OCTA-CAPTURE
10 x 10 24-bit/192 kHz Hi-SPEED USB Audio Interface
®
/ Windows®XP
®
for Mac OSX
Quality
the
next-generation
for Microsoft®Windows 7
Windows Vista
8 Premium Mic Preamps, Compact I/O, Pristine Sound
With ten inputs, ten outputs, eight VS PREAMPS, and superb 24-bit/192 kHz audio quality, OCTA-CAPTURE sets a
new standard in portable USB 2.0 audio interfaces. Designed for high-level audio production, it combines premium
components, Roland-quality engineering, and proprietary preamp and streaming technology. With its compact
design and pristine audio quality, OCTA-CAPTURE is not only the perfect interface for multi-channel computer-based
production, but also a great solution for expanding the I/O capability of the V-STUDIO 700 and V-STUDIO 100.
Brimming with quality and performance that far exceeds its size and price, OCTA-CAPTURE is
audio interface.
Eight premium mic preamps built in
t
(VS PREAMP)
AUTO-SENS function intelligently sets
t
optimal input levels for all preamps
Extremely stable low-latency VS
t
STREAMING driver
Four independent software-controlled
t
Direct Mixers for creating custom
monitor mixes
Supports all major DAW platforms
t
on Mac or PC, including OSX 10.6
and Windows 7, through ASIO 2.0/WDM
(Windows) and Core Audio (Mac) drivers
Rackmount ears included
t
Bundled with Cakewalk
t
Production Plus Pack
6
Front Panel
Rear Panel
Eight Premium Mic Preamps
OCTA-CAPTURE boasts eight premium-grade digitally controlled
mic preamps (VS PREAMPS), built with the same high-grade
components as the preamps in the
V-STUDIO 700 and M-400 V-Mixer.
Eight XLR inputs are provided for the
preamps, plus independent phantom
power, low-cut filter, phase invert, and
digital compression for each channel.
Auto Input Level Adjustment
Never before has it been this fast and easy to set perfect input
levels — simply activate the AUTO-SENS feature with the push of
a button, play your connected instruments, and OCTA-CAPTURE
automatically sets the ideal recording
level for each input. It’s great for quick,
fail-safe audio capture when recording
either a fully mic’d drum kit or an entire
band.
■ Number of Audio Record/Playback Channels < Sampling Frequency = 44.1 kHz, 48 kHz, 96 kHz >
Record: 12 channels, Playback: 10 channels < Sampling Frequency = 192 kHz > Record: 4 channels,
Playback: 4 channels ■ Signal Processing PC interface: 24-bit, AD/DA Conversion: 24-bit, Internal: 40-bit
■ Sampling Frequency AD/DA Conversion: 44.1 kHz / 48 kHz / 96 kHz / 192 kHz, DIGITAL (IN/OUT): 44.1
kHz / 48 kHz / 96 kHz ■ Nominal Input Level Input Jack 1 — 6 (XLR type): -56 to -6 dBu, Input Jack 7 — 8
(XLR type): -50 to +0 dBu, Input Jack 1 — 8 (1/4-inch TRS phone type): - 46 to +4 dBu ■ Nominal Output
Level OUTPUT 1 — 8: +0 dBu (balanced) ■ Head Room 16 dB ■ Input Impedance Input Jack 1 — 6 (XLR
type): 5 kΩ (balanced), Input Jack 7 — 8 (XLR type): 10 kΩ (balanced), Input Jack 1 — 8 (1/4-inch TRS
phone type): 17 kΩ (balanced) ■ Output Impedance OUTPUT 1 — 8: 1.8 kΩ (balanced), PHONES: 47 Ω
■ Frequency Response 192.0 kHz: 60 kHz to 90 kHz (+0/-8 dB), 192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB),
96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB), 48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB), 44.1 kHz: 20 Hz to 20 kHz (+0/-2 dB)
OCTA-CAPTURE Specifications
Extreme Low-Latency Driver
OCTA-CAPTURE offers incredible stability and industry-leading
low-latency USB performance via Roland’s proprietary VS
STREAMING technology. All current Mac and PC DAW platforms
are supported through ASIO 2.0/WDM (Windows) and Core Audio
(Mac) drivers.
Thanks to VS STREAMING, you can use multiple devices (two
OCTA-CAPTURE units or one OCTA-CAPTURE plus a V-STUDIO 100
or V-STUDIO 700) on the same USB bus without compromising
stability, performance, or audio quality.
Four Flexible Monitor Mixes
Beyond traditional audio interfacing, OCTA-CAPTURE offers four
independent Direct Mixers for creating software-controlled monitor
mixes. Each mix can be routed to
any of the analog outputs and can
take advantage of the internal
40-bit DSP processing — perfect
for sending custom monitor
mixes to headphones, speakers,
or recording devices.
■ Residual Noise Level INPUT 1 — 2 g MAIN OUT: -87 dBu typ. (GAIN: min., 600 Ω terminated, IHF-A)
* Internal Direct Monitor Mixer setting: Stereo Link: ON, Input channel fader: Unity ■ Dynamic Range
< AD block > INPUT 1 — 8: 104 dB typ. (GAIN: min.) < DA block > OUTPUT 1 — 8: 113 dB typ. ■ Display
128 x 64 dots Graphic LCD (backlit LCD) ■ Connectors Input Jacks 1 — 8 (XLR type / 1/4-inch TRS phone
type): XLR type (balanced / phantom power +48 V), 1/4-inch TRS phone type (balanced), Coaxial Input
Connector, Coaxial Output Connector, Headphone Jack (Stereo 1/4-inch phone type), Output Jack 1 — 8
(1/4-inch TRS phone type (balanced)), MIDI Connectors (In, Out), USB Connector ■ Power Supply DC 9
V (AC adaptor) ■ Current Draw 1.45 A ■ Dimensions 283.8 (W) x 157.9 (D) x 50.4 (H) mm / 11-3/16 (W)
x 6-1/4 (D) x 2 (H) inches ■ Weight 1.32 kg / 2 lbs 15 oz ■ Accessories Rack Mount Angle x 2, Owner’s
Manual, Cakewalk Production Plus Pack DVD-ROM, Driver CD-ROM, AC Adaptor, USB cable
4 Independent Mixers for Separate Cue Mixes
* The specifications are subject to change without notice.
* 0dBu=0.775Vrms
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