Page 1
MIDI Implementation
Model: JUPITER-80
Date: June 30, 2011
Version: 1.00
1. Data Reception
Channel Voice Messages
Note o
Status 2nd byte 3rd byte
8nH kkH vvH
9nH kkH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note o velocity: 00H - 7FH (0 - 127)
Note on
Status 2nd byte 3rd byte
9nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note on velocity: 01H - 7FH (1 - 127)
Polyphonic Key Pressure
Status 2nd byte 3rd byte
AnH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = Polyphonic Key Pressure: 00H - 7FH (0 - 127)
* Not received when the Receive Poly Key Press parameter (Live Set Layer/Rx Filter1)
is OFF for UPPER/LOWER parts.
* Not received when the Receive Polyphonic Key Pressure parameter (Registration
SOLO/PERC Part/Rx Filter1) is OFF for SOLO/PERC parts.
Control Change
* If the corresponding Controller number is selected for the System Control Source
1, 2, 3 or 4 parameter (System Setup/System Control), the corresponding eect will
occur.
Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)
* Not received when the Receive Bank Select (System Setup/MIDI Tx/Rx) is OFF.
The Registrations corresponding to each Bank Select are as follows.
BANK SELECT | PROGRAM | GROUP | NUMBER
MSB | LSB | NUMBER | |
-----+-----------+-----------+------------------+------------------ 083 | 000 | 001 - 128 | Registration | [01]A-1 - [04]D-8
| 001 | 001 - 128 | Registration | [05]A-1 - [08]D-8
The Live Sets of UPPER/LOWER parts corresponding to each Bank Select are as
follows.
BANK SELECT | PROGRAM | GROUP | NUMBER
MSB | LSB | NUMBER | |
-----+-----------+-----------+------------------+------------------ 084 | 000 | 001 - 128 | Live Set | 0001 - 0128
| 001 | 001 - 128 | Live Set | 0129 - 0256
| : | | : |
| 019 | 001 - 128 | Live Set | 2433 - 2560
The Tones of SOLO part corresponding to each Bank Select are as follows.
BANK SELECT | PROGRAM | GROUP | NUMBER
MSB | LSB | NUMBER | |
-----+-----------+-----------+------------------+------------------ 093 | 000 | 001 - 128 | SN Synth Tone | 0001 - 0128
| 001 | 001 - 128 | SN Synth Tone | 0129 - 0256
| : | | : |
| 015 | 001 - 128 | SN Synth Tone | 1921 - 2048
-----+-----------+-----------+------------------+------------------ — | — | — - — | SN Acoustic Tone | See attached table. (p. 26)
The Tones of PERC part corresponding to each Bank Select are as follows.
BANK SELECT | PROGRAM | GROUP | NUMBER
MSB | LSB | NUMBER | |
-----+-----------+-----------+------------------+------------------ 086 | 064 | 001 - 16 | Drum/SFX Tone | 0001 - 0016
| 065 | 001 - 8 | Manual Perc Tone | 0001 - 0008
-----+-----------+-----------+------------------+------------------ 093 | 000 | 001 - 128 | SN Synth Tone | 0001 - 0128
| 001 | 001 - 128 | SN Synth Tone | 0129 - 0256
| : | | : |
| 015 | 001 - 128 | SN Synth Tone | 1921 - 2048
-----+-----------+-----------+------------------+------------------- — | — | — - — | SN Acoustic Tone | See attached table. (p. 26)
Modulation (Controller number 1)
Status 2nd byte 3rd byte
BnH 01H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Modulation depth: 00H - 7FH (0 - 127)
* Not received when the Receive Modulation parameter (Live Set Layer/Rx Filter1) is
OFF for UPPER/LOWER parts.
* Not received when the Receive Modulation parameter (Registration SOLO/PERC
Part/Rx Filter1) is OFF for SOLO/PERC parts.
Breath Type (Controller number 2)
Status 2nd byte 3rd byte
BnH 02H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Breath Type parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* Not received when the Receive Breath Type parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
Foot Type (Controller number 4)
Status 2nd byte 3rd byte
BnH 04H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Foot Type parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* Not received when the Receive Foot Type parameter (Registration SOLO/PERC Part/
Rx Filter2) is OFF for SOLO/PERC parts.
1PS
Copyright © 2011 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
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MIDI Implementation
Portamento Time (Controller number 5)
Status 2nd byte 3rd byte
BnH 05H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Portamento Time: 00H - 7FH (0 - 127)
* The Portamento Time parameter (Live Set Layer/Pitch) will change for UPPER/
LOWER parts.
* Not received when the Receive Portamento parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* The Portamento Time parameter (Registration SOLO/PERC Part/Pitch) will change
for SOLO/PERC parts.
* Not received when the Receive Portamento parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
Data Entry (Controller number 6, 38)
Status 2nd byte 3rd byte
BnH 06H mmH
BnH 26H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specied by RPN/NRPN
mm = MSB, ll = LSB
Volume (Controller number 7)
Status 2nd byte 3rd byte
BnH 07H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Volume: 00H - 7FH (0 - 127)
* The Part Level parameter (Registration Part) will change.
Panpot (Controller number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Panpot: 00H - 40H - 7FH (Left - Center - Right)
* The Part Pan parameter (Registration Part) will change.
Expression (Controller number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Expression: 00H - 7FH (0 - 127)
* Not received when the Receive Expression parameter (Live Set Layer/Rx Filter1) is
OFF for UPPER/LOWER parts.
* Not received when the Receive Expression parameter (Registration SOLO/PERC
Part/Rx Filter1) is OFF for SOLO/PERC parts.
General Purpose Controller 1 (Tone Modify 1)
(Controller number 16)
Status 2nd byte 3rd byte
BnH 10H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Modify parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Modify parameter (Registration SOLO/PERC Part/Rx
Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 2 (Tone Modify 2)
(Controller number 17)
Status 2nd byte 3rd byte
BnH 11H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Modify parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Modify parameter (Registration SOLO/PERC Part/Rx
Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 3 (Tone Modify 3)
(Controller number 18)
Status 2nd byte 3rd byte
BnH 12H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Modify parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Modify parameter (Registration SOLO/PERC Part/Rx
Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 4 (Tone Modify 4)
(Controller number 19)
Status 2nd byte 3rd byte
BnH 13H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Modify parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Modify parameter (Registration SOLO/PERC Part/Rx
Filter2) is OFF for SOLO/PERC parts.
Hold 1 (Controller number 64)
Status 2nd byte 3rd byte
BnH 40H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0-63 = OFF, 64-127 = ON
* Not received when the Receive Hold-1 parameter (Live Set Layer/Rx Filter1) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Hold-1 parameter (Registration SOLO/PERC Part/Rx
Filter1) is OFF for SOLO/PERC parts.
Portamento (Controller number 65)
Status 2nd byte 3rd byte
BnH 41H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
* The Portamento Switch parameter (Live Set Layer/Pitch) will change for UPPER/
LOWER parts.
* Not received when the Receive Portamento parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* The Portamento Switch parameter (Registration SOLO/PERC Part/Pitch) will change
for SOLO/PERC parts.
* Not received when the Receive Portamento parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
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MIDI Implementation
Sostenuto (Controller number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
Soft (Controller number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Legato Foot Switch (Controller number 68)
Status 2nd byte 3rd byte
BnH 44H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
* The Legato Switch parameter (Live Set LAYER/Mono/Poly/Misc) will change for
UPPER/LOWER parts.
* The Legato Switch parameter (Registration SOLO/PERC Part/Mono/Poly/Misc) will
change for SOLO/PERC parts.
Hold-2 (Controller number 69)
Status 2nd byte 3rd byte
BnH 45H vvH
Attack time (Controller number 73)
Status 2nd byte 3rd byte
BnH 49H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Attack Time Oset parameter (Live Set Layer/Oset) will change for UPPER/
LOWER parts.
* Not received when the Receive Envelope Oset parameter (Live Set Layer/Rx
Filter2) is OFF for UPPER/LOWER parts.
* The Attack Time Oset parameter (Registration SOLO/PERC Part/Oset) will change
for SOLO/PERC parts.
* Not received when the Receive Envelope Oset parameter (Registration SOLO/
PERC Part/Rx Filter2) is OFF for SOLO/PERC parts.
Cuto (Controller number 74)
Status 2nd byte 3rd byte
BnH 4AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Cuto value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Cuto Oset parameter (Live Set Layer/Oset) will change for UPPER/LOWER
parts.
* Not received when the Receive Filter Oset parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* The Cuto Oset parameter (Registration SOLO/PERC Part/Oset) will change for
SOLO/PERC parts.
* Not received when the Receive Filter Oset parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* A hold movement isn’t done.
Resonance (Controller number 71)
Status 2nd byte 3rd byte
BnH 47H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Resonance Oset parameter (Live Set Layer/Oset) will change for UPPER/
LOWER parts.
* Not received when the Receive Filter Oset parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* The Resonance Oset parameter (Registration SOLO/PERC Part/Oset) will change
for SOLO/PERC parts.
* Not received when the Receive Filter Oset parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
Release Time (Controller number 72)
Status 2nd byte 3rd byte
BnH 48H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Release Time Oset parameter (Live Set Layer/Oset) will change for UPPER/
LOWER parts.
* Not received when the Receive Envelope Oset parameter (Live Set Layer/Rx
Filter2) is OFF for UPPER/LOWER parts.
* The Release Time Oset parameter (Registration SOLO/PERC Part/Oset) will
change for SOLO/PERC parts.
* Not received when the Receive Envelope Oset parameter (Registration SOLO/
PERC Part/Rx Filter2) is OFF for SOLO/PERC parts.
Decay Time (Controller number 75)
Status 2nd byte 3rd byte
BnH 4BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Decay Time Oset parameter (Live Set Layer/Oset) will change for UPPER/
LOWER parts.
* Not received when the Receive Envelope Oset parameter (Live Set Layer/Rx
Filter2) is OFF for UPPER/LOWER parts.
* The Decay Time Oset parameter (Registration SOLO/PERC Part/Oset) will change
for SOLO/PERC parts.
* Not received when the Receive Envelope Oset parameter (Registration SOLO/
PERC Part/Rx Filter2) is OFF for SOLO/PERC parts.
Vibrato Rate (Controller number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Vibrato Rate parameter (Live Set Layer/Vibrato) will change for UPPER/LOWER
parts.
* The Vibrato Rate parameter (Registration SOLO/PERC Part/Vibrato) will change for
SOLO/PERC parts.
Vibrato Depth (Controller number 77)
Status 2nd byte 3rd byte
BnH 4DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Vibrato Depth parameter (Live Set Layer/Vibrato) will change for UPPER/LOWER
parts.
* The Vibrato Depth parameter (Registration SOLO/PERC Part/Vibrato) will change for
SOLO/PERC parts.
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MIDI Implementation
Vibrato Delay (Controller number 78)
Status 2nd byte 3rd byte
BnH 4EH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Vibrato Delay parameter (Live Set Layer/Vibrato) will change for UPPER/LOWER
parts.
* The Vibrato Delay parameter (Registration SOLO/PERC Part/Vibrato) will change for
SOLO/PERC parts.
Tone Blender (Controller number 79)
Status 2nd byte 3rd byte
BnH 4FH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 40H - 7FH
General Purpose Controller 5 (Tone Variation 1)
(Controller number 80)
Status 2nd byte 3rd byte
BnH 50H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Variation parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Variation parameter (Registration SOLO/PERC Part/
Rx Filter2) is OFF for SOLO/PERC parts.
Portamento control (Controller number 84)
Status 2nd byte 3rd byte
BnH 54H kkH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = source note number: 00H - 7FH (0 - 127)
* A Note-on received immediately after a Portamento Control message will change
continuously in pitch, starting from the pitch of the Source Note Number.
* If a voice is already sounding for a note number identical to the Source Note
Number, this voice will continue sounding (i.e., legato) and will, when the next
Note-on is received, smoothly change to the pitch of that Note-on.
* The rate of the pitch change caused by Portamento Control is determined by the
Portamento Time value.
General Purpose Eect 1 (Reverb Send Level)
(Controller number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Reverb Send Level: 00H - 7FH (0 - 127)
* The Reverb Send Level parameter (Live Set Layer/Eects Send) will change for
UPPER/LOWER parts.
* Not received when the Receive Reverb Send parameter (Live Set Layer/Rx Filter2) is
OFF for UPPER/LOWER parts.
* The Reverb Send Level parameter (Registration SOLO/PERC Part/Level/Pan/Output)
will change for SOLO/PERC parts.
* Not received when the Receive Reverb Send parameter (Registration SOLO/PERC
Part/Rx Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 6 (Tone Variation 2)
(Controller number 81)
Status 2nd byte 3rd byte
BnH 51H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Variation parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Variation parameter (Registration SOLO/PERC Part/
Rx Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 7 (Tone Variation 3)
(Controller number 82)
Status 2nd byte 3rd byte
BnH 52H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Variation parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Variation parameter (Registration SOLO/PERC Part/
Rx Filter2) is OFF for SOLO/PERC parts.
General Purpose Controller 8 (Tone Variation 4)
(Controller number 83)
Status 2nd byte 3rd byte
BnH 53H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* Not received when the Receive Variation parameter (Live Set Layer/Rx Filter2) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Variation parameter (Registration SOLO/PERC Part/
Rx Filter2) is OFF for SOLO/PERC parts.
RPN MSB/LSB (Controller number 100, 101)
Status 2nd byte 3rd byte
BnH 65H mmH
BnH 64H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = upper byte (MSB) of parameter number specied by RPN
ll = lower byte (LSB) of parameter number specied by RPN
<<< RPN >>>
Control Changes include RPN (Registered Parameter Numbers), which are extended.
When using RPNs, rst RPN (Controller numbers 100 and 101; they can be sent in any
order) should be sent in order to select the parameter, then Data Entry (Controller
numbers 6 and 38) should be sent to set the value. Once RPN messages are received,
Data Entry messages that is received at the same MIDI channel after that are
recognized as changing toward the value of the RPN messages. In order not to make
any mistakes, transmitting RPN Null is recommended after setting parameters you
need.
This device receives the following RPNs.
RPN Data entry
MSB, LSB MSB, LSB Notes
00H, 00H mmH, llH Pitch Bend Sensitivity
mm: 00H - 18H (0 - 24 semitones)
ll: ignored (processed as 00H)
Up to 2 octave can be specied in
semitone steps.
* The Pitch Bend Range parameter (Live Set Layer/Pitch) will change for UPPER/
LOWER parts.
* The Pitch Bend Range parameter (Registration SOLO/PERC Part/Pitch) will change
for SOLO/PERC parts.
00H, 01H mmH, llH Channel Fine Tuning
mm, ll: 20 00H - 40 00H - 60 00H
(-4096 x 100 / 8192 - 0 - +4096 x 100 /
8192 cent)
* The Fine Tune parameter (Live Set Layer/Pitch) will change for UPPER/LOWER parts.
* The Fine Tune parameter (Registration SOLO/PERC Part/Pitch) will change for SOLO/
PERC parts.
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00H, 02H mmH, llH Channel Coarse Tuning
mm: 10H - 40H - 70H
(-48 - 0 - +48 semitones)
ll: ignored (processed as 00H)
* The Coarse Tune parameter (Live Set Layer/Pitch) will change for UPPER/LOWER
parts.
* The Coarse Tune parameter (Registration SOLO/PERC Part/Pitch) will change for
SOLO/PERC parts.
7FH, 7FH —, — RPN null
RPN and NRPN will be set as “unspecied.”
Once this setting has been made,
subsequent. Parameter values that were
previously set will not change.
mm, ll: ignored
Program Change
Status 2nd byte
CnH ppH
n = MIDI channel number: 0H - FH (ch.1 - 16)
pp = Program number: 00H - 7FH (prog.1 - prog.128)
* Not received when the Receive Program Change parameter (System Setup/MIDI Tx/
Rx) is OFF.
Channel Pressure
Status 2nd byte
DnH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Channel Pressure: 00H - 7FH (0 - 127)
* Not received when the Receive Channel Pressure parameter (Live Set Layer/Rx
Filter1) is OFF for UPPER/LOWER parts.
* Not received when the Receive Channel Pressure parameter (Registration SOLO/
PERC Part/Rx Filter1) is OFF for SOLO/PERC parts.
Pitch Bend Change
Status 2nd byte 3rd byte
EnH llH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH
(-8192 - 0 - +8191)
* Not received when the Receive Bender parameter (Live Set Layer/Rx Filter1) is OFF
for UPPER/LOWER parts.
* Not received when the Receive Bender parameter (Registration SOLO/PERC Part/Rx
Filter1) is OFF for SOLO/PERC parts.
Channel Mode Messages
All Sounds O (Controller number 120)
Status 2nd byte 3rd byte
BnH 78H 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When this message is received, all notes currently sounding on the corresponding
channel will be turned o.
