Roland E-100 User Manual

Page 1

E-200/E-100

InteLLIGENT KEYBOARD

Owner’s Manual

Thank you for choosing a Roland E-200/E-100 Intelligent Keyboard, a novel instrument with a superior Roland sound source, an intuitive user interface, a USB port, V-LINK compatibility and a host of other useful functions.

To get the most out of the E-200/E-100 and to ensure many years of trouble-free service, we urge you to read through this Owner’s Manual thoroughly. To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and use “key” only when referring to the E-200/E-100’s keyboard.

Before using this instrument, carefully read the “Important notes” (p. 5). They provide information concerning the proper operation of the E-200/E-100. Be sure to keep this manual in a safe place for future reference.

Page 2

E-200/E-100

Features

Superior sound source

The E-200/E-100’s sounds are based on full-length (uncompressed) waveforms, which is unique in this price range. This produces vibrant, realistic sounds quite unlike anything you would expect from a budget-friendly arranger keyboard. The E-200/E-100’s tone generator is 64-voice polyphonic.

Combined with the new amplification system and Digital Bass Enhancer function, the E-200/E-100 sounds truly amazing, with a clear high end and a powerful low range.

Stylist function

The E-200/E-100 is Roland’s first arranger keyboard to sport the acclaimed Cover function found on the DisCover 5 and DisCover 5M. Simply by pressing one of the STYLIST buttons, you can change the orchestration of Standard MIDI Files – and now also of Music Styles.

Flash memory and USB

The E-200/E-100 comes with 84 Music Styles in ROM, 19 additional Music Styles and several Standard MIDI Files. The additional Styles and SMFs reside in the E-200/E-100’s Flash memory area, whose contents can be expanded and managed via a USB connection with your PC or Macintosh computer.

New concept

The E-200/E-100 is 19-part multitimbral, with 3 parts that can be played via the keyboard (Main, Split and Dual). The Main part can be used to play melodies or for drumming, while the Split and Dual parts allow you to quickly add a second sound to your solo playing.

Furthermore, the E-200/E-100 provides a new selection routine for Music Styles, Tones, songs, and User Programs: the FAMILY

[√][®]

buttons can be used for selecting specific groups, while the SELECT setting within the selected group.

[√][®]

buttons allow you to choose a

Excellent Arranger

The E-200/E-100 comes loaded with 103 all-new Music Styles prepared by Roland’s legendary Style foundry. As usual, several patterns are available (INTRO, ORIGINAL, VARIATION, FILL and ENDING), with additional options via the BAND ORCHESTRATOR buttons.

And much, much more…

A metronome and several educational functions are provided, while three digital effects processors (Reverb, Chorus and MFX) can be used to further enhance the already amazing sound quality.

The E-200/E-100 can play back GM, GM2, GS and XG song data, so that you can virtually use any Standard MIDI File available at your Roland dealer or on the Internet.

Note:

The E-200/E-100 supports XG Light and therefore only

provides the basic set of compatible functions.

The E-200 is also equipped with a floppy disk drive (2DD/ 2HD) for data management and importing Music Styles prepared for older Roland arranger instruments.

Have fun!

Microsoft and Windows are registered trademarks of Microsoft Corporation USA in the United States and other countries.

Apple and Macintosh are registered trademarks of Apple Computer Corporation USA in the United states and other countries.

Mac OS is a registered trademark of Apple Computer Corporation. Other names of companies, products, or standards are the trademarks or reg-

istered trademarks of their respective owners.

Page 3

E-200/E-100

• Before using this instrument, make sure to read the instructions below, and the Owner’s Manual.

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• Do not open or perform any internal modifications on the unit.

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• Do not attempt to repair the E-200/E-100, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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• Never use or store the E-200/E-100 in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an

enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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• This unit should be used only with a rack or stand that is recom-

mended by Roland.

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Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

007

• Make sure you always have the unit placed in such a way that it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

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• The instrument should only be connected to a power supply of the type described in the operating instructions, or as marked on the adapter supplied with the E-200/E-100.

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• Do not excessively twist or bend the adapter’s power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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• This instrument, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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• In households with small children, an adult should provide supervision until the child is capable of following all rules essential for the safe operation of the E-200/E-100.

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• Protect the unit from strong impact. (Do not drop it!)

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• Do not force the E-200/E-100’s adapter to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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• Before using the E-200/E-100 in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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• The E-200/E-100 should be located so that its location or position does not interfere with its proper ventilation.

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• This unit for use only with Roland keyboard stand KS-12. Use with other stands is capable of resulting in instability causing possible injury.

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Page 4

E-200/E-100

• Always grasp only the plug on the adapter when plugging into, or unplugging from, an outlet or this unit.

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• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed out of the reach of children.

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• Never climb on top of, nor place heavy objects on the unit.

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• Never handle the adapter’s power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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• If you need to move the instrument, take note of the precautions listed below. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Disconnect the adapter.

• Disconnect all cords coming from external devices.

• Remove the music stand.

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• Before cleaning the unit, turn off the power and unplug the adapter from the outlet.

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• Whenever you suspect the possibility of lightning in your area, disconnect the adapter from the outlet.

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• Should you remove screws, make sure to put them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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Contents

1. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

2. Panel descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

3. First steps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Setting up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Demo songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Playing without accompaniment. . . . . . . . . . . . . . . . . .11

4. Playing with accompaniment (Arranger) . . . . . . . . . . . . . .13

Selecting Music Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

5. Playing back songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

6. Changing the Music Style or song orchestration . . . . . . .20

Stylist function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Using the Band Orchestrator function . . . . . . . . . . . . . 20

7. Recording your music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

8. Additional Music Style functions . . . . . . . . . . . . . . . . . . . .26

One Touch (OTP) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Using the Music Assistant . . . . . . . . . . . . . . . . . . . . . . . . 26

Melody Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Bass Inversion (Bass Inv) . . . . . . . . . . . . . . . . . . . . . . . . . 27

9. Keyboard part functions . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Selecting sounds for the Main, Split and Dual parts . 28

Drum sounds and sound effects (“SFX”) . . . . . . . . . . . . 29

Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Octave settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

10. Performance functions and effects . . . . . . . . . . . . . . . . . .31

Performance functions . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Using effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

V-LINK function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

11. Function menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

KB SET parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

METRONOM parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

OCTAVE parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

VOLUME parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

ARR SET parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

EFFECTS parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

KB SCALE parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

12. Working with User Programs . . . . . . . . . . . . . . . . . . . . . . . 41

Writing your settings to a User Program. . . . . . . . . . . 41

Selecting a User Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

13. MIDI functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

14. Data management. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Working with the Flash memory . . . . . . . . . . . . . . . . . . 45

Archiving data using a computer (USB). . . . . . . . . . . . . . . . . .47

Disk functions [E-200 only] . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

15. Using the outputs and an optional footswitch . . . . . . . . 51

16. Miscellaneous. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Functions for educational purposes . . . . . . . . . . . . . . . 52

Initializing your E-200/E-100 (Factory) . . . . . . . . . . . . 52

17. Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

18. Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Tones selectable via the front panel . . . . . . . . . . . . . . . 54

Drum Kits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57

Music Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

Chord Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . .63

Page 5

]

1. Important notes

In addition to the items listed under “” (p. 3), please read and observe the following:

E-200/E-100

Power supply

• Do not use this instrument on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

• Before connecting the E-200/E-100 to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

• Using the E-200/E-100 near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this instrument or move it further away from the source of interference.

• This instrument may interfere with radio and television reception. Do not use it in the vicinity of such receivers.

• Observe the following when using the unit’s floppy disk drive. For further details, refer to “Before using floppy disks (handling the floppy disk drive) [E-200 only]”.

• Do not place the unit near devices that produce a strong mag-

netic field (e.g., loudspeakers).

• Install the E-200/E-100 on a solid, level surface.

• Do not move the unit or subject it to vibration while the drive is

operating.

• Do not expose the E-200/E-100 to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the instrument.

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

• Do not allow objects to remain on top of the E-200/E-100. This can be the cause of malfunction.

Maintenance

• For everyday cleaning wipe the E-200/E-100 with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a mild, non-abrasive detergent. Afterwards, be sure to wipe the instrument thoroughly with a soft, dry cloth.

• Never use benzene, thinner, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and data

• Please be aware that all data contained in the instrument’s memory may be lost when it is sent for repairs. In certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data. Roland assumes no liability concerning such loss of data.

Additional precautions

• Please be aware that the memory contents can be irretrievably lost as a result of a malfunction, or the improper operation of the instrument.

• Use a reasonable amount of care when using the instrument’s buttons, other controls, and jacks/connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When connecting/disconnecting cables, grasp the connector itself— never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• A small amount of heat will radiate from the instrument during normal operation. This is perfectly normal.

• To avoid disturbing your neighbors, try to keep the instrument’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially late at night).

• When you need to transport the instrument, package it in the box (including padding) that it came in. Otherwise, you will need to use equivalent packaging materials, or a flightcase.

• Use only a recommended footswitch (DP-2, DP-6, sold separately). By connecting any other footswitch, you risk causing malfunction and/or damage to the E-200/E-100.

• When the E-200/E-100 is used at excessive volumes, the protection system of its power amplifier stage may come on and mute the speakers. In that case, reduce the volume setting and wait a few seconds.

Before using floppy disks (handling the floppy disk

[E-200 only]

drive)

• Install the unit on a solid, level surface in an area free from vibration. If the unit must be installed at an angle, be sure the installation does not exceed the permissible range: upward, 2°; downward, 18°.

• Avoid using the E-200 immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive and/or damage floppy disks. When the E-200 has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it.

• To insert a disk, push it gently but firmly into the drive—it will click into place. To remove a disk, press the EJECT button firmly. Do not use excessive force to remove a disk which is lodged in the drive.

• Never attempt to remove a floppy disk from the drive while the drive is operating (the indicator is lit); damage could result to both the disk and the drive.

• Remove any disk from the drive before switching the instrument on or off.

• To prevent damage to the disk drive’s heads, always try to hold the floppy disk in a level position (not tilted in any direction) while inserting it into the drive. Push it in firmly, but gently. Never use excessive force.

• To avoid the risk of malfunction and/or damage, insert only floppy disks into the disk drive. Never insert any other type of disk. Avoid getting paper clips, coins, or any other foreign objects inside the drive.

Page 6

E-200/E-100

Handling floppy disks

• Floppy disks contain a plastic disk with a thin magnetic coating. Microscopic precision is required to enable storage of large amounts of data on such a small surface area. To preserve their integrity, please observe the following when handling floppy disks:

• Never touch the magnetic medium inside the disk.

• Do not use or store floppy disks in dirty or dusty areas.

• Do not subject floppy disks to temperature extremes (e.g., direct

sunlight in an enclosed vehicle). Recommended temperature range: 10°~50°C (50°~122°F).

• Do not expose floppy disks to strong magnetic fields, such as

those generated by loudspeakers.

• Floppy disks have a “WRITE” tab which can protect the disk from

accidental erasure. It is recommended that the tab be kept in the PROTECT position, and moved to the WRITE position only when you wish to write new data onto the disk.

[E-200 only]

Protect tab

Rear side of the disk

WRITE (you can save data to the disk)

PROTECT (you cannot save data)

Liability and copyright

• Should data contained and stored on a floppy disk be lost, it is unfortunately impossible to restore them. Roland Europe S.p.a. assumes no liability concerning such loss of data.

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.

• Do not use this unit for purposes that could infringe on a copyright held by a third party. Roland assumes no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

• Disks containing important performance data for this instrument should always be locked (have their write protect tab slid to the PROTECT position) before you insert them into the drive of another instrument.

• The identification label should be firmly affixed to the disk. If the label comes loose while the disk is in the drive, it may be difficult to remove the disk.

• Put the disk back into its case for storage.

Page 7

2. Panel descriptions

F I J

M O

N P

Front panel

[POWER ON] button

Press this button to switch the E-200/E-100 on and off.

BENDER/MODULATION lever

By performing left/right movements, you can bend your solo notes down (left) or up (right). Press this lever towards the rear of the instrument to add modulation (usually vibrato) to the notes you are playing.

PHONES 1/2 sockets

This is where you can connect two pairs of optional headphones (Roland RH-25 or RH-50). By doing so, you switch off the E-200’s speakers.

VOLUME knob

Use this knob to set the global volume of your E-200/E-100.

BALANCE [ACCOMP] [KEYBOARD] buttons

Use the BALANCE buttons to change the volume of the corresponding section (accompaniment/song, or the parts you play on the keyboard).

[TAP TEMPO] button

Press this button at least twice to set the Arranger’s or Recorder’s playback tempo.

[E-200 only]

[METRONOME] button

This button allows you switch the metronome on and off. Holding it for more than one second calls up a FUNCTION parameter you can set.

[MELODY INTELLIGENCE] button

This button allows you to switch the Melody Intelligence function on/off. Melody Intelligence is a function that adds a harmony part to your melody playing. See p. 27. Holding it for more than one second calls up a FUNCTION parameter you can set for selecting the harmony type.

[USB] button

This button allows you to select the function of the USB port: mass storage (archiving and retrieving settings to/from a computer). See page 47 for details.

Press it together with E-200/E-100’s demo function (see p. 10).

[KEYBOARD TOUCH] button

Press this button to switch the keyboard’s velocity sensitivity on or off. When it is switched off, you can specify the fixed velocity value that should be used for all notes you play.

[KEYBOARD¥TOUCH]

to select the

E-200/E-100

[V-LINK] button

Press this button to take advantage of the E-200/E-100’s V-LINK functionality for controlling video material via certain performance functions and the right-most keys on the E-200/E-100’s keyboard. By using V-LINK-compatible video equipment, visual effects can be easily linked to, and made part of the expressive elements of a performance. By connecting the E-200/E-100 to an optional Edirol DV-7PR or V-4, you can switch images in synchronization with music, or use the E-200/E-100’s performance functions or rightmost keys to switch clips, control playback speed, etc.

During song and Music Style playback, this button flashes to indicate the tempo and beats (BEAT function).

KEYBOARD CONTROL section

Press the left and right hands. Press the sounds simultaneously.

Press the (see p. 30).

[SPLIT]

button to play different sounds with your

[TRANSPOSE]

[DUAL]

button to play two

button to transpose the keyboard

Page 8

E-200/E-100

BAND ORCHESTRATOR section

Press one of these buttons to choose the desired orchestration for the selected Music Style. See page 20.

ARRANGER & SONG CONTROLS section

[SYNC¥START/MARKER¥A–B]

button: This button performs two functions: In Arranger mode (while using the automatic accompaniment), it allows you to switch the SYNC START function on and off. In Song mode, it can be used to specify the beginning (“A”) and end (“B”) of the passage that should be repeated.

