SETTINGS) ........................... 67
Chapter 6. Supplementary Materials.......... 69
Troubleshooting ............................................................... 69
Problems with the sound....................................................69
Other problems.....................................................................70
Reset to Default Factory Settings (Factory Reset)........ 70
PEDAL ASSIGN Parameter List.......................................71
COSM BASS..........................................................................71
COSM AMP ..........................................................................71
EFFECTS................................................................................72
MIDI Implementation Chart ..............................................73
Specifications ................................................................... 74
Index......................................................... 75
7
Main Features
■ A completely new bass system
The V-Bass is Roland’s proprietary and totally new bass
system, created using its acclaimed COSM technology.
The pickup signal includes not only pitch and volume, but
also a range of information such as nuances of playing
technique and the character produced by the body shape of
the bass and the type of strings. The GK divided pickup
individually detects each string, and generates the
corresponding set of pickup signals.
The V-Bass extracts information from this signal, and lets
you process it by (for example) emphasizing, adding, or
deleting overtones to create completely new bass sounds that
could not be produced using previously existing equipment.
Of course, since the sound is based on the original signal
from the string, the playing feel is extremely natural.
■ COSM BASS
—creating new possibilities for bass
In addition to sounds such as acoustic basses, fretless basses,
and electric basses, you can use special settings such as synth
bass sounds, altered tunings, or multi-stringed basses
without having to pick up a different bass guitar or change
your tuning. Virtually any conceivable bass sound is
immediately available simply by stepping on a pedal.
You can also create original bass sounds by adjusting the
pickup, tone, and volume controls, or by editing the body
settings.
Of course, these sounds can be played using all of the
playing techniques you are accustomed to using on bass.
Since the unit also includes a mixer section, you have
complete control over the normal pickup and divided pickup
inputs—you can combine both types of sound for additional
creative possibilities.
■ A full array of useful functions
Various global parameters allow you to make adjustments to
suit the location in which you are performing, without
having to edit each sound individually. For example, this lets
you globally adjust certain aspects of the sound, such as the
reverb depth or the tone of the upper and lower ranges.
Both phone jacks and XLR balanced outputs are provided,
allowing direct connection to a PA system.
■ Flexible support for 4-string
through 6-string basses
Compared to guitars, bass guitars have a broader range of
variation in the number of strings. V-Bass is designed to
support the most widely used types, from 4-string to 6-string
basses.
Sound settings are designed for flexibility, and allow the
same data to be used with 4-string through 6-string basses.
You can store five separate sets of settings appropriate for
different basses, allowing you to change instruments during
a performance.
■ Graphic LCD
Thanks to the graphic LCD, settings such as pickup location
and body type can be made visually and intuitively.
■ COSM AMP and multi-effects for
even greater potential
The COSM amp section provides six different modeled
amps, as well as six more original amps optimized for the
COSM bass. The multi-effect section provides a variety of
high-quality effects, including COMP/LM, WAH, OD/DS,
and EQ.
In addition, you can create connections (chains) that include
not only the COSM amp and multi-effects, but also COSM
bass mix points, giving you total control of your sound all
the way to the output.
8
About the V-Bass
This chapter provides explanations that will help you take
the fullest advantage of the V-Bass’s functionality.
■ GK pickup
In order to use the V-Bass, you will need a separately sold
GK-2B divided pickup for bass.
Attach the GK-2B to your bass guitar. For details on
installation, refer to the owner’s manual of the GK-2B.
You can also use GK-compatible bass guitars that are
available from various manufacturers. (For details on
specifications of these bass guitars, refer to the manual of the
bass guitar, or contact the manufacturer.)
The V-Bass is designed for use only with basses.
It is not possible to use the V-Bass with a guitar on which a
GK-2A guitar divided pickup is installed. (Even if connected,
it will not function correctly.)
■ Sound data (patch parameters)
The V-Bass is designed to allow the same sound settings to
be used (as far as possible) for any standard type of bass,
ranging from 4-string to 6-string basses.
This means that in the case of parameters that can be set
independently for each string, there are always separate
settings for each of six strings. These settings are displayed as
Hi, 1, 2, 3, 4, and Lo, relative to standard 4-string basses.
