Roland JUPITER-80 User Manual

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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

Owner’s Manual

How to obtain a PDF of the owner’s manual

PDF les of the owner’s manual and supplementary material for this product can be obtained from the Roland website.

• JUPITER-80 Owner’s Manual (this document)

• Parameter List *

• MIDI Implementation *

* These are not included with the product; you may download them as necessary.

Visit the following URL, choose “owner’s manuals,” and search for the model name “JUPITER-80.”

http://www.roland.com/support/en/

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s Manual p. 4), and “IMPORTANT NOTES” (Owner’s Manual p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Roland, COSM, and SuperNATURAL are either registered trademarks or trademarks of

Roland Corporation in the United States and/or other countries.

USING THE UNIT SAFETY

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

Do not open or perform any internal modications on the unit.

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Never install the unit in any of the following locations.

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

This unit should be used only with a stand that is recommended by Roland.

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

The unit should be connected to a power supply only of the type described as marked on the rear side of unit.

Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

Immediately turn the power o, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord or the plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

Protect the unit from strong impact.

(Do not drop it!)

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

IMPORTANT NOTES

WARNING

DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

CAUTION

The unit should be located so that its location or position does not interfere with its proper ventilation.

This JUPITER-80 for use only with Roland stand KS-J8, KS-G8, and KS-18Z. Use with other stands is capable of resulting in instability causing possible injury.

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

CAUTION

Never climb on top of, nor place heavy objects on the unit.

Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

Before cleaning the unit, turn o the power and unplug the power cord from the outlet (p. 20).

Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Removable Parts Screw for USB memory protector (p. 78)

Introduction Playing Sounds Editing Sounds

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• Before connecting this unit to other devices, turn o the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

• Although the LCD and LEDs are switched o when the POWER switch is switched o, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn o the power completely, rst turn o the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

• Do not put anything that contains water on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB ash drives, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

IMPORTANT NOTES

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on USB ash drives.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory and USB ash drives once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• A small amount of heat will radiate from the unit during normal operation.

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Use only the specied expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specications, contact the manufacturer of the cable.

• The usable range of D Beam controller will become extremely small when used under strong direct sunlight. Please be aware of this when using the D Beam controller outside.

• The sensitivity of the D Beam controller will change depending on the amount of light in the vicinity of the unit. If it does not function as you expect, adjust the sensitivity as appropriate for the brightness of your location (p. 84).

Handling External Memories

• Carefully insert the USB ash drives all the way in—until it is rmly in place.

• USB ash drives are constructed using precision components; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the contact portion of the cards.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such locations.

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

Handling CDs / DVDs

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty DVD discs may not be read properly. Keep your discs clean using a commercially available DVD cleaner.

Copyrights

• Recording, duplication, distribution, sale, lease, performance, or broadcast of copyrighted material (musical works, visual works, broadcasts, live performances, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation and/or Atelier Vision Corporation.

• Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

Licenses / Trademarks

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

• MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS Corporation and THOMSON Multimedia Corporation.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

• Never touch the terminals of the USB ash drives. Also, avoid getting the terminals dirty.

• “JUPITER” is a registered trademark of and is licensed by K.H.S. MUSICAL INSTRUMENT CO. LTD. in the United States and other countries.

• Cakewalk is a registered trademark of Cakewalk, Inc. in the United States.

• SONAR is a trademark of Cakewalk, Inc.

USING THE UNIT SAFETY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Introduction 9

Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Getting Acquainted with the JUPITER-80 . . . . . . . . . . . . . . . . . . . . . . . . .12

How the Sound Generator is Organized . . . . . . . . . . . . . . . . . . . . . . . . .12

Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Temporary Memory (the Temporary Area) . . . . . . . . . . . . . . . .16

Rewritable Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Non-rewritable Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

USB Memory Song Player/Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Audio les that can be played . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Audio les that will be saved . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Placing the JUPITER-80 on a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Turning the Power On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Basic Touch Panel Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

[SHIFT] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

[MENU] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Assigning a Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Navigating Between Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Registration screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Registration Part screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Live Set screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Live Set Eects Routing screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Synth Tone Edit (OSC/FILTER/AMP) screen . . . . . . . . . . . . . . . . . . . . . . .33

Tone Blender screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Key Range View screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

MENU screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Song screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Visual Control screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Playing Sounds 35

Selecting the Sound for Each Part (Selecting Live Sets / Tones) . . . .36

Using the Part Sound Buttons to Switch Live Sets or the Solo

Part’s Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Instantly Switching the Variation Sounds (Alternate

Button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Turning Each Part On/O and Adjusting its Volume . . . . . . . . . . . . .37

Playing Drum Sounds and Sound Eects (Percussion) . . . . . . . . . . . . .38

Playing Percussion Sounds and Voice Phrases (Manual

Percussion) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Playing Drum Sounds on the Entire Keyboard (Drums/SFX) . . . . . .38

Switching the Sounds Played by Manual Percussion or

Drums/SFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Split Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

Turning Split On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

How Split and Parts are Related . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Changing the Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Switching Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Switching Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Switching Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Switching Registrations Consecutively . . . . . . . . . . . . . . . . . . . . . . . . . .42

Using the Arpeggiator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Turning the Arpeggiator On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Setting the Arpeggiator Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Holding the Arpeggio (HOLD) . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Editing the Arpeggiator Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Arpeggio Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Creating an Arpeggio Style from a MIDI File (Import) . . . . . .45

Performing With Added Harmony . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Changing the Harmony Intelligence Type . . . . . . . . . . . . . . . . . . . . . . .46

Controlling the Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Moving Your Hand to Modify the Pitch or Volume (D Beam

Controller) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation

Lever) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Using the Buttons and Knobs to Modify the Sound ([S1] [S2]

buttons / [E1]–[E4] knobs) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Using Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Sustaining the Notes (Hold Pedal) . . . . . . . . . . . . . . . . . . . . . . . .48

Adding Expression to Your Performance (Control Pedal) . . .48

Controlling the Rotary Eect and Reverb . . . . . . . . . . . . . . . . . . . . . . . . .49

Controlling the Rotary Eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Controlling Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Changing the Keyboard Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Changing the Pitch by Octaves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Transposing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Contents

Editing Sounds 51

Editing a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Basic Operation for Registration Editing. . . . . . . . . . . . . . . . . . . . . . . . .52

Saving a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

Cancelling the Save of a Registration . . . . . . . . . . . . . . . . . . . . .53

Initializing a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

Editing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Basic Editing Operations for Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . .56

Changing a Live Set’s Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57

Layer On/O and Volume Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . .58

Switching the MFX (Multi-eects) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Turning MFX On/O. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59

Adjusting the Eect Send Levels and Eect Output Levels . . . . . . .59

Editing the MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59

Editing the Tones Assigned to a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Simultaneously Adjusting Multiple Live Set Parameters (Tone

Blender) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

Convenient Ways to Use the Tone Blender . . . . . . . . . . . . . . . .62

Saving a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

Cancelling the Save of a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . .63

Initializing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64

Copying a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65

Editing a Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Volume and On/O Settings for Each Partial . . . . . . . . . . . . . . . . . . . .67

Saving a Synth Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68

Cancelling the Save of a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68

Initializing a SuperNATURAL Synth Tone/Partial . . . . . . . . . . . . . . . . .69

Copying a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69

Other Convenient Functions 71

Using the USB Memory Song Player/Recorder . . . . . . . . . . . . . . . . . . . .72

Basic Operations in the Song Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . .72

Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72

Minimizing Sounds in the Center (Center Cancel) . . . . . . . . .73

Changing the Playback Speed or Pitch . . . . . . . . . . . . . . . . . . . .73

Adjusting the Balance of Frequency Ranges (Equalizer) . . . .73

Looping a Specic Region of Time . . . . . . . . . . . . . . . . . . . . . . . .74

Playing Audio Files Consecutively (Chain Play) . . . . . . . . . . . .74

Creating a Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75

Deleting an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . . .75

Renaming an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . .75

Moving an Audio File or Folder . . . . . . . . . . . . . . . . . . . . . . . . . . .76

Basic Operations in the Audio Rec Standby Screen . . . . . . . . . . . . . .77

Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77

Audio Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78

Using the Included USB Memory Protector . . . . . . . . . . . . . . . . . . . . . .78

The JUPITER-80’s System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83

Making System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83

Saving the System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83

System Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83

SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83

LIVE SET/TONE BUTTONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87

INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . .87

Connecting Other Equipment 89

Connecting to Your Computer via USB . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Connecting the JUPITER-80 to Your Computer . . . . . . . . . . . .90

Connecting an External MIDI Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91

About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91

About MIDI Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91

Using the JUPITER-80 as a Master Keyboard (External Part

Settings) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91

Enabling the External Part Settings . . . . . . . . . . . . . . . . . . . . . . .91

Specifying the Transmit Channel . . . . . . . . . . . . . . . . . . . . . . . . . .92

Specifying the Sound for Each Channel . . . . . . . . . . . . . . . . . . .92

Detailed Settings for External Parts . . . . . . . . . . . . . . . . . . . . . . .92

Playing the JUPITER-80 from an External MIDI Device . . . . . . . . . . .93

Setting the Receive Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93

Setting the Program Change Receive Switch . . . . . . . . . . . . . .93

Synchronizing with an External MIDI Device . . . . . . . . . . . . . . . . . . . .94

Controlling Visuals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95

What is Visual Control? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95

Turning Visual Control On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95

Visual Control Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96

Appendix 97

Error Message List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99

Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Settings and Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Backing Up All Settings to a USB Flash Drive . . . . . . . . . . . . . . . . . . . .79

Restoring Backed-up Settings from a USB Flash Drive . . . . .80

Backing Up USB Flash Drive Data to a Computer . . . . . . . . . . . . . . . .80

Restoring Backed-up Data from a Computer to a USB

Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80

Initializing a USB Flash Drive (Format) . . . . . . . . . . . . . . . . . . . . . . . . . . .81

Disabling the Registration Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81

Exchanging Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82

Calibrating the Touch Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82

Introduction

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Main Features

The JUPITER-80 is Roland’s agship synthesizer, delivering powerful, SuperNATURAL sounds and stunning realtime performance. It includes numerous cutting-edge SuperNATURAL sounds generated by Behavior Modeling Technology, bringing you unprecedentedly natural and rich expressive possibilities.

What are SuperNATURAL Tones?

Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set that achieves a new level of realism and expression that were dicult to realize with previous sound generators.

Behavior Modeling Technology

Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds to how the performer plays, resulting in true-to-life, expressive sounds in realtime.

A world of new sounds possible only with SuperNATURAL Numerous peerless and powerful SuperNATURAL sounds are built in

SuperNATURAL Acoustic Tones

The JUPITER-80 provides SuperNATURAL Acoustic Tones, which reproduce not merely the sound of acoustic instruments, but also their performance expression.

A dedicated sound generator suitable for each tone automatically analyzes dierences in the phrases, chords, and melodies played by the musician.

SuperNATURAL Acoustic Tones represent a completely new sound-generating technology, one which not only reproduces the sounds of acoustic instruments, but also uses Behavior Modeling Technology to model the way in which each instrument uniquely responds to the performance expression of the player.

In contrast to the old method of seeking realism merely in the sound’s waveform, this is a major advance which models the details of how the sound of each individual instrument responds to the performer’s playing.

While previous physical modeling sound generators model the structure of an instrument (such as the shape of its resonator, the length of the tube, and the material of the vibrating parts), Behavior Modeling Technology additionally models the response and movement of each specic instrument as it reacts to performance techniques such as trills, portamento, vibrato, and dynamics.

This goes beyond mere reproduction of the sound—it makes it possible for the expressions and movements distinctive of an instrument to be expressed on a synthesizer.

For example, the SuperNATURAL Acoustic Tone “Violin” lets you obtain—by playing the keyboard—an expressive solo violin sound that’s so realistic, you might think a violinist is actually playing it.

You can also use the pitch bend and modulation lever and the assignable buttons ([S1], [S2]) to freely reproduce the richly expressive performances that are distinctive of acoustic instruments.

SuperNATURAL Synth Tones

The JUPITER-80 features SuperNATURAL Synth Tones, which realistically deliver everything from vintage analog synths to digital synths.

The distinctive behavior of an analog synth’s oscillators and lters has been analyzed in order to reproduce their unique sound.

“Expressions” “Operations”

Crescendo

Glissando technique

Vibrato

SuperNATURAL Synth Tone

Partial 1

OSC FILTER AMP

Partial 2

Each Synth Tone provides three sets of OSC, FILTER, AMP, and LFO, allowing powerful synthesis to be accomplished using just a single tone. The oscillators oer not only analog waveforms based on vintage synths, but also give you a choice of PCM waveforms containing distinctive digital synth sounds. Full-screen graphics allow you to intuitively create any type of synth sound, from analog to digital.

OSC FILTER AMP

Partial 3

OSC FILTER AMP

Main Features

Powerful Live Sets with SuperNATURAL x 4

The JUPITER-80 can handle up to four SuperNATURAL tones layered as a “Live Set,” letting you perform with awesome and richly expressive sounds.

In addition, you can assign Live Sets to the Upper and Lower Parts to create splits and layers, making it easy to construct rich-sounding stacks that were dicult to obtain on a single conventional synthesizer.

Four-part Registrations for Extensive Performance Potential

In addition to the Upper Part and Lower Part that are the core of your performance, the JUPITER-80 provides a Solo Part that lets you play a melody or solo on the top note, and a Percussion Part that spices up your performance.

All of these together can be instantly called up by pressing a Registration button.

Powerful Sound with a Full Selection of Eects

A Live Set contains four multi-eects (MFX) processors in parallel, each giving you a choice of 76 types of eects that range from standard sounds to eects that powerfully transform your sound. In addition to this, the Live Set also provides a reverb processor.

By using the Upper Part and Lower Part simultaneously, you can create powerful sounds that use up to eight eects and two reverbs simultaneously.

The Solo Part and the Percussion Part also have their own independent compressor, EQ, and delay, and both the Solo Part and Percussion Part also each have their own reverb.

Live Set

Layer 1

Layer 2

Layer 3

Layer 4

Registration (Part)

Upper

Lower

Solo

Percussion

Upper Part

Lower Part

MFX 1

MFX 2

MFX 3

SuperNATURAL Tone

Introduction Playing Sounds Editing Sounds

SuperNATURAL Tone x 4

Tone (Perc) x1

Reverb

Tone Blender

A Live Set features the new Tone Blender function, which lets you simultaneously control multiple parameters such as the level, pan, cuto, and MFX send for each of the four tones.

By using a knob or the D Beam to simultaneously control multiple parameters of four tones in the Live Set, you can easily generate powerful sonic transformations that were impossible on previous synthesizers (p. 61).

Controllers Optimized for Live Performance

A color-coded panel layout and full-color TFT touch screen (pressure sensitive) ensure that the status of the sound is instantly comprehensible.

Dedicated buttons are provided for instant access to the functions you need, guaranteeing intuitive operation during your live performances. In addition, the JUPITER-80 provides four sliders with LED meters that allow you to directly adjust each Part’s volume at any time, a modulation lever for expressive dynamics, [S1] and [S2] buttons for switching between performance techniques, and a D Beam controller for additional performance possibilities—all focused on realtime playability.

Sturdy Body and a 76-note Weighted Keyboard

The keyboard is the most important factor in your performance, and the JUPITER-80 provides a weighted 76-note keyboard that gives you superb playing feel for condent performances on stage.

Coupled with the sturdy aluminum-paneled body, this is a keyboard that expressively responds to every nuance of your playing.

MFX 4

Other Convenient

Functions

Connecting Other

Equipment

Appendix

USB Audio Player/Recorder USB MIDI/AUDIO Support

The built-in Audio Recorder provides a great way to capture your phrases and inspirations on a USB ash drive as audio les (WAV). Of course, audio les (WAV, AIFF, MP3) can also be played back from your USB ash drive, allowing you to use them as backing tracks for your performance.

The JUPITER-80 also provides a USB MIDI/AUDIO connection to your computer. Even when you’re in your production studio, you’ll enjoy the same familiar setup as when performing live.

Getting Acquainted with the JUPITER-80

How the Sound Generator is Organized

The sound generator is organized into units of sounds called “Registrations,” “Live Sets,” and “tones.”

The JUPITER-80’s sound generator

Registration

Solo Part

Tone

Upper Part

Live Set

Tone 1

Tone 2

Tone 3

Tone 4

Lower Part

Live Set

Tone 1

Tone 2

Tone 3

Equalizer

MFX 1

MFX 2

MFX 3

MFX 4

MFX 1

MFX 2

MFX 3

Delay

Reverb

Audio data ow Performance data ow

ReverbComp

MASTER

Harmony

Intelligence

Arpeggio

Tone 4

Percussion Part

Tone 4

Comp

MFX 4

Equalizer

Delay

What is a Tone?

Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL sounds. “SuperNATURAL Acoustic Tones” not only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way that’s appropriate for each dierent tone—the dierences between the phrases, chords, and melodies played by the performer, and deliver the responsiveness that is characteristic of that specic acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.

“SuperNATURAL Synth Tones” can be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth Tone contains three sets of oscillator, lter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly innite range of synth sounds.

What is a Live Set?

In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.

Up to four tones can be layered to create impressive and richly expressive sounds.

Such a combination can be saved as a “Live Set,” and a dierent Live Set can be used for the Upper Part and the Lower Part.

By layering two Live Sets, you can easily create thick, stacked sounds that would have been dicult to create on any previous PCM synthesizer.

The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.

What is a Registration?

The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can be saved as a single “Registration.”

A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you need for live performance or studio recording.

Getting Acquainted with the JUPITER-80

Tones

The “tone” is the smallest unit of sound that is managed on the JUPITER-80.

There are four types of tones, as shown in the table below. These tones are the elements that make up Registrations (p. 15) and Live Sets (p. 14).

Type Explanation

SuperNATURAL Acoustic Tone

SuperNATURAL Synth Tone

Partial 1

OSC FILTER AMP

Partial 2

OSC FILTER AMP

Partial 3

OSC FILTER AMP

These are acoustic-type SuperNATURAL sounds.

Many realistic sounds using Behavior Modeling Technology are provided.

You can also use the Live Set Tone Modify screen (p. 32, p. 78) to adjust certain parameters that have been selected as most appropriate for each sound.

These tones can be assigned to a Live Set (Upper Part, Lower Part), to the Solo Part, or to the Percussion Part.

These are synthesizer-type SuperNATURAL sounds.

These tones allow you to freely create original sounds, as on an analog synthesizer (p. 66).

One tone can produce the sound of three synthesizers, each with an oscillator (OSC), lter (FILTER), and amplier (AMP).

The oscillator (OSC) provides not only the waveforms of a standard analog synthesizer, but also PCM waveforms.

You can save 2,048 tones you’ve edited (p. 68).

These tones can be assigned to the Live Set (Upper Part, Lower Part), Solo Part, and Percussion Part.

Introduction Playing Sounds Editing Sounds

Manual Percussion

These produce the sounds of percussion instruments or sound eects.

A wide variety of percussion instruments and sound eects will be heard depending on the key (note number) you play.

Drums/SFX

These tones can be assigned only to the Percussion Part.

You can save 2,048 SuperNATURAL Synth Tones you’ve edited, and call them up when desired.

SuperNATURAL Synth Tone

Partial 1

OSC FILTER AMP

Partial 2

0001–2048

OSC FILTER AMP

Partial 3

OSC FILTER AMP

MEMO

The results of your editing a SuperNATURAL Acoustic Tone, Manual Percussion, and Drums/SFX can be saved as a Registration or as a Live Set.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

What are SuperNATURAL Tones?

Behavior Modeling Technology

Getting Acquainted with the JUPITER-80

Live Sets

A Live Set consists of the Tones assigned to the four layers, settings for four MFX units, and settings for one reverb unit.

Live Set

Layer 1

Layer 2

Layer 3

Layer 4

You can select a Live Set as the sound for the Upper Part, and another Live Set as the sound for the Lower Part.

You can save 2,560 Live Sets you’ve edited, then call them up when desired.

Tone 1

Tone 2

Tone 3

Tone 4

0001–2560

MFX 1

MFX 2

Reverb

MFX 3

MFX 4

Parts

The JUPITER-80 has four parts; Solo, Upper, Lower, and Percussion. You can assign a Tone or Live Set to each Part and play it.

Solo

Upper

Lower

Percussion

You can play all Parts from the same keys, or use the Split function (p. 39) to divide the keyboard and assign the sounds of dierent Parts to their own zones.

The Registration screen shows the name of each Part’s sound.

