Thank you, and congratulations on your choice of the Roland HandSonic HPD-15.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”
(p. 2–3) and “IMPORTANT NOTES” (p. 4). These sections provide important information
concerning the proper operation of the unit. Additionally, in order to feel assured that
you have gained a good grasp of every feature provided by your new unit, Owner’s
manual should be read in its entirety. The manual should be saved and kept on hand as a
convenient reference.
* The D Beam Controller is provided under license from Interactive Light, Inc.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
USING THE UNIT SAFELY
BLUE:
BROWN:
NEUTRAL
LIVE
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the "Information" page.
• When using the unit with a rack or stand recommended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need
to make sure that any location you choose for
placing the unit provides a level surface that will
properly support the unit, and keep it from
wobbling.
• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
"Information" page when:
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the "Information" page.
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply
301
• Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of interference.
352
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355
• To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory in another MIDI
device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents
of data that was stored in the unit’s memory or another
MIDI device (e.g., a sequencer) once it has been lost.
Roland Corporation assumes no liability concerning such
loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
558d
• This instrument is designed to minimize the extraneous
sounds produced when it’s played. However, since sound
vibrations can be transmitted through floors and walls to
a greater degree than expected, take care not to allow
these sounds to become a nuisance to neighbors,
especially when performing at night and when using
headphones.
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression pedals,
you risk causing malfunction and/or damage to the unit.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
4
• Do not strike pads extremely strong. Be careful to prevent
your fingers or hands from injury.
Contents
IMPORTANT NOTES ...............................................................................4
Front Panel.................................................................................................................................................10
Changing Sounds to Play (Patch Select) ...............................................................................................21
Changing Patches with the Dial..................................................................................................22
Changing Patches with the Panel Switches............................................................................... 22
Changing Patches with the Pads (Pad Patch Select)................................................................ 23
Changing the Settings of a Patch (EZ Edit) ..........................................................................................24
Playing Back a Preset Pattern ................................................................................................................. 26
Changing the Tempo....................................................................................................................27
System Settings.........................................................................................................................................28
Adjusting the Display for Best Visibility (LCD Contrast).......................................................28
Adjusting the D Beam Sensitivity...............................................................................................29
If the Sound or Operation Is not as You Expect................................................................................... 30
Rapidly Selecting Parameters or Values...............................................................................................31
Try to Play the Conga .............................................................................................................................. 34
Adjusting the Reverb Settings.....................................................................................................39
Adjusting the Multi-Effect Settings............................................................................................40
Controlling the Tone................................................................................................................................ 52
Using a Pad to Start a Pattern................................................................................................................. 54
Set the Volume of the Entire Patch ........................................................................................................ 54
Settings for Other Functions...................................................................................................................54
Limiting the Resonance................................................................................................................ 54
5
Contents
Adjusting the Sensitivity of the Pads.........................................................................................54
Specifying the Roll Speed ............................................................................................................55
Setting for MIDI Transmission...............................................................................................................55
Naming a Patch.........................................................................................................................................55
Saving Your Settings (Write) .................................................................................................................. 56
Fast-Forward and Rewind...........................................................................................................63
Synchronizing with an External MIDI device (MIDI Sync).................................................... 63
Changing the Settings of Pattern............................................................................................................63
Saving the Changed Settings.......................................................................................................63
Editing a Pattern....................................................................................................................................... 64
Basic Settings for Editing ............................................................................................................. 64
Copying a Pattern .........................................................................................................................64
• The HPD-15 is a compact and lightweight digital hand percussion unit
with built-in sound generator, that you can play with your naked hands.
• A pressure-sensitive pad divided into fifteen sections allows you to play
full-fledged hand percussion without any other equipment.
• 600 versatile sounds including percussion instruments from around the
world with Latin, African, and Asian sounds, as well as drum sets,
dance sounds, and sound effects.
• Numerous controllers including ribbons, D Beam , and realtime modify
knobs allow you to create realtime changes in the sound.
