The program output video and audio fade in/out.
Turning the knob toward the left fades the
output to black, and turning the knob toward the
[OUTPUT FADE]
1
knob
[CAPTURE IMAGE]
2
button
3
USER
[1], [2] buttons
4
DSK
[LEVEL] knob
[GAIN] knob
[PVW] button
[ON] button
right fades the output to white.
LitFade-out completed
BlinkFading in/out
UnlitNormal output
Captures a still image from the input/output
video.
Execute the functions that are assigned by the
menu settings.
With the factory settings, the following functions
are assigned.
FREEZE:
[1]
Stops (freezes) input video.
AUTO SWITCHING:
[2]
Automatically switches the input video.
During DSK compositing, this adjusts the amount
of keying (transparency).
During DSK compositing, this adjusts the degree
of edge blur (the semi-transmissive region) for
keying.
When this is on (lit), it makes the DSK
compositing results the preview output.
Switches DSK composition on or o.
LitDSK composition on
BlinkCurrently switching video
UnlitDSK composition o
13
NameExplanation
5
PinP 1
[POSITION H] knob
[POSITION V] knob
[PVW] button
[ON] button
6
PinP 2
[POSITION H] knob
[POSITION V] knob
[PVW] button
[ON] button
7
MODE
[MODE] button
During PinP 1 compositing, this adjusts the
horizontal display position of the inset screen.
During PinP 1 compositing, this adjusts the
vertical display position of the inset screen.
When this is on (lit), it makes the PinP 1
compositing results the preview output.
Switches PinP 1 composition on or o.
LitPinP 1 composition on
BlinkCurrently switching video
UnlitDSK composition o
During PinP 2 compositing, this adjusts the
horizontal display position of the inset screen.
During PinP 2 compositing, this adjusts the
vertical display position of the inset screen.
When this is on (lit), it makes the PinP 2
compositing results the preview output.
Switches PinP 2 composition on or o.
LitPinP 2 composition on
BlinkCurrently switching video
UnlitDSK composition o
Switches the functioning of the AUX / PinP
SOURCE / MEMORY [1]–[8] buttons.
The lit color of the button indicates the function
that is selected.
GreenAUX
YellowPinP1 SOURCE
Magenta PinP2 SOURCE
BlueMEMORY
2
Panel Descriptions
NameExplanation
8
AUX / PinP SOURCE / MEMORY
Select the object of operation according to the
function selected by the [MODE] button.
The selected button lights up.
The respective buttons also function as indicators
showing the input status of the video.
[1]–[8] buttons
[MODE] buttonExplanation
AUX
PinP1 SOURCE
PinP2 SOURCE
MEMORY
The buttons function as AUX-bus selection buttons.
They select the video (channel 1–8) to send to the AUX bus.
The buttons function as source screen select buttons for
PinP 1.
The buttons select the video (channels 1–8) that is shown
in the inset screen of PinP 1.
The buttons function as source screen select buttons for
PinP 2.
The buttons select the video (channels 1–8) that is shown
in the inset screen of PinP 2.
The buttons function as preset-memory selection buttons.
These save video and audio settings, the state of the
operation panel, and other current settings, and call up
settings saved in memory.
Press this button to recall settings; long-press this button
to save settings.
Lit whiteValid video is being input.
Blink white
UnlitNo video is input.
Video whose format diers from the
system format setting is input.
NameExplanation
Selects the video transition eects.
[TRANSITION]
11
button
[CUT] button
12
[AUTO] button
Video fader
13
Transition indicators
14
Monitor
15
[MENU] button
[EXIT] button
16
17
[VALUE] knob
MIX
WIPE
These make the preset video (the video to output
next) the nal output.
[CUT] The picture switches instantly.
[AUTO]
Manually switch between the videos being input
to bus A and B, and send them to the program
output.
The indicator for the nal-output bus end lights
up.
Shows the input/output video, a still image, or a
menu screen.
Switches between displaying or hiding the menu.
The menu appears on the built-in monitor
and the display connected to the OUTPUT 3
connector.
Returns you to the menu one level higher.
Turning
Pressing
The two pictures are blended
together as the video is switched.
The original video is broken into by
the next video.
The picture switches with a transition
eect applied.
Selects a menu item or changes a
setting value.
Accepts the selected menu item or
applies changes to a setting. It also
executes operations.
9
SPLIT / VFX A, SPLIT / VFX B
SPLIT/VFX [A] knob
SPLIT/VFX [B] knob
* By holding down the SPLIT/VFX button and turning the SPLIT/VFX knob, you can
change the type of split/visual eect.
SPLIT/VFX [A] button
SPLIT/VFX [B] button
* If the SPLIT/VFX type is set to split, it is not possible to turn both A and B on.
10
A/PGM, B/PST
Cross-point A [1]–[8]
Adjust the depth of the eect when split/visual
eect A is on.
Adjust the depth of the eect when split/visual
eect B is on.
If this is on (lit), the eect of split/visual eect A is
applied to the video selected by the Cross-point
A [1]–[8] buttons.
If this is on (lit), the eect of split/visual eect B is
applied to the video selected by the Cross-point
B [1]–[8] buttons.
Selects the video to input to bus A of the video
mixer.
The selected button lights up.
buttons
When the SPLIT/VFX [A] button is on, the split/
visual eect A eect is applied to the video.
Selects the video to input to bus B of the video
mixer.
The selected button lights up.
Cross-point B [1]–[8]
buttons
* While compositing of the video is in progress
it lit red.
Side panel
18 19
NameExplanation
PHONES jack
18
(Stereo miniature type)
[PHONES] knob
19
[POWER] switch
20
Connect headphones here.
Adjusts the volume of the headphones.
Turns the power on/o.
20
When the SPLIT/VFX [B] button is on, the split/
visual eect B eect is applied to the video.
3
Panel Descriptions
Rear Panel (Connecting Your Equipment)
* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.
* Be sure to use cables and adaptor plugs with the proper connectors matching those of the other devices you are using.
CTL/EXP 1, 2 jacks
Connect footswitches (sold separately: BOSS FS-6, etc.) or
expression pedals (sold separately: EV-5, etc.).
This is used when using your foot to control operations such
as video switching.
* Use only the specied expression pedal (EV-5, BOSS
FV-500L, or FV-500H sold separately). By connecting any
other expression pedals, you risk causing malfunction
and/or damage to the unit.
DC IN jack
Connect the included AC adaptor to this jack.
* Use the cord hook to secure the cord of the AC
adaptor as shown in the illustration.
Cord hook
Indicator
To AC outlet
AC adaptor
Power cord
AUDIO OUT L, R jacks
These output the results of audio mixing.
Connect them to an audio recording deck, amplier, speakers, or other such
equipment.
Audio input
connectors
AUDIO IN L, R jacks
Inputs the audio signals.
Connect an audio mixer, CD players, or other
such audio equipment.
Audio output
connectors
Ground terminal
Connect this to an external earth or
ground if necessary.
REMOTE port
USB Type-CTM port
Lightning port
Lightning-USB camera
adaptor
You can use a commercially available
connection cable or adaptor cable (Lightning-
USB camera adaptor) to connect an iPad, and
remotely control the V-8HD.
USB MEMORY port
Connect a USB ash drive to this port.
You use it when importing still images
or when saving or loading settings for
the unit.
* Never turn o the power or remove
the USB ash drive while the USB
ash drive is being accessed.
OUTPUT 1–3 connectors
HDMI input
connector
These output video.
Connect projectors, recording equipment, and
external displays.
The V-8HD menu is shown on the display that’s
*
connected to the OUTPUT 3 connector.
INPUT 1–8 connectors
HDMI output
connector
These input video.
Connect these to a video camera, video device such
as a BD player, or a computer that is equipped with
an HDMI output connector.
4
Connecting a Footswitch
Panel Descriptions
CTL/EXP 1CTL/EXP 2
FS-5U x 2
Stereo 1/4” phone type
TIP
.
/
1/4” phone type x 2
RING
CTL BCTL A
FS-5U x 1
1/4” phone type
.
/
1/4” phone type
CTL B
Stereo 1/4” phone type
Stereo 1/4” phone type
MODE/POLARITY switch
FS-5UFS-6FS-7
FS-6
.
/
FS-7
Stereo 1/4” phone type
.
/
Stereo 1/4” phone type
CTL A
CTL BCTL A
CTL B
NOTE
The BOSS FS-6’s A, B, and A&B jacks also act as the power switch. The power turns on when you insert a plug into the jack, and turns o when
you remove the plug.
To prevent the batteries from running down, remove the plugs from the jacks when you’re not using the BOSS FS-6.
5
Panel Descriptions
Multi-View Monitor Display
This unit’s monitor shows a list of the input/output video (nal output, preview output, input channels 1–8), a level meter, and a menu.
If you press the [MENU] button, the menu is shown overlaid on the multi-view.
4
1
3
2
No. NameExplanation
PVW (preview) section
1
PGM (program) sectionDisplays the nal output video.
2
Displays the preset video (the video to be
output next).
Displays video input via channels 1–8.
The nal video output and preset video (the video to be output next) are displayed with tally frames.
Channel information
3
1
Channel section
3
When the multi-view monitor is shown on an
external display, an “MT” indication is shown when
the audio mute function (p. 33) is on.
When the audio follow function (p. 34) is on, an
“A.F” indication is shown.
* This is not shown on this unit’s display.
AUDIO IN level meter
4
The audio level meter for AUDIO IN is shown above or below.
* The indicators for the level meter are the same as for AUDIO OUT.
Displays the level meter for AUDIO OUT.
(dB)
0
-6
-20
-30
-50
Displays a audio level meter.
1
2
* The indicators for the level meter are the same as for
AUDIO OUT.
Indicates the function selected by the [MODE] button.
If a camera that supports the HDMI REC TRIGGER function
3
is connected, this is shown when the camera’s REC button
is pressed.
Red (Excessive)
Yellow (Suitable)
Green
(Insucient)
MEMO
5 In the SYSTEM menu, you can specify whether the “label name,” “tally frame,” “audio level meter,” “AUX indicator,” “PinP indicator,” and “REC indicator”
are visible or hidden.
– MULTI-VIEW LABEL (label names)
– TALLY FRAME
– AUDIO LEVEL METER
AUDIO IN (AUDIO IN level meter)
5 You can edit the label name. Use the SYSTEM menu item “MULTI-VIEW LABEL EDIT” to edit the label name.
5 For details on the cameras that support the REC indicator function, refer to the Roland website.
* Before turning the unit on/o, always be sure to turn the volume
down. Even with the volume turned down, you might hear some
sound when switching the unit on/o. However, this is normal and
does not indicate a malfunction.
Turning the power on
1. Make sure all devices are turned o.
2. Turn on the [POWER] switch on the V-8HD to turn
on the power.
3. Turn on the power to the source devices.
Turn on the power to video cameras or other source equipment
connected to input connectors on the V-8HD.
Using the Menus
This explains how to display menus and make settings for video and
for the V-8HD itself.
* The menu is also appears on the display connected to the OUTPUT
3 connector.
1. Press the [MENU] button to display the menu.
The [MENU] button lights up, the menu categories are displayed.
2. Turn the [VALUE] knob to select a category, and
press the [VALUE] knob to conrm.
4. Turn on the power to the output devices.
Turn on the power to projectors or other devices connected to
output connectors on the V-8HD.
Turning the power o
1. Turn o the power in the sequence of rst the
output equipment, and then the sources.
2. Turn o the [POWER] switch on the V-8HD to turn
o the power.
About the Auto O function
The power to the V-8HD turns o automatically when all of the
following states persist for 240 minutes (Auto O function).
5 No operation performed on the V-8HD
5 No audio or video input
5 No equipment is connected to the OUTPUT connectors
If you do not want the power to be turned o automatically,
disengage the Auto O function. Press the [MENU] button 0
“SYSTEM” 0set “AUTO OFF” to “OFF.”
* Unsaved data is lost when the power turns o. Before turning
the power o, save the data that you want to keep.
* To restore power, turn the power on again.
The menu for the selected category is displayed.
3. Turn the [VALUE] knob to select a menu item, then
press the [VALUE] knob to conrm.
The cursor moves to the setting value.
5 If the menu item is located at a deeper level, repeat step 3.
5 Pressing the [EXIT] button moves you back one level higher.
4. Turn the [VALUE] knob to change the value of the
setting.
5 By turning the [VALUE] knob while pressing it, you can change the
value more greatly.
5 Pressing and holding the [VALUE] knob returns the current menu
item you’re setting to its default value.
5. Press the [VALUE] knob to apply the setting.
The cursor returns to the menu item.
6. Press the [MENU] button to quit the menu.
7
Video Input/Output Settings
Setting the Video Input/Output Format
Set parameters for the input/output format to match the connected equipment.
Setting the System Format
On the V-8HD, the input/output format is determined according to
the system format. You set the input/output format to match the
connected equipment.
System
format
1080p1080p, 1080i1080p
1080i1080p, 1080i1080i
720p720p720p
(*1) You can specify separate individual input formats for the
channel 7 and 8 input connectors, regardless of the system
format.
For details, refer to “Setting the Input Formats for Channels 7
and 8” on this page.
(*2) The output format at the OUTPUT 3 connector is xed at “1080p.”
1. Press the [MENU] button0”SYSTEM”0select
“SYSTEM FORMAT,” and press the [VALUE] knob.
Input format (*1)Output format (*2)
INPUT 1–6 connectorsOUTPUT 1–2 connectors
Setting the Input Formats for Channels 7 and 8
By factory default, the EDID assignment for channels 7 and 8 is
“INTERNAL” (set so that EDID values of all inputtable formats are sent).
To specify an input format of your choice, change the setting of the
EDID information being sent so that it matches the incoming video
signal.
1. Press the [MENU] button0”VIDEO INPUT”0select
“INPUT 7 (SCALER)” or “INPUT 8 (SCALER),” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to select “EDID,” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to set the system format to
“1080p,” “1080i,” or “720p,” and press the [VALUE]
knob.
3. Press the [MENU] button to quit the menu.
Internal processing
The V-8HD’s internal processing is progressive. Interlaced input video
is automatically converted to a progressive signal.
The picture might appear jagged at this time, or the picture in a PinP
inset screen or on the multi-view monitor might waver.
This is due to progressive conversion, and is not a malfunction.
About frame rates
To change the V-8HD’s frame rate, press the [MENU] button0
“SYSTEM”0“FRAME RATE.”
3. Turn the [VALUE] knob to set the input format (the
EDID information to send), and press the [VALUE]
knob.
EDID information for all inputtable formats is
sent.
4. Press the [MENU] button to quit the menu.
8
Video Input/Output Settings
Adjusting Output Video
Here’s how to adjust the output image appropriately for the device
that’s receiving the V-8HD’s output.
MEMO
You can output a test pattern, useful for adjusting the image quality
of a display.
You use the [MENU] button0“SYSTEM”0“TEST PATTERN” to specify
the test pattern.
1. Press the [MENU] button0”VIDEO OUTPUT”0
select one of “OUTPUT 1” to “OUTPUT 8,” and press
the [VALUE] knob.
A menu for the selected output video appears.
2. Select a menu item, then turn the [VALUE] knob
to adjust the output video, and press the [VALUE]
knob.
Menu itemExplanation
OUTPUT STATUS
OUTPUT ASSIGN
COLOR SPACE
DVI-D/HDMI
SIGNAL
BRIGHTNESSAdjusts the brightness.
CONTRASTAdjusts the contrast.
SATURATION Adjusts the saturation.
REDAdjusts the red level.
GREENAdjusts the green level.
BLUEAdjusts the blue level.
3. Press the [MENU] button to quit the menu.
Displays information about the output
connector.
Species the output bus that is assigned to
the OUTPUT connector.
Species the color space (system for
representing colors in video).
Species the output mode for HDMI output.
Adjusting the Input Video
Here’s how to adjust the character of the video that’s input to INPUT
1–8.
For INPUT 7 and 8 connectors, you can also adjust the scaling.
1. Press the [MENU] button0”VIDEO INPUT”0
select one of “INPUT 1” to “INPUT 8 (SCALER),” and
press the [VALUE] knob.
A menu for the selected input video appears.
2. Select a menu item, then turn the [VALUE] knob to
adjust the input video, and press the [VALUE] knob.
Menu itemExplanation
INPUT 1–8
INPUT STATUSDisplays information about the input video.
INPUT ASSIGNSelects the input source.
FLIP H
FLIP V
BRIGHTNESSAdjusts the brightness.
CONTRASTAdjusts the contrast.
SATURATION Adjusts the saturation.
INPUT 7, 8
FLICKER FILTERIf this is “ON,” ickering is reduced.
EDIDSpecies the input format (EDID).
ZOOMAdjusts the zoom ratio.
SCALING TYPESpecies the scaling type.
MANUAL SIZE H
MANUAL SIZE V
POSITION H
POSITION V
REDAdjusts the red level.
GREENAdjusts the green level.
BLUEAdjusts the blue level.
If this is “ON,” the video is input with left and
right ipped.
If this is “ON,” the video is input with top and
bottom ipped.
Adjusts the horizontal size when scaling
type is set to “MANUAL.”
Adjusts the vertical size when scaling type
is set to “MANUAL.”
Adjusts the display position in the
horizontal direction.
Adjusts the display position in the vertical
direction.
3. Press the [MENU] button to quit the menu.
9
Video Input/Output Settings
Changing Output Bus Assignments
The V-8HD has four internal output buses (PROGRAM, PREVIEW, AUX,
and MULTI-VIEW).
You can select which buses to output via the OUTPUT 1–3
connectors.
1. Press the [MENU] button0”VIDEO OUTPUT”0
select one of “OUTPUT 1” to “OUTPUT 3,” and press
the [VALUE] knob.
A menu for the selected output video appears.
2. Turn the [VALUE] knob to select “OUTPUT ASSIGN,”
and press the [VALUE] knob.
Inputting Copy-Protected (HDCP) Video
If you want to input HDCP-protected video from a BD player or other
device, you can enable HDCP input.
* If you want to output HDCP-protected video, connect an HDCP-
capable display.
What’s HDCP?
HDCP is copyright-protection technology that prevents unlawful
copying of content by encoding the path when sending digital
signals from a video playback device to a display monitor or other
display equipment.
1. Press the [MENU] button0”SYSTEM”0select
“HDCP,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
3. Turn the [VALUE] knob to select the output bus,
and press the [VALUE] knob.
* If a connector other than the OUTPUT 3 connector is set to “MULTI-
VIEW,” the audio meter, label, and menu etc. are not shown.
4. Press the [MENU] button to quit the menu.
MEMO
5 For details about video transitions on the A/PGM bus and B/PST
bus, refer to “Switching the Video” (p. 11).
5 For details about video transitions on the AUX bus, refer to
“Switching AUX Output” (p. 16).
About audio outputs assigned to output buses
Changing an output bus assignment makes the output audio also
change in tandem, according to the assigned bus.
Output bus assignment Output audio
PROGRAM
PREVIEW
MULTI-VIEW
AUXOutputs the audio of the AUX bus.
Outputs the audio of the MAIN bus.
ValueExplanation
ON
OFFHDCP-protected video cannot be input.
HDCP-protected video can be input.
HDCP is applied to the output video.
4. Press the [MENU] button to quit the menu.
10
Video Operations
Switching the Video
Here’s how to switch between input video while applying an eect, and nal output.
About the operation mode for video transitions
There are two operation modes for switching the video on the
PGM/A bus and PST/B bus: the “PGM/PST mode” and the “A/B mode.”
* With the factory settings, the operation mode is set to A/B mode.
ModeExplanation
When the video fader is operated, the video at the
bus position toward which the video fader is ipped
A/B
PGM/PST
always becomes the nal output.
When the [CUT] or [AUTO] button is operated, the
video on the A bus and the video on the B bus
become the nal output in alternation.
The video on the PGM bus is always the nal output.
The video on the PST bus is preset video (the video to
be output next).
Operating the video fader or the [CUT] or [AUTO]
button makes the nal video output and the preset
video change places.
Setting the Operation Mode
1. Press the [MENU] button0”SYSTEM”0select
“PANEL OPERATION,” and press the [VALUE] knob.
Using Mix/Wipe to Switch Video
When A/B mode
The video at the end to which the video fader is ipped is always the
nal output.
1. Flip the video fader all the way upward or downward.
Transition indicators
2. Press a Cross-point [1]–[8] button at the end to
which the video fader is not ipped to select the
preset video (the video to output next).
Lit red: Final output video
Lit green: Preset video (the video to be output next)
2. Turn the [VALUE] knob to select “A/B” or “PGM/PST,”
and press the [VALUE] knob.
3. Press the [MENU] button to quit the menu.
The preset video appears in the PVW section of the monitor.
3. Press the [TRANSITION] button to select the
transition eect.
The MIX or WIPE indicator is lit.
ModeExplanation
The two pictures are blended together as the
MIX
WIPE
video is switched.
The original video is broken into by the next
video.
4. Move the video fader in the direction opposite to
the direction in step 1.
The video changes.
11
Video Operations
When PGM/PST mode is selected
1. Flip the video fader all the way upward or downward.
Transition indicators
2. Press the [TRANSITION] button to select the
transition eect.
3. Press a Cross-point B [1]–[8] button to select the
preset video (the video to be output next).
Changing the mix/wipe pattern
You can use the MIX/WIPE menu to specify the pattern by which the
mix/wipe occurs and the direction of the wipe.
1. Press the [MENU] button0select “MIX/WIPE,” and
press the [VALUE] knob.
