Roland HP605, HP603 User Manual

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Page 1

Owner’s Manual

° Practice Songs

Sound a metronome

You can sound a metronome.

Practice along with the built-in songs

This unit contains numerous built-in songs. For the song titles, refer to “Internal Song List” at the end of this manual.

Recording the Song You’re Practicing

You can record your own playing.

° Play the Piano

Play various sounds

This unit contains a wide variety of tones (sounds). You can freely select and perform using these tones.

Play two layered tones (Dual Play)

You can layer two tones on a single key.

Play dierent tones with your left and right hands (Split Play)

You can divide the keyboard into left and right zones, and select a dierent tone for each zone.

Save your performance settings (Registration)

You can save tone settings and settings for Dual Play or Split, and recall them easily.

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° Adjust Your Piano

Adjust the keyboard touch

You can adjust the touch sensitivity of the keyboard to match your own playing style.

Match the pitch to other instruments

When playing together with other instruments, you can match the unit’s reference pitch to that of the other instruments (Master Tuning).

Create your own piano (Piano Designer)

You can customize the sound to your own taste by adjusting the sonic elements of the grand piano sound.

° Simply opening or closing the lid turns the power on/o

1. When you open the lid, the power turns on

automatically.

When you close the lid, the power turns o automatically.

Provision of Bluetooth functionality

Please be aware that depending on the country in which you purchased the unit, Bluetooth functionality might not be included.

If Bluetooth functionality is included

The Bluetooth logo appears when you turn on the power.

2. Use the [Volume] buttons to adjust the volume.

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Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaet “USING THE UNIT SAFELY” and Owner’s Manual (p. 26)). After reading, keep the document(s) including those sections where it will be available for immediate reference.

Page 2

Easy Quick Guide

Selecting a Tone

This unit lets you enjoy performing with a variety of piano tones and other tones.

1 2

1. Press one of the tone buttons.

Select a tone group.

Button Explanation [Piano] button Grand piano tones [E. Piano] button Electric piano tones [Organ] button Organ tones

[Strings] button

[Other] button

The tones of string instruments such as violins, as well as other instruments used in orchestras. Selects a variety of sounds such as bass or accompaniment sounds.

2. Use the [–] [+] buttons to select a tone.

MEMO

For more about the sounds, refer to “Tone List” at the end of this manual.

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Using the Metronome

You can perform while hearing a metronome.

1 2

1. Press the [Metronome] button.

2. Press the [Slow] [Fast] buttons.

The metronome tempo changes.

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Selecting and Playing Songs

You can perform along with a song.

Selecting a song

12 3

1. Press the [Song] button.

Tempo

2. Use the [K] [J] buttons to select a category.

Category Explanation

USB Memory Internal Memory Listening

Masterpieces

Easy Piano

Scales

Hanon

Beyer

Burgmüller Czerny100

3. Use the [–] [+] buttons to select a song.

MEMO

For details on the internal songs, refer to “Internal Song List” at the end of

this manual.

Playing a song

Before You Play

Turning the Power On/O (Opening/Closing the Lid)

You can turn the power on/o simply by opening/closing the lid.

Turning the power on

Minimize the volume of the connected devices.

2. Open the lid.

To open the lid, use both hands to lift it lightly, and slide it away from yourself.

3. Use the [Volume] buttons to adjust the volume.

* This unit is equipped with a protection circuit. A brief interval

(a few seconds) after turning the unit on is required before it will operate normally.

Turning the power o

Close the lid.

To close the lid, pull it gently toward yourself, and lower it softly after it has been fully extended.

MEMO

By pressing the [L] button you can turn the power on/o while leaving the lid open (p. 5).

NOTE

5 When opening or closing the lid, take care not to pinch your

ngers between the moving part and the body of the unit. Pay special attention to this when using the unit where children are present.

5 If you have any objects (papers, metal objects, etc.) placed on

top of the keyboard cover, do not open the cover. Otherwise, such objects may slip inside the instrument, and then become irrecoverable.

5 When turning o the power, do not disconnect the power

cord while the Phones jack “Phones” indicator is lit.

Setting Up the Music Rest

Raising the music rest

Gently raise the music rest.

2. Fit the latch into one of the slots so that the music rest is at

the desired angle.

Folding down the music rest

While using one hand to support the music rest, raise the latches located on the back of the music rest, then gently fold down the music rest.

NOTE

When raising or folding the music rest, take care not to pinch your ngers between the moving part and the body of the unit. Pay special attention to this when using the unit where children are present.

Using the music holders

You can use the holders to hold pages in place. When not using the holders, leave them folded down.

HP605 only

Push

Using the lid to conceal the panel (Classic Position)

You can use the lid to conceal the panel. This allows you to concentrate on performing without being distracted by the buttons or the display.

Lid

Concerning the Auto O function

If you do not want the power to be turned o automatically, disengage the Auto O function (p. 20).

5 Any settings that you are in the process of editing will be lost when the

power is turned o. If you have any settings that you want to keep, you should save them beforehand.

5 To restore power, turn the power on again.

Page 5

Panel Descriptions

[L] Button

The power turns on/o when you open/close the lid.

If you want to turn the power on/o with the lid left open, press the [L] button.

To turn the power o, long-press the [L] button.

* Never disconnect the power cord while the screen

indicates “Don’t disconnect the power.”

Bottom Panel

Connect headphones and USB ash drive.

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Headphone Hook

Whenever you are not using the headphones, you can hang them on the headphone hook.

* Don’t hang anything other than headphones on this hook, and don’t

apply excessive force to it. Doing so may damage the headphone hook.

Front Panel

This is where you operate the unit.

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Pedal

Damper Pedal

Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you release your ngers from the keyboard.

With the damper pedal on an acoustic piano, when you step on the pedal it will at rst oer only a slight amount of resistance, but as you press down further it will start to feel much heavier. On the unit, this change in the feeling of resistance is simulated.

On an acoustic piano, when you step on the damper pedal, you’ll rst hear the sound of the dampers releasing the strings. Then, you should also be able to hear the sound of strings adjacent to the ones for the notes actually played resonate

Adjuster

Turn the adjuster to lower it until the adjuster is in rm contact with the oor. In particular, when you’ve placed the piano on carpet, you must turn the adjuster until it is pressing rmly against the oor.

* When operating the pedal, take care not to pinch your ngers between the moving part and the body of the unit. Pay special attention to this when using the unit where

children are present.

sympathetically, resulting in a rich, resounding tone. Additionally, when using half-pedaling techniques, the core of the sound disappears rapidly while a rich, spacious resonance

remains, producing a unique form of reverberation. On the unit, the unique, lingering tones produced by the half-pedaling technique are reproduced in addition to released-string sounds (Damper Noise) and resonating sounds (Damper Resonance).

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will be sustained.

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent strength. This is the same function as the left pedal of a grand piano. The softness of the tone can be varied subtly by the depth to which you press the pedal.

Page 6

Operation Guide

Selecting a Tone

In addition to piano sounds, the unit lets you enjoy performing with many other sounds.

These sounds are called “Tones.” The Tones are divided into ve groups, each of which is assigned to a dierent Tone button.

To select a tone

Viewing the display

Time signature

Tempo

Auditioning the tones (Tone Demo)

1. Hold down the [Key Touch] button and press the [Transpose] button.

2. Select a tone.

You can hear a tone demo of the rst tone in each tone group.

3. To end the tone demo, press the [u] button.

MEMO

For more about the sounds, refer to “Tone List” at the end of this manual.

Press a tone button (e.g., [Piano]) and then use the [–] [+] buttons.

Tone name

Song transposition

Keyboard transposition

Measure

Basic operations

Select a setting item Edit a value Use the [–] [+] buttons.

Restore the default value

Use the [K] [J] buttons.

Press the [–] [+] buttons simultaneously.

Tone groups

Button Explanation [Piano] button Grand piano tones [E. Piano] button Electric piano tones

[Organ] button

[Strings] button

[Other] button

*1 Rotary is an eect which simulates the sound of rotating speakers. There is a

choice of two settings: Fast and Slow.

Organ tones * If you’ve selected an organ sound that provides

a rotary eect (*1), such as a Combo Jz. Org or a Ballad Organ, pressing the [Organ] button will

switch the speed of the rotary eect. The tones of string instruments such as violins, as well as other instruments used in orchestras. Selects a variety of sounds such as bass or accompaniment sounds.

MEMO

You can use the [K] [J] buttons to select sounds of the next category.

Adjusting the Overall Volume

You can adjust the speaker volume when using the internal speakers, or the headphone volume when headphones are connected.

Adjusting the volume 0–100

Adding Reverberation to the Sound (Ambience)

The reverberation that is characteristic of a performance in a concert hall can be added to the sound.

Adjusting the reverberation (Ambience)

Headphones 3D Ambience

* The reverberation eect is not applied to audio les.

0–10 (default value: 2)

* If Headphones 3D Ambience is “on,” you can

adjust the depth of the Headphones 3D

Ambience eect. You can apply a Headphones 3D Ambience eect that creates the impression that the sound is being heard from the piano itself even when you’re using headphones.

O, On (default value: On)

Adjusting the Brightness of the Sound (Brilliance)

You can adjust the brightness of the sound when you play the keyboard or when you play back a song.

Adjusting the brightness of the sound

-10–0–10 (default value: 0)

Making Various Settings (Function Mode)

You can make detailed settings for the unit.

1. Simultaneously press the [Ambience] button and [Brilliance]

button.

2. Use the [K] [J] buttons to select the item that you want to set.

3. Use the [–] [+] buttons to edit the setting.

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Transposing the Pitch (Transpose)

The keyboard or song can be transposed in semitone steps.

For example if a song is in the key of E major but you want to play it using the ngering of the C major scale, you would set the keyboard transpose setting to “4.”

If you play C E G0It will sound E G B

-6–0–5 (default value: 0)

MEMO

Kbd Transpose

Song Transpose -12–0–12 (default value: 0)

You can also change the keyboard transpose setting by holding down the [Transpose] button and pressing the note that will be the tonic (root note) of the transposed key.

Changing the Playing Feel of the Keyboard (Key Touch)

You can change the playing feel (touch) of the keyboard.

Fix, 1–100 (default value: 50)

Adjusting the key touch

Hammer Response

* If this is set to “Fix,” each note sounds at the

same volume regardless of how strongly you

play the keyboard. Adjusts the time from when you play the key until the piano sound is heard. Higher values produce a greater delay.

O, 1–10 (default value: 2)

Page 7

Operation Guide

Dividing the Keyboard for Two People (Twin Piano)

You can divide the keyboard into left and right areas so that two people can play the same range of pitches.