• Kick trigger units and a hi-hat controller can be connected to create a
space-saving drum set.
• Convenient editing functions for the percussionist include an EZ Edit
function and a Guide tone (click note).
• Built-in high-quality reverb and multi-effects selected especially for
percussion let you produce spacious sounds or invent creative new
possibilities.
• Basic rhythm performances are built-in as preset patterns, so that you
can enjoy ensemble playing or use the HPD-15 to keep time in place of a
metronome.
• A convenience sequencer is provided for recording your performance in
realtime — great for practicing or listening to your own playing.
• The HPD-15 can be connected to an external sound module as a MIDI
controller, or used as to input drum parts for music data.
8
How To Use This Manual
b
This owner’s manual is organized as follows.
Quick Start (Chapter 1)
This section is intended for those using the HPD-15 for the first time, and
explains how to use various functions in a simple way. Please read Quick
Start and follow along by actually operating the HPD-15. This will help you
understand most of what you need to know for basic operations.
Advanced Use (Chapter 2 – Chapter 6)
This section explains all functions of the HPD-15 and is divided into specific
parts. Basic operations are covered in the Quick Start. The Advanced Use
section assumes you already understand basic procedures, so if anything
unclear, refer to the “Quick Start.”
Chapter 2 Modifying a Patch
This chapter explains how to modify the sounds you play, how to control
the sounds, and how to use effects.
Chapter 3 Recording Your Performance (Sequencer)
This chapter explains how to record and play back your performance.
Chapter 4 Changing Patches in the Desired Sequence
This chapter explains the Patch Chain function that lets you switch patches
in a desired order.
Chapter 5 Settings for the Entire HPD-15
This chapter explains settings that affect the entire HPD-15, such as screen
display, control settings, and how to connect external pads, pedals, or foot
switches for use with the HPD-15.
Chapter 6 Connecting MIDI Devices
This chapter explains MIDI-related functions, such as using the HPD-15 to
play external sound modules, or saving data on an external device.
Appendices
If you run into problems, refer to “Troubleshooting” to make sure that the
settings are correct. If an error message appears during operation, refer to
“Messages and Error Messages” and take appropriate action. This section
also provides information related to MIDI, backing instrument list, and the
MIDI implementation charts.
About the Symbols in This Manual
Words of symbols enclosed in [square brackets] indicate panel buttons or dial.
For example, [EDIT] signifies the Edit button.
The explanations in this manual
include illustrations that depict
what should typically be shown
y the display. Note, however,
that your unit may incorporate
a newer, enhanced version of
the system (e.g., includes newer
sounds), so what you actually
see in the display may not
always match what appears in
the manual.
9
Panel Descriptions
Front Panel
fig.0-01.e
VOLUME Knob
Adjusts the volume of the entire HPD-15.
When this knob is turned fully counterclockwise,
no sound will be output.
REALTIME MODIFY Section
Turn these knobs to modify the
sound (p. 19).
D BEAM
Pass your hand to produce or
control the sound (p. 16).
Sequencer Section
You can record and play back
your performance (p. 59).
PATCH/VALUE Dial
Turn to select a patch or change the value.
Patch Select
Section
Changes the patch (p. 22).
Ribbon (L)
Slide your finger
on this ribbon to
produce a sound
or to control the
tone (p. 15).
ROLL/HOLD Button
When this button is lit, the sound
will repeat like rolls while pressing
a pad (p. 16).
10
Pad
Strike to produce a
sound or press to
control the tone (p.15).
Ribbon (R)
PATCH SEL Button
Striking the pad while holding
down this button changes the
patch (p. 23). This button is
used as the shift button of some
operations, too.
Connect the optional foot switches (BOSS FS-5U).
You can use foot switches to select a patch, to
control the sequencer, and so on (p. 71).