2. Turn the [VALUE] knob to select a menu item, and
press the [VALUE] knob.
Menu itemExplanation
MIX TYPESpecies the transition pattern for mix.
WIPE TYPESpecies the transition pattern for wipe.
WIPE DIRECTIONSpecies the direction of wipe.
WIPE BORDER COLOR
WIPE BORDER WIDTH Exchanges the colors.
Species the color of the border added
to the edge of the wipe area.
Lit red: Final output video
Lit green:
Preset video (the video to be output next)
4. Move the video fader in the direction opposite to
the direction in step 1.
The video changes.
When the video has switched completely, the illuminated state of
the A [1]–[8] buttons and B [1]–[8] buttons is exchanged.
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
For details about these values, refer to p. 47.
4. Press the [MENU] button to quit the menu.
MEMO
You can change the settings of the MIX/WIPE menu by holding down
the [TRANSITION] button and turning the SPLIT/VFX [A] or [B] knob.
5 When mix is selected
OperationExplanation
[TRANSITION] button +
turn the SPLIT/VFX [A] knob
5 When wipe is selected
OperationExplanation
[TRANSITION] button +
turn the SPLIT/VFX [A] knob
[TRANSITION] button +
turn the SPLIT/VFX [B] knob
[TRANSITION] button +
turn while pressing the SPLIT/VFX [A] knob
[TRANSITION] button +
turn while pressing the SPLIT/VFX [B] knob
MIX TYPE
WIPE TYPE
WIPE DIRECTION
WIPE BORDER COLOR
WIPE BORDER WIDTH
12
Using the [AUTO] or [CUT] Button to Switch Video
You can use the [AUTO] or [CUT] button to switch video, without using the video fader.
* You can perform operations using the [AUTO] and [CUT] buttons both in the PGM/PST mode and in the A/B mode.
Video Operations
1. Press the [AUTO] or [CUT] button at the desired
timing for switching the video.
ButtonExplanation
[CUT] The picture switches instantly.
A transition eect is applied and the video is
[AUTO]
MEMO
When you use the [AUTO] or [CUT] button to switch video, the actual
output might come to dier from the position of the video fader.
Operating the video fader while in this state yields no change in
output until the position of the video fader matches the actual
output.
switched automatically.
The [AUTO] button ashes while the video transition
is in progress.
Changing the functions of the [CUT] and [AUTO] buttons
* In PGM/PST mode, the functions of the [CUT] and [AUTO] buttons
are xed.
1. Press the [MENU] button0”SYSTEM”0select
“CUT SW ASSIGN” or “AUTO SW ASSIGN,” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to select a function of the
button, and press the [VALUE] knob.
FunctionExplanation
H AUTO TAKE I
H CUT I
CUT SW ASSIGN
H AUTO TAKE
H CUT
H TRANSFORM
AUTO SW ASSIGN
AUTO TAKE I
CUT I
TRANSFORM I
Switches the video between A/PGM bus and
B/PST bus.
Switches the video between A/PGM bus and
B/PST bus as a cut.
When the video of the B/PST bus is selected,
switches to the video of the A/PGM bus.
When the video of the B/PST bus is selected,
switches to the video of the A/PGM bus as
a cut.
Switches to the video of the A/PGM bus as a
cut only while you hold down the button.
When you release your nger from the
button, the program output video returns.
When the video of the A/PGM bus is selected,
switches to the video of the B/PST bus.
When the video of the A/PGM bus is selected,
switches to the video of the B/PST bus as a cut.
Switches to the video of the B/PST bus as a
cut only while you hold down the button.
When you release your nger from the
button, the program output video returns.
3. Press the [MENU] button to quit the menu.
13
Video Operations
Switching the Video Automatically (Auto Switching)
The video of INPUT 1–8 or of preset memories can be switched automatically (the auto switching function). You can make operation easier by
letting the video switch automatically.
Operation modes for auto switching
Auto switching provides three operation modes that you
can select as appropriate for your situation: “input scan,”
“preset memory scan,” and “BPM sync.”
Switching at a specied interval (Input scan)
This automatically switches the INPUT 1–8 video when a specied
length of time elapses.
You can change the duration that each video is shown, and also
switch randomly between videos.
This is convenient when you want to switch between video signals
of multiple cameras, for example when live-streaming a singerinstrumentalist.
* Channels that have no video input are skipped.
Switching preset memories (Preset memory scan)
This automatically switches between preset memories 1–8.
The video and audio are switched according to the settings that are
saved in each preset memory.
* Preset memories in which no settings have been saved are
skipped.
Switching in synchronization with the BPM (BPM sync)
This automatically switches the video at specied BPM intervals.
This lets you create video transitions that are synchronized with
the music, for example when live-streaming a DJ performance or a
musical performance.
Turning the auto switching function on/o
1. Press the [AUTO SWITCHING] button to turn the
auto switching function on (lit).
Specifying the operation mode
Input scan
1. Press the [MENU] button0”AUTO SWITCHING”0
select “TYPE,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “INPUT SCAN,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to select a menu item, and
press the [VALUE] knob.
Menu itemExplanation
Species the order in which video signals
are shown.
NORMAL:
Switch in the order of INPUT 108.
SCAN SEQUENCE
REVERSE:
Switch in the order of INPUT 801.
IndicatorExplanation
GreenInput scan
BluePreset memory scan
RedBPM sync
2. To turn the auto switching function o, press the
[AUTO SWITCHING] button once again.
14
RANDOM:
Switch randomly.
SCAN TRANSITION
TIME
INPUT 1 TIME–
INPUT 8 TIME
Species the video transition time.
Species the time that the INPUT 1–8
video is shown.
4. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
5. Press the [MENU] button to quit the menu.
Video Operations
Preset memory scan
1. Press the [MENU] button0”AUTO SWITCHING”0
select “TYPE,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “PRESET MEMORY
SCAN,” and press the [VALUE] knob.
3. Turn the [VALUE] knob to select a menu item, and
press the [VALUE] knob.
Menu itemExplanation
Species the order in which preset
memories are shown.
NORMAL:
Switch in the order of MEMORY 108.
SCAN SEQUENCE
INPUT 1 TIME–
INPUT 8 TIME
REVERSE:
Switch in the order of MEMORY 801.
RANDOM:
Switch randomly.
Species the time that the MEMORY 1–8
video is shown.
4. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
BPM sync
1. Press the [MENU] button0”AUTO SWITCHING”0
select “TYPE,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “BPM SYNC,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to select a menu item, and
press the [VALUE] knob.
Menu itemExplanation
BPM
MODE
SPEED
Species the BPM.
Species how the picture is switched.
TRANSITION:
The picture switches using the currently
selected transition eect (mix or wipe).
CUT:
The picture switches instantly.
Species the picture switching speed as a
multiple of the specied BPM.
4. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
5. Press the [MENU] button to quit the menu.
5. Press the [MENU] button to quit the menu.
15
Video Operations
Switching AUX Output
You can use button operations to directly select the video to send to the AUX bus.
1. Use the [MODE] button to select “AUX.”
The AUX/PinP SOURCE/MEMORY [1]–[8] buttons function as AUXbus selection buttons.
2. Press an AUX [1]–[8] button to select the AUX-bus
video.
The AUX output is switched.
MEMO
5 The display shows a green square (AUX indicator) for the input
channel that is being sent to the AUX bus.
5 For details on adjusting the volume of the AUX bus audio, refer to
“Adjusting the output volume of the AUX bus” (p. 30).
The colors of lighted AUX [1]–[8] buttons
When the [MODE] button is lighted in green, the AUX [1]–[8] buttons
also function as indicators showing the status of video input.
ButtonExplanation
Lit whiteValid video is being input.
Blink white
UnlitNo video is input.
Video whose format diers from the system format
setting is input.
Sending the same video as the PGM output to the
AUX output
By using the AUX link function, you can send the same video as the
PGM bus (the nal output video) to the AUX bus.
1. Press the [MENU] button0”SYSTEM”0select
“AUX LINKED PGM,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “AUTO LINK” or
“MANUAL LINK,” and press the [VALUE] knob.
If you're not using the AUX link function, turn this “OFF.”
3. Press the [MENU] button to quit the menu.
Selecting the AUX output
In the case of “OFF”
Press an AUX [1]–[8] button to select the video of the AUX bus.
In the case of “AUTO LINK” or “MANUAL LINK”
AUX link is enabled, and the same video as the PGM bus is sent to the
AUX bus.
Temporarily disabling AUX link
When you press an AUX [1]–[8] button, the selection of the AUX [1]–
[8] button is enabled (lit green).
Re-enabling AUX link
AUTO LINK
MANUAL LINK
When you operate the [AUTO] button etc. to switch the
video of the PGM bus, AUX link is automatically enabled.
When you press the AUX/MEMORY button that is currently
selected (lit green), AUX link is enabled.
16
AB
AB
AB
Compositing Video with Split (SPLIT)
This composites two video streams in a split screen. The nal output
video is displayed above or on the left, and the preset video (the
video to be output next) is displayed below or on the right.
Video Operations
Specifying a Split Composition Pattern
This makes the settings for the split composition pattern to match
the video you want to composite.
1. Press the [MENU] button0”SPLIT/VFX”0select
“SPLIT/VFX A” or “SPLIT/VFX B,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “SPLIT/VFX TYPE,”
and press the [VALUE] knob.
Compositing Using Split
1. Press a Cross-point A [1]–[8] button to select the
video you want to display above or on the left.
2. Press a Cross-point B [1]–[8] button to select the
video you want to display below or on the right.
3. Press the SPLIT/VFX [A] or [B] button to turn on
SPLIT (lighted).
3. Turn the [VALUE] knob to select the SPLIT type, and
press the [VALUE] knob.
You can select “SPLIT V” or “SPLIT H.”
ValueExplanation
SPLIT V
SPLIT H
This vertically crops the center
section of the video.
This horizontally crops the center
section of the video.
A B
A
A
B
B
4. Press the [MENU] button to quit the menu.
MEMO
For each of the split screens, you can adjust the displayed position
of the video and change the color or width of the border. For details,
refer to p. 48 of “Menu list.”
The video you selected in steps 1 and 2 is composited.
4. Turn the SPLIT/VFX [A] or [B] knob to adjust the
display position of the video.
MEMO
By turning the knob while pressing it, you can adjust the position
of the dividing line between the two videos.
5. To turn o SPLIT, press the SPLIT/VFX [A] or [B]
button once again.
17
Video Operations
Using a Visual Eect (VFX)
Here’s how you can apply an eect to the entire video, such as varying the video’s color or shape.
You can apply a visual eect (VFX) to the A/PGM bus and B/PST bus respectively.
Selecting a Visual Eect
1. Press the [MENU] button0”SPLIT/VFX”0select
“SPLIT/VFX A” or “SPLIT/VFX B,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “SPLIT/VFX TYPE,”
and press the [VALUE] knob.
3. Turn the [VALUE] knob to select the visual eect,
and press the [VALUE] knob.
* With the factory settings, “PART MOSAIC” is specied.
Applying Visual Eects
1. Press a Cross-point A or B [1]–[8] button to output
the video to which you want to apply the eect.
2. Press the SPLIT/VFX [A] or [B] button to turn on the
visual eect (making the button light up).
The visual eect is applied to the output video.
3. Turn the SPLIT/VFX [A] or [B] knob to adjust the
degree of eect applied.
TypeExplanation
PART MOSAIC
BACKGROUND
MOSAIC
FULL MOSAIC
WAVE
RGB REPLACE
COLORPASS
NEGATIVE
COLORIZE
POSTERIZE
SILHOUETTE
EMBOSS
FIND EDGES
MONOCOLOR
HUE OFFSET
SATURATION
OFFSET
VALUE OFFSET
Applies a mosaic to the selected region.
Applies a mosaic to the portion outside the
selected region.
Applies a mosaic to the entire screen.
Makes the video wavy.
Exchanges the colors.
Turns the video black and white while
preserving a specic color.
Inverts the brightness and saturation.
Adds color to the video.
Changes the gradations in brightness.
Separates the video into light and dark areas,
and makes the dark areas black and adds a
dierent color to the light areas.
Adds a bas-relief eect to the video.
Extracts contours.
Turns the video monochrome.
Changes the visual character by controlling
the hue.
Changes the visual character by controlling
the saturation.
Changes the visual character by controlling
the brightness.
MEMO
5 For “PART MOSAIC” and “BACKGROUND MOSAIC,” you can adjust
the following settings.
Knob operationExplanation
Adjusts the horizontal position of the selected area.
Turning
Turn while pressing
5 Settings for the eect that is controlled by the SPLIT/VFX [A] or [B]
knobs can be checked in the VFX menu.
5 By holding down the SPLIT/VFX [A] ([B]) button and turning the
SPLIT/VFX [A] ([B]) knob, you can change the type of visual eect.
While pressing an A or B [1]–[8] button:
Adjusts the size of the selected area.
Adjusts the vertical position of the selected area.
While pressing an A or B [1]–[8] button:
Species the neness (block size) of the mosaic.
4. To turn o a visual eect, press the SPLIT/VFX [A] or
[B] button once again.
4. Press the [MENU] button to quit the menu.
18
Compositing Video with Picture-in-Picture (PinP)
Video Operations
Here’s how to composite an inset screen (a small separate screen)
onto the background video.
You can use PinP 1 and PinP 2 simultaneously to composite two inset
screens.
Here we explain the procedure for compositing video using “PinP
1.” You can also composite video using the same procedure using
“PinP 2.”
1. Press a Cross-point A or B [1]–[8] button to select
the video you want to make the background video.
2. Press the [MODE] button to select “PinP1 SOURCE.”
PinP 1
PinP 2
Inset screen 1
(PinP 1)
Inset screen 2
(PinP 2)
Background video
5. Use the PinP 1 [POSITION H] and [POSITION V] knobs
to adjust the display position of the inset screen.
KnobExplanation
Adjusts the inset screen’s display position
[POSITION H]
[POSITION V]
horizontally.
Turn while pressing:
Adjusts the size of the inset screen.
Adjusts the inset screen’s display position
vertically.
Turn while pressing:
Adjusts the zoom of the video shown in the
inset screen.
3. Press a PinP SOURCE [1]–[8] button to select the
video you want to make the inset screen.
4. Press the PinP 1 [PVW] button to preview-output
the video of the inset screen.
The PinP 1 [PVW] button lights up in green and the inset screen
appears in the PVW section of the monitor, allowing you to check
the inset screen’s location and size.
At this stage, the nal output has not yet been changed.
6. Press the PinP 1 [ON] button to turn on PinP
compositing (lit).
The PinP 1 [ON] button lights up in red, and the inset screen is
composited onto the background video and the result is sent to
nal output.
7. To turn o PinP compositing, press the PinP 1 [ON]
button once again.
MEMO
5 By long-pressing the PinP 1 (2) [PVW] button, you can access
the mode for selecting the inset screen without having to press
the [MODE] button and then select “PinP1 SOURCE” or “PinP2
SOURCE.”
While pressing the PinP 1 (2) [PVW] button, press a PinP SOURCE
[1]–[8] button to select the video that you want to use as the inset
screen.
5 The fade time over which the inset screen appears or disappears
when you press the [ON] button is specied by the setting of the
TRANSITION TIME menu item “PinP 1 TIME” or “PinP 2 TIME.”
19
Video Operations
Making Detailed Settings for the Inset Screen
Detailed settings for size, shape, and border width etc. can be made
for the PinP 1 and PinP 2 inset screens respectively.
1. Press the [MENU] button0”PinP”0select “PinP 1”
or “PinP 2,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select a menu item, and
press the [VALUE] knob.
Menu itemExplanation
WINDOW
POSITION H
POSITION V
SIZE
CROPPING H
CROPPING V
SHAPE
BORDER COLOR
BORDER WIDTH
VIEW
POSITION H
POSITION V
ZOOM
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
Use the following items to adjust the inset
screen.
This species the inset screen’s horizontal width
as a proportion of the background video’s
horizontal width.
Adjusts the horizontal frame size.
Adjusts the vertical frame size.
Species the shape (rectangle, circle, diamond).
Species the color of the border.
Adjusts the width of the border.
Use the following items to adjust the video
that is shown in the inset screen.
Adjusts the horizontal position.
Adjusts the vertical position.
Adjusts the zoom.
Using Key Compositing to Remove the PinP
Background Video
By changing the PinP type, you can composite the video by applying
“luminance key” (p. 22) or “chroma key” (p. 24) to the PinP.
If you apply the luminance key function, the black or white portion
of the inset screen becomes transparent, extracting the text or image
and compositing it onto the background video.
If you apply the chroma key function, and a video that was shot
against a blue or green backdrop is selected as the inset screen,
the blue or green portion of the inset screen becomes transparent,
extracting only the subject and compositing it onto the background
video.
1. Press the [MENU] button0”PinP”0select “PinP 1”
or “PinP 2,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “PinP TYPE,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to select the PinP type, and
press the [VALUE] knob.
TypeExplanation
Composite using luminance key.
LUMINANCE-WHITE KEY
LUMINANCE-BLACK KEY
CHROMA KEY
Makes white portions transparent
according to brightness.
Composite using luminance key.
Makes black portions transparent
according to brightness.
Composite using chroma key.
Makes the specied key color
transparent according to hue.
20
4. Press the [MENU] button to quit the menu.
Video Operations
Copying the PinP Settings
You can copy the PinP 2 settings to PinP 1, or the settings of PinP 1 to
PinP 2.
1. Press the [MENU] button0”PinP”0select “PinP 1”
or “PinP 2,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “COPY SETTINGS
FROM PinP 2 (or PinP 1),” and press the [VALUE] knob.
Exchanging the PinP 1 and PinP 2 Settings
You can exchange the settings of PinP 1 and PinP 2.
By using this function when (for example) the PinP 1 inset screen
is in the foreground and the PinP 2 inset screen is behind, you can
exchange the settings so that the PinP 1 screen moves behind and
the PinP 2 inset screen moves to the foreground.
1. Press the [MENU] button0”PinP”0select “PinP 1”
or “PinP 2,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “SWAP SETTINGS
WITH PinP 2 (or PinP 1),” and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
3. Turn the [VALUE] knob to select “OK,” and press the
[VALUE] knob.
The PinP settings are copied.
When the operation is nished, the message “COMPLETE” appears.
4. Press the [MENU] button to quit the menu.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
3. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The PinP 1 and PinP 2 settings are exchanged.
When the operation is nished, the message “COMPLETE” appears.
4. Press the [MENU] button to quit the menu.
21
Video Operations
Compositing Video with Downstream Keyer (DSK)
Here’s how you can turn a portion of the video transparent and composite it with the background video. You can use luminance key with either a
black or a white background, or a chroma key with either a blue or green background.
You can additionally composite a variety of text and images with video that was composited using PinP or another method.
Using Luminance Key
Luminance key
This cuts out text or an image by turning the black or white portion
transparent, and composites it onto the background video.
Black or white
Specifying the source and key type for the video
Specify the source and key type for the video that you want to
superimpose.
1. Press the [MENU] button0”DSK”0select “DSK
SOURCE” or “DSK TYPE,” and press the [VALUE]
knob.
Compositing using luminance key
1. Output the background video.
At the PVW section of the monitor, check the video to be made
the background.
2. Press the DSK [PVW] button to turn on the preview
output (lit).
The DSK [PVW] button lights up in green, and a preview of
the composition results is displayed in the PVW section of the
monitor.
At this stage, the nal output has not yet been changed.
3. Turn the DSK [LEVEL] and [GAIN] knob to adjust the
degree of eect applied.
2. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
DSK SOURCE
Select the source of the logo or image that you want to
superimpose.
ValueExplanation
HDMI 1–8INPUT 1–8 video
STILL 1–8Captured still image 1–8
DSK TYPE
Choose “LUMINANCE-WHITE” or “LUMINANCE-BLACK.”
ValueExplanation
Composite using luminance key.
LUMINANCE-WHITE
LUMINANCE-BLACK
Makes white portions transparent
according to brightness.
Composite using luminance key.
Makes black portions transparent
according to brightness.
KnobExplanation
[LEVEL]
[GAIN]
Adjusts the degree of extraction (transparency) for
the key.
Adjusts the degree of edge blur (semi-transmissive
region) for the key.
4. Press the DSK [ON] button to turn on luminance key
composition (lit).
The DSK [ON] button lights up in red, and the composition results
is sent to nal output.
5. To turn o luminance key compositing, press the
DSK [ON] button once again.
MEMO
The fade time over which the logo/image appears or disappears
when you press the DSK [ON] button is specied by the setting of the
TRANSITION TIME menu item “DSK TIME.”
3. Press the [MENU] button to quit the menu.
22
Modifying the superimposed video
When using luminance key compositing, you can ll-in the
superimposed image or add an edge to it.
* This setting is in common with chroma key.
1. Press the [MENU] button0select “DSK,” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to select the menu items
shown below, and press the [VALUE] knob.
Video Operations
Menu itemExplanation
FILL TYPE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH
If this is set to “MATTE,” the superimposed
logo or image is lled-in with the specied
color.
The ll-in color is specied by “MATTE COLOR.”
Species the type of edge.
Species the color of the edge.
Species the width of the edge.
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
23
Video Operations
Using Chroma Key
Chroma key
This cuts out a video by turning the blue or green portion
transparent, and composites it onto the background video. Using
this, you can composite only a subject that you are photographing
against a blue screen or green screen.
Blue or green
Specifying the source and key type for the video
Specify the source and key type for the video that you want to
superimpose.
