Roland HP507 User Manual

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”, “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2012 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland, GS, and SuperNATURAL are either registered trademarks or trademarks of Roland Corporation in the United States and/or other

countries.

NEUTRAL LIVE

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USING THE UNIT SAFELY

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

WARNING

Do not disassemble or modify by yourself

Do not open or perform any internal modications on the unit.

Do not repair or replace parts by yourself

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

Do not place in an unstable location

Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

Connect the power cord to an outlet of the correct voltage

The unit should be connected to a power supply only of the type described as marked on the rear side of unit.

Use only the included power cord

Use only the attached power-supply cord. Also, the included power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Avoid extended use at high volume

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Don’t allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord or the plug has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Adults must provide supervision in places where children are present

When using the unit in locations where children are present, be careful so no mishandling of the unit can take place. An adult should always be on hand to provide supervision and guidance.

Do not drop or subject to strong impact

Protect the unit from strong impact. (Do not drop it!)

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

WARNING

Do not share an outlet with an unreasonable number of other devices

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Do not use overseas

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Convenient Functions

Function Mode

Appendix

USING THE UNIT SAFELY

CAUTION

Place in a well ventilated location

The unit should be located so that its location or position does not interfere with its proper ventilation.

Grasp the plug when connecting or disconnecting the power cord

Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

Periodically clean the power cord’s plug

At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

Manage cables for safety

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

CAUTION

If there is a possibility of lightning strike, disconnect the power cord from the outlet

Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

Take care so as not to get ngers pinched by lid

Be careful when opening/closing the lid so you do not get your ngers pinched (p. 16). Adult supervision is recommended whenever small children use the unit.

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children. Included Parts / Removable Parts:

• Stereo 1/4” plug adaptor (p. 15)

• Screws for stand assembly (p. 60)

Avoid climbing on top of the unit, or placing heavy objects on it

Never climb on top of, nor place heavy objects on the unit.

Do not connect or disconnect the power cord with wet hands

Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

Cautions when moving this unit

If you need to move the instrument, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

• Raise the adjusters on the stand (p. 61).

• Close the lid.

• Fold down the music stand.

Unplug the power cord from the outlet before cleaning

Before cleaning the unit, turn it o and unplug the power cord from the outlet (p. 61).

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IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• To prevent malfunction and equipment failure, always make sure to turn o the power on all your equipment before you make any connections.

• Although the LCD and LEDs are switched o when the unit is turned o, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn o the power completely, rst turn o the unit’s switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

• With the factory settings, the HP507 will automatically be switched o 30 minutes after you stop playing or operating the unit. If you don’t want the unit to turn o automatically, change the “Auto O” setting to “O” as described on “Making the Power Automatically Turn O After a Time (Auto O )” (p. 44).

NOTE

The settings you were editing will be lost when the unit is turned o. If you want to keep your settings, you must save your settings before turning the unit o.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow rubber, vinyl, or similar materials to remain on this unit for long periods of time. Such objects can discolor or otherwise harmfully aect the nish.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Do not paste stickers, decals, or the like to this instrument. Peeling such matter o the instrument may damage the exterior nish.

• Do not put anything that contains water on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

• To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the nish.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

• The pedals of this unit are made of brass. Brass eventually darkens as the result of the natural oxidization process. If the brass becomes tarnished, polish it using commercially available metal polisher.

Since wood will expand and contract depending on how it is used and the environment in which it is located, products made of wood may experience a gradual loosening of the screws over time.

To ensure that your piano remains in safe, optimal condition, you should regularly check the tightness of the screws in the locations shown in the illustration. If you nd that any screws are loose, use a screwdriver to tighten them.

Maintenance of polished-nish pianos (Only for HP507-PE)

• Since your piano has a polished nish that is as delicate as that found on nely crafted wooden furniture, it needs careful, periodic care. A few important suggestions concerning the proper care of the unit follow. For dusting, using a soft, clean cloth and/or piano-use feather duster. Be sure to wipe gently. Even the tiniest grains of sand or grit can leave scratches on the surface if too much force is applied while wiping. Do not use any cleaners or detergents, since they might deteriorate the surface of the cabinet, and produce cracks.

If the cabinet’s surface loses its luster, wipe it thoroughly with a soft cloth dampened with a little of the polishing liquid. Do not use any cleaners or detergents, since they might deteriorate the surface of the cabinet, and produce cracks. Do not use dusting cloths that contain chemicals.

