Roland KF User Manual

Owner’s Manual

201a

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 3) and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

202

the written permission of ROLAND CORPORATION.

This product complies with the requirements of European Directive 89/336/EEC.

For EU Countries

For Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

NOTICE

AVIS

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the

plug has been damaged; or

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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026

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

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001-50

• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108d: Selection

• If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the knob bolts securing the

unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external

devices.

• Remove the music stand.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 17).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118

• Should you remove the screws fastening the music rest, make sure to put them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 3, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

353

• Observe the following when using the unit’s floppy disk drive. For further details, refer to “Before Using Floppy Disks” (p. 6).

• Do not place the unit near devices that produce a strong magnetic field (e.g., loudspeakers).

• Install the unit on a solid, level surface.

• Do not move the unit or subject it to vibration while the drive is operating.

354b

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

355b

• Any accumulation of dust between the AC adaptor and

the power outlet can result in poor insulation and lead to fire. Periodically wipe away such dust with a dry cloth. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time.

356

• Do not allow rubber, vinyl, or similar materials to remain

on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish.

358

• Do not allow objects to remain on top of the keyboard.

This can be the cause of malfunction, such as keys ceasing to produce sound.

359

• Do not paste stickers, decals, or the like to this instrument.

Peeling such matter off the instrument may damage the exterior finish.

Maintenance

401b

• To clean the unit, use a dry, soft cloth; or one that is

slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish.

402

• Never use benzine, thinners, alcohol or solvents of any

kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

551

• Please be aware that the contents of memory can be

irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a floppy disk.

552

• Unfortunately, it may be impossible to restore the contents

of data that was stored on a floppy disk once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s

buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

560

• Do not apply undue force to the music stand while it is in use.

561

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Before Using Floppy Disks

Handling the Floppy Disk Drive

602

• Install the unit on a solid, level surface in an area free from vibration.

603

• Avoid using the unit immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive and/or damage floppy disks. When the unit has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it.

604

• To insert a disk, push it gently but firmly into the drive— it will click into place. To remove a disk, press the EJECT button firmly. Do not use excessive force to remove a disk which is lodged in the drive.

605a

• Never eject a disk while reading or writing is in progress, since that can damage the magnetic surface of the disk, rendering it unusable. (The disk drive’s indicator will light up at full brightness when the drive is busy reading or writing data. Ordinarily, the indicator will be less brightly lit, or be extinguished.)

606

• Remove any disk from the drive before powering up or down.

607

• To prevent damage to the disk drive’s heads, always try to hold the floppy disk in a level position (not tilted in any direction) while inserting it into the drive. Push it in firmly, but gently. Never use excessive force.

608

• To avoid the risk of malfunction and/or damage, insert only floppy disks into the disk drive. Never insert any other type of disk. Avoid getting paper clips, coins, or any other foreign objects inside the drive.

Handling Floppy Disks

651

• Floppy disks contain a plastic disk with a thin coating of magnetic storage medium. Microscopic precision is required to enable storage of large amounts of data on such a small surface area. To preserve their integrity, please observe the following when handling floppy disks:

• Never touch the magnetic medium inside the disk.

• Do not use or store floppy disks in dirty or dusty areas.

• Do not subject floppy disks to temperature extremes (e.g., direct sunlight in an enclosed vehicle). Recommended temperature range: 10 to 50° C (50 to 122° F).

• Do not expose floppy disks to strong magnetic fields, such as those generated by loudspeakers.

652

• Floppy disks have a “write protect” tab which can protect the disk from accidental erasure. It is recommended that the tab be kept in the PROTECT position, and moved to the WRITE position only when you wish to write new data onto the disk.

Rear side of the disk

Write (can write new data onto disk)

Write Protect Tab

653

• The identification label should be firmly affixed to the disk. Should the label come loose while the disk is in the drive, it may be difficult to remove the disk.

654

• Store all disks in a safe place to avoid damaging them, and to protect them from dust, dirt, and other hazards. By using a dirty or dust-ridden disk, you risk damaging the disk, as well as causing the disk drive to malfunction.

655

• Disks containing performance data for this unit should always be locked (have their write protect tab slid to the “Protect” position) before you insert them into the drive on some other unit (except the PR-300, or a product in the HP-G, MT, KR, or Atelier families), or into a computer’s drive. Otherwise (if the write protect tab remains in the “Write” position), when you perform any disk operations using the other device’s disk drive (such as checking the contents of the disk, or loading data), you risk rendering the disk unreadable by this unit’s disk drive.

203

* GS ( ) is a registered trademark of Roland Corpo-

ration.

???

* XGlite ( ) is a registered trademark of Yamaha Corpo-

ration.

207

* Apple and Macintosh are registered trademark of Apple

Computer, Inc.

210

* IBM and IBM PC are registered trademark of International

Business Machines Corporation.

220

* All product names mentioned in this document are trade-

marks or registered trademarks of their respective owners.

Protect (prevents writing to disk)

Introduction

Thank you, and congratulations on your choice of the Roland KF-7 Intelligent Piano.

While the KF-7 Intelligent Piano certainly allows you to achieve authentic piano

performances, it also features easy-to-use Automatic Accompaniment and numerous

other useful functions. In order to enjoy reliable performance of your new keyboard for

many years to come, please take the time to read through this manual in its entirety.

Main Features

❍

Piano Sounds with Rich Resonance and Wide-Ranging Expressiveness

The stereo sampling piano sound generator realistically reproduces even the sound of

the hammers striking the strings, producing the tones of a high-quality concert grand

piano.

Maximum polyphony of 128 notes ensures that you can use the pedal freely without

running out of notes.

Moreover, since the included pedal (DP-8) allows use of half-damper techniques, you

can enjoy piano performances that are even richer and more expressive.

❍

Pursuing the Playing Feel of a Grand Piano

These instruments feature a progressive hammer action keyboard, which duplicates the

touch of a grand piano, with a heavier touch in the lower register, and a lighter touch in

the upper register.

❍

Get Easy Results with the Main Buttons

You can play songs, display scores, play the Automatic Accompaniment, select Tones,

and perform other main KF-7 functions easily by pressing the main buttons found on

both sides of the screen.

With the

songs for piano practice to the latest hits. Pressing the

display not only the score for any of the internal songs, but for your own recorded songs

and songs on floppy disks.

With the

Automatic Accompaniment settings that match that song, and while looking at the

chord score, perform with accompaniment added.