1. Press the [MENU] button0”DSK”0select “DSK
SOURCE,” “DSK TYPE,” or “COLOR,” and press the
[VALUE] knob.
Compositing using chroma key
1. Output the background video.
At the PVW section of the monitor, check the video to be made
the background.
2. Press the DSK [PVW] button to turn on the preview
output (lit).
The DSK [PVW] button lights up in green, and a preview of
the composition results is displayed in the PVW section of the
monitor.
At this stage, the nal output has not yet been changed.
3. Turn the DSK [LEVEL] and [GAIN] knob to adjust the
degree of eect applied.
2. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
DSK SOURCE
Select the source of the logo or image that you want to
superimpose.
ValueExplanation
HDMI 1–8INPUT 1–8 video
STILL 1–8Captured still image 1–8
DSK TYPE
Set to “CHROMA.”
ValueExplanation
Composite using chroma key.
CHROMA
Makes the specied key color transparent
according to hue.
COLOR
Specify either “GREEN” or “BLUE” as the key color for chroma key
(the color to be removed).
3. Press the [MENU] button to quit the menu.
KnobExplanation
[LEVEL]
[GAIN]
Adjusts the degree of extraction (transparency) for
the key.
Adjusts the degree of edge blur (semi-transmissive
region) for the key.
4. Press the DSK [ON] button to turn on chroma key
composition (lit).
The DSK [ON] button lights up in red, and the composition results
is sent to nal output.
5. To turn o chroma key compositing, press the DSK
[ON] button once again.
MEMO
The fade time over which the logo/image appears or disappears
when you press the DSK [ON] button is specied by the setting of the
TRANSITION TIME menu item “DSK TIME.”
24
Video Operations
Finely adjusting the key color (removed color)
1. Press the [MENU] button0select “DSK,” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to select the menu items
shown below, and press the [VALUE] knob.
Menu itemExplanation
CHROMA
HUE WIDTHAdjusts the hue width.
HUE FINEAdjusts the center position of the hue.
SATURATION
WIDTH
SATURATION FINE Adjusts the center position of saturation.
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
Use the following items to make ne
adjustments to the key color.
Adjusts the saturation width.
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
To specify a desired color as the key color (sampling marker)
You can specify the key color to be made transparent simply by
sampling (detecting) a color from the video. (This is called the
sampling marker function.) You can also specify a key color other
than green or blue.
1. Press the [MENU] button0”DSK”0select
“SAMPLING MARKER,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
The sampling marker (cross-shaped cursor) is shown on the monitor
of the unit and in the OUTPUT 3 connector’s output video.
Modifying the superimposed video
When using chroma key compositing, you can ll-in the superimposed
image or add an edge to it.
* This setting is in common with luminance key.
1. Press the [MENU] button0select “DSK,” and press
the [VALUE] knob.
2. Turn the [VALUE] knob to select the menu items
shown below, and press the [VALUE] knob.
Menu itemExplanation
FILL TYPE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH
If this is set to “MATTE,” the superimposed
logo or image is lled-in with the specied
color.
The ll-in color is specied by “MATTE COLOR.”
Species the type of edge.
Species the color of the edge.
Species the width of the edge.
3. Turn the [VALUE] knob to select “POSITION H” or
“POSITION V,” and press the [VALUE] knob.
4. Turn the [VALUE] knob to adjust the position of the
sampling marker.
Menu itemExplanation
POSITION H
POSITION V
Adjusts the horizontal position.
Adjusts the vertical position.
5. Turn the [VALUE] knob to select “SAMPLING EXECUTE,”
and press the [VALUE] knob
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
.
6. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The key color is sampled.
The “HUE WIDTH,” “HUE FINE,” “SATURATION WIDTH,” and
“SATURATION FINE” settings are adjusted automatically.
7. Press the [MENU] button to quit the menu.
25
Video Operations
Using Imported Still Images
You can take a still image captured from input/output video or imported from a USB ash drive, assign it to channel 1 or 8, and output it in the
same way as video. You can also use it as a source for DSK compositing (p. 22).
You can save up to eight still images in the unit.
* When still images are saved in the unit, startup takes longer time according to image size and the number of still images saved.
Capturing a Still Image from Input/Output Video
This captures a still image from input/output video and saves it in the unit.
NOTE
5 All audio stops during still-image capture.
5 Depending on the format of the input video, completion of still-image capture might take some time.
5 Created still images cannot be saved to a USB ash drive.
1. Press the [CAPTURE IMAGE] button to turn on (lit).
The monitor shows a list of still images (STILL 1–8).
The Cross-point A [1]–[8] buttons blink yellow.
2. Press a Cross-point A [1]–[8] button to select a save-
destination (STILL 1–8) for the captured still image.
* If you decide to cancel, press the [EXIT] button.
5 When you select the save-destination for the still image, the list of
still images changes to a list of video inputs (HDMI 1–8).
5 The Cross-point A buttons of channels that are inputting video
and the [CUT] button blink red.
3. Press a button that is blinking red to capture a still
image.
* If you decide to cancel, press the [EXIT] button.
If you press a Cross-point A [1]–[8] button
The still image is captured from the video that is being input to
the channel whose button you pressed.
If you press the [CUT] button
The still image is captured from the PGM (nal output) video.
5 When you execute capture, the list of input video changes to a list
of still images.
* Do not turn o the power while the “PLEASE WAIT” message is
shown.
26
4. When the display indicates “COMPLETE,” press the
[EXIT] button to exit the operation.
MEMO
When you have captured from copyright-protected (HDCP) video, the
created still image is treated the same way as HDCP applied video.
The still image is switched between displayed and hidden by turning
HDCP on and o (p. 10).
Note, however, that when HDCP is switched from o to on, the still
image is reloaded from where it’s saved in memory, and so the still
image might take some time to display.
Video Operations
Importing a Still Image from a USB Flash Drive
This imports into the unit a still image saved on a USB ash drive.
Supported still-image formats and resolutions
Bitmap (.bmp), 24-bit color, uncompressed
Format
Resolution
File name
Importing a still image
NOTE
5 Large-size still-image les might take some time to import.
5 When you’re using a USB ash drive for the rst time, be sure to
format it on the V-8HD (p. 39).
5 Depending on the USB ash drive, recognition of the ash drive
might take some time.
1. Save the still image in the root directory of the USB
ash drive.
2. Connect the USB ash drive containing the saved
still image to the USB MEMORY port.
3. Press the [MENU] button0”STILL IMAGE”0select
“LOAD FROM USB MEMORY,” and press the [VALUE]
knob.
PNG (.png), 24-bit color
* α-channel is not supported.
In conformity with system format (p. 8)
No more than 28 single-byte alphanumeric characters
* Be sure to append the “.bmp” or “.png” le extension.
Assigning Still Images to Channel 1–8
Here’s how a still image saved in this unit (STILL 1–8) can be assigned
to channels 1–8.
1. Press the [MENU] button0”VIDEO INPUT”0
select “INPUT 1”–“INPUT 8 (SCALER),” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “INPUT ASSIGN,”
and press the [VALUE] knob.
3. Turn the [VALUE] knob to select “STILL 1”–“STILL 8,”
and press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
MEMO
5 By holding down the [EXIT] button and pressing a Cross-point
A or B [1]–[8] button, you can switch between still images STILL
1–8 and select the still image that is assigned to the channel
whose button you pressed.
4. Turn the [VALUE] knob to select the still image
save-destination (STILL 1–8), and then press the
[VALUE] knob.
A “ * ” symbol is displayed for memory where a still image is
already saved.
5. Press the [VALUE] knob.
The names of the les on the USB ash drive are displayed on this
screen.
6. Select the still image le you want to import, and
press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
7. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The still image is imported into the unit.
8. Press the [MENU] button to quit the menu.
5 You can use the USER [1] or [2] button to output the specied
still image.
This lets you directly output a still image to PGM and PVW
without assigning it to a channel.
For details on this setting, refer to “Assigning the Functions of
the USER [1] [2] Buttons” (p. 42).
5 You can use the [OUTPUT FADE] knob to output a specied still
image.
This lets you directly output a still image to PGM and PVW
without assigning it to a channel.
For details on this setting, refer to “Specifying the function of
the [OUTPUT FADE] knob” (p. 29).
5 You can use a footswitch or expression pedal to output a
specied still image. This lets you directly output a still image to
PGM and PVW without assigning it to a channel.
For details on this setting, refer to the following.
– “Using a Footswitch” (p. 40)
– “Using an Expression Pedal” (p. 41)
27
Video Operations
Deleting a Still Image
Here’s how to delete the still image that’s saved in the unit.
1. Press the [MENU] button0”STILL IMAGE”0select
“DELETE STILL IMAGE,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select the still image you
want to delete, and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
3. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The still image is deleted. When the operation is nished, the
message “COMPLETE” appears.
* Do not turn o the power while the “PLEASE WAIT” message is
shown.
4. Press the [MENU] button to quit the menu.
Freezing Input Video (Freeze)
This temporarily pauses the incoming video.
You can apply transition eects and visual eects during a video
freeze.
Setting the freeze mode
There are two freeze modes: “ALL” and “SELECT.”
* With the factory settings, “ALL” is selected.
ModeExplanation
ALLFreezes all video that is being input.
SELECTFreezes only the specied input video.
1. Press the [MENU] button0”FREEZE”0select
“TYPE,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “ALL” or “SELECT,”
and press the [VALUE] knob.
If “SELECT” is selected
3. Turn the [VALUE] knob to select “INPUT 1”–“INPUT 8,”
and press the [VALUE] knob.
28
4. Turn the [VALUE] knob to select “ENABLE” or
“DISABLE,” and press the [VALUE] knob.
ValueExplanation
ENABLEThe input video freezes.
DISABLEThe input video does not freeze.
5. Press the [MENU] button to quit the menu.
Video Operations
Applying a Fade to the Output Video (Output Fade)
You can apply a fade to the output video.
This lets you make the main output video fade to a black (or white) picture at times when you want to suppress video output, such as during
intervals in a presentation, event or band performance.
Applying a Fade-out
1. Turn the [OUTPUT FADE] knob all the way clockwise
or counterclockwise.
Turning the [OUTPUT FADE] knob clockwise performs a fade-out
to white, and turning the knob counterclockwise performs a fadeout to black (factory setting).
Applying a fade makes the indicators to the left or right of the
knob ash.
Applying a Fade-in
1. Return the [OUTPUT FADE] knob to its center
position.
The indicator stops ashing and lights up steadily, and output
starts.
Specifying the function of the [OUTPUT FADE] knob
You can assign the following functions to the [OUTPUT FADE] knob.
5 Fade the output video.
5 Adjusts the volume of the output audio.
5 Output a specied still image.
1. Press the [MENU] button0“SYSTEM”0select
OUTPUT FADE ASSIGN “TURN LEFT” or “TURN
RIGHT,” and then press the [VALUE] knob.
2. Turn the [VALUE] knob to select the function of the
[OUTPUT FADE] knob, and then press the [VALUE]
knob.
ValueExplanation
BLACKFade out to black.
WHITEFade out to white.
AUDIOAdjust the volume of the output audio.
Simultaneously apply the fade-to-black
BLACK&AUDIO
WHITE&AUDIO
STILL 1–8 OUTPUT Output the specied still image.
and the output audio volume adjustment
functions.
Simultaneously apply the fade-to-white
and the output audio volume adjustment
functions.
3. Press the [MENU] button to quit the menu.
29
Audio Operations
Adjusting the Volume Level
Here’s how to adjust the volume of the audio input and audio output.
1. Press the
[
MENU] button0”AUDIO INPUT”0select
“INPUT 1”–“INPUT 8” or “AUDIO IN,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “INPUT LEVEL,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to adjust the input volume,
and press the [VALUE] knob.
4. Press the [MEMU] button.
5. Press the [MENU] button0”AUDIO OUTPUT”0
”MASTER OUTPUT”0select “OUTPUT LEVEL,” and
press the [VALUE] knob.
MEMO
5 If the OUTPUT FADE ASSIGN (p. 29) setting is “BLACK&AUDIO”
or “WHITE&AUDIO,” using the [OUTPUT FADE] knob to fade-in/
out the output video will simultaneously fade-in/out the output
audio as well.
5 If the OUTPUT FADE ASSIGN (p. 29) setting is “AUDIO,” you can
use the [OUTPUT FADE] knob to adjust only the output volume.
5 You can output a test tone that is useful when making volume
adjustments.
In the SYSTEM menu item “TEST TONE” (p. 67), specify the test
tone that you want to output.
Adjusting the output volume of the AUX bus
1. Press the [MENU] button0”AUDIO OUTPUT”0
”AUX”0select “AUX LEVEL,” and press the [VALUE]
knob.
6. Turn the [VALUE] knob to adjust the output volume,
and press the [VALUE] knob.
7. Press the [MENU] button to quit the menu.
Level meter indication
The audio level meter is shown in each section of the multi-view
monitor.
The level meter illumination lets you check whether the volume is
adjusted appropriately.
(dB)
0
-6
-20
-30
-50
Indicator Status
Red
Yellow
Green
Red (Excessive)
Yellow (Suitable)
Green
(Insucient)
Lights up at 0 dB or higher. It indicates an excessive
volume level.
Lights up at -20 to -1 dB. It indicates an appropriate
volume level.
Lights up at -50 to -21 dB. It indicates a too-low volume
level.
2. Turn the [VALUE] knob to adjust the output volume,
and press the [VALUE] knob.
3. Press the [MENU] button to quit the menu.
* If the volume level of speaker output is unsuitable even when
the volume level on the V-8HD has been adjusted so that level
meter light up in yellow, adjust the volume for the speakers
and ampliers. Using “OUTPUT LEVEL” to make adjustments can
sometimes result in distortion or poorer sound quality.
30
Applying Eects to Input Audio
You can modify the tonal character by applying eects to the audio input.
Audio Operations
Using an eect preset
The V-8HD is equipped with eects that are adjusted for specic
environments. These are called “eect presets.”
The eect presets are created using a combination of three eects
(high-pass lter, compressor, equalizer).
Simply by selecting an eect preset, you can easily apply an eect
that’s appropriate for your situation.
MEMO
5 When you switch presets, the settings of each eect are
overwritten.
5 If you want to make ne adjustments to a preset, use the
AUDIO INPUT menu to edit the high-pass lter, compressor, and
equalizer settings.
Since the noise gate (an eect that eliminates noise) is not
included in the presets, you’ll need to make separate settings
for it.
For details on the eects, refer to p. 56.
1. Press the
“INPUT 1”–“INPUT 8” or “AUDIO IN,” and press the
[VALUE] knob.
[
MENU] button0”AUDIO INPUT”0select
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
4. Turn the [VALUE] knob to select “OK,” and press the
[VALUE] knob.
The preset is loaded. When the operation is nished, the message
“COMPLETE” appears.
5. Press the [MENU] button to quit the menu.
Correcting a time dierence between video and audio
(delay)
Here’s how you can correct a time dierence between the video and
audio by delaying the output of the input audio.
1. Press the
“INPUT 1”–“INPUT 8” or “AUDIO IN,” and press the
[VALUE] knob.
[
MENU] button0”AUDIO INPUT”0select
2. Turn the [VALUE] knob to select “EFFECT PRESET,”
and press the [VALUE] knob.
3. Turn the [VALUE] knob to select the eect preset,
and press the [VALUE] knob.
ValueExplanation
DEFAULTFor line input (default setting)
MEETINGFor meetings
INTERVIEWFor interviews
AMBIENT MICFor capturing ambient sound
WINDY FIELD
DE-ESS & POPS SOFTFor reducing sibilants
DE-ESS & POPS HARDFor reducing plosives
For capturing ambient sound in a
windy area
2. Turn the [VALUE] knob to select “DELAY,” and press
the [VALUE] knob.
3. Turn the [VALUE] knob to adjust the time by which
the audio is delayed, and press the [VALUE] knob.
Delay the audio output so that the audio and video match.
4. Press the [MENU] button to quit the menu.
31
Audio Operations
Applying Eects to Output Audio
You can modify the tonal character by applying eects to the audio output.
* You can apply a limiter (LIMITER) to the audio of the AUX bus.
1. Press the [MENU] button0”AUDIO OUTPUT”0
select “MASTER OUTPUT” or “AUX,” and press the
[VALUE] knob.
(for AUX)
2. Turn the [VALUE] knob to select an eect menu
item, and then press the [VALUE] knob.
(for AUX)
LIMITER
This limits the output volume so that is does not exceed the set level.
Menu itemExplanation
LIMITERTurn the limiter on or o.
Adjusts the level that becomes the threshold
at which the limiter is applied.
THRESHOLD
Compression is applied to audio that exceeds
the threshold. The volume level of audio that
is output is limited so as to stay to below the
threshold.
EQUALIZER
This limits the output volume so that is does not exceed the set level.
Menu itemExplanation
EQUALIZERTurns the equalizer on/o.
Hi GAINBoosts or attenuates the high band.
Hi FREQUENCY
Mid GAINBoosts or attenuates the middle band.
Mid FREQUENCY
Mid Q
Lo GAINBoosts or attenuates the low band.
Lo FREQUENCY
Species the center frequency when
changing the tone quality in the high band.
Species the center frequency when
changing the tone quality in the middle band.
Adjusts the width of the frequency band
when boosting or attenuating the middle
band.
Species the center frequency when
changing the tone quality in the low band.
3. Turn the [VALUE] knob to change the value, and
press the [VALUE] knob.
4. Press the [MENU] button to quit the menu.
32
MULTI BAND COMPRESSOR
This applies separate compressors in individual frequency bands.
Menu itemExplanation
MULTI BAND
COMPRESSOR
Hi THRESHOLD
Mid THRESHOLD
Lo THRESHOLD
Hi RATIO
Mid RATIO
Lo RATIO
Turns the multi-band compressor on/o.
Specify the individual levels that become the
thresholds for the high, midrange, and low
bands at which the compressor is applied.
Compression is applied to audio that exceeds
the threshold.
Specify the amount of compression applied in
the high, midrange, and low bands.
The state in which no compression is applied
is dened as “1.”
Silencing Only Specic Audio (Mute)
Here’s how to temporarily silence specic input audio or output audio (the mute function).
Audio Operations
Muting input audio
1. Press the [MENU] button0”AUDIO INPUT”0select
“INPUT 1”–“INPUT 8” or “AUDIO IN,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “INPUT MUTE,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
To cancel muting, specify “OFF.”
Muting AUX-bus Audio
1. Press the [MENU] button0”AUDIO OUTPUT”0
”AUX”0select “AUX MUTE,” and press the [VALUE]
knob.
2. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
To cancel muting, specify “OFF.”
3. Press the [MENU] button to quit the menu.
4. Press the [MENU] button to quit the menu.
Muting output audio
1. Press the [MENU] button0”AUDIO OUTPUT”0
”MASTER OUTPUT”0select “OUTPUT MUTE,” and
press the [VALUE] knob.
2. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
To cancel muting, specify “OFF.”
3. Press the [MENU] button to quit the menu.
33
Audio Operations
Interlinking Audio Output to Video Switching (Audio Follow)
You can associate audio with a video switch so that when the video is switched, the specied audio alone is output automatically, and other audio
is automatically muted.
1. Follow the procedure in “Adjusting the Volume
Level” (p. 30) to adjust to the volume level you
want to output.
2. Press the [MENU] button0select “AUDIO FOLLOW,”
and press the [VALUE] knob.
3. Turn the [VALUE] knob to select the video channel
you want to use with Audio Follow, and press the
[VALUE] knob.
If you select “ALL AUDIO FOLLOW,” all input channels are used.
4. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
ValueExplanation
Enables the Audio Follow feature.
ON
OFFDisables the Audio Follow feature.
Muting is performed automatically when video on
another channel is output.
Applying audio follow to the audio from AUDIO IN
1. Press the [MENU] button0“AUDIO FOLLOW”0
select “AUDIO IN,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select the video channel
you want to use with Audio Follow, and press the
[VALUE] knob.
ValueExplanation
Specify the input channels that use audio
INPUT 1–8
OFFDisables the Audio Follow feature.
3. Press the [MENU] button to quit the menu.
follow for the input audio.
The AUDIO IN audio is muted for input
channels other than those specied.
5. Press the [MENU] button to quit the menu.
6. Switch the video.
On video channels where Audio Follow is on, audio is
automatically muted when video on other channels is output.
34
Audio Operations
Checking a Specic Audio Input (Solo)
Here’s how you can temporarily monitor a specic audio input via the
headphones (solo function).
* The solo function applies to the headphone output. It does not
aect output other than the headphones.
1. Press the [MENU] button0”AUDIO INPUT”0select
“INPUT 1”–“INPUT 8” or “AUDIO IN,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “SOLO,” and press
the [VALUE] knob.
Outputting AUX-Bus Audio
You can output just AUX-bus audio from the AUDIO OUT jacks
(XLR and RCA) and the PHONES jack.
What’s AUX-bus audio?
Video and audio on video input channels selected using the AUX
[1]–[8] buttons is sent to the AUX bus (p. 16).
If you assign the AUX bus to the audio output jacks, the audio sent
to the AUX bus is output.
1. Press the
select “OUTPUT ASSIGN,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select “AUDIO OUT” or
“PHONES OUT,” and press the [VALUE] knob.
[
MENU] button0“AUDIO OUTPUT”0
3. Turn the [VALUE] knob to select “ON,” and press the
[VALUE] knob.
4. Press the [MENU] button to quit the menu.
3. Turn the [VALUE] knob to select “AUX,” and press
the [VALUE] knob.
