Roland JUPITER-80 User Manual
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
Owner’s Manual
How to obtain a PDF of the owner’s manual
PDF les of the owner’s manual and supplementary material for this product can be obtained from the
Roland website.
• JUPITER-80 Owner’s Manual (this document)
• Parameter List *
• MIDI Implementation *
* These are not included with the product; you may download them as necessary.
Visit the following URL, choose “owner’s manuals,” and search for the model name “JUPITER-80.”
http://www.roland.com/support/en/
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING
THE UNIT SAFELY” (Owner’s Manual p. 4), and “IMPORTANT NOTES” (Owner’s Manual p. 5). These sections provide important
information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good
grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved
and kept on hand as a convenient reference.
Copyright © 2011 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND
CORPORATION.
Roland, COSM, and SuperNATURAL are either registered trademarks or trademarks of
Roland Corporation in the United States and/or other countries.
USING THE UNIT SAFETY
About WARNING and CAUTION Notices
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
ALWAYS OBSERVE THE FOLLOWING
WARNING
Connect mains plug of this model to a
mains socket outlet with a protective
earthing connection.
Do not open or perform any internal
modications on the unit.
Do not attempt to repair the unit, or
replace parts within it (except when this
manual provides specic instructions
directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the “Information” page.
Never install the unit in any of the
following locations.
• Subject to temperature extremes
(e.g., direct sunlight in an enclosed
vehicle, near a heating duct, on top of
heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet
oors); or are
• Exposed to steam or smoke; or are
• Subject to salt exposure; or are
• Humid; or are
• Exposed to rain; or are
• Dusty or sandy; or are
• Subject to high levels of vibration and
shakiness.
This unit should be used only with a stand
that is recommended by Roland.
When using the unit with a stand
recommended by Roland, the stand must
be carefully placed so it is level and sure
to remain stable. If not using a stand, you
still need to make sure that any location
you choose for placing the unit provides a
level surface that will properly support the
unit, and keep it from wobbling.
The unit should be connected to a power
supply only of the type described as
marked on the rear side of unit.
Use only the attached power-supply cord.
Also, the supplied power cord must not be
used with any other device.
Do not excessively twist or bend the
power cord, nor place heavy objects on it.
Doing so can damage the cord, producing
severed elements and short circuits.
Damaged cords are re and shock hazards!
This unit, either alone or in combination
with an amplier and headphones or
speakers, may be capable of producing
sound levels that could cause permanent
hearing loss. Do not operate for a long
period of time at a high volume level, or
at a level that is uncomfortable. If you
experience any hearing loss or ringing
in the ears, you should immediately stop
using the unit, and consult an audiologist.
Never allow foreign objects (e.g.,
ammable objects, coins, wires) or liquids
(e.g., water or juice) to enter this product.
Doing so may cause short circuits, faulty
operation, or other malfunctions.
About the Symbols
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
WARNING
WARNING
Immediately turn the power o, remove
the power cord from the outlet, and
request servicing by your retailer, the
nearest Roland Service Center, or an
authorized Roland distributor, as listed on
the “Information” page when:
• The power-supply cord or the plug has
been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has
been spilled onto the unit; or
• The unit has been exposed to rain (or
otherwise has become wet); or
• The unit does not appear to operate
normally or exhibits a marked change in
performance.
In households with small children, an
adult should provide supervision until the
child is capable of following all the rules
essential for the safe operation of the unit.
Protect the unit from strong impact.
(Do not drop it!)
Do not force the unit’s power-supply cord
to share an outlet with an unreasonable
number of other devices. Be especially
careful when using extension cords—the
total power used by all devices you have
connected to the extension cord’s outlet
must never exceed the power rating
(watts/amperes) for the extension cord.
Excessive loads can cause the insulation
on the cord to heat up and eventually
melt through.
Before using the unit in a foreign country,
consult with your retailer, the nearest
Roland Service Center, or an authorized
Roland distributor, as listed on the
“Information” page.
4
IMPORTANT NOTES
WARNING
DO NOT play a CD-ROM disc on a
conventional audio CD player. The resulting sound may be of a level that could
cause permanent hearing loss. Damage
to speakers or other system components
may result.
CAUTION
The unit should be located so that its
location or position does not interfere
with its proper ventilation.
This JUPITER-80 for use only with Roland
stand KS-J8, KS-G8, and KS-18Z. Use with
other stands is capable of resulting in
instability causing possible injury.
Even if you observe the cautions given
in the owner’s manual, certain types of
handling may allow this product to fall
from the stand, or cause the stand to
overturn. Please be mindful of any safety
issues before using this product.
Always grasp only the plug on the
power-supply cord when plugging into, or
unplugging from, an outlet or this unit.
At regular intervals, you should unplug
the power plug and clean it by using
a dry cloth to wipe all dust and other
accumulations away from its prongs.
Also, disconnect the power plug from
the power outlet whenever the unit is to
remain unused for an extended period of
time. Any accumulation of dust between
the power plug and the power outlet can
result in poor insulation and lead to re.
Try to prevent cords and cables from
becoming entangled. Also, all cords and
cables should be placed so they are out of
the reach of children.
CAUTION
Never climb on top of, nor place heavy
objects on the unit.
Never handle the power cord or its plugs
with wet hands when plugging into, or
unplugging from, an outlet or this unit.
Before moving the unit, disconnect the
power plug from the outlet, and pull out
all cords from external devices.
Before cleaning the unit, turn o the
power and unplug the power cord from
the outlet (p. 20).
Whenever you suspect the possibility of
lightning in your area, pull the plug on the
power cord out of the outlet.
To prevent accidental ingestion of the
parts listed below, always keep them out
of the reach of small children.
• Removable Parts
Screw for USB memory protector (p. 78)
Introduction Playing Sounds Editing Sounds
IMPORTANT NOTES
Power Supply
• Do not connect this unit to same electrical outlet
that is being used by an electrical appliance that
is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is
used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet,
connect a power supply noise lter between this
unit and the electrical outlet.
• Before connecting this unit to other devices, turn
o the power to all units. This will help prevent
malfunctions and/or damage to speakers or other
devices.
• Although the LCD and LEDs are switched o
when the POWER switch is switched o, this does
not mean that the unit has been completely
disconnected from the source of power. If you need
to turn o the power completely, rst turn o the
POWER switch, then unplug the power cord from
the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug
should be one that is within easy reach and readily
accessible.
Placement
• Using the unit near power ampliers (or other
equipment containing large power transformers)
may induce hum. To alleviate the problem, change
the orientation of this unit; or move it farther away
from the source of interference.
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of
such receivers.
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the
vicinity of this unit. Such noise could occur when
receiving or initiating a call, or while conversing.
Should you experience such problems, you should
relocate such wireless devices so they are at a
greater distance from this unit, or switch them o.
• Do not expose the unit to direct sunlight, place
it near devices that radiate heat, leave it inside
an enclosed vehicle, or otherwise subject it to
temperature extremes. Excessive heat can deform
or discolor the unit.