Reset All Controllers (Controller number 121)
Status 2nd byte 3rd byte
BnH 79H 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When this message is received, the following controllers will be set to their reset
values.
Controller Reset value
Pitch Bend Change ±0 (center)
Polyphonic Key Pressure 0 (o)
Channel Pressure 0 (o )
Modulation 0 (o)
Breath Type 0 (min)
Foot Type 0 (min)
Expression 127 (max)
However the controller will be at
minimum.
Hold 1 0 (o)
Sostenuto 0 (o)
Soft 0 (o )
Hold 2 0 (o)
RPN unset; previously set data will not change
NRPN unset; previously set data will not change
All Notes O (Controller number 123)
Status 2nd byte 3rd byte
BnH 7BH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When All Notes O is received, all notes on the corresponding channel will be
turned o. However, if Hold 1 or Sostenuto is ON, the sound will be continued until
these are turned o.
OMNI OFF (Controller number 124)
Status 2nd byte 3rd byte
BnH 7CH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* The same processing will be carried out as when All Notes O is received.
OMNI ON (Controller number 125)
Status 2nd byte 3rd byte
BnH 7DH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* The same processing will be carried out as when All Notes O is received. OMNI ON
will not be turned on.
MONO (Controller number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = mono number: 00H - 10H (0 - 16)
* The same processing will be carried out as when All Notes O is received.
* The Mono/Poly parameter (Live Set Layer/Mono/Poly/Misc) will change for UPPER/
LOWER parts.
* The Mono/Poly parameter (Registration SOLO/PERC Part/Mono/Poly/Misc) will
change for SOLO/PERC parts.
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POLY (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* The same processing will be carried out as when All Notes O is received.
* The Mono/Poly parameter (Live Set Layer/Mono/Poly/Misc) will change for UPPER/
LOWER parts.
* The Mono/Poly parameter (Registration SOLO/PERC Part/Mono/Poly/Misc) will
change for SOLO/PERC parts.
System Realtime Message
Timing Clock
Status
F8H
* Received when Sync Mode parameter (System Setup/Sync) is set to SLAVE.
Active Sensing
Status
FEH
* When Active Sensing is received, the unit will begin monitoring the intervals of
all further messages. While monitoring, if the interval between messages exceeds
420 ms, the same processing will be carried out as when All Sounds O, All Notes
O and Reset All Controllers are received, and message interval monitoring will be
halted.
Universal Realtime System Exclusive Messages
Master Volume
Status Data byte Status
F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
01H Sub ID#2 (Master Volume)
llH Master Volume lower byte
mmH Master Volume upper byte
F7H EOX (End Of Exclusive)
* The lower byte (llH) of Master Volume will be handled as 00H.
* The Master Level parameter (System Setup/Sound) will change.
Master Fine Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
03H Sub ID#2 (Master Fine Tuning)
llH Master Fine Tuning LSB
mmH Master Fine Tuning MSB
F7H EOX (End Of Exclusive)
mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])
System Exclusive Message
Status Data byte Status
F0H iiH, ddH, ......,eeH F7H
F0H: System Exclusive Message status
ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer
whose Exclusive message this is. Roland’s manufacturer ID
is 41H. ID numbers 7EH and 7FH are extensions of the MIDI
standard; Universal Non-realtime Messages (7EH) and Universal
Realtime Messages (7FH).
dd,...,ee = data: 00H - 7FH (0 - 127)
F7H: EOX (End Of Exclusive)
Of the System Exclusive messages received by this device, the Universal Non-realtime
messages and the Universal Realtime messages and the Data Request (RQ1)
messages and the Data Set (DT1) messages will be set automatically.
Universal Non-realtime System Exclusive Messages
Identity Request Message
Status Data byte Status
F0H 7EH, dev, 06H, 01H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH, 7FH)
06H Sub ID#1 (General Information)
01H Sub ID#2 (Identity Request)
F7H EOX (End Of Exclusive)
* The Master Tune parameter (System Setup/Sound) will change.
Master Coarse Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 04H, llH, mmH F7
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
04H Sub ID#2 (Master Coarse Tuning)
llH Master Coarse Tuning LSB
mmH Master Coarse Tuning MSB
F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H)
mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])
* The Master Key Shift parameter (System Setup/Sound) will change.
* When this message is received, Identity Reply message (p. 10) will be transmitted.
6
Page 7
MIDI Implementation
Data Transmission
This instrument can use exclusive messages to exchange many varieties of internal
settings with other devices.
The model ID of the exclusive messages used by this instrument is 00H 00H 55H.
Data Request 1 (RQ1)
This message requests the other device to transmit data. The address and size
indicate the type and amount of data that is requested.
When a Data Request message is received, if the device is in a state in which it is able
to transmit data, and if the address and size are appropriate, the requested data is
transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is
transmitted.
Status data byte status
F0H 41H, dev, 00H, 00H, 55H, 11H, aaH, bbH, ccH, F7H
ddH, ssH, ttH, uuH, vvH, sum
Byte Remarks
F0H Exclusive status
41H ID number (Roland)
dev device ID (dev: 10H - 1FH, 7FH)
00H model ID #1 (JUPITER-80)
00H model ID #2 (JUPITER-80)
55H model ID #3 (JUPITER-80)
11H command ID (RQ1)
aaH address MSB
bbH address
ccH address
ddH address LSB
ssH size MSB
ttH size
uuH size
vvH size LSB
sum checksum
F7H EOX (End Of Exclusive)
* The size of data that can be transmitted at one time is xed for each type of data.
And data requests must be made with a xed starting address and size. Refer to the
address and size given in Parameter Address Map (p. 11).
* For the checksum, refer to p. 25.
* Not received when the Receive Exclusive parameter (System Setup/MIDI Tx/Rx) is
OFF.
Data set 1 (DT1)
Status Data byte Status
F0H 41H, dev, 00H, 00H, 55H, 12H, aaH, bbH, F7H
ccH, ddH, eeH, ... H, sum
Byte Explanation
F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 10H - 1FH, 7FH)
00H Model ID #1 (JUPITER-80)
00H Model ID #2 (JUPITER-80)
55H Model ID #3 (JUPITER-80)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the
data to be sent
bbH Address: upper middle byte of the starting address
of the data to be sent
ccH Address: lower middle byte of the starting address
of the data to be sent
ddH Address LSB: lower byte of the starting address of the
data to be sent.
eeH Data: the actual data to be sent. Multiple bytes
of data are transmitted in order starting
from the address.
: :
H Data
sum Checksum
F7H EOX (End Of Exclusive)
* The amount of data that can be transmitted at one time depends on the type of
data, and data will be transmitted from the specied starting address and size.
Refer to the address and size given in Parameter Address Map (p. 11).
* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and
each packet will be sent at an interval of about 20 ms.
* Regarding the checksum, please refer to p. 25.
* Not received when the Receive Exclusive parameter (System Setup/MIDI Tx/Rx) is
OFF.
7
Page 8
MIDI Implementation
2. Data Transmission
Channel Voice Messages
Note o
Status 2nd byte 3rd byte
8nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note o velocity: 00H - 7FH (0 - 127)
Note on
Status 2nd byte 3rd byte
9nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note on velocity: 01H - 7FH (1 - 127)
Control Change
By selecting a controller number that corresponds to the setting of parameters of
controllers, the JUPITER-80 can transmit any control change message.
Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)
* These messages are transmitted when Registration, Live Set (UPPER/LOWER parts),
Tone (SOLO/PERC parts) is selected. But not transmitted when Transmit Program
Change or Transmit Bank Select parameter (System Setup/MIDI Tx/Rx) is OFF.
* Be sure to refer to Bank Select and Program Change Correspondence Chart (p. 26) for
the Bank Select messages transmitted when the JUPITER-80 is select a Registration,
Live Set (UPPER/LOWER parts), Tone (SOLO/PERC parts).
Data Entry (Controller number 6, 38)
Status 2nd byte 3rd byte
BnH 06H mmH
BnH 26H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specied by RPN/NRPN
mm = MSB, ll = LSB
Volume (Controller number 7)
Status 2nd byte 3rd byte
BnH 07H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Volume: 00H - 7FH (0 - 127)
Panpot (Controller number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),
Expression (Controller number 11)
Status 2nd byte 3rd byte
BnH 0BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Expression: 00H - 7FH (0 - 127)
General Purpose Controller 1 (Tone Modify 1)
(Controller number 16)
Status 2nd byte 3rd byte
BnH 10H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
General Purpose Controller 2 (Tone Modify 2)
(Controller number 17)
Status 2nd byte 3rd byte
BnH 11H vvH
Modulation (Controller number 1)
Status 2nd byte 3rd byte
BnH 01H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Modulation depth: 00H - 7FH (0 - 127)
Breath Type (Controller number 2)
Status 2nd byte 3rd byte
BnH 02H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Foot Type (Controller number 4)
Status 2nd byte 3rd byte
BnH 04H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Portamento Time (Controller number 5)
Status 2nd byte 3rd byte
BnH 05H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Portamento Time: 00H - 7FH (0 - 127)
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
General Purpose Controller 3 (Tone Modify 3)
(Controller number 18)
Status 2nd byte 3rd byte
BnH 12H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
General Purpose Controller 4 (Tone Modify 4)
(Controller number 19)
Status 2nd byte 3rd byte
BnH 13H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
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Page 9
MIDI Implementation
Hold 1 (Controller number 64)
Status 2nd byte 3rd byte
BnH 40H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0-63 = OFF, 64-127 = ON
* When Continuous Hold Pedal parameter (System Setup/PEDAL) is OFF, just only
00H (0FF) and 7FH (0N) can be send as the control value.
Portamento (Controller number 65)
Status 2nd byte 3rd byte
BnH 41H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
Sostenuto (Controller number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
Soft (Controller number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Legato Foot Switch (Controller number 68)
Status 2nd byte 3rd byte
BnH 44H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
0 - 63 = OFF, 64 - 127 = ON
Cuto (Controller number 74)
Status 2nd byte 3rd byte
BnH 4AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Cuto value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Decay Time (Controller number 75)
Status 2nd byte 3rd byte
BnH 4BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Vibrato Rate (Controller number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Vibrato Depth (Controller number 77)
Status 2nd byte 3rd byte
BnH 4DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Vibrato Delay (Controller number 78)
Status 2nd byte 3rd byte
BnH 4EH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Tone Blender (Controller number 79)
Status 2nd byte 3rd byte
BnH 4FH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 40H - 7FH
Hold-2 (Controller number 69)
Status 2nd byte 3rd byte
BnH 45H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Resonance (Controller number 71)
Status 2nd byte 3rd byte
BnH 47H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Release Time (Controller number 72)
Status 2nd byte 3rd byte
BnH 48H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
Attack time (Controller number 73)
Status 2nd byte 3rd byte
BnH 49H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
General Purpose Controller 5 (Tone Variation 1)
(Controller number 80)
Status 2nd byte 3rd byte
BnH 50H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
General Purpose Controller 6 (Tone Variation 2)
(Controller number 81)
Status 2nd byte 3rd byte
BnH 51H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
General Purpose Controller 7 (Tone Variation 3)
(Controller number 82)
Status 2nd byte 3rd byte
BnH 52H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
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MIDI Implementation
General Purpose Controller 8 (Tone Variation 4)
(Controller number 83)
Status 2nd byte 3rd byte
BnH 53H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
Portamento control (Controller number 84)
Status 2nd byte 3rd byte
BnH 54H kkH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = source note number: 00H - 7FH (0 - 127)
General Purpose Eect 1 (Reverb Send Level)
(Controller number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Reverb Send Level: 00H - 7FH (0 - 127)
General Purpose Eect 3 (Chorus Send Level)
(Controller number 93)
Status 2nd byte 3rd byte
BnH 5DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Chorus Send Level: 00H - 7FH (0 - 127)
POLY (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
System Realtime Messages
Timing Clock
Status
F8H
* Sent when Sync Output parameter (System Setup/Sync) is set to ON.
Active Sensing
Status
FEH
* This message is transmitted at intervals of approximately 250 msec.
* This message is not sent when Transmit Active Sensing parameter (System Setup/
MIDI Tx/Rx) is OFF.
System Exclusive Messages
Universal Non-realtime System Exclusive Message and Data Set 1 (DT1) are the only
System Exclusive messages transmitted by the JUPITER-80.
Program Change
Status 2nd byte
CnH ppH
n = MIDI channel number: 0H - FH (ch.1 - 16)
pp = Program number: 00H - 7FH (prog.1 - prog.128)
* These messages are transmitted when Registration, Live Set (UPPER/LOWER parts),
Tone (SOLO/PERC parts) is selected. But not transmitted when Transmit Program
Change parameter (System Setup/MIDI Tx/Rx) is OFF.
Channel Pressure
Status 2nd byte
DnH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Channel Pressure: 00H - 7FH (0 - 127)
Pitch Bend Change
Status 2nd byte 3rd byte
EnH llH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH
(-8192 - 0 - +8191)
Universal Non-realtime System Exclusive Message
Identity Reply Message (JUPITER-80)
Receiving Identity Request Message (p. 6), the JUPITER-80 send this message.
Status Data byte Status
F0H 7EH, dev, 06H, 02H, 41H, 55H, 02H, F7H
00H, 00H, 00H, 01H, 00H, 00H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH)
06H Sub ID#1 (General Information)
02H Sub ID#2 (Identity Reply)
41H ID number (Roland)
55H 02H Device family code
00H 00H Device family number code
00H 01H 00H 00H Software revision level
F7H EOX (End of Exclusive)
Channel Mode Messages
MONO (Controller number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
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MIDI Implementation
Data Transmission
Data set 1 (DT1)
Status Data byte Status
F0H 41H, dev, 00H, 00H, 55H, 12H, aaH, bbH, F7H
ccH, ddH, eeH, ... H, sum
Byte Explanation
F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 00H - 1FH, 7FH)
00H Model ID #1 (JUPITER-80)
00H Model ID #2 (JUPITER-80)
55H Model ID #3 (JUPITER-80)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the
data to be sent
bbH Address: upper middle byte of the starting address
of the data to be sent
ccH Address: lower middle byte of the starting address
of the data to be sent
ddH Address LSB: lower byte of the starting address of the
data to be sent.
eeH Data: the actual data to be sent. Multiple bytes
of data are transmitted in order starting
from the address.
: :
H Data
sum Checksum
F7H EOX (End Of Exclusive)
* The amount of data that can be transmitted at one time depends on the type of
data, and data will be transmitted from the specied starting address and size.
Refer to the address and size given in Parameter Address Map (p. 11).
* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and
each packet will be sent at an interval of about 20 ms.
3. Parameter Address Map
* Transmission of “#” marked address is divided to some packets. For example, ABH in
hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this
order.
* ”<*>” marked address or parameters are ignored when the JUPITER-80 received
them.