MIDI Connectors (IN, OUT/THRU)
Connect the MIDI cable when using the
HPD-15 to play external instruments,
using the HPD-15 as a sound module, or
to save/load the setting data (p. 76).
EXP PEDAL/HH CTRL Jack
Connect an expression pedal (EV-5), a hi-hat
control pedal (FD-7), or a foot switch (p. 72).
MIX IN STEREO Jack
Connect a CD/MD player or use for the
expanded input at the live performance.
The sound that is input to this jack will
be output from the OUTPUT jacks and
PHONES jack.
OUTPUT Jacks
Connect to external audio devices or
amps. If using monaural sound, plug
the cable into the L (MONO) jack only.
Panel Descriptions
To prevent malfunction
and/or damage to speakers
or other devices, always
turn down the volume, and
turn off the power on all
devices before making any
connections.
AC Adaptor Jack
Connect the include AC adaptor.
POWER Switch
Turns the power on/off.
Cord hook
PCS-31 (optional)
AC adaptor
BOSS FS-5U (optional)
PCS-31 (optional)
PHONES Jack
Connect stereo headphones.
Even if headphones are connected,
sound will still be output from the
OUTPUT jacks.
Stereo headphones
Audio cable
Speakers with built-in amp, etc.
L
R
Stereo set, etc.
To prevent the inadvertent
disruption of power to
your unit (should the plug
e pulled out accidentally),
and to avoid applying
undue stress to the AC
adaptor jack, anchor the
power cord using the cord
hook, as shown in the
illustration.
Use only the specified
expression pedal (EV-5;
sold separately). By
connecting any other
expression pedals, you risk
causing malfunction and/
or damage to the unit.
CD Player, etc.
Roland
For details on connecting
MIDI devices, refer to
Kick trigger unit, External pad, etc.
EV-5 (optional)
FD-7 (optional)
BOSS FS-5U
(optional)
“Chapter 6 Connecting
MIDI Devices” (p. 76).
11
Attaching the HPD-15 to the Stand
b
1
Attach the stand holder (included with the optional PDS-15) to
the HPD-15.
Using the screws provided with the PDS-15, attach the holder so the unit is
oriented as shown in the diagram.
fig.0-03.e
Wide
Narrow
Use the screws provided
with the PDS-15. Use of
other screws may result in
damage to the unit.
2
Attach the HPD-15 to the pad stand (PDS-15).
For details on assembling the pad stand and attaching the HPD-15, refer to
the owner’s manual for the pad stand.
fig.0-04.e
for playing by fingersfor using the heel of your hand
(like a conga player)
If you attach only the
screws to the HPD-15
without attaching the stand
holder and strike the pads
strongly when it is resting
on the floor or table, the
screw heads may contact
the floor or table and
scratch it.
Do not slope the stand
excessively. Be careful that
the stand does not lose its
alance.
12
Chapter 1 Quick Start
b
b
This chapter explains basic operation of the HPD-15.
For details on modifying sounds and settings, refer to “Chapter 2 Modifying
a Patch” (p. 35).
Turning On/Off the Power
* Once the connections have been completed (p. 11), turn on power to your various
devices in the order specified. By turning on devices in the wrong order, you risk
causing malfunction and/or damage to speakers and other devices.
Chapter 1
1
2
3
4
5
Make sure that all volume controls on the HPD-15 and
connected devices are set to “0.”
Turn on the device connected to the MIX IN Jack.
Turn on the HPD-15’s [POWER] switch.
Turn on the device connected to the OUTPUT Jacks.
Adjust the volume levels for the devices.
Before switching off the power, lower the volume on each of the devices in
your system and then TURN OFF the devices in the reverse order to which
they were switched on.
When turns the power on,
e careful not to shut the
window of the D Beam (p.
16) until the patch name (p.
21) is displayed. The HPD15 adjusts the sensitivity of
the D Beam automatically
when turns the power on.
If you connect the hi-hat
control pedal (FD-7,
optional), do not step on
the pedal until the patch
name is displayed when
the power is turned on. The
HPD-15 will check the
position of the pedal then.