Live Set

Edits you make to the parameters of a Live Set are relative adjustments that increase or decrease the values of the Tones; they do not directly modify the Tones themselves.

This means that even if the same tone is used in other Live Sets, the other Live Sets will not be aected by your editing.

This shows the split status of the Parts.

Not split

Solo

Upper

Lower

Percussion

Split

Solo

Upper

Lower

Percussion

For details on split, refer to “Split Performance” (p. 39).

Getting Acquainted with the JUPITER-80

Registrations

A Registration consists of these four Parts: Solo, Upper, Lower, and Percussion.

Stored within a Registration are the settings for the sound selected for each Part, as well as settings for the Solo Part and Percussion Part.

By switching Registrations, you can change all of these settings at once (except for the system parameters).

Registration

Solo Part

Tone

Upper Part

Live Set

Lower Part

Live Set

Percussion Part

Tone

Comp

Equalizer

Delay

Audio data ow Performance data ow

ReverbComp

How Registrations are Organized

Registrations are managed in “banks” of eight. In turn, these banks are managed as “sets” of four banks.

Since there are eight sets, 8 Registrations x 4 banks x 8 sets makes a total of 256 Registrations.

Harmony

Intelligence

Introduction Playing Sounds Editing Sounds

Arpeggio

Other Convenient

Functions

Bank 8

Bank 1

Bank

(A–D)

The sounds and settings saved in a Registration can be called up at the touch of a button (p. 41).

Registration (1–8)

Connecting Other

Equipment

Appendix

Getting Acquainted with the JUPITER-80

About Memory

The area in which sounds and other settings are stored is called “memory.”

Memory is divided into three areas: temporary memory (the temporary area), rewritable memory, and non-rewritable memory.

JUPITER-80

Temporary Area

Select

Non-rewritable Memory

SuperNATURAL

Acoustic Tones

Manual Percussions

Drums/SFX

Preset Arpeggio Styles

User Arpeggio Styles (128)

Restore

USB Flash Drive

ROLAND Folder

User Arpeggio Styles (128)

Select Write

Rewritable Memory

Registrations (256)

Live Sets (2,560)

SuperNATURAL

Synth Tones (2,048)

Registrations (256)

Live Sets (2,560)

SuperNATURAL

Synth Tones (2,048)

System

Settings

Backup

System

Settings

Temporary Memory (the Temporary Area)

The data for a sound you select is called into this area.

When you play the keyboard, the sounds you hear are produced according to the settings in the temporary area.

When you edit sounds, you’re editing the data that’s in the temporary area.

Settings in the temporary area are temporary; they will be lost when you turn o the power or select other settings.

If you want to keep the settings of the temporary area, you must save them to rewritable memory.

MEMO

When you import an SMF (Standard MIDI File) as a user arpeggio style (p. 45), the data is imported directly into rewritable memory; it does not pass through the temporary area.

Rewritable Memory

This is where you can save Registrations, Live Sets, SuperNATURAL Synth Tones, user arpeggio styles, and system settings (system parameters).

Non-rewritable Memory

This contains SuperNATURAL Acoustic Tones, Manual Percussion, Drums/SFX, and preset arpeggio style data.

This data cannot be directly rewritten; however, you are free to save the edited results in a Registration or Live Set.

USB Flash Drive

The data saved in rewritable memory can be backed up to a USB ash drive (p. 79).

A USB ash drive can contain one set of backup data.

Getting Acquainted with the JUPITER-80

USB Memory Song Player/Recorder

The USB Memory Song Player/Recorder plays back audio les (WAV, MP3, AIFF) that you’ve copied from your computer to a USB ash drive.

Copy to a USB Memory

Insert USB Memory

MP3/WAV/AIFF

You can also record the JUPITER-80’s performance and save it on a USB ash drive as a WAV le.

NOTE

Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used.

Audio les that can be played

MP3

Format MPEG-1 audio layer 3

Sampling Frequency 44.1 kHz

Bit Rate 32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k, 128k, 160k, 192k, 224k, 256k, 320 kbps / VBR (Variable Bit Rate)

WAV/AIFF

Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz

Bit 8, 16, 24-bit

Introduction Playing Sounds Editing Sounds

MEMO

Use only single-byte alphanumeric characters in le names and folder names.

Audio les that will be saved

WAV

Sampling Frequency 44.1kHz

Bit Rate 16-bit

Data Saved in USB Flash Drive

A USB ash drive can hold audio les, MIDI les that you want to import as user arpeggio styles, and the JUPITER-80’s internal memory data that you’ve backed up.

USB Flash Drive

ROLAND Folder

Audio Files

MIDI Files

This folder is created when you make a backup (p. 79). This contains the backup le for the JUPITER-80’s internal memory.

WAVE les created by the USB memory song player/recorder and audio les or MIDI les copied from your computer are saved here.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Copy your audio les (WAV, MP3, AIFF) to the root folder (the top level) of your USB ash drive, or create a folder on your USB ash drive and copy the les into it.

MEMO

• Use only single-byte alphanumeric characters in le names and folder names.

• A maximum of 200 les can be recognized in a folder.

Panel Descriptions

Top Panel

4 75 6

Number Area Name Explanation Page

USB MEMORY USB MEMORY connector Connect USB ash memory (available separately) here. p. 17

VOLUME [VOLUME] knob

D Beam controller

D BEAM

CONTROL

PART BALANCE

Display

[PITCH] button If this is on, the D Beam controller will control the pitch.

[VOLUME] button If this is on, the D Beam controller will control the volume.

[ASSIGNABLE] button

[HOLD] button Turns the arpeggiator Hold function on/o.

ARPEGGIO [LOWER ON/OFF] button If this is on, the arpeggiator will apply to the Lower Part.

ARPEGGIO [UPPER ON/OFF] button If this is on, the arpeggiator will apply to the Upper Part.

[TEMPO] button Accesses the tempo screen.

[VISUAL CONTROL] button

[HARMONY INTELLIGENCE] button Turns the Harmony Intelligence function on/o. p. 46

[TRANSPOSE] button

OCTAVE [DOWN] button Lowers the key range in steps of one octave.

OCTAVE [UP] button Raises the key range in steps of one octave.

[LEVEL] slider

PART [PERC] button

PART [LOWER] button

PART [UPPER] button

PART [SOLO] button Turns the Solo Part or Live Set layer 4 on/o.

Touch screen

[MENU] button Accesses the MENU screen. p. 29

[E1]–[E4] knobs Edit the values of the parameters shown in the display. p. 26

[SHIFT] button

Adjusts the volume of the output from the MAIN OUT jacks and PHONES jack.

By moving your hand above the D Beam you can apply various eects to the sound.

If this is on, the D Beam controller will control the function you’ve assigned.

Turns MIDI Visual Control on/o. When you press this button to turn it on, the setting screen will appear.

By holding down the [TRANSPOSE] button and using the [-] [+] buttons, you can transpose the keyboard in semitone steps.

Adjust the volume of each Part, or the volume of each layer in the Live Set. For a SuperNATURAL Synth Tone, these adjust the AMP level of each Partial.

Turns the Percussion Part, the Live Set layer 1, or a SuperNATURAL Synth Tone’s Partial 1 on/o.

Turns the Lower Part, the Live Set layer 2, or a SuperNATURAL Synth Tone’s Partial 2 on/o.

Turns the Upper Part, the Live Set layer 3, or a SuperNATURAL Synth Tone’s Partial 3 on/o.

Shows various information for the operation you’re performing, and allows you to control parameters by directly touching the screen.

This is used in conjunction with other buttons to access setting screens related to those buttons.

p. 23

p. 47

p. 43

p. 95

p. 50

p. 37, p. 58, p. 67

p. 27, p. 30–

p. 28

Panel Descriptions

Number Area Name Explanation Page

Use these buttons to edit values. To make the change occur

[DEC]/[INC] buttons

[

][ ][ ][ ] (Cursor) buttons

VALUE

REVERB REVERB [ON/OFF] button

SONG PLAYER/RECORDER

ROTARY SOUND

Selecting tones for Parts

Controller

Registration

Value dial

[EXIT] button

[ENTER] button

[SONG] button Accesses the Song screen. p. 72

[REC] button

[

] button

[

] button

[

] button

ROTARY SOUND [ON/OFF] button

ROTARY SOUND [SLOW/FAST ] button Switches the speaker rotation speed between Slow and Fast.

PERCUSSION Tone button Select the Tone for the Percussion Part.

Live Set LOWER button Select the Live Set for the Lower Part.

Live Set UPPER button Select the Live Set for the Upper Part.

SOLO Tone button Select the Tone for the Solo Part.

LOWER [ALTERNATE] button

UPPER [ALTERNATE] button

SOLO [ALTERNATE] button

[SPLIT] button

[SOLO SPLIT] button

[S1], [S2] buttons

Pitch Bend/Modulation Lever Modies the pitch, applies vibrato, etc. p. 47

[WRITE] button Accesses the Registration Write screen. p. 53

[PREV] button Calls up the previous Registration or Registration Set.

Registration Bank buttons ([A]–[D]) Select the Registration Bank.

Registration buttons ([1]–[8]) Select a Registration.

[NEXT] button Calls up the next Registration or Registration Set.

] button

more rapidly, hold down one button and press the opposite button. You can also make the value change rapidly by holding down the [SHIFT] button and pressing one of these buttons.

Move the cursor up/down/left/right. p. 24

Use this to edit values. To make the value change rapidly, operate the value dial while holding down the [SHIFT] button.

Returns you to the previous screen, or closes the currently open window. In some screens, this button cancels the function you were executing.

Conrms a value or executes an operation. This button also displays a list of Live Sets or tones.

Simultaneously turns on/o the output of the Live Set’s reverb and the reverb shared by the Solo Part and Percussion Part.

Selects recording-standby mode. Next, press the [ button to start recording.

Returns to the beginning of the audio le.

Rewinds the audio le while you hold down the button.

Fast-forwards the audio le while you hold down the button.

Stops audio le playback or recording.

Plays back the audio le.

Turns on/o the rotary eect assigned to the MFX of the Live Set.

These buttons call up dierent sounds that are similar to the sounds of the Part sound buttons.

Splits the keyboard. Keys to the left of the Lower Split Point will play only the sounds of the Lower Part and the Percussion Part.

Splits the keyboard. Keys to the right of the Solo Split Point will play only the sound of the Solo Part.

Convenient performance functions can be assigned to these buttons.

p. 25

–

p. 49

]

p. 77

p. 72

p. 49

p. 36

p. 39

p. 47

p. 41

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Panel Descriptions

Rear Panel Connections

[POWER] switch

This turns the power on/o (“Turning the Power On” (p. 23).

AC IN jack

Connect the included AC cord here.

DIGITAL AUDIO OUT (COAXIAL) jack

Connect this to speakers or other devices that are equipped with a digital input.

This jack outputs the same audio signal as the MAIN OUT jacks.

USB COMPUTER connector

With a USB cable, you can connect the JUPITER-80 to your computer (p. 90).

FOOT PEDAL jacks

MIDI connectors

For connecting MIDI device (p. 91).

Hold jack

Here you can connect a pedal switch (such as one from the DP series; sold separately) and use it as a Hold pedal (p. 48).

NOTE

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn o the power on all devices before making any connections.

CTRL 1, CTRL 2 jacks

Here you can connect an expression pedal (EV-5; sold separately) and use it to control various parameters or functions (p. 48).

* Use only the specied expression pedal (EV-5; sold

separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Panel Descriptions

1: GND2: HOT

1: GND 2: HOT

1: GND

3: COLD

SUB OUT jacks

You can connect speakers here for use as monitors, or for outputting only the reverb sound. The system setting “Output Assign” (p. 86) species which sounds will be output from the SUB OUT jacks.

* The [VOLUME] knob on the top panel does not

adjust the volume of these jacks.

MAIN OUT (TRS) jacks

Connect your speakers here. To employ monaural output, connect to the L/MONO jack.

This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are shown below. Make connections after rst checking the wiring diagrams of other equipment you intend to connect.

TIP: HOT RING: COLD SLEEVE: GND

MAIN OUT (XLR) jacks

These are balanced output jacks for audio signals. Connect them to your mixer.

Introduction Playing Sounds Editing Sounds

2: HOT

AUDIO IN (STEREO) jack

Connect your digital audio player or audio playback device here. Use a stereo mini-plug cable (commercially available) to make the connection.

The input level is adjusted by the [LEVEL] knob located at the left of the jack.

PHONES jack

You can connect a set of headphones (sold separately) here.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Placing the JUPITER-80 on a Stand

Be careful not to pinch your ngers when setting up the stand.

If you want to place the JUPITER-80 on a stand, use the Roland KS-J8, KS-G8, or KS-18Z.

Place the instrument on the stand as follows.

KS-J8

Firmly insert the rubber feet on the bottom of the keyboard (at its front, beneath the keys) into the rubber feet receptacles on the arms.

KS-G8

Align the front of the JUPITER-80 with the front of the stand

KS-18Z

Align the front of the JUPITER-80 with the front of the stand

Adjust so that the height does not exceed 1 meter (Adjust the stand to a level no higher than the fourth level from the bottom)

Place the JUPITER-80 so that it’s rubber feet are in the inner side of the stand

Top view

Adjust the width of the stand so that the rubber feet of the JUPITER-80 straddle the stand

Top view

Turning the Power On

Once the connections have been completed (p. 20), turn on power to your various devices in the order specied. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Turning the Power On

* Before switching the power on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound

when switching the power on/o (p. 5). However, this is normal and does not indicate a malfunction.

1. Minimize the volume of the JUPITER-80 and your speakers.

2. On the JUPITER-80’s rear panel, turn the [POWER] switch ON.

Introduction Playing Sounds Editing Sounds

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

3. Turn on the power of your speakers.

4. Use the [VOLUME] knob to adjust the volume appropriately.

Turning the Power O

1. Minimize the volume of the JUPITER-80 and your speakers.

2. Turn o the power of your speakers.

3. Turn the JUPITER-80’s [POWER] switch OFF.

If you need to turn o the power completely, rst turn o the POWER switch, then unplug the power cord from the “Power Supply” (p. 5).

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Basic Operation

This section explains the basic button and knob operations used to operate the JUPITER-80.

Moving the Cursor

A single screen or window will contain multiple items (parameters) to edit or select. To edit a parameter’s setting, you must rst move the cursor to that parameter’s value.

The value of the selected parameter is highlighted in blue, and the knob or slider is indicated by a green frame.

Touch panel

To move the cursor, simply touch a parameter value, knob, or slider.

Cursor (highlighted blue)

Cursor (green frame)

Cursor buttons

You can move the cursor by pressing the [ ] [ ] [ ] [ ] (cursor) buttons.

If you hold down a cursor button, the cursor will continue moving.

If you hold down the cursor button for the desired direction, and then press the opposite cursor button, the cursor will move more quickly.

Editing a Value

To edit the value highlighted by the cursor, use either of the following controllers.

• Value dial

• [DEC] [INC] buttons

• Touch panel

Value dial

Turning the value dial toward the right will increase the value, and turning it toward the left will decrease the value.

If you hold down the [SHIFT] button while turning the value dial, the value will change in larger steps.

[DEC] [INC] buttons

Press the [INC] button to increase the value, or press the [DEC] button to decrease the value.

• If you hold down a button, the value will increase (or decrease) continuously.

• To rapidly increase the value, hold down the [INC] button and press the [DEC] button. Conversely, to rapidly decrease the value, hold down the [DEC] button and press the [INC] button.

• If you hold down the [SHIFT] button and press the [INC] button or [DEC] button, the value will change in larger steps.

Basic Operation

Introduction Playing Sounds Editing Sounds

Touch panel

When you touch the eld highlighted by the cursor, a list of the available selections for that item will appear.

Select an item and touch <Select>.

MEMO

Instead of touching the eld highlighted by the cursor, you can press the [ENTER] button to view a list.

If an on-screen knob or slider is enclosed in a green frame (i.e., is selected), you can drag your nger up/down/left/right to edit its value.

Upward or to the right will increase the value, and downward or to the left will decrease the value.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Basic Operation

[E1]–[E4] knobs

When knob icons are shown in the Lower Part of the screen, the [E1]–[E4] knobs will change the parameter values of those knob icons.

MEMO

You can assign performance-related functions to knobs [E1]–[E4]. The functions assigned to knobs [E1]–[E4] can be specied in the Registration Common/Control screen (p. 52).

If you turn an [E1]–[E4] knob while touching the selected knob or slider (i.e., the one enclosed by the green frame) in the screen, the parameter you touched will be assigned to the knob you turned.

Now you can edit the value by turning the [E1]–[E4] knob.

The parameters assigned to the [E1]–[E4] knobs are indicated by icons E1–E4.

This operation is available in the following screens.

• Registration Part screen (p. 30)

• Registration Eects Routing screen (p. 31)

• Live Set Eects Routing screen (p. 32)

• Synth Tone Edit screen (p. 33)

Basic Touch Panel Operation

The JUPITER-80’s display is a touch panel; you can perform a variety of operations by directly touching the display.

Here are the basic rules.

Screen indication Explanation

Basic Operation

Edit

Return

Top

Save

Tempo

Utility

Tab

Displays an edit screen for Registrations or Live Sets.

Returns you to the previous screen. Pressing the [EXIT] button has the same result.

Accesses the Registration screen.

Saves the Registration (p. 53).

Saves the Live Set (p. 62).

Saves the Tone (p. 68).

Saves the system settings (p. 83).

Accesses the tempo setting screen (p. 43).

Displays a context-sensitive menu for each screen.

Switch between edit screens.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Scroll bar/Scroll buttons

Cancel/Select

Drag this up or down to scroll the list.

By pressing the scroll buttons located at the top and bottom of the scroll bar, you can scroll by one item at a time.

<Cancel> discards the selected content and returns you to the previous screen.

<Select> conrms the selected content. (Pressing the panel [ENTER] button has the same result.)

If you touch this icon when a sound list or the like is displayed, a keyboard will appear. By using the keyboard to enter a key word, you can narrow down the items shown in the list.

Connecting Other

Equipment

Appendix

Basic Operation

[SHIFT] Button Operations

By holding down the [SHIFT] button and pressing another button, you can edit the settings of the button you pressed, or access a specic screen (shortcut).

Shortcut Description Page

[SHIFT] + [ASSIGNABLE] Accesses the D Beam Assign setting screen. p. 52

[SHIFT] + [S1] (or [S2]) Accesses the Switch S1 Assign (or Switch S2 Assign) setting screen. p. 52

[SHIFT] + [HOLD]

[SHIFT] + ARPEGGIO LOWER [ON/OFF]

[SHIFT] + ARPEGGIO UPPER [ON/OFF]

[SHIFT] + [HARMONY INTELLIGENCE] Accesses the Harmony Type setting screen. p. 46

Accesses the arpeggiator setting screen. p. 52

[SHIFT] + [SPLIT] Accesses the Lower Split Point setting screen. p. 52

[SHIFT] + [SOLO SPLIT] Accesses the Solo Split Point setting screen. p. 52

[SHIFT] + LOWER [BASS] Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Lower Part.

[SHIFT] + LOWER [PAD] Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Lower Part.

[SHIFT] + LOWER [CHOIR] Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Lower Part.

[SHIFT] + LOWER [STRINGS] Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Lower Part.

[SHIFT] + LOWER [SYNTH BRASS] Accesses the Live Set Common screen of the Lower Part. p. 56

[SHIFT] + LOWER [WOOD WINDS] Accesses the Live Set Layer screen of the Lower Part. p. 56

[SHIFT] + LOWER [OTHER] Accesses the Live Set Eects Routing screen of the Lower Part. p. 56

[SHIFT] + UPPER [PIANO] Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Upper Part.

[SHIFT] + UPPER [E. PIANO] Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Upper Part.

[SHIFT] + UPPER [CLAV] Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Upper Part.

[SHIFT] + UPPER [COMBO ORGAN] Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Upper Part.

[SHIFT] + UPPER [VIBES/MARIMBA] Accesses the Live Set Common screen of the Upper Part. p. 56

[SHIFT] + UPPER [ACCORDION/HARMONICA] Accesses the Live Set Layer screen of the Upper Part. p. 56

[SHIFT] + UPPER [OTHER] Accesses the Live Set Eects Routing screen of the Upper Part. p. 56

[SHIFT] + [PREV] Selects the previous Registration Set.

[SHIFT] + [NEXT] Selects the next Registration Set.

Accesses the Tone Blender screen.