Thanks to the

from the more than 600 internal Tones; the

listen to a variety of arrangements of the internal popular songs, and transform them

into rock, jazz, or other forms of music; and the

you leave the chords and rhythm to the backing band, and give your performances the

feel of a group session, you can enjoy playing the KF-7 in a great variety of creative ways.

[Select/Listen to a Song] button

[Music Assistant] button

[Select Various Tones] button

you can select a song you want to play, call up

, you can select over 170 internal songs, from

[Score Display] button

, which is used to select suggested Tones

[Song Stylist] button

[Session Partner] button

, which allows you to

, which lets

lets you

Introduction

❍

A Variety of Support Functions for Fostering Rich Musical Abilities

In addition to score displays that let you see note names and fingerings, and a bouncing

ball that keeps track of the notes currently being played, you can also enjoy other

powerful practice functions, like repeated practice of a specified segment, and simple

playback and recording of each hand’s part–features that only a digital piano can

provide.

Other useful practice features include a “Replay” pedal that you can press to stop the

performance and go back when you have trouble with what you’re playing, and “Touch

the Note,” a function that lets you confirm how a note sounds by touching the note on

the screen.

Features geared specifically for young children include “Wonderland,” where kids can

enjoy touching a variety of instruments; and the “Game,” an ear-training feature which

helps build their listening abilities with all the fun of a game.

❍

“Rhythm Partner” Provides Natural-Sounding Tempo

Along with a wide variety of metronome functions that allow you to change the tone and

note divisions (patterns), the KF-7 also includes built-in rhythm functions. Now you can

perform with a natural tempo that matches the rhythm.

❍

Refined and Simple Design

From the tasteful brown tones to real wood used for the sides, this instrument has a look

to fit in naturally with your room’s interior design.

How To Use This Manual

Introduction

The KF-7 Owner’s Manual consists of two volumes,

Manual

Please start out by reading “Before You Start Playing” (p. 16) in the

(this volume). This explains how to connect the KF-7’s power cord and how to turn on

the instrument’s power.

After turning on the KF-7’s power, please continue by reading

By trying out the various procedures while reading the

how to play the KF-7 and make use of its major functions (especially procedures that

involve use of the “main buttons”).

The

special applications (for example, using the KF-7 as an accompanist and creating songs),

that will help you master the KF-7’s many performance functions.

■

Conventions Used in This Manual

This manual uses the following conventions in the interest of simpler, more concise

instructions.

• Button names are enclosed in square brackets “[ ]”, as in One Touch Program [Piano]

button.

Owner’s Manual

describes procedures, from basic operation to procedures for

Quick Start

and the

Quick Start

Owner’s

Owner’s Manual

, you can easily learn

• On screen text is enclosed in angled brackets “< >”, as in <Exit>.

• The act of lightly contacting the Touch Screen with your finger is called “touching.”

• An asterisk (*) or a at the beginning of a paragraph indicates a note or

precaution. These should not be ignored.

• (p. **) refers to pages within the manual.

NOTE

Panel Descriptions

Front Panel

3 4 10 11 12 148 9 18 207

21 5 6

1. [Volume] knob

Adjusts the overall volume (p. 18).

2. [Brilliance] knob

Adjusts the brightness of the sound (p. 18).

3. [Wonderland/Game] button

Here you can learn about instruments while having fun.

→

See the Quick Start

Balance

4. [Part Balance] button

This adjusts the relative volume levels of each of the

performance parts (p. 63).

5. [Balance] knob

Changes the volume balance for sounds played with the

keyboard and for songs and accompaniments (p. 63).

13 16 1715 21 22

Performance Pads

13. [1]–[4]

The operation of each is changed depending on the buttons

numbered

14. Music Style buttons

Selects a Music Style for automatic accompaniment (p. 50).

Pressing the [User] button selects a User Style that you’ve made

yourself or a Music Style on floppy disk (p. 51).

15. Fill In buttons

Inserts a fill-in in an automatic accompaniment and changes the

accompaniment pattern (p. 57).

[To Variation] button

[To Original] button

16. [Intro/Ending] button

Play an intro or ending during automatic accompaniment (p. 54).

11–13

6. [User Program] button

Stores the selected functions and states of the buttons (p. 107).

DSP

7. [Reverb] button

Adds reverberation to the sound (p. 27).

8. [Advanced 3D] button

Adds three-dimensional breadth to the accompaniment sounds

(p. 28).

9. [Equalizer] button

Allows you to adjust the tone quality with the equalizer (p. 30).

10. [Style Orchestrator] button

This is used to change the arrangement type for automatic

accompaniment with the Performance Pads (p. 58).

11. [Phrase] Button

This is used to play a short phrase with the Performance Pads

(p. 59).

12. [User Function] Button

This is used to assign a variety of functions to the Performance

Pads (p. 143).

17. [Start/Stop] button

Starts and stops automatic accompaniment (

p. 54

Rhythm Partner

18. [Metronome] button

Activates the built-in metronome (p. 40).

You can change the count sound settings (p. 146).

19. Beat Indicator

This lights up in correspondence with the beat of the selected

song or accompaniment.

20. [Rhythm] button

Plays the Rhythm pattern (p. 44).

21. Tempo [-] [+] buttons

Adjusts the tempo.

Press the [-] and [+] buttons at the same time to return to the

original tempo.

Panel Descriptions

29 31 39 4030 3723 24

28 32 33 34 35 36 3825 2726

22. Main Buttons

→

See the Quick Start

[Select/Listen to a Song], [Disk] button

Use this button to select internal songs or songs from floppy

disk (p. 65).

[Song Stylist] button

[Music Assistant] button

[Score Display] button

Displays scores (p. 70).

You can use the practice function (p. 74).

[Session Partner] button

[Select Various Tones] button

23. Touch Screen

This lets you perform a variety of operations just by touching

the screen (p. 19).

24. Contrast knob

Adjusts the contrast of the screen (p. 19).

25. Dial

Use this to change on-screen values.

26. [-] [+] buttons

Allow you to change on-screen values.

Record/Playback

30. [Menu] button

You can select functions for playing back, recording or editing a

song (p. 87, p. 113, p. 130).

31. Track buttons

Used to play back or record each track of a song (p. 81, p. 96).

32. [ (Reset)] button

Resets the song playback-start location to the beginning of the

song.