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after power up is required
efore the unit will operate
normally.
13
Chapter 1 Quick Start
Listening to the Demo Song
1
2
Simultaneously press [SEQUENCER] and [SYSTEM].
fig.1-01
fig.1-02
HPD-15 DEMO PLAY
1.TABLECTRIC
Turn [PATCH/VALUE] or use [PATCH NUMBER ] and
[PATCH NUMBER ] to select the demo song that you wish
to hear.
fig.1-03
For details on the demo
songs, refer to “Demo Song
List” (p. 96).
3
4
14
Press [PLAY/STOP].
fig.1-04
Playback will begin.
To stop playback, press [PLAY/STOP] once again.
Press [EXIT].
You will return to the previous screen.
No data for the music that
is played will be output
from MIDI OUT.
Performing
Hit the pads
The pads of the HPD-15 will produce different volume or tones depending
on where or how strongly they are struck, and you can also vary the tone
and duration of the sounds by continuing to press the pad after striking it or
by pressing another pad.
Chapter 1 Quick Start
The pads are divided into 15 sections, which are numbered as follows.
fig.1-05
C1
B1
B2
B3
B4
B5
A2
A1
A3
A4
A5
C2
C3
C4
C5
Pad Set
The pads are in sets of five. Pads A1–A5 are referred to as pad set A, pads
B1–B5 as pad set B, and pads C1–C5 as pad set C.
Slide Your Finger on the Ribbons
By sliding your finger on the
HPD-15 you can produce sounds or modify the tone.
fig.1-06
ribbons
located at the left and right of the
Chapter 1
If Ribbon [SOUND] is not
lit, sliding your finger on
the ribbon will not produce
sound. Press [SOUND] to
make it light.
[HOLD] is used when you
control the tone by a
ribbon. Refer to “Turning
On/Off the Ribbons” (p.
69).
15
Chapter 1 Quick Start
b
Pass Your Hand over the D Beam
By passing your hand over the
can produce sounds or modify the tone.
fig.1-07
D Beam
located at the top of the panel, you
Sustaining the Sound (ROLL/HOLD Button)
1
Press [ROLL/HOLD] (located at the upper left of the pads) to
make it light.
fig.1-08
If D Beam [SOUND] is not
lit, passing your hand over
the D Beam will not
produce sound. Press
[SOUND] to make it light.
If there is no sound even
though [SOUND] is lit,
adjust the sensitivity of the
D Beam.
If D Beam [CONTROL] is
not lit, passing your hand
over the D Beam will not
modify the tone. Press
[CONTROL] to make it
light.
Ribbons, D Beam,
connected expression
pedal, and connected hi-hat
control pedal are called
“controller.“
2
Press the pad.
While you press the pad, the sound will be repeated as a roll.
Pressing strongly will increase the volume.
The sound of the instruments marked with “*H” in the Instrument List (p.
92) will sustain if you remove your hand from the pad.
To specify the interval at
which the sound is
repeated, refer to
“Specifying the Roll Speed”
(p. 55).
The sound of the
instrument assigned to the
D Beam, ribbons, external
triggers, or pedal will not
e repeated.
16
Playing Various Sounds
Chapter 1 Quick Start
Let’s use the patch (p. 21) of
P0101 Conga
to hear various sounds from the
pads, ribbons, and D Beam.
* If the following screen is not shown, turn [PATCH/VALUE] until the following
screen appears.
fig.1-09
P01 LATIN
01 Conga
fig.1-10
Bell T ree
Bongo
(Low)
Bongo
(High)
Timbale
(Low)
Timbale
(High)
(Toe/Open)
Shaker
Conga
Maracas
(Low Open)
Conga
(Bass)
Conga
Tambourine
Claves
Cowbell
Agogo
Chapter 1
If D Beam [SOUND] is not
lit, passing your hand over
the D Beam will not
produce sound. Press
[SOUND] to make it light.