• About piano polishing liquid

• Use polishing liquid as directed by the instructions for the product.

• Use only polishing liquid that is intended for use on polished-nish pianos. Using any other polishing liquid may cause scratches, deformation, or discoloration. To purchase polishing liquid, contact your nearby musical instrument dealer.

• Use the polishing liquid only on the polished surfaces of the cabinet. Always wipe the surface with the grain using straight, even strokes. Do not repeatedly wipe the same places using too much pressure, since that might result in the loss of luster.

• Be sure to keep the polishing liquid out of the reach of small children. If the polishing liquid is accidentally swallowed, rst get them to vomit, then take them to a doctor.

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB ash drives, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a USB ash drive.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, USB ash drives once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• A small amount of heat will radiate from the unit during normal operation.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Do not apply undue force to the music stand while it is in use.

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Convenient Functions

Function Mode

Appendix

IMPORTANT NOTES

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specications, contact the manufacturer of the cable.

• Before opening or closing the keyboard lid, always make sure that no pets or other small animals are located on top of the instrument (in particular, they should be kept away from the keyboard and its lid). Otherwise, due to the structural design of this instrument, small pets or other animals could end up getting trapped inside it. If such a situation is encountered, you must immediately turn o the unit and disconnect the power cord from the outlet. You should then consult with the retailer from whom the instrument was purchased, or contact the nearest Roland Service Center.

• When opening/closing the lid or raising/folding down the music rest, please be careful not to get your ngers pinched between the movable part and the panel. In places where small children are present, make sure that an adult provides supervision and guidance.

Before Using USB Memories

(Using Optional USB ash drive)

• Do not connect or disconnect USB ash drive while it is being read from, or written to (i.e., while the USB ash drive access indicator will blink).

• Carefully insert the USB ash drive all the way in— until it is rmly in place.

• Never touch the terminals of the USB ash drives. Also, avoid getting the terminals dirty.

• USB ash drives are constructed using precision components; handle the USB ash drives carefully, paying particular note to the following.

• To prevent damage to the USB ash drives from

static electricity, be sure to discharge any static electricity from your own body before handling the USB ash drives.

• Do not touch or allow metal to come into contact

with the contact portion of the USB ash drives.

• Do not bend, drop, or subject USB ash drives to

strong shock or vibration.

• Do not keep USB ash drives in direct sunlight, in

closed vehicles, or other such locations.

• Do not allow USB ash drives to become wet.

• Do not disassemble or modify the USB ash drives.

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

• XG (

) is a registered trademark or a trademark of

Yamaha Corporation.

• XGlite ( of Yamaha Corporation.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

) is a registered trademark or a trademark

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About the Ivory Feel Keyboard

Features of an ivory feel keyboard

Traditional piano keys are made from the best materials-ivory (for white keys) and ebony (for black keys). The Ivory Feel keyboard uses the latest in technology to reproduce the touch and feel of these materials.

An Ivory Feel keyboard oers the following features.

• We’re sure you’ll develop a fondness for the distinctive texture of these keys, which feels better the more you play them.

• Surfaces incorporate stripes of moisture-absorbing material for improved touch and playability.

• The keys feature subtle gloss and understated coloring, enhancing the look and elegance.

• The white keys are nished with a slight yellowish tinge for the look of real ivory.

Handling

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep into the surface lines and become unremovable.

• Do not ax stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause discoloration.

Care and maintenance

Please note the following points. Failure to do so may result in scratches on the surface nish, damaged gloss, or other discoloration or deformation.

• To remove dirt, use a soft cloth. Using a moistened and tightly wrung-out cloth, gently wipe o any dirt. Do not rub the surface vigorously.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives. Start by wiping lightly. If the dirt does not come o, wipe using gradually increasing amounts of pressure while taking care not to scratch the keys.

• Do not use benzene, paint thinner, or alcohol on the instrument.