• When moved from one location to another where
the temperature and/or humidity is very dierent,
water droplets (condensation) may form inside
the unit. Damage or malfunction may result if you
attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand
for several hours, until the condensation has
completely evaporated.
• Do not allow objects to remain on top of the
keyboard. This can be the cause of malfunction,
such as keys ceasing to produce sound.
• Depending on the material and temperature of the
surface on which you place the unit, its rubber feet
may discolor or mar the surface.
You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If you
do so, please make sure that the unit will not slip or
move accidentally.
• Do not put anything that contains water on this
unit. Also, avoid the use of insecticides, perfumes,
alcohol, nail polish, spray cans, etc., near the unit.
Swiftly wipe away any liquid that spills on the unit
using a dry, soft cloth.
Maintenance
• For everyday cleaning wipe the unit with a soft,
dry cloth or one that has been slightly dampened
with water. To remove stubborn dirt, use a cloth
impregnated with a mild, non-abrasive detergent.
Afterwards, be sure to wipe the unit thoroughly
with a soft, dry cloth.
• Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
Repairs and Data
• Please be aware that all data contained in the
unit’s memory may be lost when the unit is sent for
repairs. Important data should always be backed up
USB ash drives, or written down on paper (when
possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such
as when circuitry related to memory itself is out
of order), we regret that it may not be possible to
restore the data, and Roland assumes no liability
concerning such loss of data.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
5
IMPORTANT NOTES
Additional Precautions
• Please be aware that the contents of memory can
be irretrievably lost as a result of a malfunction,
or the improper operation of the unit. To protect
yourself against the risk of loosing important data,
we recommend that you periodically save a backup
copy of important data you have stored in the unit’s
memory on USB ash drives.
• Unfortunately, it may be impossible to restore
the contents of data that was stored in the unit’s
memory and USB ash drives once it has been lost.
Roland Corporation assumes no liability concerning
such loss of data.
• Use a reasonable amount of care when using the
unit’s buttons, sliders, or other controls; and when
using its jacks and connectors. Rough handling can
lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting / disconnecting all cables, grasp
the connector itself—never pull on the cable. This
way you will avoid causing shorts, or damage to the
cable’s internal elements.
• A small amount of heat will radiate from the unit
during normal operation.
• To avoid disturbing your neighbors, try to keep
the unit’s volume at reasonable levels. You may
prefer to use headphones, so you do not need to be
concerned about those around you.
• When you need to transport the unit, package it
in the box (including padding) that it came in, if
possible. Otherwise, you will need to use equivalent
packaging materials.
• Use only the specied expression pedal (EV-5; sold
separately). By connecting any other expression
pedals, you risk causing malfunction and/or
damage to the unit.
• Some connection cables contain resistors. Do not
use cables that incorporate resistors for connecting
to this unit. The use of such cables can cause the
sound level to be extremely low, or impossible
to hear. For information on cable specications,
contact the manufacturer of the cable.
• The usable range of D Beam controller will become
extremely small when used under strong direct
sunlight. Please be aware of this when using the D
Beam controller outside.
• The sensitivity of the D Beam controller will change
depending on the amount of light in the vicinity of
the unit. If it does not function as you expect, adjust
the sensitivity as appropriate for the brightness of
your location (p. 84).
Handling External Memories
• Carefully insert the USB ash drives all the way
in—until it is rmly in place.
• USB ash drives are constructed using precision
components; handle the cards carefully, paying
particular note to the following.
• To prevent damage to the cards from static
electricity, be sure to discharge any static
electricity from your own body before
handling the cards.
• Do not touch or allow metal to come into
contact with the contact portion of the cards.
• Do not bend, drop, or subject cards to strong
shock or vibration.
• Do not keep cards in direct sunlight, in closed
vehicles, or other such locations.
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
Handling CDs / DVDs
• Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty
DVD discs may not be read properly. Keep your
discs clean using a commercially available DVD
cleaner.
Copyrights
• Recording, duplication, distribution, sale, lease,
performance, or broadcast of copyrighted material
(musical works, visual works, broadcasts, live
performances, etc.) belonging to a third party in
part or in whole without the permission of the
copyright owner is forbidden by law.
• Do not use this product for purposes that could
infringe on a copyright held by a third party. We
assume no responsibility whatsoever with regard to
any infringements of third-party copyrights arising
through your use of this product.
• The copyright of content in this product (the
sound waveform data, style data, accompaniment
patterns, phrase data, audio loops and image data)
is reserved by Roland Corporation and/or Atelier
Vision Corporation.
• Purchasers of this product are permitted to utilize
said content for the creating, performing, recording
and distributing original musical works.
• Purchasers of this product are NOT permitted to
extract said content in original or modied form,
for the purpose of distributing recorded medium
of said content or making them available on a
computer network.
Licenses / Trademarks
• MMP (Moore Microprocessor Portfolio) refers to a
patent portfolio concerned with microprocessor
architecture, which was developed by Technology
Properties Limited (TPL). Roland has licensed this
technology from the TPL Group.
• MPEG Layer-3 audio compression technology
is licensed from Fraunhofer IIS Corporation and
THOMSON Multimedia Corporation.
• MatrixQuest™ 2010 TEPCO UQUEST, LTD. All rights
reserved.
• Company names and product names appearing
in this document are registered trademarks or
trademarks of their respective owners.
• Never touch the terminals of the USB ash drives.
Also, avoid getting the terminals dirty.
6
• “JUPITER” is a registered trademark of and is
licensed by K.H.S. MUSICAL INSTRUMENT CO. LTD.
in the United States and other countries.
• Cakewalk is a registered trademark of Cakewalk,
Inc. in the United States.
• SONAR is a trademark of Cakewalk, Inc.
