Roland TM-2 User Manual

Sound List
Copyright © 2014 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.
01
Kit List
# Name
Demonstration
1 Claps!
2 Kick&Tmbrin
3 Cowbells
4 Side Snares
5 BT-1 XStick
6 SeparateL/R
Layer
7 ClappinBeat
8 Phasin’ Elec
9 Crush Beat
10 House Lo
11 Sustainer
12 Slap’ n Clap
13 Dist Hop
14 Elec Sweep
15 Sharp Dance
16 Deeper
Enhance
17 Lo Rock
18 Brighter
19 Heavy Metal
20 Impact
21 Prog Metal
22 BlastAttack
23 MetalAttack
24 2 Bass Atk
25 K&T Impact
26 TomAtk&Tone
TRIG IN 1 TRIG IN 2 TRIG IN 1 TRIG IN 2
HEAD RIM HEAD RIM HEAD RIM HEAD RIM
108 Boom Out
005 Slammin’ K
065 Cowbell 3
021 Small S
004 Round K
056 Club HH1
115 DanceHiLo1
119 ElecSizzle
117 Crush HiLo
123 Dance Lo
120 Sub Lo 1
116 DanceHiLo2
118 DistImpact
124 Elec Lo
115 DanceHiLo1
122 Sub Lo 3
121 Sub Lo 2
111 SolidTight
114 HeavyMetal
112 HardAttack
113 Metal
125 Attack 1
127 Attack 3
125 Attack 1
111 SolidTight
159 Edge T1
058 Noise HH
074 Shaker
066 Cowbell 4
022 Small SR
040 XStick 1
057 Club HH2
115 DanceHiLo1
119 ElecSizzle
117 Crush HiLo
123 Dance Lo
120 Sub Lo 1
116 DanceHiLo2
118 DistImpact
124 Elec Lo
115 DanceHiLo1
122 Sub Lo 3
121 Sub Lo 2
111 SolidTight
114 HeavyMetal
112 HardAttack
113 Metal
125 Attack 1
127 Attack 3
125 Attack 1
156 Tight T2
160 Edge T2
100 Club Clap3
070 Tambrine 3
063 Cowbell 1
023 Piccolo S
041 XStick 2
062 ElectroCym
145 Dance HiLo
137 Loud Buzz
130 BrassHiLo
147 Dance Lo
139 Buzz Long
146 Dance Buzz
153 Dist Hi
150 Elec Sweep
146 Dance Buzz
130 BrassHiLo
140 Deep Lo
135 ShinyBuzz
143 BrassTone
147 Dance Lo
128 LoudSteel
137 Loud Buzz
141 SteelTone
125 Attack 1
157 Tight T3
161 Edge T3
097 Live Clap
069 Tambrine 2
064 Cowbell 2
024 Piccolo SR
041 XStick 2
061 ReverseCym
148 Clappin’
139 Buzz Long
154 Dist Gate
147 Dance Lo
139 Buzz Long
149 BrightSlap
153 Dist Hi
151 Elec Phase
149 BrightSlap
131 BrassHiLoR
140 Deep Lo
136 ShinyBuzzR
144 BrassToneR
147 Dance Lo
129 LoudSteelR
138 Loud BuzzR
142 SteelToneR
125 Attack 1
158 Tight T4
162 Edge T4
Explanation
Basic kits for using the TM-2 in any situation
Kits that can be layered with acoustic drums to meet the needs of many dierent styles
Kits ideal for enhancing the kick or snare
Kit for double bass drums RT-10K --- RT-10K ---
Kit for enhancing the kick and toms
Kit for enhancing the toms
Recommended pads
RT-10K
BT-1
BT-1 BT-1 BT-1
PD/PDX --- PD/PDX
RT-10K
BT-1
BT-1 CY-8 CY-8
RT-10K --- RT-10S ---
RT-10K --- RT-10S ---
RT-10K RT-10T RT-10T RT-10T
RT-10T RT-10T RT-10T RT-10T
RT-10S/ BT-1
BT-1
---
---
2
Kit List
# Name
Expansion
27 Dance 4onF
28 House
29 Electro
30 TR-808
31 TR-909
32 DubStep
33 Drum’ n Bass
34 HipHop
35 Elec Tom
36 Roto Tom
37 Timpani
38 Timbales
39 Conga
40 Tabla
41 Small Perc
42 Ballad
43 Gong&Bang
44 Cymbals
45 Extra Kick
46 Extra Snare
47 Super Low
48 StreetStomp
49 Acous Gig
50 Acoustic
New Kit
51 New Kit
99 New Kit
TRIG IN 1 TRIG IN 2 TRIG IN 1 TRIG IN 2
HEAD RIM HEAD RIM HEAD RIM HEAD RIM
006 Dance K
007 House K
008 FatElec K
016 TR-808 K1
018 TR-909 K
009 DubStep K
012 Drumn’ Bs K
010 HipHop K
045 ElecTom Hi
048 RotoTom Md
091 Timpani C
080 Timbale Hi
083 Conga Hi
089 Tabla Ge
072 WoodBlk Lo
077 TriangleMt
093 Gong
060 StackedCym
003 Soft K
035 Jungle S
107 Super Low