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USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

About the Ivory Feel Keyboard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Look What You Can Do! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

Operation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Before You Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Setting Up the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Opening/Closing the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Turning the Power On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Performing with Various Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Switching Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Performing with Two Layered Tones (Dual Play) . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Playing Dierent Tones with the Right and Left Hands (Split Play) . . . . . . . . . .20

Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adding Reverberation to the Sound (Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . .22

Adjusting the Brightness of the Sound (Brilliance) . . . . . . . . . . . . . . . . . . . . . . . . .23

Adjusting the Keyboard Response (Key Touch) . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Dividing the Keyboard for Two-person Performance (Twin Piano) . . . . . . .24

Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Changing the Time Signature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Adjusting the Metronome’s Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Adding a Count-in to Synchronize Your Performance . . . . . . . . . . . . . . . . . . . . . .27

Practicing with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Selecting and Playing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Playing Songs Consecutively (All Songs Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Adjusting the Volume Balance of the Song and the Keyboard

Performance (Song Balance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Adjusting a Song’s Tempo for Easier Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Practicing One Hand at a Time (Part Mute) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Repeatedly Practicing a Portion of a Song (AB Repeat) . . . . . . . . . . . . . . . . . . . .31

Recording the Song You’re Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Overdubbing a Recorded Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Converting a Song Recorded as an SMF to Audio . . . . . . . . . . . . . . . . . . . . . . . . .36

Audio Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Transposing a Song for Easier Performance (Audio Transpose) . . . . . . . . . . . . .38

Enjoying Karaoke with an Audio File (Center Cancel) . . . . . . . . . . . . . . . . . . . . . .38

Burning an Audio Recording of a Song (WAV le) to a CD . . . . . . . . . . . . . . . . . .39

Saving a Song with the Name You Specify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Renaming a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Personalizing Your Piano Sound (Piano Designer) . . . . . . . . . . . . . . . . . . . 42

Making Detailed Adjustments to the Piano Sound . . . . . . . . . . . . . . . . . . . . .42

Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Adjusting the Brightness of the Display (Display Contrast) . . . . . . . . . . . . . .44

Making the Power Automatically Turn O After a Time (Auto O) . . . . . . .44

Retaining the Settings Even After Power-o (Memory Backup) . . . . . . . . .44

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . .45

Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Initializing the Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Disabling the Buttons (Panel Lock) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Various Settings (Function Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Adjusting the Dual Play Volume Balance (Dual Balance) . . . . . . . . . . . . . . . . . . .48

Matching the Pitch with Other Instruments (Master Tuning) . . . . . . . . . . . . . . .48

Changing the Tuning Method (Temperament) . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Specifying a Song’s Tonic (Temperament Key) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Adjusting the Volume of an Audio Playback Device (Input Volume) . . . . . . . .48

Playing Back an Audio File with Its Central Sound Minimized (Center

Cancel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Transposing an Audio File (Audio Transpose). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Specifying What the Transpose will Aect (Transpose Mode) . . . . . . . . . . . . . .49

Changing the Pitch of the Tone in Octave Steps (Octave Shift) . . . . . . . . . . . . .49

Selecting the Format for Recording (Recording Mode) . . . . . . . . . . . . . . . . . . . .49

Changing How the Pedal Eects Are Applied (Damper Pedal Part) . . . . . . . . .49

Changing How the Pedals Work (Center Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Preventing Doubled Notes When Connected to a Sequencer (Local

Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MIDI Transmit Channel Settings (MIDI Transmit Channel) . . . . . . . . . . . . . . . . . .50

Setting the Type of CD to be Played Back (CD/Audio Type) . . . . . . . . . . . . . . . .50

Renaming a Song (Save Song) (p. 41) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Copying a Saved Song (Copy Song) (p. 45) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Deleting a Saved Song (Delete Song) (p. 46) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Initializing the Memory (Format Media) (p. 46) . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Changing the USB Driver Settings (USB Driver) . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Changing the USB ash drive Setting (USB Memory Mode) . . . . . . . . . . . . . . . .51

Controlling Video Equipment (Visual Control Mode) . . . . . . . . . . . . . . . . . . . . . .51

Specifying the Visual Control Channel (Visual Control Channel) . . . . . . . . . . . .51

Adjusting the Brightness of the Display (Display Contrast) (p. 44) . . . . . . . . . .51

Changing the Language Displayed in the Screen (Language) . . . . . . . . . . . . . .52

Making the Power Automatically Turn O After a Time (Auto O) (p. 44) . . .52

Storing Your Settings (Memory Backup) (p. 44) . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Restoring the Factory Settings (Factory Reset) (p. 45) . . . . . . . . . . . . . . . . . . . . . .52

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Assembling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Convenient Functions

How to read the explanatory illustrations

Press two buttons.

Numerals indicate the sequence of steps.

Press one of the enclosed buttons.

Function Mode

Appendix

While holding down a button, press another button.



Look What You Can Do!