The correspondence between the listed parameters and the
strings to which they apply is determined by the “GK POSI”
setting of the GK SETTING menu. This correspondence, and
the standard tunings are shown below
Parameter
listing
Hi - - 1st string
Lo - 5th string
4STR-1,2,3
1 1st string
(G)
2 2nd string
(D)
3 3rd string
(A)
4 4th string
(E)
5STR-Lo1,2 5STR-Hi1,2
(C)
1st string
(G)
2nd string
(D)
3rd string
(A)
4th string
(E)
(B)
2nd string
(G)
3rd string
(D)
4th string
(A)
5th string
(E)
- 6th string
6STR
1st string
(C)
2nd string
(G)
3rd string
(D)
4th string
(A)
5th string
(E)
(B)
Since you can store up to five settings for separate basses, it is
possible to switch between more than one instrument.
9
Panel Descriptions
Front Panel
fig.0-01
8
9
1
17
4
10
18
2
6
11 12 13
14 15
3
7
16
20
1. LED Display
It displays the bank number of the currently selected
patch (p. 19). In TUNER MODE (p. 18), it displays the
note name.
2. LCD Display
It displays the various information of the V-Bass, such as
patch's name, the value of parameter, and others.
3. PATCH/VALUE Dial
Use this knob to select patches, or to adjust parameter
values.
4. OUTPUT LEVEL Knob
Use this knob to adjust the total volume of the V-Bass.
* The level of OUTPUT(XLR) and BASS OUTPUT will not
change.
5. GK SETTING Button
Use this button when making settings for the GK Pickup
(p. 15).
6. Function Button
Use these buttons to select parameter on the LCD Display.
5
22
19
21
8. EXIT Button
Use this button to cancel the operation, or when
returning to the Play screen (p. 13).
9. WRITE Button
Use this button to write a patch (p. 30, 31).
10.CURSOR Button
Use these buttons to move a cursor.
11.COSM BASS Button
Press this button for access to COSM BASS parameters
(p. 21).
12.COSM AMP Button
Press this button for access to COSM AMP parameters
(p. 22).
13.EFFECTS Button
Press this button when making adjustments for each
effect (p. 22).
14.PEDAL ASSIGN Button
Press this button when making adjustments for pedal
functions (p. 24).
7. PAGE Button
Use these buttons to switch pages on the LCD Display
(p. 14).
10
15.MASTER Button
Press this button when adjusting patch's level, name,
and others (p. 23, 27–30).
Panel Descriptions
16.SYSTEM Button
Press this button when making adjustments for the VBass to be used in various situations (p. 31, 35–42).
17.MANUAL Button
Press this button to use the MANUAL MODE (p. 32).
18.TUNER/BYPASS Button
Press this button to use the TUNER function, or the
BYPASS function (p. 18).
19.BANK Pedal
Press these pedals to switch patch banks, or patches (p. 19).
20.Number Pedals
Press these pedals to switch patches (p. 19), or to switch
effects On/Off (p. 32).
Rear Panel
fig.0-02
21.CTL (Control) Pedal
Use this pedal to control the variety of functions, such as
On/Off for effects, TUNER switch, and others (p. 24).
22.EXP (Expression) Pedal
Use this pedal to control the volume, wah effect, and
others (p. 24).
When operating the expression pedal, be careful not to
get your toes pinched between the moving part and the
panel. In households with small children, an adult should
provide supervision until the child is capable of following
all the rules essential for its safe use. Children should use
this unit under adult supervision and guidance.
23 28 31
23.OUTPUT Jacks (XLR)
These are XLR type connectors that provide balanced
output.
24.SELECT (Output Select) Switch
This switch setting determines whether the signals
output from the OUTPUT jacks (XLR) are in stereo (L/
R), or as DIRECT/MONO output.
DIRECT:
MONO: Outputs the mixed signal of the OUTPUT L/R.
25.GK INPUT Connector
Connect the included GK cable to input signals from
each string.
26.BASS INPUT Jack
Use this jack to input the normal bass pickup signals.
27.BASS OUTPUT Jack
This jack directly outputs the signal from the BASS INPUT.
Outputs the normal pickup signal from the GK
INPUT, or the signal from the BASS INPUT.
25 26 2724 29 30 32 33
28.OUTPUT Jack
These are standard jacks that output unbalanced signals.
29.PHONES (Headphones) Jack
A pair of stereo headphones can be connected to this jack.
30.SUB EXP PEDAL/SUB CTL 1,2
(Sub Expression/Sub Control Pedal) Jacks
Connect an optional expression pedal (such as the EV-5)
or foot switch (such as the FS-5U) here.