JUPITER-80 (ModelID = 00H 00H 55H)
+------------------------------------------------------------------------------+
| Start | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 01 00 00 00 | Setup |
|-------------+----------------------------------------------------------------|
| 02 00 00 00 | System |
|-------------+----------------------------------------------------------------|
| 10 00 00 00 | Temporary Live Set (UPPER) |
| 11 00 00 00 | Temporary Tone (UPPER Layer 1) |
| 11 20 00 00 | Temporary Tone (UPPER Layer 2) |
| 11 40 00 00 | Temporary Tone (UPPER Layer 3) |
| 11 60 00 00 | Temporary Tone (UPPER Layer 4) |
|-------------+----------------------------------------------------------------|
| 12 00 00 00 | Temporary Live Set (LOWER) |
| 13 00 00 00 | Temporary Tone (LOWER Layer 1) |
| 13 20 00 00 | Temporary Tone (LOWER Layer 2) |
| 13 40 00 00 | Temporary Tone (LOWER Layer 3) |
| 13 60 00 00 | Temporary Tone (LOWER Layer 4) |
|-------------+----------------------------------------------------------------|
| 14 00 00 00 | Temporary Registration |
+------------------------------------------------------------------------------+
* System
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | System Common |
| 00 02 00 | System EQ |
| 00 40 00 | System Controller |
+------------------------------------------------------------------------------+
* Temporary Tone
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 01 00 00 | Temporary Synth Tone |
+------------------------------------------------------------------------------+
* Live Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Live Set Common |
| 00 02 00 | Live Set MFX1 |
| 00 06 00 | Live Set Reverb |
| 00 08 00 | Live Set MFX2 |
| 00 0A 00 | Live Set MFX3 |
| 00 0C 00 | Live Set MFX4 |
| 00 20 00 | Live Set Layer (Layer 1) |
| 00 21 00 | Live Set Layer (Layer 2) |
| 00 22 00 | Live Set Layer (Layer 3) |
| 00 23 00 | Live Set Layer (Layer 4) |
| 00 30 00 | Live Set Tone Offset (Layer 1) |
| 00 31 00 | Live Set Tone Offset (Layer 2) |
| 00 32 00 | Live Set Tone Offset (Layer 3) |
| 00 33 00 | Live Set Tone Offset (Layer 4) |
| 00 40 00 | Live Set Tone Modify (Layer 1) |
| 00 41 00 | Live Set Tone Modify (Layer 2) |
| 00 42 00 | Live Set Tone Modify (Layer 3) |
| 00 43 00 | Live Set Tone Modify (Layer 4) |
| 00 50 00 | Live Set Layer 2 (Layer 1) |
| 00 51 00 | Live Set Layer 2 (Layer 2) |
| 00 52 00 | Live Set Layer 2 (Layer 3) |
| 00 53 00 | Live Set Layer 2 (Layer 4) |
+------------------------------------------------------------------------------+
* Registration
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Registration Common |
| 00 10 00 | Registration Part (UPPER) |
| 00 11 00 | Registration Part (LOWER) |
| 00 12 00 | Registration Part (SOLO) |
| 00 13 00 | Registration Part (PERC) |
| 00 20 00 | Registration Ext Part (Part 1) |
| 00 21 00 | Registration Ext Part (Part 2) |
| : | |
| 00 2F 00 | Registration Ext Part (Part 16) |
| 00 30 00 | Registration Controller |
| 00 40 00 | Registration Sub Part (SOLO) |
| 00 41 00 | Registration Sub Part (PERC) |
| 00 50 00 | Registration Sub Modify (SOLO) |
| 00 51 00 | Registration Sub Modify (PERC) |
| 00 60 00 | Registration Sub Effect (SOLO) |
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MIDI Implementation
| 00 61 00 | Registration Sub Effect (PERC) |
| 00 70 00 | Registration Sub Reverb |
+------------------------------------------------------------------------------+
* Synth Tone
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Synth Tone Common |
| 00 01 00 | Synth Tone Partial (1) |
| 00 02 00 | Synth Tone Partial (2) |
| 00 03 00 | Synth Tone Partial (3) |
+------------------------------------------------------------------------------+
* Setup
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Registration Bank Select MSB (CC# 0) (0 - 127) |
| 00 01 | 0aaa aaaa | Registration Bank Select LSB (CC# 32) (0 - 127) |
| 00 02 | 0aaa aaaa | Registration Program Number (PC) (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 03 | 0000 000a | (reserve) <*> |
| | | |
| 00 04 | 0000 000a | (reserve) <*> |
| | | |
| 00 05 | 0000 000a | (reserve) <*> |
| | | |
| 00 06 | 0000 000a | (reserve) <*> |
| | | |
| 00 07 | 0000 000a | (reserve) <*> |
| | | |
| 00 08 | 0000 000a | (reserve) <*> |
| | | |
| 00 09 | 0000 000a | (reserve) <*> |
| | | |
| 00 0A | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 0B | 0000 000a | (reserve) <*> |
| | | |
| 00 0C | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 0D | 0000 000a | Reverb Switch (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 0E | 0000 000a | Metronome Click Switch (0 - 1) |
| | | OFF, ON |
| 00 0F | 0000 000a | Recording Mode (0 - 1) |
| | | MIX, KEYBOARD |
| 00 10 | 0aaa aaaa | Recording Level (0 - 127) |
| 00 11 | 0000 000a | Center Cancel (0 - 1) |
| | | OFF, ON |
| 00 12 | 0000 00aa | Center Cancel Type (0 - 2) |
| | | MID-HI, LOW, ALL |
| 00 13 | 0000 000a | Registration Button Lock (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 00 14 | Total Size |
+------------------------------------------------------------------------------+
* System Common
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
|# 00 00 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Master Tune (24 - 2024) |
| | | -100.0 - 100.0 [cent] |
| 00 04 | 00aa aaaa | Master Key Shift (40 - 88) |
| | | -24 - +24 |
| 00 05 | 0aaa aaaa | Master Level (0 - 127) |
| 00 06 | 0000 000a | Scale Tune Switch (0 - 1) |
| | | OFF, ON |
| 00 07 | 0000 000a | Tone Remain (0 - 1) |
| | | OFF, ON |
| 00 08 | 0000 000a | |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 000a aaaa | Registration Control Channel (0 - 16) |
| | | 1 - 16, OFF |
|-------------+-----------+----------------------------------------------------|
| 00 0A | 0aaa aaaa | Scale Tune Type (0 - 8) |
| | | CUSTOM, EQUAL, JUST-MAJ, JUST-MIN, |
| | | PYTHAGORE, KIRNBERGE, MEANTONE, |
| | | WERCKMEIS, ARABIC |
| 00 0B | 0aaa aaaa | Scale Tune Key (0 - 11) |
| | | C, C#, D, D#, E, F, F#, G, G#, |
| | | A, A#, B |
| 00 0C | 0aaa aaaa | Scale Tune for C (0 - 127) |
| | | -64 - +63 |
| 00 0D | 0aaa aaaa | Scale Tune for C# (0 - 127) |
| | | -64 - +63 |
| 00 0E | 0aaa aaaa | Scale Tune for D (0 - 127) |
| | | -64 - +63 |
| 00 0F | 0aaa aaaa | Scale Tune for D# (0 - 127) |
| | | -64 - +63 |
| 00 10 | 0aaa aaaa | Scale Tune for E (0 - 127) |
| | | -64 - +63 |
| 00 11 | 0aaa aaaa | Scale Tune for F (0 - 127) |
12
| | | -64 - +63 |
| 00 12 | 0aaa aaaa | Scale Tune for F# (0 - 127) |
| | | -64 - +63 |
| 00 13 | 0aaa aaaa | Scale Tune for G (0 - 127) |
| | | -64 - +63 |
| 00 14 | 0aaa aaaa | Scale Tune for G# (0 - 127) |
| | | -64 - +63 |
| 00 15 | 0aaa aaaa | Scale Tune for A (0 - 127) |
| | | -64 - +63 |
| 00 16 | 0aaa aaaa | Scale Tune for A# (0 - 127) |
| | | -64 - +63 |
| 00 17 | 0aaa aaaa | Scale Tune for B (0 - 127) |
| | | -64 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 18 | 0aaa aaaa | System Control 1 Source (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT |
| 00 19 | 0aaa aaaa | System Control 2 Source (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT |
| 00 1A | 0aaa aaaa | System Control 3 Source (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT |
| 00 1B | 0aaa aaaa | System Control 4 Source (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT |
|-------------+-----------+----------------------------------------------------|
| 00 1C | 0000 000a | (reserve) <*> |
| | | |
| 00 1D | 0000 000a | System Clock Source (0 - 1) |
| | | MIDI, USB |
|# 00 1E | 0000 aaaa | |
| | 0000 bbbb | (reserve) <*> |
| 00 20 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 21 | 0000 000a | Receive Program Change (0 - 1) |
| | | OFF, ON |
| 00 22 | 0000 000a | Receive Bank Select (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 00 23 | Total Size |
+------------------------------------------------------------------------------+
* System Mastering
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 000a | Master EQ Switch (0 - 1) |
| | | OFF, ON |
| 00 01 | 0000 000a | Master EQ Low Freq (0 - 1) |
| | | 200, 400 [Hz] |
| 00 02 | 000a aaaa | Master EQ Low Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 03 | 000a aaaa | Master EQ Mid1 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 04 | 000a aaaa | Master EQ Mid1 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 05 | 0000 0aaa | Master EQ Mid1 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 06 | 000a aaaa | Master EQ Mid2 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 07 | 000a aaaa | Master EQ Mid2 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 08 | 0000 0aaa | Master EQ Mid2 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 09 | 0000 00aa | Master EQ High Freq (0 - 2) |
| | | 2000, 4000, 8000 [Hz] |
| 00 0A | 000a aaaa | Master EQ High Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 0B | 0aaa aaaa | Master EQ Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 0C | 0000 000a | Song EQ Master Switch (0 - 1) |
| | | OFF, ON |
| 00 0D | 0000 000a | Song EQ Low Freq (0 - 1) |
| | | 200, 400 [Hz] |
| 00 0E | 000a aaaa | Song EQ Low Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 0F | 000a aaaa | Song EQ Mid1 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 10 | 000a aaaa | Song EQ Mid1 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 11 | 0000 0aaa | Song EQ Mid1 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 12 | 000a aaaa | Song EQ Mid2 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 13 | 000a aaaa | Song EQ Mid2 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 14 | 0000 0aaa | Song EQ Mid2 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 15 | 0000 00aa | Song EQ High Freq (0 - 2) |
| | | 2000, 4000, 8000 [Hz] |
| 00 16 | 000a aaaa | Song EQ High Gain (0 - 30) |
Page 13
MIDI Implementation
| | | -15 - +15 [dB] |
| 00 17 | 0aaa aaaa | Song EQ Level (0 - 127) |
|-------------+----------------------------------------------------------------|
| 00 00 00 18 | Total Size |
+------------------------------------------------------------------------------+
* System Controller
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 000a | Transmit Program Change (0 - 1) |
| | | OFF, ON |
| 00 01 | 0000 000a | Transmit Bank Select (0 - 1) |
| | | OFF, ON |
| 00 02 | 0aaa aaaa | Keyboard Velocity (0 - 127) |
| | | REAL, 1 - 127 |
| 00 03 | 0000 00aa | Keyboard Sens (0 - 2) |
| | | LIGHT, MEDIUM, HEAVY |
| 00 04 | 0aaa aaaa | Keyboard Velocity Sens (1 - 127) |
| | | -63 - +63 |
| 00 05 | 0aaa aaaa | Aftertouch Sens (0 - 100) |
|-------------+-----------+----------------------------------------------------|
| 00 06 | 0000 0aaa | Hold Pedal Polarity (0 - 1) |
| | | STANDARD, REVERSE |
| 00 07 | 0000 000a | Continuous Hold Pedal (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 08 | 0000 000a | Control Padal 1 Assign Source (0 - 1) |
| | | SYS, REG |
| 00 09 | 0aaa aaaa | Control Pedal 1 Assign (0 - 103) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, BEND-UP, BEND-DOWN, |
| | | REG-UP, REG-DOWN, |
| | | PANEL-INC, PANEL-DEC, |
| | | START/STOP |
| 00 0A | 0aaa aaaa | (reserve) <*> |
| 00 0B | 0000 0aaa | Control Pedal 1 Polarity (0 - 1) |
| | | STANDARD, REVERSE |
| 00 0C | 0000 000a | Control Padal 2 Assign Source (0 - 1) |
| | | SYS, REG |
| 00 0D | 0aaa aaaa | Control Pedal 2 Assign (0 - 103) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, BEND-UP, BEND-DOWN, |
| | | REG-UP, REG-DOWN, |
| | | PANEL-INC, PANEL-DEC, |
| | | START/STOP |
| 00 0E | 0aaa aaaa | (reserve) <*> |
| 00 0F | 0000 0aaa | Control Pedal 2 Polarity (0 - 1) |
| | | STANDARD, REVERSE |
|-------------+-----------+----------------------------------------------------|
| 00 10 | 0000 aaaa | Beam Sens (1 - 10) |
| 00 11 | 0aaa aaaa | (reserve) <*> |
| 00 12 | 0aaa aaaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 13 | 0aaa aaaa | (reserve) <*> |
| 00 14 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 15 | 0aaa aaaa | (reserve) <*> |
| 00 16 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 17 | 0aaa aaaa | (reserve) <*> |
| 00 18 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 19 | 0aaa aaaa | (reserve) <*> |
| 00 1A | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 1B | 0000 aaaa | Slider Mode (0 - 1) |
| | | DIRECT, CATCH |
| 00 1C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1E | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 1F | Total Size |
+------------------------------------------------------------------------------+
* Live Set Common
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Live Set Name 1 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 01 | 0aaa aaaa | Live Set Name 2 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 02 | 0aaa aaaa | Live Set Name 3 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 03 | 0aaa aaaa | Live Set Name 4 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 04 | 0aaa aaaa | Live Set Name 5 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 05 | 0aaa aaaa | Live Set Name 6 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 06 | 0aaa aaaa | Live Set Name 7 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 07 | 0aaa aaaa | Live Set Name 8 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 08 | 0aaa aaaa | Live Set Name 9 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 09 | 0aaa aaaa | Live Set Name 10 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0A | 0aaa aaaa | Live Set Name 11 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0B | 0aaa aaaa | Live Set Name 12 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0C | 0aaa aaaa | Live Set Name 13 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0D | 0aaa aaaa | Live Set Name 14 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0E | 0aaa aaaa | Live Set Name 15 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0F | 0aaa aaaa | Live Set Name 16 (32 - 127) |
| | | 32 - 127 [ASCII] |
|-------------+-----------+----------------------------------------------------|
| 00 10 | 0aaa aaaa | Live Set Category (0 - 127) |
| 00 11 | 0aaa aaaa | (reserve) <*> |
| 00 12 | 0aaa aaaa | (reserve) <*> |
| 00 13 | 0aaa aaaa | (reserve) <*> |
| 00 14 | 0aaa aaaa | (reserve) <*> |
| 00 15 | 0aaa aaaa | (reserve) <*> |
| 00 16 | 0aaa aaaa | (reserve) <*> |
| 00 17 | 0aaa aaaa | (reserve) <*> |
| 00 18 | 0aaa aaaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 19 | 0aaa aaaa | Live Set Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 1A | 00aa aaaa | (reserve) <*> |
| | | |
| 00 1B | 00aa aaaa | (reserve) <*> |
| | | |
| 00 1C | 00aa aaaa | (reserve) <*> |
| | | |
| 00 1D | 0000 000a | (reserve) <*> |
| | | |
| 00 1E | 0000 000a | (reserve) <*> |
| | | |
| 00 1F | 0000 000a | (reserve) <*> |
| | | |
| 00 20 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 21 | 0aaa aaaa | Voice Reserve 1 (0 - 64) |
| | | 0 - 63, FULL |
| 00 22 | 0aaa aaaa | Voice Reserve 2 (0 - 64) |
| | | 0 - 63, FULL |
| 00 23 | 0aaa aaaa | Voice Reserve 3 (0 - 64) |
| | | 0 - 63, FULL |
| 00 24 | 0aaa aaaa | Voice Reserve 4 (0 - 64) |
| | | 0 - 63, FULL |
| 00 25 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 26 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 27 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 28 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 29 | 0000 aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 2A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2D | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
|# 00 2E | 0000 aaaa | |
| | 0000 bbbb | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 30 | 0000 000a | Phase Lock (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
|# 00 31 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| | | |
| 00 35 | 0000 0aaa | (reserve) <*> |
| | | |
| 00 36 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 37 | 0aaa aaaa | Common Cutoff Offset (0 - 127) |
| | | -64 - +63 |
| 00 38 | 0aaa aaaa | Common Resonance Offset (0 - 127) |
| | | -64 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 39 | 0aaa aaaa | (reserve) <*> |
| | | |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 3A | 0000 000a | MFX1 Switch (0 - 1) |
| | | BYPASS, ON |
| 00 3B | 0000 000a | MFX2 Switch (0 - 1) |
| | | BYPASS, ON |
| 00 3C | 0000 000a | MFX3 Switch (0 - 1) |
| | | BYPASS, ON |
| 00 3D | 0000 000a | MFX4 Switch (0 - 1) |
| | | BYPASS, ON |
| 00 3E | 0000 000a | (0 - 1) |
| | | |