Play the Piano



Practice Songs



Sound a metronome

You can sound a metronome.



Play various sounds

The HP507 contains a wide variety of tones (sounds). You can freely select and perform using these tones.



Play two layered tones

You can layer two tones on a single key.



Play dierent tones with your left and right hands

You can divide the keyboard into left and right zones, and select a dierent tone for each zone.



Play duets

You can divide the keyboard into left and right halves, playing it as though it were two pianos.

page 26

page 18

page 19

page 20

page 24



Practice along with the built-in songs

The HP507 contains numerous built-in songs. For the song titles, refer to “Internal Song List” (p. 58).



Practice each hand separately

You can practice along with a song while listening to only the right-hand or left-hand part play back.



Record Songs



Record your performances

You can record your own playing.



Use your computer to create a CD of a song you recorded

A song you’ve recorded can be copied to your computer, and written to a CD.

page 28

page 30

page 32

page 39



Environmentally Friendly Energy-Ecient Design



The power will turn o after a specied time has elapsed

When thirty minutes have elapsed since you last played or operated the HP507, the power will turn o automatically.

* If you don’t want the power to turn o automatically, change the “Auto O” setting (p. 44).

page 44



Adjust Your Piano

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer



Adjust the keyboard touch

You can adjust the touch sensitivity of the keyboard to match your own playing style.



Add reverberation to the sound

You can add reverberation (ambience) to create the sensation of performing in a concert hall.



Adjust the brightness of the sound

You can adjust the tone quality of the sound, ranging from a brilliant timbre to a mellow tone.



Personalize Your Piano (Piano Designer)



Adjust the openness of the grand piano’s lid

Closing the lid will produce a softer tone, and opening it will produce a brighter tone.

page 23

page 22

page 23

page 42



Adjust the resonance of chords

You can modify the resonance of chords by changing the way in which the piano’s soundboard vibrates.



Switch the temperament

You can switch between various temperaments, such as historic temperaments used during the Baroque era.



Convenient Functions



Transpose the pitch of the keyboard or song

The Transpose function lets you shift the pitch of the keyboard or a song so that you can perform more conveniently.



Disable the buttons

page 43

Convenient Functions

page 25

Function Mode

page 47

The Panel Lock function lets you prevent sounds or settings from being changed when buttons are pressed inadvertently.

Appendix



Operation Guide

Adding Reverberation (Ambience)

You can add a pleasant reverberation to the sounds,

producing the impression that you are performing in a concert hall.

To turn ambience on

Press the [Ambience] button so it’s lit.

To adjust the ambience

While holding down the [Ambience] button, press the [–] [+] buttons.

Adjusting the Overall Volume

Adjust the volume.

page 17

MaxMin

page 22

Adjusting the Brightness of the Sound (Brilliance)

You can adjust the brightness of the sound you play

from the keyboard or the sounds of a song you play back.

To turn brilliance on

Press the [Brilliance] button so it’s lit.

To adjust the brilliance

While holding down the [Brilliance] button, press the [–] [+] buttons.

page 23

Adjusting the Song Volume

(Song Balance)

By modifying the playback volume of the song, you can adjust the balance between the song and your keyboard performance.

To turn song balance on

Press the [Song Balance] button so it’s lit.

To adjust the song balance

While holding down the [Song Balance] button, press the [–] [+] buttons.

page 29

Adjusting the Keyboard Touch

(Key Touch)

You can adjust the way in which the keyboard responds to your playing.

To turn key touch on

Press the [Key Touch] button so it’s lit.

To adjust the key touch

While holding down the [Key Touch] button, press the [–] [+] buttons.

page 23

Transposing Your Performance

Transposes the keyboard and/or song.

To turn transpose on

Press the [Transpose] button so it’s lit.

To adjust the amount of transposition

While holding down the [Transpose] button, press the [–] [+] buttons.

Retaining the settings even after power-o (memory backup)

The HP507 allows you to adjust numerous settings, but these settings will return to their default values as soon as you turn o the power.

However, by using the Memory Backup feature, you can have the changes you’ve made in settings be retained.

(Transpose)

page 25

page 44

1. While holding down the [Key Touch]

button, press the [Transpose] button.

2. Use the [ ] [ ] (Slow/Fast) buttons to select

“Memory Backup.”