If [SOUND] located above
the ribbon is not lit,
rubbing the ribbon will not
produce sound. Press
[SOUND] to make it light.
Conga
(Heel/Open)
Guiro
Controlling Pad Sounds
Let’s use the patch (p. 21) of
Beam, and other pads to control the pitch of the pads.
* If the following screen is not shown, turn [PATCH/VALUE] until the following
screen appears.
fig.1-10a
P02 AFRICAN
01 TalkingDrm
While striking the pad, rub the ribbons or move your hand over the D Beam
to raise the pitch.
Conga
(Open/Slap)
P0201 Talking Drm
Conga
Slide
and use the ribbons, D
If D Beam [CONTROL] is
not lit, passing your hand
over the D Beam will not
modify the tone. Press
[CONTROL] to make it
light.
While striking the pad, press one of the pads A1–A5 will also raise the pitch.
17
Chapter 1 Quick Start
Playing a Scale
You can use the pads to play the sounds of a pitched instrument such a steel
drum or marimba.
Let’s use the patch (p. 21) of
P0501 Vibraphone
to play a scale.
* If the following screen is not shown, turn [PATCH/VALUE] until the following
screen appears.
fig.1-10b
P05 ORCH
01 Vibraphone
The pads are assigned to the notes of the keyboard as follows.
fig.1-10c
C2
C3
Simultaneously striking
pads A1–A3 (the left half of
pad set A) will produce a
“C” chord, and
simultaneously striking
A3–A5 (the right half) will
produce a “G” chord.
Helpful Use of the Included Label
G
#
E
#
D
D
#
C
C
F
F
18
#
G
A
A
#
B
C
#
C
D
Using Knobs to Modify the Tone (Realtime Modify)
b
b
Chapter 1 Quick Start
1
2
3
The sounds of the HPD-15 have various
loudness, pitch, and duration, and how the notes are sounded. By
modifying the
Normally, you will adjust the parameter values to your liking before you
perform. However, some of the parameters can be freely modified while
you play. This is referred to as “
fig.1-11
values
of each parameters, you can vary the tone.
realtime modify
parameters
.”
that determine the
13
Press [SELECT] to select the parameter that you wish to modify.
The indicator at the right of the selected parameter will light.
Sound the pad (D Beam, ribbon) for the sound that you wish to
modify.
* The M-FX DEPTH and LFO parameters will apply in the same way to all pads/
ribbons/D Beam.
Turn the [REALTIME MODIFY] knob.
In Edit mode (p. 35), you
can also use Realtime
Modify to adjust the
parameter values (p. 58).
Chapter 1
Modify Lock
Hold down [SELECT], and
sound the pad (D Beam,
ribbon). It will be fixed to
the target of modification
and other pads cannot
ecome to the target. (The
[SELECT] indicator will
link at this time.)
To unlock, hold down
[SELECT], and press
[EXIT].
The selected parameter and the value being modified will be displayed, and
the sound will change.
fig.1-12
RTM
A1* PITCH +600
* If the multi-effects (p. 20) is off, turning the [M-FX DEPTH] knob makes no
modification.
* If the LFO Waveform (p. 38) is set to “OFF,” turning the [LFO RATE], [LFO
PITCH] and [LFO FLT/AMP] knobs makes no modification.
4
By repeating steps 1–3 you can create numerous variations in
the sound.
* By pressing [EXIT/MODIFY CLEAR] you can cancel any value changes you made
(
Modify Clear
).
When you turn the knobs
too fast, some noise may be
heard from some tones .
Hold down [EXIT/
MODIFY CLEAR], and
press [SELECT]. You can
excute Modify Clear and
cancel the Modify Lock at
the same time.
19
Chapter 1 Quick Start
Adding Effects Such as Reverb or
Distortion (Multi-Effects)
The HPD-15 contains a multi-effect unit that can apply various effects to the
sound.