[SHIFT] + rotate the [E1]–[E4] knobs

* This function is available in Registration screens and Live Set screens, and requires that Tone

Blender (CC79) be assigned as one of the Knob E1 Assign–Knob E4 Assign settings (Registration Common/Control screen, p. 52).

p. 60

p. 42

p. 61

If you hold down the [SHIFT] button while editing a parameter’s value, the value will change in larger steps.

Basic Operation

[MENU] Button Operations

When you press the [MENU] button, the Menu screen will appear in the display.

Touch an icon in the screen to select the corresponding menu.

Assigning a Name

The JUPITER-80 lets you assign names to the following items.

• Registration

• Live set

• SuperNATURAL Synth Tone

• User arpeggio style

• Song

Regardless of what you’re naming, the procedure is the same.

Clear All

Deletes all characters that you’ve entered.

Back Space

Deletes the character to the left of the cursor.

Keyboard

Select characters.

Introduction Playing Sounds Editing Sounds

Cancels what has been entered and closes the screen.

Menu Explanation Page

System

Regist Button Lock Lock the Registration buttons. p. 81

Regist Set Exchange Exchanges Registration Sets. p. 82

Backup

Restore

Format USB Memory

Touch Screen Calibration

Factory Reset

Make overall settings for the entire JUPITER-80.

Backs up the JUPITER-80’s settings to a USB ash drive.

Restores the JUPITER-80’s settings from a USB ash drive.

Format the USB ash drive that’s connected to the USB MEMORY connector.

Calibrates the touch panel. p. 82

Resets the JUPITER-80 to its factory settings.

p. 83

p. 79

p. 80

p. 81

p. 87

MEMO

You can also use the value dial or cursor buttons to select an icon in the menu screen, and press the [ENTER] button to select it.

Shift / !@#$.

Switches between types of characters.

Space

Enters a space.

<< / >>

Moves the cursor (the location of the character to be entered).

Del

Deletes the character to the right of the cursor location.

Finalizes what has been entered and closes the screen.

MEMO

You can also use the cursor [

] [ ] buttons to move the cursor, and use the value dial or [DEC] [INC] to select the character that you want to enter.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Navigating Between Screens

On the JUPITER-80, you navigate between screens by touching the enclosed areas or buttons shown in the illustrations below. Here we explain how to navigate between screens.

For details on each screen, refer to the page indicated by the

The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match

what appears in the manual.

Registration screen

This is the main screen that appears when you turn on the power. It shows the name of the currently selected Registration, the sound and volume of each Part, and the split status.

p. XX

symbol.

p. 34, p. 39

Live Set List screen

Select the Live Sets for the Upper and Lower Parts. Select the Tone for the Solo Part.

Tone List screen

Select the Tone for the Percussion Part. View the name and volume of the Tones assigned to each layer of the Live Set.

p. 36

p. 38

Tone List screen

Live Set screen

p. 36

p. 56

Registration List screen

Select a Registration from a list View the Registration’s volume, and settings such as the volume and pan of

p. 41

Registration Part screen

each Part.

p. 31, p. 52

Registration Part screen

Here you can view the volume of the Registration, and the volume and pan settings of each Part.

Navigating Between Screens

432

p. 36, p. 38

Registration PERC Part screen

Edit the settings of the Percussion Part. Edit the settings of the Solo Part.

Registration Common/Control screen

Make overall settings for the Registration.

p. 52

Registration SOLO Part screen

Registration Eects Routing screen

Edit the eect settings for the Registration.

p. 52

Introduction Playing Sounds Editing Sounds

p. 52

Other Convenient

Functions

Registration External Part screen

Edit Part settings for an external MIDI device.

Connecting Other

Equipment

p. 91

Appendix

Navigating Between Screens

Live Set screen

View the name and volume of the Tones assigned to each layer of the Live Set.

p. 30

Tone List screen

Select the Tone for each layer. Edit the eect settings for the Live Set.

Live Set Tone Modify screen

Edit the sound of each layer. Edit the settings of each layer.

p. 57

p. 56

Live Set Eects Routing screen

Live Set Layer screen

p. 59

p. 34, p. 61

p. 56

p. 34

Live Set List screen

Select a Live Set. Make overall settings for the Live Set.

p. 36

p. 34, p. 61

Live Set Common screen

p. 34, p. 61

p. 56

p. 34, p. 61

Live Set Eects Routing screen

Edit the eect settings for the Live Set.

Navigating Between Screens

p. 34, p. 61

Introduction Playing Sounds Editing Sounds

Live Set MFX screen

p. 59

Synth Tone Edit (OSC/FILTER/AMP) screen

Edit the oscillator, lter, and amp settings of the SuperNATURAL Synth Tone.

Live Set Reverb screen

Edit the reverb parameters of the Live Set.

p. 59

Other Convenient

Functions

Connecting Other

Equipment

LFO screen

Edit the Tone’s LFO settings. Make detailed settings for the Tone.

p. 66

Pro Edit screen

p. 66

Appendix

Navigating Between Screens

Tone Blender screen

Simultaneously edit multiple parameters of the Live Set.

p. 61

Key Range View screen

View the split and key range status.

p. 39

Song screen

Press the [SONG] button to access the Song screen. Here you can operate the USB song player/recorder.

p. 72

Visual Control screen

The Visual Control screen will appear when you press the [VISUAL CONTROL] button.

Here you can use the JUPITER-80 to control video equipment that supports Visual Control.

MENU screen

Press the [MENU] button to access the MENU screen.

From here you can access the JUPITER-80’s settings and numerous functions.

p. 29

p. 95

Playing Sounds

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Selecting the Sound for Each Part (Selecting Live Sets / Tones)

The JUPITER-80 has four Parts: Solo, Upper, Lower, and Percussion. You can assign a Tone or Live Set to each Part, and play it.

Solo Part

Upper Part

Lower Part

Percussion Part

You can use the value dial or the [DEC] [INC] buttons to switch the sound name at the cursor location in the Registration screen (p. 30).

You can also move the cursor to the sound name of each Part and then touch the sound name again to view a list.

Select sounds.

Tone

Live Set

Tone

2. If you press the same Part sound button once again, you’ll

be able to choose sounds from a list.

Select a sound category.

Select a sound.

Conrm your selection.

MEMO

You can use the same procedure to select a Tone for the Solo Part.

REFERENCE

For details on selecting sounds for the Percussion Part, refer to “Playing Drum Sounds and Sound Eects (Percussion)” (p. 38).

REFERENCE

For details on operations in this screen, refer to “Basic Touch Panel Operation” (p. 27).

Using the Part Sound Buttons to Switch Live Sets or the Solo Part’s Tone

You can use the Part sound buttons to switch Live Sets for the Upper Part and Lower Part, and to switch the Tone of the Solo Part.

As an example, here’s how to switch the Live Set of the Upper Part.

1. Access the Registration screen (p. 30), and press one of the

Part sound buttons for the Upper Part.

Upper

The sound of the Upper Part will change.

For example, if you press the UPPER [PIANO] button, the Upper Part will switch to a piano sound.

Sound buttons and sound categories

The sound buttons correspond to the following sound categories.

Upper Part

Button Category Explanation

Ac. Piano Acoustic piano

PIANO

E. PIANO

CLAV Clav Clavi

COMBO ORGAN E. Organ Electric organ

PIPE ORGAN

THEATER

ORGAN

GUITAR

SYNTH LEAD

VIBES/ MARIMBA

ACCORDION/ HARMONICA

OTHER All Categories All sounds

Pop Piano Piano suitable for pop music

E. Grand Piano Electric grand piano

E. Piano 1

E. Piano 2

Pipe Organ Pipe organ

Pipe Organ Theater organ

Ac. Guitar Acoustic guitar

E. Guitar Electric guitar

Dist. Guitar Distortion guitar

Synth Lead Synth read

Mallet Vibraphone and marimba

Accordion Accordion

Harmonica Harmonica

Electric piano

Selecting the Sound for Each Part (Selecting Live Sets / Tones)

Lower Part

Button Category Explanation

Ac. Bass Acoustic bass

BASS

PAD

CHOIR Vox/Choir Human voice and choir

STRINGS

SYNTH STRINGS

BRASS/SAX

SYHTH BRASS

WOOD WINDS

OTHER All Categories All sounds

E. Bass Electric bass

Synth Bass Synth bass

Synth Pad/Strings Synth pads and synth strings

Synth Bellpad Synth bellpad

Solo Strings Solo Strings

Ensemble Strings String ensembles

Orchestral Orchestral strings

Synth Pad/Strings Synth pads and synth strings

Solo Brass Brass instruments such as trumpet

Ensemble Brass Brass instrument ensembles

Sax Sax

Synth Brass Synth brass

Wind Woodwinds

Flute Flute

Recorder Recorder

Instantly Switching the Variation Sounds (Alternate Button)

By pressing the [ALTERNATE] button, you can select a dierent sound of the same type as that of the Part sound button.

The sound that’s selected will be the one that is specied in “LIVE SET/TONE BUTTONS” (p. 87) (with the factory settings).

MEMO

If the [ALTERNATE] button is turned on, pressing a Part sound button will display all categories.

For example, you can also assign sounds of other types (such as bass) to the [PIANO] button.

Turning Each Part On/O and Adjusting its Volume

When the Registration screen is displayed, you can use the panel’s PART BALANCE area to turn each of the four Parts on/o and adjust their volume.

Introduction Playing Sounds Editing Sounds

Solo Part

Button Category Explanation

VIOLIN Solo Strings Solo strings such as violin

TRUMPET Solo Brass Brass instruments such as trumpet

SAX Sax Sax

FLUTE Flute Flute

OBOE Wind Woodwinds such as oboe

BELL Bell Bell

All sounds

OTHER All Categories

MEMO

The sound that is selected when you press a sound button is determined by the “LIVE SET/TONE BUTTONS” (p. 87).

* The SuperNATURAL Acoustic

Tone 0028: TW Organ cannot be selected.

Use the sliders to adjust the volume of each Part.

The level meter shows the volume setting for each Part.

Turn each Part on/o.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Playing Drum Sounds and Sound Eects (Percussion)

The JUPITER-80 provides a “Percussion” function, which lets you play a variety of drum sounds and sound eects.

Playing Percussion Sounds and Voice Phrases (Manual Percussion)

You can use the 15 leftmost keys of the keyboard to play a variety of percussion instrument sounds and voice phrases.

This function is called “Manual Percussion.”

Percussion instrument sounds (15 keys)

1. Press the [MANUAL PERCUSSION] button.

Playing Drum Sounds on the Entire Keyboard (Drums/SFX)

You can use the entire keyboard to play various drum and sound eects (SFX). This function is called “Drums/SFX.”

1. Press the [DRUMS/SFX] button.

The “Drums/SFX” function will turn on (the button will be lit). Play the keyboard; each key will play a dierent drum sound or sound eect.

MEMO

• Depending on the drums or sound eects, some keys might not produce sound.

• If Split (p. 39) is on, you can play drums/SFX in the same region of keys as the Lower Part.

2. To turn this o, press the [DRUMS/SFX] button once again.

The “Drums/SFX” function will turn o (the button will be unlit.)

The Manual Percussion function will turn on (the button will be lit).

Play the 15 leftmost keys of the keyboard, and you’ll hear a dierent percussion instrument sound or voice phrase for each key.

Percussion instrument sounds

(15 keys)

NOTE

• The [MANUAL PERCUSSION] button and [DRUMS/SFX] button can’t be used simultaneously.

• If Manual Percussion is turned on, the 15 leftmost keys of the keyboard are used only for the Percussion Part.

Switching the Sounds Played by Manual Percussion or Drums/SFX

There are 8 types of Manual Percussion, and 16 types of Drums/SFX sound sets. You can switch between these as desired.

1. In the Registration screen (p. 30), touch a sound name to

access a list.

Percussion tone name

The Tone List screen will appear.

2. Select the desired sound.

Select a sound category.

Select a sound.

2. To turn this o, press the [MANUAL PERCUSSION] button

once again.

The Manual Percussion function will turn o (the button will be unlit).

Conrm your selection.

* The available sounds will dier for Manual Percussion and

drums/SFX.

Split Performance

A “split” is a setup in which the keyboard is divided into zones, each playing a dierent Part.

Lower Part

Splits can be either “splits,” which divide the keyboard into an Upper Part and Lower Part, or “Solo Splits,” which divide the keyboard into a Solo Part and Upper Part. The point at which the keyboard is divided is called either the “Lower Split Point” or “Solo Split Point.”

If Split is turned on, keys to the right of the Lower Split Point will play the sound of the Upper Part, and keys to the left will play the sound of the Lower Part. The Lower Split Point key itself (B3) is the highest key of the Lower Part (it is included in the Lower Part).

Upper Part

Lower Split Point (B3)

Solo Part

Solo Split Point (C6)

Turning Split On

1. Press the [SPLIT] button or [SOLO SPLIT] button.

Introduction Playing Sounds Editing Sounds

Split or Solo Split will turn on (the button will light).

The screen will indicate the split status.

Solo Split PointLower Split Point

If Solo Split is turned on, keys to the right of the Solo Split Point will play the sound of the Solo Part, and keys to the left will play the sound of the Upper Part. The Solo Split Point key itself (C6) is the lowest key of the Solo Part (it is included in the Solo Part).

MEMO

• You can change the Lower Split Point and the Solo Split Point (p. 40).

• The split settings are saved in the Registration.

• For more about split for the Percussion Part, refer to “How Split and Parts are Related” (p. 40).

2. To turn it o, press the [SPLIT] button or [SOLO SPLIT]

button once again.

Split or Solo Split will turn o (the button will go out).

Checking Splits and Key Ranges

Touch the keyboard graphic in the Registration screen to check the split and key range settings (p. 34).

Turns split on/o. Turns Solo Split on/o.

Turn the Part on/o.

Species the key range.

Lower Part

Upper Part

Solo Part

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Turns layer on/o.

Species the type of tone.

Species the tone.

Indicates the key range (sound is produced in the specied region).

Split Performance

How Split and Parts are Related

The following table shows how the split status determines the Parts that are assigned to the keyboard.

[DRUMS/SFX]

On On

On On On

[MANUAL

PERCUSSION]

[SPLIT] [SOLO SPLIT ]

Solo

Upper

Lower

Percussion

On On

On On On

Changing the Split Point

You can change the point (Lower Split Point or Solo Split Point) at which the keyboard is divided when Split or Solo Split are on.

The Lower Split Point is the top key of the Lower Part; you can specify it in the range of E1–F#7.

The Solo Split Point is the bottom key of the Solo Part; you can specify it in the range of F1–G7.

1. Hold down the [SPLIT] button or [SOLO SPLIT] button, and press the key that you want to specify as the split point.

Hold down the [SPLIT] button and press a key to specify the Lower Split Point. Hold down the [SOLO SPLIT] button and press a key to specify the Solo Split Point.

Switching Registrations

A Registration is used to store the sounds selected for each Part, as well as various performance-related settings (system parameters are excepted).

By switching Registrations, you can instantly change the song’s sounds while you perform, or change numerous settings with a single operation.

Here’s how to switch Registrations and verify that the settings have been changed.

1. Press a Registration button ([1]–[8]) to select a

Registration.

Switching Banks

Each bank contains 8 Registrations. There are 4 banks, A–D, meaning that 8 Registrations x 4 banks = 32 Registrations are available.

Here’s how to select other Registrations by switching banks.

Introduction Playing Sounds Editing Sounds

The Registration will change.

MEMO

• In the Registration screen, you can also switch Registrations by moving the cursor to the Registration name and using the value dial or the [DEC] [INC] buttons.

• You can use the “Registration Lock” function (p. 81) to lock the Registration buttons so that the settings will not be changed inadvertently.

Bank

(A–D)

You can select other Registrations by switching banks.

Registration (1–8)

1. Press a bank button ([A]–[D]) to select a bank.

The selected bank button ([A]–[D]) and the Registration buttons ([1]–[8]) will blink.

MEMO

If you decide not to switch banks, press the [EXIT] button or the bank button that’s blinking.

2. Press a Registration button ([1]–[8]) to select a

Registration.

The bank and Registration will be changed.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Switching Registrations

Switching Registration Sets

A Registration Set contains 4 banks (A–D). You can create 8 Registration Sets, meaning that 8 Registrations x 4 banks x 8 sets = 256 Registrations are available. Here’s how to switch the Registration Set so that you can select other banks.

Set 8

Set 1

Bank

(A–D)

You can use the [NEXT] button and [PREV] button to switch Registration Sets.

1. Set the system parameter “Registration Next/Prev Button”

(p. 86) to “REGISTRATION SET.”

MEMO

With the factory settings, Registration Next/Prev Button is set to “REGISTRATION SET.”

Registration (1–8)

Switching Registrations Consecutively

Here’s how to switch Registrations consecutively.

1. Set the system parameter“Registration Next/Prev Button”

(p. 86) to “REGISTRATION.”

MEMO

If you decide not to switch banks, press the [EXIT] button or the bank button that’s blinking.

2. Press the [NEXT] button or [PREV] button.

Pressing the [NEXT] button steps you through the Registrations in the following order.

Set 1

2. Press the [NEXT] button or [PREV] button.

Pressing the [NEXT] button switches to the next Registration Set; pressing the [PREV] button switches to the previous Registration Set.

The display indicates the Registration Set that’s selected.

Registration Set

MEMO

• If “Registration Next/Prev Button” (p. 86) is set to “REGISTRATION,” you can also switch Registration Sets by holding down the [SHIFT] button and pressing the [PREV] button or [NEXT] button.

• You can use the “Registration Exchange” function (p. 82) to swap entire sets of Registrations.

Set 2

Set 8

MEMO

Pressing the [PREV] button steps you through the Registrations in the opposite order.

Using the Arpeggiator

The JUPITER-80 has an arpeggiator that automatically plays arpeggios. When you press notes on the keyboard, those notes will be automatically played as an arpeggio.

Arpeggios can be played in the Lower Part and Upper Part.

MEMO

Arpeggiator settings are saved in the Registration.

Turning the Arpeggiator On

1. Press the ARPEGGIO [LOWER ON/OFF] button or

ARPEGGIO [UPPER ON/OFF] button.

The arpeggiator will turn on (the button will light).

2. Press a chord on the keyboard.

The Part whose arpeggiator you turned on will sound an arpeggio consisting of the notes of the chord you play.

3. To turn o the arpeggiator, press the ARPEGGIO [LOWER

ON/OFF] button or the ARPEGGIO [UPPER ON/OFF] button once again.

The arpeggiator will turn o (the button will go out).

Holding the Arpeggio (HOLD)

The Hold function allows you to have the arpeggio continue even after you release your ngers from the keyboard.

1. Press the [HOLD] button.

Introduction Playing Sounds Editing Sounds

Hold will turn on (the button will light).

2. Play a chord on the keyboard.

According to the notes of the chord you press, an arpeggio will begin playing on the Part for which you turned the arpeggiator on.

If you play a dierent chord or other keys while Hold is on, the arpeggio will change accordingly.

3. To turn Hold o, press the [HOLD] button once again.

Hold will turn o (the button will go out).

Using a pedal switch

By playing a chord while holding down a pedal switch (p. 20), you can make the arpeggio continue playing even after you release the keyboard.

1. Connect a pedal switch (such as one from

the DP series; sold separately) to the HOLD jack.

Setting the Arpeggiator Tempo

Here’s how to set the tempo of the arpeggiator/rhythm function.

1. Press the [TEMPO] button.

The Tempo screen will appear.

2. Set the tempo.

MEMO

You can set the tempo by pressing the [TEMPO] button or touching <Tap Tempo> at the desired timing (Tap Tempo). Press (or touch) three times or more at quarter-note intervals of the desired tempo.

2. Press the ARPEGGIO [LOWER ON/OFF] button or the

ARPEGGIO [UPPER ON/OFF] button.

3. Hold down the pedal switch, and play a chord.

If you play other chords or keys while the arpeggio is being held, the arpeggio will change accordingly.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

3. Touch <Close>.

Using the Arpeggiator

Editing the Arpeggiator Settings

Here’s how to make detailed arpeggiator settings for the style, timing, and accent.

1. Hold down the [SHIFT] button and press the ARPEGGIO

[LOWER ON/OFF] button or ARPEGGIO [UPPER ON/OFF] button.

The Registration Common/Control screen (p. 31) will appear.

2. Edit the settings.

3. When you’ve nished editing, press the [EXIT] button.

Arpeggio Parameters

Parameter Value Explanation

Species the basic style of the arpeggio.

Style

Hold OFF, ON

Variation 1–

Motif

Velocity REAL, 1–127

P001–P128, U001–U128

Choose one of the following to specify the order in which the notes of the chord you play will be sounded.