31.MIDI Connectors
Connect an external MIDI device to these connectors to
transmit and receive MIDI messages.
32.POWER Switch
Switches the power to the on and off.
33.AC Inlet
Connect the included power cord.
11
Chapter 1. Playing Sounds
HOT
COLD
GND
3
12
Attaching the GK pickup
First, attach the GK-2B divided pickup to your bass. For
details on installation, refer to the GK-2B owner’s manual.
The GK-2B cannot be used with the following types of
basses. (Even if installed, it will not function correctly.)
• Basses with an unconventional string configuration, such
as multi-stringed basses with seven or more strings, or
double basses (acoustic string basses)
• Basses that use nylon strings without a steel core, or gut
strings
• Any other basses that, due to their structure, provide no
space for correctly attaching the GK-2B divided pickup
Basically, set the GK-2B select switch to the “MIX” position
when using the V-Bass.
Making Connections
Before making connections
In order to play the V-Bass, you will need the following
equipment.
• A bass with a GK-2B installed
• Amp/speaker or headphones
You may wish to use the following equipment for additional
convenience:
• External expression pedal (Roland EV-5 or BOSS FV300L; sold separately)
• External pedal switch (BOSS FS-5U, FS-5L; sold
separately)
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
* The pin assignment for the XLR type connectors is as shown
below. Before making any connections, make sure that this pin
assignment is compatible with that of all your other devices.
* Use only the specified expression pedal (EV-5 or BOSS FV-
300L; sold separately). By connecting any other expression
pedal, you risk causing malfunction and/or damage to the unit.
* If connecting the FS-5U, set the polarity switch as follows.
fig.1-02e
Polarity switch
About the BASS OUTPUT jack
As desired, connect your amp or mixer to the BASS OUTPUT
jack.
* Since you can output only the original bass sound from the
BASS OUTPUT jack, use the jack when you wish to process
just the original bass sound through an external effects device.
* If you are using the normal bass input jack of the GK-2B, set
the GK-2B select switch to “MIX.”
* Even when headphones are connected to the PHONES jack,
sound will still be output from the OUTPUT jack, OUTPUT
connector (XLR), and the BASS OUTPUT jack.
12
Chapter 1. Playing Sounds
After you have made preparations on your bass (GK-2B), connect your equipment as shown in the following diagram.
fig.1-01e
Stereo Headphones
Bass Guitar
To Power Outlet
Chapter 1
Speaker with AmplifierMixer
Turning On the Power
Once the connections have been completed (p. 12), turn on
power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing
malfunction and/or damage to speakers and other devices.
1. Turn the POWER switch of the V-Bass to the “ON”
position to turn on the power.
The display will light, and the following screen will
appear. This is called the “Play screen.”
fig.1-03
* When the power is turned on, the patch number that was
selected at the time of the last power-off will be selected.
EV-5
FV-300L
etc.
Bass Amp
FS-5U
FS-5L
etc.
The various procedures described in this owner’s
manual are to be performed from the Play screen, which
you can reach by pressing [EXIT] several times.
* This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
operate normally.
2. Turn on the power of your audio devices (bass amp,
mixer, etc.).
13
Chapter 1. Playing Sounds
Adjusting the Volume
Use the OUTPUT LEVEL knob, to set the maximum volume.
fig.1-25
* The output volume from the OUTPUT connector (XLR) will
not change. If you wish to change the volume including that
from the OUTPUT connector (XLR), please adjust the LEVEL
parameter in the GLOBAL section (p. 64).
* You can also adjust the level by assigning the function to the
controls like built-in EXP pedal and GK VOL of the GK-2B.
Please refer to the “Pedal function settings” section for details
(p. 24).
About the display (Basic operation)
Some screens have several pages of parameters. A page icon
is displayed in the upper right of the screen.
fig.1-04e
Page icon
Editing multiple parameters
simultaneously
For parameters that can be set independently for each
string, the settings for all strings can be increased or
decreased simultaneously.
For example, if you want to adjust the amount of
Polyphonic Pitch Shift for each string in the same way,
this means that you need not make the same setting
repeatedly.
The following parameters can be edited simultaneously.