33. [ (Play/Stop)] button

Starts and stops playback or recording a song.

34. [ (Rec)] button

When pressed, this button places the instrument in recording

standby (p. 91, p. 113).

35. [ (Bwd)] button

Rewinds the song.

36. [ (Fwd)] button

Fast-forwards the song.

37. [Transpose] button

Transposes the pitch of the keyboard or the song being played

(p. 85).

27. One Touch Program button

[Piano] button

Makes the optimal settings for a piano performance (p. 20).

[Arranger] button

Makes the optimal settings for playing with automatic

accompaniment (p. 47).

28. [Melody Intelligence] Button

Adds harmony to the sounds played with the keyboard (p. 60).

29. [Tone] buttons

Select the Tones that will be played from the keyboard (p. 21).

38. [Vocal Effect] Button

Applies a variety of effects to vocals from the microphone

(p. 33).

39. Disk Drive

You can insert a floppy disk for playing back or saving songs

(p. 65, p. 101).

40. Eject Button

Ejects a floppy disk from the disk drive (p. 99).

Panel Descriptions

Rear Panel

742 3 5 61 8

1. Mic

Volume Knob

Adjusts the volume level for the microphone (p. 18).

Mic In Jack

Used for connecting microphones (p. 18).

2. Computer

Computer Switch

Switches the connections for the MIDI connectors and the

computer port (p. 159).

Also, this switch is set to Mac, PC-1, or PC-2 according to the

type computer that’s connected.

Computer Connector

You can connect a computer to this jack to exchange

performance information (p. 159).

* You can’t use the MIDI Out/In connector and the Computer

connector at the same time.

3. MIDI Out/In Connectors

Connect between these and external MIDI instruments to

exchange performance information (p. 153).

4. Pedal Jacks

Connect the supplied damper pedal (DP-8), the expression

pedal (EV-5) or others (p. 16).

5. Line In Jacks

You can connect audio equipment or other digital instruments

and hear them through the KF-7’s speakers (p. 157).

6. Line Out Jacks

You can use these to play the notes from the KF-7 on an audio

device or record what you play on a tape recorder

(p. 157).

7. [Power] Switch

Pressed to switch the power on and off (p. 17).

8. DC In Jack

Connect the included AC adapter here (p. 16).

USING THE UNIT SAFELY .............................................................3

IMPORTANT NOTES .......................................................................5

Introduction ...............................................................7

Main Features .....................................................................................7

How To Use This Manual .................................................................9

Conventions Used in This Manual ...........................................9

Panel Descriptions..................................................10

Front Panel ........................................................................................10

Rear Panel..........................................................................................12

Before You Start Playing ........................................16

Installing the Music Stand ..............................................................16

Connect the Power Cord.................................................................16

Connecting Pedals............................................................................16

Turning the Power On and Off ......................................................17

Adjusting the Sound’s Volume and Brilliance.............................18

Connecting Headphones.................................................................18

Connecting a Microphone...............................................................18

About the Touch Screen ..................................................................19

Adjusting the Contrast of the Screen .....................................19

Main Screens .....................................................................................19

Piano Screen...............................................................................19

Basic Screen................................................................................ 19

Using the Main Icons................................................................19

Chapter 1 Performance...........................................20

Playing the Keyboard Like a Piano (One-Touch Piano).............20

Performing with a Variety of Tones (Tone Buttons)...................21

Playing Percussion Instruments or Sound Effects ...............22

Using Keywords to Search for Tones (Tone Search)............23

Performing with Two Sounds Layered Together (Layer)..........24

Playing Different Tones with the Left and Right Hands (Split)

Shifting the Keyboard Pitch in Octave Steps (Octave Shift)

Adding Reverberation to the Sound (Reverb) .............................27

Adding Three-Dimensional Breadth to the Sounds You Play

(Advanced 3D) ..........................................................................28

Adjusting the Sound to Achieve the Preferred Tone Quality

(Equalizer)..................................................................................30

Adding Effects to Each Tone and Voice .......................................32

Applying Effects to the Sound (Effects).................................32

Adding Effects to Mic Vocals (Vocal Effect) .........................33

Enjoying Karaoke Performances with Music Files...............39

Using the Metronome and Rhythm (Rhythm Partner) ..............40

Using the Metronome...............................................................40

Changing the Metronome Settings.........................................41

Playing Rhythm.........................................................................44

Changing the Rhythm settings................................................44

......25

.....26

Chapter 2 Automatic Accompaniment ................. 46

Music Styles and Automatic Accompaniment.............................46

Performing Using Automatic Accompaniment

(One-Touch Arranger).....................................................................47

About Chords ............................................................................48

Playing Chords with Simple Fingering

(Chord Intelligence) ..................................................................48

Viewing Chord Fingerings (Chord Finder)...........................49

Selecting Music Styles (Music Style Buttons)...............................50

Selecting Music Styles on Disks ..............................................51

Using Keywords to Search for Music Styles

(Style Search)..............................................................................52

Playing Only Music Style Rhythm Patterns.................................53

Adjusting the Accompaniment Tempo.........................................53

Starting and Stopping the Accompaniment.................................54

Having the Accompaniment Start Simultaneously When You

Play the Keyboard (Sync).........................................................54

Stopping Automatic Accompaniment ...................................55

Having a Count Sound Play at the End of the Intro

(Countdown)..............................................................................56

Modifying an Accompaniment ......................................................57

Changing the Accompaniment Pattern

(Fill In Buttons)..........................................................................57

Changing the Instrumental Makeup of Music Styles

(Style Orchestrator)...................................................................58

Playing Phrases (Phrase)..........................................................59

Adding Harmony to the Right-Hand Part (Melody Intelligence)

Playing Sounds in the Left Hand During a Performance

(Lower Tone).....................................................................................61

Playing the Piano with Accompaniment Added

(Piano Style Arranger).....................................................................62

Adjusting the Volume Balance for Each Part (Balance)..............63

Changing the Volume Balance between the Accompaniment

and the Keyboard (Balance Knob)..........................................63

Adjusting the Volume Balance for Each Performance Part

(Part Balance).............................................................................63

.......60

Contents

Chapter 3 Song Playback and Practice Functions

Playing a Song ..................................................................................65

Using Keywords to Search for Songs (Song Search)............67

Registering the Songs You Like (Favorites) .................................68

Removing Songs from Favorites.............................................69

Displaying the Score ........................................................................70