ValueExplanation
MASTER OUTOutput the audio of the MAIN bus.
AUXOutput the audio of the AUX bus.
4. Press the [MENU] button to quit the menu.
35
Audio Operations
Sending the AUDIO IN Audio to the AUX Bus
You can send the input audio of the AUDIO IN jacks to the AUX bus.
1. Press the [MENU] button0“AUDIO OUTPUT”0
select “AUX,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select the “AUX SEND”
menu item, and then press the [VALUE] knob.
3. Turn the [VALUE] knob to select “ON” or “OFF,” and
press the [VALUE] knob.
Menu itemExplanation
AUX SEND
HDMI AUDIO
AUDIO IN
Species the audio that is sent to the AUX
bus.
Species whether the input audio of INPUT
1–8 is sent (ON) or is not sent (OFF) to the
AUX bus.
Species whether the input audio of the
AUDIO IN jacks is sent (ON) or is not sent
(OFF) to the AUX bus.
Specifying the Type of Audio Sent to the
AUX Bus
When sending audio from INPUT 1–8 and AUDIO IN to the AUX bus,
you can specify whether to send the audio as-is or with an eect
applied.
1. Press the [MENU] button0“AUDIO OUTPUT”0
select “AUX,” and press the [VALUE] knob.
2. Turn the [VALUE] knob to select the “AUX EFFECT”
menu item, and then press the [VALUE] knob.
3. Turn the [VALUE] knob to select “DRY” or “WET,” and
press the [VALUE] knob.
Menu itemExplanation
AUX EFFECT
INPUT 1–8
Species the type of audio that is sent
from each input to the AUX bus.
DRY:
Sends the source audio with no eects
applied.
4. Press the [MENU] button to quit the menu.
AUDIO IN
WET:
Sends the eect-applied audio.
4. Press the [MENU] button to quit the menu.
36
Other Features
Saving/Recalling Settings (Preset Memory)
You can save the current settings, including the video/audio settings and the state of the operating panel, in preset memory and recall those
settings for use when necessary. The V-8HD is provided with eight preset memories.
About the last memory function
The V-8HD has a built-in Last Memory function. Last Memory is a function that saves the state of the unit that is in eect immediately before
power-down, and automatically restores the state at the next startup. The Last Memory function is enabled by default. If you want the unit to
recall a specic preset memory when it starts up, use the PRESET MEMORY menu item “START UP” to specify the preset memory number.
Saving to a preset memory
NOTE
If “MEMORY PROTECT” (p. 60) is “ON,” you can’t save settings to a
preset memory.
1. Use the [MODE] button to select “MEMORY.”
2. Press and hold (for 2 seconds or longer) the MEMORY
button for the number where you want to save the
settings.
All of the MEMORY [1]–[8] buttons are briey illuminated in light
blue, and the current settings are saved in the selected preset
memory.
MEMO
5 The state of the [OUTPUT FADE] knob and [PHONES] knob are
not saved in preset memory.
5 The following settings are common to the unit (one set for the
entire unit), and therefore are not saved in preset memory.
– PRESET MEMORY menu
– CTL/EXP menu
– CAPTURE IMAGE menu
– SYSTEM menu
5 You can use the [MENU] button0“PRESET MEMORY”0“SAVE”
or “LOAD” to save or load a preset memory.
5 When recalling a preset memory, you can specify the individual
menu items that will be included in the recalled preset memory.
Make these settings in the PRESET MEMORY menu item “LOAD
PARAMETER.”
Initializing a preset memory
Here’s how you can initialize the settings of a specic preset memory
to the factory-set condition.
1. Press the [MENU] button0“PRESET MEMORY”0
select “INTIALIZE,” and press the [VALUE] knob.
Recalling a preset memory
1. Use the [MODE] button to select “MEMORY.”
MEMORY [1]–[8] button illumination color
Light blue Currently selected memory
BlueMemories in which data is saved
UnlitMemories with no data (empty)
2. Press the MEMORY button for the number whose
setting you want to recall.
The settings are recalled.
2. Turn the [VALUE] knob to select the preset memory
(MEMORY 1–8) that you want to initialize, and press
the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
3. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The current settings are saved. When the operation is nished, the
message “COMPLETE” appears.
4. Press the [MENU] button to quit the menu.
37
Other Features
Saving the Unit’s Settings on a USB Flash Drive
You can group together the unit’s settings into a single le (*.V08) and save it to a USB ash drive connected to the USB MEMORY port.
You can access the saved le (*.V08) on the USB ash drive and load it into the unit for use when needed.
* When you’re using a USB ash drive for the rst time, be sure to format it on the V-8HD (p. 39).
* Depending on the USB ash drive, recognition of the ash drive might take some time.
Saving
Saving a new settings le
1. Press the [MENU] button0“USB MEMORY”0
select “BACKUP ALL SETTINGS,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select “NEW FILE...,” and
press the [VALUE] knob.
3. Enter the le name.
4. When you nish entering the name, turn the [VALUE]
knob to select “SAVE,” and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
5. Press the [VALUE] knob.
The le (*.V08) is newly saved on the USB ash drive.
6. Press the [MENU] button to quit the menu.
Overwrite-saving a settings le
1. Press the [MENU] button0“USB MEMORY”0
select “BACKUP ALL SETTINGS,” and press the
[VALUE] knob.
1. Turn the [VALUE] knob to move the cursor.
Moving the cursor to a location where no character is present
increases the number of characters.
2. Turn the [VALUE] knob to highlight the character at the
cursor location.
3. Turn the [VALUE] knob to change the character, and press
the [VALUE] knob.
5 Pressing the [EXIT] button deletes the character at the cursor
location.
5 You can enter a text string of up to 9 characters in length.
5 The extension of the le name is “V08.”
38
2. Turn the [VALUE] knob select the le to overwrite,
and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
3. Press the [VALUE] knob.
The le (*.V08) is newly saved on the USB ash drive.
4. Press the [MENU] button to quit the menu.
Other Features
Recalling
This loads settings that are in a preset memory saved on a USB ash
drive. Loading settings overwrites the preset memory on the unit.
1. Press the [MENU] button0“USB MEMORY”0
select “RESTORE ALL SETTINGS,” and press the
[VALUE] knob.
2. Turn the [VALUE] knob to select the le you want to
recall, and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
Formatting USB Flash Drives
When using a USB ash drive for the rst time, be sure to format it on
the V-8HD.
NOTE
5 The V-8HD does not recognize unformatted USB ash drives.
5 Performing formatting causes all data already saved on the USB
ash drive to be deleted. If the ash drive contains necessary data,
back it up onto a computer or elsewhere before formatting the
drive.
1. Press the [MENU] button0“USB MEMORY”0
select “FORMAT,” and press the [VALUE] knob.
3. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The settings are recalled, and the values in the unit’s preset
memories are overwritten.
4. Press the [MENU] button to quit the menu.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
2. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
Formatting of the USB ash drive is carried out.
3. Press the [MENU] button to quit the menu.
39
Other Features
Using a Footswitch
You can use a footswitch connected to the CTL/EXP 1, 2 jacks of the V-8HD to control the V-8HD with your foot.
You can assign various functions to the footswitch.
1. Connect a footswitch as described in p. 5.
2. Press the [MENU] button0“CTL/EXP”0select
“CTL/EXP 1” or “CTL/EXP 2,” and press the [VALUE]
knob.
3. Turn the [VALUE] knob to select “CTL TYPE,” and
press the [VALUE] knob.
4. Turn the [VALUE] knob to select “CTL A & CTL B,”
and press the [VALUE] knob.
5. Turn the [VALUE] knob to select “CTL A ASSIGN” or
“CTL B ASSIGN,” and press the [VALUE] knob.
6. Turn the [VALUE] knob to select the function
that you want to assign to CTL A or CTL B of the
footswitch, and press the [VALUE] knob.
ValueExplanation
N/ANo function is assigned.
A/PGM CH SEL
1–8
B/PST CH SEL 1–8
AUX CH SEL 1–8
INPUT 1–8
ASSIGN
STILL 1–8
OUTPUT
PinP 1 SRC HDMI
1–8
PinP 1 SRC STILL
1–8
PinP 2 SRC HDMI
1–8
PinP 2 SRC STILL
1–8
DSK SOURCE
HDMI 1–8
Selects the video of the specied input
channel as the video sent to the A/PGM bus.
Selects the video of the specied input
channel as the video sent to the B/PST bus.
Selects the video of the specied input
channel as the video sent to the AUX bus.
Switches the source of the specied input
channel.
Switches the output video to the specied
still image.
Switches the video shown in the PinP 1 inset
screen to the video of the specied input
channel.
Switches the video shown in the PinP 1 inset
screen to the specied still image.
Switches the video shown in the PinP 2 inset
screen to the video of the specied input
channel.
Switches the video shown in the PinP 2 inset
screen to the specied still image.
Switches the source image for DSK
compositing to the video of the specied
input channel.
ValueExplanation
DSK SOURCE
STILL 1–8
CUT SWThe same function as the [CUT] button.
AUTO SWThe same function as the [AUTO] button.
TRANSITION SW
MODE SWThe same function as the [MODE] button.
SPLIT/VFX A SW
SPLIT/VFX B SW
PinP 1 PVW SW
PinP 1 ON SWThe same function as the PinP 1 [ON] button.
PinP 2 PVW SW
PinP 2 ON SWThe same function as the PinP 2 [ON] button.
DSK PVW SWThe same function as the DSK [PVW] button.
DSK ON SWThe same function as the DSK [ON] button.
USER 1 SWThe same function as the USER [1] button.
USER 2 SWThe same function as the USER [2] button.
H AUTO TAKE I
H CUT I
INPUT 1–8 AUDIO
MUTE
AUDIO IN AUDIO
MUTE
AUDIO OUTPUT
MUTE
AUDIO AUX
MUTE
INPUT 1–8 AUDIO
SOLO
OUTPUT FADE
LEFT
OUTPUT FADE
RIGHT
LOAD MEMORY
1–8
INPUT SCAN
NORMAL
INPUT SCAN
REVERSE
MEMORY SCAN
NORMAL
MEMORY SCAN
REVERSE
Switches the source image for DSK
compositing to the specied still image.
The same function as the [TRANSITION]
button.
The same function as the SPLIT/VFX [A] button.
The same function as the SPLIT/VFX [B] button.
The same function as the PinP 1 [PVW] button.
The same function as the PinP 2 [PVW] button.
Switches the video between A/PGM bus and
B/PST bus.
Switches the video between A/PGM bus and
B/PST bus as a cut.
Turns the mute function on/o for the audio
of the specied input channel.
Turns the mute function on/o for AUDIO
IN audio.
Turns the mute function on/o for AUDIO
OUT audio.
Turns on/o the mute function for AUX-bus
audio.
Turns the solo function on/o for the audio
of the specied input channel.
The same function as turning the [OUTPUT
FADE] knob to the left.
The same function as turning the [OUTPUT
FADE] knob to the right.
Recalls the specied preset memory.
Consecutively switches the input video in the
order of INPUT 108 each time you press.
Consecutively switches the input video in the
order of INPUT 801 each time you press.
Consecutively switches the preset memory
in the order of 108 each time you press.
Consecutively switches the preset memory
in the order of 801 each time you press.
7. Press the [MENU] button to quit the menu.
40
Using an Expression Pedal
You can use an expression pedal connected to the CTL/EXP 1, 2 jacks of the V-8HD to control the V-8HD with your foot.
Other Features
Adjusting the pedal (pedal calibration)
The rst time you use an expression pedal, you must calibrate (adjust)
the pedal so that it will operate optimally.
In some cases, an expression pedal might no longer operate
optimally due to the passage of time or changes in the operating
conditions. If you notice problems such as slight movements of the
pedal causing a major change in volume, or if the video fails to switch
when you press the pedal, you should execute calibration.
1. Press the [MENU] button0“CTL/EXP”0select
“CTL/EXP 1” or “CTL/EXP 2,” and press the [VALUE]
knob.
2. Turn the [VALUE] knob to select “CTL TYPE,” and
press the [VALUE] knob.
3. Turn the [VALUE] knob to select “EXP,” and press the
[VALUE] knob.
MEMO
You should normally use the EV-5 with its minimum volume knob
left in the zero position.
If you change the position of the minimum volume knob, you
must execute pedal calibration.
Assigning a function to the pedal
A variety of functions can be assigned to the expression pedal.
1. Press the [MENU] button0“CTL/EXP”0select
“CTL/EXP 1” or “CTL/EXP 2,” and press the [VALUE]
knob.
4. Turn the [VALUE] knob to select “EXP CALIBRATE,”
and press the [VALUE] knob.
The EXP CALIBRATE screen appears.
5. As directed by the screen, step on the pedal in the
fully heel-down position, and press the [VALUE]
knob.
6. As directed by the screen, step on the pedal in the
fully toe-down position, and press the [VALUE]
knob.
When the “Complete” indication appears, calibration is completed.
7. Press the [MENU] button to quit the menu.
2. Turn the [VALUE] knob to select “CTL/EXP TYPE,”
and press the [VALUE] knob.
3. Turn the [VALUE] knob to select “EXP,” and press the
[VALUE] knob.
4. Turn the [VALUE] knob to select “EXP ASSIGN,” and
press the [VALUE] knob.
5. Turn the [VALUE] knob to select the function that
you want to assign to the expression pedal, and
press the [VALUE] knob.
41
Other Features
ValueExplanation
N/ANo function is assigned.
VIDEO FADER
H CUT I
VFX A MIX LEVEL
VFX B MIX LEVEL
OUTPUT FADE
LEFT
OUTPUT FADE
RIGHT
STILL 1–8
OUTPUT
INPUT 1–8 AUDIO
LEVEL
AUDIO IN AUDIO
LEVEL
AUDIO OUTPUT
LEVEL
AUX OUTPUT
LEVEL
Slides the video fader to the top edge or
bottom edge.
Switches the video between A/PGM bus and
B/PST bus as a cut.
Adjusts the density (output level) of the video
that is processed by the visual eect A.
Adjusts the density (output level) of the video
that is processed by the visual eect B.
Turns the [OUTPUT FADE] knob
counterclockwise.
Turns the [OUTPUT FADE] knob clockwise.
Switches the output video to the specied
still image.
Adjusts the volume of the specied input
channel.
Adjusts the volume of AUDIO IN.
Adjusts the volume of AUDIO OUT.
Adjusts the volume of AUX bus.
6. Press the [MENU] button to quit the menu.
Assigning the Functions of the USER [1]
[2] Buttons
* With the factory settings, the freeze function is assigned to the
USER [1] button and the auto switching function is assigned to the
USER [2] button.
1. Press the [MENU] button0“SYSTEM”0select
“USER 1 SW ASSIGN” or “USER 2 SW ASSIGN,” and
press the [VALUE] knob.
2. Turn the [VALUE] knob to select the function that
you want to assign to the USER [1] or [2] button,
and then press the [VALUE] knob.
ValueExplanation
N/ANo function is assigned.
FREEZETurns the freeze function on/o.
AUTO SWITCHINGTurns the auto switching function on/o.
BPM TAP
INPUT 1–8 ASSIGN
STILL 1–8 OUTPUT Outputs the specied still image.
INPUT 1–8 MUTE
AUDIO IN MUTE
OUTPUT MUTE
AUX MUTE
INPUT SCAN N
INPUT SCAN R
MEMORY SCAN N
MEMORY SCAN R
REC START/STOP
If AUTO SWITCHING is “BPM SYNC,” you can
set the BPM by tapping the button.
Selects the video that is assigned to the
specied input.
Turns the mute function on/o for the
audio of the specied input channel.
Turns the mute function on/o for AUDIO
IN audio.
Turns on/o the mute function for AUDIO
OUT audio.
Turns on/o the mute function for AUXbus audio.
Consecutively switches the input video in
the order of INPUT 108 each time you
press.
Consecutively switches the input video in
the order of INPUT 801 each time you
press.
Consecutively switches the preset memory
in the order of 108 each time you press.
Consecutively switches the preset memory
in the order of 801 each time you press.
Controls the recorder's video record start/
stop if a recorder that supports HDMI REC
TRIGGER functionality is connected.
42
3. Press the [MENU] button to quit the menu.
Other Features
Preventing Unintended Operation
(Panel Lock)
Here’s how you can lock the V-8HD’s buttons and knobs to prevent
unintended operation.
1. Press the [MENU] button0“SYSTEM”0select
“PANEL LOCK,” and press the [VALUE] knob.
The PANEL LOCK menu appears.
2. Turn the [VALUE] knob to select a target for panel
lock, and press the [VALUE] knob.
Menu itemExplanation
ALL SW & VOLUME
A/PGM 1–8 SWCross-point A [1]–[8] buttons
B/PST 1–8 SWCross-point B [1]–[8] buttons
CUT SW[CUT] button
AUTO SW[AUTO] button
MODE SW[MODE] button
AUX SWAUX [1]–[8] button
PinP 1 SOURCE SWPinP 1 [1]–[8] button
PinP 2 SOURCE SWPinP 2 [1]–[8] button
MEMORY SWMEMORY [1]–[8] button
TRANSITION SW[TRANSITION] button
VIDEO FADERVideo fader
SPLIT/VFX A BLOCK SPLIT/VFX [A] knob/button
SPLIT/VFX A BLOCK SPLIT/VFX [B] knob/button
PinP 1 BLOCK
PinP 2 BLOCK
DSK BLOCK
USER 1 SWUSER [1] button
USER 2 SWUSER [2] button
CAPTURE IMAGE SW [CAPTURE IMAGE] button
OUTPUT FADE[OUTPUT FADE] knob
3. Turn the [VALUE] knob to specify whether panel
lock is applied (ON) or not applied (OFF), and press
the [VALUE] knob.
4. Repeat steps 2–3 as necessary.
5. Press the [MENU] button to quit the menu.
MEMO
When panel is locked, the [MENU] button is blink.
Turns on/o the settings of the following
buttons and knobs in a single action.
Controlling an External Recorder’s Video
Record Start/Stop from the V-8HD
If a recorder that supports the “HDMI REC TRIGGER” function is
connected to an OUTPUT of the V-8HD, you can use the USER [1] or
[2] button of the V-8HD to control video record start/stop on that
recorder.
MEMO
For more about recorders that support the HDMI REC TRIGGER
function, refer to the Roland website.
https://proav.roland.com
1. Press the [MENU] button0“SYSTEM”0select
“USER 1 SW ASSIGN” or “USER 2 SW ASSIGN,” and
press the [VALUE] knob.
2. Turn the [VALUE] knob to select “REC START/STOP,”
and press the [VALUE] knob.
3. Press the [MENU] button to quit the menu.
4. Press the USER [1] or [2] button that is assigned to
“REC START/STOP.”
Each time you press the button, the recorder switches between
video record start/stop.
The USER [1] or [2] button is lit red during recording, and is unlit
when recording stops.
NOTE
The lit/unlit state of the USER [1] [2] buttons indicates the state of the
V-8HD, and does not reect the state of the external recorder.
This means that even if, while the USER [1] or [2] button is lit red, the
external recorder stops recording because of an operation performed
on it or because of the state of its storage, the USER [1] or [2] button
does not go dark at that time.
MEMO
If you want to disable control of the recorder that supports the HDMI
REC TRIGGER function, turn the VIDEO OUTPUT menu0OUTPUT 1–3
“REC CONTROL” setting “OFF.”
43
Other Features
Returning to the Factory Settings
(Factory Reset)
Here’s how you can return the settings of the V-8HD to their factoryset state. If following the procedures described in this manual does
not cause the result you expect, try executing a factory reset.
NOTE
5 When you execute factory reset, any previously specied content,
any settings saved in preset memory (p. 37), and the still image
(p. 26) saved in the unit will all be lost.
5 Do not turn o the power while the “PLEASE WAIT” message is
shown.
1. Press the [MENU] button0“SYSTEM”0select
“FACTORY RESET,” and press the [VALUE] knob.
A conrmation message appears.
* If you decide to cancel, press the [EXIT] button.
2. Turn the [VALUE] knob to select “YES,” and press the
[VALUE] knob.
The factory reset is executed.
When the operation is nished, the message “COMPLETE” appears.
3. Press the [MENU] button to quit the menu.
44
Menu List
When you press the [MENU] button, the menu is shown on this unit’s monitor and on the display that’s connected to the OUTPUT 3 connector.
MEMO
5 When a setting value has menu items that let you make
more-detailed settings, “ENTER” is displayed at the top of
the screen. Press the [VALUE] knob to go down a level.
5 To execute an operation, press the [VALUE] knob.
5 You can change a setting value rapidly by holding down
the [VALUE] button and turning.
5 Long pressing the [EXIT] button returns the currently
selected setting to its default value.
1: VIDEO INPUT
INPUT 1–6
Menu itemValue (Bold: default)Explanation
INPUT STATUSENTERDisplays information about the incoming video (format, size, etc.).
INPUT ASSIGNHDMI, STILL 1–8Selects the input source.
FLIP HOFF, ONIf this is “ON,” the video is input with left and right ipped.
FLIP VOFF, ONIf this is “ON,” the video is input with top and bottom ipped.
BRIGHTNESS-64–0–63Adjusts the brightness.
CONTRAST-64–0–63Adjusts the contrast.
SATURATION-64–0–63Adjusts the saturation.
INPUT 7, 8 (SCALER)
Menu itemValue (Bold: default)Explanation
INPUT STATUSENTERDisplays information about the incoming video (format, size, etc.).