Turning Multi-Effects On/Off
1
Press [MULTI-EFFECTS].
fig.1-13
When the effect is on, [MULTI-EFFECTS] will light.
The sound will change according to the selected type of effect.
For more on multi-effects,
refer to “Adjusting the
Multi-Effect Settings” (p.
40).
20
Changing Sounds to Play (Patch Select)
A
patch
contains settings for the pads, controllers, and effects. The HPD-15
contains
patches
organized into
80 User patches
that cannot be rewritten. User patches and preset patches are
10 patch groups
that you can rewrite if desired, and
.
160 Preset
Chapter 1 Quick Start
Names are assigned to preset patch groups.
• GROUP 1LATINLatin-American Percussion instruments
• GROUP 2AFRICANPercussion instruments of Africa and
other regions
• GROUP 3INDIANPercussion instruments of India and the
Middle East
• GROUP 4ASIANPercussion instruments of Asia
• GROUP 5ORCHOrchestral percussion instruments, and
mallet instruments (e.g., xylophone,
marimba)
• GROUP 6DRUMSDrum sets
• GROUP 7DANCESounds for dance music
• GROUP 8SFXSound effects
• GROUP 9OTHERSMelody instruments (e.g., bass,
synthesizer), and other sounds
• GROUP 10LOOPSPreset patterns are assigned to pads B1–
C5. You can listen and compare the preset
patterns.
Chapter 1
Each patch is assigned a name (
The currently selected group number, patch number, and patch name are
displayed in the screen.
fig.1-15.e
Group Number
U: User
P: Preset
Patch Name
Group Name
P01 LATIN
).
01 Conga
Patch Number
Patch Name
21
Chapter 1 Quick Start
b
Changing Patches with the Dial
1
Turn [PATCH/VALUE].
The patch will change as shown in the diagram.
fig.1-16
U0101
U0102
P1001
P0901
U0108
U0201
Changing Patches with the Panel Switches
fig.1-17
2
1
2
3
3
1
3
Press [USER] or [PRESET] to select either user patches or
preset patches.
The selected button will light.
Use [GROUP -] and [GROUP +] to select the patch group.
The indicator of the selected patch group will light.
Use [PATCH NUMBER ] and [PATCH NUMBER ] to
select the patch number within the patch group.
If you continue holding a
utton, the patch groups/
numbers will change
consecutively (p. 31).
22
Changing Patches with the Pads (Pad Patch Select)
fig.1-18
1, 2
B5
B4
C1
C2
Chapter 1 Quick Start
1
2
B1
B2
1
B3
A2A4
2
C3
C4
C5
Hold down [PATCH SEL], and strike a pad B1–C5 to select a
patch group.
Hold down [PATCH SEL], and strike pad A2 or A4 to select
the patch number.
Striking pad A4 will increase the patch number, and striking A2 will
decrease it.
Chapter 1
Use the panel switches to
change between user
patches and preset patches.
* Pads B1–C5 correspond to the patch groups, and pads A2 and A4 correspond to
[PATCH NUMBER ] and [PATCH NUMBER ] respectively.
fig.1-19
GROUP
B5 C1
65
4
3
2
1
NUMBER
7
8
9
10
B2
B1
B4
B3
A2A4
C2
C3
While you continue
holding [PATCH SEL], the
indicator for the selected
patch group and the
indicator beside the pad
(B1–C5) corresponding to
that group will blink.
C4
C5
23
Chapter 1 Quick Start
Changing the Settings of a Patch (EZ
Edit)
The process of modifying a patch is called “editing.” The HPD-15 provides
Easy (EZ) Edit mode for making basic settings, and Edit mode for making
settings in more detail. This section explains EZ Edit mode.
fig.1-20
4
To learn how to make more
detailed settings, refer to
“Chapter 2 Modifying a
Patch” (p. 35).
1
2
3
4
6
13
Press [EDIT].