DOWN

UP&DOWN

RANDOM

NOTE ORDER

GLISSANDO

CHORD

AUTO1

AUTO2

PHRASE

You can create your own original arpeggio style by importing an SMF into an arpeggio style. For details, refer to “Creating an Arpeggio Style from a MIDI File (Import)” (p. 45)..

Turns the arpeggio hold function on/o.

Each arpeggio style provides several variations (patterns). Here you can select the variation number. The number of variations will depend on the arpeggio style.

The notes will be sounded from the lowest to the highest note you play.

The notes will be sounded from the highest to the lowest note you play.

The notes will be sounded from the lowest to the highest note, and then back down to the lowest note.

The notes you play will be sounded in random order.

The notes you play will be sounded in the order you played them. You can create a melody line by playing the notes in the appropriate order. The order of up to 128 notes can be remembered.

A chromatic glissando will be sounded upward and then downward repeatedly between the lowest and highest notes you played. Play two notes; the lowest and highest desired notes.

All of the notes you play will sound simultaneously.

The timing at which each note will sound is assigned automatically, starting at the lowest note you play.

The timing at which each note will sound is assigned automatically, starting at the highest note you play.

Play only one key; a phrase based on the pitch of that key will be sounded. If you play more than one key, the last key you play will take priority.

Species the loudness at which the notes you play will be sounded. If you want the notes to be sounded at the velocity with which you actually struck the key, choose “REAL.” If you want the notes to be sounded at a xed velocity regardless of how strongly you struck the key, specify that value (1–127).

Oct Range -3–+3

Accent 0–100%

Shue Rate 0–100%

Shue Resolution

Species the range in octaves in which the arpeggio will be sounded. Choose “0” if you want only the notes you play to be sounded. Choose “+1” if you want the notes of the chord you played as well as the same notes one octave higher to be sounded. Choose “-1” if you want the notes of the chord you played as well as the notes one octave lower to be sounded.

Modies the groove of the performance by adjusting the strength of the accents and the duration of the notes. The “100%” setting produces the strongest sense of groove.

Produces a shue rhythm by adjusting the timing of the notes.

With the “50%” setting, notes will be sounded at equal intervals. As this value is increased, the result will be more like dotted notes.

Shue Rate= 50%

50 5050 50

Shue Rate= 90%

90 10 90 10

Species the timing (as a note value) at which the notes will be heard.

Creating an Arpeggio Style from a MIDI File (Import)

You can create your own original arpeggio style by importing an SMF (Standard MIDI File).

Using the Arpeggiator

4. Select the SMF that you want to import, and then touch

<IMPORT>.

Select the SMF.

MEMO

• Before you import the SMF, use your computer to copy the SMF to the root folder (top level) of your USB ash drive, or create a folder on your USB ash drive and copy the SMF into that folder.

• Use only single-byte alphanumeric characters in the le name and folder name.

• A maximum of 200 les can be recognized within a folder.

1. Hold down the [SHIFT] button and press the ARPEGGIO

[LOWER ON/OFF] or ARPEGGIO [UPPER ON/OFF] button.

The Registration Common/Control screen will appear.

2. Select the import-destination user style (U001–U128).

3. Touch <SMF IMPORT>.

Conrm your selection.

5. Assign a name to the arpeggio style.

For details on how to assign a name, refer to ““Assigning a Name” (p. 29).

6. Touch <OK>.

The screen will ask “Are you sure?”

7. Touch <OK>.

The SMF will be imported into the style number you specied.

* Please note the following points when importing an arpeggio.

• Only SMF Format 0 data is supported. If the format is incorrect, the screen will indicate “Cannot Import SMF Format 1!” or “Incorrect File!”

• Only the following data will be imported into the arpeggio: note messages, control change messages, channel pressure, and pitch bend.

• A maximum of 500 note events can be imported, with on/o counted as a single event. In addition to note events, a total of up to 500 events of control change messages, channel pressure, and pitch bend can be imported. If you try to import more than the allowable number of events, the message “Too Much Data!” will appear.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

MEMO

If you don’t select U001–U128 as the Style number, <SMF IMPORT> will not be available to touch.

Connecting Other

Equipment

Appendix

Performing With Added Harmony

The Harmony Intelligence function adds appropriate harmony to the highest notes of the Upper Part, based on the chords you play in the Lower Part. When you turn Harmony Intelligence on, Split (p. 39) will also turn on; the right keyboard zone will play the sound of the Upper Part, and the left keyboard zone will play the sound of the Lower Part.

MEMO

Harmony Intelligence settings are saved in the Registration.

1. Press the [HARMONY INTELLIGENCE] button.

Harmony Intelligence will turn on (the button will light).

MEMO

When you turn on Harmony Intelligence, the split (p. 39) will also turn on automatically.

2. Press a chord in the Lower Part, and play the keyboard in

the Upper Part.

Harmony based on the chord of the Lower Part will be added to the Upper Part.

MEMO

The harmony is added to the highest note played in the Upper Part.

3. To turn o the function, press the [HARMONY

INTELLIGENCE] button once again.

Harmony Intelligence will turn o (the button will go out).

MEMO

Turning o Harmony Intelligence will not automatically turn o the split function (p. 39).

Changing the Harmony Intelligence Type

You can choose from 17 types of Harmony Intelligence.

The Harmony Intelligence type will aect the number of harmony notes and how they are sounded (the number of voices played).

2. Choose the desired Harmony Type.

Harmony Type Explanation

ORGAN

BIG BAND

STRINGS

BLOCK

HYMN

TRADITIONAL

DUET

COMBO

COUNTRY

BROADWAY

GOSPEL

OCTAVE1

OCTAVE2

1NOTE

2NOTES

3NOTES

4NOTES

MEMO

For optimal harmony, select appropriate sounds for the Upper Part and Lower Part as indicated in the explanation for each harmony type.

Harmony appropriate for organ sounds will be produced.

Harmony typical of big band jazz will be produced. This is appropriate for brass sounds.

Harmony typical of a string ensemble will be produced. This is appropriate for string sounds.

Block chord harmony will be produced.

This is appropriate for piano or mallet sounds.

Harmony appropriate for hymns will be produced. This is appropriate for choir sounds.

Two notes of harmony will be added to the notes you play.

Simple duet harmony will be produced. This is appropriate for brass sounds.

Combination harmony will be produced.

This is appropriate for brass or wind sounds.

Open chord harmony will be produced.

This is appropriate for guitar sounds.

Flamboyant show-type harmony will be produced. This is appropriate for organ sounds.

Gospel harmony will be produced. This is appropriate for organ or choir sounds.

The note you play will be layered with a note one octave lower.

The note you play will be layered with a note two octaves lower.

One note of harmony will be added to the note you play.

Two notes of harmony will be added to the note you play.

Three notes of harmony will be added to the note you play.

Four notes of harmony will be added to the note you play.

3. Press the [EXIT] button.

When Harmony Intelligence is on, the name of the chord you play in the Lower Part is shown in the Registration screen.

1. Hold down the [SHIFT] button and press the [HARMONY

INTELLIGENCE] button.

The Registration Common/Control screen (p. 31) for Harmony Intelligence settings will appear.

Chord name played in the Lower Part

Controlling the Performance

Moving Your Hand to Modify the Pitch or Volume (D Beam Controller)

You use the D Beam controller simply by moving your hand above it. By assigning dierent functions to it, you can control the sound in various ways.

MEMO

D Beam controller settings are saved in the Registration.

1. Press the D BEAM [PITCH], [VOLUME], or [ASSIGNABLE]

button to turn the D Beam controller on.

Button Explanation

[PITCH] button

[VOLUME] button

[ASSIGNABLE] button

MEMO

You can assign a performance-related function to the [ASSIGNABLE] button. The function assigned to the [ASSIGNABLE] button is specied by the Registration Common/ Control parameter D Beam (p. 31).

The pitch will change as you move your hand above the D Beam controller.

The volume will change, allowing you to add expression to your performance.

The function assigned to the D Beam controller will be controlled.

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation Lever)

While playing the keyboard, move the lever toward the left to lower the pitch, or toward the right to raise the pitch. This is called “pitch bend.”

Moving the lever away from yourself will apply vibrato. This is called “modulation.”

Moving the lever away from yourself while also moving it to left or right will apply both eects simultaneously.

MEMO

For some sounds, the modulation lever will produce a dynamics eect.

Using the Buttons and Knobs to Modify the Sound ([S1] [S2] buttons / [E1]–[E4] knobs)

Performance-related functions are assigned to the [S1] [S2] buttons and [E1]–[E4] knobs. While you perform, you can operate the [S1] [S2] buttons or [E1]–[E4] knobs to modify the sound in real time.

Turning the [S1] [S2] buttons on/o will turn on/o or switch the assigned function.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

2. While playing the keyboard to produce sound, position

your hand above the D Beam controller and slowly move it up and down.

3. To turn o the D Beam controller, once again press the

button you pressed in step 1 (the button will go out).

Eective range of the D Beam controller

This illustration shows the eective range of the

D Beam controller. No eect will be obtained if you position your hand outside the eective range.

NOTE

The eective range of the D Beam controller will change depending on the lighting conditions. If the D Beam controller does not work as you expect, readjust the sensitivity.

For details on readjust the sensitivity, refer to “D Beam Sens” (p.

84).

MEMO

You can assign performance-related functions to the [S1] [S2] buttons. The [S1] [S2] button assignments are specied by the Registration Common/Control parameters S1-S2 (p. 31).

If the [E1]–[E4] knobs are shown in the Lower Part of the display, operating these knobs will control the functions assigned to them.

Connecting Other

Equipment

Appendix

Controlling the Performance

MEMO

You can assign performance-related functions to the [E1]–[E4] knobs. The [E1]–[E4] knob assignments are specied by the Registration Common/Control screen (p. 52).

Using Pedals

The JUPITER-80 allows you to connect hold pedals (such as one from the DP series; available separately) and expression pedals (EV5; available separately).

If a hold pedal (such as one from the DP series; available separately) is connected to the rear panel PEDAL HOLD jack, notes will be sustained (held) while you hold down the pedal even after you take your hands o the keyboard.

If an expression pedal or pedal switch (EV-5, DP series unit; available separately) is connected to the rear panel CTRL 1 or CTRL 2 jack, you can use the pedal to vary the volume or control a variety of functions.

Sustaining the Notes (Hold Pedal)

While playing the keyboard, step on the pedal switch.

You can hold (sustain) the notes by stepping on the pedal switch.

Adding Expression to Your Performance (Control Pedal)

While playing the keyboard, raise or lower the expression pedal. You can make your performance more expressive by varying the volume.

* You must use the specied expression pedal (EV-5; available

separately). Connecting a product made by another manufacturer may cause the JUPITER-80 to malfunction.

MEMO

Performance-related functions can be assigned to the pedals connected to the CTRL 1 and CTRL 2 jacks. The CTRL 1 and CTRL 2 assignments are specied by the”Control Pedal” (p. 83) parameters Control Pedal 1 Assign and Control Pedal 2 Assign.

Controlling the Rotary Eect and Reverb

The rotary eect adds modulation similar to what is produced by rotary speakers to the sound. Reverb applies the reverberation that accompanies a sound played in a hall or other acoustic environment.

You can control these eects by using panel buttons.

Controlling the Rotary Eect

The ROTARY SOUND [ON/OFF] button and [SLOW/FAST] button allow you to control the eect if a rotary eect is assigned to MFX.

1. First, assign 21: Rotary or 22: VK-Rotary to the MFX of the

Live Set (p. 58).

2. Press the ROTARY SOUND [ON/OFF] button.

The rotary eect will turn on (the button will light).

Controlling Reverb

The REVERB [ON/OFF] button simultaneously turns on/o the output of the Live Set’s reverb and of the reverb shared by the Solo and Percussion Parts.

If you want reverb to always be o, turn o the REVERB [ON/OFF] button.

The illustration below shows how the REVERB [ON/OFF] button works.

Registration

Solo Part/Percussion Part

Introduction Playing Sounds Editing Sounds

3. Press the ROTARY SOUND [SLOW/FAST] button.

The speed of the rotary eect will change.

The rotary eect can be switched between two settings: “SLOW” and “FAST.”

ROTARY SOUND [SLOW/FAST] button

Unlit (SLOW)

Lit (FAST)

When you switch the rotary eect from “SLOW” to “FAST,” the modulation speed will increase; when you switch from “FAST” to “SLOW,” the modulation speed will decrease.

Explanation

The eect produced when the rotary speaker is turning slowly.

The eect produced when the rotary speaker is turning rapidly.

Upper Part

Live set

Lower Part

Live set

MEMO

The state of the REVERB [ON/OFF] button is not saved. It will automatically turn on when you turn on the power.

Reverb

REVERB

[ON/OFF]

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Changing the Keyboard Settings

Changing the Pitch by Octaves

By pressing the OCTAVE [DOWN] button or OCTAVE [UP] button you can shift the keyboard’s pitch range in steps of an octave.

When using your right hand to play low sounds such as the bass Part, it will be easier to play if you lower the pitch range by one or two octaves.

1. Press the OCTAVE [DOWN] button or OCTAVE [UP] button.

A message will appear when you press the button.

Transposing

Transpose is a function that shifts the keyboard’s pitch range in steps of a semitone.

By using this setting, a transposing instrument such as trumpet or clarinet can be played at the pitches shown in the printed score.

1. Hold down the [TRANSPOSE] button and press the

OCTAVE [DOWN] button or OCTAVE [UP] button.

A message will appear when you press the button. The Registration screen will show the amount of transposition.

Amount of transposition

• Pressing the OCTAVE [DOWN] button raises the pitch by one octave; pressing the OCTAVE [UP] button lowers the pitch by one octave.

• The pitch can be changed in a range of three octaves down (-3) to three octaves up (+3).

• If the value is anything other than “0,” the OCTAVE [DOWN] button or OCTAVE [UP] button will light.

• If you press the OCTAVE [DOWN] button and OCTAVE [UP] button simultaneously, the value will be reset to “0.”

• The octave shift setting is saved in the Registration.

• If you want to change the octave setting of each Part, edit the Octave setting in the “Registration Part screen” (p. 31), and save the Registration.

• If you want to change the octave setting of each layer in the Live Set, edit the Octave setting in <Pitch> of the Live Set Layer screen (p. 32), and save the Live Set.

• The octave shift function does not aect the Manual Percussion.

• The split point and solo split point will not change.

• Specify the amount of transposition in semitone steps (G–F#:

-5 – +6 semitones).

• If the value is anything other than “0,” the [TRANSPOSE] button will light.

• You can use the [TRANSPOSE] button to turn Transpose on/o (when the Transpose setting is other than 0).

• If you hold down the [TRANSPOSE] button and press the OCTAVE [DOWN] button and OCTAVE [UP] button simultaneously, the value will be reset to “0.”

• The transpose setting is saved in the Registration.

• The Transpose function does not apply to Drums/SFX or Manual Percussion.

• The split point and solo split point will not change.

Editing Sounds

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Editing a Registration

A Registration stores the sounds selected for each Part, as well as various performance-related settings.

Basic Operation for Registration

The Registration screen (p. 30) shows basic information about the currently selected Registration.

Percussion tone name

Upper Live Set name

The Registration saves the following parameters.

Tab Explanation

Part-related settings

• Registration Level

PART

COMMON/ CONTROL

PERC PART, SOLO PART

EFFECTS Eects for the Percussion Part and Solo Part

EXT PART Settings for messages sent to external MIDI devices

• The Live Sets assigned to the Upper Part and Lower Part

• The Tones assigned to the Solo Part and Percussion Part

• Each Part’s octave, pan, volume, etc.

Settings common to the entire Registration

• Registration name

• Registration Level

• Tempo

• Split

• D Beam controller, [S1]/[S2] button, and [E1]–[E4] knob assignments

• Arpeggiator

• Harmony Intelligence

• Control and other data sent to each Part

• Octave Shift, Transpose, etc.

Settings for the Percussion Part or Solo Part

• Tone, pan, volume, and reverb send level

• Keyboard range

• Pitch

• Vibrato

• Oset values for lter and envelope

• Velocity

• Mono/poly switch

• Legato

• Voice reserve (guaranteed polyphony)

• Control data received by each Part, etc.

Registration name

Lower Live Set name

Solo tone name

Access the Live Set screen

Editing

1. In the Registration screen (p. 30), touch Registration’s

<EDIT>.

The Registration Part screen will appear.

2. Touch a tab to select the Registration parameters that you

want to edit.

Tabs

MEMO

If a Registration has been edited, a check mark (red) will appear at the right of the Registration name.

Let’s try editing these parameters.

Saving a Registration

Editing a Registration

3. Press the blinking Registration button.

A message will ask “Are you sure?”

Edits you make to a Registration are temporary; they will be lost when you turn o the power or select another Registration. If you want to keep an edited Registration, you must save it.

NOTE

When you execute the Write operation, the existing data at the write destination will be overwritten.

REFERENCE

For details on how a Registration is structured, refer to “How Registrations are Organized” (p. 15).

1. In the Registration screen (p. 30), press the [WRITE] button.

The Registration Write screen will appear. The [WRITE] button will light, and the Registration buttons will blink.

MEMO

You can also perform a save by touching Registration screen’s <WRITE>.

MEMO

You can also save by touching <WRITE> in the Registration Write screen.

4. To write the data, touch <OK>.

The message “Completed!” will appear.

The Registration has been saved.

NOTE

Never turn o the power while data is being saved.

Cancelling the Save of a Registration

You can cancel the save operation by doing one of the following.

• Press the [EXIT] button

• Press the [WRITE] button

• Touch [x] in the Registration Write screen

Introduction Playing Sounds Editing Sounds

2. Move the cursor to Write Destination, and use the

value dial or the [DEC] [INC] buttons to select the write destination.

Registration number

Naming a Registration

If you want to rename the Registration, touch <RENAME> of step 2.

The REGISTRATION NAME screen will appear.

Other Convenient

Functions

Connecting Other

Equipment

For details on assigning a name, refer to “Assigning a Name” (p. 29).

Appendix

MEMO

You can also use the bank buttons ([A]–[D]) and Registration buttons ([1]–[8]) to directly specify the write destination.

Editing a Registration

If the following display appears when you save

If Live Set parameters or SuperNATURAL Synth Tone parameters have been edited, the corresponding Live Set or SuperNATURAL Synth Tone will be highlighted when you save the Registration.

The Synth Tone has been edited.

You have the option of saving the edited Live Sets and SuperNATURAL Synth Tones at the same time that you save the Registration.

If you want to do this, proceed as follows.

The Live Set has been edited.

2. If you want to specify the Live Set number or

SuperNATURAL Synth Tone number for saving, touch <SELECT DEST>.

Live Set Select Destination screen will appear.

3. Select the write destination.

1 2

Select the write destination for the Live Set.

Select the write destination for the SuperNATURAL Synth Tone.

1. Select the Write check box for the Live Sets and

SuperNATURAL Synth Tones that you want to save.

MEMO

If you save without selecting these check boxes, only the Registration will be saved. The Live Sets or SuperNATURAL Synth Tones you’ve edited will remain in their edited state without being saved.

If you want to specify a Live Set number or SuperNATURAL Synth Tone number at which to save the data, proceed to step 2. If you want to save the data by overwriting the current Live Set number and SuperNATURAL Synth Tone number, proceed to step 4.

Conrm selections and return to the previous screen.

4. Touch <WRITE>.

MEMO

• If you specify the same write destination for the Live Sets of the Upper Part and Lower Part, the message “Cannot Write!” will appear. Select dierent write destinations in step 3.

• If you specify the same write destination for the SuperNATURAL Synth Tones of layers 1–4, the message “Cannot Write!” will appear. Select dierent write destinations in step 3.

• If the same Live Set is assigned to the Upper Part and the Lower Part, and you edit only one Part and then execute this operation, the edited Live Set will be assigned to the other Part as well.

• If the same SuperNATURAL Synth Tone is assigned to layers 1–4, and you edit only the SuperNATURAL Synth Tone of a specic layer and then execute this operation, the edited SuperNATURAL Synth Tone will also be assigned to the other layers.

Initializing a Registration

Here’s how to initialize the currently selected Registration.

MEMO

• Initializing the Registration will aect the data in the temporary area (p. 16). When you initialize the Registration, the Live Sets and tones in the temporary area will also be initialized.

• If you want to return the parameters of all sounds to their factory-set state, use Factory Reset (p. 87).