GK SETTING:
• PICKUP<–> BRIDGE (p. 68)
• SENSITIVITY (p. 68)
COSM BASS:
• PICKUP REAR PICKUP OFFSET (p. 45)
• PICKUP FRONT PICKUP OFFSET (p. 45)
• PT SHIFT SHIFT (p. 47)
• PT SHIFT FINE (p. 47)
• PT SHIFT HARMO (p. 47)
• PT SHIFT E.LEVEL (p. 48)
• PT SHIFT D.LEVEL (p. 48)
• PD SHIFT STRING (p. 51)
• POLY OCTAVE -1OCT (p. 51)
• POLY OCTAVE DIR (p. 51)
• PAN STRING (p. 52)
• MIXER STRING LEVEL (p. 52)
fig.1-05
3
12
1. Use PAGE [ ][ ] to switch pages.
2. Press [F1]–[F6] to select the desired parameter.
* You can also use [CURSOR] to select parameters.
3. Turn the VALUE dial to modify the value.
* If you want to save the modified patch (p. 19), refer to “Saving
a sound (patch) you’ve created” (the Write procedure) (p. 30).
1. Access the screen that includes the parameter you
want to edit.
2. Move the cursor to the parameter that you want to
edit.
3. At this time, [F1]–[F6] correspond to string
numbers Hi,1, 2, 3, 4, and Lo. Hold down the
function button that corresponds to the desired
string, and press [F1]–[F6] to specify the parameter
that you want to set simultaneously.
fig.1-06
4. Press any button to cancel the setting.
14
Chapter 1. Playing Sounds
GK pickup settings
Specifying the correspondence for each string
The tonal character of the V-Bass is greatly affected by how
the divided pickup is installed. To ensure that the V-Bass is
functioning at its best, you must input “GK settings” data
that specifies how the divided pickup is installed. These
settings allow the V-Bass to minimize any tonal
inconsistency that might arise from differences in how the
divided pickup was installed.
* For more details, please refer to “GK pickup settings” (p. 33)
or “GK SETTING” (p. 67) section.
If you will be using more than one bass with the V-Bass,
you will need to make GK settings for the divided
pickup of each bass. Perform the following procedure for
each bass. You can make and store settings for up to five
basses.
When playing the V-Bass, GK settings are a very
important element that influences the sound. You must
be sure to make these settings.
1. Press [GK SETTING]. The following display appears.
fig.1-10
3. Press [F2] (GK POSI).
Specify the position of the pickup. Use the VALUE dial
to specify the position in which the pickup was installed
on your bass.
fig.3-01
4. Press [F4] (GK TYPE).
Specify the GK type. Use the VALUE dial to specify the
type of divided pickup that is installed in your bass.
fig.1-12
GK-2B:
Select this if your divided pickup is the GK-2B.
PIEZO1, PIEZO2:
Select one of these if your divided pickup is a piezo-type.
Select a type that matches your bass to produce the best
COSM BASS sound.
* Select “PIEZO1” or “PIEZO2” if you are using a piezo-type
pickup. Piezo-type pickups detect string vibration by using a
piezo-electric element attached to the bridge of the bass.
5. Press [F5] (DIRECTION).
Specify the position of the pickup. Use the VALUE dial
to specify the position in which the pickup is installed on
your bass.
fig.1-13
Chapter 1
fig.1-11
2. Press [F1] (SETTING).
Select a set of GK settings. Use the VALUE dial to select
the GK settings for your bass.
You can store five settings to GK setting A–E.
When you switch basses, you can simply change to the
appropriate set of GK settings that you made earlier,
allowing you to play each bass with the optimal settings.
NORMAL: Positioned with the cable extending toward
the bridge.
REVERSE: Positioned with the cable extending toward
the neck.
15
Chapter 1. Playing Sounds
fig.1-14e
NORMAL
string 6 string 1
REVERSE
6. Press [PAGE ] to move to page 2.
7. Press [F1] (SCALE).
Use the VALUE dial to specify the scale length of your
bass.
Measure the length from the nut to the bridge of the
highest string (normally G or C string) of your bass.
Then, specify the value within 710–940 mm, or select one
of the 4 presets listed below.
SHORT: 760 mm
MEDIUM: 812 mm
LONG (JB/PB): 864 mm
EXTRA LONG: 914 mm
fig.1-16
9. Press [F3] (S1/S2 POSITION).
Use the VALUE dial to specify whether the function of the
GK-2B’s S1/S2 switches should be exchanged.
fig.1-17
NORMAL: The switches will function normally.
REVERSE:
The S1 switch and S2 switch will be exchanged.
10.Press [PAGE ] to move to page 3.