The remaining buttons in this section allow you to control Arranger or Recorder playback. See pages 13 and 16.

STYLIST section

The buttons in this section provide access to pre-programmed templates that allow you to quickly modify Music Styles’ or Standard MIDI File’s character. See page 20.

When the Minus One function is on, these buttons allow you to quickly mute several Standard MIDI File parts (these mute functions are not available while you are using the Arranger function).

ONE TOUCH PROGRAM section

These buttons allow you to quickly configure the E-200/ E-100 for use with (

[ARRANGER]

) or without (

[PIANO]

matic accompaniment. At power-on, the E-200/E-100 selects the PIANO SOLO mode.

Press the

[OTP1/OTP2]

button to select the desired One Touch settings. These two memories (“1” and “2”) contain a number of settings that complement the currently selected Music Style. There are two One Touch memories per Music Style. See p. 26.

[MUSIC ASSISTANT] button

This button allows you to work with pre-programmed registrations (additional User Programs). See p. 26.

Note:

Press this button twice in succession (“double-click”) so that it flashes to select the desired memory using the numeric buttons.

) auto-

[SONG] button

This button allows you to select the E-200/E-100’s Song mode and to specify that the

[INTRO], [ORIGINAL]

, etc., but-

tons should be used to operate the on-board Recorder.

Note:

Press this button twice in succession (“double-click”) so that it flashes to select the desired memory using the numeric buttons.

[STYLE] button

Press this button if you want to select Music Styles. By activating this button, you also specify that the

[ORIGINAL]

, etc., buttons are used for selecting a Style Divi-

[INTRO]

sion, while the numeric buttons can be used to select the desired Style family.

Note:

Press this button twice in succession (“double-click”) so that it flashes to select the desired memory using the numeric buttons.

[TONE] button

Press this button if you want to use the FAMILY and SELECT

[√][®]

for assigning a sound (“Tone”) or Drum Set to the Main,

Split or Dual part. See p. 28.

Note:

Press this button twice in succession (“double-click”) so that it flashes to select the desired memory using the numeric buttons.

DATA ENTRY buttons

FAMILY

and

SELECT [√][®]

[√][®]

buttons are used to select Tones, Styles, Music Assistant

buttons: The FAMILY and SELECT

memories, Songs, and Function parameters. The FAMILY buttons allow you to select a group. You can press them, hold them, or press one while holding the other to change the scrolling speed.

The SELECT

[√][®]

buttons allow you to choose items within the selected group or family. You can press them, hold them, or press one while holding the other to change the scrolling speed. After selecting the last item of the currently selected group, pressing following group. Conversely, pressing

[®]

again takes you to the first entry of the

[√]

again after selecting the first entry of a group takes you to the last entry of the preceding group.

[√][®]

STYLE buttons:

These buttons allow you to select Style families and can also be used for entering numbers and characters when writing names. After double-clicking the

[STYLE], [TONE], [SONG]

[MUSIC¥ASSISTANT]

button, they

also allow you to select the desired memory/entry. The TEMPO/DATA

[NO/–]/[YES/+]

buttons allow you to set the arranger or Song tempo and the value of the selected FUNCTION parameter.

Note:

The E-100 doesn’t have a disk drive. That is why the button (disk Style selection) is called select the Style family of the same name.)

[FUNCTION] button

[USER¥STL]

. (It allows you to

[DISK]

This button provides access to the FUNCTION menu. You can use the FAMILY and SELECT

[√][®]

buttons to select the

desired function.

[DISK] button

[E-200 only]

Press this button to access the Disk functions. They are used for loading data from floppy, saving data to disk, and managing floppy disks. See p. 48.

Note:

You can also save and load data via USB.

[USER PROGRAM/WRITE] button

Press this button whenever you want to select a User Program (a set of registrations). Press and hold it to save the current panel and parameter settings to a User Program. See page 41.

TONE section

These buttons allow you to select the “best” sound of the indicated family (i.e. the “best” piano, organ, guitar/bass, etc. sound). After selecting one of these favorites, you can use FAMILY

[√][®]

and SELECT

[√][®]

to select other families and

other Tones within the active family.

Disk drive

[E-200 only]

, in the middle below the keyboard (not

pictured)

This is where you insert floppy disks with Standard MIDI Files or Music Styles you may already own. The drive accepts 2DD (720kB) and 2HD (1.44MB) floppy disks.

Page 9

Rear panel

A B C D E F

E-200/E-100

OUTPUT R, L/MONO sockets

These sockets allow you to connect the E-200/E-100 to your HiFi amplifier, a mixer, a cassette deck, a keyboard amplifier, etc. If the external amplifier is mono, be sure to connect it to the OUTPUT L/MONO socket.

PHONES 1/2 sockets

(Next to the OUTPUT sockets) This is where you can connect two pairs of optional headphones (Roland RH-25 or RH-50). By doing so, you switch off the E-100’s speakers.

[E-100 only]

DC IN socket

This is where you need to connect the supplied adapter (PSB-4U for the E-200, ACO for the E-100). After connecting the adapter cable, wind it around the cord hook to the socket’s right to prevent accidental power failures.

Note:

Be sure to only use the adapter supplied with your E-200/

E-100. Other adapters may damage your Intelligent Keyboard.

FOOTSWITCH socket

This is where you can connect an optional DP-2, DP-6, or BOSS FS-5U footswitch that allows you to hold (“sustain”) the notes you play with your right hand. It can also be used for controlling other parameters (see “FSW° (Footswitch Assign)” (p. 38)).

MIDI OUT/IN sockets

Connect the MIDI OUT socket to the MIDI IN jack of your computer (or MIDI instrument) to transfer MIDI data from the E-200/E-100 to the computer or external MIDI instrument. Connect the MIDI IN socket of the E-200/E-100 to the computer’s MIDI OUT jack to receive data from the computer.

USB port

The USB port can be used for archiving purposes with a computer.

Page 10

E-200/E-100

3. First steps

Setting up

The first thing you need to do is connect the supplied PSB-4U (E-200) or ACO (E-100) adapter to a suitable wall outlet.

(1) Unpack the E-200/E-100 and place it on a stable surface. (2) Connect the small end of the adapter cable to the E-200/

E-100’s DC IN jack, and the other end to a suitable wall outlet.

(3) Press the

E-100.

[POWER¥ON]

POWER ON

button to switch on the E-200/

Demo songs

Your E-200/E-100 comes with 1 song demo, 8 Tone demos, various Style demos, and 1 Stylist demo.

• The song demo illustrates the possibilities of the E-200/ E-100 as a whole.

• Tone demos show off the E-200/E-100’s amazing sound quality.

• Style demos give you an impression of the quality of the on-board Music Styles.

• The Stylist demo shows you how easily the orchestration of a Music Style can be changed.

(1) Hold down the [USB] button while pressing

[KEYBOARD¥TOUCH].

Playing back a Tone demo song

(1) Press the [TONE] button.

Playback of the Tone demo song starts automatically.

TONE

You can now press [START÷STOP] to stop playback of the currently selected Tone song. If you press this button again, the next Tone demo song will be played back.

(2) Press [START÷STOP] to stop Tone demo song playback.

Playback of a Style demo song

(1) Press the [STYLE] button.

(4) Use the

(5) Press [POWER¥ON] again to switch the E-200/E-100 back

[VOLUME]

volume.

Note:

When the E-200/E-100 is used at excessive volumes, the protection system of its power amplifier stage may come on and mute the speakers. In that case, reduce the volume setting and wait a few seconds.

off again.

If you wish to connect the E-200/E-100 to a keyboard or HiFi amplifier, do so before performing step (3) and switch on the amp before performing step (4).

knob to set the E-200/E-100’s output

VOLUME

DemoSong

(2) If necessary, use the [VOLUME] control to change the

playback volume.

(3) Press [START÷STOP] to stop playback.

120 001

STYLE

DemStyle

Playback of the Style demo song starts automatically. You can now press [START÷STOP] to stop playback of the

currently selected Style demo song. If you press this button again, the next Style demo song will be played back.

(2) Press [START÷STOP] to stop Style demo song playback.

146

Page 11

E-200/E-100

Playback of a Stylist demo song

(1) Press one of the STYLIST buttons to select a Stylist demo

song.

POP

DemStLis

Playback of the Stylist demo song starts automatically.

(2) Use the STYLIST buttons to select other Stylist settings.

This is not really necessary, as the E-200/E-100 changes them automatically during this demo.

(3) Press [START÷STOP] to stop Stylist demo song playback.

Leaving the Demo mode

(1) Hold down the [USB] button while pressing

[KEYBOARD¥TOUCH] to leave the Demo mode.

Playing without accompaniment

When you switch on the E-200/E-100, it select the PIANO SOLO mode. This means that you can use the E-200/E-100 like a digital piano, or a synthesizer.

The accompaniment function (called “Arranger”) and [ONE¥TOUCH] button are not available in PIANO SOLO mode, while only the Main part is active.

The E-200/E-100 provides three parts for your live playing (and many more for Arranger backing and Song playback):

Main As its name suggests, this is the most important

part. As long as the Split part is off, the Main part is assigned to the entire keyboard.

Split When you switch on this part, it is assigned to the

left half of the keyboard, while the Main part can be played with your right hand.

Dual This part can be added to the Main part and is also

assigned to the entire keyboard. This allows you to play two sounds simultaneously.

Using the Main part

(1) To activate the Main part and assign it to the entire key-

board, press the [PIANO] button.

ARRANGER

The icon disappears, the Arranger stops (if it was playing), and the E-200/E-100 automatically selects a piano sound for you.

(2) Play a few notes on the keyboard.

(3) If necessary, select another sound by pressing one of the 8

TONE buttons. See p. 28 for details.

GUITAR/

BASS

(4) If necessary, you can hold down the [TONE] button and

use BALANCE [ACCOMP] (softer) or [KEYBOARD] (louder) to change the Main part’s volume.

TONE

BALANCE

ACCOMP KEYBOARD

Note: Unlike previous Roland arranger instruments, the E-200/ E-100 no longer distinguishes between “melodic” parts and a Manual Drums part. You can therefore also play a Drum Kit with the Main part. Note: You can also press the [START÷STOP] button to add a rhythm accompaniment to your playing. This is based on the currently selected Music Style. See p. 14 for how to select a different one. Note: See p. 13 and “Automatic playback start (Sync Start)” (p. 14) for other ways to start Music Style playback (the drums, that is).

Page 12

E-200/E-100

Using the Main and Split parts

(1) If you wish to play different sounds with your left and

right hands, press the [SPLIT] button.

SPLIT

The icon appears and the E-200/E-100 now automatically selects a sound for the Split part that complements the sound assigned to the Main part.

(2) Play a few notes on the keyboard.

Split Main

At first, the keyboard is split at the C4 (note number “60”). If necessary, you can select a different split point. See “KeySplit* (Split point)” (p. 38).

To change the balance between the Main and Split sounds, proceed as follows:

(3) Hold down the [SPLIT] button and use BALANCE [ACCOMP]

(decrease) or [KEYBOARD] (increase) to change the Split part’s volume.

SPLIT

BALANCE

ACCOMP KEYBOARD

Alternatively, press and hold one of the eight TONE buttons (Main part) while pressing another TONE button (Split part).

Note: You cannot assign Drum Kits to the Split part. Note: You can also add a monophonic bass part (“Auto Bass”) to

the Split part. See “Auto Bass*: status and volume” (p. 39).

Using the Main and Dual parts

(1) If you wish to play two sounds simultaneously, press the

[DUAL] button.

DUAL

The icon appears and the E-200/E-100 now automatically selects a sound for the Dual part that complements the sound assigned to the Main part.

You can also activate the Dual mode by holding down one of the eight TONE buttons while pressing another. The first TONE button’s sound is then assigned to the Main part, while the second sound is assigned to the Dual part.

(2) Play a few notes on the keyboard.

To change the balance between the Main and Dual sounds, proceed as follows:

(3) Hold down the [DUAL] button and use BALANCE

[ACCOMP] (decrease) or [KEYBOARD] (increase) to change

the Dual part’s volume.

(4) To assign another sound to the Dual part, hold down the

[DUAL] button and proceed like for the Main part (page 11).

Note: You cannot assign Drum Kits to the Dual part.

Using the metronome

You can switch on the metronome when practising a new song.

(1) Press the [METRONOME] button.

METRONOME

The icon appears in the display and you hear the metronome sound.

(2) Press and hold [METRONOME] to select the Metro TS

function.

(3) Use the [NO/–]/[YES/+] buttons to set another time signa-

ture.

The possibilities are: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8.

(4) Press another “big” button in the DATA ENTRY section to

leave this function.

(5) Press the [METRONOME] button again to switch the met-

ronome off.

(4) To assign another sound to the Split part, hold down the

[SPLIT] button and proceed like for the Main part (page 11).

Page 13

4. Playing with accompaniment (Arranger)

Let us now take advantage of the E-200/E-100’s accompaniment function. This function is called “Arranger”.

E-200/E-100

Starting/using the Arranger

(1) Press the [ARRANGER] button.

ARRANGER

The icon appears in the display and the keyboard is split into two halves. The keys you press in the left half are used to specify the key of the accompaniment. The right half of the keyboard allows you to play a tune to the accompaniment.

This also switches on the Sync Start (see p. 14), Intro (see p. 13) and OT1 functions.

(2) Press the [START÷STOP] button (or play a note/chord with

your left hand) to start Arranger playback.

The [V-LINK] button now flashes to indicate the tempo and beats (BEAT function).

Note: If the icon is displayed (and if you switched off the Sync Start function), playing in the left half of the keyboard while the Arranger is stopped, will sound a stereo string sound (to which you can add a monophonic bass sound, see “Auto Bass*: status and volume” (p. 39)). The left half of the keyboard is thus not muted (like on previous Roland arranger instruments). This “EP Chord” function can be switched off, however (page 39).

ARRANGER

(3) Play a chord (or just one note) with your left hand.

ARRANGER

(4) Play another chord (or note) to change the Arranger’s key. (5) Press the following buttons to use other patterns of the

currently selected Music Style:

These buttons select Music Style “patterns”. The icon corresponding to the button you press appears in the display.

Also, the ARRANGER chord field in the display indicates the name of the chord you played last. This chord is used by the accompaniment.

As soon as you feel comfortable with the Arranger, you should try to play a melody with your right hand while using your left for specifying Arranger chords.

Button Function

INTRO Playback of an introduction. This is automati-

cally switched on when you press the [ARRANGER] button while the Arranger is stopped.

ORIGINAL Simple accompaniment version.

FILL Transition (“Fill In”) to VARIATION or ORIGINAL.

VARIATION Slightly more complex accompaniment ver-

sion.