Turning Twin Piano on

Changing the Twin Piano tone

Changing the way the sound is heard (Mode)

Conventional keyboard

Twin Piano

Turn the [Twin Piano] button on.

1. Use the [K] [J] buttons to select “Tone.”

2. Press a tone button.

3. Use the [–] [+] buttons.

Use the [–] [+] buttons.

Pair

Individual

The damper pedal for the left area

Notes played in the right area are louder in the right speaker; notes played in the left area are louder in the left speaker.

When using headphones, you’ll be able to hear the other person’s playing. Notes played in the right area are heard only from the right speaker; notes played in the left area are heard only from the left speaker.

When using headphones, you won’t be able to hear the other person’s playing.

C4 C5 C6 C7 C8C3C2C1

divide point

C4 C5 C6C3C4 C5C3 C6

The damper pedal for the right area

Saving Your Performance Settings (Registration)

You can save tone settings and performance settings such as Dual Play or Split Play, and easily recall them when you wish.

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Creating Your Own Piano Tone (Piano Designer)

You can create your own piano tone by customizing the elements of the grand piano sound to your taste.

1. Press the [Piano Designer] button.

2. Use the [K] [J] buttons to select the item that

you want to edit.

3. Use the [–] [+] buttons to edit the value.

MEMO

Piano Designer can be used to customize the sound only for [Piano] button tones.

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Playing Dierent Tones with the Left and Right Hands

(Split Play)

You can play dierent tones in the areas at the left and right of a specied key. For example, you can use your left hand to play a bass tone and use your right hand to play a piano tone.

This feature is called “Split Play,” and the point at which the keyboard is divided is called the “split point.”

Turning Split on Turn the [Split] button on.

Changing the right-hand tone and left-hand tone

Split Point

Balance

Left Shift

Left-hand tone Right-hand tone

1. Use the [K] [J] buttons to select “right-hand tone”

or “left-hand tone.”

2. Press a tone button.

3. Use the [–] [+] buttons.

Changes the split point.

MEMO

You can also specify the split point by holding down the [Split] button and pressing the key where you want to split the keyboard.

B1–B6 (default value: F#3)

Changes the volume balance of Split Play.

9:1–9:9–1:9 (default value: 9:9)

Changes the pitch of the left-hand tone in units of one octave.

-2–0–2 (default value: 0)

F#3

Split point (Power-up default): F#3

Layering Two Sounds (Dual Play)

You can play two tones simultaneously from a single key. This function is called “Dual Play.”

Turn the [Dual] button on.

Turning Dual on

Changing tone 1 and tone 2

Balance

Tone 2 Shift

* Depending on the combination of tones, the eect might not apply to tone 2,

causing the sound to appear dierently than usual.

* If you select a sound from the [Piano] button as tone 2, it might sound dierent

than usual.

Reading the note name (e.g., C4)

The alphabetical indication for settings such as Split Point shows the name of the note.

For example, the indication “C4” means “the fourth ‘C’ from the left edge of the keyboard.”

MEMO

You can also use Dual Play by pressing two tone buttons simultaneously.

1. Use the [K] [J] buttons to select

“tone 1” or “tone 2.”

2. Press a tone button.

3. Use the [–] [+] buttons.

Adjusts the volume balance (tone 1: tone 2) for Dual Play.

9:1–9:9–1:9 (default value: 9:3)

Changes the pitch of tone 2 in units of one octave.

-2–0–2 (default value: 0)

* If you select a sound from the [Piano] button as the left-hand tone, it might

sound dierent than usual.

C4 C5 C6 C7 C8C3C2C1

Page 8

Operation Guide

Display

This shows information such as the tone name, song name, tempo, and time signature.

Tempo

Time signature

Measure

Keyboard

transposition

Bluetooth connection

status

* The explanations in this manual include illustrations that depict what

should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Song

Tone name or

song name

Using the Bluetooth Function

Sound from a Bluetooth-equipped audio playback device can be played through this unit, and use the pedal of this unit to turn pages of a music score shown on a Bluetooth-equipped display device.

When you turn on the power of this instrument, the Bluetooth indicator lights.

When pairing is taking place, or when connected or disconnected, the Bluetooth indicator blinks.

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Selecting an Item/Editing a Value

Select a setting item Edit a value Use the [–] [+] buttons.

Change a value consecutively

Return to the default value

Use the [K] [J] buttons.

Hold down the [–] button or [+] button.

Hold down the [–] button and [+] button simultaneously.

Sounding the Metronome

You can sound a metronome while you perform. You can also change the tempo and time signature of the metronome.

If a song is playing, the metronome sounds at the tempo and time signature of that song.

Sound the metronome Turn the [Metronome] button on.

Change the tempo

Beat

Down beat

Pattern

Volume

Tone

Use the [Slow] [Fast] buttons.

10–500

Changes the time signature of the metronome.

MEMO

You can also change the time signature by holding down the [Metronome] button and use the [Slow] [Fast] buttons.

2/2, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 8/8, 9/8, 12/8 (default value: 4/4)

Sounds a down beat.

O, On (default value: On)

Changes the pattern of the metronome.

O, Eighth note, Eighth-note triplet, Shue, Sixteenth note, Quarter-note triplet, Quarter note, Dotted eighth (default value: O)

Changes the volume of the metronome.

O, 1–10 (default value: 5)

Changes the tone of the metronome.

Click, Electronic, Voice (Japanese), Voice (English) (default value: Click)

Page 9

Selecting a Song

You can select songs in the Song screen.

1. Press the [Song] button to access the Song screen.

Playing Back or Recording

Here’s how to play back or record a song.

Return to the beginning of the song Play/stop Enter record-ready condition Record Rewind Fast-forward Play all songs (All Song Play) Change the song tempo Press the [Slow] [Fast] buttons.

Play back the song at a constant tempo (Tempo Mute)

Sound a count-in (*1)

*1 A series of sounds rhythmically played to indicate the tempo before a song

starts is called a “count-in.” If you sound a count-in, it will be easier for you to synchronize your own performance to the tempo of the playback.

To make a new recording

1. Select the tone that you want to play.

2. Press the [t] button.

3. Press the [s] (Play/Stop) button to start recording.

4. Press the [s] (Play/Stop) button to stop recording.

To overdub

1. Select the song to be dubbed.

2. Press the [t] button.

3. Press the cursor [J] button.

4. Press the button of the part that you want to record, making it

blink.

5. Press the [s] (Play/Stop) button to start recording.

6. Press the [s] (Play/Stop) button to stop recording.

Press the [u] button. Press the [s] button. While stopped, press the [t] button. In record-ready condition, press the [s] button.

Press the [x] button. Press the [y] button. Hold down the [Song] button and press the [s] button.

Hold down the [s] button and press the [Slow] [Fast] buttons.

To clear the tempo mute function, hold down the [s] button once again and press the [Slow] [Fast] buttons. Hold down the [Metronome] button and press the [s] button.

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Disabling the Buttons (Panel Lock)

By disabling the buttons other than the [L] button and the [Volume] buttons, you can prevent unintended operation.

Lock the panel

Unlock the panel

Hold down the [Right] button until the screen

shows the “

Hold down the [Right] button until the “

symbol disappears, or turn o the power.

” symbol.

”

Selecting the Part(s) to Play (Part Mute)

This unit’s songs consist of three parts: accompaniment, left hand, and right hand.

You can mute a specic part so that it will not sound; only the parts that you want to hear will play.

Let a part play

Mute a part

Accompaniment

* Some songs don’t contain a left-hand part or an accompaniment part. If so,

pressing the corresponding part button does not make it light.

* The Part Mute function is not available when playing an audio le.

Song formats that can be played by the unit

The unit can play back data in the following formats.

5 SMF formats 0/1 5 Audio les: WAV format, 44.1 kHz, 16-bit linear

Make the button light for parts that you want to

play.

Make the button go dark for parts that you want

to mute.

part

Left-hand part

Right-hand part

Page 10

Advanced Operation

Recording Your Performance

It’s easy to record your own performances. You can play back a recorded performance to check your playing, or

play along with a recorded performance.

Type of recording

SMF recording

Audio recording

*1 Acoustic projection is an eect that plays dierent sounds from each of this

unit’s multiple speakers in order to reproduce the depth and spatial sense of a piano’s sound. This eect is applied when you play the keyboard, and when you play back a song that was recorded as SMF.

5 Parts will be separate. 5 You can re-record a specic portion of the song. 5 You can overdub.

5 Your performance will be recorded as audio data. 5 The recorded song can be used on your computer.

* The acoustic projection eect (*1) is not reproduced for

an audio-recorded song.

* In order to use audio recording, you must connect a USB

ash drive (sold separately) to the USB Memory port.

SMF Recording

Recording a New Song

SMF recording is convenient when you want an easy way to record your performance.

Getting ready to record

Starting your recording and saving it

1 2

1. Press the [s] button.

After a two-measure count is sounded (the measure number in the lower right of the display indicates “-2” and then “-1”), recording starts.

When recording starts, the [t] button and [s] button light.

MEMO

You can also start recording by playing the keyboard. In this case, a count is not sounded.

2. Press the [s] button.

Recording stops, and your performance is automatically saved.

MEMO

5 You can change the name of the song (p. 11). 5 You can delete the song (p. 12).

NOTE

Never turn o the power while “Saving...” is shown in the display.

Listening to the recorded performance

After you record, the newly recorded song is selected.

1. Press the [s] button.

Playback starts from the beginning of your recorded performance.

423

1. Select the tone that you want to play (p. 6).

2. Press the [t] button.

The [t] button lights, the [s] button blinks, and the unit enters record-standby mode.

If you decide to cancel recording, press the [t] button once again.

3. You can sound the metronome if you like (p. 8).

MEMO

The metronome’s tempo and time signature settings are stored in the song, so that the metronome plays correctly even when you play back the song.

4. Press the part button of the part that you want to record,

making it blink.

MEMO

For example you can record your performance separately for each hand by pressing the [Left] button to record your lefthand performance or pressing the [Right] button to record your right-hand performance. You can also re-record each part after recording.

* If you don’t select a part at this time, your performance is

recorded to the following buttons.

When playing a single tone [Right] button

Split Play

Twin piano play Dual Play [Right] button and [Accomp] button

[Right] button and [Left] button

Overdubbing a Recorded Song

You can overdub additional parts onto an SMF recording. For example, you can separately record the left-hand and right-hand performances, or record along with an existing song.

1. Select the song onto which you want to overdub (p. 9).

2. Press the [t] button.

The [t] button lights, and the unit enters record-standby mode. In this case, New Song is selected. If you decide to cancel recording, press the [t] button once again.

3. Press the cursor [J] button.

The song you selected in step 2 is selected.

MEMO

The song’s tempo and time signature follow the settings of the song you select.