1. In the Registration Part screen (p. 31), touch <UTILITY>.

Editing a Registration

Introduction Playing Sounds Editing Sounds

Registration Utility Menu screen will appear.

2. Touch <Registration Initialize>, and then touch <Select>.

A message will ask “Are you sure?”

3. Touch <OK>.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Editing a Live Set

You can edit a Live Set by switching the Tones in the Live Set, and by adjusting oset values relative to the value of each tone.

The Live Set screen (p. 32) shows basic information about the currently selected Live Set.

View the Live Set Eects Routing screen.

Level of each layer.

View the Live Registration screen.

The following parameters are stored in a Live Set.

View the Live Set Common screen.

Tone name

View the Live Set Eects screen.

Switch between the Upper Part and Lower Part

Tips for editing a Live Set

Choose which Parts will be heard

A Registration consists of up to four Parts. Editing will be easier if you’re listening only to the Parts that are selected for the Live Set you want to edit (p. 37).

MEMO

When you edit the parameters of a Live Set, you are specifying a relative increase or decrease applied to the value of the Tone; the actual tone itself is not aected.

This means that even if the same tone is used by another Live Set, you’ll be able to edit without aecting the other Live Set.

Basic Editing Operations for Live Sets

To edit a Live Set, you’ll start from the Live Set screen.

1. In the Live Set screen (p. 32), touch the button

(<COMMON>, <LAYER>, <EFFECTS>) of the parameter that you want to edit.

Tab Explanation

Settings common to the entire Live Set

• Live set name, Live Set category

COMMON

LAYER

EFFECTS

MODIFY

• Volume

• Filter

• Phase lock, etc.

Settings for each layer

• Layer on/o

• Volume

• Pan

• Layer audio output destination and send level

• Keyboard range, etc.

MFX settings

• Layer audio output destination and send level

• Send level to MFX

• MFX on/o

• MFX type selection

• MFX volume

• MFX settings, reverb settings

• Send levels from the Tone to reverb, and from MFX to reverb, etc.

Oset settings for each layer

For a SuperNATURAL Synth Tone

• Pitch

• Filter

• Amp

• LFO

• Modulation

• Portamento, etc.

For a SuperNATURAL Acoustic Tone

• Noise level

• Variation, etc.

2. Touch a tab to select the Live Set parameters that you

want to edit.

Tabs

In this example, the Upper Part’s Live Set is edited.

MEMO

If a Live Set has been edited, a check mark (red) will appear at the right of the Live Set name.

Editing a Live Set

Changing a Live Set’s Tones

Here’s how to change the Tones in a Live Set.

1. In the Live Set screen (p. 32), touch a tone name to view a

list.

Adjusting the Tones

By touching <EDIT> of each layer in the Live Set screen (p. 32), you can adjust the Tones assigned to each layer (the Live Set Modify screen will appear).

For details, refer to “Editing the Tones Assigned to a Layer” (p. 60).

MEMO

You can also switch tones by moving the cursor to the tone name in the Live Set screen, and using the value dial or the [DEC] [INC] buttons to select a Tone.

The Tone List screen will appear. In this example, the Tone for layer 1 of the Live Sets assigned to the Upper Part is changed.

2. Touch the new tone, and then touch <Select>.

The left column lists the tone categories, and the right column lists the Tones in the selected category.

Select a category.

Select a Tone.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Select the type of tone.

The Tone will change.

MEMO

The SuperNATURAL Acoustic Tone 0028: TW Organ can be assigned only to layer 1.

Conrm your selection.

Connecting Other

Equipment

Appendix

Editing a Live Set

Layer On/O and Volume Adjustment

To turn a layer on/o, touch its layer number in the Live Set screen (p. 32).

Layer button Status

O

MEMO

In the panel’s PART BALANCE area you can turn the four layers on/o and adjust their volume.

Switching the MFX (Multi-eects)

Each Live Set contains four MFX (multi-eects) processors.

To switch the MFX, access the “Live Set Eects Routing” screen.

1. In the Live Set Eects Routing screen (p. 33), touch the MFX

eect type to access a list.

Touch an eect type.

The MFX Type screen will appear. In this example, the eect type for MFX1 of the Live Set selected for the Upper Part is changed.

MEMO

If you move the cursor to the eect type, you’ll also be able to use the value dial or the [DEC] [INC] buttons to switch the eect type.

Use the sliders to adjust the volume of each layer.

The level meters show the volume setting of each layer.

Turn each layer on/o.

MEMO

By holding down the [SHIFT] button and operating the panel’s PART BALANCE area, you can turn the Parts (Solo, Upper, Lower, Percussion) on/o and adjust their volume.

2. Touch the new eect type, and then touch <Select>.

Select a category.

Select an eect type.

Conrm your selection.

The left column lists the eect type categories, and the right column lists the eect types in the selected category.

The eect type will change.

Editing a Live Set

Turning MFX On/O

To switch an MFX on/o, touch its MFX button.

MFX button Status

O

Adjusting the Eect Send Levels and Eect Output Levels

You can adjust the level at which the sound of each layer is sent to MFX, and the output level of the sound that has passed through the eect.

Set the level of sound sent to MFX or reverb.

Set the output destination and output level of the selected layer.

Set the level of sound sent from MFX to reverb.

Set the output level of MFX or reverb.

Introduction Playing Sounds Editing Sounds

Editing the MFX

To edit MFX settings, access the “Live Set Eects Routing” screen (p.

33).

1. In the Live Set Eects Routing screen (p. 33), touch MFX’s

<EDIT>.

In this example, we’ll edit the Multi Tap Delay eect for MFX1 of the Live Set selected for the Upper Part.

The Live Set MFX screen will appear.

2. Edit the MFX settings.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

The parameters that can be edited will depend on the eect type you’ve selected. For details on MFX parameters, refer to the parameter list in the PDF manual.

Editing a Live Set

Editing the Tones Assigned to a Layer

Here’s how to edit the sound of each layer.

You’ll be able to edit selected parameters for each sound (Modify parameters and Oset parameters).

Since the parameters you edit are stored in the Live Set, you can edit the sound without rewriting the original tones.

1. In the Live set screen (p. 32), touch layer’s <EDIT>.

The Live Set Tone Modify screen will appear. In this example, layer 1 of the Live Set selected for the Upper Part is edited.

2. Edit the Tone.

Example screen for a SuperNATURAL Acoustic Tone

Editing a Tone

For SuperNATURAL Synth Tones, you can go deeper to create and save your own original tones.

Touch <Synth Edit> to access the Synth Tone Edit screen.

For details, refer to “Editing a Synth Tone” (p. 66).

Example screen for a SuperNATURAL Synth Tone

For details on the parameters, refer to the parameter list in the PDF manual.

Simultaneously Adjusting Multiple Live Set Parameters (Tone Blender)

The Tone Blender function lets you shift between the initial values (the currently specied Live Set parameter values) and the destination values (which you may set freely) by turning just a single [E4] (Tone Blender Control) knob.

You can use the Tone Blender function to create enormously varied modications in the sound simply by turning a knob, and save the resulting sound as a new Live Set.

Example

Editing a Live Set

2. Touch <Tone Blender>.

Introduction Playing Sounds Editing Sounds

Tone Blender Control value

Min

Max

+100

Source values

-100

The destination values can also be assigned randomly by the JUPITER-80, allowing you to obtain a dierent sound every time.

MEMO

The following Live Set parameters can be adjusted by the Tone Blender: level, pan, cuto, resonance, attack, delay, release, MFX 1–4 send level, and reverb send level.

Parameter AParameter BParameter

0 -100 30

100 60 -50

Value

Current values

Min Max

Destination values

Parameter A

Parameter B

Tone Blender Control value

Parameter C

1. In the Live Set screen (p. 32), touch either <COMMON>,

<LAYER>, <EFFECTS>, or <EDIT>.

The Tone Blender screen will appear.

3. Set the values in the lower half of the screen (the

destination values).

Indicates the current values.

Specify the destination values.

Button Explanation

<Shue> Randomly sets all destination values.

<Reset> Sets the destination values to match the initial values.

MEMO

• For details on using <Set Src>, refer to ”Saving the sound created by the Tone Blender” (p. 62).

• If after touching <Shue> you then press the [SHIFT] button, <Shue> will change to <Undo Shue>. If you touch <Undo Shue>, you will return to the destination value prior to touching <Shue>.

Species the current values as the new initial values (the parameters of the Live Set will be updated).

Other Convenient

Functions

Connecting Other

Equipment

In this example, the Upper Part’s Live Set parameters are adjusted.

4. Turn the [E4] (Tone Blender Control) knob.

All Live Set parameters will move between the source values and destination values.

MEMO

By saving the Live Set in this state, you can save the initial values and the destination values.

However, the current values (the sound you’re currently hearing) will not be saved.

If you want to save the sound you’re currently hearing, refer to ”Saving the sound created by the Tone Blender” (p. 62).

Appendix

Editing a Live Set

Convenient Ways to Use the Tone Blender

Saving the sound created by the Tone Blender

After using the [E4] (Tone Blender Control) knob to get a sound you like, you can save that state as a Live Set.

1. Use the [E4] (Tone Blender Control) knob to get the sound

you like, and then touch <Set Src>.

The parameters for the sound produced by the Tone Blender function will be set as the new initial values of the current Live Set.

2. Save the Live Set (p. 62).

The current sound will be saved as a Live Set.

When you call up the saved Live Set, the sound produced by the Tone Blender will be called up.

Using the D Beam controller to control the Tone Blender

1. In the Registration Common/Control screen (p. 31), touch

<Pedal/D Beam>.

2. Set the D Beam Assign parameter to “CC79 (Tone

Blender).”

Now you can control the Tone Blender by operating the D Beam controller.

Saving a Live Set

Edits you make to the Live Set are temporary; they will be lost if you turn o the power or select another Live Set. If you want to keep the edited Live Set, you must save it to user memory.

NOTE

When you save, the data previously existing in the save destination will be overwritten.

1. In the Live set screen (p. 32), touch <LIVE SET WRITE>.

The Live Set Write screen will appear.

2. To select the save-destination user Live Set number, touch

<Write Destination>.

MEMO

You can also move the cursor to Write Destination and use the value dial or the [DEC] [INC] buttons to change the write destination.

3. Touch the save-destination Live Set number, and then

touch <Select>.

Editing a Live Set

4. Touch <WRITE>.

A message will ask “Are you sure?”

5. To save the Live Set, touch <OK>.

The screen will indicate “Completed!”

The Live Set has been saved to the save-destination Live Set number you specied.

NOTE

Never turn o the power while data is being saved.

Cancelling the Save of a Live Set

You can cancel the save operation by doing one of the following.

• Press the [EXIT] button

• Touch [x] in the UPPER (or LOWER) Live Set Write screen

If the following display appears when you save

If SuperNATURAL Synth Tone parameters have been edited, the corresponding Synth Tone(s) will be highlighted when you save the Live Set.

Introduction Playing Sounds Editing Sounds

The Tone has been edited.

You have the option of saving the edited SuperNATURAL Synth Tones at the same time that you save the Live Set.

If you want to do this, proceed as follows.

1. Select the Write check box for the SuperNATURAL Synth

Tones that you want to save.

Naming a Live Set

If you want to rename the Live Set, touch <RENAME> of step

The LIVE SET NAME screen will appear.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

Other Convenient

Functions

Connecting Other

Equipment

MEMO

If you save without selecting the check box, only the Live Set will be saved. SuperNATURAL Synth Tones you edited will remain in their edited state, and will not be saved.

If you want to specify a number at which to save the SuperNATURAL Synth Tone, proceed to step 2. If you want to overwrite the current SuperNATURAL Synth Tone number, proceed to step 3.

Appendix

Editing a Live Set

2. Specify the write destination.

Select the write destination for the SuperNATURAL Synth Tone.

3. Touch <WRITE>.

MEMO

• If you specify the same write destination for each of the SuperNATURAL Synth Tones of layers 1–4, the message “Cannot Write!” will appear. Specify dierent write destinations in step 2.

• If the same SuperNATURAL Synth Tone is assigned to layers 1–4, and you edit only the SuperNATURAL Synth Tone of a certain layer and then perform this operation, the edited SuperNATURAL Synth Tone will also be assigned to the other layers as well.

Initializing a Live Set

Here’s how to initialize the currently selected Live Set.

MEMO

• Initializing the Live Set aects the data in the temporary area (p. 16). When you initialize the Live Set, the temporary area for the Tones will also be initialized.

• If you want to return the parameters of all sounds to their factory-set state, use Factory Reset (p. 87).

1. In the Live set screen (p. 32), touch <UTILITY>.

The Live Set Initialize screen will appear.

2. Touch <Live Set Initialize>, and then touch <Select>.

A message will ask “Are you sure?”

3. Touch <OK>.

Copying a Layer

Here’s how to copy a layer to a dierent layer.

This is a convenient way to create a variation based on an edited layer.

1. In the Live set screen (p. 32), touch <UTILITY>.

The Live Set Utility Menu screen will appear.

2. Touch <Live Set Layer Copy>, and then touch <Select>.

Editing a Live Set

Introduction Playing Sounds Editing Sounds

3. As the Source, specify the copy-source layer. As the

Destination, specify the copy-destination layer.

NOTE

When you copy a layer, the sound of the specied Destination layer will be lost, and overwritten by the sound of the specied Source layer.

4. Touch <Execute>.

A message will ask “Are you sure?”

5. Touch <OK>.

The sound of the specied Source layer will be copied to the specied Destination layer.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Editing a Synth Tone

You can edit a Synth Tone to create original sounds.

MEMO

It’s not possible to edit SuperNATURAL Acoustic Tones, Manual Percussion, or Drums/SFX. To edit these tones, refer to “Editing the Tones Assigned to a Layer” (p. 60).

Tips for editing Synth Tones

Decide which layers you want to hear

A Live Set consists of up to four tones. Editing will be easier if you’re listening to only the layer with the Synth Tone that you want to edit (turn its layer button on) (p. 58).

Turn the eect o

The Live Set may apply an eect to the layer, causing the Synth Tone to sound dierent than it otherwise would.

If you turn o the eect, you’ll hear the actual sound of the Synth Tone itself, and it will be easier to discern the results of your editing (p. 59).

3. In the Live Set Tone Modify screen (p. 32), touch <Synth

Edit>.

The Synth Tone Edit screen will appear.

4. Edit the Synth Tone.

1. As described in “Changing a Live Set’s Tones” (p. 57), select

the SuperNATURAL Synth Tone that you want to edit.

2. In the Live Set screen (p. 32), touch <EDIT> for the layer to

which the selected Synth Tone is assigned.

The Live Set Tone Modify screen will appear. In this example, the SuperNATURAL Synth Tone that’s selected for layer 1 is edited.

For details on tone parameters, refer to the parameter list in the PDF manual.

MEMO

• If you touch <PRO EDIT>, you’ll be able to edit the Synth Tone in the form of a parameter list.

To return to the previous display, touch <ZOOM EDIT>.

• If you touch <LAYER>, the Layer Select screen will appear, allowing you to switch layers for editing.

• If a Synth Tone has been edited, a check mark (yellow) is shown at the right of the tone name.

Editing a Synth Tone

Volume and On/O Settings for Each Partial

You can turn a Partial on/o by touching the <Partial SW>.

By touching <Partial SELECT> you can select the Partial that you want to edit.

Introduction Playing Sounds Editing Sounds

<Partial SW> Status

Lit red On

Unlit O

MEMO

• You can select two or more Partials by holding down the [SHIFT] button and touching <Partial SELECT>.

• When the Synth Tone Edit screen is displayed, you can use the PART BALANCE area of the panel to turn the three Partials on/o and adjust their volume.

<Partial SELECT> Status

Lit green Selected

Unlit –

Controls the AMP level of each Partial.

The AMP level of each Partial is shown by the level meter.

Other Convenient

Functions

Connecting Other

Equipment

Turns each Partial on/o.

• By holding down the [SHIFT] button and pressing the PART [PERC ON/OFF], [LOWER ON/OFF], or [UPPER ON/OFF] buttons, you can select the Partial that you want to edit.

PART button Selected Partial

PART [PERC ON/OFF] Partial 1

PART [LOWER ON/OFF] Partial 2

PART [UPPER ON/OFF] Partial 3

• To edit two or more Partials, simultaneously hold down the PART buttons of the Partials that you want to edit.

Appendix

Editing a Synth Tone

Saving a Synth Tone

A Synth Tone you edit is temporary; it will be lost if you turn o the power or select another tone. If you want to keep a Synth Tone you’ve edited, you must save it.

NOTE

When you save, the data in the save destination will be overwritten.

1. In the Synth Tone Edit screen (p. 33), touch <TONE WRITE>.

4. Touch <WRITE>.

A message will ask “Are you sure?”

5. To save the Tone, touch <OK>.

A message will indicate “Completed!”

The Synth Tone has been saved in the save-destination SuperNATURAL Synth Tone number you specied.

NOTE

Never turn o the power while data is being saved.

The Tone Write screen will appear.

2. If you want to select the save-destination SuperNATURAL

Synth Tone number, touch <Write Destination>.

MEMO

You can also change the write destination by moving the cursor to Write Destination and using the value dial or the [DEC] [INC] buttons.

3. Touch the save-destination SuperNATURAL Synth Tone

number, and then touch <Select>.

Cancelling the Save of a Tone

You can cancel the save operation by doing one of the following.

• Press the [EXIT] button

• Touch [x] in the Tone Write screen

Naming a Tone

If you want to rename the Tone, touch <RENAME> of step 2.

The TONE NAME screen will appear.

For details on assigning a name, refer to “Assigning a Name” (p. 29).

Editing a Synth Tone

Initializing a SuperNATURAL Synth Tone/Partial

Here’s how to initialize the currently selected SuperNATURAL Synth Tone or Partial.

MEMO

• Initializing a SuperNATURAL Synth Tone or Partial will aect the data in the temporary area (p. 16).

• If you want to return the parameters of all sounds to their factory-set values, use Factory Reset (p. 87).

1. In the Synth Tone Edit screen (p. 33), touch <UTILITY>.

The Synth Tone Utility Menu screen will appear.

Copying a Partial

Here’s how to copy the Partial settings from a SuperNATURAL Synth Tone to the specied Partial of the currently selected SuperNATURAL Synth Tone.

1. In the Synth Tone Edit screen (p. 33), touch <UTILITY>.

Introduction Playing Sounds Editing Sounds

The Synth Tone Utility Menu screen will appear.

2. Touch <Partial Copy>, and then touch <Select>.

2. Touch <Tone Initialize> to initialize a SuperNATURAL

Synth Tone, or touch <Partial Initialize> to initialize a Partial.

If you’re initializing a Partial, rst use <Partial SELECT> to turn on the Partial that you want to initialize (p. 67).

3. Touch <Select>.

A message will ask “Are you sure?”

4. To initialize, touch <OK>.

MEMO

By holding down the [SHIFT] button and touching a knob or slider, you can return that parameter to the default value (the message “Reset Value” will appear).

The Synth Tone Partial Copy screen will appear.

3. As the Source, specify the copy-source SuperNATURAL

Synth Tone and Partial; as the Destination, specify the copy-destination Partial.

NOTE

When you copy a Partial, the sound of the specied Destination Partial will be lost, and overwritten by the sound of the specied Source Partial.

4. Touch <Execute>.

A message will ask “Are you sure?”

5. Touch <OK>.

The sound of the specied Source layer will be copied to the specied Destination layer.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

MEMO

Other Convenient Functions

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Using the USB Memory Song Player/Recorder

The USB Memory Song Player/Recorder lets you play back audio les (WAV, MP3, AIFF) that you’ve copied from your computer to a USB ash drive, or to record your keyboard performance to a USB ash drive.

Playback

Here’s how to play back audio les saved on the USB ash drive.

NOTE

• Never insert or remove a USB ash drive while this unit’s power is on. Doing so may corrupt the unit’s data or the data on the USB ash drive.

• Carefully insert the USB ash drive all the way in-until it is rmly in place.

• Use USB ash drive available from Roland. Proper operation cannot be guaranteed if other USB device is used.

• Don’t connect anything other than a USB ash drive to the USB MEMORY connector.

MEMO

If the USB ash drive contains a large number of song les, it may take some time for them to be read.

Basic Operations in the Song Screen

The Song screen (p. 34) will appear when you press the [SONG] button.

In the Song screen you can select the audio le to play back, and make settings for playback.

Turn loop play on/o, and make settings for it (p. 74).

Turn chain play on/o.

Adjust the volume of the song player.