ENDING Phrase that indicates the end of the song. Use

this button instead of [START÷STOP] to stop playback.

Page 14

E-200/E-100

Changing the tempo

(6) Use the TEMPO/DATA buttons to decrease ([–]) or increase

([+]) the tempo (if necessary).

NO YES

TEMPO / DATA

To return to the Music Style’s default tempo, simultaneously press [–] and [+].

You can also press the [TAP¥TEMPO] button several times at the desired tempo.

TAP

TEMPO

Automatic playback start (Sync Start)

Press [SYNC¥START] (if the icon is not yet displayed). “Sync Start” means that the Arranger starts playing back the selected Music Style as you play a note or a chord with your left hand (to the left of the split point).

SYNC START

SYNC

START

Stopping Arranger playback

(7) Press [START÷STOP] again to stop playback.

You can also press [ENDING]. In that case, you first hear an ending phrase. When it is finished, Arranger playback stops automatically.

Selecting Music Styles

The E-200 provides three memory areas for Music Styles (the E-100 has two):

USER STL: (Memory 000) This is where a Music Style loaded from the Flash memory or floppy disk (MSA, MSD and MSE series, optional RAM memory are erased when you switch off the E-200/E-100. (The E-100 doesn’t have a floppy disk drive.)

POP (001~019), BALLAD (020~031), OLDIES (032~041), COUNTRY (042~046), SWING (047~053), LATIN

(054~063), GOSPEL (064~068),TRADIT (069~078): These are the Style families in the E-200/E-100’s internal ROM memory. These Styles cannot be erased (but you can modify them in realtime using the Stylist and Band Orchestrator functions, see pages 20 and 20).

FLASH: (Memories 101~199) This is a Flash area inside the E-200/E-100 that already contains 16 Styles when the E-200/ E-100 is shipped. You can expand the number of Styles in this area by copying more Styles from your computer (via USB) or by saving the Styles loaded from disk memory slots in all, but the actual number of Styles you can save there depends on the data size of the Styles.

[E-200 only]

disk you inserted into the E-200’s drive. The number of available Styles depends on the floppy disk, of course. The Style you select is transferred to the E-200’s USER STL memory (see above), which is why it takes a little longer before you can use it. (You could, however, save it to a Flash memory, see p. 45.)

(1) Press the [ARRANGER] button.

Check whether the and a

INTRO ORIGINAL FILL VARIATION ENDING

(2) Press the [STYLE] button.

[E-200 only]

) is temporarily stored. The data in this

[E-200 only]

. There are 99 Flash

DISK: (Memories 201~…) This area refers to a floppy

ARRANGER

icon are displayed.

Note: This function is automatically activated when you press the [ARRANGER] button while Style playback is stopped.

STYLE

(3) If you want to use a style on floppy disk

the disk into the drive.

[E-200 only]

, insert

Page 15

E-200/E-100

(4) Use FAMILY [√][®] or the STYLE buttons to select the mem-

ory area that contains the desired Music Style.

FAMILY

The FAMILY buttons allow you to jump to the desired “family” (which also include the Flash and USER STL areas).

The display now shows the name of the selected family.

POP

FLASH

(5) Use the STYLE buttons to select an internal (or the DISK)

family:

If you use these buttons, the family name is not displayed. Instead, you will see the name of the first Style within the selected family. Here is an example: if you press the BALLAD button, the display will show “020 PianoBall”.

Note: On the E-100, the [DISK] button is called [USER¥STL]. It allows you to select the family of the same name.

132

(6) Use SELECT [√][®] to specify the desired Style within the

selected group.

SELECT

The first press of SELECT [®] (or [√]) shows the name of the first Music Style within the selected group. It is already selected, so if you need the first Style, there is actually no need to press SELECT [®]. You must use SELECT [√] or [®], however, to select another Style within the same group.

You can also use the numeric buttons to select Styles. To do so, first “double-click” (press twice) the [STYLE] button (it starts to flash), then enter the number. (Press another button in the DATA ENTRY section to leave this “numeric selection state”.) See also “Working with the FAMILY and SELECT buttons” (p. 17).

After selecting memory 101 (Flash) or 201 (first disk memory

[E-200 only]

Note: If you select a Style while the Arranger is stopped, the E-200/E-100 automatically activates the OT1 memory.

Note: If you forgot to insert a floppy disk into the drive, the display shows “No Disk” when you attempt to select the “disk family”.

(7) If necessary, confirm your selection by pressing the [+/YES]

button.

The display briefly shows “LOADING” (only after selecting a Style from the inserted floppy disk).

[E-200 only]

the USER STL memory that now contains the Music Style you loaded from floppy disk.

If you press [+/YES] during Arranger playback, the new Style is used at the next downbeat (1st beat of the next measure). Otherwise, the E-200/E-100 displays its name and uses that Style when you press [START÷STOP].

Note:

the USER STL memory to the Flash memory.

), the display shows a flashing Yes message.

If you selected a Music Style on floppy disk, the

icon now flashes, and the E-200 automatically selects

[E-200 only]

See page 45 for how to save the Music Style in

Balance

The BALANCE [√][®] buttons allow you to change the volume balance between the Arranger (or Song) parts and the Keyboard parts (the ones you can play yourself).

(1) Press BALANCE [ACCOMP] if the Arranger (or Song parts)

are too soft.

BALANCE

ACCOMP KEYBOARD

Balance

(2) Press BALANCE [KEYBOARD] if you think your solo playing

should be louder.

By holding down [SPLIT] (or [DUAL]) while pressing these but- tons, you can modify the volume of those Keyboard parts.

Note: See p. 38 for setting the volume of individual parts.

80a10

Page 16

E-200/E-100

5. Playing back songs

The E-200/E-100 allows you to play back commercially available music data files (called Standard MIDI Files) or your own songs you saved to disk or to the E-200/E-100’s Flash memory. Your own songs are saved as Standard MIDI Format 0 files and can also be played back using any other SMF compatible sequencer (or software).

Basic song playback

(1) Press the [SONG] button (it lights) to switch to Song

mode.

SONG

This is necessary because, otherwise, pressing the [START÷STOP] button will start Arranger playback. So be sure to check whether the [SONG] button lights and whether the

ARRANGER

longer displayed. Only then will the ARRANGER & SONG CONTROLS buttons allow you to control song playback (see above).

(2)

[E-200 only]

disk, insert the disk into the drive (front right).

If you want to play back a song from floppy

INTRO ORIGINAL FILL VARIATION ENDING

and icons are no

(3) Use FAMILY [√][®] to select the memory area that contains

the song you wish to play back.

FAMILY

The E-200/E-100 provides three memory areas for songs: USERSONG: (Memory 000) This where the song data you

record are temporarily stored. The data in this RAM memory are erased when you switch off the E-200/E-100.

FLASH: (Memories 101~199) This is the Flash area inside the E-200/E-100 that already contains several songs when the E-200/E-100 is shipped. You can expand the number of songs in this area by copying more songs from your computer (via USB). There are 99 Flash memory slots in all, but the actual number of songs you can save there depends on the data size of the songs.

[E-200 only]

floppy disk you insert into the E-200’s drive. The number of available songs depends on the floppy disk, of course.

DISK: (Memories 201~…) This area refers to a

(4) Use SELECT [√][®] to specify the desired song within the

selected group.

This is only necessary for the Flash memory or a floppy disk (there is only one USERSONG memory).

The first press of SELECT [®] (or [√]) shows the name of the first song within the selected group. It is already selected, so if you need the first song, there is actually no need to press SELECT [®]. You must use SELECT [√] or [®], however, to select another song within the same group. After selecting memory 101 (the first Flash memory), the display looks as follows.

SELECT

101

You can also use the numeric buttons to select songs. To do so, first “double-click” (press twice) the [SONG] button (it starts to flash), then enter the number. (Press another button in the DATA ENTRY section to leave this “numeric selection state”.) See also “Working with the FAMILY and SELECT buttons” below.

1000Mils

Page 17

E-200/E-100

Working with the FAMILY and SELECT buttons

You can press FAMILY [√] or [®] either repeatedly (brief presses) to go back or advance, or hold down [√] or [®] to quickly select another family. The fastest way to scroll through the available families is by holding down [√] while pressing [®] (go backwards), or by holding down [®] while pressing [√] (advance). The same methods are available for the SELECT [√][®] buttons. As a reminder: the FAMILY buttons are used for selecting groups, while the SELECT buttons allow you to select items within a group.

If you prefer to use the numeric buttons, enter three figures (e.g. “001” for entry “1”). If you only enter two figures (or only one), the E-200/E-100 takes slightly longer to process your entry.

Note: If the number you enter lies beyond the last available entry, the E-200/E-100 does not change. Note: Enter “000” (or “0”) to select the USERSONG memory.

After selecting memory 101 (Flash) or 201 (first disk memory

[E-200 only]

can ignore this if you like, and proceed with the next step (or you can press [YES/+] and then proceed).

Note: If you forgot to insert a floppy disk into the drive, the display shows “No Disk” when you attempt to select a file on disk.

(5) After making sure that the correct song has been selected,

you can press [START÷STOP] (now called [®÷ª]) to load it and immediately start playback.

), the display shows a flashing Yes message. You

The [V-LINK] button now flashes to indicate the tempo and beats (BEAT function).

You can already select a new song while the current one is still playing back. If you want to listen to it before the current song is finished, stop playback by pressing [START÷STOP], then press that button again. Otherwise, wait until the current song is finished, then press the [START÷STOP] button to start playback of the new song.

Note: Please bear in mind that starting playback of the selected song on disk will erase the song in the USERSONG memory. Be sure to save it to disk before proceeding (see p. 49).

(6) You can change the song tempo with the [NO/–]/[YES/+]

buttons or [TAP¥TEMPO].

Doing so, however, means that the tempo will still change if the song you are playing back contains tempo change messages. Furthermore, every time you jump back to the beginning or another position of the song using [|√], [º] or [‰], the programmed song tempo is reset.

(7) Feel free to experiment with the STYLIST function (see

p. 20).

Note: In Song mode, the E-200/E-100 automatically selects the PIANO SOLO keyboard mode. If you like, you can play along with the song (and even use the Split or Dual part).

Note: In certain cases, the display may show the message XG Light or GM2 rather than a Tone name. Such a message

means that the E-200/E-100 is using a Tone that cannot be selected via the front panel. There are 798 such “hidden” Tones whose sole purpose is to ensure XG/GM2 playback compatibility.

Additional playback functions

The [INTRO], [ORIGINAL], etc. buttons have two functions: one in Style mode (printed above the buttons), and another one in Song mode (printed below the buttons).

Selecting the Song mode

The ARRANGER & SONG CONTROLS buttons have two functions: they can be used for selecting Music Style patterns (when the

ARRANGER

the [SONG] button lights).

To select the Song mode (and the SONG CONTROL functions), you need to press the [SONG] button. Only then will the following functions be available.

Fast Forward, Rewind, and Reset

icon is displayed), or for Song navigation (when

SONG

START / STOP

• To fast forward (jump to a measure later in the song), press

[‰].

• To rewind (return to a measure that lies before the current

position), press [º]. The measure indication in the upper right corner of the display will help you locate the measure you need.

• Press [|√] (Reset) to jump back to the first measure of the song. You need to stop playback before using the [|√] button.

Page 18

E-200/E-100

Note: In certain cases, [‰] and [º] may not be available. This is only the case for very large songs, however. Note: By pressing [|√], [º] or [‰], you also recall the song’s pre- programmed tempo value.

Loop playback (Repeat)

Another clever feature of the E-200/E-100’s Recorder is that you can program playback loops. You can do so during playback or while the Recorder is stopped.

(1) Press [MARKER¥A–B] where you want the loop to begin

(the icon appears in the bottom right corner of the display).

SYNC

START

MARKER

A–B

(3) If the icon isn’t already displayed, press the [REPEAT¥A–B]

button to activate the loop you have just programmed.

This button allows you to switch the E-200/E-100’s Repeat function on and off.

(4) To play back the loop, press the [START÷STOP] button (now

called [®÷ª]).

The Recorder jumps to measure “A” and starts playing. At the end of measure “B”, the Recorder immediately jumps back to the beginning of measure “A” and continues playing back the passage.

If necessary, repeat steps (1) and (2) to set other marker positions.

Note: The playback tempo is reset every time the Recorder reaches the “A” measure.

Note: In certain cases, the Marker function may not be available. This only happens with very large songs, however.

Live performance with song backing (Minus One)

Your E-200/E-100 allows you to mute parts you wish to play yourself or don’t need in a given situation. This is called “Minus One” playback.

(1) Press the [SONG] button if it doesn’t light.

You can now select a Song, if you like (see p. 16).

(2) Press the [MINUS¥ONE] button (the “MinusOne” mes-

sage appears in the display).

ENDING

MINUS

ONE

The 5 STYLIST buttons light to indicate that all tracks will be played back.

(3) Press one of the STYLIST buttons to switch off the corre-

sponding track(s). The assigned track icon flashes.

(Example: if you switch off the [DRUMS] button, the [10] icon starts flashing.)

(2) Fast forward to the measure where you want the loop to

end and press [MARKER¥A–B] again (the icon appears).

INTRO

REPEAT

A–B

You can also program loops on the fly. Remember, however, that the Recorder always memorizes the beginning (downbeat) of the next measure.

When a button lights, the corresponding track(s) is/are audible (i.e. not muted). You can also mute several tracks by switching off the corresponding STYLIST buttons.

MINUS ONE

The icon appears and the selected part is muted.

Note: The Main part does not automatically adopt the Tone and related settings of the melody part.

If you like, you can also mute several parts.

Page 19

E-200/E-100

RIGHT

What are tracks?

The term “track” is used only for your convenience. We borrowed it from tape recorders that allow for recording several musical parts by the same person (one part after the other).

In the case of the E-200/E-100, the term is only used to indicate that we are dealing with separate musical parts. Here indeed (like with computer-based sequencers) what really counts are the MIDI channels.

Songs you record with the E-200/E-100, and the Standard MIDI Files you play back can consist of up to 16 tracks (i.e. MIDI channels). In many instances, only certain tracks are used, but the following are almost certainly present in every Standard MIDI File:

Track 2: bass Track 4: melody Track 10: drums

The STYLIST buttons allow you to mute the following tracks: [RIGHT]–Refers to track “4” of the selected Standard MIDI

File. Music data for educational purposes (especially piano music) use this track for the right-hand part. Mute this track to play the right hand yourself while listening to the lefthand part of the Standard MIDI File. The E-200/E-100 contains an excellent stereo piano Tone you could use.

[LEFT]–Refers to track “3” of the selected Standard MIDI File. Music data for educational purposes (especially piano music) use this track for the left-hand part. See also above.