3. Press the [Song] button.

4. Use the [ ] (Fast) button to select “Yes.”

Tone Buttons

Operation Guide

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

To select a single tone

Press one of the tone buttons, and then use the [–] [+] buttons.

Press one

page 18

Dividing the Keyboard for Two-person Performance (Twin Piano)

This function divides the keyboard into left and right, allowing two people to play the same range of pitches.

To turn twin piano on

Press the [Twin Piano] button so it’s lit.

page 24

To layer two tones (dual play)

Press two tone buttons.

Press two

page 19

To change the tones

Tone 1 Press the [–] [+] buttons.

Tone 2

Hold down the right-most of the lit tone button, and then use the [–] [+] buttons.

Playing Dierent Tones with the Right and Left Hands (Split Play)

This function divides the keyboard into left and right zones, allowing you to play a dierent tone in each zone.

To turn split on

While holding down the [Transpose] button, press the [Twin Piano] button.

page 20

To change how the sounds are heard

While holding down the [Twin Piano] button, press the [–] [+] buttons.

To change the tones

Right-hand Tone

Left-hand Tone

Pair

Individual

The sound of the right-hand keyboard zone will be heard more loudly from the right speaker than from the left speaker.

The sound of the left-hand keyboard zone will be heard more loudly from the left speaker than from the right speaker.

The sound of the right-hand keyboard zone will be heard only from the right speaker.

The sound of the left-hand keyboard zone will be heard only from the left speaker.

Changing the keyboard’s split point

While holding down the [Transpose] button and [Twin Piano] button, play the key that you want to specify as the split point.

Customizing Your Piano Sound (Piano Designer)

You can adjust various elements of a grand piano’s sound to create your own personalized piano.

1. While holding down the Piano [Grand] button, press the Piano [Early] button.

2. Use the [ ] [ ] (Slow/Fast) buttons to select the item that you want to adjust.

3. Use the [–] [+] buttons to adjust the value.

1. Press a tone button.

2. Press the [–] [+] buttons.

1. While holding down the [Transpose] button and [Twin Piano] button, press a tone button.

2. While holding down the [Transpose] button and [Twin Piano] button, use the [–] [+] buttons.

page 42

Convenient Functions

Function Mode

Appendix

Operation Guide

Using the Metronome

Here’s how to sound the metronome.

To turn the metronome on

Press the [Metronome] button so it’s lit.

To adjust the metronome’s volume

While holding down the [Metronome] button, use the [–] [+] buttons.

page 26

Changing the Tempo or Time Signature

You can adjust the tempo of the metronome or song.

To change the tempo

Use the [ ] [ ] (Slow/Fast) buttons.

To change the time signature

While holding down the [Metronome] button, use the [ ] [ ] (Slow/Fast) buttons.

page 26

Display

The display shows information such as the tone name, song name, tempo, and time signature.

Tempo Time signature Measure Tone Name

Song Name

Selecting Variation Tones/Adjusting the Settings

You can select tone variations or songs, and adjust various settings.

• Holding down the [–] [+] buttons will make the value change continuously.

• To rapidly increase the value, hold down the [+] button and press the [–] button.

• To rapidly decrease the value, hold down the [–] button and press the [+] button.

• To return the value to its default setting, press the [+] and [-] buttons simultaneously.

Selecting a Song

First, you need to access the song screen; this is where you can select songs.

To select a song

page 28

1. Press the [Song] button to access the song screen.

Panel Descriptions

[Power] Switch

This turns the power on/o.

page 17

WARNING

* With the factory settings, the HP507’s power will automatically be switched o 30 minutes after you stop playing or operating the unit.

If the unit’s power has been turned o automatically, you can use the [Power] switch to turn the unit back on again. If you don’t want the power to turn o automatically, change the “Auto O ” setting to “O” as described on “Making the Power Automatically Turn O After a Time (Auto O )” (p. 44).

* When turning the power on again, you must allow at least ve seconds after power-o before you once again turn the power on. If you fail to allow enough time, the Auto

O function might not be reset, preventing the power from turning on correctly.

Headphone Hook

Whenever you are not using the headphones, you can hang them on the headphone hook.

Front Panel

These buttons and sliders are used to operate the HP507.

“Operation Guide” page 10–13

Pedals

Damper Pedal

Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you release your ngers from the keyboard.

With the damper pedal on an acoustic piano, when you step on the pedal it will at rst oer only a slight amount of resistance, but as you press down further it will start to feel much heavier. On the HP507, this change in the feeling of resistance is simulated.