1. Press the [SONG] button.

The Song screen will appear. A list of the audio les on the USB ash drive will appear.

MEMO

If the le name or folder name contains double-byte characters (e.g., Japanese), they will not be shown correctly in the display.

2. Select an audio le.

Touch the audio le that you want to play.

MEMO

• To view the les within a folder, select that folder and touch it or press the [ENTER] button.

• The currently shown folder is indicated by the orange text at the top of the list. To return to the higher-level folder, touch the folder button located at the left of the current folder. To return to the root folder (the top level), touch </>.

Upper-level folder

</> is the root folder

Currently shown folder

(orange text)

Audio les are listed here.

Indicates the current time of the audio le.

MEMO

Copy your audio les (WAV, MP3, AIFF) to the root folder (the top level) of your USB ash drive, or create a folder on your USB ash drive and copy the les into it. For more about folders in USB ash drive, refer to “USB Flash Drive” (p. 17).

Turn center cancel on/o, and make settings for it (p. 73).

Set the playback speed and pitch (p. 73).

Folder

3. Press the [

The selected audio le will play.

• Press the [ When you press the [ will resume from where it was stopped.

• Press the [ le.

• Rewinds the audio le while you hold down the [

• Fast-forwards the audio le while you hold down the [ button.

] (PLAY) button.

] (STOP) button to stop playback.

] button to return to the beginning of the audio

] (PLAY) button once again, playback

] button.

]

Using the USB Memory Song Player/Recorder

Audio les that can be played

MP3

Format MPEG-1 audio layer 3

Sampling Frequency 44.1 kHz

Bit Rate

WAV, AIFF

Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz

Bit Rate 8, 16, 24-bit

32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k, 128k, 160k, 192k, 224k, 256k, 320 kbps / VBR (Variable Bit Rate)

Minimizing Sounds in the Center (Center Cancel)

You can minimize the sounds heard from the center of the playback (e.g., vocals).

1. In the Song screen (p. 34), touch <Center Cancel>.

The Center Cancel function will turn on (the button will light).

Now you can make center cancel settings.

Parameter Value Explanation

Minimizes mid-frequency and highfrequency sounds localized in the center.

Minimizes low-frequency sounds localized in the center.

Center Cancel Type

MID-HI

LOW

ALL Minimizes all sounds localized in the center.

2. To turn o the Center Cancel function, touch <Center

Cancel> once again.

The Center Cancel function will turn o (the button will be unlit).

Changing the Playback Speed or Pitch

You can change the speed or pitch at which an audio le plays back.

1. In the Song screen (p. 34), change the Play Speed or the Play

Pitch.

Parameter Value Explanation

Play Speed 75–125 [%] Changes the speed of playback.

Play Pitch 30–170 [%] Changes the pitch of playback.

Adjusting the Balance of Frequency Ranges (Equalizer)

The USB memory song player provides a four-band equalizer. You can apply an equalizer to the audio le playback and to the sound being input via the AUDIO IN jack.

1. In the MENU screen (p. 34), touch <System>.

2. Touch <SETUP>, and then touch <Song EQ>.

The Song EQ screen will appear.

Now you can make equalizer settings.

Parameter Value Explanation

Sw OFF, ON Turns the equalizer on/o.

Low Freq

Low Gain

Mid1 Freq

Mid1 Gain

Mid1 Q

Mid2 Freq

Mid2 Gain

Mid2 Q

High Freq

High Gain

Level 0–127 Adjusts the output volume.

200, 400 [Hz]

-15–+15 [dB]

200–8000 [Hz]

-15–+15 [dB]

0.5, 1.0, 2.0,

4.0, 8.0

200–8000 [Hz]

-15–+15 [dB]

0.5, 1.0, 2.0,

4.0, 8.0

2000, 4000, 8000 [Hz]

-15–+15 [dB]

3. To save the settings, touch <SYSTEM WRITE>.

Species the fundamental frequency of the low range.

Adjusts the amount of low range boost/cut.

Species the fundamental frequency of the mid range 1.

Adjusts the amount of mid range 1 boost/ cut.

Species the width of the mid range 1. Higher values make the width narrower.

Species the fundamental frequency of the mid range 2.

Adjusts the amount of mid range 2 boost/ cut.

Species the width of the mid range 2. Higher values make the width narrower.

Species the fundamental frequency of the high range.

Adjusts the amount of high range boost/ cut.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Using the USB Memory Song Player/Recorder

Looping a Specic Region of Time

You can specify start and end points within an audio le, and make the playback loop between those points.

1. In the Song screen (p. 34), touch <Loop Switch>.

Loop playback will turn on (the button will light).

2. Use either of the following methods to specify the start

and end points for loop playback.

• Use Loop Top Point to specify the start, and Loop End Point to specify the end. The value is specied in terms of (hours) : (minutes) : (seconds) . (1/100th second).

• Carry out playback until you reach the desired loop start or end point, and then touch <SET LOOP TOP> (start) or <SET LOOP END> (end).

Playing Audio Files Consecutively (Chain Play)

Here’s how the audio les in the same folder can be played consecutively.

1. In the Song screen (p. 34), touch <Chain Play>.

Chain play will turn on (the button will light).

2. Press the [

The audio les will begin playing. When a song ends, playback will continue with the next song.

MEMO

• Audio les will be played in the order in which they appear in the audio le list. The “N

• During playback, you can change the song that will be played next simply by touching another audio le (the “N move).

] (PLAY) button.

” symbol indicates the song that will be played next.

” symbol will

MEMO

When using loop playback with an MP3 le, the time you specied might shift somewhat forward or backward (loop playback will occur near the time you specied).

3. Press the [ ] (PLAY) button.

Playback will loop between the Loop Top Point (start) and Loop End Point (end).

4. To turn o loop playback, touch <Loop Switch> once

again.

Loop playback will turn o (the button will go out).

MEMO

You can’t play back a loop of a specied time if chain play is on.

Audio le that will be played next

Currently selected audio le

3. To turn chain play o, touch <Chain Play> once again.

Chain play will turn o (the button will go out).

MEMO

• Chain play will automatically turn o if you press the [ button.

• If chain play is on, turning <Loop Switch> on will make the audio les in the folder play repeatedly. When the last audio le in the folder has nished playing, playback will return to the rst le and continue.

] (STOP)

Using the USB Memory Song Player/Recorder

Creating a Folder

Here’s how to create a new folder inside the currently selected folder.

In this example, we’ll create a new folder inside the audio folder that you created on your computer.

1. First select the audio folder, and then touch it or press the

[ENTER] button to view the contents of that folder (p. 72).

2. In the Song screen (p. 34), touch <UTILITY>.

The Song Utility Menu screen will appear.

3. Touch <Create Folder>, and then touch <Select>.

Deleting an Audio File or Folder

Here’s how to delete an unwanted audio le or folder.

NOTE

There is no way to recover a deleted audio le or folder.

MEMO

You can’t delete a folder that contains les. Before you can delete a folder, you must delete all the les within that folder.

1. First select the audio le or folder that you want to delete

(p. 72).

2. In the Song screen (p. 34), touch <UTILITY>.

The Song Utility Menu screen will appear.

3. Touch <Delete Song/Folder>, and then touch <Select>.

The message “Are you sure?” will appear.

4. To execute the deletion, touch <OK>.

The message “Delete Song/Folder Completed!” will appear; the audio le or folder has been deleted.

Renaming an Audio File or Folder

Here’s how to rename an audio le or folder.

Introduction Playing Sounds Editing Sounds

The CREATE FOLDER screen will appear.

4. Assign a name to the folder.

For details on how to assign a name, refer to “Assigning a Name” (p.

29).

5. Touch <OK>.

The message “Create Folder Completed!” will appear; the folder has been created.

MEMO

It’s not possible to create folders eight or more levels deep, including the root folder.

1. First select the audio le or folder that you want to

rename (p. 72).

2. In the Song screen (p. 34), touch <UTILITY>.

The Song Utility Menu screen will appear.

3. Touch <Rename Song/Folder>, and then touch <Select>.

The RENAME SONG/FOLDER screen will appear.

4. Assign the desired name.

For details on how to assign a name, refer to “Assigning a Name” (p.

29).

5. Touch <OK>.

The message “Rename Song/Folder Completed!” will appear; the audio le or folder has been renamed.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Using the USB Memory Song Player/Recorder

Moving an Audio File or Folder

Here’s how to move an audio le or folder to a dierent folder.

1. First select the audio le or folder that you want to move

(p. 72).

2. In the Song screen (p. 34), touch <UTILITY>.

The Song Utility Menu screen will appear.

3. Touch <Move Song/Folder>, and then touch <Select>.

The Move Folder Select screen will appear.

4. Select the move-destination folder, and touch it or press

the [ENTER] button to view the contents of the folder (p. 72).

MEMO

As the destination of the move, you cannot specify a sub-folder (folder 2) of the folder you’re moving (folder 1).

Root folder

Folder 1

Folder 3

Folder 2

5. Touch <Execute>.

The message “Are you sure?” will appear.

6. To execute the move, touch <OK>.

The message “Move Song/Folder Completed!” will appear; the audio le or folder has been moved.

Using the USB Memory Song Player/Recorder

Basic Operations in the Audio Rec Standby Screen

When you press the [REC] button, the Audio Rec Standby screen will appear.

Here you can make settings for recording.

Recording Folder/Recording File

Indicates the name of the folder and le in which the recorded result will be saved.

Recording Mode

MIX

KEYBOARD

Explanation

Sound from the keyboard, the USB COMPUTER port, the AUDIO IN jack, and the playback from the USB memory song player will be recorded.

Sound from the keyboard will be recorded.

Metronome Beat

Species the time signature of the click sound.

Player Sync

If this is on, audio le playback will begin at the same moment that recording begins.

Count In

Turn this on if you want a two-measure count before recording (the button will light).

SELECT

Changes the folder in which the recording will be saved.

RENAME

Renames the le in which the recording will be saved.

Recording Level Knob/ Level Meter

Use the Recording Level knob to adjust the recording level so that the CLIP indicator of the level meter does not light.

Start

Recording will begin.

Click

Switches on/o the click sound during recording.

Introduction Playing Sounds Editing Sounds

Recording

Your keyboard performance can be recorded to a USB ash drive.

The audio being input via the JUPITER-80’s AUDIO IN jack and USB COMPUTER connector can also be recorded.

MEMO

Sounds for which the Output Assign MAIN OUT check box is selected (p. 86) will be recorded. (The metronome sound is not recorded.)

NOTE

While the Audio Rec Standby screen is displayed, you must not turn o the JUPITER-80’s power, or disconnect or connect your USB ash drive.

Also, you must not turn o the JUPITER-80’s power or disconnect or connect the USB ash drive while recording.

If you do so, the data might not be written correctly, or the contents of memory might be destroyed.

1. Press the [REC] button.

2. Make the recording settings, and then touch <Start>.

The [REC] button and [PLAY] button will light, and recording will begin.

MEMO

• One minute of recorded data will occupy approximately 10 MB.

• To see how much free space remains on the USB ash drive, refer to “INFORMATION” (p. 87).

3. To stop recording, press the [

Recording will stop, and the recorded result will be saved on the USB ash drive.

] (STOP) button.

Audio les that will be saved

WAV

Sampling Frequency 44.1 kHz

Bit Rate 16-bit

Other Convenient

Functions

Connecting Other

Equipment

Appendix

The Audio Rec Standby screen will appear.

Using the USB Memory Song Player/Recorder

Audio Signal Flow

JUPITER-80 Sound Generator

(keyboard)

USB MEMORY SONG PLAYER

Song Level

AUDIO IN

USB COMPUTER (from computer)

MASTER

CENTER CANCEL

Recording

Mode

SONG EQ

USB MEMORY

SONG RECORDER

Recording

Level

Using the Included USB Memory Protector

You can use the included USB memory protector to prevent theft of the USB ash drive connected to the JUPITER-80.

USB COMPUTER (to computer)

MAIN OUT/SUB OUT/ DIGITAL AUDIO OUT

NOTE

• You must use the included screws.

• You must use the included Allen wrench to tighten or remove the screws. Using a tool that does not match the screw heads will damage them.

• Be careful not to over-tighten the screws. Doing so may damage the screw’s head, causing the wrench to rotate uselessly.

• To tighten the screws, turn the Allen wrench clockwise. To loosen the screws, turn the Allen wrench counter-clockwise.

loosen tighten

• Keep the removed screws out of the reach of small children to ensure they are not swallowed accidentally.

• Never allow foreign objects (e.g., coins, wires) to enter the USB memory box.

Settings and Convenient Functions

Access the MENU screen to select the desired setting or function.

1. In the MENU screen (p. 34), touch the desired function.

The settings and functions are listed below.

Menu Explanation Page

System

Regist Button Lock Lock the Registration buttons. p. 81

Regist Set Exchange Exchanges Registration Sets. p. 82

Backup

Restore

Format USB Memory

Touch Screen Calibration

Factory Reset

Make overall settings for the entire JUPITER-80.

Backs up the JUPITER-80’s settings to a USB ash drive.

Restores the JUPITER-80’s settings from a USB ash drive.

Format the USB ash drive that’s connected to the USB MEMORY connector.

Calibrates the touch panel. p. 82

Resets the JUPITER-80 to its factory settings.

p. 83

p. 79

p. 80

p. 81

p. 87

Backing Up All Settings to a USB Flash Drive

You can back up all of settings in the JUPITER-80 to a USB ash drive (sold separately), or restore those settings into the JUPITER-80’s memory.

MEMO

One set of backup data can be saved on a USB ash drive.

NOTE

• When you execute the backup operation, the backup data that is currently saved on the USB ash drive will be overwritten. If you want to keep the backup data that’s on the USB ash drive, copy it to your computer as described in “Backing Up USB Flash Drive Data to a Computer” (p. 80).

• Never insert or remove a USB ash drive while this unit’s power is on. Doing so may corrupt the unit’s data or the data on the USB ash drive.

• Carefully insert the USB ash drive all the way in-until it is rmly in place.

• Use USB ash drive available from Roland. Proper operation cannot be guaranteed if other USB device is used.

• Don’t connect anything other than a USB ash drive to the USB MEMORY connector.

1. In the MENU screen (p. 34), touch <Backup>.

The Backup screen will appear.

2. Touch <EXEC>.

Introduction Playing Sounds Editing Sounds

A message will ask “Are you sure?”

3. To execute, touch <OK>.

NOTE

Never turn o the power while the backup operation is occurring.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Settings and Convenient Functions

Restoring Backed-up Settings from a USB Flash Drive

1. In the MENU screen (p. 34), touch <Restore>.

The Restore screen will appear.

2. Touch <EXEC>.

A message will ask “Are you sure?”

NOTE

When you execute the Restore operation, all settings currently saved in the JUPITER-80 will be lost.

If you want to keep the current settings, back them up to a dierent USB ash drive.

Backing Up USB Flash Drive Data to a Computer

Here’s how to back up the data from a USB ash drive to your computer.

1. Turn o the JUPITER-80’s power.

2. Disconnect the USB ash drive from the JUPITER-80, and

connect it to your computer.

3. On your computer, open the USB ash drive.

4. Copy (drag and drop) the entire “ROLAND” folder from the

USB ash drive into a folder on your computer.

NOTE

You must copy the entire “ROLAND” folder.

The data will not be backed up correctly if you copy only part of the les in the “ROLAND” folder.

5. When the copy is completed, unmount (eject) the USB

ash drive from your computer, and then disconnect it from the computer.

Windows 7/ Windows Vista / Windows XP users:

In My Computer (or Computer), right-click the “removable disk” icon and choose “Eject.”

3. To execute, touch <OK>.

NOTE

Never turn o the power while the restore operation is occurring.

Mac OS X users:

Drag the USB ash drive icon into the Trash.

Restoring Backed-up Data from a Computer to a USB Flash Drive

1. Connect the USB ash drive to your computer, and open

the USB ash drive.

2. Copy (drag and drop) the entire backed-up “ROLAND”

folder from your computer into the USB ash drive.

NOTE

• When you copy the backed-up data to your USB ash drive, the data that was previously on the USB ash drive will be lost.

• You must copy the entire “ROLAND” folder. The system will not operate correctly if you copy only some of the les from the “ROLAND” folder.

3. Disconnect the USB ash drive from your computer as

described in step 5 of “Backing Up USB Flash Drive Data to a Computer” (p. 80).

Settings and Convenient Functions

Initializing a USB Flash Drive (Format)

This operation will initialize (format) a USB ash drive.

NOTE

When you execute this operation, all data saved on the USB ash drive will be lost. If the USB ash drive contains important data, back it up to your computer before initializing the USB ash drive.

1. In the MENU screen (p. 34), touch <Format USB Memory>.

The Format USB Memory screen will appear.

2. Touch <EXEC>.

Disabling the Registration Buttons

The JUPITER-80’s settings will change if you press a Registration button unintentionally or switch Registration Sets.

Use the “Registration Button Lock” function if you don’t want the Registration buttons to switch Registrations while you perform.

1. In the MENU screen (p. 34), touch <Regist Button Lock>.

The Registration Button Lock screen will appear.

2. Touch <LOCK>.

The Registration buttons will be disabled.

3. Press [EXIT] button.

Introduction Playing Sounds Editing Sounds

A message will ask “Are you sure?”

3. To initialize, touch <OK>.

NOTE

Never turn o the power while an USB ash drive is being formatted.

MEMO

• To enable the Registration buttons, release Registration Button Lock (touch <UNLOCK>).

• Even when Registration Button Lock is on, you can still switch Registrations by operating the touch panel or the top panel.

• The state of Registration Button Lock is not saved. It will automatically be UNLOCK when you turn on the power.

• When Registration Button Lock is on, a “Lock” symbol is shown by the Registration name.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Settings and Convenient Functions

Exchanging Registration Sets

Here’s how to exchange entire Registration Sets.

1. In the MENU screen (p. 34), touch <Regist Set Exchange>.

The Registration Set Exchange screen will appear.

2. Specify the numbers of the Registration Sets that you

want to exchange.

3. Touch <EXEC>.

A message will ask “Are you sure?”

4. Touch <OK>.

When the Registration Sets have been exchanged, the message “Exchange Completed!” will appear.

Calibrating the Touch Panel

Perform this calibration if the touch panel does not operate as you expect.

1. In the MENU screen (p. 34), touch <Touch Screen

Calibration>.

The Touch Screen Calibration screen will appear.

2. Touch the center of the “+” symbol indicated by the

symbol.

Touch the symbols in the order of left -> top -> right -> bottom. Calibration will end when you’ve touched all of the “+” symbols.

NOTE

Never turn o the power while the touch screen is being calibrated.

NOTE

Never turn o the power while a Registration Set is being exchanged.

The JUPITER-80’s System Settings

Making System Settings

These settings apply to the entire JUPITER-80; for example, here you can set the tuning and specify how MIDI messages will be received.

1. In the MENU screen (p. 34), touch <System>.

The System Setup screen will appear.

2. Touch the tab that contains the settings you want to

change.

Item Explanation Page

<SETUP> Overall settings p. 83

Sound settings for the Part sound buttons

View the software version and the USB ash drive’s available free space

p. 87

3. Touch the parameter that you want to set, and change its

value.

Saving the System Settings

System settings will return to their original values when you turn o the power. If you want the settings you’ve made to be remembered after the power is turned o, you must save the system settings.

1. In the System Setup screen, the System Live Set/Tone

Buttons screen, or the System Information screen, touch <SYSTEM WRITE>.

A message will indicate “System Write Completed!” and the settings will be saved.

NOTE

Never turn o the power while settings are being saved.

System Parameters

This section explains what each system parameter does, and how the parameters are organized.

SETUP

These settings apply to the JUPITER-80 as a whole.

Pedal

Parameter Value Explanation

Control Pedal

Control Pedal 1 Assign Source

Control Pedal 2 Assign Source

Control Pedal 1 Assign

Control Pedal 2 Assign

Control Pedal 1 Polarity

Control Pedal 2 Polarity

Hold Pedal

Hold Pedal Polarity

SYSTEM, REGISTRATION

Functions controlled by the pedals connected to the FOOT PEDAL CTRL 1 and 2 jacks

OFF No function is assigned.

CC01–31, CC33–95 Controller number 1–31, 33–95

AFTERTOUCH Aftertouch

BEND UP

BEND DOWN

REGISTRATION UP Select the next-numbered Registration.

REGISTRATION DOWN

PANEL INC

PANEL DEC

START/STOP Start/stop the USB memory song player.