Contents
USING THE UNIT SAFETY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Introduction 9
Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Getting Acquainted with the JUPITER-80 . . . . . . . . . . . . . . . . . . . . . . . . .12
How the Sound Generator is Organized . . . . . . . . . . . . . . . . . . . . . . . . .12
Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Temporary Memory (the Temporary Area) . . . . . . . . . . . . . . . .16
Rewritable Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Non-rewritable Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
USB Memory Song Player/Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Audio les that can be played . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Audio les that will be saved . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Placing the JUPITER-80 on a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Basic Touch Panel Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
[SHIFT] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
[MENU] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Assigning a Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Navigating Between Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Registration screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Registration Part screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Live Set screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Live Set Eects Routing screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Synth Tone Edit (OSC/FILTER/AMP) screen . . . . . . . . . . . . . . . . . . . . . . .33
Tone Blender screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Key Range View screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
MENU screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Song screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Visual Control screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Playing Sounds 35
Selecting the Sound for Each Part (Selecting Live Sets / Tones) . . . .36
Using the Part Sound Buttons to Switch Live Sets or the Solo
Part’s Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Instantly Switching the Variation Sounds (Alternate
Button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Turning Each Part On/O and Adjusting its Volume . . . . . . . . . . . . .37
Playing Drum Sounds and Sound Eects (Percussion) . . . . . . . . . . . . .38
Playing Percussion Sounds and Voice Phrases (Manual
Percussion) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Playing Drum Sounds on the Entire Keyboard (Drums/SFX) . . . . . .38
Switching the Sounds Played by Manual Percussion or
Drums/SFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Split Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Turning Split On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
How Split and Parts are Related . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Changing the Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Switching Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Switching Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Switching Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Switching Registrations Consecutively . . . . . . . . . . . . . . . . . . . . . . . . . .42
Using the Arpeggiator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Turning the Arpeggiator On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Setting the Arpeggiator Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Holding the Arpeggio (HOLD) . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Editing the Arpeggiator Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Arpeggio Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Creating an Arpeggio Style from a MIDI File (Import) . . . . . .45
Performing With Added Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Changing the Harmony Intelligence Type . . . . . . . . . . . . . . . . . . . . . . .46
Controlling the Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Moving Your Hand to Modify the Pitch or Volume (D Beam
Controller) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation
Lever) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Using the Buttons and Knobs to Modify the Sound ([S1] [S2]
buttons / [E1]–[E4] knobs) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Using Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Sustaining the Notes (Hold Pedal) . . . . . . . . . . . . . . . . . . . . . . . .48
Adding Expression to Your Performance (Control Pedal) . . .48
Controlling the Rotary Eect and Reverb . . . . . . . . . . . . . . . . . . . . . . . . .49
Controlling the Rotary Eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Controlling Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Changing the Keyboard Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Changing the Pitch by Octaves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Transposing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Introduction Playing Sounds Editing Sounds
Other Convenient
Functions
Connecting Other
Equipment
Appendix
7
Contents
Editing Sounds 51
Editing a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Basic Operation for Registration Editing. . . . . . . . . . . . . . . . . . . . . . . . .52
Saving a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Cancelling the Save of a Registration . . . . . . . . . . . . . . . . . . . . .53
Initializing a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Editing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Basic Editing Operations for Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . .56
Changing a Live Set’s Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
Layer On/O and Volume Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . .58
Switching the MFX (Multi-eects) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
Turning MFX On/O. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Adjusting the Eect Send Levels and Eect Output Levels . . . . . . .59
Editing the MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Editing the Tones Assigned to a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . .60
Simultaneously Adjusting Multiple Live Set Parameters (Tone
Blender) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Convenient Ways to Use the Tone Blender . . . . . . . . . . . . . . . .62
Saving a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Cancelling the Save of a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . .63
Initializing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Copying a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Editing a Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Volume and On/O Settings for Each Partial . . . . . . . . . . . . . . . . . . . .67
Saving a Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Cancelling the Save of a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Initializing a SuperNATURAL Synth Tone/Partial . . . . . . . . . . . . . . . . .69
Copying a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
Other Convenient Functions 71
Using the USB Memory Song Player/Recorder . . . . . . . . . . . . . . . . . . . .72
Basic Operations in the Song Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Minimizing Sounds in the Center (Center Cancel) . . . . . . . . .73
Changing the Playback Speed or Pitch . . . . . . . . . . . . . . . . . . . .73
Adjusting the Balance of Frequency Ranges (Equalizer) . . . .73
Looping a Specic Region of Time . . . . . . . . . . . . . . . . . . . . . . . .74
Playing Audio Files Consecutively (Chain Play) . . . . . . . . . . . .74
Creating a Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Deleting an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . . .75
Renaming an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . .75
Moving an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Basic Operations in the Audio Rec Standby Screen . . . . . . . . . . . . . .77
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Audio Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
Using the Included USB Memory Protector . . . . . . . . . . . . . . . . . . . . . .78
The JUPITER-80’s System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Making System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Saving the System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
System Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
LIVE SET/TONE BUTTONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . .87
Connecting Other Equipment 89
Connecting to Your Computer via USB . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Connecting the JUPITER-80 to Your Computer . . . . . . . . . . . .90
Connecting an External MIDI Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
About MIDI Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
Using the JUPITER-80 as a Master Keyboard (External Part
Settings) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
Enabling the External Part Settings . . . . . . . . . . . . . . . . . . . . . . .91
Specifying the Transmit Channel . . . . . . . . . . . . . . . . . . . . . . . . . .92
Specifying the Sound for Each Channel . . . . . . . . . . . . . . . . . . .92
Detailed Settings for External Parts . . . . . . . . . . . . . . . . . . . . . . .92
Playing the JUPITER-80 from an External MIDI Device . . . . . . . . . . .93
Setting the Receive Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93
Setting the Program Change Receive Switch . . . . . . . . . . . . . .93
Synchronizing with an External MIDI Device . . . . . . . . . . . . . . . . . . . .94
Controlling Visuals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
What is Visual Control? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Turning Visual Control On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Visual Control Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
Appendix 97
Error Message List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99
Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Settings and Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Backing Up All Settings to a USB Flash Drive . . . . . . . . . . . . . . . . . . . .79
Restoring Backed-up Settings from a USB Flash Drive . . . . .80
Backing Up USB Flash Drive Data to a Computer . . . . . . . . . . . . . . . .80
Restoring Backed-up Data from a Computer to a USB
Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Initializing a USB Flash Drive (Format) . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Disabling the Registration Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Exchanging Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
Calibrating the Touch Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
8
Introduction
Introduction Playing Sounds Editing Sounds
Other Convenient
Functions
Connecting Other
Equipment
Appendix
Main Features
The JUPITER-80 is Roland’s agship synthesizer, delivering powerful, SuperNATURAL sounds and stunning realtime performance. It includes
numerous cutting-edge SuperNATURAL sounds generated by Behavior Modeling Technology, bringing you unprecedentedly natural and rich
expressive possibilities.
What are SuperNATURAL Tones?
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set
that achieves a new level of realism and expression that were dicult to realize with previous sound
generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
A world of new sounds possible only with SuperNATURAL
Numerous peerless and powerful SuperNATURAL sounds are built in
SuperNATURAL Acoustic Tones
The JUPITER-80 provides SuperNATURAL Acoustic Tones, which reproduce not merely the sound
of acoustic instruments, but also their performance expression.
A dedicated sound generator suitable for each tone automatically analyzes dierences in the
phrases, chords, and melodies played by the musician.
SuperNATURAL Acoustic Tones represent a completely new sound-generating technology, one
which not only reproduces the sounds of acoustic instruments, but also uses Behavior Modeling
Technology to model the way in which each instrument uniquely responds to the performance
expression of the player.
In contrast to the old method of seeking realism merely in the sound’s waveform, this is a major
advance which models the details of how the sound of each individual instrument responds to
the performer’s playing.
While previous physical modeling sound generators model the structure of an instrument
(such as the shape of its resonator, the length of the tube, and the material of the vibrating
parts), Behavior Modeling Technology additionally models the response and movement of each
specic instrument as it reacts to performance techniques such as trills, portamento, vibrato, and
dynamics.