11.Press [F1]–[F6] to specify the string.
Use the VALUE dial to specify the distance from the
pickup to the bridge. Use a tape measure to actually
measure along each string to find the distance from the
bridge side edge of the divided pickup to the bridge. For
each string, specify the distance in millimeters.
* This setting has no effect if GK TYPE is set to “PIEZO1” or
“PIEZO2”
fig.1-18
fig.1-19e
8. Press [F2] (GK PU PHASE).
Use the VALUE dial to specify the phase of the GK
pickup, to match with the normal pickup.
fig.3-03
While playing lower string of your bass, set this
parameter to the setting that does not cause the volume
to diminish significantly.
NORMAL: Leave the phase unchanged.
INVERSE: Invert the phase.
16
string 6 string 1
String
BridgePickup
12.If you will be using the V-Bass with more than one
bass, repeat steps 2–11 to make the appropriate GK
settings for each bass.
13.Press [EXIT] to return to the Play page.
* These settings must be made when you newly attach a divided
pickup to a bass, or when you adjust the height of a divided
pickup. Once you have made these settings correctly, they will
be remembered even when the power is turned off. It is not
necessary to re-make them each time you perform.
* When you want to play the V-Bass using a bass that is different
than the previously used bass, select one of the settings A–E
that you made in step 2, to choose GK settings appropriate for
your bass. Press [EXIT] to return to the Play page.
Chapter 1. Playing Sounds
Adjusting the sensitivity of each string
Adjust the pickup sensitivity for each string, according to the
way in which the GK-2B divided pickup is installed.
If you have more than one bass that you want to use with the
V-Bass, you must adjust the sensitivity of the divided pickup
for each bass. For each bass, turn off the power of the V-Bass,
connect the next bass, and perform the following procedure.
Settings for up to five basses can be made and stored.
fig.1-20
7
3
5
10
4
1. Press [GK SETTING].
2. Press [F1] (SETTING).
Use the VALUE dial to select the GK setting that you
want to name.
fig.1-11
2
5. Play string 6 of your bass.
* Play the string appropriate for your bass.
The level meter will be displayed. The indications
appear sequentially (starting from the left) according to
how strongly you play the string.
fig.1-22e
6. Turn the VALUE dial to adjust the sensitivity.
Adjust the sensitivity so it’s as high as you can get it
without causing the large level meter at the far right to
appear when you play most strongly in an actual
performance.
Then adjust the balance by ear.
* If the large level meter at the far right is displayed, an overload
has occurred. Reduce the sensitivity.
* Depending on the bass you use, the level meter may move all
the way to maximum even if the sensitivity is set as low as
possible. If this occurs, set the GK-2B divided pickup at a
greater distance away from the strings than specified.
7. Adjust the sensitivity of strings 5–1 in the same way.
8. Next, play strings 6–1 very softly.
If there is a string that sounds louder than the others,
lower the sensitivity for that string so that the volume is
consistent among all strings.
Chapter 1
3. Press [PAGE ] several times to access page 4.
fig.1-21e
4. Press [F6] to select string 6.
* Select strings as appropriate for the bass you are using.
9. Press [EXIT] to return to the Play page.
* These settings must be made when you newly install a divided
pickup, or when you adjust the height of the divided pickup.
Once you have made these settings correctly, they are retained
even while the power is turned off. It is not necessary to remake these settings each time you perform.
* When you want to play the V-Bass using a bass that is
different than the previously used bass, select one of the
settings A–E that you made in step 2, to choose GK settings
appropriate for your bass. Press [EXIT] to return to the Play
page.
17
Chapter 1. Playing Sounds
Naming your settings
1. Press [GK SETTING].
2. Press [F1] (SETTING).
Select the GK setting that you want to name.
3. Press [PAGE ] to move to page 5.
fig.1-23
4. Use [F1]–[F6] and the VALUE dial to assign a name.
[F1] ( ): Move the cursor to the left.
[F2] ( ): Move the cursor to the right.
[F3] ( ): Move the cursor to the end.
[F4] (SPACE): Insert a space at the cursor location.
[F5] (DELETE): Delete a character. The characters that
follow get shifted to the left.
[F6] (A, a, 1, ■): Switch between entering uppercase
letters, lowercase letters, numbers, and
characters.
* Press [CURSOR ] to return to the previous page.
5. Press [EXIT] to return to the Play page.
* These settings remain stored in memory even while the power
is off.