4. Press the part button of the part that you want to record,

making it blink.

Parts whose button is lit will play back during recording.

MEMO

If you want to rerecord only a portion of the song, use the [x] [y] buttons to move to the measure at which you want to start recording.

5. Start recording as described in “Starting your recording

and saving it” (p. 10).

Page 11

Advanced Operation

Recording Audio

Here’s how to record your performance on the unit as audio. The recorded song can be used on your computer.

* The acoustic projection eect (p. 10) is not reproduced for an

audio-recorded song.

Getting ready to record

353 4

1. Connect your USB ash drive to the USB Memory port

(p. 23).

* Audio data can’t be stored in internal memory.

2. Select the tone that you want to play (p. 6).

3. Hold down the [t] button and press the [+] button to

select “Audio.”

MEMO

You can also specify this via the Function mode “Recording Mode” setting (p. 19).

4. Press the [t] button.

The [t] button lights, the [s] button blinks, and the unit enters record-standby mode.

If you decide to cancel recording, press the [t] button once again.

NOTE

Never turn o the power or disconnect the USB ash drive during recording.

5. You can sound the metronome if you like (p. 8).

Starting your recording and saving it

Converting an SMF-recorded song to audio

A song recorded as SMF can be re-recorded as audio so that you can play it back on your computer.

1. Select the song that you want to convert to audio (p. 9).

2. Getting ready for audio recording (“Getting ready to record”

(p. 11)).

1. Connect your USB ash drive.

2. Hold down the [t] button and use the [+] button to select

“Audio.”

3. Press the [t] button.

3. Press the cursor [J] button to select the song of step 1.

4. Press the [s] button to start audio recording (“Starting your

recording and saving it” (p. 11)).

* During recording, any sounds that you produce by playing the keyboard or

that are input to the unit via the USB port, the Input jack, or Bluetooth audio are included in the audio that is recorded during this conversion. Muted parts are not recorded.

* Depending on the SMF, it might not be possible to convert it into the

identical audio as when the song was recorded.

Renaming a Song (Rename Song)

Here’s how to rename a previously-saved song.

1. Press the [Ambience] button and [Brilliance] button

simultaneously.

2. Use the [K] [J] buttons to select “Rename Song,” and then

press the [s] (Enter) button.

The Rename Song screen appears.

3. Use the [–] [+] buttons to select the media (internal

memory or USB ash drive) that contains the song that you want to rename.

4. Press the [J] button.

1 2

1. Press the [s] button.

Recording starts. When recording starts, the [t] button and [s] button light.

2. Press the [s] button.

Recording stops, and your performance is automatically saved.

MEMO

5 You can change the name of the song (p. 11). 5 You can delete the song (p. 12).

Listening to the recorded performance

After you record, the newly recorded song is selected.

1. Press the [s] button.

Playback starts from the beginning of your recorded performance.

5. Use the [–] [+] buttons to select the song that you want to

rename, and then press the [J] button.

6. Rename the song.

[K] [J] buttons

[–] [+] buttons Change the character.

If you decide to cancel, press the [u] (Exit) button.

Select the position at which you want to change the character.

7. Press the [s] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [u] (Exit) button.

8. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The song is renamed.

NOTE

Never turn o the power or disconnect the USB ash drive while the screen indicates “Executing...”

9. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Page 12

Advanced Operation

Copying a Saved Song (Copy Song)

Songs that have been saved in internal memory can be copied to USB ash drive. Alternatively, songs stored on a USB ash drive can be copied to internal memory.

* Audio les cannot be copied. * If a USB ash drive is not connected, you won’t be able to perform

this operation.

1. Press the [Ambience] button and [Brilliance] button

simultaneously.

2. Use the [K] [J] buttons to select “Copy Song,” and then

press the [s] (Enter) button.

The Copy Song screen appears.

3. Use the [–] [+] buttons to select the copy-source and copy-

destination memory locations (internal memory or USB ash drive).

4. Press the [J] button.

5. Use the [–] [+] buttons to select the song that you want to

copy.

If you decide to cancel, press the [u] (Exit) button.

6. Press the [s] (Enter) button.

The copy is executed.

NOTE

Never turn o the power or disconnect the USB ash drive while the screen indicates “Executing...”

7. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Deleting a Saved Song (Delete Song)

Here’s how to delete a song that you saved on an internal memory or USB ash drive.

MEMO

If you want to delete all songs that have been saved to internal memory, initialize the memory.

* If you want to delete a song on the USB ash drive, connect your

USB ash drive to the USB Memory port before you continue.

1. Press the [Ambience] button and [Brilliance] button

simultaneously.

2. Use the [K] [J] buttons to select “Delete Song,” and then

press the [s] (Enter) button.

The Delete Song screen appears.

3. Use the [–] [+] buttons to select the memory location

(internal memory or USB ash drive) that contains the song you want to delete.

4. Press the [J] button.

5. Use the [–] [+] buttons to select the song that you want to

delete.

6. Press the [s] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [u] (Exit) button.

7. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The deletion is executed.

NOTE

Never turn o the power or disconnect the USB ash drive while the screen indicates “Executing...”

8. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Page 13

Personalizing Your Piano Sound (Piano Designer)

Parameter Value Explanation

What is Piano Designer?

This unit allows you to personalize your piano sound by adjusting various factors that aect the sound, such as the piano’s strings, the resonance produced using the pedals, and the sound of the hammers striking the strings.

This function is called “Piano Designer.”

MEMO

Hammer Noise

Adjusting the piano sound to your taste

String Resonance

Duplex Scale O, 1–10

Full Scale String Res.

Damper Resonance

5 Piano Designer can be used to customize the sound only for

tones of the [Piano] button.

5 Your settings are saved for each tone of the [Piano] button.

Key O Resonance

Cabinet Resonance

Soundboard

1 2 34

Type

Damper Noise O, 1–10

1. Press the [Piano Designer] button.

The Piano Designer screen appears.

2. Use the [K] [J] buttons to select the item that you want to

edit.

Single Note Tuning

Single Note Volume

Single Note Character

3. Use the [–] [+] buttons to adjust the value.

4. When you’re nished using Piano Designer, press the

[Piano Designer] button or [u] (Exit) button.

A conrmation message appears.

Reset Setting

Advanced Operation

Adjusts the sympathetic vibrations of an acoustic piano’s Duplex Scale.

Higher settings will make the sympathetic vibration louder.

Adjusts the resonant sound of an acoustic piano (the sound produced by the strings of previously-pressed

O, 1–10

1–5

-50–0– +50

-50–0

-5–0–+5

Here’s how the Piano Designer settings of the selected sound can be returned to their factory-set state.

keys vibrating in sympathy with newly played notes, or the sound of other strings vibrating in sympathy with the notes you play while pressing the damper pedal).

Higher settings produce louder sympathetic resonance. Adjusts the overall resonance of the acoustic piano

when its damper pedal is pressed (the sound of other strings vibrating in sympathy when you press the damper pedal, and the resonance of the entire instrument).

Higher settings produce louder sympathetic resonance. Adjusts sympathetic vibrations such as an acoustic

piano’s key-o sound (the subtle sound that occurs when you release a note).

Higher settings produce greater tonal change during the decay.

Adjusts the body resonance of the grand piano itself. Higher values will produce a larger body resonance.

Selects how the soundboard of the acoustic piano will resonate.

You can choose from ve dierent types of resonance. This adjusts the damper noise of the acoustic piano

sound (the sound of the damper releasing the strings when you press the damper pedal).

Species a method of tuning (stretch tuning) that is distinctive to the piano, in which the high register is tuned slightly sharper and the low register is tuned slightly atter.

Adjusts the volume of each key. Higher settings increase the volume.

Adjusts the tonal character of each key. Higher settings produce a harder sound, and lower settings produce a softer tone.

1. Press the [s] (Enter) button.

If you decide to cancel, press the [u] (Exit) button.

2. Use the [J] button to select “Yes,” and then press the

[s] (Enter) button.

The settings return to their factory-set state.

If you decide to cancel, press the [u] (Exit) button.

5. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The Piano Designer settings are saved.

MEMO

If you decide to exit without saving the settings, use the [K] button to select “No” and then press the [s] (Enter) button.

Piano designer parameter

Parameter Value Explanation

Adjusts the extent to which the lid of the grand piano

Lid 0–6

Key O Noise O, 1–10

Hammer Noise -2–0–2

is open. The sound will become more mellow as you close the

lid of the piano in the screen. The sound will become brighter as you open the lid of the piano in the screen.

Adjusts the action noise that is heard when you release a key.

Higher settings produce a louder action noise. Adjusts the sound produced when the hammer of an

acoustic piano strikes the string. Higher settings will produce a louder sound of the

hammer striking the string.

88-key settings

(Single Note Tuning, Single Note Volume, Single Note Character)

1. Select an 88-key parameter, and press the [s] (Enter) button.

2. Play the key that you want to edit, and use the [–] [+] buttons to

adjust the settings for that key.

MEMO

You can use the [K] [J] buttons to move to a dierent 88-key parameter.

3. Press the [u] (Exit) button to return to the previous screen.

What is the duplex scale?

The Duplex Scale is a system of sympathetically vibrating strings sometimes included in grand pianos.

These sympathetically vibrating strings are not struck directly with hammers, but sound by vibrating in sympathy with the vibrations of other strings. By resonating with the overtones, these strings add richness and brilliance to the sound. These sympathetic strings are added only to the high register above approximately C4. Since they do not have a damper (a mechanism that stops them from sounding), they will continue sounding even after you play a note and then release it to stop the sound of the string that was actually struck.

Page 14

Advanced Operation

Saving Your Performance Settings (Registration)

Tone settings and settings such as Dual Play or Split Play can be saved and recalled easily.

Such settings are called a “registration.” You can save a total of 25 registrations, ve each in buttons [1]–[5]. These 25 registrations are collectively called a “registration set.”

Recalling a Registration

1. Press the [Registration] button.

2. Press a number button ([1] to [5]) to choose the location

3. Press the [–] [+] buttons to select the registration variation.

1-5 2-5 3-5 4-5 5-5

1-1 2-1 3-1 4-1 5-1

25 registrations

Registration set

Settings that are saved in a registration

Setting Page

Ambience p. 6 Rotary Speed p. 6 Key Touch p. 6 Transpose p. 6 The selected tone (including Split or Dual tones) p. 6 Split on/o p. 7 Split point p. 7 Left Shift p. 7 Dual on/o p. 7 Tone 2 Shift p. 7 Balance (Split, Dual) p. 7 Twin Piano on/o p. 7 Twin Piano Mode p. 7 Damper Pedal Part p. 19 Center Pedal p. 19 Left Pedal p. 19 MIDI Transmit Ch p. 20

Saving Current Settings into a Registration

1. While holding down the [Registration] button, press a

2. Rename the registration.

3. Press the [s] (Enter) button.

where the desired registration is saved.