This goes beyond mere reproduction of the sound—it makes it possible for the expressions and
movements distinctive of an instrument to be expressed on a synthesizer.
For example, the SuperNATURAL Acoustic Tone “Violin” lets you obtain—by playing the
keyboard—an expressive solo violin sound that’s so realistic, you might think a violinist is actually
playing it.
You can also use the pitch bend and modulation lever and the assignable buttons ([S1], [S2]) to
freely reproduce the richly expressive performances that are distinctive of acoustic instruments.
SuperNATURAL Synth Tones
The JUPITER-80 features SuperNATURAL Synth Tones, which realistically deliver everything from
vintage analog synths to digital synths.
The distinctive behavior of an analog synth’s oscillators and lters has been analyzed in order to
reproduce their unique sound.
“Expressions” “Operations”
Crescendo
Glissando technique
Vibrato
SuperNATURAL Synth Tone
Partial 1
OSC FILTER AMP
Partial 2
Each Synth Tone provides three sets of OSC, FILTER, AMP, and LFO, allowing powerful synthesis to
be accomplished using just a single tone. The oscillators oer not only analog waveforms based
on vintage synths, but also give you a choice of PCM waveforms containing distinctive digital
synth sounds. Full-screen graphics allow you to intuitively create any type of synth sound, from
analog to digital.
10
OSC FILTER AMP
Partial 3
OSC FILTER AMP
Main Features
Powerful Live Sets with SuperNATURAL x 4
The JUPITER-80 can handle up to four SuperNATURAL tones layered as a “Live Set,” letting you
perform with awesome and richly expressive sounds.
In addition, you can assign Live Sets to the Upper and Lower Parts to create splits and layers,
making it easy to construct rich-sounding stacks that were dicult to obtain on a single
conventional synthesizer.
Four-part Registrations for Extensive Performance Potential
In addition to the Upper Part and Lower Part that are the core of your performance, the
JUPITER-80 provides a Solo Part that lets you play a melody or solo on the top note, and a
Percussion Part that spices up your performance.
All of these together can be instantly called up by pressing a Registration button.
Powerful Sound with a Full Selection of Eects
A Live Set contains four multi-eects (MFX) processors in parallel, each giving you a choice of 76
types of eects that range from standard sounds to eects that powerfully transform your sound.
In addition to this, the Live Set also provides a reverb processor.
By using the Upper Part and Lower Part simultaneously, you can create powerful sounds that use
up to eight eects and two reverbs simultaneously.
The Solo Part and the Percussion Part also have their own independent compressor, EQ, and delay,
and both the Solo Part and Percussion Part also each have their own reverb.
Live Set
Layer 1
Layer 2
Layer 3
Layer 4
Registration (Part)
Upper
Lower
Solo
Percussion
Upper Part
Lower Part
MFX 1
MFX 2
MFX 3
SuperNATURAL Tone
SuperNATURAL Tone
SuperNATURAL Tone
SuperNATURAL Tone
Introduction Playing Sounds Editing Sounds
SuperNATURAL Tone x 4
SuperNATURAL Tone x 4
SuperNATURAL Tone x 4
SuperNATURAL Tone x 4
or
Tone (Perc) x1
Reverb
Tone Blender
A Live Set features the new Tone Blender function, which lets you simultaneously control multiple
parameters such as the level, pan, cuto, and MFX send for each of the four tones.
By using a knob or the D Beam to simultaneously control multiple parameters of four tones in the
Live Set, you can easily generate powerful sonic transformations that were impossible on previous
synthesizers (p. 61).
Controllers Optimized for Live Performance
A color-coded panel layout and full-color TFT touch screen (pressure sensitive) ensure that the
status of the sound is instantly comprehensible.
Dedicated buttons are provided for instant access to the functions you need, guaranteeing
intuitive operation during your live performances. In addition, the JUPITER-80 provides four sliders
with LED meters that allow you to directly adjust each Part’s volume at any time, a modulation
lever for expressive dynamics, [S1] and [S2] buttons for switching between performance
techniques, and a D Beam controller for additional performance possibilities—all focused on
realtime playability.
Sturdy Body and a 76-note Weighted Keyboard
The keyboard is the most important factor in your performance, and the JUPITER-80 provides a
weighted 76-note keyboard that gives you superb playing feel for condent performances on
stage.
Coupled with the sturdy aluminum-paneled body, this is a keyboard that expressively responds to
every nuance of your playing.
MFX 4
Other Convenient
Functions
Connecting Other
Equipment
Appendix
USB Audio Player/Recorder
USB MIDI/AUDIO Support
The built-in Audio Recorder provides a great way to capture your phrases and inspirations on a
USB ash drive as audio les (WAV). Of course, audio les (WAV, AIFF, MP3) can also be played back
from your USB ash drive, allowing you to use them as backing tracks for your performance.
The JUPITER-80 also provides a USB MIDI/AUDIO connection to your computer. Even when you’re
in your production studio, you’ll enjoy the same familiar setup as when performing live.
11
Getting Acquainted with the JUPITER-80
How the Sound Generator is Organized
The sound generator is organized into units of sounds called “Registrations,” “Live Sets,” and “tones.”
The JUPITER-80’s sound generator
Registration
Solo Part
Tone
Upper Part
Live Set
Tone 1
Tone 2
Tone 3
Tone 4
Lower Part
Live Set
Tone 1
Tone 2
Tone 3
Equalizer
MFX 1
MFX 2
MFX 3
MFX 4
MFX 1
MFX 2
MFX 3
Delay
Reverb
Reverb
Audio data ow Performance data ow
ReverbComp
MASTER
EQ
Harmony
Intelligence
Arpeggio
Tone 4
Percussion Part
Tone 4
Comp
MFX 4
Equalizer
Delay
What is a Tone?
Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL
sounds. “SuperNATURAL Acoustic Tones” not only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way
that’s appropriate for each dierent tone—the dierences between the phrases, chords, and melodies played by the performer, and deliver the
responsiveness that is characteristic of that specic acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the
highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.
“SuperNATURAL Synth Tones” can be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth
Tone contains three sets of oscillator, lter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog
waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly innite range of synth sounds.
What is a Live Set?
In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.
Up to four tones can be layered to create impressive and richly expressive sounds.
Such a combination can be saved as a “Live Set,” and a dierent Live Set can be used for the Upper Part and the Lower Part.
By layering two Live Sets, you can easily create thick, stacked sounds that would have been dicult to create on any previous PCM synthesizer.
The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.
What is a Registration?
The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can
be saved as a single “Registration.”
A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you
need for live performance or studio recording.
12
Getting Acquainted with the JUPITER-80
Tones
The “tone” is the smallest unit of sound that is managed on the JUPITER-80.
There are four types of tones, as shown in the table below. These tones are the elements that make up Registrations (p. 15) and Live Sets (p. 14).
Type Explanation
SuperNATURAL Acoustic Tone
SuperNATURAL Synth Tone
Partial 1
OSC FILTER AMP
Partial 2
OSC FILTER AMP
Partial 3
OSC FILTER AMP
These are acoustic-type SuperNATURAL sounds.