STANDARD, REVERSE

Species whether the functions controlled by the pedals connected to the FOOT PEDAL CTRL 1 and 2 jacks will be determined by the system settings (SYSTEM) or by the Registration Settings (REGISTRATION).

The same eect as moving the pitch bend lever to the right.

The same eect as moving the pitch bend lever to the left.

Select the previous-numbered Registration.

The same eect as pressing the panel [INC] button.

The same eect as pressing the panel [DEC] button.

Selects the polarity of the pedals connected to the CTRL 1 and 2 jacks.

Depending on the model of pedal, the result of depressing or releasing the pedal might be the opposite of what you expect. If so, choose the “REVERSE” setting. If you’re using a Roland pedal (that has no polarity switch), choose the “STANDARD” setting.

Selects the polarity of the pedal connected to the FOOT PEDAL HOLD jack.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Continuous Hold Pedal

OFF, ON

If this is ON, the HOLD jack will support half-pedaling. If half-pedaling is enabled, you can connect a damper pedal (such as the DP-10; available separately) and use the pedal to control subtle nuances of the piano sounds you play.

The JUPITER-80’s System Settings

D Beam/Slider

Parameter Value Explanation

D Beam

D Beam Sens 0–127

Slider

Species how the sliders will operate.

DIRECT

Slider Mode

CATCH

The higher the value you set for this parameter, the more sensitive the D Beam controller becomes.

When you move a slider, control data indicating its position will always be output.

When you move a slider, control data will start being transmitted only when the current value of the parameter has been reached.

Keyboard

Parameter Value Explanation

Keyboard

Species the velocity transmitted when a key is played.

Keyboard Velocity

Keyboard Velocity Curve

Keyboard Velocity Sens

Aftertouch Sens 0–100

REAL

1–127

LIGHT

MEDIUM This is the standard keyboard touch setting.

HEAVY

-63–+63

The transmitted velocity value will correspond to the force with which you strike the key.

The transmitted velocity value will be xed, regardless of the force with which you strike the key.

The keyboard will have a lighter-feeling touch. Since you’ll be able to reach fortissimo () without having to play as strongly as with the MEDIUM setting, the keyboard will feel lighter. This setting makes it easier for people with reduced nger strength to play the keyboard.

The key will have a heavier-feeling touch. Since you’ll need to play more strongly than with the MEDIUM setting in order to reach fortissimo (), the keyboard will feel heavier. This setting allows you to use your playing dynamics to add more expression to your performances.

This is a ne adjustment to the keyboard sensitivity that’s applied after the Keyboard Velocity Curve setting. Higher values will cause a greater velocity value to be transmitted for a key-strike of the same force.

This species the aftertouch sensitivity. Higher values make it easier to apply aftertouch. Normally, you can leave this set at “100.”

Sound

Parameter Value Explanation

Sound

Species whether the controller section (keyboard, pitch bend/modulation lever, [S1] [S2] buttons, D Beam controller, pedals,

Local Switch OFF, ON

Master Tune

Master Key Shift -24–+24

Master Level 0–127

Output Gain -12–+12 [dB]

Song Level 0–127

Tone Remain OFF, ON

415.3–466.2 [Hz]

etc.) will be connected to the internal sound generator. Normally, this should be left at “ON.” Turn it “OFF” if you want to use the JUPITER-80’s controllers only to control an external sound generator.

Sets the JUPITER-80’s overall tuning (the frequency of the A4 key)

Shifts the JUPITER-80’s overall pitch range in semitone steps.

Sets the JUPITER-80’s overall volume (except for the signal from the USB COMPUTER connector).

Adjusts the JUPITER-80’s overall output gain (except for the signal from the USB COMPUTER connector). If you’re playing a fewer number of voices, boosting this setting can help you obtain an optimal output level when recording on an external device.

Sets the volume of the USB memory song player.

Species whether the currently sounding notes will remain (ON) or not (OFF) when you select a dierent sound.

* In some cases, the eect sound might not

remain.

Using the Local Switch setting

If you’re using an external sequencer with the JUPITER-80’s keyboard controller section and sound generator section, you should turn the Local Switch OFF. Here’s why.

We need to connect these sections in the following order: the JUPITER-80’s keyboard JUPITER-80’s sound generator. Since the JUPITER-80’s keyboard section and sound generator section are connected internally, such a connection order would normally be impossible. However, if the Local Switch is OFF, the JUPITER80’s keyboard section and its sound generator section will be independent, allowing you to use an external sequencer as shown here in the illustration.

Connections between the JUPITER-80 and the external sequencer

JUPITER-80 Keyboard

external sequencer the

Local O

Sound Generator

JUPITER-80

(External) Sequencer

The JUPITER-80’s System Settings

Master EQ, Song EQ

Parameter Value Explanation

EQ Switch OFF, ON Equalizer (EQ) screen

Low

Freq 200, 400 [Hz] Center frequency of the low range

Gain -15–+15 [dB] Boost/cut for the low range

Mid1, 2

Freq 200–8000 [Hz] Center frequency of the mid range

Gain -15–+15 [dB] Boost/cut for the mid range

Q 0.5–8.0

High

Freq

Gain -15–+15 [dB] Boost/cut for the high range

Output

Level 0–127 Equalizer output volume

2000, 4000, 8000 [Hz]

Width of the mid range Larger values will make the range narrower

Center frequency of the high range

MIDI

Parameter Value Explanation

MIDI

Device ID 17–32

Remote Keyboard Switch

USB MIDI

USB-MIDI Thru OFF, ON

MIDI Channel

Registration Control Channel

Part Channel 1–16

OFF, ON

1–16, OFF

If you want to send and receive system exclusive messages, the device ID numbers of both devices need to be matched.

Turn this “ON” if you’re using an external MIDI keyboard instead of the JUPITER-80’s keyboard. In this case, the MIDI transmit channel of your external MIDI keyboard does not matter. Normally, this can be left at “OFF.”

* If you want to control the arpeggiator from an

external MIDI device, turn this “ON.”

If this is “ON,” incoming MIDI messages will be retransmitted from the MIDI OUT connector without change.

Species the MIDI receive channel on which Registrations can be switched by an external MIDI device. Turn this “OFF” if you don’t want to switch Registrations from a connected MIDI device.

Species the MIDI receive channel that will play each of the JUPITER-80’s Parts (PREC, LOWER, UPPER, SOLO), and the MIDI transmit channel on which each Part will transmit to an external MIDI device.

MIDI Tx/Rx

Parameter Value Explanation

MIDI Transmit

Transmit Program Change

Transmit Bank Select

Transmit Active Sensing

Transmit Edit Data OFF, ON

MIDI Receive

Receive Program Change

Receive Bank Select

Receive Exclusive OFF, ON System exclusive message reception on/o

OFF, ON Program change message transmission on/o

OFF, ON Bank select message transmission on/o

OFF, ON Active sensing message transmission on/o

Species whether parameter edits will be transmitted as system exclusive messages.

OFF, ON Program change message reception on/o

OFF, ON Bank select message reception on/o

Scale Tune

Parameter Value Explanation

Scale Tune Switch OFF, ON

Scale Tune for C–B -64–+63 Species the scale tuning.

These are templates that set all of the Scale Tune C–B settings (the values for each key shown in the screen). After making your selection, touch <SET>.

EQUAL Equal temperament

JUST-MAJ Just intonation (major)

Scale Tune Type

Scale Tune Key C–B

JUST-MIN Just intonation (minor)

PYTHAGORE

KIRNBERGE

MEANTONE

WERCKMEIS

ARABIC Arabic scale

MEMO

Scale Tune has no eect on the SuperNATURAL Acoustic Tone 0028:TW Organ.

Turn this ON if you want to play in a tuning other than equal temperament.

Pythagorean tuning

Kirnberger (type 3)

Meantone temperament

Werckmeister (type 1, number 3)

Species the tonic note for the scale tune template. After making your selection, touch <SET>.

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

The JUPITER-80’s System Settings

Output Assign

Here you can specify which sounds will be sent from each output jack. Select the desired check boxes for each output jack (MAIN OUT, SUB OUT).

Parameter Explanation

Upper Upper Part

Lower Lower Part

Solo Solo Part

Percussion Percussion Part

Reverb Upper The reverb of the Upper Part

Reverb Lower The reverb of the Lower Part

Reverb Solo/Perc The reverb of the Solo and Percussion Parts

USB Song/Audio INThe sound from the USB memory song player and the AUDIO

USB Audio The sound from USB audio

Metronome The metronome sound

IN jack

Sync/Metronome

Parameter Value Explanation

Sync

This selects the synchronization source used by the JUPITER-80.

The JUPITER-80 will be the synchronization master. Choose this setting if you’re using the

Sync Mode

Sync Output OFF, ON

Clock Source

Metronome

Metronome Level 0–10 Species the metronome volume.

Metronome Sound TYPE1–TYPE4 Species the metronome type.

MASTER

SLAVE

This species whether the JUPITER-80 will synchronize to tempo data from the MIDI IN connector or to tempo data from the USB connector when the Sync Mode is SLAVE.

MIDI

USB

JUPITER-80 on its own without synchronizing it to another device, or if you want the tempo of an external MIDI device to synchronize with the JUPITER-80.

The JUPITER-80 will be the synchronization slave. Choose this setting if you want the JUPITER-80 to synchronize to MIDI clock messages received from an external device.

If this is ON, MIDI clock messages will be transmitted to an external MIDI device.

* These messages will not be transmitted if

the Sync Mode is “SLAVE.”

Synchronize to tempo data from the MIDI IN connector.

Synchronize to tempo data from the USB COMPUTER connector.

System Control

Parameter Value Explanation

Here you can specify the MIDI messages that will be used as system controls.

System controls 1–4 are parameters to which you can assign MIDI messages such as control change messages.

For example, on the JUPITER-80, if you choose a system control as the MFX CONTROL Source (Live Set MFX screen; p. 33), you’ll be able to use MIDI messages to control eect parameters.

It is convenient to use system controls when you don’t need to use dierent MIDI messages for MFX CONTROL of each Live Set,

System Control 1–4 Source

or if you want to use a specic MIDI message for MFX CONTROL.

SuperNATURAL Acoustic Tones can be controlled using the MIDI messages that you’ve assigned to system controls 1 and 2, allowing you to produce eects such as vibrato or dynamics (for some tones there will be no change).

OFF System control will not be used.

CC01–31, CC32 (OFF), 33–95

PITCH BEND Pitch Bend

AFTERTOUCH Aftertouch

Controller 1–95

Screen Saver

Parameter Value Explanation

Screen Saver Type

Screen Saver Time

1–10 Selects the type of screen saver.

Species the time (minutes) until the

OFF, 1–60 [min]

screen saver is activated.

If this is OFF, the screen saver will not operate.

Beep/Misc

Parameter Value Explanation

Beep

Beep Switch OFF, ON

Misc

Species the operation of the Registration [PREV] and [NEXT] buttons.

Registration Next/ Prev Button

Visual Control Mode

REGISTRATION

REGISTRATION SET

MVC

V-LINK

Turns on/o the beep tone that sounds when you touch the screen.

Switch to the next/previous Registration number (p. 42).

Switch to the next/previous Registration Set (p. 42).

Choose if controlling a MIDI Visual Control compatible device.

Choose if controlling a V-LINK compatible device.

Startup

Parameter Value Explanation

Startup Registration

[01]A-1 – [08]D-8

Species the Registration that will be selected when you turn on the power.

The JUPITER-80’s System Settings

LIVE SET/TONE BUTTONS

Here you can specify the sounds (Live Sets or tones) that will be assigned to the Part sound buttons (Upper, Lower, Solo).

MEMO

The sounds you specify here will be saved as system parameters (settings for the entire JUPITER-80). If you specify sounds within a Registration, the Registration settings will take priority.

REFERENCE

• “Using the Part Sound Buttons to Switch Live Sets or the Solo Part’s Tone” (p. 36)

• “Instantly Switching the Variation Sounds (Alternate Button)” (p.

37)

Parameter Explanation

SOLO

SOLO Alternate

UPPER

UPPER Alternate

LOWER

LOWER Alternate

PERCUSSION

Species the sounds that will be assigned to the Solo Part sound buttons.

Species the sounds that will be assigned to the sound buttons when the Solo Part [ALTERNATE] button is pressed.

Species the sounds that will be assigned to the Upper Part sound buttons.

Species the sounds that will be assigned to the sound buttons when the Upper Part [ALTERNATE] button is pressed.

Species the sounds that will be assigned to the Lower Part sound buttons.

Species the sounds that will be assigned to the sound buttons when the Lower Part [ALTERNATE] button is pressed.

Species the sounds that will be assigned to the Percussion Part sound buttons.

Restoring the Factory Settings (Factory Reset)

This “Factory Reset” operation will restore all settings of the JUPITER-80 to their factory-set state.

NOTE

When you execute the Factory Reset operation, all data in the JUPITER-80 will be lost. If there is any data that you want to keep, back it up to a USB ash drive (p. 79).

1. In the MENU screen (p. 34), touch <Factory Reset>.

The FACTORY RESET screen will appear.

2. Touch <EXEC>.

A message will ask “Are you sure?”

Introduction Playing Sounds Editing Sounds

INFORMATION

Here you can view information such as the JUPITER-80’s software version and the amount of free space available on the USB ash drive.

Version

Shows the JUPITER-80’s software version.

USB Memory

Shows the amount of free space available on the USB ash drive.

3. To execute the factory reset, touch <OK>.

NOTE

The factory reset operation will take several minutes. Never turn o the power before the factory reset has been completed.

When the factory reset has been completed, the following screen will appear.

4. When the message “Please Power O!” appears, turn the

JUPITER-80’s power o, then on again.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

MEMO

Connecting Other Equipment

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Connecting to Your Computer via USB

If you use a commercially available USB cable to connect the USB COMPUTER connector on the JUPITER-80’s rear panel to your computer’s USB connector, audio or MIDI data played by your MIDI software (DAW software) can be sounded by the JUPITER-80.

Computer’s USB connector (Supports USB 2.0 Hi-Speed)

USB cable

(Supports USB 2.0 Hi-Speed)

USB COMPUTER port

For details on operating requirements, refer to the Roland website.

http://www.roland.com/

NOTE

• For some models of computer, the system might not operate correctly. Refer to the Roland website for the operating systems that are supported.

• Before you make connections to other equipment, turn down the volume and turn o the power o on all equipment in order to prevent malfunction and/or speaker damage.

• A USB cable is not included. To purchase one, please contact the dealer where you purchased the JUPITER-80.

• Use a USB cable that supports USB 2.0 Hi-Speed.

• Use a computer with a USB connector that supports USB 2.0 Hi-Speed.

• Switch on the JUPITER-80’s power before you start up the DAW software on your computer. Do not switch the JUPITER-80 on/o while your DAW software is running.

What is the USB driver?

The USB driver is software that transfers data between the JUPITER-80 and the application (e.g., DAW software) on your computer when the JUPITER-80 is connected via USB to your computer.

The USB driver sends data from your application to the JUPITER-80, and data from the JUPITER-80 to your application.

USB audio

Settings for JUPITER-80 computer

If the JUPITER-80 is connected via a USB cable to your computer, the same sound as from the JUPITER-80’s MAIN OUT can be recorded into your computer (except for the metronome sound).

Settings for computer JUPITER-80

If the JUPITER-80 is connected via a USB cable to your computer, sound from your computer can be played from the audio system connected to the JUPITER-80’s MAIN OUT jacks, or recorded on the JUPITER-80’s USB memory song player/recorder.

If you want to record this audio using the USB memory song player/ recorder, set “Recording Mode” (p. 77) to “MIX.”

USB MIDI

If the JUPITER-80 is connected via USB to your computer, your DAW software can record the JUPITER-80’s performance data (MIDI data), and performance data (MIDI data) played back by your DAW software can play the JUPITER-80’s sound generator section.

Connecting the JUPITER-80 to Your Computer

1. Install the USB driver on your computer.

The USB driver is on the included CD-ROM “JUPITER-80 DRIVER CD-ROM.”

Roland web site

http://www.roland.com/support/en/

The driver installation procedure will depend on your system, so be sure to carefully read the “Readme” le on the CD-ROM.

2. Use a USB cable (sold separately) to connect the

JUPITER-80 to your computer.

Connecting an External MIDI Device

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard specication that allows musical data to be transferred between electronic musical instruments and computers. If a MIDI cable is connected between devices equipped with MIDI connectors, you’ll be able to play multiple devices from a single MIDI keyboard, perform ensembles using multiple MIDI instruments, program the settings to change automatically as the song progresses, and more.

About MIDI Connectors

The JUPITER-80 is equipped with the following

three types of MIDI connectors, each of which has the following role.

MIDI IN connector

This connector receives MIDI messages that are sent from an external MIDI device. When the JUPITER-80 receives MIDI messages, it can respond by playing notes, switching sounds, etc.

MIDI OUT connector

This connector transmits MIDI messages to an external MIDI device. Use it when you want to control an external MIDI device.

Using the JUPITER-80 as a Master Keyboard (External Part Settings)

You can connect external MIDI devices to the JUPITER-80’s MIDI OUT connector, and use the JUPITER-80 to control the connected MIDI devices.

MEMO

External Part settings are saved in the Registration.

Connection example

MIDI sound module

MIDI IN connector

JUPITER-80

MIDI OUT connector

Introduction Playing Sounds Editing Sounds

MIDI THRU connector

MIDI messages received at MIDI IN are re-transmitted without change from this connector to an external MIDI device. Use this in situations such as when you use multiple MIDI devices simultaneously.

Enabling the External Part Settings

1. In the Registration External Part screen (p. 31), set the MIDI

out Setting to “EXTERNAL.”

The External Part settings will be enabled.

MEMO

• If the MIDI Out Setting is set to INTERNAL, Parts that are turned on will transmit MIDI messages. Choose the INTERNAL setting if you want a Part’s performance data to be recorded on a MIDI sequencer, or if you want to control the JUPITER-80 from a MIDI sequencer.

• The MIDI channel of each Part is specied by the system parameter “Part Channel” (p. 85).

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Connecting an External MIDI Device

Specifying the Transmit Channel

Set the JUPITER-80’s transmit channel so it matches the channel your external MIDI device is using for reception.

1. In the Registration External Part screen (p. 31), touch <KBD>

to turn it on for the channel that you want to transmit.

When you play the keyboard, performance data will be transmitted from the MIDI OUT connector on the channel you specied.

MEMO

For details on how to set the receive channel of your external MIDI device, refer to its owner’s manual.

Specifying the Sound for Each Channel

To switch the tones of an external MIDI device, the program number and the MSB/LSB of the Bank Select message are entered as numerical values on the JUPITER-80.

1. Specify the program change and bank select MSB/LSB

for the channels for which you turned on <KBD> in the Registration External Part screen (p. 31).

MEMO

• When this setting is “- - -,” bank select and program change messages will not be transmitted.

• If the external MIDI sound module transmits a Program number or a Bank number for which no Tone has been assigned, an alternate Tone may be selected, or in some cases, there may be no sound played.

Detailed Settings for External Parts

Here you can make detailed settings for the messages transmitted to an external MIDI device.

Parameter Value Explanation

KBD OFF, ON

0–127, ---

MSB

LSB

OCT

Key Lo

Key Up

Velo Lo

Velo Up

Level

Pan

* Not transmitted for

Parts whose KBD is o.

0–127, ---

* Not transmitted for

Parts whose KBD is o.

1–128, ---

* Not transmitted for

Parts whose KBD is o.

-3–+3

* This parameter is valid

only for Parts whose KBD is on.

C- –(Key Up)

* This parameter is valid

only for Parts whose KBD is on.

(Key Lo)–G9

* This parameter is valid

only for Parts whose KBD is on.

1–(Velo Up)

* This parameter is valid

only for Parts whose KBD is on.

(Velo Lo)–127

* This parameter is valid

only for Parts whose KBD is on.

0–127, ---

* Not transmitted for

Parts whose KBD is o.

L64–0–63R, ---

* Not transmitted for

Parts whose KBD is o.

Species whether the performance data of the External Part will be transmitted.

Species the MSB (controller number 0) of the bank select number transmitted when you switch Registrations. Choose “---” if you don’t want this to be transmitted.

Species the LSB (controller number 32) of the bank select number transmitted when you switch Registrations. Choose “---” if you don’t want this to be transmitted.

Species the program change number transmitted when you switch Registrations. Choose “---” if you don’t want this to be transmitted.

Species the octave shift.

Species the lowest key of the range that will sound.

Species the highest key of the range that will sound.