The settings change accordingly.

MEMO

You can also use a pedal to recall registrations (p. 19).

NOTE

When you save a registration into a location, it will overwrite any registration already stored at that location.

button from [1] to [5] to select a registration and then press the [–] [+] buttons to select a registration variation.

[K] [J] buttons

[–] [+] buttons Change the character.

If you decide to cancel, press the [u] (Exit) button.

The registration is saved.

NOTE

Never turn o the power while the screen indicates “Executing...”

Select the position at which you want to change the character.

Page 15

Advanced Operation

Saving a Registration Set (Registration Export)

You can save all registrations held in registration memory into a registration set on a USB ash drive.

1. Connect your USB ash drive to the USB Memory port

(p. 23).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Registration Export,” and

then press the [s] (Enter) button.

The Registration Export screen appears.

4. Rename the registration set.

[K] [J] buttons

[–] [+] buttons Change the character.

If you decide to cancel, press the [u] (Exit) button.

5. Press the [s] (Enter) button.

The settings are saved.

NOTE

Never turn o the power while the screen indicates “Executing...”

6. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Select the position at which you want to change the character.

Loading a Saved Registration Set (Registration Import)

Here’s how a registration set that’s saved on a USB ash drive can be loaded into the [Registration] button.

NOTE

When you load a registration set, the registrations that were saved in the [Registration] button are overwritten and lost. If you don’t want to lose these registrations, save them to a USB ash drive.

1. Connect your USB ash drive to the USB Memory port

(p. 23).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Registration Import,” and

then press the [s] (Enter) button.

The Registration Import screen appears.

4. Use the [–] [+] buttons to select the registration set that

you want to load.

5. Press the [s] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [u] (Exit) button.

6. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The settings are loaded.

NOTE

Never turn o the power while the screen indicates “Executing...”

7. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Page 16

Advanced Operation

Loading/Saving Piano Setups

This unit lets you load a piano setup that you’ve saved on a USB ash drive, or save your piano setup to a USB ash drive.

MEMO

Only piano setups that were created on the unit can be loaded.

Settings that are saved as piano settings

Setting Page Speaker volume p. 6 Headphone volume p. 6

Ambience p. 6 Headphones 3D Ambience p. 6 Brilliance p. 6 Key Touch p. 6 Hammer Response p. 6 Piano Designer settings p. 13 Master Tuning p. 18 Temperament p. 18 Temperament Key p. 18 Volume Limit p. 19

Saving Piano Settings (Piano Setup Export)

1. Connect your USB ash drive to the USB Memory port

(p. 23).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Piano Setup Export,” and

then press the [s] (Enter) button.

The Piano Setup Export screen appears.

4. Rename the piano settings.

[K] [J] buttons

[–] [+] buttons Change the character.

Select the position at which you want to change the character.

Loading Piano Settings (Piano Setup Import)

1. Connect your USB ash drive to the USB Memory port

(p. 23).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Load Piano Setup,” and

then press the [s] (Enter) button.

The Piano Setup Import screen appears.

4. Use the [+] [–] buttons to select the piano settings that you

want to load.

5. Press the [s] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [u] (Exit) button.

6. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The settings are loaded.

NOTE

Never turn o the power or disconnect the USB ash drive while the screen indicates “Executing...”

7. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

5. Press the [s] (Enter) button.

The settings are saved.

NOTE

Never turn o the power or disconnect the USB ash drive while the screen indicates “Executing...”

6. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Page 17

Convenient Functions

Advanced Operation

Initializing the Memory (Format Media)

Here’s how to erase all of the les that you saved in internal memory or on a USB ash drive (sold separately).

NOTE

5 When you initialize, all registrations or songs that you saved in

internal memory or on a USB ash drive are lost.

5 If you want settings other than the internal memory settings

to be returned to their factory-set state, execute a Factory Reset (p. 17).

1. If you want to initialize a USB ash drive, connect the USB

ash drive to the USB Memory port (p. 23).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Format Media,” and then

press the [s] (Enter) button.

The Format Media screen appears.

If you decide to cancel, press the [u] (Exit) button.

4. Use the [–] [+] buttons to select the media (internal

memory or USB ash drive) that you want to format.

5. Press the [s] (Enter) button.

A conrmation message appears.

Restoring the Factory Settings (Factory Reset)

Here’s how to restore all registrations and internally saved settings to the factory-set condition. This function is called “Factory Reset.”

NOTE

Factory Reset erases all settings that you have stored, and returns them to the factory-set condition.

MEMO

Executing this function does not erase the songs in internal memory or on a USB ash drive (sold separately). If you want to erase all songs from internal memory or from a USB ash drive, refer to “Initializing the Memory (Format Media)” (p. 17).

1. Press the [Ambience] button and [Brilliance] button

simultaneously.

2. Use the [K] [J] buttons to select “Factory Reset,” and then

press the [s] (Enter) button.

A conrmation message appears.

If you decide to cancel, press the [u] (Exit) button.

3. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The memory is reset to its factory values.

NOTE

Never turn o the power while the screen indicates “Executing...”

4. Turn the power o, then on again (p. 4).

If you decide to cancel, press the [u] (Exit) button.

6. Use the [J] button to select “Yes,” and then press the [s]

(Enter) button.

The memory is formatted.

NOTE

Never disconnect the USB ash drive or turn o the power while the screen indicates “Executing...”

7. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Settings that are saved automatically

On the unit, the following settings are saved automatically.

Setting Page Speaker volume p. 6 Headphone volume p. 6

Ambience p. 6 Headphones 3D Ambience p. 6 Brilliance p. 6 Key Touch p. 6 Hammer Response p. 6 Balance (Split, Dual) p. 7 Twin Piano Mode p. 7 Metronome (volume, tone, down beat) p. 8 Master Tuning p. 18 Temperament p. 18 Temperament Key p. 18 Input Volume p. 18 SMF Play Mode p. 19 Damper Pedal Part p. 19 Reg. Pedal Shift p. 19 MIDI Transmit Ch p. 20

Bluetooth Volume Bluetooth Audio Bluetooth Page Turn Bluetooth Turn/MIDI

Page Turn Assign Display Contrast p. 19 Volume Limit p. 19 Language p. 20 Auto O p. 20

p. 21

Page 18

Advanced Operation

Various Settings (Function Mode)

Basic Operations in Function Mode

1. Simultaneously press the [Ambience] button and [Brilliance] button.

The unit is in Function mode.

2. Use the [K] [J] buttons to select the item that you want to set.

MEMO

Depending on the item that you select, another screen may appear, allowing you to select additional items.

3. Use the [–] [+] buttons to edit the value of the setting.

4. Simultaneously press the [Ambience] button and [Brilliance] button to exit Function mode.

Indication Value Explanation

Matching the Pitch with Other Instruments (Master Tuning)

Master Tuning

When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument. The standard pitch generally refers to the pitch of the note that’s played when you nger the middle A key. For a cleaner ensemble sound while

performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

415.3 Hz–440.0 Hz–466.2 Hz

Changing the Tuning Method (Temperament)

You can play classical styles such as Baroque using historic temperaments (tuning methods). Most modern songs are composed for and played in equal temperament, the most common tuning in use today. But at one time, there were a wide

variety of other tuning systems in existence. By playing in the temperament that was in use when a composition was created, you can experience the sonorities of chords originally intended for

that song.

This temperament divides the octave into twelve equal steps. It is the temperament that is most commonly used on today’s pianos. Every interval has the same slight amount of dissonance. In these temperaments, the primary triads are perfectly consonant. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

The Just tunings dier from major and minor keys. This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fths.

Although triadic chords are slightly dissonant, this tuning is suitable for songs that have a simple melody. As in the Just temperaments, the primary triads are consonant in this tuning. Beautiful sonorities are obtained when playing songs that are written in keys appropriate for this tuning.

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation. Performances are possible in all keys. Since the resonance diers depending on the key, chords played in this temperament resonate in diverse ways when compared to equal temperament. This temperament slightly narrows the fth relative to Just temperaments. While the Just temperaments contains two types of whole tone (major whole tone and minor whole tone), meantone temperament uses only one type of whole tone (mean whole tone). Transposition within a limited range of keys is possible. This temperament consists of eight perfect fths and four narrowed fths. Performance in all keys is possible. Since dierent keys produce dierent sonorities, chords will resonate in diverse ways when compared to equal temperament (Werckmeister I (III)).

Temperament

Equal

Just Major

Just Minor

Pythagorean

Kirnberger I

Kirnberger II This is a revision of Kirnberger I that reduces the limitations on the usable keys.

Kirnberger III

Meantone

Werckmeister

Arabic This tuning is suitable for the music of Arabia.

Temperament Key

Bluetooth Audio

Bluetooth Page Turn

Song Volume SMF

Song Volume Audio

Input Volume

Specifying the Tonic Note (Temperament Key)

When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key).

If you choose an equal temperament, there’s no need to select a temperament key.

C–B

Refer to “Using Bluetooth Audio” (p. 21). Refer to “Using the Pedal to Turn Pages on a Music Score App” (p. 22).

Adjusting the Song (SMF) Volume (Song Volume SMF)

Adjusts the volume of the song (SMF). * If the SMF Play Mode is set to “Internal,” there will be some parts whose volume does not change when you adjust the Song Volume SMF value. If

the SMF Play Mode is set to “External,” the volume of all parts will change.

0 –10

Adjusting the Song (Audio) Volume (Song Volume Audio)

Adjusts the volume of the song (audio).

0–10

Adjusting the Volume of an Audio Playback Device (Input Volume)

You can adjust the volume of an audio playback device that’s connected to the Input jacks.

0–10

Page 19

Indication Value Explanation

Specifying the Song (SMF) Playback Mode (SMF Play Mode)

When playing back a song (SMF), select the appropriate setting depending on whether you’re playing an internal song or external data. * The acoustic projection eect (p. 10) is not reproduced if the SMF Playback mode is set to “External.” Some of the Piano Designer eects are also

SMF Play Mode

not applied in this case.

Internal

External

The most suitable tone for the song that’s playing is selected. This setting is ideal when playing back an internal song or a song that was recorded on this unit. The currently selected tone is used when you play back the song. This setting is ideal when playing back external data such as commercially available music data.

Selecting the Format for Recording (Recording Mode)

You can choose whether to record as SMF or as audio.

Recording Mode

Rename Song

Copy Song

Delete Song

Piano Setup Export

Piano Setup Import

MEMO

You can also switch the recording mode by holding down the [t] button and using the [–] [+] button.