Tuning your bass
Here’s how to use the Tuner function of the V-Bass to tune
your bass.
fig.1-07
12 7
1. Press [TUNER/BYPASS]. The Tuner function will be
turned on.
fig.1-08
2. Use the function buttons to make the following
settings.
Press the button for the function that you want to set
([F4] [F6]), and turn the VALUE dial to select the desired
value.
* This step is not required if you do not want to edit the
parameter. Proceed to step 3.
[F4] (PITCH: 435Hz–445Hz)
Set the standard pitch.
* This was set to 440Hz when the unit was shipped from the
factory.
* A pitch of the HARMONIST depends on this setting.
What is the standard pitch?
The standard pitch is the frequency of the A4 note
(middle A on a piano) of the instrument that is used as
the pitch reference for a performance.
[F6] (BYPASS: MUTE, GK, BASS IN)
Select the sound while you are tuning.
MUTE: The sound will be muted.
GK: Outputs the sound of the GK pickup.
BASS IN: Outputs the sound of the normal pickup.
* This was set to “GK” when the unit was shipped from the
factory.
18
Chapter 1. Playing Sounds
3. Play a single note on the open string that you want to
tune.
The LED display will indicate the note name closest to
the pitch of the string you played.
* You must cleanly play a single note on only the string to be
tuned.
fig.1-09
CC
F
4. Tune your bass so that the display shows the note name
of the string you are tuning.
5. While watching the screen, tune so that only the center
indicator is lit.
6. Repeat steps 3–5 to tune each string.
* If you are tuning a bass with a vibrato arm, tuning one string
may cause the other strings to drift. If this occurs, first tune
each string approximately so that the note name is displayed,
and then re-tune each string several times.
7. When you have finished tuning, press [TUNER/
BYPASS] or [EXIT].
You can also switch to Tuner mode using pedals.
When you are in Play screen (p. 13), or in Manual Mode
(p. 32), press the [BANK▲] and [BANK▼] pedals
simultaneously.
Press either the [BANK▲] or [BANK▼] pedal to return
to the original mode.
#
D D
#
G
G
#
#
AA#B
E F
Switching sounds (patches)
What is a patch?
The V-Bass contains 200 different sounds, known as
“patches.”
About the patch numbers
In the Play screen, the patch number (bank number) and
patch name are displayed as follows.
fig.1-50
Patch Number
User Pach/
Preset Patch
Patch Name
User Patch
When the V-BASS is shipped from the factory, it contains 100
user patches. You are free to modify and save these anew.
1-1 2-1 . . . 25-1
1-2 2-2 . . . 25-2
1-3 2-3 . . . 25-3
1-4 2-4 . . . 25-4
Preset Patch
The V-BASS contains 100 preset patches.
26-1 27-1 . . . 50-1
26-2 27-2 . . . 50-2
26-3 27-3 . . . 50-3
26-4 27-4 . . . 50-4
Preset patches can be edited – i.e., you can modify their
settings – but cannot be saved again as presets. If you wish to
save a modified preset patch, you must store it as a new user
patch.
(Bank - Number)
Chapter 1
19
Chapter 1. Playing Sounds
Using the PATCH/VALUE dial to change
Here’s how you can change from one patch to the next one.
* If the System parameter “DIAL” is set to “VALUE ONLY,”
the PATCH/VALUE dial cannot be used to select patches.
1. Make sure that you are in Play page.
If you are not in Play page, press [EXIT] several times.
2. Turn the PATCH/VALUE dial to change patches.
Turning the PATCH/VALUE dial toward the right will
select the next-numbered patch; turning it toward the
left will select the previous-numbered patch.
fig.1-26
Using pedals to change
This method is convenient during a live performance or in
the studio. You can press pedals to specify the bank and
number.
If you set the System parameter “BANK AREA,” patches will
change within the specified bank area.
1. Make sure that you are in Play page.
If you are not in Play page, press [EXIT] several times.
2. Select the patch bank.
Use [BANK ▼] [BANK ▲] to select the desired bank.
* If you do not need to leave the currently selected bank, this
step is not necessary. Proceed to Step 3.
fig.1-27
3. Step on a number pedal [1]–[4] to select a patch
number.
fig.1-28
20
Chapter 2. Creating sounds
COSM BASS settings
Here’s how to make COSM BASS settings. Make these
settings as desired.