Touching Notes to Confirm the Sounds

(Touch the Notes)......................................................................71

Making Detailed Settings for the Score Display................... 72

Saving Scores as Image Data ...................................................73

Practicing Songs with the Practice Function ...............................74

Adjusting the Tempo.......................................................................77

Setting the Tempo by Pressing the Button in Time

(Tap Tempo)...............................................................................78

Use Your Voice to Select the Tempo

(Vocal Tap Tempo)....................................................................79

Playing Back at a Fixed Tempo (Tempo Mute) ....................79

Match the Tempo Before You Begin Playing (Count In)............80

Muting Some Parts Before Playing

(Track Buttons) .................................................................................81

Setting Markers for Repeated Practice (Marker) .........................82

Placing a Marker within a Song..............................................82

Playback from a Marker location............................................83

Erasing a Marker.......................................................................83

Moving a Marker ......................................................................83

Playing Back the Same Passage Over and Over...................84

Transposing Keyboard Sounds and Songs Played Back

(Transpose)........................................................................................85

Detailed Song Playback Settings....................................................87

Changing the Tone Settings When Playing Back Songs

(Play Mode)................................................................................87

Hiding the Lyrics (Lyrics)........................................................88

Changing the Parts Assigned to the Track Buttons During

SMF Playback (Track Assign) .................................................89

Chapter 4 Recording and Saving the Performance

Recording a New Song (New Song)..............................................91

Recording With Accompaniment ..................................................93

Recording Along with a Song ........................................................95

Recording While Selecting the Track Buttons

(Redoing Recordings) ......................................................................96

Erasing Recorded Performances....................................................97

Erasing the Performance on Specific Tracks .........................97

Changing How Recording Stops ...................................................97

Recording Songs Starting with Pickups........................................98

Using Floppy Disks..........................................................................99

Inserting and Ejecting a Floppy Disk.....................................99

Formatting Floppy Disks (Format).........................................99

Saving Songs...................................................................................101

Deleting Saved Songs ....................................................................104

Copying Songs on Disks to Favorites..........................................105

Copying Songs Saved in Favorites to Disks........................106

...65

...90

Chapter 5 User Program Registration................ 107

Saving Performance Settings (User Program)............................107

Calling Up Saved User Programs ................................................108

Changing the Way User Programs Are Called Up ............108

Using the Pedal to Switch User Programs..................................108

Saving the User Program Sets ......................................................109

Loading Saved User Program Sets .......................................110

Deleting Saved User Program Sets ..............................................110

Copying Sets of User Programs on Disks to the User Memory

Coping Sets of User Programs Stored in the User Memory to

Disks..........................................................................................111

Simultaneously Switching User Program and Transmitting

PC Numbers.............................................................................112

....111

Chapter 6 Creating and Editing Songs .............. 113

Multitrack Recording with 16 Parts (16-Track Sequencer) ......113

The 16-Track Sequencer Screen.............................................113

Modifying the Settings of Each Part.....................................114

Getting the Most Suitable Part Tones for the Musical Genre

(Tone Set)..................................................................................115

Recording a Performance.......................................................115

Changing the Recording Method (Rec Mode) ...........................116

Recording While Erasing the Previous Recording

(Replace Recording)................................................................117

Layering a Recording Over Previously Recorded Sounds

(Mix Recording).......................................................................117

Repeated Recording at the Same Location

(Loop Recording) ....................................................................118

Re-Recording Part of Your Performance

(Punch-in Recording)..............................................................119

Composing an Accompaniment By Entering Chords

(Chord Sequencer) .........................................................................120

Inputting Chords without Playing the Keyboard ..............121

Editing Songs ..................................................................................121

Basic Operation of the Editing Functions............................121

Undoing Edits (Undo) ............................................................122

Copying Measures (Copy).....................................................122

Copying Rhythm Patterns to Create Rhythm Parts...........123

Correcting Timing Discrepancies (Quantize) .....................123

Deleting Measures (Delete)....................................................124

Inserting Blank Measures (Insert).........................................124

Transposing Individual Parts (Transpose)..........................125

Making Measures Blank (Erase) ...........................................125

Exchanging Parts (Part Exchange)........................................126

Correcting Notes One by One (Note Edit) ..........................126

Modifying the Tone Changes in a Song (PC Edit) .............127

Changing the Beat in the Middle of a Song (Beat Map) ...........127

Changing the Tempo of Recorded Songs ...................................128

Changing the Tempo Within the Song........................................128

Adjusting the Tempo While Listening to a Song ...............128

Adjusting the Tempo at a Particular Measure....................129

Contents

Chapter 7 Creating Music Styles .........................130

Creating Original Styles (User Styles).........................................130

Creating New Styles by Combining Internal Music Styles

(Style Composer).....................................................................130

Creating a Style from a Song You Composed Yourself

(Style Converter) .....................................................................132

Saving a User Style.........................................................................135

Deleting Saved User Styles....................................................136

Copying Styles on Disks to the User Memory...........................137

Copying Styles Saved in the User Memory to Disks .........137

Chapter 8 Various Settings ..................................138

Changing the Settings for One-Touch Piano..............................138

Procedure .................................................................................138

Adjusting Resonance (Resonance)........................................138

Changing the Tuning (Tuning) .............................................139

Changing How Rapidly Sounds Are Expressed According to

the Force Used to Play the Keys (Hammer Response) ......140

Adjusting the Resonant Sounds (String Resonance)..........140

Adjusting the Keyboard Touch (Key Touch)......................141

Changing the Settings for One-Touch Arranger .......................141

Procedure .................................................................................141

Changing the Keyboard’s Split Point (Split Point).............142

Changing Music Styles Without Changing the Tone or Tempo

(One Touch Setting)................................................................142

Assigning Functions to Pedals and Performance Pads

(Pedal Setting/User Functions) ............................................143

Changing the Bend Range (Pedal Setting) ..........................145

Changing How Chords Are Played and Specified

(Arranger Config) ...................................................................145

Placing a Marker in the Middle of a Measure.....................146

Changing the Settings for the Count-In and Countdown........146

Settings for the Count-In........................................................146

Settings for the Countdown ..................................................147

Other Settings .................................................................................147

Procedure .................................................................................147

Changing Standard Pitch (Master Tune).............................148

Changing the Language (Language)....................................148

Changing the Screen Message When the Power Is Turned On

(Opening Message) .................................................................148