[EDIT] will blink, and you will enter EZ Edit mode.
Strike a pad to select the pad set (p. 25) that you wish to
modify. You can also select the D Beam or ribbons.
Press [ PARAMETER] or [PARAMETER ] to select the
parameter that you wish to modify.
To modify the value, either turn [PATCH/VALUE] or use
[PATCH NUMBER ] and [PATCH NUMBER ].
If you press [EDIT] once
again, [EDIT] will light and
you will be in Edit mode (p.
35).
You can make your
selection rapidly by using
the Key Repeat Function (p.
31) or Skip Function (p. 32).
5
6
24
Repeat steps 2–4 to continue editing.
When you are finished editing, press [EXIT].
You will return to normal Play mode.
The settings you edit will
return to the original
values when you switch
patches. If you wish to keep
your changes, refer to
“Saving your settings
(Write) / Duplicating
settings (Copy)” (p. 56).
fig.1-20a.e
Chapter 1 Quick Start
"A", "B", or "C" appears
when "Pad Set" is selected
Patch Number
U0101A* PAD SET
Pitch +200cent
Parameter
fig.1-21.e
EZ Edit — Parameter List
PAD SET,
RIBBON L,
RIBBON R,
D BEAM,
PEDAL,
TRIG 1,
TRIG 2
Inst
Level
Pan
Selects the instrument for Pad Set A, B, C
(Ribbon, D Beam).
Pads can be selected by five sets.
Adjusts the volume.
Adjusts the pan (localization) of the output sound.
Random: The pan changes randomly each time the pad is struck.
Alternate: The pan alternates left and right each time the pad is struck.
appears if the Value is edited
Edit T arget
(Pad Set, Ribbon, D Beam, etc.)
Chapter 1
Value
Refer to Pad Set
Instrument List
(p. 94)
0 – 127
L63 – R63,
Random,
Alternate
REVERB
MULTI-FX
PATCH LEV
ReverbSend
Pitch
Decay
MULTI-FX/LFO
Type
Depth
Type
Depth
FxOut V olume
Fx Rev Send
MasterVolume
Adjusts the reverb depth.
Adjusts the pitch of the sound.
Adjusts the duration (decay time).
Turns the multi-effects and LFO on/off.
If you select PadData, this will be determined
by the on/off setting in Edit mode (p. 36).
Selects the type of the reverb.
Adjusts the overall reverb depth.
Selects the type of the multi-effects.
Adjusts the depth of the multi-effects.
Adjusts the output volume of the multi-effects.
Adjusts the depth of reverb applied to the
sound processed by the multi-effects.
Adjusts the volume of the entire patch.
0 – 127
-2400 – +2400
-31 – +31
OFF, ON,
PadData
* PadData can be
selected for PAD SET.
Refer to Effect
Type List (p. 95)
0 – 127
Refer to Effect
Type List (p. 95)
0 – 127
0 – 127
0 – 127
0 – 127
PATCH NAME
* About PEDAL, TRIG 1, and TRIG 2, see p. 72–p. 73.
Give the pattern a name of up to 10 characters.
Refer to "Naming
a Patch" (p. 55)
25
Chapter 1 Quick Start
Playing Back a Preset Pattern
fig.1-22
2
3, 4
1
2
3
5
1, 5
Press [SEQUENCER].
[SEQUENCER] will light, and you will enter Sequencer mode.
fig.1-22a.e
U: User
P: Preset
Pattern Number
P01 001-01 =100
Current Measure
Current Beat
Tempo
4/4 Cha-Cha
Time Signature
Turn [PATCH/VALUE] to select the pattern.
Press [PLAY/STOP].
The selected pattern will play back.
Pattern Name
For more on preset
patterns, refer to “Preset
Pattern List” (p. 91).
4
5
26
To stop playback, press [PLAY/STOP] once again.
The pattern will stop playing.
Press [SEQUENCER] or [EXIT].
You will return to normal Play mode.