Many realistic sounds using Behavior Modeling Technology are provided.
You can also use the Live Set Tone Modify screen (p. 32, p. 78) to adjust certain parameters that have been selected
as most appropriate for each sound.
These tones can be assigned to a Live Set (Upper Part, Lower Part), to the Solo Part, or to the Percussion Part.
These are synthesizer-type SuperNATURAL sounds.
These tones allow you to freely create original sounds, as on an analog synthesizer (p. 66).
One tone can produce the sound of three synthesizers, each with an oscillator (OSC), lter (FILTER), and
amplier (AMP).
The oscillator (OSC) provides not only the waveforms of a standard analog synthesizer, but also PCM
waveforms.
You can save 2,048 tones you’ve edited (p. 68).
These tones can be assigned to the Live Set (Upper Part, Lower Part), Solo Part, and Percussion Part.
Introduction Playing Sounds Editing Sounds
Manual Percussion
These produce the sounds of percussion instruments or sound eects.
A wide variety of percussion instruments and sound eects will be heard depending on the key (note number)
you play.
Drums/SFX
These tones can be assigned only to the Percussion Part.
You can save 2,048 SuperNATURAL Synth Tones you’ve edited, and call them up when desired.
SuperNATURAL Synth Tone
Partial 1
OSC FILTER AMP
Partial 2
0001–2048
OSC FILTER AMP
Partial 3
OSC FILTER AMP
MEMO
The results of your editing a SuperNATURAL Acoustic Tone, Manual Percussion, and Drums/SFX can be saved as a Registration or as a Live Set.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
What are SuperNATURAL Tones?
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set
that achieves a new level of realism and expression that were dicult to realize with previous sound
generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
13
Getting Acquainted with the JUPITER-80
Live Sets
A Live Set consists of the Tones assigned to the four layers, settings
for four MFX units, and settings for one reverb unit.
Live Set
Layer 1
Layer 2
Layer 3
Layer 4
You can select a Live Set as the sound for the Upper Part, and
another Live Set as the sound for the Lower Part.
You can save 2,560 Live Sets you’ve edited, then call them up when
desired.
Tone 1
Tone 2
Tone 3
Tone 4
0001–2560
MFX 1
MFX 2
Reverb
MFX 3
MFX 4
Parts
The JUPITER-80 has four parts; Solo, Upper, Lower, and Percussion.
You can assign a Tone or Live Set to each Part and play it.
Solo
Upper
Lower
Percussion
You can play all Parts from the same keys, or use the Split function
(p. 39) to divide the keyboard and assign the sounds of dierent Parts
to their own zones.
The Registration screen shows the name of each Part’s sound.
Live Set
Edits you make to the parameters of a Live Set are relative
adjustments that increase or decrease the values of the Tones; they
do not directly modify the Tones themselves.
This means that even if the same tone is used in other Live Sets, the
other Live Sets will not be aected by your editing.
This shows the split status of the Parts.
Not split
Solo
Upper
Lower
Percussion
Split
Solo
Upper
Lower
Percussion
14
For details on split, refer to “Split Performance” (p. 39).
Getting Acquainted with the JUPITER-80
Registrations
A Registration consists of these four Parts: Solo, Upper, Lower, and Percussion.
Stored within a Registration are the settings for the sound selected for each Part, as well as settings for the Solo Part and Percussion Part.
By switching Registrations, you can change all of these settings at once (except for the system parameters).
Registration
Solo Part
Tone
Upper Part
Live Set
Lower Part
Live Set
Percussion Part
Tone
Comp
Equalizer
Equalizer
Delay
Delay
Audio data ow Performance data ow
ReverbComp
How Registrations are Organized
Registrations are managed in “banks” of eight. In turn, these banks are managed as “sets” of four banks.
Since there are eight sets, 8 Registrations x 4 banks x 8 sets makes a total of 256 Registrations.
Harmony
Intelligence
Introduction Playing Sounds Editing Sounds
Arpeggio
Other Convenient
Functions
Bank 8
Bank 1
Bank
(A–D)
The sounds and settings saved in a Registration can be called up at the touch of a button (p. 41).
Registration (1–8)
Connecting Other
Equipment
Appendix
15
Getting Acquainted with the JUPITER-80
About Memory
The area in which sounds and other settings are stored is called “memory.”
Memory is divided into three areas: temporary memory (the temporary area), rewritable memory, and non-rewritable memory.
JUPITER-80
Temporary Area
Select
Non-rewritable Memory
SuperNATURAL
Acoustic Tones
Manual Percussions
Drums/SFX
Preset Arpeggio Styles
User Arpeggio Styles (128)
Restore
USB Flash Drive
ROLAND Folder
User Arpeggio Styles (128)
Select Write
Rewritable Memory
Registrations (256)
Live Sets (2,560)
SuperNATURAL
Synth Tones (2,048)
Registrations (256)
Live Sets (2,560)
SuperNATURAL
Synth Tones (2,048)
System
Settings
Backup
System
Settings
Temporary Memory (the Temporary Area)
The data for a sound you select is called into this area.
When you play the keyboard, the sounds you hear are produced
according to the settings in the temporary area.
When you edit sounds, you’re editing the data that’s in the
temporary area.
Settings in the temporary area are temporary; they will be lost
when you turn o the power or select other settings.
If you want to keep the settings of the temporary area, you must
save them to rewritable memory.
MEMO
When you import an SMF (Standard MIDI File) as a user arpeggio
style (p. 45), the data is imported directly into rewritable memory;
it does not pass through the temporary area.
Rewritable Memory
This is where you can save Registrations, Live Sets, SuperNATURAL
Synth Tones, user arpeggio styles, and system settings (system
parameters).
Non-rewritable Memory
This contains SuperNATURAL Acoustic Tones, Manual Percussion,
Drums/SFX, and preset arpeggio style data.
This data cannot be directly rewritten; however, you are free to save
the edited results in a Registration or Live Set.
USB Flash Drive
The data saved in rewritable memory can be backed up to a USB
ash drive (p. 79).
A USB ash drive can contain one set of backup data.
16
Getting Acquainted with the JUPITER-80
USB Memory Song Player/Recorder
The USB Memory Song Player/Recorder plays back audio les (WAV, MP3, AIFF) that you’ve copied from your computer to a USB ash drive.
Copy to a USB Memory
Insert USB Memory
MP3/WAV/AIFF
You can also record the JUPITER-80’s performance and save it on a USB ash drive as a WAV le.
NOTE
Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used.
Audio les that can be played
MP3
Format MPEG-1 audio layer 3
Sampling Frequency 44.1 kHz
Bit Rate 32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k, 128k, 160k, 192k, 224k, 256k, 320 kbps / VBR (Variable Bit Rate)
WAV/AIFF
Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz
Bit 8, 16, 24-bit
Introduction Playing Sounds Editing Sounds
MEMO
Use only single-byte alphanumeric characters in le names and folder names.