Selecting Images To Be Shown on the KF-7

(User Image Display)..............................................................149

Turning Off the Beat Indicator (Beat Indicator) .................150

Remembering the Settings Even When the Power is Turned Off

(Memory Backup) ...................................................................150

Restoring the Factory Settings (Factory Reset) ...................150

Calibrating the Touch Screen (Touch Screen).....................151

Formatting the User Memory.......................................................151

Automatically Starting the Quick Tour ......................................152

Disabling Functions Other Than Piano Performance

(Panel Lock) ....................................................................................152

Chapter 9 Connecting External Devices ............ 153

Connecting MIDI Devices.............................................................153

Connectors ...............................................................................153

Making the Connections ........................................................154

Synchronizing with Connected MIDI Devices ..........................154

Performing in Ensemble with MIDI Instruments

(MIDI Ensemble) ............................................................................155

MIDI Settings ..................................................................................155

Selecting the Transmit Channel (Tx Channel) ....................156

Disconnecting the Internal Sound Generator and Keyboard

(Local Control).........................................................................156

Sending Tone Change Messages (Program Change/Bank

Select MSB/Bank Select LSB) ................................................156

Sending Recorded Performance Data to a MIDI Device

(Composer MIDI Out) ............................................................157

Connecting to Audio Equipment.................................................157

Connectors ...............................................................................157

Making the Connections ........................................................157

Connecting a Computer ................................................................158

Connect to the MIDI Connectors ..........................................158

Connect to the Computer Connector ...................................159

Connectors ...............................................................................159

Making the Connections ........................................................159

Troubleshooting .............................................................................161

Appendices........................................................... 161

Error Messages ...............................................................................164

Tone List ..........................................................................................165

Drum Set List ..................................................................................167

SFX Set List......................................................................................171

Effects List .......................................................................................172

Music Style List...............................................................................173

Chord List........................................................................................174

Internal Song List ...........................................................................176

Rhythm Pattern List.......................................................................179

Parameters Stored to Internal Memory.......................................180

Music Files That the KF-7 Can Use..............................................181

The KF-7 allows you to use the following music files .......181

About the KF-7 Sound Generator .........................................181

MIDI Implementation Chart.........................................................182

Main Specifications ........................................................................183

Index...................................................................... 185

Before You Start Playing

Before You

Start Playing

Installing the Music Stand

Connecting Pedals

fig.00-03.j

Using the supplied screws, attach the music stand

to the back of the KF-7 as illustrated.

Be sure to use the supplied screws for attaching the

music stand.

Turn the screws clockwise until they’re held in place–but

don’t tighten them yet.

Put the music stand between the screws and the

KF-7’s body.

While supporting the music stand with one hand,

secure it in place by turning the screws.

* When attaching the music stand, support it firmly with one

hand to make sure that you don’t drop it. Be careful, so you don’t get your fingers pinched.

* Do not apply excessive force to the installed music stand.

To remove the music stand, support it with one

hand while loosening the screws.

* After removing the music stand, don’t forget to retighten the

screws.

Connect the Power Cord

924

* To prevent the inadvertent disruption of power to your unit

(should the plug be pulled out accidentally), and to avoid

applying undue stress to the AC adaptor jack, anchor the

power cord using the cord hook, as shown in the illustration.

Cord Hook

The cord of

the supplied AC Adaptor

To the AC Outlet

925

* Use only the specified expression pedal (EV-5; sold separately).

By connecting any other expression pedals, you risk causing

malfunction and/or damage to the unit.

Connect the supplied pedals (DP-8) to one of the pedal jacks.

fig.00-03.j

Expression Pedal (EV-5)

When connected to the Damper jack, the pedal can be used as a damper pedal. When connected to Sostenuto, the pedal can be used as a sostenuto pedal. When connected to Soft, the pedal can be used as a soft pedal.

* Unplugging a pedal cord from the unit while the power is on

may cause the pedal’s effect to be applied without stopping. Be sure to switch off the power to the unit before attempting to disconnect or connect a pedal cord.

DP-8

The DP-8 pedal controls the half damper function, a must for authentic piano performances. Switching the DP-8’s function switch to “Continuous” allows you to perform using the half damper function.

Damper Pedal jack of the KF-7

Roland

Pedal Switch (DP-8)

Pedal Cord

Half Damper Pedal

Switch Control

Before You Start Playing

Rear panel

Lower position

Start Playing

Before You

Damper Pedal

Use this pedal to sustain the sound. While the pedal is depressed, long lingering reverberations continue to be added to the sound after you release from the keys. When you depress the damper pedal on an acoustic piano, the sound from the strings that were struck resonates with other strings, adding rich reverberations and broadness to the sound. You can adjust this resonance (Sympathetic Resonance) when the damper pedal is depressed.

→

You can vary the amount of resonance applied when the damper pedal is depressed. Refer to “Adjusting Resonance (Resonance)” (p. 138).

Sostenuto Pedal

When this pedal is depressed, reverberations are applied only to the keys being played at that time.

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent strength. This is the same function as the left pedal of an acoustic piano.

→

When connected to the Sostenuto jack or the Soft jack, you can also assign other functions to the connected pedal. For more information, see “Assigning Functions to Pedals and Performance Pads (Pedal Setting/User Functions)” (p. 143).

→

By providing two more pedals, you can use three pedals at the same time. If you wish to purchase the optional pedal (DP-2/ DP-6), please contact the dealer where you purchased the keyboard.

Turning the Power On and Off

941

NOTE

Be sure to follow the steps below when turning the power on or off.

By turning on devices in the wrong order, you risk causing

malfunction and/or damage to speakers and other devices.

Turning On the Power

Before you switch on the power, turn the volume down

all the way by rotating the [Volume] knob.

fig.00-04

Press the [Power] switch on the back of the unit.

After a few seconds, the unit becomes operable and

playing the keyboard produces sound.

Adjust the volume at appropriate levels.

fig.00-05.j

942

NOTE

This unit is equipped with a protection circuit. A brief interval (a few

seconds) after power up is required before the unit will operate

normally.

Turning Off the Power

Before switching the power off, turn the volume all the

way down by rotating the [Volume] knob.

Press the [Power] switch on the back of the unit.

The power is switched off.

fig.00-06.j

Rear panel

Upper position

OFF

* If you need to turn off the power completely, first turn off the

POWER switch, then unplug the power cord from the power

outlet. Refer to “Power Supply” (p. 5).