[OTHERS]–Mutes all tracks that cannot be muted with the remaining STYLIST buttons, more specifically: 1, 3, 6~9, 12~16.

[BASS]–Mutes track “2”, which is assigned to the bass part of a Standard MIDI File.

[DRUMS]–Mutes track “10”, which is assigned to the drum part of a Standard MIDI File.

Note: You also switch off several buttons simultaneously.

(4) Press [|√] and [®÷ª] to start playback. (5) Press [®÷ª] again to stop playback. (6) Press [MINUS¥ONE] again (or one of the “big” DATA ENTRY

buttons) to switch the function of the same name back off again.

Note: The Minus One setting can be saved along with the selected song and its Stylist settings. See page 45.

Changing the track assignments

If the song files you are using do not use the GM system (and therefore do not correspond to the RIGHT, LEFT, BASS or DRUM assignments of the Minus One function), you can proceed as follows to assign other tracks (MIDI channels) to the STYLIST [RIGHT], [LEFT], [BASS] and [DRUMS] buttons:

(1) Press the [MINUS¥ONE] button to activate the function of

the same name.

(2) Press and hold the [RIGHT], [LEFT], [BASS] or [DRUM] button. (3) While holding that button, use the [NO/–]/[YES/+] buttons

to assign the desired MIDI channel to the button you are holding.

Example: To assign MIDI channel “10” to the [RIGHT] button, press DATA ENTRY [+] until the display looks as follows:

(4) Press [MINUS¥ONE] again (or one of the “big” DATA ENTRY

buttons) to switch the function of the same name back off again.

Note: The Minus One setting can be saved along with the selected song and its Stylist settings. See page 45.

Page 20

E-200/E-100

6. Changing the Music Style or song orchestration

Your E-200/E-100 is a novel arranger instrument and Standard MIDI File player with two functions for “customizing” the Styles or songs you play back via easy-to-use routines.

Stylist function

The Stylist function is derived from Roland’s revolutionary DisCover 5 keyboard. The E-200/E-100 provides five different templates you can select via the following buttons: [ACOUSTIC], [POP], [ROCK], [DANCE], and [WORLD].

The Stylist function is available both for Style (see p. 13) and song playback (see p. 16). It provides “masks” that change the instrumentation of the selected song. Simply by selecting another preset, you can cause a reggae song (or Style) to be played back by a heavy metal band, etc. Even though the arrangement (rhythm, riffs) does not change, the overall character can be modified beyond recognition.

(1) Press one of the STYLIST buttons.

That button now lights (there is no indication in the display).

The STYLIST buttons have the following meanings. You may notice that their function is akin to the EQ presets found on a ghetto blaster or similar device (except that they change the sounds themselves rather than the tone color).

Button Function

ACOUSTIC Adds an “unplugged” touch to the song or

Music Style.

POP Uses an orchestration that resembles the hits

you hear on the radio.

ROCK Adds a rather “heavy” character to the song or

Music Style.

DANCE Produces an “electronic” character.

WORLD Changes the song’s or Music Style’s mood to a

something akin to world-music.

(2) Press the [START÷STOP] button to start song (if the [SONG]

button lights) or Arranger playback (if the [SONG] button is dark).

START / STOP

(3) If you like the new version better than the original one,

you can save the song in the E-200/E-100’s Flash memory (page 45).

Stylist changes to a Music Style need to be written to a User Program.

Please note the following for the Stylist settings and Style selection: Whenever you select another Music Style, it is used without Stylist setting (STYLIST is reset).

Note: It is also possible to switch off ALL Stylist buttons to return to the original song or Music Style orchestration. Note: The STYLIST information is part of the song data only the E-200/E-100 understands. You can still play back the newly saved version of this song on another sequencer or SMF player (after transferring it to your computer via USB, for example), but the STYLIST information will be ignored.

Using the Band Orchestrator function

The Band Orchestrator function allows you to vary the accompaniment patterns played by the Arranger. You can leave out parts, thin out the drum part, etc. – in real-time (i.e. while you are playing).

(1) Press the [ARRANGER] button to select the Arranger

mode.

(2) Select the Music Style you wish to use for playing (or use

the one that is currently selected).

See page 14.

(3) Press one of the following buttons to select the desired

level of musical “complexity” (the corresponding icon is displayed):

BAND ORCHESTRATOR

DRUM & BASS

COMBO FULL BAND

Page 21

Obviously, these buttons should be used during Arranger playback.

DRUM & BASS

COMBO

The simplest accompaniment that only contains the drum and bass lines.

Accompaniment pattern with only a few instruments (i.e. a band).

Accompaniment pattern with a lush

FULL BAND

arrangement (several melodic instrument lines).

The corresponding icon appears in the display (only one of them can be displayed at any one time).

Note: Immediately after switching on the E-200/E-100, the Orchestrator selects the “FULL BAND” level. Note: The effect of these three levels also depends on whether the [VARIATION] or [ORIGINAL] button was pressed. In effect, the combination of the [ORIGINAL]/[VARIATION] and [DRUM&BASS]/ [COMBO]/[FULL¥BAND] buttons provides 6 accompaniment patterns per Music Style (3 x 2).

The last selection you make can be saved to a User Program. See p. 41.

E-200/E-100

Page 22

E-200/E-100

7. Recording your music

Your E-200/E-100 contains a 16-track Recorder you can use for recording your own songs.

Basic song recording

Let us first look at the most straight-forward way of recording your renditions with Arranger backing.

(1) Press the [ARRANGER] button.

ARRANGER

The icon appears. You can now use your left hand for transposing the Arranger’s key in realtime.

(2) Press the [STYLE] button and select a Music Style (or select

a Music Assistant memory).

(3) Select the desired Arranger division by pressing [INTRO],

[ORIGINAL] or [VARIATION].

Note: [INTRO] is automatically selected when you press [ARRANGER].

(4) Press the [START÷STOP] button. (5) Use [TAP¥TEMPO] or the [NO/–]/[YES/+] buttons to set

desired tempo.

(6) Press [START÷STOP] again to stop Arranger playback. (7) Assign the desired Tone to the right half of the keyboard.

Press [TONE] and use the FAMILY & SELECT [√][®] buttons or the buttons in the TONE section. See also page 28.

Note: After pressing [ARRANGER], the OTP1 memory automati- cally assigns a suitable sound to the Main part.

(8) Press the [REC≈∏] button.

The display should look as shown above (if it doesn’t, use the FAMILY [√][®] buttons (“REC MODE”) to select REC All):

(The [RECORD≈∏] and [1]~[16] icons flash.) You are now in ALL mode, which means that everything you and the E-200/ E-100’s Arranger play will be recorded.

ALL

Note: If you select “REC ALL” with the FAMILY buttons, the song in the E-200/E-100’s USERSONG memory is erased. You may want to save the current song first (see p. 45). If you only pressed [REC≈∏], the E-200/E-100 selects the Single mode if the USERSONG memory already contains data. See page 24 for details about that mode.

(9) Start recording in one of the following ways:

● REC

120 001

ORCHESTRATOR BEAT

FULL

INTRO

1 9210

BAND

• Press the [START÷STOP] button to start Arranger playback

with the selected Division.

START / STOP

The [V-LINK] button now flashes to indicate the tempo and beats (BEAT function).

Note: If you start recording without the Arranger and want to bring it in at a later stage, it would be a good idea to switch on the metronome by pressing the [METRONOME] button.

• Activate the [SYNC¥START] button (if it is off) and press one

or several keys to the left of the Split point.

Note: It is also possible to record in PIANO SOLO mode (after pressing the button of the same name). In that case, you should

definitely use the metronome. The song’s time signature can be set with the MetroTS function. See page 12.

(10) Stop recording in one of the following ways:

• Press [START÷STOP].

• Press the [ENDING] button to start the Ending phrase. As

soon as it ends, Arranger playback and song recording stop.

ORIGINAL

|√

Page 23

E-200/E-100

Listening to your song

(1) Press the [SONG] button. (2) Press [START÷STOP] to start playback. (3) Press [START÷STOP] once again to stop playback. (4) Press [|√] to return to the beginning of the song.

Other recording functions

The E-200/E-100’s 16-track Recorder can be used in several ways. Let us therefore have a look at the other recording modes.

About the recording modes

●

Modes

The E-200/E-100 provides two modes for recording new music, and two for adding parts or correcting passages of existing music:

Recording a new song:

ALL In this mode, you can record everything you

and the E-200/E-100 can play simultaneously:

• Arranger (accompaniment).

• Keyboard parts (Main and Split or Dual).

• Changes to the STYLIST settings for the Music Style.

Keyboard In this mode, you can record using the Key-

board parts. The track can be freely selected.

• Main and Split or Dual

Adding parts to an existing song

Single In this mode you can record onto one track at a

time. The track can be freely selected.

Punch I/O This mode allows you to re-record a short sec-

tion of an otherwise perfect part.

Note: Every time you select the ALL or Keyboard mode, the data in the USERSONG memory are erased.

●

Recorder memory

The E-200/E-100 provides one “live” song memory, which can contain one song at a time. After completing a song, you should save it (see p. 49).

To keep you from accidentally erasing the song in the E-200/ E-100’s internal memory, the E-200/E-100 automatically selects Single after your first recording. Bear in mind that selecting “ALL” or “Keyboard” will erase the song in the USERSONG memory. Do not select “ALL” or “Keyboard” for adding parts to an existing song – use “Single” or “Punch I/O” instead.

Conversely, you cannot select “Single” or “Punch I/O” if the USERSONG memory doesn’t yet contain data.

And finally: playing back a Standard MIDI File erases the song in the E-200/E-100’s memory. In return, the SMF data will be available (and can be supplemented with your own renditions in “Single” or “Punch I/O” mode).

More about ALL mode

In addition to what you learned on p. 22, here are a few considerations:

After pressing the [REC≈∏] button, the 16 track and [RECORD∏] icons start flashing, signalling that all 16 tracks are available for recording.

ALL

INTRO

1 9210

Here is what the tracks correspond to (after recording a song with Arranger backing):

Accomp 1

Arranger bass

Accomp 2

Main

Accomp 3

Dual*

Accomp 4

Accomp 5

(*) Only one of these can be used alongside the Main part. (**) If you assign a Drum Kit to the Main part. In that case, track 4 is

not used.

For your convenience, the Keyboard parts are flagged with a “k” symbol in the above graphic.

Parts you do not hear during recording are not recorded. The track icons [1]~[16] thus do not show you what will be recorded, but rather what can be recorded.

120 001

ORCHESTRATOR BEAT

FULL

BAND

Accomp 6

Arranger drums

12 13 14

Melody Intell. (see p. 27)

(

Split* Auto Bass* (see p. 39)

Main**)

Page 24

E-200/E-100

Keyboard recording mode

In Keyboard mode, you can record the Keyboard parts. The Arranger is not available. Essentially, this mode allows you to record either one layered part using up to two sounds (Main + Dual) or two parts (Split to the left, Main to the right). If you select a Drum Kit for the Main part, you can only record a drum part.

Note: When you select the Keyboard mode, song data in the E-200/ E-100’s internal memory will be overwritten by your new recording.

(1) Press the [REC≈∏] button. (2) Press FAMILY [√][®] to make the display look as follows:

Keyboard

INTRO

1 9210

RECORD

The and track icons flash.

120 001

ORCHESTRATOR BEAT

FULL

BAND

(3) To create a split, press the [SPLIT] button. (4) Activate the metronome (if necessary), and set the desired

tempo with the [TAP¥TEMPO] button or [NO/–]/[YES/+].

You can also record without metronome if you like.

Note: If you assign a Drum Kit to the Main part, your drum performance is recorded onto track 16.

Single recording mode

This mode is only available if the E-200/E-100’s song memory already contains data. When you press [REC≈∏], the icon and the icon of the first empty track flash. You could therefore record a new part straight away. (If all tracks already contain data, Track 1 will be selected.)

You can, however, also substitute an already recorded part with a new version.

(1) Press the [REC≈∏] button. (2) Press FAMILY [√][®] to select “Single”. (3) Use the SELECT [√][®] buttons to select the track you wish

to record to.

You can only select one track at a time (hence the name “Single”). If you select a track that already contains data, your new version will overwrite the existing one.

RECORD

(4) If necessary, assign the desired Tone to the part you are

about to record (see p. 28).

If you select track [10], you can select Drum Kits rather than Tones. Track 10 is reserved for drum parts.

Note: If you use the Single recording mode for adding parts to a Standard MIDI File recorded with another instrument or sequencer, track 16 (or any other track defined as “second drum track”) may also use a Drum Kit that can be changed. Note: Even though the Main part can be used for recording all tracks in Single mode, the MFX only applies to track/MIDI channel 4.

(5) Press [START÷STOP] to start recording.

After a two-measure count-in (see p. 38), you will hear all parts that have already been recorded. Start playing (and recording) your new part.

(6) Press [START÷STOP] to stop recording. (7) Return to step (3) to record additional parts.

Punch I/O

In this mode, you can re-record part of a track (the second chorus, for example). The important aspect of this mode is that newly recorded material does not erase the material before or after the passage you redo.

Original track

This passage is redone

By contrast, in Single mode, the entire track you record is replaced by your new material. (So if you don’t play anything during recording, the entire track will be empty afterwards.)

Like the Single mode, Punch I/O can only be selected if the E-200/E-100’s memory already contains song data.

(1) Press the [REC≈∏] button. (2) Press FAMILY [√][®] to make the display look as follows:

PunchI/O

INTRO

120 001

ORCHESTRATOR BEAT

FULL

BAND

The flashing track icon (only one) depends on the first track that already contains data. In the above example, track 1 contains data, which is why its icon flashes.

(3) Use the SELECT [√][®] buttons to select the track you wish

to record to.

SELECT

You can only select one track at a time.

(4) Press [START÷STOP] to start playback of the (old) song

data.

RECORD

The icon and the icon of the selected track flash.

(5) When the Recorder reaches the measure where you wish

to start recording, press [REC≈∏] again.

RECORD

The icon now lights steadily.

(6) Play the passage you want to redo. (7) Press [REC≈∏] again to deactivate recording.

Song playback still continues, so…

(8) Press [START÷STOP] to stop playback. (9) Press [START÷STOP] to listen to the new version.

If you are not satisfied, return to step (3) above. Return to step (3) to correct another track.

Page 25

Using a footswitch for punching in/out

You can also use an optional footswitch for starting and stopping recording. Doing so has the advantage that you can use both hands for playing (or the left hand for Pitch Bend/ Modulation effects and the right for playing the melody.)

• Connect an optional DP-2, DP-6, or BOSS FS-5U footswitch to the FOOTSWITCH socket on the E-200/E-100’s rear panel.