Audio les that will be saved
WAV
Sampling Frequency 44.1kHz
Bit Rate 16-bit
Data Saved in USB Flash Drive
A USB ash drive can hold audio les, MIDI les that you want to import as user arpeggio styles, and the JUPITER-80’s internal memory data that
you’ve backed up.
USB Flash Drive
ROLAND Folder
Audio Files
MIDI Files
:
This folder is created when you make a backup (p. 79).
This contains the backup le for the JUPITER-80’s internal memory.
WAVE les created by the USB memory song player/recorder and audio les or
MIDI les copied from your computer are saved here.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
Copy your audio les (WAV, MP3, AIFF) to the root folder (the top level) of your USB ash drive, or create a folder
on your USB ash drive and copy the les into it.
MEMO
• Use only single-byte alphanumeric characters in le names and folder names.
• A maximum of 200 les can be recognized in a folder.
17
Panel Descriptions
Top Panel
3
4 75 6
8
1
9
2
11
10
12
Number Area Name Explanation Page
USB MEMORY USB MEMORY connector Connect USB ash memory (available separately) here. p. 17
1
VOLUME [VOLUME] knob
2
D Beam controller
3
4
5
6
D BEAM
CONTROL
PART BALANCE
Display
[PITCH] button If this is on, the D Beam controller will control the pitch.
[VOLUME] button If this is on, the D Beam controller will control the volume.
[ASSIGNABLE] button
[HOLD] button Turns the arpeggiator Hold function on/o.
ARPEGGIO [LOWER ON/OFF] button If this is on, the arpeggiator will apply to the Lower Part.
ARPEGGIO [UPPER ON/OFF] button If this is on, the arpeggiator will apply to the Upper Part.
[TEMPO] button Accesses the tempo screen.
[VISUAL CONTROL] button
[HARMONY INTELLIGENCE] button Turns the Harmony Intelligence function on/o. p. 46
[TRANSPOSE] button
OCTAVE [DOWN] button Lowers the key range in steps of one octave.
OCTAVE [UP] button Raises the key range in steps of one octave.
[LEVEL] slider
PART [PERC] button
PART [LOWER] button
PART [UPPER] button
PART [SOLO] button Turns the Solo Part or Live Set layer 4 on/o.
Touch screen
[MENU] button Accesses the MENU screen. p. 29
[E1]–[E4] knobs Edit the values of the parameters shown in the display. p. 26
[SHIFT] button
13
Adjusts the volume of the output from the MAIN OUT jacks
and PHONES jack.
By moving your hand above the D Beam you can apply
various eects to the sound.
If this is on, the D Beam controller will control the function
you’ve assigned.
Turns MIDI Visual Control on/o. When you press this button
to turn it on, the setting screen will appear.
By holding down the [TRANSPOSE] button and using the
[-] [+] buttons, you can transpose the keyboard in semitone
steps.
Adjust the volume of each Part, or the volume of each layer
in the Live Set. For a SuperNATURAL Synth Tone, these adjust
the AMP level of each Partial.
Turns the Percussion Part, the Live Set layer 1, or a
SuperNATURAL Synth Tone’s Partial 1 on/o.
Turns the Lower Part, the Live Set layer 2, or a SuperNATURAL Synth Tone’s Partial 2 on/o.
Turns the Upper Part, the Live Set layer 3, or a SuperNATURAL Synth Tone’s Partial 3 on/o.
Shows various information for the operation you’re
performing, and allows you to control parameters by directly
touching the screen.
This is used in conjunction with other buttons to access
setting screens related to those buttons.
p. 23
p. 47
p. 43
p. 95
p. 50
p. 50
p. 37, p. 58,
p. 67
p. 37, p. 58,
p. 67
p. 27, p. 30–
p. 28
18
Panel Descriptions
Number Area Name Explanation Page
Use these buttons to edit values. To make the change occur
[DEC]/[INC] buttons
[
][ ][ ][ ] (Cursor) buttons
VALUE
7
REVERB REVERB [ON/OFF] button
8
SONG PLAYER/RECORDER
9
ROTARY SOUND
10
Selecting tones for Parts
11
Controller
12
Registration
13
Value dial
[EXIT] button
[ENTER] button
[SONG] button Accesses the Song screen. p. 72
[REC] button
[
] button
[
[
] button
[
[
] button
ROTARY SOUND [ON/OFF] button
ROTARY SOUND [SLOW/FAST ] button Switches the speaker rotation speed between Slow and Fast.
PERCUSSION Tone button Select the Tone for the Percussion Part.
Live Set LOWER button Select the Live Set for the Lower Part.
Live Set UPPER button Select the Live Set for the Upper Part.
SOLO Tone button Select the Tone for the Solo Part.
LOWER [ALTERNATE] button
UPPER [ALTERNATE] button
SOLO [ALTERNATE] button
[SPLIT] button
[SOLO SPLIT] button
[S1], [S2] buttons
Pitch Bend/Modulation Lever Modies the pitch, applies vibrato, etc. p. 47
[WRITE] button Accesses the Registration Write screen. p. 53
[PREV] button Calls up the previous Registration or Registration Set.
Registration Bank buttons ([A]–[D]) Select the Registration Bank.
Registration buttons ([1]–[8]) Select a Registration.
[NEXT] button Calls up the next Registration or Registration Set.
] button
] button
more rapidly, hold down one button and press the opposite
button. You can also make the value change rapidly by
holding down the [SHIFT] button and pressing one of these
buttons.
Move the cursor up/down/left/right. p. 24
Use this to edit values. To make the value change rapidly,
operate the value dial while holding down the [SHIFT]
button.
Returns you to the previous screen, or closes the currently
open window. In some screens, this button cancels the
function you were executing.
Conrms a value or executes an operation. This button also
displays a list of Live Sets or tones.
Simultaneously turns on/o the output of the Live
Set’s reverb and the reverb shared by the Solo Part and
Percussion Part.
Selects recording-standby mode. Next, press the [
button to start recording.
Returns to the beginning of the audio le.
Rewinds the audio le while you hold down the button.
Fast-forwards the audio le while you hold down the button.
Stops audio le playback or recording.
Plays back the audio le.
Turns on/o the rotary eect assigned to the MFX of the
Live Set.
These buttons call up dierent sounds that are similar to the
sounds of the Part sound buttons.
Splits the keyboard. Keys to the left of the Lower Split
Point will play only the sounds of the Lower Part and the
Percussion Part.
Splits the keyboard. Keys to the right of the Solo Split Point
will play only the sound of the Solo Part.
Convenient performance functions can be assigned to these
buttons.
p. 25
p. 25
–
–
p. 49
]
p. 77
p. 72
p. 49
p. 36
p. 39
p. 47
p. 41
Introduction Playing Sounds Editing Sounds
Other Convenient
Functions
Connecting Other
Equipment
19
Appendix
Panel Descriptions
Rear Panel Connections
[POWER] switch
This turns the power on/o (“Turning
the Power On” (p. 23).