Before You Start Playing

Before You

Start Playing

Adjusting the Sound’s

Connecting a Microphone

Volume and Brilliance

Turn the [Volume] knob to adjust the overall volume.

Turn the [Brilliance] knob to adjust the brightness of

the sound.

fig.00-07.e

Min Max Mellow

Bright

Connecting Headphones

The unit’s speakers will go silent when you plug in

headphones. This makes it convenient for playing at night, or

at other times when you do not want to disturb others.

fig.00-08

Plug the headphones into the Phones jack at the front,

on the left side of the piano.

The sound from the built-in speakers stops. Now, sound

is heard only through the headphones.

Use the [Volume] knob on the KF-7 to adjust the

volume of the headphones.

You can connect a microphone into the Mic In jack, and enjoy

karaoke with the KF-7.

fig.00-09

Connect a microphone to the Mic In jack on the back of

the instrument.

Rotate the [Mic Volume] knob next to the Mic In jack to

adjust the volume level for the microphone.

→

You can use a microphone (sold separately). When purchasing

a microphone, please consult the vendor where you bought the

KF-7.

Some Notes on Using a Microphone

• Be careful of high volume levels when using mikes late

at night or early in the morning.

• When connecting a microphone to the KF-7, be sure to

lower the volume. If the volume control is too high when

the microphone is plugged in, noise may be produced by

the speakers.

983

• Howling could be produced depending on the location

of microphones relative to speakers. This can be

remedied by:

- Changing the orientation of the microphone.

- Relocating microphone at a greater distance from

speakers.

- Lowering volume levels.

→

Use Stereo headphones.

Some Notes on Using Headphones

• To prevent damage to the cord, handle the headphones

only by the headset or the plug.

• The headphones may be damaged if the volume is too

high when they are plugged in. Lower the volume on the

KF-7 before plugging in the headphones.

• To prevent possible auditory damage, loss of hearing, or

damage to the headphones, the headphones should not

be used at an excessively high volume. Use the

headphones at a moderate volume level.

About the Touch Screen

The KF-7 makes use of a touch screen.

This lets you carry out a wide variety of actions just by

touching the screen lightly.

Before You Start Playing

■

Basic Screen

The following screen is called Basic screen.

Song name or

Tempo

Music Style name

Beat Measure

Start Playing

Before You

NOTE

• The touch screen is operated by touching it lightly with

your finger. Pressing hard, or using a hard object can

damage the touch screen. Be careful not to press too

hard, and be sure to use only your fingers to operate the

touch screen.

• The positioning of the touch screen may become

displaced due to changes in the surrounding

environment and over time. If this happens, follow the

steps in “Calibrating the Touch Screen (Touch Screen)”

(p. 151) to correct the pointer position.

• Do not place items on the touch screen.

■

Adjusting the Contrast of the Screen

To adjust the contrast of the screen, turn the Contrast

knob located at the right side of the screen.

The Tone names are selected appear.

These information are displayed, when you use the automatic accompaniment.

You can usually display this screen by touching <Exit>

several times.

Follow either of the procedures described below to display it.

• Press the One Touch Program [Arranger] button.

The Basic screen appears and the settings are made for

automatic accompaniment.

• Press the One Touch Program [Piano] button, then press

one of the Tone buttons, then touch <Exit>.

■

Using the Main Icons

With the KF-7, you can many other screens besides the Basic

screen to do things. The on-screen graphics that appear three

dimensional work like buttons. These are called “Icons.”

The main icons you can use on these screens are as follows.

Main Screens

■

Piano Screen

Immediately after the power is turned on, the Piano screen

like the one below is displayed. For details, refer to p. 20.

Some screens consist on two or more pages. You can display the next page or the previous page of the screen by touching these icons.

Touch this to cancel the currently editing setting or exit the screen that is currently displayed. You can usually display the Basic screen by touching <Exit> several times.

When you select an internal song or music files that includes the lyrics data, this icon appears in the Piano screen or Basic screen. Touch this to display the lyrics.

NOTE

The explanations in this manual include illustrations that depict

what should typically be shown by the display. Note, however, that

your unit may incorporate a newer, enhanced version of the system

(e.g., includes newer sounds), so what you actually see in the display

may not always match what appears in the manual.

Chapter 1 Performance

Since this instrument faithfully

reproduces real acoustic piano

action and response, keys

played in the top one-and-one-

half-octave range continue to

resonate, regardless of the

damper pedal action, and the

tone in this range is audibly

different. The Key Transpose

setting (p. 85) can also be used

to change the range that is

unaffected by the damper

pedal.

Playing the Keyboard Like a Piano (One-Touch Piano)

You can create the optimal settings for a piano performance with the press of a single

button.

fig.panel1-1

Chapter 1

Press the One Touch Program [Piano] button.

A “Piano screen” like the one shown below will appear.

fig.d-piano.eps_60

When you press the One Touch Program [Piano] button, the KF-7 will switch to the

following settings, regardless of the current panel settings.

• If the keyboard has been split into upper and lower sections (p. 25), the

keyboard returns to a single section.

• The pedals return to their usual functions (p. 16, p. 143).

• The Grand Piano sound is automatically selected.

• The effect is automatically set to “Sympathetic Resonance” (p. 32).

Changing the Piano Sound

Touch the piano lid on the screen, and listen to the tone change as you slide your

finger or touch

This simulates the actual changes in sound that occur when the lid of a grand piano

is set at different heights.

You can change the piano

performance settings by

touching <Functions> on the

screen. For more information,

take a look at “Changing the

Settings for One-Touch Piano”

(p. 138).

to open and close the lid.

When you select an internal

song or music file that includes

the lyrics data, <lyrics>

appears in the Piano screen or

Basic screen. Touch this to

display the lyrics.

Performing with a Variety of Tones (Tone Buttons)

Chapter 1 Performance

The KF-7 comes with a many built-in instrument sounds and effects. This lets you

enjoy perform in a wide range of musical styles.

The built-in sounds are called “Tones.” The sounds are organized into six tone

groups, which are assigned to the [Tone] buttons.

fig.panel1-2

Press any one of the Tone buttons to select a tone group.

You’ll see that button’s indicator light up.

The screen displays the tone names included in the tone group you’ve selected.

fig.d-tonesel.eps_60

For more about the names of

Tones, take a look at the “Tone

List” (p. 165).