• Press the [FUNCTION] button (it must light).

FUNCTION

• Use FAMILY [√][®] to select “KB SET”. The E-200/E-100’s Function parameters are divided into 9 logical “families”. For the following, we need to select the group that contains the global keyboard settings.

• Use SELECT [√][®] to select the “FSW” parameter.

SELECT

E-200/E-100

Sustain

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17).

• Use the [NO/–]/[YES/+] buttons to select “Punch I/O”.

• Press [SONG] to return to the recording function.

• Continue with step (1) under “Punch I/O”. In steps (5) and (7), press the footswitch (rather than the [REC≈∏] button).

Page 26

BALLROOM

102

E-200/E-100

8. Additional Music Style functions

Apart from the basic Music Style functions covered on page 13 and following, your E-200/E-100 also provides the following functions. Most of the following functions are only available after pressing the [ARRANGER] button (the icon must be displayed).

One Touch (OTP)

The One Touch function automates quite a few tasks:

• Suitable Reverb and Chorus settings.

• The E-200/E-100 selects sounds for the Main, Split and Dual parts that are is suitable for the selected Style. There are 2 One Touch memories per Style with different settings for the above parameters. Here is how to select one:

(1) Select the desired Music Style (see p. 14).

If the Arranger is stopped, the E-200/E-100 also loads the corresponding OT1 memory.

(2) Press the [OTP1/OTP2] button.

OTP1

OTP2

The number field in the upper left corner reads “OT2” (second One Touch memory).

Piano 2

If the DATA ENTRY [TONE] button lights, the display now shows a Tone name.

(3) Press the [OTP1/OTP2] button again if you need “OT1”

again.

Note: One Touch is also available for Flash and disk Styles, but it is less meaningful.

ARRANGER

Using the Music Assistant

Another practical function for quickly making the right settings for a song you want to play is to take advantage of the E-200/ E-100’s novel MUSIC ASSISTANT function. It prepares everything for working with the Arranger (Style, Tones, effects, etc.). The Music Assistant is not available for song playback.

The following parameters are changed automatically when you select a Music Assistant memory:

• Music Style

• Tempo

• Sounds for the Main, Split and Dual parts

(1) Press the [MUSIC¥ASSISTANT] button.

MUSIC

ASSISTANT

It lights and the display shows the name of the last Music Assistant setting you selected (or of the first Music Assistant memory).

(2) Use FAMILY [√][®] to select the “family” (i.e. genre) that

contains the desired Music Assistant settings.

• Effect settings

• Band Orchestrator

• Keyboard Touch

FAMILY

The following families are available: Ballad, Ballroom, Dancing, Easy List, Evrgreen, JazzSwng, and PopHit.

(3) Use SELECT [√][®] to specify the desired Music Assistant

memory within the selected family.

The first press of SELECT [®] (or [√]) shows the name of the first Music Assistant setting within the selected group. It is already selected, so if you need the first setting, there is actually no need to press SELECT [®]. You must use SELECT [√] or [®], however, to select another Music Assistant setting within the same group.

You can also use the numeric buttons to select Music Assistant memories. To do so, first “double-click” (press twice) the [SONG] button (it starts to flash), then enter the number. (Press another button in the DATA ENTRY section to leave this “numeric selection state”.) See also “Working with the FAMILY and SELECT buttons” below.

Note: If necessary, you can now change the settings you do not like (e.g. select another sound for the Main part, etc.) and then save your new version to a User Program (see p. 41).

Page 27

E-200/E-100

Melody Intelligence

The Melody Intelligence function adds a second voice (harmony notes) to the melodies you play with your right hand. In fact, the Melody Intelligence function uses both halves of the keyboard to determine which notes to play:

• It looks at the melody notes in the right half; and…

• It analyzes the chords you play in the left half to see which notes it must add to your melody.

Press the [MELODY¥INTELLIGENCE] button so that the corresponding icon (see right illustration) appears in the display.

Changing the Melody Intelligence harmony type

The E-200/E-100 contains 18 different voicings (harmony types) for the MELODY INTELLIGENCE function. These voicings specify the number of harmony notes and the way in which they are added to your melody.

To select a different harmony type, press an hold the [MELODY¥INTELLIGENCE] button until the “MI” message appears in the upper left corner of the display.

MELODY

INTELLIGENCE

Traditnl

INTRO

12000 001

ORCHESTRATOR BEAT

FULL BAND

Note: The Melody Intelligence setting can be saved to a User Program memory.

Bass Inversion (Bass Inv)

Use this function to change the way in which the Arranger reads the chords you play.

When this function is off (default), the Acc Bass part plays the root of the chords that feed the Arranger. If you play a “C” (or C chord), the bass sounds a “C”; if you play an A minor chord (or if you press “A” and the “C” to its right), the bass sounds an A, etc.

By activating Bass Inversion, you can specify the note played by the A. Bass part (the lowest note of your chords). Switch on Bass Inversion for songs that rely on bass rather than on chord patterns (for example C – C/B – C/Bb, etc.).

(1) Press the [FUNCTION] button.

FUNCTION

(2) Use FAMILY [√][®] to select “ARR SET”.

FAMILY

(3) Use SELECT [√][®] to select the “BassInv” parameter.

SELECT

BassInv

INTRO

12000 001

ORCHESTRATOR BEAT

FULL BAND

(4) Press the [+] button to select “ON” for “VALUE”.

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17).

(5) Press another “big” button in the DATA ENTRY section to

leave this function.

Note: This setting can be saved to a User Program (see p. 41).

More Music Style functions

Here are yet other functions related to Music Styles. These can be set via the FUNCTION menu, or are covered elsewhere:

• Balance between the Keyboard parts and the Music Style parts (see p. 15)

• Volume of certain Music Style parts (see p. 39)

• Arranger split point (see p. 38)

• Hold function for the Arranger notes (see p. 39).

Then use the [NO/–]/[YES/+] buttons to select the desired voicing. The available types are:

1 Duet 2 Organ 3 Combo 4 Strings 5 Choir

6 Block 7 BigBand 8 Country 9 Traditnl 10 Broadway

11 Gospel 12 Romance 13 Latin 14 CntrGuit 15 CntrBald

16 WltzOrg 17 OctvTpe1 18 OctvTpe2

The E-200/E-100’s Function parameters are divided into 9 logical “families”. As the Bass Inversion parameter is an Arranger function, you need to select the Arranger settings (hence ARR SET).

Page 28

E-200/E-100

9. Keyboard part functions

Selecting sounds for the Main, Split and Dual parts

The E-200/E-100 contains about 470 melodic sounds you can use for playing melodies (others are more like sound effects). Those sounds need to be assigned to a Keyboard part, of which there are three: Main, Split and Dual (see also p. 11).

Selecting any of the available sounds

Unlike previous arranger-type instruments, the E-200/E-100 no longer works with banks, numbers and variations: all available sounds can be selected via the same streamlined procedure.

(1) Press the DATA ENTRY [TONE] button (it must light).

TONE

(2) To assign another sound to the Split or Dual part, hold the

[SPLIT] or [DUAL] button while performing the following steps.

(3) Use FAMILY [√][®] to select the desired Tone family.

FAMILY

By selecting another family, you immediately jump to the first sound of that group.

• PIANO (001~004)

• E.PIANO (005~011)

• KEYBOARD (012~015)

• CHR PERC (016~025)

• ORGAN (026~041)

• ACCORDN (042~045)

• A.GUITAR (046~053)

• E.GUITAR (054~062)

• BASS (063~073)

• STRINGS (074~084)

• VOCAL (085~089)

Note: See page 54 for a list of the available sounds.

• SAX (090~095)

• WIND (096~102)

• AC BRASS (103~112)

• SYNBRASS (113~116)

• SYNLEAD (117~131)

• POLY SYN (132~138)

• PAD (139~155)

• ETHNIC (156~169)

• PERCUSSION (170~173)

• SFX (174~188)

• OTHER (189~510

• DRUM KIT (511~530)

(4) Use SELECT [√][®] to specify a sound within the selected

family.

The first press of SELECT [®] (or [√]) shows the name of the first Tone within the selected group. It is already selected, so if you need the first sound, there is actually no need to press SELECT [®]. You must use SELECT [√] or [®], however, to select another Tone within the same group.

Note: This only selects the “best” sounds within the current family. Note: This setting can be saved to a User Program (see p. 41).

You can also use the numeric buttons to select sounds. To do so, first “double-click” (press twice) the [TONE] button (it starts to flash), then enter the number. You’ll find a list of the selectable Tones and their numbers on p. 54. (Press another button in the DATA ENTRY section to leave this “numeric selection state”.)

See also “Working with the FAMILY and SELECT buttons” (p. 17), but replace “song” with “sound” in the explanations.

Using the TONE buttons

The TONE buttons allow you to select 7 melodic sounds and one Drum Kit directly (without using [TONE], the FAMILY, SELECT and/or numeric buttons).

These buttons are assigned to our “favorite” sounds for the indicated categories, thus allowing you to quickly select “a piano”, “a string sound”, etc. The assignments to these buttons can be changed.

Note: The TONE [DRUMS] button is only available for the Main part.

Assigning another Tone to a TONE button

To assign another sound to one of the 8 TONE buttons, first select it using the procedure described above, the press and hold the desired TONE button. The display briefly shows the message “Memrized”.

Note: You can only assign Tones of the following families to the various buttons:

[PIANO]: Piano, E.Piano, Keyboard, Chr Perc [ORGAN]: Organ, Accordion [GUITAR/BASS]: A. Guitar, E. Guitar, Bass [STRINGS]: Strings [VOCAL]: Vocal [SAX/BRASS]: Sax, Wind, Acc. Brass [SYNTH/OTHER]: Syn Brass, Syn Lead, Poly Syn, Pad, Ethnic, Prc-

ssion, SFX + all other sounds [DRUMS]: Drums.

Note: These assignments are saved (and loaded) along with the User Program data (page 49).

Page 29

E-200/E-100

Drum sounds and sound effects (“SFX”)

Drum Kits

The last 20 “sounds” (511~530) are so-called “Drum Kits”. When you select such a Kit, every key is assigned to a different sound. With the left-most key, you can play a bass drum sound (also called “kick”). The white key next to it triggers a snare drum sound, etc. Try it out by pressing several keys, either in succession or simultaneously.

IPopKik36

IPopCStk37st

IPopSn38st

IPopGstS39st

IPopSn40st

IPopTomLFl41

IPopHat1_42

IPopTomL43

IPopHat2_44

IPopTomMFl45

IPopHat3_46

IPopTomM47

IPopTomHFl48

IPopCyml2_52

IPopTomH50

C2 C3

Split part (sound effect/percussion sound)

Drum Kits are collections of over 90 sounds, each assigned to a different key.

Note: Drum Kits can only be assigned to the Main part (so neither to the Split, nor the Dual part).

Note: One Kit (530) is actually a sound effects (SFX) kit that cannot be used for “drumming” but rather for triggering various sound effects.

Note: This setting can be saved to a User Program (see p. 41).

Sound effects (“SFX”)

The E-200/E-100 also contains individual sound effects (like “Train, “Kitty”, “HrseGllp”, etc.) and individual drum and percussion sounds that are assigned to the entire range of the part you select them for (Main, Split or Dual).

Note that those sounds do not work like the Drum Kits: only one sound is assigned to the keyboard – and can be played melodically (though “Train” melodies are probably “interesting” at best).

It might therefore be a good idea to proceed as follows:

Main part (melodic sound)

(1) Press the [SPLIT] button. (2) Decide whether you want to play the sound effect or per-

cussion sound with your left or right hand.

If you want to use your left hand, assign a sound effect to the Split part. To play the effect with your right hand, assign it to the Main part.

(3) Change the split point (page 38) in such a way that only a

few keys are assigned to the percussion sound/sound effect (“C6” for right-hand effect playing, “C3” for lefthand effect playing).

(4) To obtain a meaningful effect, you may also have to

change the MAIN Oct or SPLT Oct setting (page 38).

If you assign a sound effect/percussion sound to the Split part, the key ranges could be set as shown below.

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E-200/E-100

Transpose

The Transpose function changes the pitch of the notes and chords you play. Instead of figuring out what other keys you need to press to accommodate the singer or an instrumentalist, you can set the required Transpose value and go on playing the song the way you practised it, while sounding in a different key. See the example above.

(1) Press the [TRANSPOSE] button.

TRANSPOSE

To transpose the keyboard down, hold down [–] while pressing [0]~[9] (in that case, you can transpose the pitch down by up to 9 semitones)

Here’s an example: if you want to hear an “E” every time you play a “C”, select “4”. All other notes will be shifted by the same amount, so that you end up sounding in E major when you actually play in C major, etc.

No transposition (C major)

Transpos= 4 (E major)

Octave settings

The E-200/E-100 allows you to transpose the Keyboard parts (Main, Split, Dual) up or down by 4 octaves.

To change the octave transposition of a part, hold down [TONE] (Main part), [SPLIT] (Split part) or [DUAL] (Dual part), while pressing [–] (down) or [+] (up).

NO YES

TEMPO / DATA

The display now looks as follows:

Transpos

INTRO

12000 001

ORCHESTRATOR BEAT

FULL

BAND

(2) Use the [NO/–]/[YES/+] and/or numeric buttons ([0]~[9]) to

set the desired transposition interval.

The setting range is –12~12 semitones. A “semitone” is one step between a white and a black key (or two adjacent white keys, i.e. between “E”/“F” and “B”/“C”).

Press [+] or [–] repeatedly to transpose the keyboard up or down.

NO YES

TEMPO / DATA

You can also directly enter the desired interval by pressing the corresponding numeric key.

The corresponding value and the icon appear in the

TRANSPOSE

display.

(3) To switch the Transpose function back off, repeat steps (1)

and (2), this time selecting the value “0” (no transposition).

Note: This setting can be saved to a User Program (see p. 41). Note: There is also a function that allows you to specify which

section(s) the Transpose function should apply to. See “TransMod*” (p. 37).

Other Keyboard part functions

Here are yet other functions related to the Keyboard parts. These can be set via the FUNCTION menu, or are covered elsewhere:

• Keyboard velocity (see p. 31)

• Master Tune (see p. 37)

• Volume of the Keyboard parts (see p. 38)

• Intelligence function for the Split part (see p. 38)

• Hold function for the Split part (see p. 38).

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10. Performance functions and effects

E-200/E-100

Performance functions

Keyboard Touch (velocity sensitivity)

The E-200/E-100 is velocity sensitive, which means that the volume and brightness of the Main, Split and Dual notes depend on the force/speed with which you strike the keys.