SMF

Audio

Refer to “Renaming a Song (Rename Song)” (p. 11). Refer to “Copying a Saved Song (Copy Song)” (p. 12). Refer to “Deleting a Saved Song (Delete Song)” (p. 12). Refer to “Saving Piano Settings (Piano Setup Export)” (p. 16). Refer to “Loading Piano Settings (Piano Setup Import)” (p. 16).

SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub dierent parts. The recording will be made as audio data. The recorded song can be used in your computer.

Changing How the Pedal Eects Are Applied (Damper Pedal Part)

When you press the damper pedal during Dual Play or Split Play, the pedal eect is normally applied to both tones, but you can also select the tone

Damper Pedal Part

to which the eect is to be applied.

Right & Left All enabled Right Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode) Left Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode)

Advanced Operation

Center Pedal

Left Pedal

Reg. Pedal Shift

Registration Export

Registration Import

Display Contrast

Changing How the Pedals Work (Center Pedal)

When you turn on the power, the center pedal functions as the sostenuto pedal (p. 5). You can change the function of the pedal to a variety of other operations.

Sostenuto Sets function to sostenuto pedal.

Play/Stop

Layer

The pedal will have the same function as the [s] button. Pressing the pedal will layer on Tone 2, used for Dual Play.

* The Layer function can be applied only when using Dual Play.

Changing the Eect of the Pedal (Left Pedal)

When you turn on the power, the left pedal functions as a soft pedal (p. 5). You can change this to perform other functions.

Soft The pedal functions as a soft pedal.

Play/Stop

Layer

The pedal has the same function as the [s] button. Pressing the pedal adds tone 2 of the Dual Play function.

* This is available only when using Dual Play.

Using a Pedal to Switch Registrations (Reg. Pedal Shift)

You can assign a pedal to successively switch registrations Each time you press the pedal, you will switch to the next registration.

O Pressing the pedal does not change the registration.

Left Pedal

Center Pedal

Refer to “Saving a Registration Set (Registration Export)” (p. 15). Refer to “Loading a Saved Registration Set (Registration Import)” (p. 15).

The soft pedal can be used only for switching registrations In this case, the function assigned to the soft pedal cannot be used.

The sostenuto pedal can be used only for switching registrations In this case, the function assigned to the sostenuto pedal cannot be used.

Adjusting the Brightness of the Display (Display Contrast)

You can adjust the brightness of the unit’s display.

1–10

Volume Limit

Local Control

Specifying a Maximum Volume (Volume Limit)

You can specify a maximum volume value. This prevents an unnecessarily high volume from sounding even if you inadvertently operate the [Volume] buttons.

20, 40, 60, 80, 100

Preventing Doubled Notes When Connected to a Sequencer (Local Control)

When you have a MIDI sequencer connected, set this parameter to Local O. Since most sequencers have their Thru function turned on, notes you play on the keyboard may be sounded in duplicate, or get dropped. To prevent

this, you can enable the “Local O” setting so that the keyboard and internal sound generator will be disconnected.

O

Local Control is o. The keyboard is disconnected from the internal sound generator. Playing the keyboard will not produce sound. Local Control is on. The keyboard is connected to the internal sound generator.

Page 20

Advanced Operation

Indication Value Explanation

MIDI Transmit Channel Settings (MIDI Transmit Ch)

MIDI Transmit Ch

This setting species the MIDI channel on which the unit will transmit. This unit will receive all sixteen channels (1–16).

O, 1–16

Language

Auto O

Format Media

Factory Reset

Version

Changing the Language Displayed in the Screen (Language)

You can change the language that is displayed in the screen.

English, Japanese

Making the Power Automatically Turn o After a Time (Auto O)

With the factory settings, the unit’s power will automatically be switched o 30 minutes after you stop playing or operating the unit. If you don’t want the power to turn o automatically, change the “Auto O ” setting to “O” as follows.

O, 10, 30, 240 (min)

Refer to “Initializing the Memory (Format Media)” (p. 17). Refer to “Restoring the Factory Settings (Factory Reset)” (p. 17). Displays the version of the unit’s system program.

Page 21

Using the Bluetooth® Functionality

Provision of Bluetooth functionality

Please be aware that depending on the country in which you purchased the unit, Bluetooth functionality might not be included.

If Bluetooth functionality is included

The Bluetooth logo appears when you turn on the power.

Here’s What You Can Do

Bluetooth functionality creates a wireless connection between a mobile device such as a smartphone or tablet (subsequently referred to as the “mobile device”) and this unit, allowing you to do the following.

Bluetooth audio

Music data played back by the mobile device can be heard through this unit’s speakers.

Page-turning

A music score display app on the mobile device can be controlled from this unit.

MIDI data transmission and reception

MIDI data can be exchanged between this unit and the mobile device.

HP605 only

Advanced Operation

5. Use the [K] [J] buttons to select “Bluetooth Pairing,” and

then press the [s] (Enter) button.

The display indicates “Now pairing...”, and this unit waits for a response from the mobile device.

MEMO

If you decide to cancel pairing, press the [u] (Exit) button.

6. Turn on the Bluetooth function of the mobile device.

MEMO

The explanation here uses the iPhone as an example. For details, refer to the owner’s manual of your mobile device.

7. Tap “HP605 Audio” that is shown in the Bluetooth device

screen of your mobile device.

This unit is paired with the mobile device. When pairing succeeds, “HP605 Audio” is added to the list of “Paired Devices” on your mobile device.

MEMO

If the mobile device’s screen asks you to enter a “Pass Key,” enter “0000” (four zeros).

8. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Using Bluetooth Audio

HP605 only

Registering a Mobile Device (Pairing)

“Pairing” is the procedure by which the mobile device that you want to use is registered on this unit (the two devices recognize each other).

Make settings so that music data saved on the mobile device can be played wirelessly via this unit.

MEMO

5 Once a mobile device has been paired with this unit, there is

no need to perform pairing again. If you want to connect this unit with a mobile device that has already been paired, refer to “Connecting an Already-Paired Mobile Device” (p. 21).

5 Pairing is required again if you execute a Factory Reset (p. 17). 5 The following steps are one possible example. For details,

refer to the owner’s manual of your mobile device.

1. Place the mobile device that you want to connect nearby

this unit.

MEMO

If you have more than one unit of this model of unit, power-on only the unit that you want to pair (power-o the other units).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

Pairing

Connecting an Already-Paired Mobile Device

1. Proceed with steps 1–4 and 6 of “Registering a Mobile

Device (Pairing)” (p. 21).

MEMO

If you were unable to establish a connection using the procedure above, tap “HP605 Audio” that is displayed in the Bluetooth device screen of the mobile device.

2. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

MEMO

To disconnect, turn this unit’s Bluetooth audio function “O” or turn your mobile device’s Bluetooth function o.

Adjusting the Volume of Bluetooth Audio

Normally you’ll adjust the volume on your mobile device. If this does not provide the volume adjustment you want, you can

adjust the volume as follows.

1. Proceed with steps 2–3 of “Registering a Mobile Device

(Pairing)” (p. 21).

2. Use the [K] [J] buttons to select “Bluetooth Volume,” and

use the [–] [+] buttons to adjust the volume.

3. Use the [K] [J] buttons to select “Bluetooth Audio,” and

then press the [s] (Enter) button.

The Bluetooth Audio screen appears.

4. Press the [+] button to turn the setting “On.”

Page 22

Advanced Operation

Using the Pedal to Turn Pages on a Music Score App

Here’s how to use this unit’s pedal to operate (turn pages on) a music score app on your mobile device.

1. Place the mobile device that you want to connect nearby

this unit.

MEMO

If you have more than one unit of this model of unit, power-on only the unit that you want to pair (power-o the other units).

2. Press the [Ambience] button and [Brilliance] button

simultaneously.

3. Use the [K] [J] buttons to select “Bluetooth Page Turn,”

and then press the [s] (Enter) button.

The Bluetooth Page Turn screen appears.

4. Press the [+] button to turn the setting “On.”

5. Use the [K] [J] buttons to select “Bluetooth Turn/MIDI,”

and use the [–] [+] buttons to select “Page Turn.”

6. Turn on the Bluetooth function of the mobile device.

MEMO

The example shown here uses the iPhone. For details, refer to the owner’s manual of your mobile device.

7. On your mobile device, tap “HP605” or “HP603.”

This unit will be paired with the mobile device. When pairing succeeds, the model name of this unit (“HP605” or “HP603”) is added to the “Paired Devices” list of the mobile device.

MEMO

5 If you’re using an iOS device (iPhone or iPad), the screen of

the iOS device indicates “Bluetooth Pairing Request.” Tap the [Pair] button.

5 If the screen of the mobile device requests you to enter a “Pass

Key,” enter “0000” (four zeros).

8. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

If the keyboard is no longer shown on the mobile device

In some cases, depending on the mobile device app that you’re using, the keyboard might stop being displayed (i.e., the keyboard might become unavailable).

If you want the mobile device’s keyboard to be shown while you’re using the page turning function, hold down this unit’s [Accomp] button and press the [Left] button.

To hide the mobile device’s keyboard, once again hold down the [Accomp] button and press the [Left] button.

Connecting an Already-Paired Mobile Device

1. Proceed with steps 1–4 and 6 of “Using the Pedal to Turn

Pages on a Music Score App” (p. 22).

This unit will be wirelessly connected to the mobile device.

MEMO

5 If the above steps do not succeed in establishing a

connection, tap the model name (“HP605” or “HP603”) that is shown in the Bluetooth device screen of the mobile device.

5 To disconnect, either turn this unit’s Bluetooth Page Turn function

“O,” or turn the mobile device’s Bluetooth function o.

2. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Changing the Operating Keys of the Page Turning Function

The key operations for turning pages will dier depending on the music score display app that you’re using. You can choose which keys of this unit will operate the page turning function.

1. Proceed with steps 2–3 of “Using the Pedal to Turn Pages

on a Music Score App” (p. 22).

2. Use the [K] [J] buttons to select “Page Turn Assign,” and

use the [–] [+] buttons to select the function.

Setting Explanation

Cursor Up/ Down

Page Up/Down

The [.] [/] keys of the keyboard are used by the page turning app.

The [Page Up] [Page Down] keys of the keyboard are used by the page turning app.

3. Simultaneously press the [Ambience] button and

[Brilliance] button to exit Function mode.

Transferring MIDI Data

Here’s how to make settings for transmitting and receiving MIDI data between this unit and the mobile device.

MEMO

5 The page turning function and the MIDI transmit/receive

function cannot be used simultaneously.

5 MIDI data transmission/reception is supported only for iOS

devices.