INPUT ASSIGNHDMI, STILL 1–8Selects the input source.
FLICKER FILTEROFF, ONIf this is “ON,” ickering is reduced.
FLIP HOFF, ONIf this is “ON,” the video is input with left and right ipped.
FLIP VOFF, ONIf this is “ON,” the video is input with top and bottom ipped.
Species the input format (EDID).
If this is “INTERNAL,” EDID information for all formats that can be input to the
V-8HD will be transmitted.
What is EDID?
EDID is data that is transmitted from the V-8HD to the source device when the
V-8HD is connected to a source device. EDID contains data such as the formats
that can be input to the V-8HD (resolution, color space, color depth) and audio
information.
Based on the EDID information that the source device receives, it will output
the most appropriate video format to the V-8HD.
45
Menu List
Menu itemValue (Bold: default)Explanation
Species the scaling type.
FULL
LETTERBOX
SCALING TYPE
CROP
DOT BY DOTPerforms no scaling.
MANUALScale according to the “MANUAL SIZE H” and “MANUAL SIZE V” settings below.
MANUAL SIZE H (*2) -2000–0–2000 (*1) Adjusts the horizontal size.
MANUAL SIZE V (*2) -2000–0–2000 (*1) Adjusts the vertical size.
POSITION H-1920–0–1920Adjusts the display position in the horizontal direction.
POSITION V-1920–0–1920Adjusts the display position in the vertical direction.
BRIGHTNESS-64–0–63Adjusts the brightness.
CONTRAST-64–0–63Adjusts the contrast.
SATURATION-64–0–63Adjusts the saturation.
RED-64–0–63Adjusts the red level.
GREEN-64–0–63Adjusts the green level.
BLUE-64–0–63Adjusts the blue level.
Always displays the picture expanded to full screen, irrespective of the aspect
ratio of the input video.
Enlarges or reduces the incoming video to a full-screen view while keeping the
aspect ratio unchanged.
Enlarges or reduces the incoming video so that the output picture has no
blank margins while keeping the aspect ratio unchanged. Video extending
beyond the borders is cut o.
(*1) The valid range of setting values depends on conditions such as the input/output format.
(*2) This is valid when “SCALING TYPE” is set to “MANUAL.”
2: VIDEO OUTPUT
OUTPUT 1–3
Menu itemValue (Bold: default)Explanation
OUTPUT STATUS—
Species the output bus that is assigned to the OUTPUT connector.
PROGRAMOutputs the program video.
OUTPUT ASSIGN
COLOR SPACEYPbPr, RGB (0–255), RGB (16–235) Species the color space.
DVI-D/HDMI SIGNALHDMI, DVI-DSpecies the output mode for HDMI output.
BRIGHTNESS-64–0–63Adjusts the brightness.
CONTRAST-64–0–63Adjusts the contrast.
SATURATION-64–0–63Adjusts the saturation.
RED-64–0–63Adjusts the red level.
GREEN-64–0–63Adjusts the green level.
BLUE-64–0–63Adjusts the blue level.
REC CONTROLOFF, ON
PREVIEWOutputs the preview video (standby video).
AUXOutputs the AUX bus.
MULTI-VIEWOutputs the multi-view monitor.
Displays information about the output connector.
When there’s no connection, “NOT CONNECTED” is displayed.
Species whether video record start/stop on a recorder equipped with the
HDMI REC TRIGGER function will (ON) or will not (OFF) be controlled from the
V-8HD.
Default
OUTPUT 1: PROGRAM
OUTPUT 2: PREVIEW
OUTPUT 3: MULTI-VIEW
46
3: TRANSITION TIME
Menu itemValue (Bold: default)Explanation
MIX/WIPE TIME0.0–1.0–4.0secSpecies the video transition time.
PinP 1 TIME0.0–1.0–4.0sec
PinP 2 TIME0.0–1.0–4.0sec
DSK TIME0.0–1.0–4.0sec
Species the fade time with which the PinP 1 or PinP 2 inset screen appears or
disappears when using Picture in Picture (PinP) compositing.
Species the fade time with which the superimposed logo or video appears or
disappears when using DSK compositing.
4: MIX/WIPE
Menu itemValue (Bold: default)Explanation
TRANSITION TYPEMIX, WIPE
Species the transition pattern for mix.
MIXThe two pictures are blended together as the video is switched.
MIX TYPE
FAM
NAM
Species the transition pattern for wipe.
HORIZONTALVERTICALUPPER LEFTUPPER RIGHTLOWER LEFT
Selects the mode of the transition eect.
You can also use the [TRANSITION] button to switch between MIX and WIPE.
Video transitions are made with the luminance levels of the two video streams
maintained unchanged.
This is an abbreviation of “full additive mix.”
The two video streams are compared, and transitions are made with display
during transition starting with levels of high luminance.
This is an abbreviation of “non-additive mix.”
Menu List
WIPE TYPE
LOWER RIGHTH-CENTERV-CENTER
WIPE DIRECTIONNORMAL, REVERSE, ROUND TRIPSpecies the direction of wipe.
WIPE BORDER COLOR
WIPE BORDER WIDTH0–3–14Species the width of the border added to the edge of the wipe area.
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK,
SOFTEDGE
Species the color of the border added to the edge of the wipe area.
If this is set to “SOFTEDGE,” the wipe border is blurred.
47
Menu List
5: SPLIT/VFX
SPLIT/VFX A, B
Menu itemValue (Bold: default)Explanation
SPLIT/VFXOFF, ON
SPLIT V, SPLIT H, PART MOSAIC,
BACKGROUND MOSAIC,
FULL MOSAIC, WAVE,
RGB REPLACE, COLORPASS,
SPLIT/VFX TYPE
9 SPLIT/VFX TYPE: SPLIT VComposites two videos split vertically at their centers.
Menu itemValue (Bold: default)Explanation
A-CENTER-25.0–0.0–25.0%
B-CENTER-25.0–0.0–25.0%
CENTER POSITION-50.0–0.0–50.0%
BORDER COLOR
BORDER WIDTH0–3–14Adjusts the width of the border.
Turns the split/visual eect on/o.
You can also use the SPLIT/VFX [A] or [B] button to turn this on/o.
Species the split/visual eect types.
* The menu items dier for each split/visual eect.
Adjusts the horizontal position of the video shown on the left (A/PGM side).
You can adjust this by turning the SPLIT/VFX [A] knob.
Adjusts the horizontal position of the video shown on the right (B/PST side).
You can adjust this by turning the SPLIT/VFX [B] knob.
Adjusts the position of the boundary.
You can change the size of the two videos by shifting the boundary line.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob while pressing it.
Species the color of the border.
9 SPLIT/VFX TYPE: SPLIT HComposites two videos split horizontally at their centers.
Menu item
A-CENTER-25.0–0.0–25.0%
B-CENTER-25.0–0.0–25.0%
CENTER POSITION-50.0–0.0–50.0%
BORDER COLOR
BORDER WIDTH0–3 –14Adjusts the width of the border.
9 SPLIT/VFX TYPE: PART MOSAICApplies a mosaic to the selected region.
Menu itemValue (Bold: default)Explanation
POSITION H-100.0–0.0–100.0%
POSITION V-100.0–0.0–100.0%
AREA SIZE10.0–40.0–100.0%Adjusts the size (zoom) of the selected area.
CORRECTION H-2000–0–2000Adjusts the horizontal size of the selected area.
CORRECTION V-2000–0–2000Adjusts the vertical size of the selected area.
BLOCK SIZE
MIX LEVEL0–255Adjusts the intensity (output level) of the video with the visual eect applied.
Value (Bold: default)
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
OFF(1x1), 4x4, 8x8, 16x16, 32x32,
64x64, 128x128, 256x256
Explanation
Adjusts the vertical position of the video shown above (A/PGM side).
You can adjust this by turning the SPLIT/VFX [A] knob.
Adjusts the vertical position of the video shown above (B/PST side).
You can adjust this by turning the SPLIT/VFX [B] knob.
Adjusts the position of the boundary.
You can change the size of the two videos by shifting the boundary line.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob while pressing it.
Species the color of the border.
Adjusts the horizontal position of the selected area.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob.
Adjusts the vertical position of the selected area.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob while pressing it.
Species the neness (block size) of the mosaic.
48
Menu List
9 SPLIT/VFX TYPE: BACKGROUND MOSAICApplies a mosaic to the portion of the selected area.
Menu itemValue (Bold: default)Explanation
POSITION H-100.0–0.0–100.0%
POSITION V-100.0–0.0–100.0%
AREA SIZE10.0–40.0–100.0%Adjusts the size (zoom) of the selected area.
CORRECTION H-2000–0–2000Adjusts the horizontal size of the selected area.
CORRECTION V-2000–0–2000Adjusts the vertical size of the selected area.
BLOCK SIZE
MIX LEVEL0–255Adjusts the intensity (output level) of the video with the visual eect applied.
9 SPLIT/VFX TYPE: FULL MOSAICApplies a mosaic to the entire screen.
Menu itemValue (Bold: default)Explanation
BLOCK SIZE
MIX LEVEL0–255Adjusts the intensity (output level) of the video with the visual eect applied.
OFF(1x1), 4x4, 8x8, 16x16, 32x32,
64x64, 128x128, 256x256
OFF(1x1), 4x4, 8x8, 16x16, 32x32,
64x64, 128x128, 256x256
Adjusts the horizontal position of the selected area.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob.
Adjusts the vertical position of the selected area.
You can adjust this by turning the SPLIT/VFX [A] or [B] knob while pressing it.
Species the neness (block size) of the mosaic.
Species the neness (block size) of the mosaic.
9 SPLIT/VFX TYPE: WAVEMakes the video wavy.
Menu itemValue (Bold: default)Explanation
GAIN0–127–255Adjust the height of the waves.
TYPE1–4–7Species the number of waves.
MIX LEVEL0–255Adjusts the intensity (output level) of the video with the visual eect applied.
9 SPLIT/VFX TYPE: RGB REPLACEExchanges the colors.
Menu itemValue (Bold: default)Explanation
TYPE
MIX LEVEL
9 SPLIT/VFX TYPE: COLOR PASSTurns the video black and white while preserving a specic color.
Menu itemValue (Bold: default)Explanation
TYPE1–42–63Species the type of color pass.
MIX LEVEL
9 SPLIT/VFX TYPE: NEGATIVEInverts the brightness and colors.
OFF(R.G.B), B.R.G, G.B.R, R.B.G,
G.R.B, B.G.R
0–255
0–255Adjusts the intensity (output level) of the video with the visual eect applied.
Species the type of RGB replace.
Adjusts the intensity (output level) of the video with the visual eect applied.
Menu itemValue (Bold: default)Explanation
TYPEPr, Pb, PbPr, Y, YPr, YPb, YPbPrSpecies the type of negative.
MIX LEVEL
0–255
Adjusts the intensity (output level) of the video with the visual eect applied.
49
Menu List
9 SPLIT/VFX TYPE: COLORIZEAdds color to the video.
Menu itemValue (Bold: default)Explanation
TYPE
MIX LEVEL
9 SPLIT/VFX TYPE: POSTERIZEChanges the gradations in brightness.
Menu itemValue (Bold: default)Explanation
LEVEL1–3–4Species the gradation level for brightness.
MIX LEVEL
1–8
0–255
0–255
Species the type of colorize.
Adjusts the intensity (output level) of the video with the visual eect applied.
Adjusts the intensity (output level) of the video with the visual eect applied.
9 SPLIT/VFX TYPE: SILHOUETTE
Menu itemValue (Bold: default)Explanation
TYPE1–128Species the hue to be colorized.
MIX LEVEL0–255
9 SPLIT/VFX TYPE: EMBOSSAdds a bas-relief eect to the video.
Menu itemValue (Bold: default)Explanation
TYPE1–128Species the type of emboss.
CONTRAST0–15Adjusts the contrast.
MIX LEVEL0–255
9 SPLIT/VFX TYPE: FIND EDGESExtracts contours.
Menu itemValue (Bold: default)Explanation
FG COLOR0–15Species the color of the edge.
BG COLOR0–3–15Species the color of the background.
MIX LEVEL
0–255
Separates the video into light and dark areas, and makes the dark areas black
and adds a dierent color to the light areas.
Adjusts the intensity (output level) of the video with the visual eect applied.
Adjusts the intensity (output level) of the video with the visual eect applied.
Adjusts the intensity (output level) of the video with the visual eect applied.
9 SPLIT/VFX TYPE: MONOCOLORTurns the video monochrome.
Menu itemValue (Bold: default)Explanation
Pb COLOR0–63Species the color of the edge.
Pr COLOR0–63Species the color of the background.
MIX LEVEL
9 SPLIT/VFX TYPE: HUE OFFSETChanges the visual character by controlling the hue.
Menu itemValue (Bold: default)Explanation
VALUE
MIX LEVEL
0–255
0–180–359
0–255
Adjusts the intensity (output level) of the video with the visual eect applied.
Species the reference value for hue.
Adjusts the intensity (output level) of the video with the visual eect applied.
50
9 SPLIT/VFX TYPE: SATURATION OFFSETChanges the visual character by controlling the saturation.
Menu itemValue (Bold: default)Explanation
VALUE
MIX LEVEL0–255
9 SPLIT/VFX TYPE: VALUE OFFSETChanges the visual character by controlling the brightness.
Menu itemValue (Bold: default)Explanation
VALUE
MIX LEVEL
-256–0–255
-256–0–255
0–255
Species the reference value for saturation.
Adjusts the intensity (output level) of the video with the visual eect applied.
Species the reference value for brightness.
Adjusts the intensity (output level) of the video with the visual eect applied.
Menu List
51
Menu List
6: PinP
PinP 1, 2
Menu itemValue (Bold: default)Explanation
Species the video source of the inset screen.
PinP SOURCEHDMI 1–8, STILL 1–8
PinP,
PinP TYPE
9 PinP TYPE: PinPComposites the video of the inset screen on top of the background video.
Menu itemValue (Bold: default)Explanation
COPY SETTINGS FROM
PinP 2 (or PinP 1)
SWAP SETTINGS FROM
PinP 2 (or PinP 1)
WINDOWAdjusts the inset screen.
POSITION H-50.0–-40.0–50.0%Adjusts the inset screen’s display position horizontally.
POSITION V-50.0–-40.0–50.0%Adjusts the inset screen’s display position vertically.
SIZE10.0–35.0–100.0%Adjusts the size (zoom) of the inset screen.
CROPPING H0.0–100.0%Adjusts the horizontal size of the inset screen.
CROPPING V0.0–100.0%Adjusts the vertical size of the inset screen.
SHAPERECTANGLE, CIRCLE, DIAMONDSpecies the shape of the inset screen.
BORDER COLOR
BORDER WIDTH0–3–14Adjusts the width of the border for the inset screen.
VIEWAdjusts the video that is shown in the inset screen.
POSITION H-50.0–0.0–50.0%Adjusts the horizontal position at which the inset screen is shown.
POSITION V-50.0–0.0–50.0%Adjusts the vertical position at which the inset screen is shown.
ZOOM100.0–1000.0%Adjusts the zoom of the inset screen.
If MODE is “PinP 1 SOURCE” or “PinP 2 SOURCE,” you can also use the PinP
SOURCE [1]–[8] buttons to switch this.
Species the type of PinP compositing.
* The menu items dier for each type.
Species the color of the border for the inset screen.
If this is set to “SOFTEDGE,” the edge of the inset screen is blurred.
9 PinP TYPE: LUMINANCE-WHITE KEY
Menu itemValue (Bold: default)Explanation
COPY SETTINGS FROM
PinP 2 (or PinP 1)
SWAP SETTINGS FROM
PinP 2 (or PinP 1)
WINDOWAdjusts the inset screen.
POSITION H-50.0–-40.0–50.0%Adjusts the inset screen’s display position horizontally.
POSITION V-50.0–-40.0–50.0%Adjusts the inset screen’s display position vertically.
SIZE10.0–35.0–100.0%Adjusts the size (zoom) of the inset screen.
CROPPING H0.0–100.0%Adjusts the horizontal size of the inset screen.
CROPPING V0.0–100.0%Adjusts the vertical size of the inset screen.
VIEWAdjusts the video that is shown in the inset screen.
POSITION H-50.0–0.0–50.0%Adjusts the horizontal position at which the inset screen is shown.
POSITION V-50.0–0.0–50.0%Adjusts the vertical position at which the inset screen is shown.
ZOOM100.0–1000.0%Adjusts the zoom of the inset screen.
EXECCopies another PinP settings.
EXECExchanges the settings of PinP 1 and PinP 2.
Composites the video by applying a luminance key to the PinP to make its
white areas transparent.
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Menu List
Menu itemValue (Bold: default)Explanation
KEY LEVEL0–64–255Adjusts the degree of extraction (transparency) for the key.
KEY GAIN0–255Adjusts the degree of edge blur (semi-transmissive region) for the key.
MIX LEVEL0–255Adjusts the key’s overall density (output level).
If this is “MATTE,” the superimposed logo or video is lled-in with the specied
FILL TYPEBUS, MATTE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH0–3–14Species the width of the edge applied to the superimposed logo or video.
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
OFF, BORDER, DROP, SHADOW,
OUTLINE
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
color when using key compositing.
The ll-in color is specied by “MATTE COLOR” listed below.
Species the color used when lling-in the superimposed logo or video.
* This is valid when “FILL TYPE” is set to “MATTE.”
Species the type of edge applied to the superimposed logo or video.
Species the color of the edge applied to the superimposed logo or video.
9 PinP TYPE: LUMINANCE-BLACK KEY
Menu item
COPY SETTINGS FROM
PinP 2 (or PinP 1)
SWAP SETTINGS FROM
PinP 2 (or PinP 1)
WINDOW
POSITION H
POSITION V
SIZE
CROPPING H
CROPPING V
VIEW
POSITION H
POSITION V
ZOOM
KEY LEVEL
KEY GAIN
MIX LEVEL
FILL TYPE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH
Value (Bold: default)
EXECCopies another PinP settings.
EXECExchanges the settings of PinP 1 and PinP 2.
Adjusts the inset screen.
-50.0–-40.0–50.0%Adjusts the inset screen’s display position horizontally.
-50.0–-40.0–50.0%Adjusts the inset screen’s display position vertically.
10.0–35.0–100.0%Adjusts the size (zoom) of the inset screen.
0.0–100.0%Adjusts the horizontal size of the inset screen.
0.0–100.0%Adjusts the vertical size of the inset screen.
Adjusts the video that is shown in the inset screen.
-50.0–0.0–50.0%Adjusts the horizontal position at which the inset screen is shown.
-50.0–0.0–50.0%Adjusts the vertical position at which the inset screen is shown.
100.0–1000.0%Adjusts the zoom of the inset screen.
0–64–255Adjusts the degree of extraction (transparency) for the key.
0–255Adjusts the degree of edge blur (semi-transmissive region) for the key.
0–255Adjusts the key’s overall density (output level).
BUS, MATTE
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
OFF, BORDER, DROP, SHADOW,
OUTLINE
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
0–3–14Species the width of the edge applied to the superimposed logo or video.
Composites the video by applying a luminance key to the PinP to make its
black areas transparent.
Explanation
If this is “MATTE,” the superimposed logo or video is lled-in with the specied
color when using key compositing.
The ll-in color is specied by “MATTE COLOR” listed below.
Species the color used when lling-in the superimposed logo or video.
* This is valid when “FILL TYPE” is set to “MATTE.”
Species the type of edge applied to the superimposed logo or video.
Species the color of the edge applied to the superimposed logo or video.
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Menu List
9 PinP TYPE: CHROMA KEYComposites the video by applying chroma key to the PinP.
Menu itemValue (Bold: default)Explanation
COPY SETTINGS FROM
PinP 2 (or PinP 1)
SWAP SETTINGS FROM
PinP 2 (or PinP 1)
WINDOWAdjusts the inset screen.
POSITION H-50.0–-40.0–50.0%Adjusts the inset screen’s display position horizontally.
POSITION V-50.0–-40.0–50.0%Adjusts the inset screen’s display position vertically.
SIZE10.0–35.0–100.0%Adjusts the size (zoom) of the inset screen.
CROPPING H0.0–100.0%Adjusts the horizontal size of the inset screen.
CROPPING V0.0–100.0%Adjusts the vertical size of the inset screen.
VIEWAdjusts the video that is shown in the inset screen.
POSITION H-50.0–0.0–50.0%Adjusts the horizontal position at which the inset screen is shown.
POSITION V-50.0–0.0–50.0%Adjusts the vertical position at which the inset screen is shown.
ZOOM100.0–1000.0%Adjusts the zoom of the inset screen.
KEY LEVEL0–64–255Adjusts the degree of extraction (transparency) for the key.
KEY GAIN0–255Adjusts the degree of edge blur (semi-transmissive region) for the key.
MIX LEVEL0–255Adjusts the key’s overall density (output level).
CHROMAMake detailed settings for chroma key.
COLORGREEN, BLUE
HUE WIDTH-30–0–30Adjusts the hue width for the key color.
HUE FINE0–240–360Adjusts the center position of the hue for the key color.
SATURATION WIDTH-30–0–30Adjusts the saturation width for the key color.
SATURATION FINE0–255Adjusts the center position of saturation for the key color.
SAMPLING MARKEROFF, ON
POSITION H-50–0–50%Adjusts the horizontal position of the sampling marker.
POSITION V-50–0–50%Adjusts the vertical position of the sampling marker.