| 00 3F | 0000 000a | Reverb Switch (0 - 1) |
| | | OFF, ON |
| 00 40 | 0000 000a | (0 - 1) |
13
Page 14
MIDI Implementation
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 41 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 42 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 43 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 44 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 45 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 46 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 47 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 48 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 49 | Total Size |
+------------------------------------------------------------------------------+
* Live Set MFX
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | MFX Type (0 - 76) |
| 00 01 | 0aaa aaaa | MFX Output Level (0 - 127) |
| 00 02 | 0aaa aaaa | (0 - 127) |
| | | |
| 00 03 | 0aaa aaaa | MFX Reverb Send Level (0 - 127) |
| 00 04 | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 05 | 0aaa aaaa | MFX Control Source 1 (0 - 101) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT, CTRL1, CTRL2, CTRL3, CTRL4 |
| 00 06 | 0aaa aaaa | MFX Control Sens 1 (1 - 127) |
| | | -63 - +63 |
| 00 07 | 0aaa aaaa | MFX Control Source 2 (0 - 101) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT, CTRL1, CTRL2, CTRL3, CTRL4 |
| 00 08 | 0aaa aaaa | MFX Control Sens 2 (1 - 127) |
| | | -63 - +63 |
| 00 09 | 0aaa aaaa | MFX Control Source 3 (0 - 101) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT, CTRL1, CTRL2, CTRL3, CTRL4 |
| 00 0A | 0aaa aaaa | MFX Control Sens 3 (1 - 127) |
| | | -63 - +63 |
| 00 0B | 0aaa aaaa | MFX Control Source 4 (0 - 101) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | BEND, AFT, CTRL1, CTRL2, CTRL3, CTRL4 |
| 00 0C | 0aaa aaaa | MFX Control Sens 4 (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 0D | 000a aaaa | MFX Control Destination 1 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 0E | 000a aaaa | MFX Control Destination 2 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 0F | 000a aaaa | MFX Control Destination 3 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 10 | 000a aaaa | MFX Control Destination 4 (0 - 16) |
| | | OFF, 1 - 16 |
|# 00 11 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 1 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 15 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 2 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 19 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 3 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 4 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 21 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 5 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 25 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 6 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 29 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 7 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 8 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 31 | 0000 aaaa | |
| | 0000 bbbb | |
14
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 9 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 35 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 10 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 39 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 11 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 3D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 12 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 41 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 13 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 45 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 14 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 49 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 15 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 4D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 16 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 51 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 17 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 55 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 18 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 59 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 19 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 5D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 20 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 61 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 21 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 65 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 22 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 69 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 23 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 6D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 24 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 71 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 25 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 75 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 26 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 79 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 27 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 7D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 28 (12768 - 52768) |
| | | -20000 - +20000 |
|# 01 01 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 29 (12768 - 52768) |
| | | -20000 - +20000 |
|# 01 05 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 30 (12768 - 52768) |
Page 15
MIDI Implementation
| | | -20000 - +20000 |
|# 01 09 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 31 (12768 - 52768) |
| | | -20000 - +20000 |
|# 01 0D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 32 (12768 - 52768) |
| | | -20000 - +20000 |
|-------------+----------------------------------------------------------------|
| 00 00 01 11 | Total Size |
+------------------------------------------------------------------------------+
* Live Set Reverb
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 aaaa | Reverb Type (0 - 5) |
| | | OFF, REVERB, |
| | | SRV ROOM, SRV HALL, SRV PLATE, |
| | | GM2 REVERB |
| 00 01 | 0aaa aaaa | Reverb Level (0 - 127) |
| 00 02 | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
|# 00 03 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 1 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 07 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 2 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 0B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 3 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 0F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 4 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 13 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 5 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 17 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 6 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 7 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 8 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 23 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 9 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 27 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 10 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 11 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 12 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 33 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 13 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 37 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 14 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 3B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 15 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 3F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 16 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 43 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 17 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 47 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 18 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 4B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 19 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 4F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 20 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 53 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 21 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 57 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 22 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 5B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 23 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 5F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 24 (12768 - 52768) |
| | | -20000 - +20000 |
|-------------+----------------------------------------------------------------|
| 00 00 00 63 | Total Size |
+------------------------------------------------------------------------------+
* Live Set Layer
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 0aaa | (reserve) <*> |
| | | |
| 00 01 | 0000 000a | Layer Switch (0 - 1) |
| | | OFF, ON |
| 00 02 | 0000 000a | (reserve) <*> |
| | | |
| 00 03 | 0000 000a | (reserve) <*> |
| | | |
| 00 04 | 0000 000a | (reserve) <*> |
| | | |
| 00 05 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 06 | 0aaa aaaa | Tone Bank Select MSB (0 - 127) |
| 00 07 | 0aaa aaaa | Tone Bank Select LSB (0 - 127) |
| 00 08 | 0aaa aaaa | Tone Program Number (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 0aaa aaaa | Layer Level (0 - 127) |
| 00 0A | 0aaa aaaa | Layer Pan (0 - 127) |
| | | L64 - 63R |
| 00 0B | 0aaa aaaa | Layer Coarse Tune (16 - 112) |
| | | -48 - +48 |
| 00 0C | 0aaa aaaa | Layer Fine Tune (14 - 114) |
| | | -50 - +50 |
| 00 0D | 0000 0aaa | Layer Mono/Poly (0 - 4) |
| | | MONO, POLY, TONE, SOLO1, SOLO2 |
| 00 0E | 0000 00aa | Layer Legato Switch (0 - 2) |
| | | OFF, ON, TONE |
| 00 0F | 000a aaaa | Layer Pitch Bend Range (0 - 25) |
| | | 0 - 24, TONE |
| 00 10 | 0000 00aa | Layer Portamento Switch (0 - 2) |
| | | OFF, ON, TONE |
|# 00 11 | 0000 aaaa | |
| | 0000 bbbb | Layer Portamento Time (0 - 128) |
| | | 0 - 127, TONE |
| 00 13 | 0aaa aaaa | Layer Cutoff Offset (0 - 127) |
| | | -64 - +63 |
| 00 14 | 0aaa aaaa | Layer Resonance Offset (0 - 127) |
| | | -64 - +63 |
| 00 15 | 0aaa aaaa | Layer Attack Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 16 | 0aaa aaaa | Layer Decay Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 17 | 0aaa aaaa | Layer Release Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 18 | 0aaa aaaa | Layer Vibrato Rate (0 - 127) |
| | | -64 - +63 |
| 00 19 | 0aaa aaaa | Layer Vibrato Depth (0 - 127) |
| | | -64 - +63 |
| 00 1A | 0aaa aaaa | Layer Vibrato Delay (0 - 127) |
| | | -64 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 1B | 0000 0aaa | Layer Octave Shift (61 - 67) |
| | | -3 - +3 |
| 00 1C | 0aaa aaaa | Layer Velocity Sens Offset (1 - 127) |
15
Page 16
MIDI Implementation
| | | -63 - +63 |
| 00 1D | 0aaa aaaa | Keyboard Range Lower (0 - 127) |
| | | C-1 - UPPER |
| 00 1E | 0aaa aaaa | Keyboard Range Upper (0 - 127) |
| | | LOWER - G9 |
| 00 1F | 0aaa aaaa | Keyboard Fade Width Lower (0 - 127) |
| 00 20 | 0aaa aaaa | Keyboard Fade Width Upper (0 - 127) |
| 00 21 | 0aaa aaaa | Velocity Range Lower (1 - 127) |
| | | 1 - UPPER |
| 00 22 | 0aaa aaaa | Velocity Range Upper (0 - 127) |
| | | LOWER - 127 |
| 00 23 | 0aaa aaaa | Velocity Fade Width Lower (0 - 127) |
| 00 24 | 0aaa aaaa | Velocity Fade Width Upper (0 - 127) |
| 00 25 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 26 | 0aaa aaaa | Layer Output Level (0 - 127) |
| 00 27 | 0aaa aaaa | (0 - 127) |
| | | |
| 00 28 | 0aaa aaaa | Layer Reverb Send Level (0 - 127) |
| 00 29 | 0000 aaaa | Layer Output Assign (0 - 1) |
| | | MFX, A |
| 00 2A | 0000 00aa | (0 - 2) |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 2B | 0000 000a | Receive Bender (0 - 1) |
| | | OFF, ON |
| 00 2C | 0000 000a | Receive Polyphonic Key Pressure (0 - 1) |
| | | OFF, ON |
| 00 2D | 0000 000a | Receive Channel Pressure (0 - 1) |
| | | OFF, ON |
| 00 2E | 0000 000a | Receive Modulation (0 - 1) |
| | | OFF, ON |
| 00 2F | 0000 000a | (reserve) <*> |
| | | |
| 00 30 | 0000 000a | (reserve) <*> |
| | | |
| 00 31 | 0000 000a | Receive Expression (0 - 1) |
| | | OFF, ON |
| 00 32 | 0000 000a | Receive Hold-1 (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 33 | 0000 0aaa | Velocity Curve Type (0 - 4) |
| | | OFF, 1 - 4 |
| 00 34 | 0000 000a | Receive Breath Type (0 - 1) |
| | | OFF, ON |
| 00 35 | 0000 000a | Receive Foot Type (0 - 1) |
| | | OFF, ON |
| 00 36 | 0000 000a | Receive Portamento (0 - 1) |
| | | OFF, ON |
| 00 37 | 0000 000a | Receive Filter Offset (0 - 1) |
| | | OFF, ON |
| 00 38 | 0000 000a | Receive Envelope Offset (0 - 1) |
| | | OFF, ON |
| 00 39 | 0000 000a | Receive Reverb Send (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 3A | 0000 000a | Receive Modify (0 - 1) |
| | | OFF, ON |
| 00 3B | 0000 000a | Receive Variation (0 - 1) |
| | | OFF, ON |
| 00 3C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 3D | 0aaa aaaa | Layer MFX1 Send Level (0 - 127) |
| 00 3E | 0aaa aaaa | Layer MFX2 Send Level (0 - 127) |
| 00 3F | 0aaa aaaa | Layer MFX3 Send Level (0 - 127) |
| 00 40 | 0aaa aaaa | Layer MFX4 Send Level (0 - 127) |
| 00 41 | 0000 000a | Layer Section Sw (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 00 42 | Total Size |
+------------------------------------------------------------------------------+
* Live Set Layer 2
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 01 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 02 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 03 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 04 | 0000 000a | (reserve) <*> |
| | | |
| 00 05 | 0000 000a | (reserve) <*> |
| | | |
| 00 06 | 0000 000a | (reserve) <*> |
| | | |
| 00 07 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 08 | 0aaa aaaa | Tone Blender Dest Level (0 - 127) |
| 00 09 | 0aaa aaaa | Tone Blender Dest Pan (0 - 127) |
| | | L64 - 63R |
| 00 0A | 0aaa aaaa | Tone Blender Dest MFX1 Send (0 - 127) |
| 00 0B | 0aaa aaaa | Tone Blender Dest MFX2 Send (0 - 127) |
| 00 0C | 0aaa aaaa | Tone Blender Dest MFX3 Send (0 - 127) |
| 00 0D | 0aaa aaaa | Tone Blender Dest MFX4 Send (0 - 127) |
| 00 0E | 0aaa aaaa | Tone Blender Dest Reverb Send (0 - 127) |
| 00 0F | 0aaa aaaa | Tone Blender Dest Cutoff (0 - 127) |
| | | -64 - +63 |
| 00 10 | 0aaa aaaa | Tone Blender Dest Resonance (0 - 127) |
16
| | | -64 - +63 |
| 00 11 | 0aaa aaaa | Tone Blender Dest Attack (0 - 127) |
| | | -64 - +63 |
| 00 12 | 0aaa aaaa | Tone Blender Dest Decay (0 - 127) |
| | | -64 - +63 |
| 00 13 | 0aaa aaaa | Tone Blender Dest Release (0 - 127) |
| | | -64 - +63 |
| 00 14 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 15 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 16 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 17 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 18 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 19 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1F | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 20 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 21 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 22 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 23 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 24 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 25 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 26 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 27 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 28 | Total Size |
+------------------------------------------------------------------------------+
* Live Set Tone Oset
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 000a aaaa | (reserve) <*> |
| | | |
| 00 01 | 0000 00aa | (reserve) <*> |
| | | |
| 00 02 | 0000 00aa | Layer Portamento Mode (0 - 2) |
| | | NORMAL, LEGATO, TONE |
| 00 03 | 0000 00aa | (reserve) <*> |
| | | |
| 00 04 | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 05 | 000a aaaa | Pitch Env Depth Offset (52 - 76) |
| | | -12 - +12 |
| 00 06 | 0aaa aaaa | Pitch Env Attack Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 07 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 08 | 0aaa aaaa | Pitch Env Decay Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 09 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0E | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 0F | 0000 0aaa | FILTER Mode (0 - 7) |