1. Press [COSM BASS].
fig.2-01
fig.2-01a
2. Press [F1] (ON/OFF).
3. Turn the VALUE dial to switch COSM BASS on/off.
4. Press [F4] (TYPE), and use the VALUE dial to select the
COSM BASS type.
COSM BASS “TYPE” (p. 43)
• ACOUSTIC
• ELECTRIC
• FRETLESS
• VARI BASS
• WAVE SYNTH
• OSC SYNTH
• FILTERED
• BOWED
• PIPE
• CRYSTAL
• ORGAN
• BRASS
• PEDAL PITCH SHIFT
• POLY OCTAVE
• POLY DISTORTION
• POLY SLOW GEAR
5. Press [PAGE ].
* Page 2 and following contain sections that determine the
[COSM BASS] tone. Each time you press [PAGE ], you
will move to the setting screen for the next section. You can
also move to the setting screen of the next section by pressing
[COSM BASS].
6. Press [F1]–[F3] to select the section.
* *F1]–[F3] will work as “ON/OFF” switch for the section with
“ON” or “OFF” icon.
The section without icon (such as MIXER section) will always
be turned “ON”.
7. Turn the VALUE dial, and select “CUSTOM” or
PRESETs for each section.
fig.2-02
fig.2-03
* PRESET is a recommended preset settings for each section.
For example, PRESETs for the BODY section in the VARI
BASS would be VIOLIN, SEMI-HLW, and HUGE WD.
There are no PRESETs for section without “PRESET”,
“ON”, or “OFF” icon.
* If you select CUSTOM, the settings you specified by pressing
“EDIT [F4]–[F6]” will be selected.
* Even though you have selected a PRESET, the display will
turn to CUSTOM, when you edit a parameter, or execute
Write procedure (p. 30).
8. If you want to perform detailed editing of the
parameters of a section, press “EDIT [F4]–[F6]” to move
to the editing screen for each section.
9. Press [F1]–[F6] to specify the parameter that you want
to adjust, and use the VALUE dial to adjust the value.
10.Adjust the parameters until you get the desired sound.
11.To save the edited values, perform the Write procedure
(p. 30).
* If you do not want to save, press [EXIT] to return to the Play
screen.
Chapter 2
21
Chapter 2. Creating sounds
COSM AMP settings
Here’s how to make COSM AMP settings. Make these
settings as desired.
1. Press [COSM AMP].
fig.2-04
fig.2-05
2. Press [F1] (ON/OFF).
3. Turn the VALUE dial to switch COSM AMP on/off.
4. Press [F4] (TYPE), and use the VALUE dial to select the
COSM AMP type.
COSM AMP “TYPE” (p. 53)
• CONCERT 810
• FLIP TOP
• B-MAN
• VO DRIVE
• SESSION
• T.E.
• BASS 360
• SUPER FLAT
• AC BASS
• MS STACK
• Hi-GAIN STACK
• METAL STACK
5. Press [PAGE ].
EFFECTS settings
Here’s how to make effect settings. Make these settings as
desired.
1. Press [EFFECTS].
fig.2-06
fig.2-07
2. Press [F1]–[F3] to switch each effect on/off.
* Each time you press [PAGE], you will move to the next effect
setting screen. You can also move to the next effect setting
screen by pressing [EFFECTS].
* In page 4, press [F1] or [F3] to select a parameter, and [F6]
(SET PDL) to assign “FV LEVEL” to the built-in EXP pedal.
3. Turn the VALUE dial to select “CUSTOM” or
“PRESET.”
4. If you want to edit the effect parameters in more detail,
press “EDIT [F4]–[F6].”
5. Press [F1]–[F6] to select the parameter that you want to
edit, and use the VALUE dial to edit the value.
6. Edit the parameters until you get the sound you want.
7. If you want to save the edited settings, perform the
Write procedure (p. 30).
* If you do not want to save, press [EXIT] to return to the Play
screen.
* Each time you press [PAGE ], you will move to the next
parameter setting screen. You can also move to the setting
screen for the next section by pressing [COSM AMP].
6. Press [F1]–[F6] to select the parameter that you want to
edit, and use the VALUE dial to edit it.
7. Edit the parameters until you get the sound you want.
8. If you want to save the edited settings, perform the
Write procedure (p. 30).
* If you do not want to save, press [EXIT] to return to the Play
screen.
22
Chapter 2. Creating sounds
Specifying the tempo and key of the song to be played
Here’s how to specify the tempo and key of a song you’ll be playing.