Chapter 1

This screen is called the “Tone selection screen.”

You can touch <Audition> for an audio demonstration of a particular tone.

Touch to switch the screen and display the next selection.

You can touch <Effects> to add effect sounds to a variety of tones (p. 32).

You can touch <Search> to find tones according to the search criteria you specify

(p. 23).

Select a tone, then touch the tone name.

You’ll hear the tone you’ve selected when you play the keyboard.

You can use the [-] [+] buttons and the dial to automatically switch pages and select

tones.

Touch <Exit>.

This returns you to the Basic screen or the previous screen.

Chapter 1 Performance

■

Playing Percussion Instruments or Sound Effects

You can use the keyboard to play percussion sounds or effects like sirens and animal

sounds.

fig.panel1-2

Chapter 1

Press the [Select Various Tones] button and watch the indicator light up.

Touch <Drums> or <SFX>.

fig.d-drum.eps_60

Each note of the keyboard will play a different sound.

You can also have play sounds by touching the screen.

Touch <Exit> several times.

This returns you to the Basic screen or the previous screen.

The combination of sounds

assigned to the keyboard

varies according to the drum

set. Take a look at the “Drum

Set List” (p. 167) and “SFX Set

List” (p. 171).

■

In condition search, tones

satisfying all of the selected

search criteria are sought.

Using Keywords to Search for Tones (Tone Search)

You can search for tones that match the conditions you set for instrument or musical

style. You can also search the tones using the first character of the tone name.

Press any Tone button.

The tone selection screen appears.

Touch <Search>.

The following “Tone search screen” appears.

fig.d-tonesrch1.eps_60

Condition Search screen Name Search screen

Chapter 1 Performance

Chapter 1

Touch here to switch these screens.

Searching by Conditions

Touch <Category> or <Genre>, then use the [-] [+] buttons and the dial to

select the search conditions.

Touch <Search>.

The search results appear in the display.

Touch the tone name to select the tone.

Touch <Exit> to return to the tone search screen.

Searching by Tone Name

Touch <By Name>.

Touch <By Key> to go to the condition search screen.

Decide which character is to be used for the search.

Enter the character you’re searching for. For example, touching <ABC> in succession

cycles you through the available choices in that character group (“A”→”B”→”C”...).

Touching <A-0> selects the type of character. Each time you touch <A-0>, the

character switches between alphabets and numerals.

The selected character appears in the middle of the screen.

Touch <Search>.

The search results appear in the display.

Touch the tone name to select the Tone.

Touch <Exit> several times to return to the Basic screen or the previous screen.

Chapter 1 Performance

When you select an internal

song or music file that includes

the lyrics data, <lyrics>

appears in the Basic screen.

Touch this to display the lyrics.

Performing with Two Sounds Layered Together (Layer)

Two tones sounding together when you press a single key is referred to as a “layer

performance.”

For instance, it’s possible to play the Tones for both Piano and Strings simultaneously.

fig.layer.e

Grand Piano 1

Chapter 1

Touch <Layer> at the bottom of the Basic screen.

fig.d-layer.eps_60

Strings

The tone that was sounding before you switched to layer performance, plus the tone

indicated in the lower part of the display, are now played together.

Here, the tone appearing in the upper part of the display is called the “right-hand

tone,” and the tone appearing in the lower part of the display is called the “layer

tone.”

Changing the tones

Touch the name of the tone to be changed.

The tone name will be highlighted in white.

Press a Tone button to select the new tone (p. 21).

When you have selected the tone, touch <Exit>.

The display returns to the Basic screen.

Cancelling the Layer

Touch <Layer>.

The <Layer> icon reverts to black, and the layer performance is cancelled.

Now when you play the keys, only the tone indicated on the screen is sounded.

When you touch Octave

<-><+> on the tone selection

screen, the pitch of the

keyboard’s sound is changed

in octave units. To learn more,

see “Shifting the Keyboard

Pitch in Octave Steps (Octave

Shift)” (p. 26).

You can vary the volume-level

alance of the two tones. For

instructions, see “Adjusting

the Volume Balance for Each

Performance Part (Part

Balance)” (p. 63).

Playing Different Tones with the Left

When you select an internal

song or music file that includes

the lyrics data, <lyrics>

appears in the Basic screen.

Touch this to display the lyrics.

and Right Hands (Split)

Dividing the keyboard into right-hand and left-hand areas, then playing different

sounds in each section is called “split performance.” The boundary key is called the

“split point.”

The split point key is included in the left-hand keyboard area. Each time power to

the keyboard is turned on, the split point is reset to “F#3.”

fig.split.e

Split Point

Grand Piano 1Acoustic Bass

At the Basic screen, touch <Split>.

fig.d-split.eps_60

Chapter 1 Performance

Chapter 1

You can change the split point;

refer to “Changing the

Keyboard’s Split Point (Split

Point)” (p. 142).

The tone sounding prior to the split performance is played in the right-hand section

of the keyboard, and the tone indicated at the left of the screen is played in the left-

hand section of the keyboard.

Here, the tone appearing at the right part of the display is called the “right-hand

tone,” and the tone appearing at the left part of the display is called the “left-hand

tone.”

Changing the Tones

Touch the name of the tone to be changed.

The tone name will be highlighted in white.

Press a Tone button to select the tone (p. 21).

When you have selected the tone, touch <Exit>.

The display returns to the Basic screen.

Cancelling the Split

Touch <Split>.

The <Split> icon reverts to black, and the split performance is cancelled.

When you play the keys, only the tone indicated on the screen is sounded.

When you touch Octave

<-><+> in the tone selection

screen, the pitch of the

keyboard’s sound is changed

in octave units. To learn more,

see “Shifting the Keyboard

Pitch in Octave Steps (Octave

Shift)” (p. 26).

You can change the volume

alance between the left- and

right-hand parts of the

keyboard; refer to “Adjusting

the Volume Balance for Each

Performance Part (Part

Balance)” (p. 63).

Chapter 1 Performance

Turning On Layer and Split Performance Simultaneously

Turning on both layer performance and split performance allows you to split the

keyboard into two sections while playing two layered Tones in the right-hand part.

fig.d-layersplit.eps_60

Chapter 1

■

Shifting the Keyboard Pitch in Octave Steps (Octave Shift)

When using layer performance (p. 24) or split performance (p. 25), you can change

the pitch of the keyboard’s sound in octave units. This function is called “Octave

Shift.”