109 Stomp
051 Acous PHH
001 Acous K
001 Acous K
001 Acous K
056 Club HH1
055 TR-909 OHH
067 Cowbell808
053 TR-808 OHH
055 TR-909 OHH
061 ReverseCym
069 Tambrine 2
098 Club Clap1
045 ElecTom Hi
048 RotoTom Md
092 Timpani G
081 Timbale HR
084 Conga Slap
090 Tabla Ti
075 VibraSlap
076 Triangle
093 Gong
061 ReverseCym
002 Small K
036 Clap S
056 Club HH1
109 Stomp
073 Claves
050 Acous CHH
063 Cowbell 1
063 Cowbell 1
025 Bright S
027 House S
031 DistPunchS
038 TR-808 S
039 TR-909 S
029 DubStep S1
028 Electro S
032 HipHop S1
046 ElecTom Lo
049 RotoTom Lo
092 Timpani G
082 Timbale Lo
085 Conga Lo
088 Tabla Na
071 WoodBlk Hi
094 Tree Chime
110 Explosion
059 Splash Cym
013 Knock K
026 Power S
101 Gate Clap
101 Gate Clap
086 Cajon Bass
019 Steel S
095 TR-808Clap
095 TR-808Clap
036 Clap S
039 TR-909 S
101 Gate Clap
095 TR-808Clap
096 TR-909Clap
030 DubStep S2
034 Drumn’ Bs S
033 HipHop S2
046 ElecTom Lo
049 RotoTom Lo
092 Timpani G
066 Cowbell 4
074 Shaker
090 Tabla Ti
073 Claves
042 XStick 3
109 Stomp
059 Splash Cym
015 Thump K
037 Metallic S
070 Tambrine 3
095 TR-808Clap
087 Cajon Slap
020 Steel SR
068 Tambrine 1
068 Tambrine 1
Explanation
Kits for extending dance­type kick and snare
Kits for extending the toms
Kits for adding-on percussion
Kits for introducing the sounds
Kits that handle the drum part with the TM-2 alone
--- --- --- --- --- : :
Recommended pads
KD/KT BT-1 PD/PDX ---
PD/PDX --- PD/PDX ---
---
PD/PDX --- PD/PDX
BT-1 BT-1 BT-1 BT-1
BT-1 BT-1
CY-8 CY-8
CY-5 CY-5
KD/KT KD/KT KD/KT KD/KT
PD/PDX PD/PDX PD/PDX PD/PDX
KD/KT BT-1 PD/PDX ---
KT-10
BT-1
KD/KT PD/PDX ---
KT-10 BT-1
BT-1
---
3
Instrument list
# Instrument
Kick
1 Acous K
2 Small K
3 Soft K
4 Round K
5 Slammin’ K
6 Dance K
7 House K
8 FatElec K
9 DubStep K
10 HipHop K
11 Impact K
12 Drumn’ Bs K
13 Knock K
14 DistTightK
15 Thump K
16 TR-808 K1
17 TR-808 K2
18 TR-909 K
Snare
19 Steel S
20 Steel SR
21 Small S
22 Small SR
23 Piccolo S
24 Piccolo SR
25 Bright S
26 Power S
27 House S
28 Electro S
29 DubStep S1
30 DubStep S2
31 DistPunchS
32 HipHop S1
33 HipHop S2
34 Drumn’ Bs S
35 Jungle S
36 Clap S
37 Metallic S
38 TR-808 S
39 TR-909 S
40 XStick 1
41 XStick 2
42 XStick 3
43 XStick 4
44 XStick 5
Tom
45 ElecTom Hi
46 ElecTom Lo
47 RotoTom Hi
48 RotoTom Md
49 RotoTom Lo
# Instrument
Cymbal
50 Acous CHH
51 Acous PHH
52 TR-808 CHH
53 TR-808 OHH
54 TR-909 CHH
55 TR-909 OHH
56 Club HH1
57 Club HH2
58 Noise HH
59 Splash Cym
60 StackedCym
61 ReverseCym
62 ElectroCym
Percussion
63 Cowbell 1
64 Cowbell 2
65 Cowbell 3
66 Cowbell 4
67 Cowbell808
68 Tambrine 1
69 Tambrine 2
70 Tambrine 3
71 WoodBlk Hi
72 WoodBlk Lo
73 Claves
74 Shaker
75 VibraSlap
76 Triangle
77 TriangleMt
78 Agogo Hi
79 Agogo Lo
80 Timbale Hi
81 Timbale HR
82 Timbale Lo
83 Conga Hi
84 Conga Slap
85 Conga Lo
86 Cajon Bass
87 Cajon Slap
88 Tabla Na
89 Tabla Ge
90 Tabla Ti
91 Timpani C
92 Timpani G
93 Gong
94 Tree Chime
# Instrument
Clap
95 TR-808Clap
96 TR-909Clap
97 Live Clap
98 Club Clap1
99 Club Clap2
100 Club Clap3
101 Gate Clap
102 Mini Clap
Other
103 ThumpAtk 1
104 ThumpAtk 2
105 High Q
106 Sine Shot
107 Super Low
108 Boom Out
109 Stomp
110 Explosion
Kick Element
111 SolidTight
112 HardAttack
113 Metal
114 HeavyMetal
115 DanceHiLo1
116 DanceHiLo2