SAMPLING EXECUTEEXEC
FILL TYPEBUS, MATTE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH0–3–14Species the width of the edge applied to the superimposed logo or video.
EXECCopies the another PinP settings.
EXECExchanges the settings of PinP 1 and PinP 2.
Sets green or blue as the key color (the color to be removed). If you want a
color other than green or blue to turn transparent, use “SAMPLING MARKER” to
specify the key color.
If this is “ON,” a sampling marker (cross-shaped cursor) is shown on the preview
output video for you to sample (detect) the key color.
When you execute sampling, the setting automatically turns “OFF.”
Executes key color sampling.
The “HUE WIDTH,” “HUE FINE,” “SATURATION WIDTH,” and “SATURATION FINE”
settings are adjusted automatically.
If this is “MATTE,” the superimposed logo or video is lled-in with the specied
color when using key compositing.
The ll-in color is specied by “MATTE COLOR” listed below.
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
OFF, BORDER, DROP, SHADOW,
OUTLINE
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
Species the color used when lling-in the superimposed logo or video.
* This is valid when “FILL TYPE” is set to “MATTE.”
Species the type of edge applied to the superimposed logo or video.
Species the color of the edge applied to the superimposed logo or video.
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Menu List
7: DSK
Menu itemValue (Bold: default)Explanation
DSK SOURCEHDMI 1–8, STILL 1–8Select the source of the logo or image that you want to superimpose.
Species the DSK type used during DSK composition.
LUMINANCE-WHITE
DSK TYPE
DSK LEVEL0–64–255Adjusts the degree of extraction (transparency) for the key.
DSK GAIN0–255Adjusts the degree of edge blur (semi-transmissive region) for the key.
MIX LEVEL0–255Adjusts the key’s overall density (output level).
CHROMA
COLORGREEN, BLUE
HUE WIDTH-30–0–30Adjusts the hue width for the key color.
HUE FINE0–240–360Adjusts the center position of the hue for the key color.
SATURATION WIDTH-30–0–30Adjusts the saturation width for the key color.
SATURATION FINE0–255Adjusts the center position of saturation for the key color.
SAMPLING MARKEROFF, ON
POSITION H-50–0–50%Adjusts the horizontal position of the sampling marker.
POSITION V-50–0–50%Adjusts the vertical position of the sampling marker.
SAMPLING EXECUTEEXEC
FILL TYPEBUS, MATTE
MATTE COLOR
EDGE TYPE
EDGE COLOR
EDGE WIDTH0–3–14Species the width of the edge applied to the superimposed logo or video.
LUMINANCE-BLACK
CHROMA
Make detailed settings for chroma key.
* This is valid when “DSK TYPE” is set to “CHROMA.”
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
OFF, BORDER, DROP, SHADOW,
OUTLINE
WHITE, YELLOW, CYAN, GREEN,
MAGENTA, RED, BLUE, BLACK
Composite using luminance key.
Makes white portions transparent according to brightness.
Composite using luminance key.
Makes black portions transparent according to brightness.
Composite using chroma key.
Makes the specied key color transparent according to hue.
Sets green or blue as the key color (the color to be removed). If you want a
color other than green or blue to turn transparent, use “SAMPLING MARKER” to
specify the key color.
If this is “ON,” a sampling marker (cross cursor) is shown on the preview output
video for you to sample (detect) the key color.
When you execute sampling, the setting automatically turns “OFF.”
Executes key color sampling.
The “HUE WIDTH,” “HUE FINE,” “SATURATION WIDTH,” and “SATURATION FINE”
settings are adjusted automatically.
If this is “MATTE,” the superimposed logo or video is lled-in with the specied
color when using key compositing.
The ll-in color is specied by “MATTE COLOR” listed below.
Species the color used when lling-in the superimposed logo or video.
* This is valid when “FILL TYPE” is set to “MATTE.”
Species the type of edge applied to the superimposed logo or video.
Species the color of the edge applied to the superimposed logo or video.
55
Menu List
8: AUDIO INPUT
INPUT1–8, AUDIO INPUT
Menu itemValue (Bold: default)Explanation
INPUT LEVEL-INF–0.0–10.0dBAdjusts the input volume.
INPUT MUTEOFF, ON
SOLOOFF, ON
Species an eect preset (high-pass lter, compressor, equalizer).
* When you change a preset, the settings of each eect are overwritten.
DEFAULTFor line input (default setting)
MEETINGFor meetings
EFFECT PRESET
DELAY
HIGH PASS FILTER 75HzOFF, ON
NOISE GATEOFF, ON
THRESHOLD-80.0–-50.0–0.0dB
RELEASE30–380–5000ms
COMPRESSOROFF, ON
THRESHOLD-80.0–-50.0–0.0dB
RATIO
ATTAC K0.2–1–100ms
RELEASE30–380–5000ms
AUTO GAINOFF, ON
MAKEUP GAIN-40–0–40dBAdjusts the nal output volume after applying the compressor.
INTERVIEWFor interviews
AMBIENT MICFor capturing ambient sound
WINDY FIELDFor capturing ambient sound in a windy area
DE-ESS & POPS SOFT
DE-ESS & POPS HARDFor reducing plosives
0.0–500.0msec
(0.0–29.9/25.0frame)
1.00: 1, 1.12: 1, 1.25: 1, 1.40: 1,
1.60: 1, 1.80: 1, 2.00: 1, 2.50: 1,
3.20: 1, 4.00: 1, 5.60: 1, 8.00: 1,
16.0: 1, INF: 1
Turns the mute function on/o. If this is “ON,” the input audio is temporarily
silenced.
Turns the solo function on/o. Only the audio for which this is “ON” is heard in
the headphones.
* The solo function applies to the headphone output. It does not aect output
other than the headphones.
For reducing sibilants
Adjusts the delay time of the audio.
Eect This outputs audio with a delay.
Turns the high-pass lter on/o.
Eect Cuts o unneeded low-band audio. The cuto frequency is 75 Hz.
Turns the noise gate on/o.
Eect This mutes audio that is below a specied level.
Species the level used as the threshold for removing audio. Audio below the
level set here is removed.
Adjusts the length of time until the audio is fully attenuated after audio falls
below the threshold.
Turns the compressor on/o.
Eect This compresses audio that exceeds a specied level.
Species the level used as the threshold at which the compressor is applied.
Compression is applied to audio that exceeds the threshold.
Species the degree of compression applied to the audio. The state in which
no compression is applied is dened as “1.”
Species the time until compression starts when audio exceeding the
threshold is input.
Adjusts the length of time until compression ends after audio falls below the
threshold.
Turns the auto makeup gain feature on/o.
If this is “ON,” the nal output volume level after applying the compressor is
automatically adjusted according to the “THRESHOLD” and “RATIO” settings.
The total of the “MAKEUP GAIN” setting value described below and the value
calculated by auto makeup gain becomes the nal output volume level
(up to +34 dB).
56
Menu itemValue (Bold: default)Explanation
EQUALIZEROFF, ON
Hi GAIN-15.0–0.0–15.0dBBoosts or attenuates the high band.
Hi FREQUENCY1.0–10.0–20.0kHzSpecies the center frequency when changing the tone in the high band.
Mid GAIN-15.0–0.0–15.0dBBoosts or attenuates the middle band.
Mid FREQUENCY20.0–500Hz–20.0kHzSpecies the center frequency when changing the tone in the middle band.
Mid Q0.5–1.0–16.0
Lo GAIN-15.0–0.0–15.0dBBoosts or attenuates the low band.
Lo FREQUENCY20.0–500Hz–20.0kHzSpecies the center frequency when changing the tone in the low band.
Turns the equalizer on/o.
Eect Adjusts the tone for each frequency band.
Adjusts the width of the frequency band when boosting or attenuating the
middle band.
Menu List
57
Menu List
9: AUDIO OUTPUT
OUTPUT ASSIGN
Menu itemValue (Bold: default)Explanation
Species the audio bus assigned to the AUDIO OUT jacks.
AUDIO OUT
PHONES OUT
MASTER OUTPUT
MASTER OUTPUTOutput the audio of the MAIN bus.
AUXOutput the audio of the AUX bus.
Species the audio bus assigned to the PHONES jack.
MASTER OUTPUTOutput the audio of the MAIN bus.
AUXOutput the audio of the AUX bus.
Menu item
OUTPUT LEVEL-INF–0.0–10.0dBAdjusts the output volume.
OUTPUT MUTEOFF, ON
LIMITEROFF, ON
THRESHOLD30–380–5000ms
EQUALIZEROFF, ON
Hi GAIN-15.0–0.0–15.0dBBoosts or attenuates the high band.
Hi FREQUENCY1.0–10.0–20.0kHzSpecies the center frequency when changing the tone in the high band.
Mid GAIN-15.0–0.0–15.0dBBoosts or attenuates the middle band.
Mid FREQUENCY20.0–500Hz–20.0kHzSpecies the center frequency when changing the tone in the middle band.
Mid Q0.5–1.0–16.0
Lo GAIN-15.0–0.0–15.0dBBoosts or attenuates the low band.
Lo FREQUENCY20.0–500Hz–20.0kHzSpecies the center frequency when changing the tone in the low band.
MULTI BAND
COMPRESSOR
Hi THRESHOLD-40.0–-20.0–0.0dB
Hi RATIO
Mid THRESHOLD-40.0–-16.0–0.0dB
Mid RATIO
Lo THRESHOLD-40.0–-20.0–0.0dB
Lo RATIO
Value (Bold: default)
OFF, ON
1.00: 1, 1.12: 1, 1.25: 1, 1.40: 1,
1.60: 1, 1.80: 1, 2.00: 1, 2.50: 1,
3.20: 1, 4.00: 1, 5.60: 1, 8.00: 1,
16.0: 1, INF: 1
1.00: 1, 1.12: 1, 1.25: 1, 1.40: 1,
1.60: 1, 1.80: 1, 2.00: 1, 2.50: 1,
3.20: 1, 4.00: 1, 5.60: 1, 8.00: 1,
16.0: 1, INF: 1
1.00: 1, 1.12: 1, 1.25: 1, 1.40: 1,
1.60: 1, 1.80: 1, 2.00: 1, 2.50: 1,
3.20: 1, 4.00: 1, 5.60: 1, 8.00: 1,
16.0: 1, INF: 1
Explanation
Turns the mute function on/o.
If this is “ON,” the output audio is temporarily silenced.
Turns the limiter on or o.
Eect This limits the output volume so that is does not exceed the set level.
Adjusts the level that becomes the threshold at which the limiter is applied.
Compression is applied to audio that exceeds the threshold. The volume level
of audio that is output is limited so as to stay to below the threshold.
Turns the equalizer on/o.
Eect Adjusts the tone for each frequency band.
Adjusts the width of the frequency band when boosting or attenuating the
middle band.
Turns the multi-band compressor on/o.
Eect Applies separate compressors in individual frequency band.
Species the threshold level at which the compressor is applied to the high
band.
Compression is applied to audio that exceeds the threshold.
Species the amount of compression applied in the high band.
The state in which no compression is applied is dened as “1.”
Species the threshold level at which the compressor is applied to the middle
band.
Compression is applied to audio that exceeds the threshold.
Species the amount of compression applied in the middle band.
The state in which no compression is applied is dened as “1.”
Species the threshold level at which the compressor is applied to the low band.
Compression is applied to audio that exceeds the threshold.
Species the amount of compression applied in the low band.
The state in which no compression is applied is dened as “1.”
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AUX
Menu itemValue (Bold: default)Explanation
AUX LEVEL-INF–0.0–10.0dBAdjusts the output volume of the AUX bus.
AUX MUTEOFF, ON
LIMITEROFF, ON
THRESHOLD30–380–5000ms
AUX SENDSpecies the audio that is sent to the AUX bus.
HDMI AUDIOOFF, ON
AUDIO INOFF, ON
AUX EFFECTSpecies the type of audio that is sent from each input to the AUX bus.
INPUT 1DRY, WET
INPUT 2DRY, WET
INPUT 3DRY, WET
INPUT 4DRY, WET
INPUT 5DRY, WET
INPUT 6DRY, WET
INPUT 7DRY, WET
INPUT 8DRY, WET
AUDIO INDRY, WET
Turns the mute function on/o.
If this is “ON,” the output audio of the AUX bus is temporarily silenced.
Turn the limiter on/o.
Eect This limits the output volume so that is does not exceed the set level.
Adjusts the level that becomes the threshold at which the limiter is applied.
Compression is applied to audio that exceeds the threshold. The volume level
of audio that is output is limited so as to stay to below the threshold.
Species whether the input audio of INPUT 1–8 is sent (ON) or is not sent (OFF)
to the AUX bus.
Species whether the input audio of the AUDIO IN jacks is sent (ON) or is not
sent (OFF) to the AUX bus.
DRY:
Sends the source audio with no eects applied.
WET:
Sends the eect-applied audio.
Menu List
10: AUDIO FOLLOW
Menu itemValue (Bold: default)Explanation
ALL AUDIO FOLLOWOFF, ONTurns on/o the audio follow function for INPUT 1–8 in a single action.
INPUT 1OFF, ON
INPUT 2OFF, ON
INPUT 3OFF, ON
INPUT 4OFF, ON
INPUT 5OFF, ON
INPUT 6OFF, ON
INPUT 7OFF, ON
INPUT 8OFF, ON
AUDIO INOFF, INPUT 1–8
Turns the Audio Follow feature on/o.
Audio follow is a function that automatically switches the audio output in
tandem with video switching.
If this is “ON,” only the audio of the selected input video is output, and audio of
the other input video is automatically muted.
Species the input video (INPUT 1–8) that uses audio follow for the audio of
AUDIO IN.
The audio of AUDIO IN is output only when the specied input video is
selected.
If this is “OFF,” the audio of AUDIO IN is always output regardless of the input
video selection.
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Menu List
11: PRESET MEMORY
Menu itemValue (Bold: default)Explanation
LOADMEMORY 1–8
SAVEMEMORY 1–8
INITIALIZEMEMORY 1–8
Species the settings loaded at startup.
START UP
MEMORY PROTECTOFF, ON
PinP FADE TIME0.0–0.5–1.0sec
LOAD PARAMETERSpecies the menu items that are applied when a preset memory is recalled.
VIDEO INPUTOFF, ON
VIDEO OUTPUTOFF, ON
TRANSITION TIMEOFF, ON
MIX/WIPEOFF, ON
SPLIT/VFXOFF, ON
PinPOFF, ON
DSKOFF, ON
AUDIO INPUTOFF, ON
AUDIO OUTPUTOFF, ON
AUDIO FOLLOWOFF, ON
LAST MEMORY
MEMORY 1–8Recall the settings at the selected memory number.
Selects the preset memory to load.
Pressing the [VALUE] knob lets you load the preset memory.
Selects a preset memory for saving settings.
Pressing the [VALUE] knob lets you save the settings to the preset memory.
* The state of the [PHONES] knob (headphone volume) is not saved in preset
memory.
* The following settings are common to the unit (one set for the entire unit),
and therefore are not saved in preset memory.
5 PRESET MEMORY menu5 CTL/EXP menu5 CAPTURE IMAGE menu5 SYSTEM menu
Selects the preset memory to be initialized.
Press the [VALUE] knob to initialize the preset memory.
Restores the state that was in eect immediately before the power was turned
o (Last Memory function).
The current settings (Last Memory values) are saved every 4 seconds, and
when you exit a menu.
If this is “ON,” the preset memories are protected, and settings cannot be saved
to them.
Species the time over which the PinP 1 or PinP 2 inset screen disappears/
appears when a preset memory is recalled.
* If this is set to “0.0sec,” the PinP inset screen video might icker briey when a
preset memory is recalled.
Menu items for which this is “OFF” do not change when a preset memory is
recalled.
12: STILL IMAGE
Menu itemValue (Bold: default)Explanation
Loads a still image from a USB ash drive and saves it in this unit.
Species the save-destination for the still image that is loaded from the USB
ash drive.
LOAD FROM USB
MEMORY
DELETE STILL IMAGESTILL 1–8
STILL 1–8
60
If a still image is already saved, an “ * ” is shown.
When you press the [VALUE] knob, a list of the still images on the USB ash
drive is shown.
Select the still image that you want to load, and press the [VALUE] knob to save
the still image in this unit.
Here’s how to delete the still image that’s saved in the unit.
Select the still image that you want to delete.
Press the [VALUE] knob to delete the selected still image.
13: FREEZE
Menu itemValue (Bold: default)Explanation
Turns the freeze function on/o. If this is “ON,” the input video is temporarily
FREEZEOFF, ON
Species the type of freeze function.
TYPE
INPUT 1ENABLE, DISABLE
INPUT 2ENABLE, DISABLE
INPUT 3ENABLE, DISABLE
INPUT 4ENABLE, DISABLE
INPUT 5ENABLE, DISABLE
INPUT 6ENABLE, DISABLE
INPUT 7ENABLE, DISABLE
INPUT 8ENABLE, DISABLE
ALLFreezes all video that is being input.
SELECTFreezes only the specied input video.
frozen.
If “FREEZE” is assigned to the USER [1] or [2] button, you can also switch this by
pressing the button.
* This is shown if TYPE is “SELECT.”
For each input, species whether the freeze function is enabled (ENABLE) or
disabled (DISABLE).
Menu List
14: AUTO SWITCHING
Menu itemValue (Bold: default)Explanation
Turns the auto switching function on/o.
If this is “ON,” the INPUT 1–8 video or preset memory are switched
AUTO SWITCHINGOFF, ON
TYPE
9 TYPE: INPUT SCAN
Menu item
SCAN SEQUENCE
SCAN TRANSITION TIME0.0–1.0–4.0secSpecies the video transition time.
INPUT 1 TIMEOFF, 1–5–120sec
INPUT 2 TIMEOFF, 1–5–120sec
INPUT 3 TIMEOFF, 1–5–120sec
INPUT 4 TIMEOFF, 1–5–120sec
INPUT 5 TIMEOFF, 1–5–120sec
INPUT 6 TIMEOFF, 1–5–120sec
INPUT 7 TIMEOFF, 1–5–120sec
INPUT 8 TIMEOFF, 1–5–120sec
INPUT SCAN,
PRESET MEMORY SCAN,
BPM SYNC
Value (Bold: default)
Species the order in which video signals are shown.
* Channels that have no video input are skipped.
NORMAL
REVERSE
RANDOMSwitches randomly.
automatically.
If “AUTO SWITCHING” is assigned to the USER [1] or [2] button, you can also
switch this by pressing the button.
Species the type of auto switching function.
* The menu items dier for each type.
Automatically switches to the video of INPUT 1–8 when the specied time
elapses.
Explanation
Switches in the order of INPUT 108.
Switches in the order of INPUT 801.
Species the time that the video is shown.
If this is “OFF,” video switching does not aect the input.
61
Menu List
9 TYPE: PRESET MEMORY SCAN
Menu itemValue (Bold: default)Explanation
Species the order in which preset memories are switched.
* Preset memories in which no settings have been saved are skipped.
SCAN SEQUENCE
MEMORY 1 TIMEOFF, 1–5–120sec
MEMORY 2 TIMEOFF, 1–5–120sec
MEMORY 3 TIMEOFF, 1–5–120sec
MEMORY 4 TIMEOFF, 1–5–120sec
MEMORY 5 TIMEOFF, 1–5–120sec
MEMORY 6 TIMEOFF, 1–5–120sec
MEMORY 7 TIMEOFF, 1–5–120sec
MEMORY 8 TIMEOFF, 1–5–120sec
9 TYPE: BPM SYNCThis automatically switches the video at specied BPM intervals.
Menu itemValue (Bold: default)Explanation
BPM20–120–250Species the BPM.
MODE
SPEEDx1/4, x1/2, x1, x2Species the picture switching speed as a multiple of the specied BPM.
NORMAL
REVERSE
RANDOMSwitches randomly.
Species how the picture is switched.
TRANSITIONThe picture switches using the currently selected transition eect (mix or wipe).
CUTThe picture switches instantly.
This automatically switches between preset memories 1–8. The video and audio
are switched according to the settings that are saved in each preset memory.
Switches in the order of preset memory 108.
Switches in the order of preset memory 801.
Species the time that the video is shown.
If this is “OFF,” video switching does not aect the input.
62
15: CTL/EXP
CTL/EXP 1, 2
Menu List
Menu item
CTL/EXP TYPE
CTL A ASSIGN
CTL B ASSIGN
Value (Bold: default)
Species the device (footswitch, expression pedal) that is connected to the CTL/EXP jack.
OFFDisables the CTL/EXP jack.
CTL A & CTL BChoose this if a footswitch is connected.
EXPChoose this if an expression pedal is connected.
Species the functions that are assigned to CTL A and CTL B of the footswitch.
* This is valid when “CTL/EXP TYPE” is set to “CTL A & CTL B.”
N/ANo function is assigned.
A/PGM CH SEL 1–8
B/PST CH SEL 1–8
AUX CH SEL 1–8
INPUT 1–8 ASSIGNSwitches the source of the specied input channel.
STILL 1–8 OUTPUTSwitches the output video to the specied still image.
PinP 1 SRC HDMI 1–8
PinP 1 SRC STILL 1–8Switches the video shown in the PinP 1 inset screen to the specied still image.
PinP 2 SRC HDMI 1–8
PinP 2 SRC STILL 1–8Switches the video shown in the PinP 2 inset screen to the specied still image.
DSK SOURCE HDMI 1–8
DSK SOURCE STILL 1–8Switches the source image for DSK compositing to the specied still image.