1. Proceed with steps 1–4 of “Using the Pedal to Turn Pages

on a Music Score App” (p. 22).

2. Use the [K] [J] buttons to select “Bluetooth Turn/MIDI,”

and use the [+] button to select “MIDI.”

MEMO

In some cases when you switch the function, the connection with the mobile device might become unavailable. In this case, take the following steps.

5 In the Bluetooth screen of your mobile device, cancel the

registration of this unit.

5 Turn o the Bluetooth function of your mobile device, and

then turn it on again.

3. In the mobile device’s app (e.g., GarageBand), establish a

connection with this unit.

Connection status between this unit and the mobile device

Depending on the functionality of the mobile device that’s connected, this unit’s display will show the following icons.

Function Displayed icon

Bluetooth audio function

Page turning function

MIDI data transmit/receive

(AUDIO)

(PAGE)

(MIDI)

Page 23

Connecting Your Equipment

Input Jack

By connecting an audio player or other audio playback device here, you can play back the sound of the audio playback device via the unit.

Use the Input Volume (p. 18) to adjust the volume of the device that’s connected to the Input jack.

USB Memory Port

You can do the following things using a USB ash drive.

5 WAVE les or MIDI les (SMF) data copied from your

computer can be played back by the unit.

5 You can make audio recordings of your performances on

the unit.

5 The audio recordings of songs that you’ve made can be

played on your computer.

* Carefully insert the USB ash drives all the way in—until it is rmly

in place.

* Never turn o the power or disconnect a USB ash drive or the

power cord while the USB memory access indicator is blinking.

* Use a USB ash drive sold by Roland. We cannot guarantee

operation if any other USB ash drive is used.

Output Jacks

If you connect these jacks to amplied speakers, the sound of the unit will be heard through them.

* Before turning o the power of the unit, you

must rst turn o the power of the devices that are connected to the Output jacks.

Phones Jacks

Here you can connect stereo headphones. This unit has two headphone jacks,

two people can also use headphones simultaneously.

A Headphones 3D Ambience eect will be applied, producing the sensation that the sound is emanating from the piano itself even when using headphones.

* The Headphones 3D Ambience eect applies only to piano sounds;

it does not apply to other sounds. * You can also turn the Headphones 3D Ambience eect o (p. 6). * You can use the [Ambience] button to adjust the Headphones 3D

Ambience eect.

USB Computer Port

If you use a commercially available USB cable to connect the unit’s USB Computer port to your computer’s USB connector, you’ll be able to do the following things.

5 SMF data played back by MIDI-compatible

software can be sounded by the unit.

5 MIDI data can be transferred between the unit and your sequencer

software, opening up a wide range of possibilities for music production and editing.

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

Page 24

Troubleshooting

Problem Items to check Action Even though

you’re using headphones and the sound is muted, a thumping sound is heard when you play the keyboard

Power turns o on its own

Power turns on unexpectedly

Power does not turn on

Can’t perform operations

Pedal does not work, or is “stuck”

Unable to read from/write to USB ash drive

“Buzz” is heard from external devices

The volume level of the unit connected to Input jack is too low

No sound

No sound when you play back a song

Notes don’t sound right

Sound is not loud enough

Only the high sounds are heard

Pitch of the keyboard or song is incorrect

Notes are interrupted

Sounds are heard twice (doubled) when the keyboard is played

Could you be hearing the sound of the hammers inside the keyboard, or vibrations in the oor or walls?

Could the auto-o setting be something other than “O ”? This unit powers-on when you open the lid, and powers-o when you close the lid.

Is the AC adaptor connected correctly? –

Could Panel Lock be activated? Is the pedal connected correctly? Could you have disconnected or connected the pedal cord while the power was on? Could the Damper pedal part be set to “Right” or “Left”? Could Twin Piano be turned on?

If Twin Piano is on, the right pedal will aect only the righthand keyboard zone and the left pedal will aect only the left-hand keyboard zone. Could you have changed the function of the pedal?

Are you using (optional) Roland USB ash drive? Are the external devices connected to more than one AC power outlet?

Could the Input Volume be turned down?

Could the volume of the connected device be turned down?

Are your amp, speakers, headphones, etc., connected correctly? Is the volume turned down? Could headphones or an adaptor plug be inserted in the Phones jacks?

The speakers will not produce sound if headphones or plug are connected to the Phones jacks. Has Local Control been set to “O”? Could Twin Piano mode be set to “Individual”?

If headphones are connected when Twin Piano is On and the mode is set to Individual, notes played in the left-hand keyboard zone will not be heard from the headphones connected to the right Phones jack. Similarly, notes played in the right-hand keyboard zone will not be heard from the headphones connected to the left Phones jack.

Could the song volume be set to “0”? p. 18

Is the speaker cable connected correctly?

Could you have made Transpose settings? Is the Master Tune setting appropriate? Is the setting for the Temperament correct? Is the Single Note Tuning setting appropriate? p. 13 Could you be holding down the damper pedal and sounding a large number of notes?

Could you be using Dual Play or playing along with a song? Is the unit in Dual Play?

Could the unit be connected to an external sequencer?

Playing the keyboard causes internal hammers to operate, and the vibrations may be transmitted to the oor or walls. To minimize such vibrations, you can move the piano away from the wall, or lay down a commercially available anti-vibration mat designed for use with pianos.

If you don’t need the power to turn o automatically, turn the Auto O setting “O.”

Disengage the Panel Lock setting.

Power-o the unit before you connect or disconnect the pedal cord.

Return the pedal function (Center Pedal, Left Pedal, Reg. Pedal Shift) to its previous setting.

Use a USB ash drive sold by Roland.

If you connect external devices, be sure to connect them to the same AC outlet.

Set Local Control to “On.”

Press the [Dual] button to turn o Dual Play. If you don’t want the other sound module to produce sound, turn your DAW’s soft thru function “o.” If Local Control is turned “On,” set Local Control to “O.”

Page

Problem Items to check Action Eect does not

apply Reverberation

remains even if

–

you defeat the Ambience eect

The sound of the higher notes suddenly changes from a

p. 20

certain key

p. 4

High-pitched ringing is heard

p. 9

–

p. 19

Low notes

p. 7

sound wrong, or are buzzy

p. 19

–

The selected sound changes when you play

–

back a song

Song does not play correctly

p. 18

The piano’s

–

tonal character changes when you record

p. 23

p. 6

Only the sound of a particular instrument in a

–

song does not play

Song volume is

p. 19

too low / Volume diers between recording and playback

p. 7

Can’t play back a song saved in USB ash drive

Song name in USB ash drive is not shown

Can’t record

–

Can’t record SMF Can’t record

p. 6

audio

p. 18 p. 18

–

p. 19

For some combinations of tones, the eect does not apply to Dual Play tone 2 or to the left-hand tone of Split Play. Even if the Ambience eect is o, the acoustic piano’s own resonance remains.

You can reduce this reverberation by adjusting the Cabinet Resonance. This simulates the characteristics of an acoustic piano, and is not a malfunction.

The sound will change where there is a change in the number of strings per key or a transition from wound strings to unwound strings. Is the speaker cable connected correctly? – If you don’t hear it through headphones: It may be that the unit has malfunctioned. Please contact your dealer or a Roland customer service center.

If you also hear it through headphones: To decrease the metallic ringing, adjust the following settings.

5 Duplex Scale 5 Full Scale String Res. 5 Ambience

Could the volume be set to maximum? If you also hear it through headphones: It may be that the unit has malfunctioned. Please contact your dealer or a Roland customer service center.

If you don’t hear it through headphones: Objects near the unit are resonating because of the high volume of sound coming from the speakers. You can take the following measures to minimize resonances.

5 Locate the speakers 10–15 cm (4–6 inch) away from walls

or other surfaces.

5 Keep the volume down. 5 Move away from the objects that are resonating.

Could the SMF Play Mode be set to “Internal”?

Could you be recording with a tone that you created in Piano Designer? Could you be playing back the audiorecorded sound?

Could the part button be unlit?

Could the song volume be set too low? p. 18

Could the Audio les of the format be played? Audio les of the following format can be played back.

5 File extension “.WAV” 5 16-bit linear 5 “44.1 kHz” sampling rate

Is the lename extension “.MID”? Could the song name information in the le be blank or consist of only spaces? Is the lename extension “.MID”?

Has one of the part buttons for recording been selected?

Is a USB ash drive connected to the USB Memory port?

Page

–

p. 13

–

p. 13

Lower the volume.

Set the SMF Play Mode to “External.” p. 19

Some of the Piano Designer settings might not be reproduced when you play back a song.

Record as SMF.

Press the part button so the indicator is illuminated.

p. 6

–

p. 10

p. 9

–

p. 10

–

Page 25

Error Messages

Problems with Bluetooth functionality

Problem Items to check/Action Page

This unit does not appear in the Bluetooth device list of your mobile device

Can’t connect to Bluetooth audio

Can’t connect to Bluetooth page turning

Can’t connect to Bluetooth MIDI

Can’t connect via MIDI

Can’t establish pairing with the page turning function and MIDI function Can’t use the page turning function and MIDI function simultaneously Can’t connect a paired mobile device

Keyboard no longer appears (becomes unavailable) on the mobile device

Could the Bluetooth function be turned “O”? Does this unit support Bluetooth Audio function? If Bluetooth Audio function is “On” A device named “(model name) Audio” appears. If the Bluetooth Page Turn function is “On” and the Bluetooth Turn/MIDI function is set to “Page Turn” If the Bluetooth Page Turn function is “On” and the Bluetooth Turn/MIDI function is set to “MIDI” If this unit is visible as a device in the mobile device’s Bluetooth settings

If this unit is not visible as a device

Does this unit support Bluetooth Audio function? In some cases, the connection with the mobile device might become unavailable when you switch the Bluetooth Turn/MIDI function. If this unit is not visible as a device in the mobile device’s Bluetooth settings

If this unit is not visible as a device

In some cases when you switch the Bluetooth Turn/MIDI function, the connection with the mobile device might become unavailable. Delete the device from the Bluetooth settings, turn the mobile device’s Bluetooth function o and on again, and reestablish the connection. Bluetooth MIDI is only compatible with iOS. Also, you must make the connection not from the mobile device’s Bluetooth setting but from the setting within GarageBand or other app that you’re using.

The page turning function and MIDI function are paired when you rst select a device on the mobile device and establish a connection. There is no need to initiate pairing from this unit.

The page turning function and MIDI function cannot be used simultaneously.

If the connection breaks immediately after it is established, or when you switch the page turning function and MIDI data transmit/receive function, turning the Bluetooth device’s Bluetooth switch o and then on again may allow connection to occur. When using the page turning function, the keyboard might not be shown (might be unavailable) depending on the mobile device that you’re using.