Changing the Tempo
fig.1-23
Chapter 1 Quick Start
2
Chapter 1
1, 3
1
2
3
Press [TEMPO].
[TEMPO] will light, current tempo is displayed in the screen.
fig.1-23a
Tempo =100
Turn [PATCH/VALUE] to change the tempo.
When you have finished making changes, press [TEMPO]
once again.
[TEMPO] will go dark, and you will return to the previous screen.
The tempo can be changed
either when the pattern is
playing or stopped.
27
Chapter 1 Quick Start
System Settings
Settings that are shared by all patches are called “system settings.”
Settings such as the display contrast and the D Beam sensitivity are system
settings.
Adjusting the Display for Best Visibility (LCD
Contrast)
fig.1-24
2
1
2
3
3
Press [SYSTEM].
[SYSTEM] will light, and the following screen will appear.
fig.1-25
1, 3
UTILITY
LCD Contrast 5
Turn [PATCH/VALUE] to adjust the contrast of the display
screen.
Increasing the value will darken the display.
When you have finished adjusting, press [SYSTEM] or [EXIT].
You will return to normal Play mode.
When you modify the
system setting, the new
setting is automatically
saved as soon as you make
the change. You do not
have to operate for the
storing.
28
Adjusting the D Beam Sensitivity
The sensitivity of the D Beam will change depending on the amount of light
in the vicinity of the unit. If it does not function as you expect, adjust the
sensitivity as appropriate for the brightness of your location.
fig.1-26
Chapter 1 Quick Start
3
The HPD-15 adjusts the
sensitivity of the D Beam
automatically when turns
the power on.
Chapter 1
1
2
3
4
1, 42
Press [SYSTEM].
[SYSTEM] will light.
Press [PARAMETER ] to display the following screen.
fig.1-27
CONTROLLER
DBEAM Sens 100
Place your hand about 20 inches (50 cm) above the D Beam,
and turn [PATCH/VALUE] to adjust the sensitivity.
Move the meter at the upper right of the screen to the center line as shown
in right screen. The D Beam will respond as far as the position where your
hand was when you made the adjustment.
fig.1-28
CONTROLLER
DBEAM Sens 100
CONTROLLER
DBEAM Sens 64
You can make your
selection rapidly by using
the Key Repeat Function (p.
31) or Skip Function (p. 32).
The sensitivity of the D
Beam will be less in a dark
location. In such locations,
it is a good idea to make
the adjustment with your
hand approximately 12
inches (30 cm) above the D
Beam.
4
When you have finished adjusting, press [SYSTEM] or [EXIT].
You will return to normal Play mode.
For details on other system
parameters, refer to
“Chapter 5 Settings for the
entire HPD-15” (p. 67).
29
Chapter 1 Quick Start
If the Sound or Operation Is not as You
Expect
If, as you modify the settings, the sound or operation is no longer as you
expect and you are unable to restore the correct settings, you can execute the
Factory Reset operation to reset all settings to their factory condition.
fig.1-29
3124, 5
When you execute factory
reset, the edited contents
will be lost.
1
2
3
4
Press [SYSTEM].
[SYSTEM] will light.
Hold down [PARAMETER ] to access the following screen.
fig.1-30
FACTORY RESET
SYSTEM [WRITE]
Turn [PATCH/VALUE] to select “ALL.”
fig.1-30a
FACTORY RESET
ALL [WRITE]
Press [WRITE].
The following screen will appear.
fig.1-31
You can make your
selection rapidly by using
the Skip function (p. 32).
It is also possible to
initialize specific data, such
as only the patches or only
the system settings. For
details, refer to “Restoring
the Factory Settings” (p.
85).
5
30
Are You Sure?
[WRITE/EXIT]
If you wish to execute factory reset, press [WRITE].
After the data has been initialized, the following screen will appear.
fig.1-09
P01 LATIN
01 Conga
* If you decide not to execute, press [EXIT].
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