CUT SWThe same function as the [CUT] button.
AUTO SWThe same function as the [AUTO] button.
TRANSITION SWThe same function as the [TRANSITION] button.
MODE SWThe same function as the [MODE] button.
SPLIT/VFX A SWThe same function as the SPLIT/VFX [A] button.
SPLIT/VFX B SWThe same function as the SPLIT/VFX [B] button.
PinP 1 PVW SWThe same function as the PinP 1 [PVW] button.
PinP 1 ON SWThe same function as the PinP 1 [ON] button.
PinP 2 PVW SWThe same function as the PinP 2 [PVW] button.
PinP 2 ON SWThe same function as the PinP 2 [ON] button.
DSK PVW SWThe same function as the DSK [PVW] button.
DSK ON SWThe same function as the DSK [ON] button.
USER 1 SWThe same function as the USER [1] button.
USER 2 SWThe same function as the USER [2] button.
H AUTO TAKE I
H CUT I
INPUT 1–8 AUDIO MUTETurns the mute function on/o for the audio of the specied input channel.
AUDIO IN AUDIO MUTETurns the mute function on/o for AUDIO IN audio.
AUDIO OUTPUT MUTETurns the mute function on/o for AUDIO OUT audio.
AUDIO AUX MUTETurns on/o the mute function for AUX-bus audio.
INPUT 1–8 AUDIO SOLOTurns the solo function on/o for the audio of the specied input channel.
OUTPUT FADE LEFTThe same function as turning the [OUTPUT FADE] knob to the left.
OUTPUT FADE RIGHTThe same function as turning the [OUTPUT FADE] knob to the right.
LOAD MEMORY 1–8Recalls the specied preset memory.
Explanation
Selects the video of the specied input channel as the video sent to the A/PGM
bus.
Selects the video of the specied input channel as the video sent to the B/PST
bus.
Selects the video of the specied input channel as the video sent to the AUX
bus.
Switches the video shown in the PinP 1 inset screen to the video of the
specied input channel.
Switches the video shown in the PinP 2 inset screen to the video of the
specied input channel.
Switches the source image for DSK compositing to the video of the specied
input channel.
Switches the video between A/PGM bus and B/PST bus.
Switches the video between A/PGM bus and B/PST bus as a cut.
63
Menu List
Menu item
CTL A ASSIGN
CTL B ASSIGN
EXP ASSIGN
Value (Bold: default)
INPUT SCAN NORMAL
INPUT SCAN REVERSE
MEMORY SCAN NORMAL
MEMORY SCAN REVERSE
Species the function that is assigned to the expression pedal.
* This is valid when “CTL/EXP TYPE” is set to “EXP.”
N/ANo function is assigned.
VIDEO FADERSlides the video fader to the top edge or bottom edge.
H CUT I
VFX A MIX LEVEL
VFX B MIX LEVEL
OUTPUT FADE LEFTTurns the [OUTPUT FADE] knob counterclockwise.
OUTPUT FADE RIGHTTurns the [OUTPUT FADE] knob clockwise.
STILL 1–8 OUTPUT
INPUT 1–8 AUDIO LEVEL
AUDIO IN AUDIO LEVELAdjusts the volume of AUDIO IN.
AUDIO OUTPUT LEVELAdjusts the volume of AUDIO OUT.
AUX OUTPUT LEVELAdjusts the volume of AUX bus.
Explanation
Consecutively switches the input video in the order of INPUT 108 each time
you press.
Consecutively switches the input video in the order of INPUT 801 each time
you press.
Consecutively switches the preset memory in the order of 108 each time you
press.
Consecutively switches the preset memory in the order of 801 each time you
press.
Switches the video between A/PGM bus and B/PST bus as a cut.
Adjusts the density (output level) of the video that is processed by the visual
eect A.
Adjusts the density (output level) of the video that is processed by the visual
eect B.
Switches the output video to the specied still image.
Adjusts the volume of the specied input channel.
* This is valid when “CTL/EXP TYPE” is set to “EXP.”
Displays the EXP CALIBRATE screen.
Following the direction on the screen, calibrate (adjust) the expression pedal.
EXP CALIBRATEENTER
The rst time you use the expression pedal, be sure to execute calibration so
that the pedal will operate optimally.
In some cases, the expression pedal might no longer be operating optimally
because of the passage of time or the conditions of use. In such cases you
should also execute expression pedal calibration.
16: USB MEMORY
Menu itemValue (Bold: default)Explanation
This loads settings that are in a preset memory saved on a USB ash drive.
When you press the [VALUE] knob, a list of the les in the USB ash drive
RESTORE ALL SETTINGSENTER
BACKUP ALL SETTINGSENTER
FORMATEXEC
appears.
When you select the le that you want to recall and press the [VALUE] knob,
the contents of this unit are overwritten.
Saves the current settings as a le on the USB ash drive.
When you press the [VALUE] knob, a list of the les in the USB ash drive
appears.
If you are saving as a new le, select “NEW FILE...” and enter a le name.
If you are overwriting an existing le, select that le in the list.
When you press the [VALUE] knob, the le is saved to the USB ash drive.
Formats the USB ash drive.
When you press the [VALUE] knob, format is executed.
64
17: SYSTEM
Menu List
Menu item
Value (Bold: default)
Explanation
Species whether HDCP is enabled (ON) or disabled (OFF).
When set to “ON,” copyright-protected (HDCP) video can be input.
HDCPOFF, ON
HDCP is also added to the video that is output.
* When you change the setting, the change is not applied until you press the
[VALUE] knob to conrm.
Species the frame rate.
FRAME RATE59.94, 50Hz
* When you change the setting, the change is not applied until you press the
[VALUE] knob to conrm.
Species the system format for the V-8HD.
SYSTEM FORMAT720p, 1080i, 1080p
* When you change the setting, the change is not applied until you press the
[VALUE] knob to conrm.
Species the function of the [CUT] button.
When the video of the B/PST bus is selected, switches to the video of the A/PGM
bus.
Switches the video between A/PGM bus and B/PST bus.
When the video of the B/PST bus is selected, switches to the video of the A/PGM
bus as a cut.
Switches the video between A/PGM bus and B/PST bus as a cut.
CUT SW ASSIGN
H AUTO TAKE
H AUTO TAKE I
H CUT
H CUT I
Switches to the video of the A/PGM bus as a cut only while you’re holding
H TRANSFORM
down the button.
When you release your nger from the button, the program output video returns.
Species the function of the [AUTO] button.
When the video of the A/PGM bus is selected, switches to the video of the B/PST
bus.
Switches the video between A/PGM bus and B/PST.
When the video of the A/PGM bus is selected, switches to the video of the B/PST
bus as a cut.
Switches the video between A/PGM bus and B/PST as a cut.
AUTO SW ASSIGN
AUTO TAKE I
H AUTO TAKE I
CUT I
H CUT I
Switches to the video of the B/PST bus as a cut only while you’re holding down
TRANSFORM I
the button.
When you release your nger from the button, the program output video returns.
PANEL OPERATIONA/B, PGM/PSTSpecies the operation mode for video transitions.
ENTERDisplays the following PANEL LOCK menu.
Enable (ON) or disable (OFF) the panel lock.
Menu itemValue (Bold: default)Explanation
ALL SW & VOLUMEOFF, ONTurns on/o the settings of the following buttons and knobs in a single action.
Species whether the same video as the PGM bus is sent to the AUX bus (AUX link).
OFFUse the AUX [1]–[8] buttons to select the video of the AUX bus.
AUX link is enabled, and the same video as the PGM bus is sent to the AUX bus.
Temporarily disabling AUX link
AUX LINKED PGM
OUTPUT FADE ASSIGN
TURN LEFT
TURN RIGHT
AUTO LINK
MANUAL LINK
Species the functions that occur when you turn the [OUTPUT FADE] knob to the left (TURN LEFT ) or to the right
(TURN RIGHT).
BLACK
WHITE
AUDIO
BLACK&AUDIO
WHITE&AUDIO
(TURN LEFT)
(TURN RIGHT)
STILL 1–8 OUTPUT
When you press an AUX [1]–[8] button, the selection of the AUX [1]–[8] button
is enabled (lit green).
Re-enabling AUX link
AUTO LINK
MANUAL LINK
When you operate the [AUTO] button etc. to switch the video of the PGM
bus, AUX link is automatically enabled.
When you press the AUX [1]–[8] button that is currently selected (lit green),
AUX link is enabled.
Fade out to black.
Fade out to white.
Adjust the volume of the output audio.
Simultaneously apply the fade-to-black and the output audio volume
adjustment functions.
Simultaneously apply the fade-to-white and the output audio volume
adjustment functions.
Outputs the specied still image.
Species the function of the USER [1] [2] buttons.
No function is assigned.
Turns the freeze function on/o.
Turns the auto switching function on/o.
If AUTO SWITCHING is “BPM SYNC,” you can set the BPM by tapping the button.
Selects the video that is assigned to the specied input.
Outputs the specied still image.
Turns the mute function on/o for the audio of the specied input channel.
Turns the mute function on/o for AUDIO IN audio.
Turns on/o the mute function for AUDIO OUT audio.
Turns on/o the mute function for AUX-bus audio.
Consecutively switches the input video in the order of INPUT 108 each time
you press.
Consecutively switches the input video in the order of INPUT 801 each time
you press.
Consecutively switches the preset memory in the order of 108 each time you
press.
Consecutively switches the preset memory in the order of 801 each time you
press.
Controls the recorder's video record start/stop if a recorder that supports HDMI
REC TRIGGER functionality is connected.
USER 1 SW ASSIGN
USER 2 SW ASSIGN
N/A
FREEZE
(USER 1)
AUTO SWITCHING
BPM TAP
INPUT 1–8 ASSIGN
STILL 1–8 OUTPUT
INPUT 1–8 MUTE
AUDIO IN MUTE
OUTPUT MUTE
AUX MUTE
INPUT SCAN N
INPUT SCAN R
MEMORY SCAN N
MEMORY SCAN R
REC START/STOP
(USER 2)
LED DIMMER1–8Adjusts the brightness of the LEDs.
LCD DIMMER1–8Adjusts the brightness of this unit’s display.
ON SCREEN MENU
TALLY FRAMEOFF, ON
UPPER LEFT, UPPER RIGHT,
LOWER LEFT, LOWER RIGHT
Species the location of the OSD menu displayed on the multi-view monitor.
Species whether the the tally frame is visible (ON) or hidden (OFF) in the
multi-view monitor.
If this is “ON,” a symbol is shown in the CH 1–8 section of the multi-view monitor.
[MODE] buttonMark colorExplanation
AUX/PinP INDICATOROFF, ON
AUXGreenInput channel being sent to the AUX bus
PinP 1 SOURCEYellowInput channel specied as the PinP 1 source image
PinP 2 SOURCEMagentaInput channel specied as the PinP 2 source image
REC INDICATOROFF, ON
66
Species whether a REC indicator is shown (ON) or not shown (OFF) to indicate
that the REC button has been pressed on a connected camera that supports
the HDMI REC TRIGGER function.
Menu List
Menu item
Value (Bold: default)
AUDIO LEVEL METEROFF, ON
AUDIO INOFF, LOWER, UPPER
MULTI-VIEW LABELOFF, ON
MULTI-VIEW LABEL EDITHDMI 1–8, STILL 1–8
Species the screen layout of the PVW section and PGM section shown in the multi-view monitor.
PVW.PGMPGM.PVWBLACK.PGMPGM.BLACK
MULTI-VIEW LAYOUT
PVWPGMPGMPVWPGM
ENTERDisplays the following OUTPUT 3 OSD menu.
Menu itemValue (Bold: default)Explanation
ON SCREEN MENUOFF, ONSpecies whether the menu is shown (ON) or not shown (OFF).
OUTPUT 3 OSD
TARRY FRAMEOFF, ON
LABEL/LEVEL METER/MARK OFF, ON
Explanation
Species whether the audio level meter is shown (ON) or not shown (OFF) in
the multi-view monitor.
Species whether the AUDIO IN audio level meter is shown (LOWER or UPPER)
or not shown (OFF).
Species whether the label is shown (ON) or not shown (OFF) in the multi-view
monitor.
Edit the label name shown in the multi-view monitor.
Press the [VALUE] knob to access the MULTI-VIEW LABEL EDIT screen.
PGM
The PVW section is not shown.
Species whether the the tally frame is visible (ON) or hidden (OFF) in the multiview monitor.
* This is valid when “OUTPUT ASSIGN” is set to “MULTI-VIEW.”
Species whether the “label,” “audio level meter,” “AUX indicator,” and “REC indicator”
of the multi-view monitor are shown (ON) or not shown (OFF).
* This is valid when “OUTPUT ASSIGN” is set to “MULTI-VIEW.”
The PVW section is not shown.
AUTO INPUT DETECT
AUTO OFF
TEST PATTERN
TEST TONE
VIDEO FADER CALIBRATE
FACTORY RESET
VERSION
Turns the auto input detect function on/o.
OFF, ON
If this is “ON,” and the video that is being output as the program disappears, the
program automatically switches to another input video.
Turns the Auto O function on/o.
If this is “ON,” the power to the V-8HD turns o automatically when all of the
OFF, ON
following states persist for 240 minutes.
5 No operation performed on the V-8HD5 No audio or video input5 No equipment is connected to the OUTPUT connectors
OFF, 75% COLOR BAR,
100% COLOR BAR, RAMP, STEP,
Species the test pattern.
HATCH
OFF, -20dB@1kHz, -10dB@1kHz,
0dB@1kHz
Species the test tone.
Displays the VIDEO FADER SET screen.
Following the instructions on the screen, calibrate (adjust) the video fader.
ENTER
In some cases, because of continued use or transport, the video output might
not reach 100% even if you slide the video fader all the way to the top or
bottom. Execute video fader calibration in this case as well.
EXECReturns the unit to its factory defaults.
—Displays the version of the system program.
67
Menu List
List of Shortcut Keys
You can set the following items without entering a menu.
Menu itemOperationRemarks
MIX/WIPE
MIX TYPEHold down the [TRANSITION] button and turn the SPLIT/VFX [A] knobTRANSITION TYPE: MIX
WIPE TYPEHold down the [ TRANSITION] button and turn the SPLIT/VFX [A] knob
WIPE DIRECTIONHold down the [TRANSITION] button and turn the SPLIT/VFX [B] knob
WIPE BORDER COLOR
WIPE BORDER WIDTH
SPLIT/VFX A
SPLIT/VFX TYPEHold down the SPLIT/VFX [A] button and turn the SPLIT/VFX [A] knob
AREA SIZEHold down a Cross-point A [1]–[8] button and turn the SPLIT/VFX [A] knob
BLOCK SIZE
CENTER POSITIONTurn while pressing the SPLIT/VFX [A] knobVFX/SPLIT TYPE : SPLIT V, SPLIT H
SPLIT/VFX B
SPLIT/VFX TYPEHold down the SPLIT/VFX [B] button and turn the SPLIT/VFX [A] knob
AREA SIZEHold down a Cross-point B [1]–[8] button and turn the SPLIT/VFX [B] knob
BLOCK SIZE
CENTER POSITIONTurn while pressing the SPLIT/VFX [B] knobVFX/SPLIT TYPE : SPLIT V, SPLIT H
INPUT 1–8
INPUT ASSIGNHold down the [EXIT] button and press a Cross-point A or B [1]–[8] button
Hold down the [TRANSITION] button and turn the SPLIT/VFX [A] knob while
pressing
Hold down the [TRANSITION] button and turn the SPLIT/VFX [B] knob while
pressing
Hold down a Cross-point A [1]–[8] button and turn the SPLIT/VFX [A] knob
while pressing
Hold down a Cross-point B [1]–[8] button and turn the SPLIT/VFX [B] knob while
pressing
TRANSITION TYPE: WIPE
VFX/SPLIT TYPE :
PART MOSAIC, BACKGROUND MOSAIC
VFX/SPLIT TYPE :
PART MOSAIC, BACKGROUND MOSAIC
Switches the still image (STILL 1–8)
assigned to each input channel
68
Appendix
Troubleshooting
If you suspect a malfunction, please check the following points. If this does not resolve the problem, contact a nearby Roland Service Center.
ProblemItems to checkActionPage
Video-related problems
Could an AUX/PinP SOURCE/MEMORY [1]–[8] button
and cross-point A or B [1]–[8] button be blinking?
No picture is input.
Video from the computer is not
displayed.
Video from the computer is corrupted.
No picture is output.
“Snowy”-noise video is output.
The colors on the monitor screen
connected via HDMI are incorrect.
The edge of the video is cut o on the
connected display
Compositing a logo or video cannot be
accomplished.
Still-image cannot be imported.
Audio-related Problems
No audio is output.
Audio volume is low.
Other Problems
Buttons and knobs cannot be operated.Is panel lock turned on?
Switching is not complete even when the
video fader is moved.
A USB ash drive cannot be read.Has the USB ash drive been formatted on the V-8HD?
Has the video source been correctly assigned to INPUT
1–8?
Is copyright-protected (HDCP) video being input?
Is the format of the video output from the computer
compatible with the V-8HD’s input formats?
When a rapidly moving video is input from a computer,
out-of-sync motion, icker, or other picture corruption
may occur.
Could the [OUTPUT FADE] knob be turned all the way
left or right?
Is the display connected correctly?
It is possible that the HDMI signal is not being sent and
received correctly.
Do the color space settings of the connected display
and of the V-8HD match?
Are the display settings compatible?
Has the correct key type (extraction color) been selected
for DSK?
Are you importing a still image whose format and
resolution are supported by the V-8HD?
Does still image have a proper le name?
Could the volume of the connected amp or speaker be
lowered?
Is the volume turned down on the V-8HD?Adjust each input to an appropriate volume level.p. 30
Could the audio be muted?In the AUDIO INPUT menu, defeat muting.p. 33
Factors such as continued use and transportation
can sometimes cause the video to fail to be switched
completely.
Video in a format that diers from the setting on the V-8HD is
being input. Set the system format to match the connected
device.
Specify the video source to assign to INPUT 1–8.
When inputting copyright-protected (HDCP) video signals, set
“HDCP” to “ON.”
The supported input formats on channels 1 through 6 are
1080p, 1080i, and 720p. Only channels 7 and 8 supports VESAstandard resolutions.
This is called “tearing,” and does not indicate an equipment malfunction.
If the fade function is assigned to the [OUTPUT FADE] knob,
turning the knob all the way to the left or right applies a fade
to the nal output video. To output the video, set the [OUTPUT
FADE] knob to the center position.
When outputting copyright-protected (HDCP) video, connect
an HDCP-compatible display.
Reconnect the HDMI cable.
Use VIDEO OUTPUT menu0“OUTPUT 1–3”0“COLOR SPACE”
to change the setting.
Depending on the device, the color space might be interlinked with the
selection of DVI or HDMI or the selected format. In such cases, changing
the color space on the output device might bring about improvement
for the problem.
In the case of HDMI signals, automatic overscan occurs on some
displays. Change the display’s settings.
Go to the DSK menu and use “KEY TYPE” to select the key type
(extraction color) to match the background color of the logo
or video.
Use the [LEVEL] and [GAIN] knobs to adjust the position to just
the right degree of extraction for the logo or image.
Still images of unsupported formats or resolutions are not
recognized. Prepare a still image whose format and resolution
are supported by the V-8HD.
Use a le name composed of no more than 8 single-byte
alphanumeric characters. Also, be sure to append the “*.bmp”
or “*.png” le extension.
Still images without proper le names are not recognized.
Adjust the volume appropriately.
If the [MENU] button is blinking, panel lock is on.
In the SYSTEM menu item “PANEL LOCK,” turn panel lock o.
Perform calibration of the video fader. Go to the SYSTEM
menu, then select and execute “VIDEO FADER CALIBRATE.”
The V-8HD does not recognize unformatted USB ash drives.
Format the USB ash drive before using it for the rst time.
Operation has been tested for commonly available USB ash
drives, but operation of all USB ash drives is not assured.
Depending on the manufacturer and type of the USB ash
drive, correct operation may not be possible.
Flip horizontal, Flip vertical, Still Image Capture, Still Image Playback, Output fade (Audio, Video: WHITE or BLACK),
Test pattern output
SVGA (800×600/60Hz)XGA (1024×768/60Hz)
SXGA (1280×1024/60Hz)FWXGA (1366×768/60Hz)
UXGA (1600×1200/60Hz)WUXGA (1920×1200/60Hz)
70
9 Audio
Audio ProcessingSampling rate: 24 bits/48 kHz
Audio FormatsLinear PCM, 24 bits/48 kHz, 2ch
Input Connectors
Output Connectors
Input LevelAUDIO IN: -10 dBu (Maximum: +8 dBu)
Input ImpedanceAUDIO IN: 38 kΩ
Output Level
Output Impedance
Audio EectsDelay, High pass lter, Compressor, Noise gate, Equalizer, Multi-band compressor, Limiter, Test tone output
INPUT 1–8HDMI Type A x 8
AUDIO INRCA phono type
OUTPUT 1–3HDMI Type A x 3
AUDIO OUTRCA phono type
PHONESStereo miniature type
AUDIO OUT-10 dBu (Maximum: +8 dBu)
PHONES92 mW + 92 mW (32 Ω)
AUDIO OUT1 kΩ
PHONES10 Ω
9 Others
USB MEMORYUSB A type (for USB ash drive)
Other Connectors
Other Functions
Display4.3 inches TFT Color LCD: 480 x 272 dots
Power SupplyAC Adaptor
Current Draw3.3 A
Power Consumption39.6 W
Operation Temperature
Dimensions
Weight
(excluding AC adaptor)
Accessories
REMOTEUSB B Type (for remote control from iPad)
CTL/EXP1/4-inch TRS phone type
Preset Memory (8 types)
Panel lock function
EDID Emulator
Auto Switching
Auto Input Detect
+0 to +40 degrees Celsius
+32 to +104 degrees Fahrenheit
317 (W) x 193 (D) x 70 (H) mm
12-1/2 (W) x 7-5/8 (D) x 2-13/16 (H) inches
2.0 kg
4 lbs 7 oz
Startup Guide
AC adaptor
Power cord
Appendix
* 0 dBu = 0.775 Vrms
* This document explains the specications of the product at the time that the document was issued. For the latest information, refer to the
Roland website.