117 Crush HiLo
118 DistImpact
119 ElecSizzle
120 Sub Lo 1
121 Sub Lo 2
122 Sub Lo 3
123 Dance Lo
124 Elec Lo
125 Attack 1
126 Attack 2
127 Attack 3
Snare Element
128 LoudSteel
129 LoudSteelR
130 BrassHiLo
131 BrassHiLoR
132 ImpactAtk
133 ImpactAtkR
134 ImpactHiLo
135 ShinyBuzz
136 ShinyBuzzR
137 Loud Buzz
138 Loud BuzzR
139 Buzz Long
140 Deep Lo
141 SteelTone
142 SteelToneR
143 BrassTone
144 BrassToneR
145 Dance HiLo
# Instrument
146 Dance Buzz
147 Dance Lo
148 Clappin’
149 BrightSlap
150 Elec Sweep
151 Elec Phase
152 Dist HiLo
153 Dist Hi
154 Dist Gate
Tom Element
155 Tight T1
156 Tight T2
157 Tight T3
158 Tight T4
159 Edge T1
160 Edge T2
161 Edge T3
162 Edge T4
4
Eect List
DELAY
This is a stereo delay.
Parameter Value Explanation
DlyTime 0–350 ms This determines the delay time.
Feedbak 0–99%
LoCut FLAT–800 Hz
HiCut 700 Hz–FLAT
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Adjusts the amount of the delay sound that’s fed back into the eect.
Frequency at which the low-frequency range will be cut
With the FLAT setting, LOW CUT will not be applied.
Frequency at which the high­frequency range will be cut
With the FLAT setting, HIGH CUT will not be applied.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.
Parameter Value Explanation
RepeatRate 0–127
Intensity 0–127 Amount of delay repeats
Bass -15–+15 dB
Treble -15–+15 dB
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Tape speed
Increasing this value will shorten the spacing of the delayed sounds.
Boost/cut for the lower range of the echo sound
Boost/cut for the upper range of the echo sound
Volume balance between the direct sound (Dry) and the eect sound (Wet)
FLANGER
The anging eect gives a twisting, jet-airplane-like character to the sound.
Parameter Value Explanation
Rate 0–100 Frequency of modulation
Depth 0–100 Depth of modulation
Manual 0–100
Resonance 0–100
LoCut FLAT–800 Hz
Dry-Wet 100:0–100:0
Level 0–100 Output volume of the eect
Center frequency at which the eect is applied
Amount of resonance (amount of feedback)
Frequency at which the low-frequency range will be cut
With the FLAT setting, LOW CUT will not be applied.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
PHASER
A phase-shifted sound is added to the original sound and modulated.
Parameter Value Explanation
Rate 0–100 Frequency of modulation
Depth 0–100 Depth of modulation
Manual 0–100
Resonance 0–100
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Center frequency at which the eect is applied
Amount of resonance (amount of feedback)
Volume balance between the direct sound (Dry) and the eect sound (Wet)
EQUALIZER
CHORUS
This applies a chorus eect.
Parameter Value Explanation
Rate 0–100 Frequency of modulation
Depth 0–100 Depth of modulation
PreDly 0.0–40.0 ms
LoCut FLAT–800 Hz
HiCut 700 Hz–FLAT
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Time from when the original sound is output until the eect sound is output
Frequency at which the low-frequency range will be cut
With the FLAT setting, LOW CUT will not be applied.
Frequency at which the high-frequency range will be cut
With the FLAT setting, HIGH CUT will not be applied.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
This adjusts the tone as a equalizer.