If you want the mobile device’s keyboard to be shown while you’re using the page turning function, hold down this unit’s [Accomp] button and press the [Left] button.

To hide the mobile device’s keyboard, hold down the [Accomp] button and press the [Left] button.

A device named “(model name)” appears.

You can check this from a setting inside your app such as GarageBand.

Delete the device’s registration, turn the Bluetooth Audio function “O” and then “On” again, and establish pairing once again. Turn the mobile device’s Bluetooth function o and then on again, and initiate pairing from this unit to re-establish pairing.

Delete the device from the Bluetooth settings, turn the mobile device’s Bluetooth function o and on again, and reestablish the connection. Turn the mobile device’s Bluetooth function o and on again, and then reestablish the connection.

p. 21

–

p. 21

–

Error Messages

Indication Meaning

Error 2

Error 10 No external media is inserted. Insert the external media and try again.

Error 11

Error 14

Error 15 The le is unreadable. The data format is not compatible with the unit.

Error 18

Error 30 Internal memory capacity of the unit is full.

Error 40

Error 43 A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.

Error 51

Error 65

An error occurred during writing. The external media may be corrupted. Insert other external media and try again. Alternatively, you can initialize the external media.

There is not sucient free memory in the save destination. Either insert other external media or delete unneeded les and try again.

An error occurred during reading. The external media may be corrupted. Insert other external media and try again. Alternatively, you can initialize the external media.

This audio format is not supported. Please use 44.1 kHz 16-bit linear WAV format audio les.

The unit cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of MIDI data sent to the unit.

There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland service center.

The USB ash drive connector was subjected to excessive current. Make sure that there is no problem with the external media, then turn the power o, then on again.

Page 26

USING THE UNIT SAFELY

WARNING

Concerning the Auto O function

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 20).

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

IMPORTANT NOTES

Placement

• Do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

Maintenance

• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the nish.

• The pedal of this unit are made of brass. Brass eventually darkens as the result of the natural oxidization process. If the brass becomes tarnished, polish it using commercially available metal polisher.

Care of the Keyboard

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

Concerning the Care of the Unit (Mirror Finish)

• The surface of this unit has been polished so as to create a high-gloss, mirror-like nish. Since this beautiful nish is as delicate as that of the highest quality, wood-crafted furniture, it needs to be cared for at regular intervals. Please make sure to observe the following when caring for the unit.

• For routine care, gently clean the surface using a soft cloth or a piano-use feather duster. You must avoid applying any force, since even the tiniest particles of sand or grit can produce scratches if you wipe too hard.

• If the nish loses its luster, use a soft cloth dampened with some polishing liquid to evenly wipe the surface of the unit.

• Avoid using detergents or other cleaners, as they can cause the surface nish to deteriorate. This may lead to the formation of cracks or other imperfections. Also, do not use chemically-enhanced cleaning cloths.

CAUTION

Cautions when moving this unit

If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

• Raise the adjusters on the stand (p. 5).

• Close the lid.

• Fold down the music stand.

• Precautions concerning the use of polishing agents

• Refer to the instructions that came with the polishing agent for instructions on its proper use.

• Use only polishing agents that are designed specically for use on the mirror nishes of pianos. By using any other product, you risk causing scratches, deformation, discoloration, etc. To purchase an appropriate product, please consult the nearest musical instrument store.

• Use the product only on the portions of this unit that have a mirror-like nish, and using an even touch, apply it equally over the entire surface. If you apply more force in one place over another, you risk losing some of the luster of the nish.

• Store in a location that is out of the reach of small children. If accidentally ingested, induce vomiting immediately. Then, see a doctor to obtain a diagnosis.

Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

• Note when placing a mobile device such as a smartphone or tablet on this unit

• Handle your device with care to avoid scratching the unit or the mobile device.

• To prevent your mobile device from overturning or falling, do not move the music rest or the cover.

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration of any stored content that has been lost.

• Never strike or apply strong pressure to the display.

• The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

• Do not apply undue force to the music stand while it is in use.

• Do not use connection cables that contain a built-in resistor.

CAUTION

Take care so as not to get ngers pinched

When handling the following moving parts, take care so as not to get ngers, toes, etc., pinched. Whenever a child uses the unit, an adult should be on hand to provide supervision and guidance.

• Music rest (p. 4)

• Pedals (p. 5)

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Included Parts Screws

Using External Memories

• Please observe the following precautions when handling external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

• Do not remove the device while reading/writing is in progress.

• To prevent damage from static electricity, discharge all static electricity from your person before handling the device.

Caution regarding radio frequency emissions

• The following actions may subject you to penalty of law.

• Disassembling or modifying this device.

• Removing the certication label axed to the back of this device.

Intellectual Property Right

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content (except song data such as Demo Songs) for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• This product contains eCROS integrated software platform of eSOL Co.,Ltd. eCROS is a trademark of eSOL Co., Ltd. in Japan.

• The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Roland is under license.

• This Product uses the Source Code of μT-Kernel under T-License 2.0 granted by the T-Engine Forum (www. tron.org).

• Roland, SuperNATURAL, BOSS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

Page 27

Tone List

Piano

No. Tone Name 1 Concert Piano 2 Ballad Piano 3 Mellow Piano 4 Bright Piano

MEMO

Piano Designer can be used to customize the sound only for tones of the [Piano] button.

E. Piano

No. Tone Name 1 Tremolo EP 2 Pop EP 3 Vintage EP 4 FM E.Piano 5 EP Belle 6 ‘60s EP 7 Clav. 8 Stage Phaser 9 ‘70s EP 10 E.Grand

Organ

No. Tone Name 1 Pipe Organ 2 Nason t 8’ 3 Combo Jz.Org 4 Ballad Organ 5 Soft Pad 6 ChurchOrgan1 7 ChurchOrgan2 8 Gospel Spin 9 Full Stops 10 Mellow Bars 11 Light Organ 12 Lower Organ 13 ‘60s Organ

Other

No. Tone Name 1 UprightPiano 2 MellowUprght 3 BrightUprght 4 Rock Piano 5 RagtimePiano 6 Fortepiano 7 Mellow Forte 8 Bright Forte 9 Harpsichord 10 Harpsi 8’+4’

* Tones numbered 11 and higher are accompaniment-use GM2 tones. * If you select tone numbers 11–19, you’ll be able to use the keyboard to play the

sounds of a drum set.

* In the tone group “Other” when you hold down the [–] [+] buttons to switch tone

in succession, the tones will stop changing at number 6, number 11, and number

20.

* To select the next sound, release the [–] [+] buttons, then press it again.

Strings

No. Tone Name 1 Symphonic Str 1 2 Epic Strings 3 Rich Strings 4 Orchestra Str 5 Orchestra 6 Chamber Winds 7 Harp 8 Violin 9 Velo Strings 10 Flute 11 Cello 12 OrchestraBrs 13 Pizzicato Str 14 Symphonic Str 2

Page 28

Internal Song List

No. Song Title Composer

Listening 1 Étude, op.10-12 Fryderyk Franciszek Chopin

2 Widmung S.566 R.253

3 Floral Pursuits * Léo Delibes, Arranged by John Maul

The Nutcracker “Waltz of the

Flowers” (Jazz Arrangement) * The Marriage of Figaro

“Overture” (Piano Arrangement) *

6 Barcarolle Fryderyk Franciszek Chopin

7 Zhavoronok

8 Sonate für Klavier Nr.23 1 Ludwig van Beethoven 9 Sonate für Klavier Nr.23 2 Ludwig van Beethoven 10 Sonate für Klavier Nr.23 3 Ludwig van Beethoven 11 Valse, op.34-1 Fryderyk Franciszek Chopin 12 Polonaise op.53 Fryderyk Franciszek Chopin 13 Nocturne No.20 Fryderyk Franciszek Chopin

14 Die Forelle

15 Reets dans l'Eau Claude Achille Debussy 16 La Fille aux Cheveux de Lin Claude Achille Debussy 17 La Campanella Franz Liszt 18 Scherzo No.2 Fryderyk Franciszek Chopin Masterpieces 1 Danse des Mirlitons * Peter Ilyich Tchaikovsky 2 Salut d'amour * Edward Elgar 3 Menuett G Dur BWV Anh.114 Johann Sebastian Bach 4 Präludium C Dur BWV846 Johann Sebastian Bach 5 The Harmonious Blacksmith Georg Friedrich Händel 6 Le Coucou Louis Claude Daquin 7 Türkischer Marsch Wolfgang Amadeus Mozart 8 Sonate Nr.16 C Dur Wolfgang Amadeus Mozart 9 Türkischer Marsch Ludwig van Beethoven 10 Für Elise Ludwig van Beethoven 11 Moments Musicaux op.94-3 Franz Peter Schubert 12 Gavotte François Joseph Gossec 13 Sonatine op.36-1 Muzio Clementi 14 Sonatine op.20-1 Friedrich Kuhlau 15 Jägerlied Felix Mendelssohn 16 Frühlingslied Felix Mendelssohn 17 Auf Flügeln des Gesanges Felix Mendelssohn 18 Nocturne, op.9-2 Fryderyk Franciszek Chopin 19 Étude, op.10-3 Fryderyk Franciszek Chopin 20 Prélude, op.28-15 Fryderyk Franciszek Chopin 21 Valse, op.64-1 Fryderyk Franciszek Chopin 22 Valse, op.64-2 Fryderyk Franciszek Chopin 23 Fantaisie-Impromptu Fryderyk Franciszek Chopin 24 Radetzky Marsch Johann Baptist Strauss 25 Träumerei Robert Alexander Schumann 26 Fröhlicher Landmann Robert Alexander Schumann 27 La prière d'une Vierge Tekla Badarzewska 28 Dolly's Dreaming Awakening Theodor Oesten 29 Brautchor Wilhelm Richard Wagner 30 Liebesträume Nr.3 Franz Liszt 31 Blumenlied Gustav Lange 32 Course en Troïka Peter Ilyich Tchaikovsky 33 Ungarische Tänze Nr.5 Johannes Brahms 34 An der schönen, blauen Donau Johann Strauss, Sohn 35 Humoreske Antonín Dvořák 36 Clair de Lune Claude Achille Debussy 37 1ère Arabesque Claude Achille Debussy 38 Golliwog's Cakewalk Claude Achille Debussy 39 Je te veux Erik Satie 40 1ère Gymnopédie Erik Satie Easy Piano 1 Twinkle Twinkle Little Star French Folk Song 2 Mary Had a Little Lamb Traditional 3 Bear Song American Folk Song 4 Ich Bin Ein Musikante German Folk Song 5 Grand Father's Clock Henry Work 6 Maple Leaf Rag Scott Joplin

Le Quattro Stagioni “La

Primavera”

8 Marche Militaire Nr.1 Franz Peter Schubert Scales 1–36 Major Scales, Minor Scales – Hanon 1–20 Hanon 1–20 Charles-Louis Hanon Beyer 1–106 Beyer 1-106 Ferdinand Beyer

Robert Alexander Schumann, Arranged by Franz Liszt

Peter Ilyich Tchaikovsky

Wolfgang Amadeus Mozart

Mikhail Ivanovich Glinka, Arranged by Mily Alexeyevich Balakirev

Franz Peter Schubert, Arranged by Franz Liszt

Antonio Vivaldi

No. Song Title Composer

Burgmüller 1 Openness 2 Arabesque 3 Pastoral 4 A Small Gathering 5 Innocence 6 Progress 7 The Clear Stream 8 Gracefulness 9 The Hunt 10 Tender Flower 11 The Young Shepherdess 12 Farewell 13 Consolation 14 Austrian Dance 15 Ballad 16 Sighing 17 The Chatterbox 18 Restlessness 19 Ave Maria 20 Tarantella 21 Angelic Harmony 22 Gondola Song 23 The Return 24 The Swallow 25 The Knight Errant Czerny100 1–100 Czerny100 1-100 Carl Czerny

private, personal enjoyment is a violation of applicable laws.