KEYBOARD

TOUCH

KbdTouch

All acoustic instruments (piano, violin, flute, drums, etc.) are velocity sensitive. The harder you play, the louder and brighter the resulting notes will be, which creates a perfectly natural effect. (That explains why the KEYBOARD TOUCH function is on when you power on the E-200/E-100.)

If the E-200/E-100 is your first musical instrument ever, you may feel distracted by the volume and timbre variations of the notes you play.

(1) If the icon is not displayed, press the

(2) Press the button again to switch the KEYBOARD TOUCH

(3) To set a fixed velocity value, press and hold the

(4) Use the numeric buttons and/or [NO/–]/[YES/+] to set the

KEY TOUCH

[KEYBOARD¥TOUCH] button to activate the E-200/E-100’s velocity sensitivity.

function off, if you don’t need it.

[KEYBOARD¥TOUCH] button until the “KbdTouch” message is displayed.

velocity value that should be used for all notes you play (1~127).

“1” is very low (usually inaudible), while “127” corresponds to maximum striking force (loud, bright notes). The value is only used when the icon is not displayed (otherwise, all notes use the velocity values that correspond to the force with which you strike the keys).

(5) Press another “big” button in the DATA ENTRY section to

leave this function.

Note: Some sounds use “velocity switching”. This means that by hitting the keys harder and softer, you alternate between two sounds. So only switch off this parameter if doing so makes you feel more comfortable.

Note: This setting can be saved to a User Program (see p. 41).

Note: Keyboard Touch applies to all parts you can play yourself

(the “Keyboard parts”): Main, Split, and Dual.

KEY TOUCH

Pitch Bend and Modulation

The BENDER/MODULATION lever to the left of the keyboard can be used to add two kinds of effects to the Keyboard-part notes. You can even use these effects simultaneously if you like.

(1) Press the lever towards the rear of the E-200/E-100 to

add a vibrato effect (“wobble”) to the notes you are playing.

MODULATION

Lowers the pitch Raises the pitch

BENDER

The Modulation axis can also be used for switching between the slow and fast Rotary speeds (if the “Rotary” effect is assigned to the MFX).

(2) Turn the lever to the left to temporarily lower the pitch of

the notes you are playing. Turn it to the right to raise the pitch of your notes.

(3) In either case, you can release the lever if you no longer

need the effect.

Note: If necessary, you can change the Pitch Bend interval. See “PB Range° (Pitch Bend Range)” (p. 38).

Note: Modulation is not available when the MFX type= “Rotary”. In that case, the modulation axis of the lever is used for switching between the fast and slow speeds.

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E-200/E-100

Footswitch

The E-200/E-100’s FOOTSWITCH socket (rear panel) allows you to connect optional DP-2, DP-6, or BOSS FS-5U footswitch.

The footswitch can be used for sustaining the notes you are playing (default), as Soft or Sostenuto pedal, to switch the Rotary effect speed (MFX), and more. See “FSW° (Footswitch Assign)” (p. 38) and “Using the outputs and an optional footswitch” (p. 51).

To use it for holding the notes you are playing, proceed as follows:

(1) Connect a DP-2, DP-6, or BOSS FS-5U footswitch to the

FOOTSWITCH jack.

(2) Play a note with your right hand.

(3) Press the footswitch.

(4) Release the key.

The note(s) you played keep on sounding after you release the corresponding keys.

(5) To stop the note(s) from sounding, release the footswitch.

Using effects

The E-200/E-100 contains digital Reverb and Chorus effects processors. You can switch them on/off and select other types. You can also set the Send level (the amount of Reverb or Chorus) to be applied to the various Keyboard parts. Please bear in mind that the Chorus effect cannot be combined with the MFX (so you need to choose between Chorus or MFX for the Main part).

Using the multi-effects processor (MFX)

The multi-effects (MFX) processor can be used for processing the Main part. It can generate various effects (47), some of which are combinations of two effects, while the Reverb and Chorus processors only generate effects that are somehow related to ambiance (REV) or modulation (CHR).

(1) Press the [FUNCTION] button (it must light).

FUNCTION

(2) Use FAMILY [√][®] to select “EFFECTS”.

The E-200/E-100’s function parameters are divided into 9 logical “families”. For the following, we need to select the effects group.

(3) Use SELECT [√][®] to select the “MFX” parameter.

Off

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17).

The “Off” message means that the MFX is not being used.

(4) To switch on the MFX, select one of the remaining 47

types using the [NO/–]/[YES/+] buttons.

Off: The MFX is off. Enhancer: An Enhancer controls the overtone structure of

the high frequencies, adding sparkle and tightness to the sound.

Overdrv1~4: Overdrive creates a soft distortion similar to that produced by tube amplifiers. Several types of overdrive are available: (1) Small combo amp, (2) Combo amp, (3) Large double-stack amp (2 cabinets), (4) Large double-stack amp (3 cabinets).

Distort1~4: This effect produces a more intense distortion than Overdrive. The numbers refer to different kinds of distortion.

Phaser: Adds a phase-shifted sound to the original sound, producing a twisting modulation that creates spaciousness and depth.

AutoWah: The Auto Wah cyclically controls a filter to create cyclic change in timbre.

Rotary: Simulates the sound of a classic rotary speaker. This effect is most suitable for electric organ. If you select this type, you can use the MODULATION axis of the BENDER/ MODULATION lever for switching between the slow and fast modulation speeds: press the lever towards the back of the E-200/E-100 to alternate between slow and fast undulations.

StFlangr: This is a stereo Flanger. It produces a metallic resonance that rises and falls like a jet airplane taking off or landing.

SpFlangr: A Step Flanger is a Flanger effect with clearly noticeable steps rather than continuous pitch changes.

Compress: A compressor reduces signal peaks and boosts low levels, smoothing out unevenness in volume.

Limiter: A limiter prevents the volume from exceeding a certain level without boosting low levels.

HexaCho: Hexa Chorus uses six layers of chorused sound to give richness and spatial spread to the sound.

Trem Cho: Tremolo Chorus is a chorus effect with added Tremolo (cyclic modulation of the volume).

StChorus: This is a stereo chorus. Space-D: A multiple Chorus that gives no impression of

modulation, but produces a transparent Chorus effect (the perfect “stereo maker”).

StDelay: Delay is an effect that allows you repeat the input signal, thus creating echoes (repetition).

Mod Dly: This effect adds modulation to the delayed sound, producing an effect similar to a Flanger.

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E-200/E-100

3Tap Dly: The Triple Tap Delay produces three delay sounds; center, left and right.

4Tap Dly: Delay with four repetition lines. TmCtrDly: This effect controls the delay time in realtime. Reverb: A nice Reverb effect. GteRevNr: Gate Reverb is a special type of Reverb in which

the reverberant sound is suddenly cut off (and does not gradually decrease).

GteRevRv: A gated Reverb effect that sounds “backwards”. GteRevS1: The reverberant sound moves from right to left. GteRevS2: The reverberant sound moves from left to right. 2PtchShf: A Pitch Shifter changes the pitch of the original

sound. This 2-voice effect has two pitch shifters, and adds two transposed copies to the original sound.

FbPtchShf: Pitch Shifter with several echoes. OD®Chors: This effect connects an Overdrive and a Chorus

in series. (“Series” means that the first effect is also processed by the second.)

OD®Flger: This effect connects an Overdrive and a Flanger in series.

OD®Delay: This effect connects an Overdrive and a Delay in series.

DS®Chors: This effect connects distortion and a Chorus in series.

DS®Flger: This effect connects distortion and a Flanger in series.

DS®Delay: This effect connects distortion and a Delay in series.

EH®Chors: This effect connects an Enhancer and a Chorus in series.

EH®Flger: This effect connects an Enhancer and a Flanger in series.

EH®Delay: This effect connects an Enhancer and a Delay in series.

Cho®Dly: This effect connects a Chorus and a Delay in series.

FL®Delay: This effect connects a Flanger and a Delay in series.

Cho®Flgr: This effect connects a Chorus and a Flanger in series.

Cho/Dly: This effect connects a Chorus and a Delay in parallel. (“Parallel” means that the input signal is processed by two effects that do not interact.)

FL/Delay: This effect connects a Flanger and a Delay in parallel.

Cho/Flgr: This effect connects a Chorus and a Flanger in parallel.

Note: This setting can be saved to a User Program (see p. 41). Note: By default, MFX type selection is linked to Tone selection

for the Main part. This can be switched off, however, see “Tone MFX°” (p. 39). Note that this does not apply to all Tones.

(5) While selecting an MFX type, play a few notes on the key-

board to audition the effect.

(6) Press another “big” button in the DATA ENTRY section to

leave this function.

Note: If the MFX is on, the Main part is no longer processed by the Chorus effect. But the MFX also contains Chorus algorithms (either in isolation or in combination with other effects).

Reverb

Reverb is an effect that gives you the impression of playing in a concert hall, a room or another acoustic environment that reflects the sounds that are being produced.

When you switch on the E-200/E-100, all three Keyboard parts (Main, Dual, Split) as well as the Arranger and Song parts are processed by the internal Reverb effect.

If you don’t need that, you can either switch off the Reverb processor (in which case none of the E-200/E-100’s 19 parts are processed) or prevent just one Keyboard part from being processed. You cannot change the amount of Reverb that is added to the Arranger or pre-recorded Song parts.

●

Switching the Reverb on/off

Use the following procedure if you want no Reverb at all (for none of the E-200/E-100’s parts), or to select another Reverb type.

(1) Press the [FUNCTION] button (it must light).

FUNCTION

(2) Use FAMILY [√][®] to select “EFFECTS”.

The E-200/E-100’s function parameters are divided into 9 logical “families”. For the following, we need to select the effects group.

(3) Use SELECT [√][®] to select the “REV” parameter.

Hall 2

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17).

Page 34

Chorus 3

Chorus 1 Chorus 2 Chorus 3

Chorus 4 FB Chorus Flanger

S-Delay SDelayFb

E-200/E-100

(4) Use the [NO/–]/[YES/+] buttons to select “Off” if you

don’t need the Reverb processor. Otherwise, select one of the eight available types:

Type Explanation

Room 1~3 These types simulate the Reverb characteris-

tics of a room. The higher the number (1, 2, or

3), the “bigger” the room becomes.

Hall 1, 2 These types simulate the Reverb of a small (1)

or large (2) concert hall and thus sound far “bigger” than the Room types above.

Plate Digital simulation of a metal plate that is

sometimes used for creating Reverb effects. Works well for percussive sounds.

Delay A Delay effect (no Reverb). Works a lot like an

echo effect and thus repeats the sounds.

Pan Delay This is a stereo version of the preceding Delay

effect. It creates repetitions that alternate between the left and right channels.

(5) Play a few notes on the keyboard to audition the effect.

●

Changing the amount of Reverb processing for the Keyboard parts

To change the Reverb depth (i.e. how much Reverb is added to a part), proceed as follows:

(6) If the [FUNCTION] button still lights, use SELECT [√][®] to

select one of the following parameters.

If you selected an MFX type (see p. 32), the Rev MAIN parameter no longer affects the Main part directly, but rather the MFX signal.

When the MFX is set to “Off”

Main Reverb

Rev MAIN

MFX

When the MFX is set to any other type

Main Reverb

MFX

“Rev Main= 100” then means: Reverb depth of the processed Main signal coming out of the MFX. This can be used for a variety of interesting applications: Distortion (MFX) + Reverb (REV), Rotary (MFX) + Plate (REV), etc.

(8) Play a few notes on the keyboard to audition the effect.

Do not forget to activate the Split or Dual part if you wish to audition its Reverb depth.

Note: This setting can be saved to a User Program (see p. 41).

(9) Press another “big” button in the DATA ENTRY section to

leave this function.

Reverb for Main

“Off”

Rev MAIN

Reverb for Main + MFX

Chorus

Chorus broadens the spatial image of the sound and creates a stereo impression. You can choose from 8 types.

When you switch on the E-200/E-100, none of the three Keyboard parts (Main, Dual, Split) are processed by the internal Chorus effect. Note also that the Chorus effect doesn’t affect the Main part if the MFX is set to anything but “Off”.

If you don’t need Chorus, you can either switch off the Chorus processor (in which case none of the E-200/E-100’s 19 parts are processed) or prevent just one Keyboard part from being processed. You cannot change the amount of Chorus that is added to the Arranger or pre-recorded Song parts.

●

Switching the Chorus effect on/off

Use the following procedure if you want no Chorus at all (for none of the E-200/E-100’s parts), or to select another Chorus type.

(1) Press the [FUNCTION] button (it must light).

FUNCTION

(2) Use FAMILY [√][®] to select “EFFECTS”. (3) Use SELECT [√][®] to select the “CHR” parameter:

Rev MAIN

Reverb depth of the Main part.

Rev DUAL

Rev SPLIT

(If [FUNCTION] doesn’t light, first perform steps (1) and (2) above.)

(7) Use [NO/–]/[YES/+] to select “0” if you don’t want the

selected Keyboard part to be processed by the Reverb effect. Otherwise, set the desired value.

Reverb depth of the Dual part.

Reverb depth of the Split part.

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17).

(4) Use the [NO/–]/[YES/+] buttons to select “Off” if you

don’t need the Chorus processor. Otherwise, select one of the eight available types:

(5) Play a few notes on the keyboard to audition the effect.

Page 35

●

Changing the amount of Chorus processing for the Keyboard parts

To change the Chorus depth (i.e. how much Chorus is added to a part), proceed as follows:

(6) If the [FUNCTION] button still lights, use SELECT [√][®] to

select one of the following parameters.

Chr MAIN

Chorus depth of the Main part*.

Chr DUAL

Chr SPLIT

(*) Though this parameter is displayed even when MFX is set to something else than “Off”, the Main part is not processed by the Chorus effect.

(If [FUNCTION] doesn’t light, first perform steps (1) and (2) above.)

(7) Use [NO/–]/[YES/+] to select “0” if you don’t want the

selected Keyboard part to be processed by the Chorus effect. Otherwise, set the desired value.

If you selected an MFX type (see p. 32), the Chr MAIN parameter has no effect (even though it is displayed).

When the MFX is set to “Off”

Main

When the MFX is set to any other type

Main

(8) Play a few notes on the keyboard to audition the effect.

Do not forget to activate the Split or Dual part if you wish to audition its Chorus depth.

Note: This setting can be saved to a User Program (see p. 41).

(9) Press another “big” button in the DATA ENTRY section to

leave this function.

Chorus depth of the Dual part.

Chorus depth of the Split part.

Reverb

Chorus

MFX

“Off”

MFX

Reverb

Chorus

V-LINK function

V-LINK is a function that provides for the integration of music and visual material. By using V-LINK-compatible video devices (i.e. an Edirol DV-7PR), visual effects can be easily linked to, and made part of the expressive elements of a performance.