71
Appendix
Dimensions
317
63
52
Unit: mm
7
187
387
72
MIDI Implementation
Appendix
Model: V-8HD
Date: January 28. 2020
Version: 1.03
Symbol I temSetting Range
nMIDI ChannelFixed at 00H
1. MIDI Messages Received at MIDI IN
9Channel Voice Messages
7Control Change
6 Panpot (Controller Number 10)
This control the position of video fader.
Status 2nd Byte 3rd Byte
BnH 0AH vvH
vv = 00H–7FH (00H: bottom edge, 7FH: top edge)
6 Expression (Controller Number 11)
This control the value of TRANSITION TYPE.
Status 2nd Byte 3rd Byte
BnH 0BH vvH
vv = 00H–03H (MIX, WIPE)
6 Eect Control 1 (Controller Number 12)
This control the value of MIX/WIPE TIME.
Status 2nd Byte 3rd Byte
BnH 0CH vvH
vv = 00H–28H (0.0–4.0sec)
6 Eect Control 2 (Controller Number 13)
This control the value of PinP 1 TIME.
Status 2nd Byte 3rd Byte
BnH 0DH vvH
vv = 00H–28H (0.0–4.0sec)
6 Undened (Controller Number 14)
This control the value of PinP 2 TIME.
Status 2nd Byte 3rd Byte
BnH 0EH vvH
vv = 00H–28H (0.0–4.0sec)
6 Undened (Controller Number 15)
This control the value of DSK TIME.
Status 2nd Byte 3rd Byte
BnH 0FH vvH
vv = 00H–28H (0.0–4.0sec)
6 General Purpose Controllers 1 (Controller Number 16)
This control the value of PinP 1 SOURCE.
Status 2nd Byte 3rd Byte
BnH 10H vvH
vv = 00H–0FH (HDMI 1–8, STILL 1–8)
6 General Purpose Controllers 2 (Controller Number 17)
This control the value of PinP 1 POSITION H.
Status 2nd Byte 3rd Byte
BnH 11H vvH
vv = 0AH–64H (-50–50%)
6 General Purpose Controllers 3 (Controller Number 18)
This control the value of PinP 1 POSITION V.
Status 2nd Byte 3rd Byte
BnH 12H vvH
vv = 0AH–64H (-50–50%)
6 General Purpose Controllers 4 (Controller Number 19)
This control the value of PinP 1 SIZE.
Status 2nd Byte 3rd Byte
BnH 13H vvH
vv = 0AH–64H (10–100%)
6 Undened (Controller Number 20)
This control the value of PinP 1 VIEW ZOOM.
Status 2nd Byte 3rd Byte
BnH 14H vvH
vv = 0AH–64H (100–1000%)
6 Undened (Controller Number 21)
This control the value of PinP 2 SOURCE.
Status 2nd Byte 3rd Byte
BnH 15H vvH
vv = 00H–0FH (HDMI 1–8, STILL 1–8)
6 Undened (Controller Number 22)
This control the value of PinP 2 POSITION H.
Status 2nd Byte 3rd Byte
BnH 16H vvH
vv = 0AH–64H (-50–50%)
6 Undened (Controller Number 23)
This control the value of PinP 2 POSITION V.
Status 2nd Byte 3rd Byte
BnH 17H vvH
vv = 0AH–64H (-50–50%)
6 Undened (Controller Number 24)
This control the value of PinP 2 SIZE.
Status 2nd Byte 3rd Byte
BnH 18H vvH
vv = 0AH–64H (10–100%)
6 Undened (Controller Number 25)
This control the value of PinP 2 VIEW ZOOM.
Status 2nd Byte 3rd Byte
BnH 19H vvH
vv = 0AH–64H (100–1000%)
6 Undened (Controller Number 26)
This control the value of DSK SOURCE.
Status 2nd Byte 3rd Byte
BnH 1AH vvH
vv = 00H–0FH (HDMI 1–8, STILL 1–8)
6 Undened (Controller Number 27)
This control the value of DSK LEVEL.
Status 2nd Byte 3rd Byte
BnH 1BH vvH
vv = 00H–7FH (Converted to 0–255)
73
Appendix
6 Undened (Controller Number 28)
This control the value of DSK GAIN.
Status 2nd Byte 3rd Byte
BnH 1CH vvH
vv = 00H–7FH (Converted to 0–255)
6 Undened (Controller Number 29)
This control the value of DSK MIX LEVEL.
Status 2nd Byte 3rd Byte
BnH 1DH vvH
vv = 00H–7FH (Converted to 0–255)
6 Undened (Controller Number 30)
This control the value of SPLIT/VFX A SW.
Status 2nd Byte 3rd Byte
BnH 1EH vvH
vv = 00H, 01H (OFF, ON)
6 Undened (Controller Number 31)
This control the value of SPLIT/VFX A TYPE.
Status 2nd Byte 3rd Byte
BnH 1FH vvH
vv = 00H–11H (refer to p. 79)
6 Bank select (Controller Number 32)
This control the value of SPLIT/VFX B SW.
Status 2nd Byte 3rd Byte
BnH 20H vvH
vv = 00H, 01H (OFF, ON)
6 Channel volume (Controller Number 39)
This control the value of AUDIO INPUT LEVEL (INPUT 4).
Status 2nd Byte 3rd Byte
BnH 27H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Balance (Controller Number 40)
This control the value of AUDIO INPUT LEVEL (INPUT 5).
Status 2nd Byte 3rd Byte
BnH 28H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Undened (Controller Number 41)
This control the value of AUDIO INPUT LEVEL (INPUT 6).
Status 2nd Byte 3rd Byte
BnH 29H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Panpot (Controller Number 42)
This control the value of AUDIO INPUT LEVEL (INPUT 7).
Status 2nd Byte 3rd Byte
BnH 2AH vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Expression (Controller Number 43)
This control the value of AUDIO INPUT LEVEL (INPUT 8).
Status 2nd Byte 3rd Byte
BnH 2BH vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Modulation (Controller Number 33)
This control the value of SPLIT/VFX B TYPE.
Status 2nd Byte 3rd Byte
BnH 21H vvH
vv = 00H–11H (refer to p. 79)
6 Bless Controller (Controller Number 34)
This control the [OUTPUT FADE] knob position (counter-clockwise)
Status 2nd Byte 3rd Byte
BnH 22H vvH
vv = 00H–3FH
6 Undened (Controller Number 35)
This control the [OUTPUT FADE] knob position (clockwise)
Status 2nd Byte 3rd Byte
BnH 23H vvH
vv = 00H–3FH
6 Foot Controller (Controller Number 36)
This control the value of AUDIO INPUT LEVEL (INPUT 1).
Status 2nd Byte 3rd Byte
BnH 24H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Portamento Time (Controller Number 37)
This control the value of AUDIO INPUT LEVEL (INPUT 2).
Status 2nd Byte 3rd Byte
BnH 25H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Eect Control 1 (Controller Number 44)
This control the value of AUDIO INPUT LEVEL (AUDIO IN).
Status 2nd Byte 3rd Byte
BnH 2CH vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Eect Control 2 (Controller Number 45)
This control the value of AUDIO OUTPUT LEVEL.
Status 2nd Byte 3rd Byte
BnH 2DH vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
6 Undened (Controller Number 52)
Presses or release the [CUT] button.
Status 2nd Byte 3rd Byte
BnH 34H vvH
vv = 00H, 01H (OFF, ON)
6 Undened (Controller Number 53)
Presses release the [AUTO] button.
Status 2nd Byte 3rd Byte
BnH 35H vvH
vv = 00H, 01H (OFF, ON)
6 Undened (Controller Number 54)
Switches the video as “H CUT I.”
Status 2nd Byte 3rd Byte
BnH 36H vvH
vv = any (00H–7FH)
6 Data Entry (Controller Number 38)
This control the value of AUDIO INPUT LEVEL (INPUT 3).
Status 2nd Byte 3rd Byte
BnH 26H vvH
vv = 00H–7FH
(refer to “Control Value–Input/Output Level Correspondence Table” (p. 75))
74
6 Undened (Controller Number 55)
Switches the video as “H AUTO TAKE I.”
Status 2nd Byte 3rd Byte
BnH 37H vvH
vv = any (00H–7FH)
Appendix
6 Undened (Controller Number 56)
This control the value of AUDIO INPUT MUTE (INPUT 1).
Status 2nd Byte 3rd Byte
BnH 38H vvH
vv = 00H, 01H (OFF, ON)
6 Undened (Controller Number 57)
This control the value of AUDIO INPUT MUTE (INPUT 2).
Status 2nd Byte 3rd Byte
BnH 39H vvH
vv = 00H, 02H (OFF, ON)
6 Undened (Controller Number 58)
This control the value of AUDIO INPUT MUTE (INPUT 3).
Status 2nd Byte 3rd Byte
BnH 3AH vvH
vv = 00H, 03H (OFF, ON)
6 Undened (Controller Number 59)
This control the value of AUDIO INPUT MUTE (INPUT 4).
Status 2nd Byte 3rd Byte
BnH 3BH vvH
vv = 00H, 04H (OFF, ON)
6 Undened (Controller Number 60)
This control the value of AUDIO INPUT MUTE (INPUT 5).
Status 2nd Byte 3rd Byte
BnH 3CH vvH
vv = 00H, 05H (OFF, ON)
6 Undened (Controller Number 61)
This control the value of AUDIO INPUT MUTE (INPUT 6).
Status 2nd Byte 3rd Byte
BnH 3DH vvH
vv = 00H, 06H (OFF, ON)
6 Undened (Controller Number 62)
This control the value of AUDIO INPUT MUTE (INPUT 7).
Status 2nd Byte 3rd Byte
BnH 3EH vvH
vv = 00H, 07H (OFF, ON)
9 Control Value–Input/Output Level Correspondence Table (unit: dB)
0-Inf 32-33.164-11.396-0.3
1-80.033-32.365-10.7970.0
2-76.734-31.566-10.3980.3
3-73.335-30.867-10.099 0.7
4-70.036-30.068-9.71001.0
5 -66.737-29.369-9.31011.3
6-63.338-28.770-9.01021.7
7-60.039-28.071-8.71032.0
8-58.640-27.372-8.31042.3
9-57.141-26.773-8.01052.7
10-55.742-26.074-7.71063.0
11-54.343-25.375-7.31073.3
12-52.944-24.776-7.01083.7
13-51.445-24.077-6.71094.0
14-50.046-23.378-6.31104.3
15-48.947-22.779-6.01114.7
16-47.848-22.080-5.71125.0
17-46.749-21.381-5.31135.3
18-45.650-20.782-5.01145.7
19-44.451-20.083-4.71156.0
20-43.352-19.384-4.31166.3
21-42.253-18.785-4.01176.7
22-41.154-18.086-3.71187.0
23-40.055-17.387-3.31197.3
24-39.256-16.788-3.01207.7
25-38.557-16.089-2.71218.0
26-37.758-15.390-2.31228.3
27-36.959-14.791-2.01238.7
28-36.260-14.092-1.71249.0
29-35.461-13.393-1.31259.3
30-34.662-12.794-1.01269.7
31-33.863-12.095-0.712710.0
7Program Change
This message recalls a preset memory.
Status 2nd Byte
CnH ppH
pp = Memory number: 00H–07H (MEMORY 1–MEMORY 8)
6 Undened (Controller Number 63)
This control the value of AUDIO INPUT MUTE (INPUT 8).
Status 2nd Byte 3rd Byte
BnH 3FH vvH
vv = 00H, 08H (OFF, ON)
6 Hold 1 (Controller Number 64)
This control the value of AUDIO INPUT MUTE (AUDIO IN).
Status 2nd Byte 3rd Byte
BnH 40H vvH
vv = 00H, 09H (OFF, ON)
6 Portamento Switch (Controller Number 65)
This control the value of AUDIO OUTPUT MUTE.
Status 2nd Byte 3rd Byte
BnH 41H vvH
vv = 00H, 10H (OFF, ON)
75
Appendix
9System Exclusive Messages
Status Data Byte Status
F0H iiH,ddH,...,eeH F7H
F0H: Status of system exclusive message
ii= ID number: This is the ID to recognize manufacturer of the exclusive
message (manufacturer ID).
The manufacturer ID of Roland is 41H.
The ID numbers of 7EH and 7FH are expansion of MIDI standards
and used as universal non-realtime message (7EH) of universal
realtime message (7FH).
dd,...,ee= data: 00H–7FH (0–127)
F7H: EOX (end of exclusive)
7Data Request 1 (RQ1)
This is the message to request of “send data” to the connected device. Specify data
type and amount using address and size. When this is received, the unit sends the
requested data as “Data Set 1 (DT1)” message in case the unit is in status where the
sending of data is possible and requested address and size are appropriate. If not, the
unit sends nothing.
Status Data Byte Status
F0H 41H, 10H, 00H, 00H, 00H, 54H, 11H, aaH, F7H
bbH, ccH, ssH, ttH, uuH, sum
Byte Explanation
F0H Exclusive Status
41H Manufacturer ID (Roland)
10H Device ID
00H 1st byte of model ID (V-8HD)
00H 2nd byte of model ID (V-8HD)
00H 3rd byte of model ID (V-8HD)
68H 4th byte of model ID (V-8HD)
11H Command ID (RQ1)
aaH Address upper byte
bbH Address middle byte
ccH Address lower byte
ssH Size upper byte
ttH Size middle byte
uuH Size lower byte
sum Checksum
F7H EOX (end of exclusive)
7Data Set 1 (DT1)
This is the message of actual data transmission. Use this when you want to set data
to the unit.
Status Data Byte Status
F0H 41H, 10H, 00H, 00H, 00H, 54H, 12H, aaH, F7H
bbH, ccH, ddH, ..., eeH, sum
Byte Explanation
F0H Exclusive Status
41H Manufacturer ID (Roland)
10H Device ID
00H 1st byte of model ID (V-8HD)
00H 2nd byte of model ID (V-8HD)
00H 3rd byte of model ID (V-8HD)
68H 4th byte of model ID (V-8HD)
12H Command ID (DT1)
aaH Address upper byte
bbH Address middle byte
ccH Address lower byte
ddH Data: actual data to transmit. Multiple byte data is sent in address order.
: :
eeH Data
sum Checksum
F7H EOX (end of exclusive)
* Depending on the data type, the amount of single-time transmission is specied.
It is necessary to execute data request according to the specied rst address and
size. Refer to the “2. Parameter Address Map” (p. 77) for address and size.
* See “Example of an Exclusive Message and Calculating a Checksum” (p. 87) for
checksum.
* Data exceeding 256 bytes should be divided into packets of 256 bytes or smaller. If
you send data set 1 successively, set interval of 20 ms or longer between packets.
* Depending on the data type, the amount of single-time transmission is specied.
It is necessary to execute data request according to the specied rst address and
size. Refer to the “2. Parameter Address Map” (p. 77) for address and size.
* See “Example of an Exclusive Message and Calculating a Checksum” (p. 87) for
checksum.
76
2. Parameter Address Map
Start AddressDescription
00H 00H 00HVideo Parameter Area
01H 00H 00HAudio Parameter Area
02H 00H 00HSystem Parameter Area
0AH 00H 00HOther Parameter Area
10H 00H 00HVideo Parameter (Memory 1)
11H 00H 00HAudio Parameter (Memory 1)
14H 00H 00HVideo Parameter (Memory 2)
15H 00H 00HAudio Parameter (Memory 2)
18H 00H 00HVideo Parameter (Memory 3)
19H 00H 00HAudio Parameter (Memory 3)
1CH 00H 00HVideo Parameter (Memory 4)
1DH 00H 00HAudio Parameter (Memory 4)
20H 00H 00HVideo Parameter (Memory 5)
21H 00H 00HAudio Parameter (Memory 5)
24H 00H 00HVideo Parameter (Memory 6)
25H 00H 00HAudio Parameter (Memory 6)
28H 00H 00HVideo Parameter (Memory 7)
29H 00H 00HAudio Parameter (Memory 7)
2CH 00H 00HVideo Parameter (Memory 8)
2DH 00H 00HAudio Parameter (Memory 8)
Appendix
7Video Parameter Area
6 Video Input
* “xxH” corresponds to the respective channels as indicated below.
xxH: 00H–05H (CH1–CH6)
AddressParameter NameSys.Ex.ValueMeaning of Value
00H xxH 00HINPUT ASSIGN00H–08HHDMI, STILL 1–8
00H xxH 01HFLIP H00H–01HOFF, ON
00H xxH 02HFLIP V00H–01HOFF, ON
00H xxH 03HBRIGHTNESS60H–00H–1FH-32–0–31
00H xxH 04HCONTRAST60H–00H–1FH-32–0–31
00H xxH 05HSATURATION60H–00H–1FH-32–0–31
6 Vodeo Input (SCALER)
* “xxH” corresponds to the respective channels as indicated below.
xxH: 06H–05H (CH7–CH8)
AddressParameter NameSys.Ex.ValueMeaning of Value
00H xxH 00HINPUT ASSIGN00H–08HHDMI, STILL 1–8
00H xxH 01HFLICKER FILTER00H–01HOFF, ON
00H xxH 02HFLIP H00H–01HOFF, ON
00H xxH 03HFLIP V00H–01HOFF, ON
00H xxH 04HEDID00H–0BH
00H xxH 05H
00H xxH 07HSCALING TYPE00H–04HFULL, LET TERBOX, CROP, DOT BY DOT, MANUAL
You can load or rewrite the stored contents of the preset memories.
* The 2nd byte and 3rd byte of a Preset Memory Area address, and the value range, are in common with the Video Parameter Area (00H 00H 00H) and the Audio Parameter
Area (01H 00H 00H).
AddressParameter NameMeaning of Value
10H xxH xxHVideo Parameter (Memory 1)Load/rewrite video parameter stored in Memory 1
In MIDI documentation, data values and addresses/sizes of exclusive messages etc.
are expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
* Decimal expressions used for MIDI channel, bank select, and program change are 1
greater than the decimal value shown in the above table.
* Hexadecimal values in 7-bit units can express a maximum of 128 levels in one byte
of data. If the data requires greater resolution, two or more bytes are used. For
example, a value indicated by a hexadecimal expression in two 7-bit bytes aa bbH
would be aa x 128 + bb.
* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed
as a 2-byte nibble 0a 0bH has the value of a x 16 + b.
<Example 1>
What is the decimal expression of 5AH?
From the preceding table, 5AH = 90
<Example 2>
What is the decimal expression of the value 12 34H given as hexadecimal for each 7
bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128 + 52 = 2356
<Example 3>
What is the decimal expression of the nibbled value 0A 03 09 0D?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885
<Example 4>
What is the nibbled expression of the decimal value 1258?
16) 1258
16) 78... 10
16) 4... 14
0... 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is
00 04 0E 0AH.
7MIDI Message Examples
<Example 1> 92H 3EH 5FH
9n is a note on status and n is the MIDI channel number.
As 2H = 2, 3EH = 62 and 5FH = 95, this is a note on message of MIDI CH =3 , note
number 62 (D4) and velocity 95.
<Example 2> CEH 49H
CnH is program change status, and n is the MIDI channel number.
As EH = 14 and 49H = 73, this is a program change message of MIDI CH = 15 and
program number 74 (in the GS sound map, Flute).
7Example of an Exclusive Message and Calculating a Checksum
Roland Exclusive messages are transmitted with a checksum at the end (before F7)
to make sure that the message was correctly received. The value of the checksum is
determined by the address and data (or size) of the transmitted exclusive message.
6 How to Calculate the Checksum
(Hexadecimal Numbers are Indicated by ‘H’)
The checksum is a value that produces a lower 7 bits of zero when the address, size,
and checksum itself are summed. If the exclusive message to be transmitted has an
address of aa bb ccH and the data is dd ee H, the actual calculation would be as
follows:
aa + bb + cc + dd + ee + = sum
sum / 128 = quotient ... remainder
128 - remainder = checksum
(However, the checksum will be 0 if the remainder is 0.)
<Example>
Setting Dissolve Time Ctrl Assign in MIDI Visual Control to Modulation for Control
Changes
From the “Parameter Address Map,” the start address of the Dissolve Time Ctrl Assign
in MIDI Visual Control is 10H 10H 02H and the Modulation parameter in Control
Change is 00H 01H. Therefore ...
F0H7EH00H0CH 01H10H 10H 02H00H 01H??HF7H
(1)(2)(3)(4)(5)(6)(7)(8)
(1) Exclusive Status
(2) ID Number (Universal SysEx Non Realtime)
(3) Device ID (0)
(4) Sub ID (MIDI Visual Control Version 1.0)
(5) Address
(6) Data
(7) Checksum
(8) EOX