| | | OFF, LPF, BPF, HPF, PKG, ---, |
| | | ---, TONE |
| 00 10 | 0aaa aaaa | FILTER Cutoff Frequency Offset (1 - 127) |
| | | -63 - +63 |
| 00 11 | 00aa aaaa | FILTER Cutoff Keyfollow Offset (44 - 84) |
| | | -200 - +200 |
| 00 12 | 0000 aaaa | (reserve) <*> |
| | | |
| 00 13 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 14 | 0aaa aaaa | FILTER Resonance Offset (1 - 127) |
| | | -63 - +63 |
| 00 15 | 0aaa aaaa | FILTER Env Depth Offset (1 - 127) |
| | | -63 - +63 |
| 00 16 | 0000 aaaa | (reserve) <*> |
| | | |
Page 17
MIDI Implementation
| 00 17 | 0aaa aaaa | FILTER Env Velocity Sens Offset (1 - 127) |
| | | -63 - +63 |
| 00 18 | 0aaa aaaa | FILTER Env Attack Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 19 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1A | 0aaa aaaa | FILTER Env Decay Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 1B | 0aaa aaaa | FILTER Env Release Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 1C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1F | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 20 | 0aaa aaaa | FILTER Env Sustatin Level Offset (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 21 | 000a aaaa | AMP Keyfollow Offset (54 - 75) |
| | | -100 - +100, TONE |
|# 00 22 | 0000 aaaa | |
| | 0000 bbbb | Modulation Limit (0 - 127) |
| 00 24 | 0000 0aaa | (reserve) <*> |
| | | |
| 00 25 | 0000 aaaa | (reserve) <*> |
| | | |
| 00 26 | 0aaa aaaa | AMP Level Velocity Sens Offset (1 - 127) |
| | | -63 - +63 |
| 00 27 | 0aaa aaaa | AMP Env Attack Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 28 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 29 | 0aaa aaaa | AMP Env Decay Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 2A | 0aaa aaaa | AMP Env Release Time Offset (1 - 127) |
| | | -63 - +63 |
| 00 2B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2D | 0aaa aaaa | AMP Env Sustain Level Offset (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 2E | 0000 aaaa | LFO Shape (0 - 13) |
| | | SIN, TRI, SAW-UP, ---, SQR, |
| | | RND, ---, ---, ---, S&H, |
| | | ---, ---, ---, TONE |
|# 00 2F | 0000 aaaa | |
| | 0000 bbbb | LFO Rate (0 - 150) |
| | | 0 - 127, MUSICAL-NOTES, TONE |
| 00 31 | 0000 00aa | LFO Key Trigger (0 - 2) |
| | | OFF, ON, TONE |
| 00 32 | 0aaa aaaa | LFO Pitch Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 33 | 0aaa aaaa | LFO FILTER Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 34 | 0aaa aaaa | LFO AMP Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 35 | 0aaa aaaa | LFO Pan Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 36 | 0000 aaaa | Modulation LFO Shape (0 - 13) |
| | | SIN, TRI, SAW-UP, ---, SQR, |
| | | RND, ---, ---, ---, S&H, |
| | | ---, ---, ---, TONE |
|# 00 37 | 0000 aaaa | |
| | 0000 bbbb | Modulation LFO Rate (0 - 150) |
| | | 0 - 127, MUSICAL-NOTES, TONE |
| 00 39 | 0000 00aa | Modulation LFO Key Trigger (0 - 2) |
| | | OFF, ON, TONE |
| 00 3A | 0aaa aaaa | Modulation LFO Pitch Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 3B | 0aaa aaaa | Modulation LFO FILTER Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 3C | 0aaa aaaa | Modulation LFO AMP Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
| 00 3D | 0aaa aaaa | Modulation LFO Pan Depth Offset (0 - 127) |
| | | OFF, -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 3E | 0000 0aaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 3F | 0000 0aaa | (reserve) <*> |
| | | |
| | | |
|# 00 40 | 0000 aaaa | |
| | 0000 bbbb | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 42 | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 43 | 0000 000a | (reserve) <*> |
| | | |
| 00 44 | 0000 000a | (reserve) <*> |
| | | |
| 00 45 | 0000 000a | (reserve) <*> |
| | | |
| 00 46 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 47 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 48 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 49 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 4A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 4B | 00aa aaaa | (reserve) <*> |
| | | |
| 00 4C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 4D | 00aa aaaa | (reserve) <*> |
| | | |
| 00 4E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 4F | 00aa aaaa | (reserve) <*> |
| | | |
| 00 50 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 51 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 52 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 53 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 54 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 55 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 56 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 57 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 58 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 59 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 5A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 5B | 00aa aaaa | (reserve) <*> |
| | | |
| 00 5C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 5D | 00aa aaaa | (reserve) <*> |
| | | |
| 00 5E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 5F | 00aa aaaa | (reserve) <*> |
| | | |
| 00 60 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 61 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 62 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 63 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 64 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 65 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 66 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 67 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 68 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 69 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 6A | 00aa aaaa | (reserve) <*> |
| | | |
| 00 6B | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 6C | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 6D | Total Size |
+------------------------------------------------------------------------------+
* Live Set Tone Modify
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Tone Modify Type (read only) (0 - 16) |
|-------------+-----------+----------------------------------------------------|
| 00 01 | 0aaa aaaa | Modify Parameter 1 (0 - 127) |
| 00 02 | 0aaa aaaa | Modify Parameter 2 (0 - 127) |
| 00 03 | 0aaa aaaa | Modify Parameter 3 (0 - 127) |
| 00 04 | 0aaa aaaa | Modify Parameter 4 (0 - 127) |
| 00 05 | 0aaa aaaa | Modify Parameter 5 (0 - 127) |
| 00 06 | 0aaa aaaa | Modify Parameter 6 (0 - 127) |
| 00 07 | 0aaa aaaa | Modify Parameter 7 (0 - 127) |
| 00 08 | 0aaa aaaa | Modify Parameter 8 (0 - 127) |
| 00 09 | 0aaa aaaa | Modify Parameter 9 (0 - 127) |
| 00 0A | 0aaa aaaa | Modify Parameter 10 (0 - 127) |
| 00 0B | 0aaa aaaa | Modify Parameter 11 (0 - 127) |
| 00 0C | 0aaa aaaa | Modify Parameter 12 (0 - 127) |
| 00 0D | 0aaa aaaa | Modify Parameter 13 (0 - 127) |
| 00 0E | 0aaa aaaa | Modify Parameter 14 (0 - 127) |
| 00 0F | 0aaa aaaa | Modify Parameter 15 (0 - 127) |
| 00 10 | 0aaa aaaa | Modify Parameter 16 (0 - 127) |
| 00 11 | 0aaa aaaa | Modify Parameter 17 (0 - 127) |
| 00 12 | 0aaa aaaa | Modify Parameter 18 (0 - 127) |
17
Page 18
MIDI Implementation
| 00 13 | 0aaa aaaa | Modify Parameter 19 (0 - 127) |
| 00 14 | 0aaa aaaa | Modify Parameter 20 (0 - 127) |
| 00 15 | 0aaa aaaa | Modify Parameter 21 (0 - 127) |
| 00 16 | 0aaa aaaa | Modify Parameter 22 (0 - 127) |
| 00 17 | 0aaa aaaa | Modify Parameter 23 (0 - 127) |
| 00 18 | 0aaa aaaa | Modify Parameter 24 (0 - 127) |
| 00 19 | 0aaa aaaa | Modify Parameter 25 (0 - 127) |
| 00 1A | 0aaa aaaa | Modify Parameter 26 (0 - 127) |
| 00 1B | 0aaa aaaa | Modify Parameter 27 (0 - 127) |
| 00 1C | 0aaa aaaa | Modify Parameter 28 (0 - 127) |
| 00 1D | 0aaa aaaa | Modify Parameter 29 (0 - 127) |
| 00 1E | 0aaa aaaa | Modify Parameter 30 (0 - 127) |
| 00 1F | 0aaa aaaa | Modify Parameter 31 (0 - 127) |
| 00 20 | 0aaa aaaa | Modify Parameter 32 (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 21 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 22 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 23 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 24 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 25 | Total Size |
+------------------------------------------------------------------------------+
* Registration Common
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Registration Name 1 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 01 | 0aaa aaaa | Registration Name 2 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 02 | 0aaa aaaa | Registration Name 3 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 03 | 0aaa aaaa | Registration Name 4 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 04 | 0aaa aaaa | Registration Name 5 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 05 | 0aaa aaaa | Registration Name 6 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 06 | 0aaa aaaa | Registration Name 7 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 07 | 0aaa aaaa | Registration Name 8 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 08 | 0aaa aaaa | Registration Name 9 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 09 | 0aaa aaaa | Registration Name 10 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0A | 0aaa aaaa | Registration Name 11 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0B | 0aaa aaaa | Registration Name 12 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0C | 0aaa aaaa | Registration Name 13 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0D | 0aaa aaaa | Registration Name 14 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0E | 0aaa aaaa | Registration Name 15 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0F | 0aaa aaaa | Registration Name 16 (32 - 127) |
| | | 32 - 127 [ASCII] |
|-------------+-----------+----------------------------------------------------|
|# 00 10 | 0000 aaaa | |
| | 0000 bbbb | Registration Tempo (20 - 250) |
| 00 12 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 13 | 0000 000a | MIDI Out Setting (0 - 1) |
| | | INT, EXT |
|-------------+-----------+----------------------------------------------------|
| 00 14 | 0aaa aaaa | Voice Reserve SOLO (0 - 64) |
| | | 0 - 63, FULL |
| 00 15 | 0aaa aaaa | Voice Reserve PERC (0 - 64) |
| | | 0 - 63, FULL |
|-------------+-----------+----------------------------------------------------|
| 00 16 | 0aaa aaaa | Registration Level (0 - 127) |
| 00 17 | 0aaa aaaa | (0 - 127) |
| | | |
| 00 18 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 19 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1A | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 1F | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 20 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 21 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 22 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 23 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 24 | 0aaa aaaa | (reserve) <*> |
18
| | | |
| 00 25 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 26 | Total Size |
+------------------------------------------------------------------------------+
* Registration Part
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 000a | Part Switch (0 - 1) |
| | | OFF, ON |
| 00 01 | 0aaa aaaa | Part Bank Select MSB (CC# 0) (0 - 127) |
| 00 02 | 0aaa aaaa | Part Bank Select LSB (CC# 32) (0 - 127) |
| 00 03 | 0aaa aaaa | Part Program Number (PC) (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 04 | 0aaa aaaa | Level (CC# 7) (0 - 127) |
| 00 05 | 0aaa aaaa | Pan (CC# 10) (0 - 127) |
| | | L64 - 63R |
| 00 06 | 0000 0aaa | Octave Shift (61 - 67) |
| | | -3 - +3 |
| 00 07 | 0000 000a | (reserve) <*> |
| | | |
| 00 08 | 0000 000a | Control Sw Bender (0 - 1) |
| | | OFF, ON |
| 00 09 | 0000 000a | Control Sw Modulation (0 - 1) |
| | | OFF, ON |
| 00 0A | 0000 000a | Control Sw Switch S1 (0 - 1) |
| | | OFF, ON |
| 00 0B | 0000 000a | Control Sw Switch S2 (0 - 1) |
| | | OFF, ON |
| 00 0C | 0000 000a | Control Sw Hold Pedal (0 - 1) |
| | | OFF, ON |
| 00 0D | 0000 000a | Control Sw Control Pedal 1 (0 - 1) |
| | | OFF, ON |
| 00 0E | 0000 000a | Control Sw Control Pedal 2 (0 - 1) |
| | | OFF, ON |
| 00 0F | 0000 000a | Control Sw Aftertouch (0 - 1) |
| | | OFF, ON |
| 00 10 | 0000 000a | Control Sw D Beam (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 00 11 | Total Size |
+------------------------------------------------------------------------------+
* Registration Ext Part
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
|# 00 00 | 0000 aaaa | |
| | 0000 bbbb | External Bank Select MSB (CC# 0) (0 - 128) |
| | | 0 - 127, NO-SEND |
| 00 02 | 0aaa aaaa | External Bank Select LSB (CC# 32) (0 - 127) |
|# 00 03 | 0000 aaaa | |
| | 0000 bbbb | External Program Number (PC) (0 - 128) |
| | | 0 - 127, NO-SEND |
|# 00 05 | 0000 aaaa | |
| | 0000 bbbb | External Level (CC# 7) (0 - 128) |
| | | 0 - 127, NO-SEND |
|# 00 07 | 0000 aaaa | |
| | 0000 bbbb | External Pan (CC# 10) (0 - 128) |
| | | L64 - 63R, NO-SEND |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 0aaa aaaa | Keyboard Range Lower (0 - 127) |
| | | C-1 - UPPER |
| 00 0A | 0aaa aaaa | Keyboard Range Upper (0 - 127) |
| | | LOWER - G9 |
|-------------+-----------+----------------------------------------------------|
| 00 0B | 0000 000a | Keyboard Switch (0 - 1) |
| | | OFF, ON |
| 00 0C | 0000 000a | (reserve) <*> |
| | | |
| 00 0D | 0000 000a | (reserve) <*> |
| | | |
| 00 0E | 0000 000a | (reserve) <*> |
| | | |
| 00 0F | 0000 000a | (reserve) <*> |
| | | |
| 00 10 | 0000 000a | (reserve) <*> |
| | | |
| 00 11 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 12 | 0aaa aaaa | Velocity Range Lower (1 - 127) |
| | | 1 - UPPER |
| 00 13 | 0aaa aaaa | Velocity Range Upper (1 - 127) |
| | | LOWER - 127 |
| 00 14 | 0000 0aaa | Part Octave Shift (61 - 67) |
| | | -3 - +3 |
| 00 15 | 0000 aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 16 | Total Size |
+------------------------------------------------------------------------------+
* Registration Controller
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 aaaa | Transpose Value (59 - 70) |
Page 19
MIDI Implementation
| | | -5 - +6 |
| 00 01 | 0000 000a | Transpose Switch (0 - 1) |
| | | OFF, ON |
| 00 02 | 0000 0aaa | Octave Shift (61 - 67) |
| | | -3 - +3 |
|-------------+-----------+----------------------------------------------------|
| 00 03 | 0000 000a | Lower Split (0 - 1) |
| | | OFF, ON |
| 00 04 | 0aaa aaaa | Lower Split Point (0 - 127) |
| | | OFF, 1 - 127 |
| 00 05 | 0000 000a | Solo Split (0 - 1) |
| | | OFF, ON |
| 00 06 | 0aaa aaaa | Solo Split Point (0 - 127) |
| | | OFF, 1 - 127 |
| 00 07 | 0000 000a | (reserve) <*> |
| | | |
| 00 08 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 0A | 0000 000a | Harmony Switch (0 - 1) |
| | | OFF, ON |
| 00 0B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 0C | 0aaa aaaa | Harmony Type (0 - 16) |
| | | ORGAN, BIG_BAND, STRINGS, BLOCK, HYMN, |
| | | TRADITIONAL, DUET, COMBO, COUNTRY, BROADWAY, |
| | | GOSPEL, OCTAVE1, OCTAVE2, 1NOTE, 2NOTES, |
| | | 3NOTES, 4NOTES |
| 00 0D | 0000 000a | (reserve) <*> |
| | | |
| 00 0E | 0000 000a | (reserve) <*> |
| | | |
| 00 0F | 0aaa aaaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 10 | 0000 000a | Arpeggio Switch Upper (0 - 1) |
| | | OFF, ON |
| 00 11 | 0000 000a | Arpeggio Switch Lower (0 - 1) |
| | | OFF, ON |
| 00 12 | 0000 000a | (reserve) <*> |
| | | |
| 00 13 | 0000 000a | (reserve) <*> |
| | | |
| 00 14 | 0000 000a | Arpeggio Hold (0 - 1) |
| | | OFF, ON |
| 00 15 | 0aaa aaaa | Arpeggio Bank (0 - 1) |
| | | PRESET, USER |
| 00 16 | 0aaa aaaa | Arpeggio Style (0 - 127) |
| | | 1 - 128 |
| 00 17 | 0aaa aaaa | Arpeggio Variation (0 - 127) |
| | | 1 - 128 |
| 00 18 | 0aaa aaaa | Arpeggio Motif (0 - 9) |
| | | UP, DOWN, UP&DOWN, RANDOM, |
| | | NOTE-ORDER, GLISSANDO, CHORD, |
| | | AUTO1, AUTO2, PHRASE |
| 00 19 | 0aaa aaaa | Arpeggio Accent (0 - 100) |
| 00 1A | 0aaa aaaa | Arpeggio Shuffle Rate (0 - 100) |
| 00 1B | 0000 000a | Arpeggio Shuffle Resolution (0 - 1) |
| | | 16TH, 8TH |
| 00 1C | 0aaa aaaa | Arpeggio Velocity (0 - 127) |
| | | REAL, 1 - 127 |
| 00 1D | 0000 0aaa | Arpeggio Octave Range (61 - 67) |
| | | -3 - +3 |
| 00 1E | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 1F | 0aaa aaaa | Control Pedal 1 Assign (0 - 98) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, BEND-UP, BEND-DOWN |