By using the E-200/E-100 with an Edirol DV-7PR, you can:

• Use the E-200/E-100’s keyboard (highest octave) to switch images (clips). Press and hold a key for longer transition (“fade”). Briefly press a key for fast transitions.

• The numeric buttons [0]~[9] are used for switching palettes (only if the [USER¥PROGRAM] button lights).

• Use the BENDER axis of the BENDER/MODULATION lever to change the playback speed of the picture material or to select a different color.

• Use the STYLIST buttons to change the effect (VFX1~4).

Note: V-Link signals can be transmitted via MIDI OUT.

(1) Connect the E-200/E-100’s MIDI OUT socket to the MIDI

IN socket of the external video processor (or to a UM-1 interface).

REMOTE

Edirol UM-1

MIDI OUT

Edirol DV-7PR

E-200/E-100

(2)

.Press the [V-LINK] button (it lights blue).

BEAT

(3) Use the BENDER, the assigned buttons or “V-LINK” keys

(highest octave) to manipulate the video pictures in sync with your music (see below).

(4) Press [V-LINK] again to switch off this function (the button

goes dark).

V-LINK functions that the E-200/E-100 can control (and corresponding MIDI messages)

The E-200/E-100 provides the following functions for controlling V-LINK compatible video equipment.

• Keyboard: Clip 1~8→ Program Change: 00H~08H Press the keys in the highest octave to switch clips.

• Keyboard velocity: Dissolve Time→ CC23 The velocity of the keys in the highest octave controls the speed of transition between images.

• [1]~[0] buttons (if the [USER¥PROGRAM] button lights): Palette 1~10→ CC00 (Bank Select)/00H~09H While the [V-LINK] button lights, press buttons [1]~[0] to switch palettes 1~10. (The numeric buttons also perform their “normal” functions.)

• BENDER axis of the BENDER/MODULATION lever: Playback Speed→ Pitch Bend Moving the lever toward the right will speed up playback, and moving it toward the left will slow down playback. At the center position, playback speed will be normal.

• MODULATION axis of the BENDER/MODULATION lever: Clip color→ CC24 (Color CB), CC25 (Color CR) Press the lever towards the rear of the E-200/E-100 to change the color. There are five steps that can be selected by pressing the lever several times: green, violet, blue, red, original clip color.

Page 36

E-200/E-100

• STYLIST buttons: VFX1~4, None (ACOUSTIC= None, POP= V-FX 1, ROCK= V-FX 2, DANCE= V-FX 3, WORLD= V-FX 4) Use these buttons to change the video effects. This function is not available if the receiving video processor is already set to “Off”.

Note: VFX2 is not supported by the DV-7. Note: All V-LINK messages are transmitted on MIDI channels 13

and 14.

Page 37

E-200/E-100

11. Function menu

The E-200/E-100’s Function mode contains more advanced settings you may not need every day. They allow you to fine-tune your instrument’s response. It would therefore be a good idea to familiarize yourself with these parameters. Most settings (“*”) can be written to a User Program (see p. 41). Other parameters (“°”) are saved to the Flash memory when you leave the Function mode.

Editing parameters (general procedure)

You can edit the E-200/E-100’s Function parameters via the display. Here is a general outline of the procedure for all parameters discussed below:

(1) Press [FUNCTION].

FUNCTION

(2) Use FAMILY [√][®] to select the Function group that con-

tains the desired parameter:

FAMILY

■ KB SET: KbdTouch, MsterTune, Transpos, TransMod, PB Range, KeySplit, SpltHold, SpltInt, FSW

■ METRONOM: Mtro TS, MetroVol, Count-In

■ OCTAVE: MAIN Oct, DUAL Oct, SPLT Oct

■ VOLUME: Main Vol, Dual Vol, SplitVol, Auto Bass,

AccDrums, AccBass, Accomp

■ ARR SET: ArrChord, Arr Hold, IntMode, EP Chord, Bass Inv, MI (Melody Intelligence)

■ EFFECTS: REV (Reverb), CHR (Chorus), MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, RevSPLIT, ChrSPLIT, PanSPLIT

■ KB SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode

■ MIDI: Local, MidiTxRx, Sync Rx, Style PC, LyricsTx, NTARx14, PicthBnd, Modulatn, ProgChng, Velo Rx, Clock Tx, StartStp, SongPosP

■ UTILITY: InitFLASH, Resume

■ WriteSNG (see p. 45)

■ WriteSTL (see p. 45)

■ RemoveSNG (see p. 46)

■ Remove STL (see p. 46)

(3) Use SELECT [√][®] to select the parameter you wish to edit

(see below).

SELECT

Note: In FUNCTION mode, SELECT [√][®] do not allow you to jump from one family to the next.

The “VALUE” message and a setting appear to signal that you can change (“edit”) the selected parameter.

(4) Use the DATA ENTRY [NO/–]/[YES/+] buttons to modify the

setting of the selected parameter.

Note: See also “Working with the FAMILY and SELECT buttons” (p. 17). Note: To return to the default value of the currently selected parameter, press [+] and [–] simultaneously.

(5) Use FAMILY [√][®] to select another Function parameter.

(6) Continue with step (3). (7) Press another “big” button in the DATA ENTRY section to

leave this function.

KB SET parameters

■

Kbd Touch*

(1~127, Default setting: 110) Use this parameter to set the E-200/E-100’s fixed velocity value that will be used when the

KEY TOUCH

icon is not displayed. See p. 31.

Note: This parameter can also be selected by pressing and holding [KEYBOARD¥TOUCH].

■

MstrTune° (Master Tune)

(427.4~452.6, Default setting: 440.0) This parameter allows you to change the E-200/E-100’s overall tuning, which may be necessary when you accompany a singer, an acoustic instrument, or when you play to a recording on CD or cassette.

■

Transpos*

(–12~12, Default setting: 0) Use this parameter to transpose the E-200/E-100 in semitones. If you’re not sure what transposition is, see p. 30. This parameter can also be selected by pressing the [TRANSPOSE] button.

■

TransMod*

(Default setting: Int+Song) This parameter allows you to specify which parts should be affected by the Transpose setting:

Int: The Keyboard and Arranger parts will be transposed. Notes received via MIDI, however, will be played without change.

Song: Only the Song parts will be transposed. This is only meaningful when you play back a Standard MIDI File or one of your own songs with the E-200/E-100’s Recorder.

MIDI: Only the notes received via MIDI will be transposed. Int+Sng, Int+MIDI, Sng+MIDI, All: These are combinations of

the above. Int could be useful to transpose only the Keyboard parts so that you can play to a Recorder song in “your” key but sound in the song’s key.

Page 38

E-200/E-100

■

PB Range° (Pitch Bend Range)

(0~24, Default setting: 2) This parameter allows you to set the interval that will be used when you push the BENDER/MODULATION lever fully to the left or to the right (Pitch Bend effect). You can set this parameter in semitone steps, with a maximum of 24 semitones (2 octaves), the default value being “2”, which should be OK in most situations.

Note: Pitch Bend is only available for the Main, Dual and Split parts. See also p. 31.

■

KeySplit* (Split point)

(48~84, Default setting: 60) Use this parameter to set the split point for the Arranger mode and the Split part. The note you set here is the lowest note you can play with the Main part. The number refers to a note. “60” corresponds to the note “C4”.

Note: You can also select this parameter by pressing and holding the [ARRANGER/BAND] button.

■

SpltHold* (Hold function for the Split part)

(On/Off, Default setting: Off) The SpltHold function memorizes the chords you play while the Split part is on and holds the corresponding notes until you play another chord.

■

Splt Int* (Split Chord Intelligence)

(On/Off, Default setting: Off) When you activate the [SPLIT] button, the E-200/E-100’s Split Chord Intelligence function allows you to play major chords by pressing just one key, minor chords by pressing two keys, and more complex chords by pressing three keys. This system thus follows Arranger control, which is why it would be a good idea to select “On” whenever you are using the Split part while the icon is displayed.

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FSW° (Footswitch Assign)

ARRANGER

Sustain

(Default setting: Sustain) After connecting an optional DP-2, DP-6, or BOSS FS-5U to the FOOTSWITCH socket on the rear panel, you can use this parameter for assigning a function to the footswitch.

Sustain: Also called “Hold” or “Damper”, this function allows you to use the footswitch to hold the notes you play on the keyboard in much the same way as on an acoustic piano.

Sostenut: In this case, the footswitch functions as Sostenuto pedal (another pedal found on grand and digital pianos that allows you to sustain only those notes you played at the time you pressed the pedal).

Note: This function only applies to the Keyboard parts.

Soft: In this case, the footswitch functions as Soft pedal (a

pedal found on grand and digital pianos that reduces the volume).

Note: This function only applies to the Keyboard parts.

Rotary S/F: Allows you to select the slow or fast speed of the

Rotary effect. This only works, if the “Rotary” type is assigned to the MFX (see p. 32).

UsrPrgUp: Selects the next User Program (i.e. “10” if “9” is currently active).

UsrPrgDw: Selects the previous User Program (i.e. “1” if “10” is currently active).

Start/Stop: Starts and stops Arranger or Song playback. Same function as the [START÷STOP] button.

Bass Inv: Switches the Bass Inversion function on and off (see p. 27).

Punch I/O: The footswitch can be used to activate and switch off punch in/out recording (see p. 25).

METRONOM parameters

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Metro TS° (metronome time signature)

(1/4~6/4, 6/8, 9/8, Default setting: 4/4) This parameter allows you to set the metronome’s time signature (number of beats per bar). Please bear in mind that this setting changes whenever you select a Music Style with a different time signature. See also p. 12 for how to use the metronome. This parameter can also be selected by holding down the [METRONOME] button.

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Metro Vol° (metronome volume)

(0~127, Default setting: 100) Use this parameter whenever you think the metronome is too loud/soft with respect to the music. The default value is usually an appropriate setting.

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Count-In

(On/Off, Default setting: Off) This parameter allows you to switch the count-in function for punch-in and normal recording (see p. 24) on or off. When on, the metronome will count down two measures (8 beats for a song with a 4/4 time signature).

Note: At power-on, the Count-In function is reset to “Off”.

OCTAVE parameters

■

MAIN Oct*, DUAL Oct*, SPLIT Oct* (octave transposition)

(–4~0~4, Default setting: 0) These three parameters allow you to shift the octave of the part in question (Main, Split, or Dual) up or down by up to four octaves. This can be useful for Techno/Dance songs where you need a piano sound that plays in two different octaves.

To achieve this, assign two different (or the same) piano sounds to Main and Dual, activate the [DUAL] button, and set DUAL Octv to “–1” (or “1”).

Note: When a Drum Kit is assigned to the Main part, the pitch of the drum/percussion sounds is not transposed. Instead, the keys are assigned to other drum/percussion sounds (“shifted”). Example: after setting “MAIN Oct” to “–1”, the bass drum can be played with the C3 key (rather than the C2), while other sounds are available to the left of the C3.

VOLUME parameters

■

Main Vol*, Dual Vol*, SpltVol*: volume

Main Vol

(0~127, Default setting: 127 Main/110 Dual/100 Split) These three parameters allow you to set the volume of the Main, Dual, and Split parts respectively. Please note that the settings you make here have no effect if you used BALANCE [ACCOMP] to set the maximum volume for the Arranger/Song parts.

Note: The volume of the Dual part can also be set by holding down [DUAL] while pressing [ACCOMP] or [KEYBOARD]. The same is true of the Split part, except that you need to press and hold [SPLIT].

Page 39

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Auto Bass*: status and volume

(OFF, 0~127, Default setting: OFF) Whenever the Split part is active, this parameter allows you to set the volume of the Auto Bass part (in which case the Auto Bass part is switched on). This part sounds monophonic bass notes based on the chords you play. If the Bass Inversion function (see p. 27) is off, the Auto Bass part sounds the root notes (fundamentals) of the chords you play with your left hand (using the Split part).

The Auto Bass part can also be added to the EP Chord part (see below), and then follows the same rules as that part. The Auto Bass’ volume and status can be set independently for “Split use” and “EP Chord use”.

In either case, select off if you don’t need the Auto Bass part.

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AccDrums*, AccBass*, Accomp*: volume

(0~127, Default setting: 100 AccDrums/100 AccBass/ 100 Accomp) These three parameters allow you to set the volume of three Music Style sections: the drums, the bass and the Accomp parts (1~6).

Note: The “Accomp” parameter does not have the same function as the BALANCE [ACCOMP] button. The button applies to all Arranger parts (thus also to the “AccDrums” and “AccBass” parameters).

ARR SET parameters

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ChordInt* (Arranger Chord intelligence)

(Md1, Md2, Off, Default setting: Md1) This parameter allows you to select the chord intelligence system to be used by the E-200/E-100: the Roland system (“Md1”, which makes more sense from an educational point of view, see page 61), or the “Md2” system, which can be used in the following way:

Major chords Press the key that corresponds to the chord’s

fundamental.

Minor chords Fundamental + any black key to the left of the

fundamental.

Seventh chords

Minor seventh chords

In either case, pressing just a few keys is therefore enough for obtaining full chords. If you are used to playing full chords, you can switch this function off.

■

ArrHold* (Arranger Hold)

(On/Off, Default setting: On) The Arranger Hold function memorizes the chords you play with your left hand and keeps playing the corresponding notes until you play another chord.

If you switch off ArrHold, the melodic Arranger parts (A.Bass, Accomp) stop playing as soon as you release the key(s) in the left half of the keyboard, leaving you only with the drum accompaniment.

For your convenience, this function is switched on every time you power on the E-200/E-100.

■

EP Chord° (left-hand St. Strings + bass)

(On/Off, Default setting: On) The EP Chord function (for “Educational Purposes”) activates a stereo string sound and monophonic bass (if Auto Bass is set to “on”) whenever (a) the

ARRANGER

(c) [SYNC¥START] is off. This allows you to play chords (and a bass line) with your left hand in Arranger mode – without using the E-200/E-100’s accompaniment function.

If you select “Off”, however, the left half of the keyboard will be muted when conditions (a) and (b) are met and if the icon is not displayed.

Fundamental + any white key to the right of the fundamental.

Fundamental + any black key to the left + any white key to the right.

icon is displayed, (b) the Arranger is stopped, and

SPLIT

E-200/E-100

■

Bass Inv*

(On/Off) Use this parameter to change the way in which the Arranger reads the chords you play. See p. 27.

■

MI* (Melody Intelligence harmony type)

(Default setting: Traditnl) This parameter allows you to select the desired harmony type for the Melody Intelligence function.

Note: This parameter can also be selected by pressing and holding the [MELODY¥INTELL] button. See p. 27.