AC IN jack
Connect the included AC cord
here.
DIGITAL AUDIO OUT (COAXIAL) jack
Connect this to speakers or other devices that are
equipped with a digital input.
This jack outputs the same audio signal as the MAIN
OUT jacks.
USB COMPUTER connector
With a USB cable, you can connect
the JUPITER-80 to your computer
(p. 90).
FOOT PEDAL jacks
MIDI connectors
For connecting MIDI device
(p. 91).
20
Hold jack
Here you can connect a pedal
switch (such as one from the DP
series; sold separately) and use it
as a Hold pedal (p. 48).
NOTE
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn o the power on all devices before
making any connections.
CTRL 1, CTRL 2 jacks
Here you can connect an expression pedal (EV-5; sold
separately) and use it to control various parameters or
functions (p. 48).
* Use only the specied expression pedal (EV-5; sold
separately). By connecting any other expression
pedals, you risk causing malfunction and/or
damage to the unit.
Panel Descriptions
1: GND2: HOT
1: GND 2: HOT
1: GND
3: COLD
SUB OUT jacks
You can connect speakers here for use as monitors,
or for outputting only the reverb sound. The system
setting “Output Assign” (p. 86) species which sounds
will be output from the SUB OUT jacks.
* The [VOLUME] knob on the top panel does not
adjust the volume of these jacks.
MAIN OUT (TRS) jacks
Connect your speakers here. To employ monaural
output, connect to the L/MONO jack.
This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are
shown below. Make connections after rst checking the wiring diagrams of other equipment you
intend to connect.
TIP: HOT
RING: COLD
SLEEVE: GND
MAIN OUT (XLR) jacks
These are balanced output jacks for audio signals.
Connect them to your mixer.
Introduction Playing Sounds Editing Sounds
2: HOT
AUDIO IN (STEREO) jack
Connect your digital audio player or audio playback device here.
Use a stereo mini-plug cable (commercially available) to make the
connection.
The input level is adjusted by the [LEVEL] knob located at the left of the jack.
PHONES jack
You can connect a set of headphones
(sold separately) here.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
21
Placing the JUPITER-80 on a Stand
Be careful not to pinch your ngers when setting up the stand.
If you want to place the JUPITER-80 on a stand, use the Roland KS-J8, KS-G8, or KS-18Z.
Place the instrument on the stand as follows.
KS-J8
Firmly insert the rubber
feet on the bottom of
the keyboard (at its
front, beneath the keys)
into the rubber feet
receptacles on the arms.
KS-G8
Align the front of
the JUPITER-80
with the front of
the stand
KS-18Z
Align the front of the
JUPITER-80 with the
front of the stand
Adjust so that
the height does
not exceed 1
meter (Adjust
the stand to a
level no higher
than the fourth
level from the
bottom)
Place the JUPITER-80 so
that it’s rubber feet are in
the inner side of the stand
Top view
Adjust the width of the stand
so that the rubber feet of the
JUPITER-80 straddle the stand
Top view
22
Turning the Power On
Once the connections have been completed (p. 20), turn on power to your various devices in the order specied. By turning on devices in the wrong
order, you risk causing malfunction and/or damage to speakers and other devices.
Turning the Power On
Turning the Power On
* Before switching the power on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound
when switching the power on/o (p. 5). However, this is normal and does not indicate a malfunction.
1. Minimize the volume of the JUPITER-80 and your speakers.
2. On the JUPITER-80’s rear panel, turn the [POWER] switch ON.
Introduction Playing Sounds Editing Sounds
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
3. Turn on the power of your speakers.
4. Use the [VOLUME] knob to adjust the volume appropriately.
Turning the Power O
1. Minimize the volume of the JUPITER-80 and your speakers.
2. Turn o the power of your speakers.
3. Turn the JUPITER-80’s [POWER] switch OFF.
If you need to turn o the power completely, rst turn o the POWER switch, then unplug the power cord from the “Power Supply” (p. 5).
Other Convenient
Functions
Connecting Other
Equipment
Appendix
23
Basic Operation
This section explains the basic button and knob operations used to operate the JUPITER-80.
Moving the Cursor
A single screen or window will contain multiple items (parameters) to edit or select. To edit a parameter’s setting, you must rst move the cursor to
that parameter’s value.
The value of the selected parameter is highlighted in blue, and the knob or slider is indicated by a green frame.
Touch panel
To move the cursor, simply touch a parameter value, knob, or slider.
Cursor
(highlighted blue)
Cursor
(green frame)
Cursor buttons
You can move the cursor by pressing the [ ] [ ] [ ] [ ] (cursor) buttons.
If you hold down a cursor button, the cursor will continue moving.
If you hold down the cursor button for the desired direction, and then press the opposite cursor button, the cursor will move more quickly.
24
Editing a Value
To edit the value highlighted by the cursor, use either of the following controllers.
• Value dial
• [DEC] [INC] buttons
• Touch panel
Value dial
Turning the value dial toward the right will increase the value, and turning it toward the left will decrease the
value.
If you hold down the [SHIFT] button while turning the value dial, the value will change in larger steps.
[DEC] [INC] buttons
Press the [INC] button to increase the value, or press the [DEC] button to decrease the value.
• If you hold down a button, the value will increase (or decrease) continuously.
• To rapidly increase the value, hold down the [INC] button and press the [DEC] button. Conversely, to rapidly
decrease the value, hold down the [DEC] button and press the [INC] button.
• If you hold down the [SHIFT] button and press the [INC] button or [DEC] button, the value will change in
larger steps.
Basic Operation
Introduction Playing Sounds Editing Sounds
Touch panel
When you touch the eld highlighted by the cursor, a list of the available selections for that item will appear.
Select an item and
touch <Select>.
MEMO
Instead of touching the eld highlighted by the cursor, you can press the [ENTER] button to view a list.
If an on-screen knob or slider is enclosed in a green frame (i.e., is selected), you can drag your nger up/down/left/right to edit its value.
Upward or to the right will increase the value, and downward or to the left will decrease the value.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
25
Basic Operation
[E1]–[E4] knobs
When knob icons are shown in the Lower Part of the screen, the [E1]–[E4] knobs will change the parameter
values of those knob icons.
MEMO
You can assign performance-related functions to knobs [E1]–[E4]. The functions assigned to knobs [E1]–[E4]
can be specied in the Registration Common/Control screen (p. 52).
If you turn an [E1]–[E4] knob while touching the selected knob or slider (i.e., the one enclosed by the green
frame) in the screen, the parameter you touched will be assigned to the knob you turned.
Now you can edit the value by turning the [E1]–[E4] knob.
The parameters assigned to the [E1]–[E4] knobs are indicated by icons E1–E4.
This operation is available in the following screens.
• Registration Part screen (p. 30)
• Registration Eects Routing screen (p. 31)
• Live Set Eects Routing screen (p. 32)
• Synth Tone Edit screen (p. 33)
26
Basic Touch Panel Operation
The JUPITER-80’s display is a touch panel; you can perform a variety of operations by directly touching the display.