| 00 20 | 0aaa aaaa | (reserve) <*> |
| 00 21 | 0aaa aaaa | Control Pedal 2 Assign (0 - 98) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, BEND-UP, BEND-DOWN |
| 00 22 | 0aaa aaaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 23 | 0aaa aaaa | Switch S1 Assign (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, MONO/POLY |
| 00 24 | 0000 000a | Switch S1 Type (0 - 1) |
| | | LATCH, MOMENTARY |
| 00 25 | 0aaa aaaa | Switch S2 Assign (0 - 97) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, MONO/POLY |
| 00 26 | 0000 000a | Switch S2 Type (0 - 1) |
| | | LATCH, MOMENTARY |
|-------------+-----------+----------------------------------------------------|
| 00 27 | 0000 00aa | Beam Select (0 - 3) |
| | | OFF, 1, 2, 3 |
| 00 28 | 0000 000a | (reserve) <*> |
| | | |
| 00 29 | 0000 000a | (reserve) <*> |
| | | |
| 00 2A | 0000 000a | (reserve) <*> |
| | | |
| 00 2B | 0aaa aaaa | Beam Assign (0 - 98) |
| | | OFF, CC01 - CC31, OFF, CC33 - CC95, |
| | | AFT, BEND-UP, BEND-DOWN |
|-------------+-----------+----------------------------------------------------|
| 00 2C | 0aaa aaaa | (reserve) <*> |
| 00 2D | 0aaa aaaa | (reserve) <*> |
| 00 2E | 0aaa aaaa | (reserve) <*> |
| 00 2F | 0aaa aaaa | (reserve) <*> |
| 00 30 | 0aaa aaaa | (reserve) <*> |
| 00 31 | 0aaa aaaa | (reserve) <*> |
| 00 32 | 0aaa aaaa | (reserve) <*> |
| 00 33 | 0aaa aaaa | (reserve) <*> |
| 00 34 | 0aaa aaaa | (reserve) <*> |
| 00 35 | 0aaa aaaa | (reserve) <*> |
| 00 36 | 0aaa aaaa | (reserve) <*> |
| 00 37 | 0aaa aaaa | (reserve) <*> |
| 00 38 | 0aaa aaaa | (reserve) <*> |
| 00 39 | 0aaa aaaa | (reserve) <*> |
| 00 3A | 0aaa aaaa | (reserve) <*> |
| 00 3B | 0aaa aaaa | (reserve) <*> |
| 00 3C | 0aaa aaaa | (reserve) <*> |
| 00 3D | 0aaa aaaa | (reserve) <*> |
| 00 3E | 0aaa aaaa | (reserve) <*> |
| 00 3F | 0aaa aaaa | (reserve) <*> |
| 00 40 | 0aaa aaaa | (reserve) <*> |
| 00 41 | 0aaa aaaa | (reserve) <*> |
| 00 42 | 0aaa aaaa | (reserve) <*> |
| 00 43 | 0aaa aaaa | (reserve) <*> |
| 00 44 | 0aaa aaaa | (reserve) <*> |
| 00 45 | 0aaa aaaa | (reserve) <*> |
| 00 46 | 0aaa aaaa | (reserve) <*> |
| 00 47 | 0aaa aaaa | (reserve) <*> |
| 00 48 | 0aaa aaaa | (reserve) <*> |
| 00 49 | 0aaa aaaa | (reserve) <*> |
| 00 4A | 0aaa aaaa | (reserve) <*> |
| 00 4B | 0aaa aaaa | (reserve) <*> |
| 00 4C | 0aaa aaaa | (reserve) <*> |
| 00 4D | 0aaa aaaa | (reserve) <*> |
| 00 4E | 0aaa aaaa | (reserve) <*> |
| 00 4F | 0aaa aaaa | (reserve) <*> |
| 00 50 | 0aaa aaaa | (reserve) <*> |
| 00 51 | 0aaa aaaa | (reserve) <*> |
| 00 52 | 0aaa aaaa | (reserve) <*> |
| 00 53 | 0aaa aaaa | (reserve) <*> |
| 00 54 | 0aaa aaaa | (reserve) <*> |
| 00 55 | 0aaa aaaa | (reserve) <*> |
| 00 56 | 0aaa aaaa | (reserve) <*> |
| 00 57 | 0aaa aaaa | (reserve) <*> |
| 00 58 | 0aaa aaaa | (reserve) <*> |
| 00 59 | 0aaa aaaa | (reserve) <*> |
| 00 5A | 0aaa aaaa | (reserve) <*> |
| 00 5B | 0aaa aaaa | (reserve) <*> |
| 00 5C | 0aaa aaaa | (reserve) <*> |
| 00 5D | 0aaa aaaa | (reserve) <*> |
| 00 5E | 0aaa aaaa | (reserve) <*> |
| 00 5F | 0aaa aaaa | (reserve) <*> |
| 00 60 | 0aaa aaaa | (reserve) <*> |
| 00 61 | 0aaa aaaa | (reserve) <*> |
| 00 62 | 0aaa aaaa | (reserve) <*> |
| 00 63 | 0aaa aaaa | (reserve) <*> |
| 00 64 | 0aaa aaaa | (reserve) <*> |
| 00 65 | 0aaa aaaa | (reserve) <*> |
| 00 66 | 0aaa aaaa | (reserve) <*> |
| 00 67 | 0aaa aaaa | (reserve) <*> |
| 00 68 | 0aaa aaaa | (reserve) <*> |
| 00 69 | 0aaa aaaa | (reserve) <*> |
| 00 6A | 0aaa aaaa | (reserve) <*> |
| 00 6B | 0aaa aaaa | (reserve) <*> |
| 00 6C | 0aaa aaaa | (reserve) <*> |
| 00 6D | 0aaa aaaa | (reserve) <*> |
| 00 6E | 0aaa aaaa | (reserve) <*> |
| 00 6F | 0aaa aaaa | (reserve) <*> |
| 00 70 | 0aaa aaaa | (reserve) <*> |
| 00 71 | 0aaa aaaa | (reserve) <*> |
| 00 72 | 0aaa aaaa | (reserve) <*> |
| 00 73 | 0aaa aaaa | (reserve) <*> |
| 00 74 | 0aaa aaaa | (reserve) <*> |
| 00 75 | 0aaa aaaa | (reserve) <*> |
| 00 76 | 0aaa aaaa | (reserve) <*> |
| 00 77 | 0aaa aaaa | (reserve) <*> |
| 00 78 | 0aaa aaaa | (reserve) <*> |
| 00 79 | 0aaa aaaa | (reserve) <*> |
| 00 7A | 0aaa aaaa | (reserve) <*> |
| 00 7B | 0aaa aaaa | (reserve) <*> |
| 00 7C | 0aaa aaaa | (reserve) <*> |
| 00 7D | 0aaa aaaa | (reserve) <*> |
| 00 7E | 0aaa aaaa | (reserve) <*> |
| 00 7F | 0aaa aaaa | (reserve) <*> |
| 01 00 | 0aaa aaaa | (reserve) <*> |
| 01 01 | 0aaa aaaa | (reserve) <*> |
| 01 02 | 0aaa aaaa | (reserve) <*> |
| 01 03 | 0aaa aaaa | (reserve) <*> |
| 01 04 | 0aaa aaaa | (reserve) <*> |
| 01 05 | 0aaa aaaa | (reserve) <*> |
| 01 06 | 0aaa aaaa | (reserve) <*> |
| 01 07 | 0aaa aaaa | (reserve) <*> |
| 01 08 | 0aaa aaaa | (reserve) <*> |
| 01 09 | 0aaa aaaa | (reserve) <*> |
| 01 0A | 0aaa aaaa | (reserve) <*> |
| 01 0B | 0aaa aaaa | (reserve) <*> |
| 01 0C | 0aaa aaaa | (reserve) <*> |
| 01 0D | 0aaa aaaa | (reserve) <*> |
| 01 0E | 0aaa aaaa | (reserve) <*> |
| 01 0F | 0aaa aaaa | (reserve) <*> |
| 01 10 | 0aaa aaaa | (reserve) <*> |
| 01 11 | 0aaa aaaa | (reserve) <*> |
| 01 12 | 0aaa aaaa | (reserve) <*> |
| 01 13 | 0aaa aaaa | (reserve) <*> |
| 01 14 | 0aaa aaaa | (reserve) <*> |
| 01 15 | 0aaa aaaa | (reserve) <*> |
| 01 16 | 0aaa aaaa | (reserve) <*> |
| 01 17 | 0aaa aaaa | (reserve) <*> |
| 01 18 | 0aaa aaaa | (reserve) <*> |
| 01 19 | 0aaa aaaa | (reserve) <*> |
| 01 1A | 0aaa aaaa | (reserve) <*> |
| 01 1B | 0aaa aaaa | (reserve) <*> |
| 01 1C | 0aaa aaaa | (reserve) <*> |
| 01 1D | 0aaa aaaa | (reserve) <*> |
19
Page 20
MIDI Implementation
| 01 1E | 0aaa aaaa | (reserve) <*> |
| 01 1F | 0aaa aaaa | (reserve) <*> |
| 01 20 | 0aaa aaaa | (reserve) <*> |
| 01 21 | 0aaa aaaa | (reserve) <*> |
| 01 22 | 0aaa aaaa | (reserve) <*> |
| 01 23 | 0aaa aaaa | (reserve) <*> |
| 01 24 | 0aaa aaaa | (reserve) <*> |
| 01 25 | 0aaa aaaa | (reserve) <*> |
| 01 26 | 0aaa aaaa | (reserve) <*> |
| 01 27 | 0aaa aaaa | (reserve) <*> |
| 01 28 | 0aaa aaaa | (reserve) <*> |
| 01 29 | 0aaa aaaa | (reserve) <*> |
| 01 2A | 0aaa aaaa | (reserve) <*> |
| 01 2B | 0aaa aaaa | (reserve) <*> |
| 01 2C | 0aaa aaaa | (reserve) <*> |
| 01 2D | 0aaa aaaa | (reserve) <*> |
| 01 2E | 0aaa aaaa | (reserve) <*> |
| 01 2F | 0aaa aaaa | (reserve) <*> |
| 01 30 | 0aaa aaaa | (reserve) <*> |
| 01 31 | 0aaa aaaa | (reserve) <*> |
| 01 32 | 0aaa aaaa | (reserve) <*> |
| 01 33 | 0aaa aaaa | (reserve) <*> |
| 01 34 | 0aaa aaaa | (reserve) <*> |
| 01 35 | 0aaa aaaa | (reserve) <*> |
| 01 36 | 0aaa aaaa | (reserve) <*> |
| 01 37 | 0aaa aaaa | (reserve) <*> |
| 01 38 | 0aaa aaaa | (reserve) <*> |
| 01 39 | 0aaa aaaa | (reserve) <*> |
| 01 3A | 0aaa aaaa | (reserve) <*> |
| 01 3B | 0aaa aaaa | (reserve) <*> |
| 01 3C | 0aaa aaaa | (reserve) <*> |
| 01 3D | 0aaa aaaa | (reserve) <*> |
| 01 3E | 0aaa aaaa | (reserve) <*> |
| 01 3F | 0aaa aaaa | (reserve) <*> |
| 01 40 | 0aaa aaaa | (reserve) <*> |
| 01 41 | 0aaa aaaa | (reserve) <*> |
| 01 42 | 0aaa aaaa | (reserve) <*> |
| 01 43 | 0aaa aaaa | (reserve) <*> |
| 01 44 | 0aaa aaaa | (reserve) <*> |
| 01 45 | 0aaa aaaa | (reserve) <*> |
| 01 46 | 0aaa aaaa | (reserve) <*> |
| 01 47 | 0aaa aaaa | (reserve) <*> |
| 01 48 | 0aaa aaaa | (reserve) <*> |
| 01 49 | 0aaa aaaa | (reserve) <*> |
| 01 4A | 0aaa aaaa | (reserve) <*> |
| 01 4B | 0aaa aaaa | (reserve) <*> |
| 01 4C | 0aaa aaaa | (reserve) <*> |
| 01 4D | 0aaa aaaa | (reserve) <*> |
| 01 4E | 0aaa aaaa | (reserve) <*> |
| 01 4F | 0aaa aaaa | (reserve) <*> |
| 01 50 | 0aaa aaaa | (reserve) <*> |
| 01 51 | 0aaa aaaa | (reserve) <*> |
| 01 52 | 0aaa aaaa | (reserve) <*> |
| 01 53 | 0aaa aaaa | (reserve) <*> |
| 01 54 | 0aaa aaaa | (reserve) <*> |
| 01 55 | 0aaa aaaa | (reserve) <*> |
| 01 56 | 0aaa aaaa | (reserve) <*> |
| 01 57 | 0aaa aaaa | (reserve) <*> |
| 01 58 | 0aaa aaaa | (reserve) <*> |
| 01 59 | 0aaa aaaa | (reserve) <*> |
| 01 5A | 0000 aaaa | Upper Live Set Button Number (0 - 10) |
| 01 5B | 0000 000a | Upper Live Set Alternate Switch (0 - 1) |
| | | OFF, ON |
| 01 5C | 0000 aaaa | Lower Live Set Button Number (0 - 8) |
| 01 5D | 0000 000a | Lower Live Set Alternate Switch (0 - 1) |
| | | OFF, ON |
| 01 5E | 0000 0aaa | Solo Tone Button Number (0 - 6) |
| | | 0 - 8 |
| 01 5F | 0000 000a | Solo Tone Alternate Switch (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 01 60 | 0aaa aaaa | (reserve) <*> |
|# 01 61 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Knob E1 Assign ID (0 - 65535) |
| 01 65 | 0aaa aaaa | Knob E1 Assign Destination (0 - 127) |
| 01 66 | 0aaa aaaa | (reserve) <*> |
| 01 67 | 0aaa aaaa | (reserve) <*> |
| 01 68 | 0aaa aaaa | (reserve) <*> |
|# 01 69 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Knob E2 Assign ID (0 - 65535) |
| 01 6D | 0aaa aaaa | Knob E2 Assign Destination (0 - 127) |
| 01 6E | 0aaa aaaa | (reserve) <*> |
| 01 6F | 0aaa aaaa | (reserve) <*> |
| 01 70 | 0aaa aaaa | (reserve) <*> |
|# 01 71 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Knob E3 Assign ID (0 - 65535) |
| 01 75 | 0aaa aaaa | Knob E3 Assign Destination (0 - 127) |
| 01 76 | 0aaa aaaa | (reserve) <*> |
| 01 77 | 0aaa aaaa | (reserve) <*> |
| 01 78 | 0aaa aaaa | (reserve) <*> |
|# 01 79 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Knob E4 Assign ID (0 - 65535) |
| 01 7D | 0aaa aaaa | Knob E4 Assign Destination (0 - 127) |
| 01 7E | 0aaa aaaa | (reserve) <*> |
| 01 7F | 0aaa aaaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
|# 02 00 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | (reserve) <*> |
20
| 02 03 | 0000 000a | (reserve) <*> |
| | | |
| 02 04 | 0000 000a | (reserve) <*> |
| | | |
| 02 05 | 0000 aaaa | (reserve) <*> |
| | | |
| 02 06 | 0000 aaaa | (reserve) <*> |
| | | |
| 02 07 | 0aaa aaaa | (reserve) <*> |
|# 02 08 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| 02 0C | 0aaa aaaa | (reserve) <*> |
| 02 0D | 0aaa aaaa | (reserve) <*> |
| 02 0E | 0aaa aaaa | (reserve) <*> |
| 02 0F | 0000 000a | (reserve) <*> |
| | | |
| 02 10 | 0aaa aaaa | (reserve) <*> |
|# 02 11 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| 02 15 | 0aaa aaaa | (reserve) <*> |
| 02 16 | 0aaa aaaa | (reserve) <*> |
| 02 17 | 0aaa aaaa | (reserve) <*> |
| 02 18 | 0000 000a | (reserve) <*> |
| | | |
| 02 19 | 0aaa aaaa | (reserve) <*> |
|# 02 1A | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| 02 1E | 0aaa aaaa | (reserve) <*> |
| 02 1F | 0aaa aaaa | (reserve) <*> |
| 02 20 | 0aaa aaaa | (reserve) <*> |
| 02 21 | 0000 000a | (reserve) <*> |
| | | |
| 02 22 | 0aaa aaaa | (reserve) <*> |
|# 02 23 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| 02 27 | 0aaa aaaa | (reserve) <*> |
| 02 28 | 0aaa aaaa | (reserve) <*> |
| 02 29 | 0aaa aaaa | (reserve) <*> |
| 02 2A | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 02 2B | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 2C | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 2D | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 2E | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 2F | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 30 | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 31 | 0aaa aaaa | (reserve) <*> |
| | | |
| 02 32 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 02 33 | 0000 000a | V-Link Switch (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 02 34 | Total Size |
+------------------------------------------------------------------------------+
* Registration Sub Part
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 0aaa | (reserve) <*> |
| | | |
| 00 01 | 0000 000a | (reserve) <*> |
| | | |
| 00 02 | 0000 000a | (reserve) <*> |
| | | |
| 00 03 | 0000 000a | (reserve) <*> |
| | | |
| 00 04 | 0000 000a | (reserve) <*> |
| | | |
| 00 05 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 06 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 07 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 08 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 0aaa aaaa | Level (0 - 127) |
| 00 0A | 0aaa aaaa | Pan (0 - 127) |
| | | L64 - 63R |
| 00 0B | 0aaa aaaa | Coarse Tune (16 - 112) |
| | | -48 - +48 |
| 00 0C | 0aaa aaaa | Fine Tune (14 - 114) |
| | | -50 - +50 |
| 00 0D | 0000 0aaa | Mono/Poly (0 - 4) |
| | | MONO, POLY, TONE, SOLO1, SOLO2 |
Page 21
MIDI Implementation
| 00 0E | 0000 00aa | Legato Switch (0 - 2) |
| | | OFF, ON, TONE |
| 00 0F | 000a aaaa | Pitch Bend Range (0 - 25) |
| | | 0 - 24, TONE |
| 00 10 | 0000 00aa | Portamento Switch (0 - 2) |
| | | OFF, ON, TONE |
|# 00 11 | 0000 aaaa | |
| | 0000 bbbb | Portamento Time (0 - 128) |
| | | 0 - 127, TONE |
| 00 13 | 0aaa aaaa | Cutoff Offset (0 - 127) |
| | | -64 - +63 |
| 00 14 | 0aaa aaaa | Resonance Offset (0 - 127) |
| | | -64 - +63 |
| 00 15 | 0aaa aaaa | Attack Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 16 | 0aaa aaaa | Decay Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 17 | 0aaa aaaa | Release Time Offset (0 - 127) |
| | | -64 - +63 |
| 00 18 | 0aaa aaaa | Vibrato Rate (0 - 127) |
| | | -64 - +63 |
| 00 19 | 0aaa aaaa | Vibrato Depth (0 - 127) |
| | | -64 - +63 |
| 00 1A | 0aaa aaaa | Vibrato Delay (0 - 127) |
| | | -64 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 1B | 0000 0aaa | Octave Shift (61 - 67) |
| | | -3 - +3 |
| 00 1C | 0aaa aaaa | Velocity Sens Offset (1 - 127) |
| | | -63 - +63 |
| 00 1D | 0aaa aaaa | Keyboard Range Lower (0 - 127) |
| | | C-1 - UPPER |
| 00 1E | 0aaa aaaa | Keyboard Range Upper (0 - 127) |
| | | LOWER - G9 |
| 00 1F | 0aaa aaaa | Keyboard Fade Width Lower (0 - 127) |
| 00 20 | 0aaa aaaa | Keyboard Fade Width Upper (0 - 127) |
| 00 21 | 0aaa aaaa | Velocity Range Lower (1 - 127) |
| | | 1 - UPPER |
| 00 22 | 0aaa aaaa | Velocity Range Upper (0 - 127) |
| | | LOWER - 127 |
| 00 23 | 0aaa aaaa | Velocity Fade Width Lower (0 - 127) |
| 00 24 | 0aaa aaaa | Velocity Fade Width Upper (0 - 127) |
| 00 25 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 26 | 0aaa aaaa | Output Level (0 - 127) |
| 00 27 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 28 | 0aaa aaaa | Reverb Send Level (0 - 127) |
| 00 29 | 0000 aaaa | (reserve) <*> |
| | | |
| 00 2A | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 2B | 0000 000a | Receive Bender (0 - 1) |
| | | OFF, ON |
| 00 2C | 0000 000a | Receive Polyphonic Key Pressure (0 - 1) |
| | | OFF, ON |
| 00 2D | 0000 000a | Receive Channel Pressure (0 - 1) |
| | | OFF, ON |
| 00 2E | 0000 000a | Receive Modulation (0 - 1) |
| | | OFF, ON |
| 00 2F | 0000 000a | (reserve) <*> |
| | | |
| 00 30 | 0000 000a | (reserve) <*> |
| | | |
| 00 31 | 0000 000a | Receive Expression (0 - 1) |
| | | OFF, ON |
| 00 32 | 0000 000a | Receive Hold-1 (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 33 | 0000 0aaa | Velocity Curve Type (0 - 4) |
| | | OFF, 1 - 4 |
| 00 34 | 0000 000a | Receive Breath Type (0 - 1) |
| | | OFF, ON |
| 00 35 | 0000 000a | Receive Foot Type (0 - 1) |
| | | OFF, ON |
| 00 36 | 0000 000a | Receive Portamento (0 - 1) |
| | | OFF, ON |
| 00 37 | 0000 000a | Receive Filter Offset (0 - 1) |
| | | OFF, ON |
| 00 38 | 0000 000a | Receive Envelope Offset (0 - 1) |
| | | OFF, ON |
| 00 39 | 0000 000a | Receive Reverb Send (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 3A | 0000 000a | Receive Modify (0 - 1) |
| | | OFF, ON |
| 00 3B | 0000 000a | Receive Variation (0 - 1) |
| | | OFF, ON |
|-------------+----------------------------------------------------------------|
| 00 00 00 3C | Total Size |
+------------------------------------------------------------------------------+
* Registration Sub Modify
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Tone Modify Type (read only) (0 - 16) |
|-------------+-----------+----------------------------------------------------|
| 00 01 | 0aaa aaaa | Modify Parameter 1 (0 - 127) |
| 00 02 | 0aaa aaaa | Modify Parameter 2 (0 - 127) |
| 00 03 | 0aaa aaaa | Modify Parameter 3 (0 - 127) |
| 00 04 | 0aaa aaaa | Modify Parameter 4 (0 - 127) |
| 00 05 | 0aaa aaaa | Modify Parameter 5 (0 - 127) |
| 00 06 | 0aaa aaaa | Modify Parameter 6 (0 - 127) |
| 00 07 | 0aaa aaaa | Modify Parameter 7 (0 - 127) |
| 00 08 | 0aaa aaaa | Modify Parameter 8 (0 - 127) |
| 00 09 | 0aaa aaaa | Modify Parameter 9 (0 - 127) |
| 00 0A | 0aaa aaaa | Modify Parameter 10 (0 - 127) |
| 00 0B | 0aaa aaaa | Modify Parameter 11 (0 - 127) |
| 00 0C | 0aaa aaaa | Modify Parameter 12 (0 - 127) |
| 00 0D | 0aaa aaaa | Modify Parameter 13 (0 - 127) |
| 00 0E | 0aaa aaaa | Modify Parameter 14 (0 - 127) |
| 00 0F | 0aaa aaaa | Modify Parameter 15 (0 - 127) |