Parameter Value Explanation
Eq1Frq 20.0 Hz–10.0 kHz Center frequency of Eq1
Eq1 Q 0.5, 1, 2, 4, 8, 16
Eq1 Gain -20–+20 dB Amount of boost/cut for Eq1
Eq2Frq 20.0 Hz–10.0 kHz Center frequency of Eq2
Eq2 Q 0.5, 1, 2, 4, 8, 16
Eq2 Gain -20–+20 dB Amount of boost/cut for Eq2
Level -20–+20 dB Output volume of the eect
Width of Eq1
Higher values make the width more narrow.
Width of Eq2
Higher values make the width more narrow.
5
Eect List
COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out uctuations in volume.
Parameter Value Explanation
Thrshd -48–0 dB
Attack 0–100
Release 0–99
Ratio 2:1–100:1 Compression ratio
Knee SOFT, HARD
Make Up 0– +24 dB Adjusts the output gain
Adjusts the volume at which compres­sion begins.
Sets the time from when the input exceeds the THRESHOLD until the volume starts being compressed.
Adjusts the time after the signal volume falls below the THRESHOLD Level until compression is no longer applied.
The sound’s attack at the moment that compression begins to be applied.
WAH
This produces a wah eect by modifying the lter in correspondence with the volume of the performance.
Parameter Value Explanation
Sens 0–100
Frequency 0–100
Peak 0–100
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Adjusts the sensitivity with which the lter is controlled.
Center frequency at which the wah eect is applied
Adjusts the amount of the wah eect that will occur in the range of the center frequency.
Set a higher value for Q to narrow the range to be aected.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
DISTORTION
This eect distorts the sound to create long sustain.
Parameter Value Explanation
MID BST, CLN BST, TRBL BST, BLUES, CRUNCH, NATURAL, OD-1, T-SCREAM, TURBO OD,
Type
Drive 0–120 Amount of distortion
Bottom -50– +50
Tone -50– +50 Tone quality of distorted sound
Wet Level 0–100 Volume of the eect sound
Dry-Wet 100:0–0:100
Level
WARM OD, DIST, MILD DS, MID DS, RAT, GUV DS, DST+, MODERN DS, SOLID DS, STACK, LOUD, METAL LEAD, '60S FUZZ, OCT FUZZ, MUFF FUZZ
0
0–100
Selects the type of distortion.
Adjusts the tone for the low frequency range.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
Output volume of the eect
RINGMOD
This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the eect.
Parameter Value Explanation
Frequency 0–127
Sens 0–127
Polarity UP, DOWN
Lo Gain -15–+15 dB
Hi Gain -15–+15 dB
Dry-Wet 100:0–0:100
Level 0–100 Output volume of the eect
Adjusts the frequency at which modulation is applied.
Adjusts the amount of frequency modulation applied.
Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).
Amount of boost/cut for the eect sound’s lower range
Amount of boost/cut for the eect sound’s upper range
Volume balance between the direct sound (Dry) and the eect sound (Wet)
REVERB
Adds reverberation to the sound, simulating an acoustic space.
Parameter Value Explanation
Rev Type
RevTime 0–99 Time length of reverberation
PreDly 0–100
LoCut FLAT–800 Hz
HiCut 700 Hz–FLAT
Dry-Wet 100:0–100:0
Level 0–100 Output volume of the eect
AMB, ROOM, HALL 1, HALL 2, PLATE
Type of reverb
Adjusts the delay time from the direct sound until the reverb sound is heard.
Frequency at which the low-frequency range will be cut
With the FLAT setting, LOW CUT will not be applied.
Frequency at which the high-frequency range will be cut
With the FLAT setting, HIGH CUT will not be applied.
Volume balance between the direct sound (Dry) and the eect sound (Wet)
6
Trigger Module
Model TM-2
Function... Transmitted Recognized Remarks
Basic Channel
Mode
Note Number :
Velocity
After Touch
Pitch Bend X X
Default Changed
Default Messages Altered
True Voice
Note On Note O
Key’s Channel’s
MIDI Implementation Chart
OFF, 1–16 OFF, 1–16
Mode 3 X **************
0–127 *************
O X
X X
OFF, 1–16 OFF, 1–16
Mode 3 X
0–127 0–127
O X
X X
Memorized
Date: Mar. 01, 2014
Version: 1.00
Control Change
Program Change : True Number
System Exclusive O (Identity Reply) O (Identity Request)
System Common
System Real Time
Aux Messages
Notes
: Song Position : Song Select : Tune Request
: Clock : Commands
: All Sound O : Reset All Controllers : Local On/O : All Notes O : Active Sensing : System Reset
0–127 X X
O *1 **************
X X X
X X
X X X X O X
*1 O / X Selectable
O *1 0–98 Program No. 1–99
X X X
X X
X X X X O X
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
O : Yes X : No
7
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