1. Press [MASTER] twice.
fig.2-08
fig.2-09
* For details on how to adjust the level, refer to “Adjusting the
volume of a patch” (p. 30).
2. Press [F2] (TEMPO), and use the VALUE dial to adjust
the tempo.
fig.2-09b
3. Press [F3] (KEY), and use the VALUE dial to set the
KEY of the Harmonist EFFECTS and COSM BASS.
fig.2-09c
fig.5-50
Major
CF BE
Am Dm Gm Cm Fm BmMinor
Major GDA EB
A
D
G
Em
F
Minor
4. If you want to save the value you specified, perform the
Write procedure (p. 30).
Em Bm FmCmGm
Dm
Chapter 2
* If you want to control the a patch parameter with the adjusted
tempo (p. 63), set the corresponding effect parameter to
“BPM –BPM .”
* If you want to use the MIDI SYNC function, turn the
VALUE dial to the right until the display shows “MIDI.”
* BPM stands for “beats per minute,” and represents the
number of quarter notes played in one minute.
To use Tap Input
Press [F5] (TAP) at least three times, at quarter note
intervals of the desired tempo.
The tempo will be calculated automatically, and set to
the interval at which you pressed the button.
* If you do not want to save, press [EXIT] to return to the Play screen.
You can also set the tempo by using function button on
the PLAY screen.
1. Make sure that you are in the Play screen.
If you are not in the Play screen, press [EXIT] several
times.
2. Press [F6] (TEMPO), and use the VALUE dial to adjust
the tempo.
* To Use Tap Input, Press [F6] (TAP) at least three times, at
quarter note intervals of the desired tempo. The tempo will be
calculated automatically, and set to the interval at which you
pressed the button.
fig.2-09a
3. If you want to save the edited settings, perform the
Write procedure (p. 30).
* If you do not want to save, press [EXIT] to return to the Play
screen.
23
Chapter 2. Creating sounds
Pedal function settings (EXP/CTL/GK VOL/GK SW)
Make these settings if you want to use the EXP pedal or CTL
pedal of the V-Bass, a pedal connected to the V-Bass, or an
external MIDI device to control parameters while you
perform. For more details, please refer to PEDAL ASSIGN (p.
62) section.
* If you want to use a pedal to control the parameters of an
effect, you must first turn that effect “ON.”
Specifying the function of the V-Bass’s EXP pedal
1. Press [PEDAL ASSIGN].
fig.2-10
2. Press [F1] (ON/OFF) to switch the EXP pedal function
on/off.
fig.2-11
Specifying the function of the V-Bass’s CTL pedal
1. Press [PEDAL ASSIGN].
fig.2-10
fig.2-11
2. Press [F2] (ON/OFF) to switch the CTL pedal function
on/off.
fig.2-13
3.
Turn the VALUE dial to select “CUSTOM” or PRESET.
4. If you wish to edit further, press [F5] (EDIT).
fig.2-14
3. Turn the VALUE dial to select “CUSTOM” or PRESET.
4. If you wish to edit further, press [F4] (EDIT).
fig.2-12
5. Press [F1] (TARGET), and use the VALUE dial to select
the target.
* Press [F2] (NEXT GROUP) to cycle through these choices:
COSM BASS, COSM AMP, the various effects, and FX
BYPASS on/off.
6. Press [F4] (MIN), and use the VALUE dial to specify the
minimum value.
7. Press [F5] (MAX), and use the VALUE dial to specify
the maximum value.
8. If you want to save the edited settings, perform the
Write procedure (p. 30).
* If you do not want to save, press [EXIT] to return to the Play screen.
5. Press [F1] (TARGET), and use the VALUE dial to select
the target.
* Press [F2] (NEXT GROUP) to cycle through these choices:
COSM BASS, COSM AMP, the various effects, and FX
BYPASS on/off.
6. Press [F4] (MIN), and use the VALUE dial to specify the
minimum value.
7. Press [F5] (MAX), and use the VALUE dial to specify
the maximum value.
8. Press [F6] (MODE), and use the VALUE dial to select
the mode.
NORMAL:
TOGGLE: The MIN value and MAX value will
9. If you want to save the edited settings, perform the
Write procedure (p. 30).
* If you do not want to save, press [EXIT] to return to the Play screen.
The value will be MAX while you press the CTL
pedal, and MIN when you release the CTL pedal.
alternate each time you press the CTL pedal.
24
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