| 00 10 | 0aaa aaaa | Modify Parameter 16 (0 - 127) |
| 00 11 | 0aaa aaaa | Modify Parameter 17 (0 - 127) |
| 00 12 | 0aaa aaaa | Modify Parameter 18 (0 - 127) |
| 00 13 | 0aaa aaaa | Modify Parameter 19 (0 - 127) |
| 00 14 | 0aaa aaaa | Modify Parameter 20 (0 - 127) |
| 00 15 | 0aaa aaaa | Modify Parameter 21 (0 - 127) |
| 00 16 | 0aaa aaaa | Modify Parameter 22 (0 - 127) |
| 00 17 | 0aaa aaaa | Modify Parameter 23 (0 - 127) |
| 00 18 | 0aaa aaaa | Modify Parameter 24 (0 - 127) |
| 00 19 | 0aaa aaaa | Modify Parameter 25 (0 - 127) |
| 00 1A | 0aaa aaaa | Modify Parameter 26 (0 - 127) |
| 00 1B | 0aaa aaaa | Modify Parameter 27 (0 - 127) |
| 00 1C | 0aaa aaaa | Modify Parameter 28 (0 - 127) |
| 00 1D | 0aaa aaaa | Modify Parameter 29 (0 - 127) |
| 00 1E | 0aaa aaaa | Modify Parameter 30 (0 - 127) |
| 00 1F | 0aaa aaaa | Modify Parameter 31 (0 - 127) |
| 00 20 | 0aaa aaaa | Modify Parameter 32 (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 21 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 22 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 23 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 24 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 25 | Total Size |
+------------------------------------------------------------------------------+
* Registration Sub Eect
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 000a | Comp Switch (0 - 1) |
| | | OFF, ON |
| 00 01 | 0aaa aaaa | Attack (0 - 127) |
| 00 02 | 0aaa aaaa | Threshold (0 - 127) |
| 00 03 | 000a aaaa | Post Gain (0 - 18) |
| | | 0 - +18 [dB] |
| 00 04 | 000a aaaa | Low Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 05 | 000a aaaa | High Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 06 | 0aaa aaaa | Comp Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 07 | 0000 000a | EQ Switch (0 - 1) |
| | | OFF, ON |
| 00 08 | 0000 000a | Low Freq (0 - 1) |
| | | 200, 400 [Hz] |
| 00 09 | 000a aaaa | Low Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 0A | 000a aaaa | Mid1 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 0B | 000a aaaa | Mid1 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 0C | 0000 0aaa | Mid1 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 0D | 000a aaaa | Mid2 Freq (0 - 16) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000 [Hz] |
| 00 0E | 000a aaaa | Mid2 Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 0F | 0000 0aaa | Mid2 Q (0 - 4) |
| | | 0.5, 1.0, 2.0, 4.0, 8.0 |
| 00 10 | 0000 00aa | High Freq (0 - 2) |
| | | 2000, 4000, 8000 [Hz] |
| 00 11 | 000a aaaa | High Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 12 | 0aaa aaaa | EQ Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 13 | 0000 000a | Delay Switch (0 - 1) |
| | | OFF, ON |
| 00 14 | 0000 000a | Delay Left (num/note sw) (0 - 1) |
| | | OFF, ON |
|# 00 15 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Delay Left (msec) (0 - 1300) |
| | | 0 - 1300 [msec] |
| 00 19 | 000a aaaa | Delay Left (note) (0 - 21) |
| | | MUSICAL-NOTES |
| 00 1A | 0000 000a | Delay Right (num/note sw) (0 - 1) |
| | | OFF, ON |
|# 00 1B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Delay Right (msec) (0 - 1300) |
| | | 0 - 1300 [msec] |
| 00 1F | 000a aaaa | Delay Right (note) (0 - 21) |
21
Page 22
MIDI Implementation
| | | MUSICAL-NOTES |
| 00 20 | 0000 000a | Phase Left (0 - 1) |
| | | NORMAL, INVERSE |
| 00 21 | 0000 000a | Phase Right (0 - 1) |
| | | NORMAL, INVERSE |
| 00 22 | 0000 000a | Feedback Mode (0 - 1) |
| | | NORMAL, CROSS |
| 00 23 | 0aaa aaaa | Feedback (0 - 98) |
| | | -98 - +98 [%] |
| 00 24 | 000a aaaa | HF Damp (0 - 17) |
| | | 200, 250, 315, 400, 500, 630, |
| | | 800, 1000, 1250, 1600, 2000, |
| | | 2500, 3150, 4000, 5000, 6300, |
| | | 8000, BYPASS [Hz] |
| 00 25 | 000a aaaa | Low Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 26 | 000a aaaa | High Gain (0 - 30) |
| | | -15 - +15 [dB] |
| 00 27 | 0aaa aaaa | Balance (0 - 100) |
| | | D100:0W - D0:100W |
| 00 28 | 0aaa aaaa | Delay Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 29 | 0aaa aaaa | Reverb Send Level (0 - 127) |
| 00 2A | 0aaa aaaa | Output Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 2B | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2C | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 2F | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 30 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 31 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 32 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 33 | Total Size |
+------------------------------------------------------------------------------+
* Registration Sub Reverb
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 aaaa | Reverb Type (0 - 5) |
| | | OFF, REVERB, |
| | | SRV ROOM, SRV HALL, SRV PLATE, |
| | | GM2 REVERB |
| 00 01 | 0aaa aaaa | Reverb Level (0 - 127) |
| 00 02 | 0000 00aa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
|# 00 03 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 1 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 07 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 2 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 0B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 3 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 0F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 4 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 13 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 5 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 17 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 6 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 7 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 8 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 23 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 9 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 27 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
22
| | 0000 dddd | Reverb Parameter 10 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 11 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 12 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 33 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 13 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 37 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 14 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 3B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 15 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 3F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 16 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 43 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 17 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 47 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 18 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 4B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 19 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 4F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 20 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 53 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 21 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 57 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 22 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 5B | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 23 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 5F | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Reverb Parameter 24 (12768 - 52768) |
| | | -20000 - +20000 |
|-------------+----------------------------------------------------------------|
| 00 00 00 63 | Total Size |
+------------------------------------------------------------------------------+
* Tone Common
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | Tone Name 1 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 01 | 0aaa aaaa | Tone Name 2 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 02 | 0aaa aaaa | Tone Name 3 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 03 | 0aaa aaaa | Tone Name 4 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 04 | 0aaa aaaa | Tone Name 5 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 05 | 0aaa aaaa | Tone Name 6 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 06 | 0aaa aaaa | Tone Name 7 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 07 | 0aaa aaaa | Tone Name 8 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 08 | 0aaa aaaa | Tone Name 9 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 09 | 0aaa aaaa | Tone Name 10 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0A | 0aaa aaaa | Tone Name 11 (32 - 127) |
| | | 32 - 127 [ASCII] |
| 00 0B | 0aaa aaaa | Tone Name 12 (32 - 127) |
| | | 32 - 127 [ASCII] |
|-------------+-----------+----------------------------------------------------|
Page 23
MIDI Implementation
| 00 0C | 0aaa aaaa | Tone Level (0 - 127) |
|-------------+-----------+----------------------------------------------------|
|# 00 0D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 10 | 0000 000a | (reserve) <*> |
| | | |
| 00 11 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 12 | 0000 000a | Portamento Switch (0 - 1) |
| | | OFF, ON |
| 00 13 | 0aaa aaaa | Portamento Time (0 - 127) |
| 00 14 | 0000 00aa | Mono/Poly (0 - 1) |
| | | POLY, MONO |
| 00 15 | 0000 0aaa | Octave Shift (61 - 67) |
| | | -3 - +3 |
| 00 16 | 000a aaaa | Pitch Bend Range Up (0 - 24) |
| 00 17 | 000a aaaa | Pitch Bend Range Down (0 - 24) |
| 00 18 | 0000 0aaa | (reserve) <*> |
|-------------+-----------+----------------------------------------------------|
| 00 19 | 0000 000a | Partial1 Switch (0 - 1) |
| | | OFF, ON |
| 00 1A | 0000 000a | Partial1 Select (0 - 1) |
| | | OFF, ON |
| 00 1B | 0000 000a | Partial2 Switch (0 - 1) |
| | | OFF, ON |
| 00 1C | 0000 000a | Partial2 Select (0 - 1) |
| | | OFF, ON |
| 00 1D | 0000 000a | Partial3 Switch (0 - 1) |
| | | OFF, ON |
| 00 1E | 0000 000a | Partial3 Select (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 1F | 0000 00aa | RING Switch (0 - 2) |
| | | OFF, ---, ON |
|-------------+-----------+----------------------------------------------------|
| 00 20 | 0000 000a | (reserve) <*> |
| | | |
| 00 21 | 0000 00aa | (reserve) <*> |
| | | |
| 00 22 | 0000 000a | (reserve) <*> |
| | | |
| 00 23 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 24 | 00aa aaaa | (reserve) <*> |
| | | |
| 00 25 | 0000 000a | (reserve) <*> |
| | | |
| 00 26 | 0000 000a | (reserve) <*> |
| | | |
| 00 27 | 0000 000a | (reserve) <*> |
| | | |
| 00 28 | 0000 000a | (reserve) <*> |
| | | |
| 00 29 | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 2A | 0000 000a | (reserve) <*> |
| | | |
| 00 2B | 0000 000a | (reserve) <*> |
| | | |
| 00 2C | 0000 000a | (reserve) <*> |
| | | |
| 00 2D | 0000 000a | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 2E | 0000 000a | Unison Switch (0 - 1) |
| | | OFF, ON |
| 00 2F | 0000 000a | (reserve) <*> |
| | | |
| 00 30 | 0000 000a | (reserve) <*> |
| | | |
| 00 31 | 0000 000a | Portamento Mode (0 - 1) |
| | | NORMAL, LEGATO |
| 00 32 | 0000 000a | Legato Switch (0 - 1) |
| | | OFF, ON |
| 00 33 | 0000 000a | (reserve) <*> |
| | | |
| 00 34 | 0aaa aaaa | Analog Feel (0 - 127) |
| 00 35 | 0aaa aaaa | Wave Shape (0 - 127) |
| 00 36 | 0aaa aaaa | Tone Category (0 - 127) |
|# 00 37 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | (reserve) <*> |
| | | |
| 00 3B | 0000 0aaa | (reserve) <*> |
| | | |
| 00 3C | 0000 00aa | Unison Size (0 - 3) |
| | | 2, 4, 6, 8 |
| 00 3D | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 3E | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 3F | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+----------------------------------------------------------------|
| 00 00 00 40 | Total Size |
+------------------------------------------------------------------------------+
* Tone Partial
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 0aaa | OSC Wave (0 - 7) |
| | | SAW, SQR, PW-SQR, TRI, SINE, |
| | | NOISE, SUPER-SAW, PCM |
| 00 01 | 00aa aaaa | OSC Wave Variation (0 - 2) |
| | | A, B, C |
| 00 02 | 0000 00aa | (reserve) <*> |
| | | |
| 00 03 | 00aa aaaa | OSC Pitch (40 - 88) |
| | | -24 - +24 |
| 00 04 | 0aaa aaaa | OSC Detune (14 - 114) |
| | | -50 - +50 |
| 00 05 | 0aaa aaaa | OSC Pulse Width Mod Depth (0 - 127) |
| 00 06 | 0aaa aaaa | OSC Pulse Width (0 - 127) |
| 00 07 | 0aaa aaaa | OSC Pitch Env Attack Time (0 - 127) |
| 00 08 | 0aaa aaaa | OSC Pitch Env Decay (0 - 127) |
| 00 09 | 0aaa aaaa | OSC Pitch Env Depth (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 0A | 0000 0aaa | FILTER Mode (0 - 4) |
| | | BYPASS, LPF, HPF, BPF, PKG |
| 00 0B | 0000 000a | FILTER Slope (0 - 1) |
| | | -12, -24 [dB] |
| 00 0C | 0aaa aaaa | FILTER Cutoff (0 - 127) |
| 00 0D | 00aa aaaa | FILTER Cutoff Keyfollow (54 - 74) |
| | | -100 - +100 |
| 00 0E | 0aaa aaaa | FILTER Env Velocity Sens (1 - 127) |
| | | -63 - +63 |
| 00 0F | 0aaa aaaa | FILTER Resonance (0 - 127) |
| 00 10 | 0aaa aaaa | FILTER Env Attack Time (0 - 127) |
| 00 11 | 0aaa aaaa | FILTER Env Decay Time (0 - 127) |
| 00 12 | 0aaa aaaa | FILTER Env Sustain Level (0 - 127) |
| 00 13 | 0aaa aaaa | FILTER Env Release Time (0 - 127) |
| 00 14 | 0aaa aaaa | FILTER Env Depth (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 15 | 0aaa aaaa | AMP Level (0 - 127) |
| 00 16 | 0aaa aaaa | AMP Level Velocity Sens (1 - 127) |
| | | -63 - +63 |
| 00 17 | 0aaa aaaa | AMP Env Attack Time (0 - 127) |
| 00 18 | 0aaa aaaa | AMP Env Decay Time (0 - 127) |
| 00 19 | 0aaa aaaa | AMP Env Sustain Level (0 - 127) |
| 00 1A | 0aaa aaaa | AMP Env Release Time (0 - 127) |
| 00 1B | 0aaa aaaa | AMP Pan (0 - 127) |
| | | L64 - 63R |
|-------------+-----------+----------------------------------------------------|
| 00 1C | 0000 0aaa | LFO Shape (0 - 5) |
| | | TRI, SIN, SAW, SQR, S&H, RND |
| 00 1D | 0aaa aaaa | LFO Rate (0 - 127) |
| 00 1E | 0000 000a | LFO Tempo Sync Switch (0 - 1) |
| | | OFF, ON |
| 00 1F | 000a aaaa | LFO Tempo Sync Note (0 - 19) |
| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |
| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |
| | | 1/12, 1/16, 1/24, 1/32 |
| 00 20 | 0aaa aaaa | LFO Fade Time (0 - 127) |
| 00 21 | 0000 000a | LFO Key Trigger (0 - 1) |
| | | OFF, ON |
| 00 22 | 0aaa aaaa | LFO Pitch Depth (1 - 127) |
| | | -63 - +63 |
| 00 23 | 0aaa aaaa | LFO FILTER Depth (1 - 127) |
| | | -63 - +63 |
| 00 24 | 0aaa aaaa | LFO AMP Depth (1 - 127) |
| | | -63 - +63 |
| 00 25 | 0aaa aaaa | LFO Pan Depth (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 26 | 0000 0aaa | Modulation LFO Shape (0 - 5) |
| | | TRI, SIN, SAW, SQR, S&H, RND |
| 00 27 | 0aaa aaaa | Modulation LFO Rate (0 - 127) |
| 00 28 | 0000 000a | Modulation LFO Tempo Sync Switch (0 - 1) |
| | | OFF, ON |
| 00 29 | 000a aaaa | Modulation LFO Tempo Sync Note (0 - 19) |
| | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2, |
| | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, |
| | | 1/12, 1/16, 1/24, 1/32 |
| 00 2A | 0aaa aaaa | OSC Pulse Width Shift (0 - 127) |
| 00 2B | 0000 000a | (reserve) <*> |
| | | |
| 00 2C | 0aaa aaaa | Modulation LFO Pitch Depth (1 - 127) |
| | | -63 - +63 |
| 00 2D | 0aaa aaaa | Modulation LFO FILTER Depth (1 - 127) |
| | | -63 - +63 |
| 00 2E | 0aaa aaaa | Modulation LFO AMP Depth (1 - 127) |
| | | -63 - +63 |
| 00 2F | 0aaa aaaa | Modulation LFO Pan Depth (1 - 127) |
| | | -63 - +63 |
|-------------+-----------+----------------------------------------------------|
| 00 30 | 0aaa aaaa | Cutoff Aftertouch Sens (1 - 127) |
| | | -63 - +63 |
| 00 31 | 0aaa aaaa | Level Aftertouch Sens (1 - 127) |
| | | -63 - +63 |
| 00 32 | 0aaa aaaa | (reserve) <*> |
| | | |
| 00 33 | 0aaa aaaa | (reserve) <*> |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 34 | 0000 00aa | Wave Gain (0 - 3) |
| | | -6, 0, +6, +12 [dB] |
|# 00 35 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Wave Number (0 - 16384) |
| | | OFF, 1 - 16384 |
| 00 39 | 0aaa aaaa | HPF Cutoff (0 - 127) |
23
Page 24
MIDI Implementation
| 00 3A | 0aaa aaaa | Super Saw Detune (0 - 127) |
| 00 3B | 0aaa aaaa | Modulation LFO Rate Control (1 - 127) |
| | | -63 - +63 |
| 00 3C | 000a aaaa | AMP Level Keyfollow (54 - 74) |
| | | -100 - +100 |
|-------------+----------------------------------------------------------------|
| 00 00 00 3D | Total Size |
+------------------------------------------------------------------------------+
4. Supplementary Material
Decimal and Hexadecimal Table
(An “H” is appended to the end of numbers in hexadecimal notation.)