On an acoustic piano, when you step on the damper pedal, you’ll rst hear the sound of the dampers releasing the strings. Then, you should also be able to hear the sound of strings adjacent to the ones for the notes actually played resonate sympathetically, resulting in a rich, resounding tone. Additionally, when using half-pedaling techniques, the core of the sound disappears rapidly while a rich, spacious resonance remains, producing a unique form of reverberation. On the HP507, the unique, lingering tones produced by the half-pedaling technique are reproduced in addition to released-string sounds (Damper Noise) and resonating sounds (Damper Resonance).

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will be sustained.

Soft Pedal

This pedal is used to make the sound softer. Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent

strength. This is the same function as the left pedal of an acoustic piano. The softness of the tone can be varied subtly by the depth to which you press the pedal.

* Don’t hang anything other than headphones on

this hook, and don’t apply excessive force to it. Doing so may damage the headphone hook.

Panel Descriptions

USB Memory Port

If a USB ash drive is connected, you can use it to save or play back songs.

You can do the following things using a USB ash drive.

• WAVE les or MIDI les (SMF) data copied from your computer can be played back by the HP507.

• You can make audio recordings of your performances on the HP507.

• The audio recordings of songs that you’ve made can be played on your computer, or burned to a CD.

* Carefully insert the USB ash drives all the way in-until it is rmly

in place.

* Use a USB ash drive sold by Roland. We cannot guarantee

operation if any other USB ash drive is used.

Pedal Connector

Connect the pedal cord of the dedicated stand to this connector.

page 61

page 28 page 41

AC In (AC Inlet)

Connect the included power cord here.

page 61

USB Port

If you use a commercially available USB cable to connect the HP507’s USB port to your computer’s USB port, you’ll be able to do the following things.

• SMF data played back by MIDI-compatible software can be sounded by the HP507.

• MIDI data can be transferred between the HP507 and your sequencer software (sold separately), opening up a wide range of possibilities for music production and editing.

Rear side

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Output Jacks

If you connect these jacks to amplied speakers, the sound of HP507 will be heard through them.

Phones Jacks

Here you can connect stereo headphones. The HP507 has two headphone jacks, two people

can also use headphones simultaneously.

Don’t forget to remove your headphone adaptor plug!

If you leave a headphone adaptor plug inserted in the headphone jack, no sound will be heard from the piano. If you don’t hear sound from the piano, check the headphone jacks.

Input Jacks

If a digital audio player or other audio playback device is connected here, you’ll be able to listen to its playback through the HP507. The volume of the device connected to the Input jacks can be adjusted by means of Input Volume (p. 48).

MIDI Connectors

You can connect these to external MIDI devices.

Convenient Functions

Function Mode

Appendix

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections. * When connection cables with resistors are used, the volume level of equipment connected to the Input jacks may be low. If this happens, use connection cables that

do not contain resistors.



Before You Play

* When opening/closing the lid or raising/folding down the music rest, please be careful not to get your ngers pinched between the movable part

and the panel. In places where small children are present, make sure that an adult provides supervision and guidance.

Setting Up the Music Rest

Raising the music rest

1. Gently raise the music rest.

2. Fold down the latches to secure the music rest.

Folding down the music rest

1. While using one hand to support the music rest, raise the

latches located on the back of the music rest, then gently fold down the music rest.

Opening/Closing the Lid

To open the lid, use both hands to lift it lightly, and slide it away from yourself.

To close the lid, pull it gently toward yourself, and lower it softly after it has been fully extended.

Using the music holders

You can use the holders to hold pages in place. When not using the holders, leave them folded down.

Push

Using the lid to conceal the buttons and display (Classic Position)

You can use the lid to conceal the buttons and the display. This allows you to concentrate on performing without being distracted by the buttons or the display.

NOTE

When opening and closing the lid, be careful not to let your ngers get caught. If small children will be using the HP507, adult supervision should be provided.

If you need to move the piano, make sure the lid is closed rst to prevent accidents.

Installing the CD Drive (Sold separately)

Attach the CD drive as shown the gure, using the mounting holes on the HP507’s bottom panel.

* For details of the attachment or connecting, refer to the owner’s manual of the CD

drive.

* Use a CD drive sold by Roland. We cannot guarantee operation if any other CD drive

is used.

NOTE

• You cannot play back CD-R/RW disks to which audio tracks have been added or CDs containing both audio tracks and data (CD Extra).