Here are the basic rules.
Screen indication Explanation
Basic Operation
Edit
Return
Top
Save
Tempo
Utility
Tab
Displays an edit screen for Registrations or Live Sets.
Returns you to the previous screen. Pressing the [EXIT] button has the same result.
Accesses the Registration screen.
Saves the Registration (p. 53).
Saves the Live Set (p. 62).
Saves the Tone (p. 68).
Saves the system settings (p. 83).
Accesses the tempo setting screen (p. 43).
Displays a context-sensitive menu for each screen.
Switch between edit screens.
Introduction Playing Sounds Editing Sounds
Other Convenient
Functions
Scroll bar/Scroll buttons
Cancel/Select
Search
Drag this up or down to scroll the list.
By pressing the scroll buttons located at the top and bottom of the scroll bar, you can scroll by
one item at a time.
<Cancel> discards the selected content and returns you to the previous screen.
<Select> conrms the selected content. (Pressing the panel [ENTER] button has the same result.)
If you touch this icon when a sound list or the like is displayed, a keyboard will appear. By using
the keyboard to enter a key word, you can narrow down the items shown in the list.
Connecting Other
Equipment
Appendix
27
Basic Operation
[SHIFT] Button Operations
By holding down the [SHIFT] button and pressing another button, you can edit the settings of the button you pressed, or access a specic screen
(shortcut).
Shortcut Description Page
[SHIFT] + [ASSIGNABLE] Accesses the D Beam Assign setting screen. p. 52
[SHIFT] + [S1] (or [S2]) Accesses the Switch S1 Assign (or Switch S2 Assign) setting screen. p. 52
[SHIFT] + [HOLD]
[SHIFT] + ARPEGGIO LOWER [ON/OFF]
[SHIFT] + ARPEGGIO UPPER [ON/OFF]
[SHIFT] + [HARMONY INTELLIGENCE] Accesses the Harmony Type setting screen. p. 46
Accesses the arpeggiator setting screen. p. 52
[SHIFT] + [SPLIT] Accesses the Lower Split Point setting screen. p. 52
[SHIFT] + [SOLO SPLIT] Accesses the Solo Split Point setting screen. p. 52
[SHIFT] + LOWER [BASS] Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Lower Part.
[SHIFT] + LOWER [PAD] Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Lower Part.
[SHIFT] + LOWER [CHOIR] Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Lower Part.
[SHIFT] + LOWER [STRINGS] Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Lower Part.
[SHIFT] + LOWER [SYNTH BRASS] Accesses the Live Set Common screen of the Lower Part. p. 56
[SHIFT] + LOWER [WOOD WINDS] Accesses the Live Set Layer screen of the Lower Part. p. 56
[SHIFT] + LOWER [OTHER] Accesses the Live Set Eects Routing screen of the Lower Part. p. 56
[SHIFT] + UPPER [PIANO] Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Upper Part.
[SHIFT] + UPPER [E. PIANO] Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Upper Part.
[SHIFT] + UPPER [CLAV] Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Upper Part.
[SHIFT] + UPPER [COMBO ORGAN] Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Upper Part.
[SHIFT] + UPPER [VIBES/MARIMBA] Accesses the Live Set Common screen of the Upper Part. p. 56
[SHIFT] + UPPER [ACCORDION/HARMONICA] Accesses the Live Set Layer screen of the Upper Part. p. 56
[SHIFT] + UPPER [OTHER] Accesses the Live Set Eects Routing screen of the Upper Part. p. 56
[SHIFT] + [PREV] Selects the previous Registration Set.
[SHIFT] + [NEXT] Selects the next Registration Set.
Accesses the Tone Blender screen.
[SHIFT] + rotate the [E1]–[E4] knobs
* This function is available in Registration screens and Live Set screens, and requires that Tone
Blender (CC79) be assigned as one of the Knob E1 Assign–Knob E4 Assign settings (Registration
Common/Control screen, p. 52).
p. 60
p. 60
p. 42
p. 61
If you hold down the [SHIFT] button while editing a parameter’s value, the value will change in larger steps.
28
Basic Operation
[MENU] Button Operations
When you press the [MENU] button, the Menu screen will appear in
the display.
Touch an icon in the screen to select the corresponding menu.
Assigning a Name
The JUPITER-80 lets you assign names to the following items.
• Registration
• Live set
• SuperNATURAL Synth Tone
• User arpeggio style
• Song
Regardless of what you’re naming, the procedure is the same.
Clear All
Deletes all
characters that
you’ve entered.
Back Space
Deletes the
character to the left
of the cursor.
Keyboard
Select
characters.
Introduction Playing Sounds Editing Sounds
×
Cancels what has
been entered and
closes the screen.
Menu Explanation Page
System
Regist Button Lock Lock the Registration buttons. p. 81
Regist Set Exchange Exchanges Registration Sets. p. 82
Backup
Restore
Format USB Memory
Touch Screen
Calibration
Factory Reset
Make overall settings for the entire
JUPITER-80.
Backs up the JUPITER-80’s settings to a
USB ash drive.
Restores the JUPITER-80’s settings from
a USB ash drive.
Format the USB ash drive that’s
connected to the USB MEMORY
connector.
Calibrates the touch panel. p. 82
Resets the JUPITER-80 to its factory
settings.
p. 83
p. 79
p. 80
p. 81
p. 87
MEMO
You can also use the value dial or cursor buttons to select an
icon in the menu screen, and press the [ENTER] button to select
it.
Shift / !@#$.
Switches
between types
of characters.
Space
Enters a space.
<< / >>
Moves the cursor
(the location of
the character to
be entered).
Del
Deletes the character to
the right of the cursor
location.
OK
Finalizes what
has been
entered and
closes the
screen.
MEMO
You can also use the cursor [
] [ ] buttons to move the
cursor, and use the value dial or [DEC] [INC] to select the
character that you want to enter.
Other Convenient
Functions
Connecting Other
Equipment
Appendix
29
Navigating Between Screens
On the JUPITER-80, you navigate between screens by touching the enclosed areas or buttons shown in the illustrations below. Here we explain how
to navigate between screens.
For details on each screen, refer to the page indicated by the
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may
incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match
what appears in the manual.
Registration screen
This is the main screen that appears when you turn on the power. It shows the name of the currently selected Registration, the sound and volume of
each Part, and the split status.
1
p. XX
symbol.
p. 34, p. 39
25
2
Live Set List screen
Select the Live Sets for the Upper and Lower Parts. Select the Tone for the Solo Part.
4
Tone List screen
Select the Tone for the Percussion Part. View the name and volume of the Tones assigned to each layer of the Live Set.
p. 36
p. 38
3
Tone List screen
5
Live Set screen
p. 36
p. 56
30
6
Registration List screen
Select a Registration from a list View the Registration’s volume, and settings such as the volume and pan of
p. 41
7
Registration Part screen
each Part.
p. 31, p. 52
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