In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc.
are expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
+------+------++------+------++------+------++------+------+
| D | H || D | H || D | H || D | H |
+------+------++------+------++------+------++------+------+
| 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H |
| 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H |
| 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H |
| 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H |
| 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H |
| 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H |
| 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H |
| 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H |
| 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H |
| 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H |
| 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH |
| 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH |
| 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH |
| 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH |
| 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH |
| 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH |
| 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H |
| 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H |
| 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H |
| 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H |
| 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H |
| 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H |
| 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H |
| 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H |
| 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H |
| 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H |
| 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH |
| 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH |
| 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH |
| 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH |
| 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH |
| 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH |
+------+------++------+------++------+------++------+------+
D: decimal
H: hexadecimal
* Decimal values such as MIDI channel, bank select, and program change are listed as
one greater than the values given in the above table.
* A 7-bit byte can express data in the range of 128 steps. For data where greater
precision is required, we must use two or more bytes. For example, two
hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of
aa x 128+bb.
* In the case of values which have a ± sign, 00H = -64, 40H = ±0, and 7FH = +63, so
that the decimal expression would be 64 less than the value given in the above
chart. In the case of two types, 00 00H = -8192, 40 00H = ±0, and 7F 7FH = +8191.
For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H =
aa x 128+bb - 64 x 128.
* Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value
expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.
<Example1> What is the decimal expression of 5AH?
From the preceding table, 5AH = 90
<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128+52 = 2356
<Example3> What is the decimal expression of the nibbled value 0A 03 09 0D?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16+3) x 16+9) x 16+13 = 41885
<Example4> What is the nibbled expression of the decimal value 1258?
16 ) 1258
16 ) 78 ...10
16 ) 4 ...14
0 ... 4
24
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00
04 0E 0AH.
Page 25
MIDI Implementation
Examples of Actual MIDI Messages
<Example1> 92 3E 5F
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62,
and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note
name is D4), and velocity 95.
<Example2> CE 49
CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14
and 49H = 73, this is a Program Change message with MIDI CH = 15, program number
74.
<Example3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte
(00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a
signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is
28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch
to change -200 cents, so in this case -200 x (-3072) ? (-8192) = -75 cents of Pitch Bend
is being applied to MIDI channel 11.
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control
Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case
in which two or more messages consecutive messages have the same status, MIDI
has a provision called “running status” which allows the status byte of the second
and following messages to be omitted. Thus, the above messages have the following
meaning.
Example of an Exclusive Message and
Calculating a Checksum
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end
(before F7) to make sure that the message was correctly received. The value of
the checksum is determined by the address and data (or size) of the transmitted
Exclusive message.
How to calculate the checksum
(hexadecimal numbers are indicated by “H”)
The checksum is a value derived by adding the address, size, and checksum itself and
inverting the lower 7 bits.
Here’s an example of how the checksum is calculated. We will assume that in the
Exclusive message we are transmitting, the address is aabbccddH and the data or size
is eeH.
aa + bb + cc + dd + ee + = sum
sum ? 128 = quotient ... remainder
128 - remainder = checksum
<Example> Setting REVERB TYPE of UPPER LIVE SET to SRV REVERB (DT1)
According to the Parameter Address Map (p. 11), the start address of Temporary Live
Set is 10 00 00 00H, the oset address of REVERB at UPPER LIVE SET is 06 00H, and the
address of REVERB TYPE is 00 00H. Therefore the address of REVERB TYPE of UPPER
LIVE SET is;
10 00 00 00H
06 00H
+) 00 00H
10 00 06 00H
B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H
(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH
(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH
In other words, the above messages specify a value of 0C 00H for RPN parameter
number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F
7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value
indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend
range to ±12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend
Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so
that operation will be correct on any device.)
Once the parameter number has been specied for RPN or NRPN, all Data Entry
messages transmitted on that same channel will be valid, so after the desired value
has been transmitted, it is a good idea to set the parameter number to 7F 7FH to
prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end.
It is not desirable for performance data (such as Standard MIDI File data) to contain
many events with running status as given in <Example 4>. This is because if playback
is halted during the song and then rewound or fast-forwarded, the sequencer
may not be able to transmit the correct status, and the sound generator will then
misinterpret the data. Take care to give each event its own status.
It is also necessary that the RPN or NRPN parameter number setting and the value
setting be done in the proper order. On some sequencers, events occurring in the
same (or consecutive) clock may be transmitted in an order dierent than the order
in which they were received. For this reason it is a good idea to slightly skew the time
of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).
SRV REVERB has the value of 02H.
So the system exclusive message should be sent is;
F0 41 10 00 00 55 12 10 00 06 00 02 ?? F7
(1) (2) (3) (4) (5) address data checksum (6)
(1) ExclusiveStatus (2) ID (Roland) (3) Device ID (17)
(4) Model ID (JUPITER-80) (5) Command ID (DT1) (6) End of Exclusive
Then calculate the checksum.
10H + 00H + 06H + 00H + 02H = 16 + 0 + 6 + 0 + 2 = 24 (sum)
24 (sum) ? 128 = 0 (quotient) ... 24 (remainder)
checksum = 128 - 24 (remainder) = 104 = 68H
This means that F0 41 10 00 00 55 12 10 00 06 00 02 68 F7 is the message should be
sent.
* TPQN: Ticks Per Quarter Note
25
Page 26
MIDI Implementation
ASCII Code Table
Live Set Name, etc., of MIDI data are described the ASCII code in the table below.
+------+------+------++------+------+------++------+------+------+
| D | H | Char || D | H | Char || D | H | Char |
+------+------+------++------+------+------++------+------+------+
| 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` |
| 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a |
| 34 | 22H | “ || 66 | 42H | B || 98 | 62H | b |
| 35 | 23H | # || 67 | 43H | C || 99 | 63H | c |
| 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d |
| 37 | 25H | % || 69 | 45H | E || 101 | 65H | e |
| 38 | 26H | & || 70 | 46H | F || 102 | 66H | f |
| 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g |
| 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h |
| 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i |
| 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j |
| 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k |
| 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l |
| 45 | 2DH | - || 77 | 4DH | M || 109 | 6DH | m |
| 46 | 2EH | . || 78 | 4EH | N || 110 | 6EH | n |
| 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o |
| 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p |
| 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q |
| 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r |
| 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s |
| 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t |
| 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u |
| 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v |
| 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w |
| 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x |
| 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y |
| 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z |
| 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { |
| 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | |
| 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } |
| 62 | 3EH | > || 94 | 5EH | ^ ||------+------+------+
| 63 | 3FH | ? || 95 | 5FH | _ |
+------+------+------++------+------+------+
D: decimal
H: hexadecimal
* ”SP” is space.
SuperNATURAL Acoustic (SOLO/PERC
Parts) Bank Select and Program Change
Correspondence Chart
+----------+------------------+------------------+------------+
| Number | Tone Name | Bank Select | Program |
| | | MSB | LSB | Number |
+----------+------------------+--------+---------+------------+
| 0001 | Concert Grand | 90 | 67 | 1 |
| 0002 | Grand Piano1 | 90 | 67 | 2 |
| 0003 | Grand Piano2 | 90 | 67 | 3 |
| 0004 | Grand Piano3 | 90 | 67 | 4 |
| 0005 | Mellow Piano | 90 | 67 | 5 |
| 0006 | Bright Piano | 90 | 67 | 6 |
| 0007 | Upright Piano | 90 | 67 | 7 |
| 0008 | Concert Mono | 90 | 67 | 8 |
| 0009 | Honky-tonk | 90 | 67 | 9 |
| 0010 | Pure Vintage EP1 | 89 | 64 | 5 |
| 0011 | Pure Vintage EP2 | 89 | 65 | 5 |
| 0012 | Pure Wurly | 89 | 66 | 5 |
| 0013 | Pure Vintage EP3 | 89 | 67 | 5 |
| 0014 | Tined EP1 | 89 | 68 | 5 |
| 0015 | Tined EP2 | 89 | 69 | 5 |
| 0016 | Old Hammer EP | 89 | 70 | 5 |
| 0017 | Dyno Piano | 89 | 71 | 5 |
| 0018 | Clav CB Flat | 89 | 64 | 8 |
| 0019 | Clav CA Flat | 89 | 65 | 8 |
| 0020 | Clav CB Medium | 89 | 66 | 8 |
| 0021 | Clav CA Medium | 89 | 67 | 8 |
| 0022 | Clav CB Brillia | 89 | 68 | 8 |
| 0023 | Clav CA Brillia | 89 | 69 | 8 |
| 0024 | Clav CB Combo | 89 | 70 | 8 |
| 0025 | Clav CA Combo | 89 | 71 | 8 |
| 0026 | Vibraphone | 89 | 64 | 12 |
| 0027 | Marimba | 89 | 64 | 13 |
| 0029 | French Accordion | 89 | 64 | 22 |
| 0030 | ItalianAccordion | 89 | 65 | 22 |
| 0031 | Harmonica | 89 | 64 | 23 |
| 0032 | Bandoneon | 89 | 64 | 24 |
| 0033 | Nylon Guitar | 89 | 64 | 25 |
| 0034 | Flamenco Guitar | 89 | 65 | 25 |
| 0035 | SteelStr Guitar | 89 | 64 | 26 |
| 0036 | Acoustic Bass | 89 | 64 | 33 |
| 0037 | Fingered Bass | 89 | 64 | 34 |
| 0038 | Fingered Bass 2 | 89 | 65 | 34 |
| 0039 | Picked Bass | 89 | 64 | 35 |
| 0040 | Picked Bass 2 | 89 | 65 | 35 |
| 0041 | Fretless Bass | 89 | 64 | 36 |
| 0042 | Violin | 89 | 64 | 41 |
| 0043 | Violin 2 | 89 | 65 | 41 |
| 0044 | Viola | 89 | 64 | 42 |
| 0045 | Cello | 89 | 64 | 43 |
| 0046 | Cello 2 | 89 | 65 | 43 |
| 0047 | Contrabass | 89 | 64 | 44 |
26
| 0048 | Harp | 89 | 64 | 47 |
| 0049 | Timpani | 89 | 64 | 48 |
| 0050 | Strings | 89 | 64 | 49 |
| 0051 | Trumpet | 89 | 64 | 57 |
| 0052 | Flugel Horn | 89 | 66 | 57 |
| 0053 | Trombone | 89 | 64 | 58 |
| 0054 | Trombone 2 | 89 | 65 | 58 |
| 0055 | Bass Trombone | 89 | 66 | 58 |
| 0056 | Mute Trumpet | 89 | 64 | 60 |
| 0057 | French Horn | 89 | 64 | 61 |
| 0058 | Soprano Sax | 89 | 64 | 65 |
| 0059 | Alto Sax | 89 | 64 | 66 |
| 0060 | Tenor Sax | 89 | 64 | 67 |
| 0061 | Baritone Sax | 89 | 64 | 68 |
| 0062 | Oboe | 89 | 64 | 69 |
| 0063 | English Horn | 89 | 64 | 70 |
| 0064 | Bassoon | 89 | 64 | 71 |
| 0065 | Clarinet | 89 | 64 | 72 |
| 0066 | Bass Clarinet | 89 | 65 | 72 |
| 0067 | Piccolo | 89 | 64 | 73 |
| 0068 | Flute | 89 | 64 | 74 |
| 0069 | Flute 2 | 89 | 65 | 74 |
| 0070 | Pan Flute | 89 | 64 | 76 |
| 0071 | Shakuhachi | 89 | 64 | 78 |
| 0072 | Ryuteki | 89 | 65 | 78 |
| 0073 | Sitar | 89 | 64 | 105 |
| 0074 | Uilleann Pipes | 89 | 64 | 110 |
| 0075 | Erhu | 89 | 65 | 111 |
| 0076 | Sarangi | 89 | 66 | 111 |
| 0077 | Steel Drums | 89 | 64 | 115 |
| 0078 | APS Vibraphone | 89 | 80 | 12 |
| 0079 | APS Marimba | 89 | 80 | 13 |
| 0080 | APS Accordion | 89 | 80 | 22 |
| 0081 | APS Harmonica | 89 | 80 | 23 |
| 0082 | APS Bandoneon | 89 | 80 | 24 |
| 0083 | APS Nylon Guitar | 89 | 80 | 25 |
| 0084 | APS SteelStr Gt. | 89 | 80 | 26 |
| 0085 | APS Acoustic Bs. | 89 | 80 | 33 |
| 0086 | APS Fingered Bs. | 89 | 80 | 34 |
| 0087 | APS Picked Bass | 89 | 80 | 35 |
| 0088 | APS Fretless Bs. | 89 | 80 | 36 |
| 0089 | APS Violin | 89 | 80 | 41 |
| 0090 | APS Viola | 89 | 80 | 42 |
| 0091 | APS Cello | 89 | 80 | 43 |
| 0092 | APS Contrabass | 89 | 80 | 44 |
| 0093 | APS Harp | 89 | 80 | 47 |
| 0094 | APS Timpani | 89 | 80 | 48 |
| 0095 | APS Strings | 89 | 80 | 49 |
| 0096 | APS Trumpet | 89 | 80 | 57 |
| 0097 | APS Trombone | 89 | 80 | 58 |
| 0098 | APS Mute Trumpet | 89 | 80 | 60 |
| 0099 | APS French Horn | 89 | 80 | 61 |
| 0100 | APS Soprano Sax | 89 | 80 | 65 |
| 0101 | APS Alto Sax | 89 | 80 | 66 |
| 0102 | APS Tenor Sax | 89 | 80 | 67 |
| 0103 | APS Baritone Sax | 89 | 80 | 68 |
| 0104 | APS Oboe | 89 | 80 | 69 |
| 0105 | APS English Horn | 89 | 80 | 70 |
| 0106 | APS Bassoon | 89 | 80 | 71 |
| 0107 | APS Clarinet | 89 | 80 | 72 |
| 0108 | APS Piccolo | 89 | 80 | 73 |
| 0109 | APS Flute | 89 | 80 | 74 |
| 0110 | APS Pan Flute | 89 | 80 | 76 |
| 0111 | APS Shakuhachi | 89 | 80 | 78 |
| 0112 | APS Ryuteki | 89 | 81 | 78 |
| 0113 | APS Sitar | 89 | 80 | 105 |
| 0114 | APS UilleannPipe | 89 | 80 | 110 |
| 0115 | APS Erhu | 89 | 81 | 111 |
| 0116 | APS Sarangi | 89 | 82 | 111 |
| 0117 | APS Steel Drums | 89 | 80 | 115 |
+----------+------------------+--------+---------+------------+
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