• The HP507 is capable of playing back only commercial CDs that conform the ocial standards-those that carry the “COMPACT DISC DIGITAL AUDIO” logo.

• The usability and sound quality of audio discs that incorporate copyright protection technology and other non-standard CDs cannot be guaranteed.

• For more detailed information on audio discs featuring copyright protection technology and other non-standard CDs, please consult the disc vendor.

• You cannot save songs and styles to CDs, and you cannot delete songs or styles recorded to CDs. Furthermore, you cannot format CDs.

Lid

Before You Play

Turning the Power On/O

NOTE

• Once everything is properly connected (p. 15), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

• Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

O

Turning the power on

Min Max

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

1. Move the [Volume] slider all the way to the left to minimize the volume.

2. Press the [Power] switch.

After a brief interval, you’ll be able to produce sounds by playing the keyboard.

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the unit on is required before it will operate normally.

3. Use the [Volume] slider to adjust the volume.

Adjust the volume while playing something on the keyboard, so you can hear how it sounds. The volume increases when you slide it to the right, and decreases when you slide it to the left.

MEMO

The HP507 is designed so that nuances in the dynamics of your playing will be clearly heard even at low volume, and that the sound will remain clear even at high volume.

Turning the power o

1. Move the [Volume] slider all the way to the left to minimize the volume.

2. Press the [Power] switch.

The power is turned o.

* If you need to turn o the power completely, rst turn o the unit, then unplug the power cord from the power outlet. Refer to “Power Supply” (p.

5).

WARNING

If you don’t want the power to turn o automatically, change the “Auto O” setting to “O”!

With the factory settings, the HP507’s power will automatically be switched o 30 minutes after you stop playing or operating the unit.

If the unit’s power has been turned o automatically, you can use the [Power] switch to turn the unit back on again. If you don’t want the power to turn o automatically, change the “Auto O” setting to “O” as described on “Making the Power Automatically

Turn O After a Time (Auto O)” (p. 44).

Convenient Functions

Function Mode

NOTE

• When turning the power on again, you must allow at least ve seconds after power-o before you once again turn the power on. If you fail to allow enough time, the Auto O function might not be reset, preventing the power from turning on correctly.

• The settings will be initialized after the power has been turned o. If you want to still be retained the next time you turn on the power, you should refer to “Retaining the Settings Even After Power-o (Memory Backup)” (p. 44) and save your settings.

Appendix



Performing

Performing with Various Sounds

In addition to piano sounds, the HP507 lets you enjoy performing with many other sounds (347 types). These sounds are called “Tones.” The Tones are categorized into ve groups, each of which is assigned to a dierent Tone button.

Switching Tones

Let’s start by performing with a piano tone. When you turn on the power, the “ConcertPiano” tone is selected.

1. Press a tone button to select the tone group.

The currently selected tone number and tone name are displayed.

* The explanations in this manual include illustrations that depict what should typically be

shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g.,

includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Tone groups

Tone button Description

Piano [Grand] button Selects grand piano sounds.

Piano [Early] button Selects sounds of early historical pianos.

[E. Piano] button Selects various electric piano sounds used in pop or rock.

[Strings] button Selects the sounds of string instruments such as violins, as well as other instruments used in orchestras.

Selects a variety of sounds such as organ, bass, or accompaniment sounds.

[Other] button

For details on the tones, refer to “Tone List” (p. 57). *1 Rotary eect:

Rotary is an eect which simulates the sound of rotating speakers. There is a choice of two settings: Fast and Slow.

* If you select tone numbers 43–51, you’ll be able to use the keyboard to play the sounds of a drum set. * If you’ve selected an organ sound that provides a rotary eect (*1), such as a Combo Jz. Org or a Ballad Organ, pressing the [Other]

button will switch the speed of the rotary eect.

2. Use the [–] [+] buttons to select a variation within the tone group.

* If you’ve selected a drum set tone or an SFX set tone, some notes of the keyboard will not produce sound.

Auditioning tones (tone demo)

1. While holding down a tone button, press the [ ] (Play/Stop) button.

A tone demo that uses the rst tone of each tone group will begin playing back.