Species the lowest velocity value.

Species the highest velocity value.

Species the volume message transmitted when you switch Registrations. Choose “---” if you don’t want this to be transmitted.

Species the pan message transmitted when you switch Registrations. Choose “---” if you don’t want this to be transmitted.

Connecting an External MIDI Device

Playing the JUPITER-80 from an External MIDI Device

Connection example

MIDI keyboard

MIDI OUT connector

JUPITER-80

MIDI IN connector

Setting the Receive Channel

You’ll need to match your external MIDI device’s transmit channel with the JUPITER-80’s receive channel.

1. In the System Setup screen, touch <MIDI> (p. 85).

Setting the Program Change Receive Switch

Here’s how to turn on the receive switch for program change and bank select messages. With the factory settings, both are turned “ON.”

1. In the System Setup screen, touch <MIDI Tx/Rx> (p. 85).

2. Turn on Receive Program Change and Receive Bank

Select.

3. To save the settings, touch <SYSTEM WRITE>.

MEMO

• For details on these settings, refer to “MIDI Tx/Rx” (p. 85).

• For details on how to set the transmit channel of your external MIDI device, refer to its owner’s manual.

Introduction Playing Sounds Editing Sounds

2. In Part Channel, specify the MIDI channel of each Part.

3. To save the settings, touch <SYSTEM WRITE>.

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Connecting an External MIDI Device

Synchronizing with an External MIDI Device

Here’s how to synchronize the JUPITER-80’s tempo to an external MIDI device.

Connection example

MIDI device

MIDI OUT connector

MIDI IN connector

MIDI OUT

JUPITER-80

connector

MIDI IN connector

1. In the System Setup screen, touch <Sync/Metronome> (p.

86).

2. Set the Sync Mode, Sync Out, and Sync Source.

For details on each parameter, refer to “Sync/Metronome” (p. 86).

3. To save the settings, touch <SYSTEM WRITE>.

Controlling Visuals

Video equipment that supports MIDI Visual Control can be controlled from the JUPITER-80.

What is Visual Control?

Visual Control is a function that lets you control video along with your performance.

The JUPITER-80 can control video equipment that supports MIDI Visual Control or V-LINK.

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specication so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

V-LINK is Roland’s proprietary specication that allows visual expression to be linked with musical performance. Video equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI ports, making it easy to enjoy a variety of visual eects that are linked with the performance.

MEMO

You’ll need a MIDI cable (sold separately) to connect the JUPITER-80 to your Visual Control compatible device.

Connection example

Introduction Playing Sounds Editing Sounds

Use a MIDI cable to connect the JUPITER-80’s MIDI OUT connector (p. 20) to the Visual Control compatible device’s MIDI IN connector.

NOTE

To prevent malfunction and speaker damage, be sure to minimize the volume on all devices and turn o their power before making connections.

JUPITER-80

MIDI OUT connector

Visual Control

compatible device

MIDI IN connector

Turning Visual Control On/O

1. Press the [VISUAL CONTROL] button.

Visual Control will turn on.

In this state, playing the JUPITER-80’s keyboard will control the image along with your performance.

Visual Control function Transmitted MIDI message JUPITER-80 operation

Switch images

2. To turn Visual Control o, press the [VISUAL CONTROL] button once again.

Visual Control will turn o.

CC0 (Bank Select): 0–30 Play black key

Program change: 1–45 Play white key

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Controlling Visuals

Visual Control Settings

1. Press the [VISUAL CONTROL] button.

The Visual Control screen (p. 34) will appear.

2. Set the following parameters.

Parameter Value Explanation

Clip Ch 1–16 Species the MIDI channel used to switch images.

Eect Ch 1–16 Species the MIDI channel used to switch video eects.

Playback Speed Ctrl

Playback Speed Range

Dissolve Time Ctrl

Eect Ctrl 1

Eect Ctrl 3

Keyboard Range Lower

Keyboard Range Upper

Note Message Enabled OFF, Assignable

Local Sw OFF, ON

OFF, CC01–CC31, CC64–CC95, Bender, Ch Aftertouch

0.1–1.0–2.0, 0.5–1.0–2.0,

0.0–1.0–4.0, 0.5–1.0–4.0,

0.0–1.0–8.0, 0.5–1.0–8.0,

0.0–1.0–16.0, 0.5–1.0–16.0,

0.0–1.0–32.0, 0.5–1.0–32.0,

0.0–2.0–4.0, 0.0–4.0–8.0,

0.0–8.0–16.0, 0.0–16.0–32.0,

-2.0–1.0–4.0, -6.0–1.0–8.0

OFF, CC01–CC31, CC64–CC95, Bender, Ch Aftertouch

E1–G7 Species the range of keys that will switch images.

Species the controller used to change the video playback speed.

Species the range in which the video playback speed will change.

The three values specify the playback speed (as a multiple of normal speed) when the controller selected by Playback Speed Ctrl is at the minimum value, center value, and maximum value, respectively.

Species the controller used to control the dissolve time (video switching time).

Species the controller used to control the video eect.Eect Ctrl 2

Turn this Assignable if you want note data to switch images. Normally, program change messages are used to switch images, so you would leave this OFF.

Species whether the JUPITER-80 will (ON) or will not (OFF) produce sound when you play notes in the zones specied for Keyboard Range Lower and Keyboard Range Upper.

* The Local Sw setting is not saved. It will automatically be ON when you turn on the

power.

3. To save the settings, touch <SYSTEM WRITE>.

MEMO

Use the system setting “Visual Control Mode” (p. 86) to specify whether Visual Control is being used to control a MIDI Visual Control compatible device or a V-LINK compatible device.

Appendix

Introduction Playing Sounds Editing Sounds

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Error Message List

If an incorrect operation is performed, or if processing could not be performed as you specied, an error message will appear.

Refer to the explanation for the error message that appears, and take the appropriate action.

Message Meaning Action

Cannot Copy!

Cannot Create Folder!

Cannot Delete! You attempted to delete a folder that was not empty. Empty the folder before deleting it (p. 75).

Cannot Move!

Cannot Write!

Cannot Import SMF Format 1!

Duplicate File Name!

File Not Selected! No le is selected. Select a le (p. 72).

Incorrect File!

Incorrect File Name! The le name is invalid.

MIDI Buer Full!

MIDI Oine! The MIDI IN connection was broken.

Permission Denied!

Program Error!

Read Error!

Registration Button Locked!

Rotary Eects (MFX) Not Selected!

SuperNATURAL Synth Tone Not Selected!

System Memory Damaged!

Too Much Data!

USB Memory Full! There is insucient space on the USB ash drive. Delete unneeded data (p. 75).

USB Memory Not Ready!

Write Error!

Layer 1, to which the SuperNATURAL Acoustic Tone 0028: TW Organ is assigned, cannot be copied to another layer.

The allowable number of folders has been exceeded. Delete unneeded folders (p. 75).

It is not possible to create more than 8 levels of folders. Create the folder at a level higher than the 8th level (p. 75).

The allowable number of les has been exceeded.

The folder cannot be moved.

You attempted to move a folder to a level deeper than the 8th level. Move it to a folder that is higher than the 8th level (p. 76).

When saving Live Sets or SuperNATURAL Synth Tones at the same time that you save a Registration or Live Set (p. 56, p. 65), the same write destination was selected.

Only SMF data in SMF Format 0 can be imported. Make sure that the SMF you’re importing is in Format 0 (p. 45).

When executing recording, Create Folder, or Rename operations, you specied a name that was identical to an existing le. When executing the Move operation, an identically named le existed at the move destination.

This is a le that the JUPITER-80 is unable to play. Select a le that is supported by the JUPITER-80 (p. 73).

The format of an SMF you intend to import to an arpeggio style must be Format 0.

An unusually large amount of MIDI data was received, and could not be processed.

The operation could not be performed because the read-only attribute is set for the folder or le.

The JUPITER-80 was unable to start up.

The program could not be read correctly. Alternatively, the system update program may be invalid.

Data could not be read from the USB ash drive.

The le is damaged. Do not use this le.

The Registration buttons are locked. Clear the Regist Button Lock setting (p. 81).

Rotary or VK-Rotary are not selected as the Live Set’s MFX Type. Select Rotar y or VK-Rotary as the MFX Type (p. 58).

You attempted to access the Synth Tone Edit screen of a layer for which a SuperNATURAL Synth Tone is not selected.

The contents of system memory may be damaged.

There was too much data in the SMF you attempted to import into an arpeggio style.

The USB ash drive is not inserted, or is inserted incompletely.

The USB ash drive was removed after you selected data that was on the USB ash drive.

The format of the USB ash drive is invalid. Use the JUPITER-80 to format the USB ash drive (p. 81).

Data could not be written to the USB ash drive.

The format of the USB ash drive is invalid. Use the JUPITER-80 to format the USB ash drive (p. 81).

Change the layer 1 Tone to something other than the SuperNATURAL Acoustic Tone 0028: TW Organ (p. 57).

Move the le to a dierent folder, or delete unneeded les before moving the le (p. 75, p. 76).

A folder cannot be moved into a folder within itself (i.e., its own sub-folder) (p. 76).

Select a dierent write destination for the edited Live Set and SuperNATURAL Synth Tone (p. 54, p. 63).

Specify a dierent le name (p. 75).

Make sure that the SMF you’re importing is in Format 0 (p. 45).

In the Create Folder or Rename operations, the name must not begin with a “.” (period), and must not contain a character prohibited for le names (\ / , ; * ? “ < > |) (p. 75).

Reduce the amount of MIDI messages that are being transmitted.

Check that there is no problem with the MIDI cable connected to the JUPITER-80’s MIDI IN, and that the MIDI cable was not disconnected.

Use your computer to clear the read-only attribute of the le or folder.

Use the correct program to perform the update once again.

If this does not solve the problem, contact your dealer or customer support.

Make sure that USB ash drive is correctly connected (p. 6, p. 17).

Also make sure that you’re using a USB ash drive sold by Roland.

First assign a SuperNATURAL Synth Tone as the layer’s sound (p. 57).

Execute the factory reset operation (p. 87).

If this does not solve the problem, contact your dealer or customer support.

Reduce the amount of data in the SMF. For details on the amount of data that can be imported, refer to “Creating an Arpeggio Style from a MIDI File (Import)” (p. 45).

Turn o the power, rmly insert the USB ash drive, and then turn on the power once again (p. 6, p. 23).

Make sure that USB ash drive is correctly connected (p. 6, p. 17).

Also make sure that you’re using a USB ash drive sold by Roland.

Troubleshooting

Problem Items to check Action Page

Overall problems

Check that the power cord is connected correctly.

Power won’t turn on

Are the included AC adaptor and power cord correctly connected to an outlet and to the JUPITER-80?

Have the connected amp or speakers been powered up? Turn on the power of the connected amp or speakers.

Could the volume of a connected device have been lowered? Adjust the volume of the connected equipment.

Could the [VOLUME] knob be set to the minimum level? Adjust the [VOLUME] knob.

Do not use any AC adaptor or power cord other than the supplied items.

Doing so will cause malfunctions.

p. 20

p. 23

Introduction Playing Sounds Editing Sounds

No sound

Problems with the Synthesizer sound

No sound

No sound from a specic range of keys

Sound is distorted

Pitch is wrong

Notes are broken o

Notes remain sounding when you play the keyboard

Sound is still heard from the opposite side as well even when panned all the way to one side

Notes played in a high register sound funny

Changing the tempo does not aect the arpeggio tempo or delay time

Could the MASTER EQ’s Level setting be too low? Check the MASTER EQ’s Level setting. p. 85

Are your amp, speakers, headphones, etc., connected correctly? Correctly connect your amp, speakers, and headphones. p. 20

Can you connect headphones and hear sound through them?

Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. —

If pressing the keyboard does not produce sound, could the Local switch be turned o?

Could the level setting be too low?

Are the eect settings correct?

Could the volume have been lowered by a pedal operation, a D Beam controller operation, or a MIDI message (volume or expression) received from an external MIDI device?

Could the PART [PERC]/[LOWER]/[UPPER]/[SOLO] buttons or layer buttons be turned o?

Could a key range be set?

Could you be applying an eect that intentionally distorts the sound?

Could the [VOLUME] knob be set too high? If the overall sound is distorted, lower the [VOLUME] knob. p. 18

Could the Output Gain be raised excessively? Check the system setting “SOUND”. p. 84

Could the JUPITER-80’s tuning be incorrect? Check the system setting “Master Tune”. p. 84

Could the pitch have been changed by a pedal operation or by a pitch bend message received from an external MIDI device?

Could the Coarse Tune or Fine Tune parameters be set? Check the Coarse Tune and Fine Tune settings. —

Notes will be interrupted if more than 256 notes are sounded simultaneously.

Could the polarity of the hold pedal be reversed? Check the system setting “Hold Pedal Polarity”. p. 83

Could eects be applied?

When you play high notes on the JUPITER-80, you might hear notes that fail to sound, whose pitch fails to rise, or a noise that changes depending on the note you play (a warbling, chirping, rustling, beeping, etc.)

Could the system setting “USB Song Sync Mode” have been set to “SLAVE”?

If you hear sound through your headphones, it may be that there is a broken connection cable, or that your amp or mixer have malfunctioned. Check your connection cables and equipment once again.

Turn the Local Switch setting on. p. 84

Check the Registration level, Part level, and the level of the Live Set layer.

Check the eect on/o settings. Also check settings such as the eect levels.

Step on the pedal, move your hand above the D Beam controller, and check settings of the other controllers.

Turn on the [PERC]/[LOWER]/[UPPER]/[SOLO] buttons. p. 37, p. 58

If you don’t hear sound from a specic range of keys, check the key range settings.

If the sound of a specic Part or Live Set layer is distorted, lower the volume for that Part or Live Set layer.

Check the pedal and the pitch bender. p. 47, p. 48

Reduce the number of layers in the Live Set you’re using. Increase the voice reserve setting for layers in which notes must not drop out.

Since the JUPITER-80’s internal eects are stereo, applying an insert eect will allow eect sound to be heard from the opposite side even if the source sound is panned all the way to one side.

This is usually because you have exceeded the highest note that the JUPITER-80 is able to produce, and won’t occur with the notes you would normally use. This does not indicate a malfunction.

If “Sync Mode” is set to “SLAVE,” change the tempo of the external device that is transmitting MIDI clock data.

p. 20

p. 37, p. 58

p. 59

p. 47, p. 48

p. 39

p. 37, p. 58

p. 58

—

p. 86

Other Convenient

Functions

Connecting Other

Equipment

Appendix

Troubleshooting

Problem Items to check Action Page

Problems with the Synthesizer eects

Could the eect switch be o? Check the on/o setting of each eect. p. 59

Is each layer’s Output Assign set to “MFX”?

Eect not applied

Check the send level to each eect.

You specied a delay time value (for example for multieect 43: DELAY) as a note value, but there’s a limit beyond which the delay time will not change

Problems with the USB Memory Song Player/Recorder

USB ash drive is not detected / Song les are not displayed

Audio les on USB ash drive won’t play

USB memory song player sounds wrong

Noise and distortion is heard in the recorded sound

Problems with external MIDI devices

No sound from an external MIDI device

Exclusive messages are not received

When using sequencer software, operating knobs or other controls does not aect the sound

Problems with an external device you’re recording

The volume level of the instrument connected to AUDIO IN (STEREO) is too low.

Problems with the USB ash drive

Data on the USB ash drive was damaged

Can’t back up to USB ash drive

Check the delay time setting.

Check the format of your USB ash drive.

The audio le’s le type might not be a le type that can be played on the JUPITER-80.

The audio le may be damaged. Check the audio le. —

Could the level be turned down?

Could Center Cancel be ON? Turn o the center cancel function. p. 73

Was the input sensitivity appropriate?

If the input sensitivity is too high, the recorded sound will be distorted; if the input sensitivity is too low, the recorded sound will be buried in noise.

Does the JUPITER-80’s MIDI transmit channel match the connected device’s MIDI receive channel?

Does the transmitting unit’s Device ID number match the JUPITER-80’s Device ID number?

Some sequencer software does not “soft thru” system exclusive messages.

Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. —

Is the volume of the external device adjusted correctly?

Is the [LEVEL] knob adjusted correctly? Adjust the [LEVEL] knob. p. 21

Could you have turned o the power while the USB song player/recorder was operating?

Could a strong physical shock have been applied to the USB ash drive?

Could the power have been turned o while accessing the USB ash drive?

Is there sucient free space on the USB ash drive? Use an SD card that has sucient free space. p. 87

Check the format of the USB ash drive. The JUPITER-80 can use USB ash drive that are formatted in FAT format.

With the factory settings, the Output Assign of some are not set to “MFX.” Set the Output Assign to “MFX.”

The eect won’t be obtained if the send level to that eect is set at 0. Even if the send levels to the eect is set above 0, the eect won’t be applied if the multi-eect output level, or reverb level are set to 0. Check each of these settings.

Increase the tempo.

Since the delay time has an upper limit, specifying the delay time as a note value and then slowing down the tempo may reach this upper limit. The maximum delay time is the highest value that can be specied numerically (i.e., other than in terms of a note value).

Format the USB ash drive on the JUPITER-80 (p. 79).

The JUPITER-80 can use USB ash drive that is formatted as FAT. (Normally, when you purchase USB ash drive, it will be formatted as FAT, so you can start using it immediately.) However, the JUPITER-80 cannot recognize a USB ash drive that is formatted in a format other than FAT (e.g., NTFS).

Use an audio le of the types listed in “Song les that can be played”.

Check the [VOLUME] knob setting, the Song Level setting and the SONG EQ’s Level setting.

Raise the Recording Level knob as high as possible without causing the level meter’s CLIP indicator to light in red.

Match the JUPITER-80’s transmit channel and your connected device’s receive channel.

Set the Device ID numbers. p. 85

If you want to record system exclusive messages, turn o the Local Switch parameter.

Adjust the volume of your external device to an appropriate level.

Format the USB ash drive on the JUPITER-80. p. 81

p. 86

p. 59

p. 43

p. 81

p. 73

p. 18, p. 72, p. 84, p. 85

p. 77

p. 85

p. 84

—

100

Roland JUPITER-80 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFETY

IMPORTANT NOTES

Contents

Introduction

Main Features

Getting Acquainted with the JUPITER-80

How the Sound Generator is Organized

Tones

Live Sets

Parts

Registrations

About Memory

Non-rewritable Memory

USB Flash Drive

Rewritable Memory

Temporary Memory (the Temporary Area)

USB Memory Song Player/Recorder

Panel Descriptions

Top Panel

Rear Panel Connections

Placing the JUPITER-80 on a Stand

Turning the Power On

Turning the Power On

Basic Operation

Moving the Cursor

Editing a Value

Basic Touch Panel Operation

[SHIFT] Button Operations

[MENU] Button Operations

Assigning a Name

Navigating Between Screens

Registration screen

Registration Part screen

Live Set screen

Synth Tone Edit (OSC/FILTER/AMP) screen

Tone Blender screen

Key Range View screen

Song screen

Visual Control screen

MENU screen

Playing Sounds

Selecting the Sound for Each Part (Selecting Live Sets / Tones)

Using the Part Sound Buttons to Switch Live Sets or the Solo Part’s Tone

Instantly Switching the Variation Sounds (Alternate Button)

Playing Percussion Sounds and Voice Phrases (Manual Percussion)

Playing Drum Sounds on the Entire Keyboard (Drums/SFX)

Switching the Sounds Played by Manual Percussion or Drums/SFX

Split Performance

Turning Split On

How Split and Parts are Related

Changing the Split Point

Switching Registrations

Switching Banks

Switching Registration Sets

Switching Registrations Consecutively

Using the Arpeggiator

Turning the Arpeggiator On

Holding the Arpeggio (HOLD)

Setting the Arpeggiator Tempo

Editing the Arpeggiator Settings

Arpeggio Parameters

Creating an Arpeggio Style from a MIDI File (Import)

Performing With Added Harmony

Changing the Harmony Intelligence Type

Controlling the Performance

Moving Your Hand to Modify the Pitch or Volume (D Beam Controller)

Changing the Pitch/Applying Vibrato (Pitch Bend/Modulation Lever)

Using the Buttons and Knobs to Modify the Sound ([S1] [S2] buttons / [E1]–[E4] knobs)

Using Pedals

Sustaining the Notes (Hold Pedal)

Adding Expression to Your Performance (Control Pedal)

Controlling Reverb

Changing the Keyboard Settings

Changing the Pitch by Octaves

Transposing

Editing Sounds