For example, when using a layer performance, you can change the pitch of each

sound and layer the sounds. You can make the pitch of the keyboard’s left-hand part

match the pitch of the right-hand part during split performance.

When the keyboard has been

divided into upper and lower

sections, the damper pedal is

applied to only the upper

section. If you want to add

lingering reverberations to the

notes of the lower section, see

“Assigning Functions to

Pedals and Performance Pads

(Pedal Setting/User

Functions)” (p. 143).

You cannot use Octave Shift

when using a single tone for

the entire keyboard or in the

right-hand Tone during layer

performances.

On the Basic screen, touch <Layer> or <Split>.

The KF-7 switches to layer performance or split performance.

To apply Octave Shift, touch the name of the tone you’ve selected.

Press the Tone button to display the Tone selection screen.

fig.d-octshift.eps_60

Touch Octave <-> or <+> in the lower part of the screen to adjust the

pitch of the sound.

Each time you touch <+>, the pitch is raised one octave.

Each time you touch <->, the pitch is lowered one octave.

The sound can be changed from two octaves lower than the original sound (-2) to

two octaves above the original (+2).

Touch <Exit> to return to the Basic screen or the previous screen.

Adding Reverberation to the Sound (Reverb)

Apply a reverb effect to the notes you play with the KF-7.

Reverb makes it sound as if you are playing in a concert hall.

fig.panel1-3

Press the [Reverb] button and watch the its indicator light up.

A “Reverb screen” like the one shown below appears.

fig.d-reverb.eps_60

Chapter 1 Performance

Chapter 1

Touch an icon to select the performance space.

;

Display

Ground

Room

Lounge

Studio

Gymnasium

Hall

Dome

Cave

GS Room 1

GS Room 2

GS Room 3

GS Hall 1

GS Hall 2

GS Plate

GS Delay

GS Pan Delay

Wide open space with no reverberations.

Small room

Larger room

A recording studio

In a gymnasium

Large concert hall reverberation

A domed ballpark

Adds the extended reverberations found inside a cave

Reproduces an indoor-type reverb. Provides a clear, expansive reverberation.

Reproduces the reverberation found in a hall. Gives reverberation with a greater sense of depth than GS Room.

Reproduces a plate echo (reverberation created using the vibrations of a metal plate).

A delayed sound that is added to the original, similar to the reflected sounds of mountain echoes.

The reflected sounds are panned (shifted) laterally.

Explanation

Chapter 1 Performance

Touch the slider beneath the icons to adjust the effect selected.

Touch and slide the knob on the screen to the right for a deeper reverb, and to the

left for less.

You can also move the slider with the [-] [+] buttons and the dial.

Pressing the [-] [+] buttons simultaneously returns the slider to the initial value.

When you touch <Exit>, the reverb effect is activated, and you return to the previous

screen.

Cancelling the Effect

Press the [Reverb] button, and watch the indicator light go out.

Chapter 1

■

The reverb effect is eliminated.

Adding Three-Dimensional Breadth to the Sounds You Play (Advanced 3D)

You can add three-dimensional breadth to the sounds you play with automatic

accompaniment (p. 46), or to internal songs or music files. With this effect, called

“Advanced 3D,” you seem to be surrounded by the sound of the performance.

fig.panel1-4

No effect is applied when the

slider is moved all the way to

the left. In this case, the

utton’s indicator won’t light

up when you press the

[Reverb] button.

Press the [Advanced 3D] button and watch the indicator light up.

The following “Advanced 3D screen” appears.

fig.d-adv3d.eps_60

Touch the icon to switch the effect on or off for each individual part.

Three-dimensional breadth is added to the performance part you’ve selected.

When you touch <Exit>, the Advanced 3D effect is activated, and you return to the

previous screen.

Cancelling the Effect

Press the [Advanced 3D] button and watch the indicator goes out.

OFF

If all of the parts are switched

off, the [Advanced 3D]

utton’s indicator won’t light

up when you press the button.

The Advanced 3D effect is eliminated, and the effect is no longer applied to any of

the parts.

❍

Selecting the tone to which the effect is applied

With “Keyboard” in Advanced 3D set to On, you can select the parts to which the 3D

effect is to be applied when the keyboard is played.

Press the [Advanced 3D] button and watch the indicator light up.

On the Advanced 3D screen, touch <Option>.

Chapter 1 Performance

A screen like the one shown below appears.

fig.d-adv3dopt.eps_60

Touch <All Parts> or <Layer Part>.

Display

All Parts

Layer Part

The effect is applied to all tones played with the keyboard (the lefthand tone, right-hand tone, and layer tone).

The effect is applied only to the layer part. When not using a layer performance (p. 24), the Advanced 3D effect is not applied to the keyboard performance, even if <Keyboard> on the Advance 3D screen is set to On.

Chapter 1

Explanation

When you touch <Exit>, you return to the Advanced 3D screen.

Chapter 1 Performance

When <Flat> is selected (when

all sliders are at “0”), then even

when [Equalizer] is pressed,

the indicator does not light up.

■

Adjusting the Sound to Achieve the Preferred Tone Quality (Equalizer)

The KF-7 features a built-in, five-band digital equalizer.

An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the

sound balance for the overall performance. For example, you can boost the highs to

get a crisper sound, or boost the low end for a more powerful sound.

You can also adjust the sound to compensate for the acoustical characteristics of the

performance space.

If raising the slider for each frequency ends up distorting the sound, you can correct

the distortion with the Master Level slider.

Chapter 1

Press the [Equalizer] button.

The “Equalizer screen” appears.

fig.d-eq.eps_60

Touch the Type icon to make your selection.

Display

Bottom

Power

Mild

Clear

Bright

Flat

User

Touch the slider to make adjustment.

Displayed

Low

This setting greatly boosts the low end.

Boosts both the low- and high-frequency ranges.

Lows and highs are restrained for a pleasant-sounding tone.

This setting slightly boosts the midrange for a simple pop feeling.

This setting boosts the high frequencies for a brilliant, sparkling sound.

All slider values are set to “0.”

Store your own preferred settings (p. 31).

Settings

Value

Low-frequency range. This is the range of frequen-

-60–0–+60

cies for instruments like drums, bass, organ, guitar and strings.

Mid-low-frequency range. This is the range of frequencies for lower brass and woodwind instruments.

Explanation

Description

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