2. To stop the tone demo, press the [Song] button or the [ ] (Play/Stop) button.

If you are using the VIMA TUNES

You can connect a USB CD drive (sold separately) to the HP507 (p. 16), and play back separately sold CD-ROMs created for the VIMA. Songs on VIMA CD-ROM (VIMA TUNES) are programmed with “recommended tones” suitable for each song. When you select a song from a VIMA CD-ROM (VIMA TUNES), recommended tones will be assigned to the HP507’s [E. Piano],

[Strings], and [Other] tone buttons, and these three tone buttons will blink. When you press a ashing Tone button, the recommended tone is then selected, enabling you to perform the selected song using a tone matched to that song as it plays back.

Performing

Performing with Two Layered Tones (Dual Play)

You can play two tones simultaneously from each note of the keyboard. This feature is called “Dual Play.” As an example, here’s how to layer piano and strings tones.

1. While holding down the Piano [Grand] button, press the [Strings] button.

Both buttons will light. When you play the keyboard, you’ll hear both the piano and the strings tones.

* Dual play is not available if Split Play (p. 20) or Twin Piano (p. 24) are turned on. * For some combinations of sounds, the eect is not applied to tone 2, and this may aect how the tone sounds. * It’s not possible to layer Piano [Grand] and Piano [Early] tones together.

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Selecting tones for dual play

Tone name Corresponding button How to select tones

Tone 1 Left tone button Press the [–] [+] buttons.

Tone 2 Right tone button While holding down the tone button for Tone 2 (the right-most of the lit Tone buttons), and press the [–] [+] buttons.

2. To exit Dual Play, press one of the tone buttons.

Advanced techniques

Changing the pitch of tone 2 in steps of an octave: “Octave Shift” (p. 49) Specifying the part(s) aected by the damper pedal: “Damper Pedal Part” (p. 49) Adjusting the volume balance of the two tones: “Dual Balance” (p. 48)

Convenient Functions

Function Mode

What are eects?

Some of the tones provide a wide variety of other “eects” that can modify the sound in various ways. The rotary eect is one of these eects.

Appendix

Performing

Playing Dierent Tones with the Right and Left Hands (Split Play)

You can play dierent tones in the left and right sides of the keyboard, divided at a certain key. This feature is called “Split Play,” and the key at which the keyboard is divided is called the “Split Point.”

1. While holding down the [Transpose] button, press the [Twin Piano] button.

The Split screen will appear.

When Split is turned on, the keyboard settings will be as follows.

Split Point (Power-up default: F 3)

C1 D1 E1 F1 G1 A1 B1A0 B0 C2 C3 C4 C5 C8B7

…

Left-hand Tone Right-hand Tone

2. To exit Split Play, hold down the [Transpose] button and press the [Twin Piano] button once again.

* Depending on which tones are being used together, the tones might sound dierent because no eect is applied to the left-hand tone.

Advanced technique

Specifying the part(s) aected by the damper pedal: “Damper Pedal Part” (p. 49)

Changing the right-hand tone

1. Press a tone button.

The number and name of tone currently selected for the right-hand zone are shown.

2. Press the [–] [+] buttons.

A dierent tone is selected.

Performing

Changing the left-hand tone

1. While holding down the [Transpose] button and [Twin Piano] button, press a tone button.

The number and name of the tone currently selected for the left-hand zone are shown.

2. While holding down the [Transpose] button and [Twin Piano] button, press the [–] [+] buttons.

A dierent tone is selected.

Advanced technique

Changing the pitch of the left-hand tone in steps of an octave: “Octave Shift” (p. 49)

Operation Guide Panel Descriptions Before You Play Performing Practicing Piano Designer

Changing the keyboard’s split point

Range in which you can specify the split point (B1–B6)

Split Point

Power-up default: F#3

The Split Point belongs to the left-hand

1. While holding down the [Transpose] button and [Twin Piano] button, press the key that you want to assign as the split point.

The key you pressed becomes the new split point, and that key will be shown in the display.

Screen Value

B1–B6

(default: F#3)

section of the keyboard

Saving your settings

The HP507’s settings will revert to the default values when you turn o the power, but you can save them as described in “Retaining the Settings Even After Power-o (Memory Backup)” (p. 44).

Convenient Functions

Function Mode

Appendix

+ 47 hidden pages

Roland HP507 User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

About the Ivory Feel Keyboard

Contents

Look What You Can Do!

Operation Guide

Panel Descriptions

Before You Play

Setting Up the Music Rest

Opening/Closing the Lid

Performing

Performing with Various Sounds

Switching Tones

Performing with Two Layered Tones (Dual Play)