* The performance data for the tone demos and the internal songs is not transmitted

from the USB Computer port or via Bluetooth (MIDI).

* If the SMF Play Mode is set to “Internal,” there will be some parts whose volume does

not change when you adjust the Song Volume SMF value. If the SMF Play Mode is set to “External,” the volume of all parts will change.

* Songs marked by an asterisk (*) are arranged by Roland Corporation. The copyrights

to these songs are owned by the Roland Corporation.

* Listening 1, 2, 6–18 are piano solos. They have no accompaniment.

Johann Friedrich Franz Burgmüller

Page 29

For the USA

This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.

(FCC Part15 Subpart C §15.247, 15.253, 15.255)

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that it deemed to comply without maximum permissive exposure evaluation (MPE).

(FCC Part15 Subpart C §15.247, 15.253, 15.255)

For Canada

This device complies with Industry Canada licence-exempt RSS standard(s). Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device.

Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de licence. L'exploitation est autorisée aux deux conditions suivantes : (1) l'appareil ne doit pas produire de brouillage, et (2) l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d'en compromettre le fonctionnement.

(RSS-Gen §7.1.3)

This equipment complies with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the IC radio frequency (RF) Exposure rules. This equipment has very low levels of RF energy that it deemed to comply without maximum permissive exposure evaluation (MPE).

Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’IC. Cet équipement émet une énergie RF très faible qui est considérée conforme sans évaluation de l’exposition maximale autorisée.

(RSS-102 §2.6)

For EU countries

European Community Declaration of Conformity

Hereby, Roland Corporation, declares that this HP605/HP603 is in compliance with the essential requirements and other relevant provisions of Directive 1999/5/EC.

English

Bulgarian

Czech

Danish

German

Estonian

Greek

Spanish

French

Italian

Latvian

Lithuanian Šiuo Roland Corporation deklaruoja, kad šis HP605/HP603 atitinka esminius reikalavimus ir kitas 1999/5/EB Direktyvos nuostatas

Hungarian

Dutch

Polish

Portuguese

Romanian

Slovak

Slovenian

Finish

Swedish

The Declaration of Conformity may be consulted in Downloads menu of this product at www.roland.com.

Hereby, Roland Corporation, declares that this HP605/HP603 is in compliance with the essential requirements and other relevant provisions of Directive 1999/5/EC. С настоящето, Roland Corporation, декларира, че HP605/HP603 е в съответствие със съществените изисквания и другитеприложими разпоредби на Директива 1999/5/EC. Roland Corporation tímto prohlašuje, že HP605/HP603 splňuje základní požadavky a všechna příslušná ustanoveni Směrnice 1999/5/ES. Undertegnede Roland Corporation erklærer herved, at følgende udstyr HP605/HP603 overholder de væsentlige krav og øvrige relevante krav i direktiv 1999/5/EF. Hiermit erklärt Roland Corporation, dass sich das Gerät HP605/HP603 in Übereinstimmung mit den grundlegenden Anforderungen und den übrigen einschlägigen Bestimmungen der Richtlinie 1999/5/EG bendet., Käesolevaga kinnitab Roland Corporation seadme HP605/HP603 vastavust direktiivi 1999/5/EÜ põhinõuetele ja nimetatud direktiivist tulenevatele teistele asjakohastele sätetele. ΜΕ ΤΗΝ ΠΑΡΟΥΣΑ Roland Corporation ΔΗΛΩΝΕΙ ΟΤΙ HP605/HP603 ΣΥΜΜΟΡΦΩΝΕΤΑΙ ΠΡΟΣ ΤΙΣ ΟΥΣΙΩΔΕΙΣ ΑΠΑΙΤΗΣΕΙΣ ΚΑΙ ΤΙΣ ΛΟΙΠΕΣ ΣΧΕΤΙΚΕΣ ΔΙΑΤΑΞΕΙΣ ΤΗΣ ΟΔΗΓΙΑΣ 1999/5/ΕΚ Por la presente, Roland Corporation, declara que este HP605/HP603 cumple con los requisitos esenciales y otras exigencias relevantes de la Directiva 1999/5/EC. Par la présente, Roland Corporation déclare que l’appareil HP605/HP603 est conforme aux exigences essentielles et aux autres dispositions pertinentes de la directive 1999/5/CE.

Con la presente Roland Corporation dichiara che questo HP605/HP603 è conforme ai requisiti essenziali ed alle altre disposizioni pertinenti stabilite dalla direttiva 1999/5/CE.

Ar šo Roland Corporation deklarē, ka HP605/HP603 atbilst Direktīvas 1999/5/EK būtiskajām prasībām un citiem ar to saistītajiem noteikumiem.

A Roland Corporation ezzennel kijelenti, hogy a HP605/HP603 típusú beren-dezés teljesíti az alapvető követelményeket és más 1999/5/EK irányelvben meghatározott vonatkozó rendelkezéseket. Hierbij verklaart Roland Corporation dat het toestel l HP605/HP603 in overeenstemming is met de essentiële eisen en de andere relevante bepalin-gen van richtlijn 1999/5/EG. Niniejszym Roland Corporation deklaruje że HP605/HP603 jest zgodny z zasadniczymi wymaganiami i innymi właściwymi postanowieniami Dyrektywy 1999/5/EC. Eu, Roland Corporation, declaro que o HP605/HP603 cumpre os requisitos essenciais e outras provisões relevantes da Directiva 1999/5/EC. Prin prezenta, Roland Corporation, declară că aparatul HP605/HP603 este în conformitate cu cerinţele esenţiale şi cu alte prevederi pertinente ale Directivei 1999/5/CE.. Roland Corporation týmto vyhlasuje, že HP605/HP603 spĺňa základné požiadavky a všetky príslušné ustanovenia Smernice 1999/5/ES. Roland Corporation izjavlja, da je ta HP605/HP603 v skladu z bistvenimi zahtevami in drugimi relevantnimi določili direktive 1999/5/ES. Roland Corporation vakuuttaa täten että HP605/HP603 tyyppinen laite on direktiivin 1999/5/EY oleellisten vaatimusten ja sitä koskevien direktiivin muiden ehtojen mukainen.

Härmed intygar Roland Corporation att denna HP605/HP603 står I överensstämmelse med de väsentliga egenskapskrav och övriga relevanta bestämmelser som framgår av direktiv 1999/5/EG.

Page 30

* 5 1 0 0 0 4 6 7 7 6 - 0 1 *

Roland HP605, HP603 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Easy Quick Guide

Selecting a Tone

Using the Metronome

Selecting and Playing Songs

Contents

Before You Play

Setting Up the Music Rest

Panel Descriptions

Operation Guide

Selecting a Tone

Adjusting the Overall Volume

Adding Reverberation to the Sound (Ambience)

Adjusting the Brightness of the Sound (Brilliance)

Making Various Settings (Function Mode)

Transposing the Pitch (Transpose)

Changing the Playing Feel of the Keyboard (Key Touch)

Dividing the Keyboard for Two People (Twin Piano)

Saving Your Performance Settings (Registration)

Creating Your Own Piano Tone (Piano Designer)

Layering Two Sounds (Dual Play)

Display

Using the Bluetooth Function

Selecting an Item/Editing a Value

Sounding the Metronome

Selecting a Song

Playing Back or Recording

Disabling the Buttons (Panel Lock)

Selecting the Part(s) to Play (Part Mute)

Advanced Operation

Recording Your Performance

SMF recording

Recording a New Song

Overdubbing a Recorded Song

Recording Audio

Renaming a Song (Rename Song)

Copying a Saved Song (Copy Song)

Deleting a Saved Song (Delete Song)

Personalizing Your Piano Sound (Piano Designer)

Saving Your Performance Settings (Registration)

Recalling a Registration

Saving Current Settings into a Registration

Saving a Registration Set (Registration Export)

Loading a Saved Registration Set (Registration Import)

Loading/Saving Piano Setups

Saving Piano Settings (Piano Setup Export)

Loading Piano Settings (Piano Setup Import)

Convenient Functions

Initializing the Memory (Format Media)

Restoring the Factory Settings (Factory Reset)

Various Settings (Function Mode)

Basic Operations in Function Mode

Matching the Pitch with Other Instruments (Master Tuning)

Changing the Tuning Method (Temperament)

Specifying the Tonic Note (Temperament Key)

Adjusting the Song (SMF) Volume (Song Volume SMF)

Adjusting the Song (Audio) Volume (Song Volume Audio)

Adjusting the Volume of an Audio Playback Device (Input Volume)

Specifying the Song (SMF) Playback Mode (SMF Play Mode)

Selecting the Format for Recording (Recording Mode)

Changing How the Pedals Work (Center Pedal)

Using a Pedal to Switch Registrations (Reg. Pedal Shift)

Adjusting the Brightness of the Display (Display Contrast)

Specifying a Maximum Volume (Volume Limit)

Preventing Doubled Notes When Connected to a Sequencer (Local Control)

MIDI Transmit Channel Settings (MIDI Transmit Ch)

Changing the Language Displayed in the Screen (Language)

Using the Bluetooth® Functionality

Here’s What You Can Do

Using Bluetooth Audio

Registering a Mobile Device (Pairing)

Connecting an Already-Paired Mobile Device

Adjusting the Volume of Bluetooth Audio

Using the Pedal to Turn Pages on a Music Score App

Connecting an Already-Paired Mobile Device

Changing the Operating Keys of the Page Turning Function

Transferring MIDI Data