EFFECTS parameters

■

Rev* (Reverb Type)

(Default setting: Hall 2) Use this parameter to select the kind of Reverb that best suits your musical purposes, or to switch the Reverb processor “Off”. See p. 33.

■

Chr* (Chorus Type)

(Default setting: Chorus 3) This parameter allows you to specify the type of Chorus effect, or to switch the Chorus processor “Off”. See p. 34.

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MFX* (MFX type)

(Default setting: Rotary) This parameter allows you to select the desired MFX type and to switch the MFX processor off. See p. 32 for details about the MFX. Selecting “Off” means that the MFX is off.

Note: MFX type selection can also be linked to Tone selection for the Main part.

■

Tone MFX°

(On/Off, Default setting: On) This parameter allows you to link the selection of an MFX type to the Tone you assign to the Main part. That way, a Distortion/Overdrive effect will be selected for a rock guitar sound, Rotary for an organ, etc.

■

Rev MAIN*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Main part (i.e. how much Reverb should be added to the Main notes). Select “0” if the Main part may not be processed by this effect.

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E-200/E-100

■

Chr MAIN*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Main part (i.e. how much Chorus should be added to the Main notes). If you want this part to be processed by the Chorus effect, you need to select a value different from “0”. This parameter is only used when the MFX parameter is set to “Off”.

■

Pan MAIN*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Main part (i.e. its placement between the left and right speakers). “Rnd” means that the stereo position changes randomly for each note you play. Values starting with “L” correspond to the left speaker. “0” refers to the center, and values starting with “R” correspond to the right speaker.

■

Rev DUAL*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for Dual part (i.e. how much Reverb should be added to the Dual notes). Select “0” if the Dual part may not be processed by this effect.

■

Chr DUAL*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Dual part (i.e. how much Chorus should be added to the Dual notes). If you want this part to be processed by the Chorus effect, you need to select a value different from “0”.

■

Pan DUAL*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Dual part (i.e. its placement between the left and right speakers). “Rnd” means that the stereo position changes randomly for each note you play. Values starting with “L” correspond to the left speaker. “0” refers to the center, and values starting with “R” correspond to the right speaker.

■

Rev SPLIT*

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Split part. Select “0” if the Split part may not be processed by this effect.

■

Chr SPLIT*

(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Split part. If you want this part to be processed by the Chorus effect, you need to select a value different from “0”.

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Pan SPLIT*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Split part (i.e. its placement between the left and right speakers). “Rnd” means that the stereo position changes randomly for each note you play. Values starting with “L” correspond to the left speaker. “0” refers to the center, and values starting with “R” correspond to the right speaker.

KB SCALE parameters

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Scale C*~Scale B* (Scale Tune)

(–64~63, Default setting: 0 for all notes) These parameters allow you to stray away from the usual semitone-interval scale (used in western music) by changing the pitch of the notes so as to accommodate other musical cultures or tuning methods (oriental, baroque music, etc.).

As you will notice, you can change the pitch of every note of one octave (C, C#, D, Eb, E…). The settings you make here apply to all notes of the same name (i.e. to every “C”, every “C#”, etc.). Most of the time, you will probably select the value “50” or “– 50” as they correspond exactly to half a semitone up or down (quarter tone). Other settings may also be interesting, though.

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Scl Mode*

(MN, ALL, Default setting: MN) This parameter allows you to specify which parts the Scale settings (see above) should apply to: only the Main part (“MN”) or all parts (“ALL”). In some cases, choosing “ALL” may produce a more satisfactory result.

MIDI parameters

See page 43.

UTILITY parameters

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InitFLSH (Flash initialization)

This function initializes (formats) the E-200/E-100’s Flash memory, which is only necessary if the data in the Flash memory become unreadable.

Note: Executing this function erases all Standard MIDI Files and Music Styles in the E-200/E-100’s Flash area.

Press [YES/+] in response to the flashing Yes message. The “Sure?” message appears and the Yes message starts flashing. Press [YES÷+] to initialize the Flash area (or [NO/–] if you changed you mind).

After showing the “Complete” message, the E-200/E-100 leaves this function.

■

Resume

Select this function to recall the E-200/E-100’s factory Function settings.

Note: Resume does not reset the MIDI parameters of the FUNCTION mode (see p. 43).

Press [YES/+] in response to the flashing Yes message. After showing the “Complete” message, the E-200/E-100 leaves this function.

Note: There is no “Sure?” question that gives you time to think. Only press [YES/+] if you are certain you want to recall ALL factory Function settings.

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E-200/E-100

12. Working with User Programs

The E-200/E-100 is equipped with 10 User Program memories that allow you to store almost all settings (or registrations) you make on the front panel and via the Function menu (see p. 37).

Note: MIDI settings (see p. 43) are not saved to a User Program because the E-200/E-100 memorizes them automatically.

Notes about writing User Programs

Writing your settings to a User Program

It is a good idea to write your settings frequently, even if you still need to do some editing afterwards. Those intermediary saves allow you to return to the previous stage whenever you do not like your last modifications.

(1) Press and hold the [USER¥PROGRAM/WRITE] button.

The E-200/E-100 now displays “-Write ?”.

USER

PROGRAM

(2) Keep holding the [USER¥PROGRAM/WRITE] button while

pressing a numeric button [0]~[9] to select the memory.

The display now responds with the “Complete” message.

(3) Release the [USER¥PROGRAM/WRITE] button.

Leaving the User Program environment

Press any other “big” DATA ENTRY button to leave the User Program environment.

Meaning of the asterisk

USERPROG

At some stage, you may come across an asterisk message next to the User Program number.

It means that the last User Program you selected is still in effect but that the current settings no longer correspond to the ones in that memory. Such changes may include the status of the Reverb or Chorus effect, a changed volume value, etc.

Before selecting another User Program or switching off the E-200/E-100, you should therefore write these settings to the same (or a different) User Program if you want to keep them. Otherwise, you lose these changes.

Mode selection

The mode (Arranger, p. 13, Piano, p. 11) is also memorized when you write a User Program.

User Programs and the USER STL memory

The last Music Style you selected before writing a User Program is also memorized. This even applies to the USER STL memory that may contain a Style loaded from floppy disk

[E-200 only]

as a set (see p. 49).

or the Flash memory (see p. 16).

The 10 User Programs can be saved to floppy disk

Selecting a User Program

Though the User Program memory you specified above is already selected, there will be times when you need to select another memory. In that case, here is what you need to do:

(1) Briefly press [USER¥PROGRAM/WRITE] (it lights). Do not

hold this button down because doing so will start the Write procedure (see above).

USER

PROGRAM

The display now shows the number of the User Program you selected last, or “1” if you have not yet selected a User Program since switching on the E-200/E-100.

USERPROG

The asterisk “*” indicates that the E-200/E-100 is still using the last manual changes you may have made before selecting the User Program function. The number to the left of the USERPROG message therefore only means “this is the last memory you selected”.

None of its settings are being used for the time being. By pressing another “big” button in the DATA ENTRY section, you can leave the User Program mode without changing your manual settings. This may be important to remember if you were about to write your settings and accidentally pressed the wrong button (or didn’t press it long enough).

To actually select a User Program…

(2) Press one numeric button [0]~[9] to select the memory.

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E-200/E-100

The settings of the selected User Program will be recalled.

Note: You can also use the FAMILY and SELECT [√][®] buttons to select User Programs. Note: As soon as you modify any setting (on the front panel or in the Function menu), the asterisk appears next to the User Program number.

(3) Press any other “big” button in the DATA ENTRY section to

leave this mode.

Page 43

13. MIDI functions

The E-200/E-100 receives data

The E-200/E-100 transmits data

External MIDI instrument/computer

E-200/E-100

MIDI is short for “Musical Instrument Digital Interface”. The word refers to many things, the most obvious being a connector type that is used by musical instruments and other devices to exchange messages relating to the act of making music.

Each time you play on the E-200/E-100’s keyboard or start the Arranger (or Song), your instrument transmits MIDI data to its MIDI OUT. If you connect the MIDI OUT socket to the MIDI IN socket of another instrument, that instrument may play the same notes as one of the E-200/E-100’s parts, select sounds, etc.

MIDI is a universal standard, which means that musical data can be sent to and received by instruments of different types and manufacturers. Furthermore, MIDI allows you to connect your E-200/E-100 to a computer or hardware sequencer.

Connect your E-200/E-100 as shown to the right.

E-200/E-100

Channels

MIDI can simultaneously transmit and receive messages on 16 channels, so that up to 16 instruments can be controlled. Nowadays, most instruments –like your E-200/E-100– are multitimbral, which means that they can play several musical parts with different sounds.

Note: All E-200/E-100 parts are set to receive MIDI messages. If they do not seem to respond to the messages you send from the external controller, you should check whether the external controller’s MIDI OUT is connected to the MIDI INput of your E-200/E-100.

The E-200/E-100’s transmit and receive channels of all parts have been set in keeping with a tacit Roland standard and are therefore shared by all recent EM, E, G, and RA series instruments. You cannot change them. They also correspond to the track assignments of the 16-track Recorder:

Accomp 1

Arranger bass

Accomp 2

Main

Accomp 3

Dual

Accomp 4

Accomp 5

(*) If you assign a Drum Kit to the Main part.

Accomp 6

Arranger drums

Split

Auto Bass

V-Link

Melody Intell. (see p. 27)

Main*)

(

MIDI Function parameters

See “Editing parameters (general procedure)” (p. 37) for how to select and set these Function parameters (they belong to the “MIDI” family).

Note: With the exception of “Local”, all MIDI parameter settings are saved as soon as you leave the Function mode.

■

Local

(On/Off, Default setting: On) The Local parameter allows you to establish or remove the connection between the E-200/E-100’s keyboard/Recorder and the internal tone generator.

When set to “ON” (default), playing on the E-200/E-100’s keyboard or playing back a Recorder song will cause the corresponding notes to sound. If you select “OFF”, the corresponding MIDI messages are no longer sent to the internal tone generator – but they are still transmitted to the MIDI OUT port and hence to external MIDI instruments.

Sound source

Sound source Sound source

LOCAL ON

MIDI OUT

Sound source

MIDI OUT

LOCAL OFF

Note: The setting of this parameter is not memorized when you switch the E-200/E-100 off.

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MIDI TxRx° (MIDI transmission and reception)

This parameter allows you to specify which E-200/E-100 parts should transmit and receive MIDI messages:

Option Meaning

ALL All parts.

KBD Only the Keyboard parts (see k in the table above).

STL Only the Arranger parts (AccDrums~Accomp 6).

SNG Only the Song parts (1~16).

OFF None of the E-200/E-100’s parts transmits/receives

MIDI messages.

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Sync Rx° (MIDI synchronization)

Use this parameter to specify how the E-200/E-100 should be synchronized (as slave) to an external MIDI sequencer, computer, drum machine, etc.

“Synchronization” is a learned term for the fact that one device (or function) is set to start and stop at the same time as another device (or function), and to run at the same tempo (BPM).

Page 44

E-200/E-100

Please note that synchronization is only possible when you connect the external device’s MIDI OUT socket to the E-200/ E-100’s MIDI IN socket (though you can also work the other way around; in that case, see the sequencer’s manual for details).

Off In this case, the E-200/E-100 is not synchronized with

other MIDI devices. It is thus impossible to start/stop it via MIDI.

On Arranger playback and Song recording/playback are

synchronized if the E-200/E-100 receives MIDI Start and Stop messages followed by MIDI Clock signals. If the E-200/E-100 receives only a Start message, it will wait a moment to see if there are also MIDI Clock messages coming.

If there are, it will synchronize to them. If there are no MIDI Clock messages, it will follow its own tempo. In either case, you can stop playback or recording with a MIDI Stop message.

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Style PC° (Style Select TxRx Channel)

(OFF, 1~16, Default setting: 10) As its name implies, the Style Select channel is used to receive and transmit program changes that cause the E-200/E-100 or the external instrument to select another Music Style.

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Lyrics Tx° (Transmit Lyrics messages)

(On/Off, Default setting: Off) The E-200/E-100 can transmit Lyrics messages contained in Format 0 Standard MIDI Files you play back. It cannot display them, but it allows you to transmit them to a device capable of displaying Lyrics messages (such as the Roland LVC-1). This filter allows you to enable (On) or disable (Off) the transmission of Lyrics data.

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NTA Rx14° (Note-to-Arranger reception on/off)

(On/Off, Default setting: On) NTA is short for “Note-toArranger”, or the notes you play in the left half of the keyboard to feed the Arranger with chord information. These notes can also be received via MIDI (from an accordion, a digital piano, an organ, for example). If you want to use the Arranger without playing on the E-200/E-100’s keyboard, you must transmit these notes on MIDI channel 14 (from your computer or external MIDI instrument to the E-200/E-100) and select “On” here.

NTA notes can only be received (they are not transmitted). The notes you play on the E-200/E-100’s keyboard are indeed transmitted to the Arranger, from there to the Arranger parts, and used to play the accompaniment in the right key. Since all Music Style notes are transmitted via MIDI, there is no need to send the NTA notes separately.

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PitchBnd° (Pitch Bend)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Pitch Bend messages. These messages are used to temporarily increase or decrease the pitch of the Keyboard-part notes (Main, Dual, Split).

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Modulatn° (Modulation)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Modulation messages. These messages are used to add vibrato to the notes you play (control change CC01).

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ProgChng° (Program Change)

(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Program Change messages. These messages are used to select Tones, Styles, or User Programs.

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Velo Rx° (Receive Velocity)

(On, 1~127, Default setting: On) This filter allows you to enable (On) or disable the reception of velocity messages. This only applies to note messages received via MIDI. Choose the velocity value to be substituted for the actual values the E-200/E-100 receives (1~127), or select “On” to use the velocity values as is.

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Clock Tx° (synchronization)

(On/Off, Default setting: On) This parameter allows you to determine whether (On) or not (Off) the Arranger and Recorder send MIDI Clock messages when you start them. These messages are necessary for synchronizing external MIDI instruments/sequencers/software to the E-200/E-100.

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StartStp° (Start/Stop/Continue)

(On/Off, Default setting: On) This option allows you to specify whether or not the Arranger and Recorder send Start/Stop/ Continue messages when you start or stop them. Select “Off” when you wish to control the tone generator of a MIDI organ, etc., without starting or stopping its automatic accompaniment.

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Song PosP° (Song Position Pointer)

(On/Off, Default setting: On) The E-200/E-100’s Recorder also sends and receives Song Position Pointer messages that indicate the exact location of the notes that are being played back. Select “OFF” if you don’t want the Recorder to send or receive these messages.

Page 45

14. Data management

_ ! # $ % & ’ - @ ^ ‘

0 1 2 3 4 5 6 7 8 9

A B C D E F G H I J K L M

N O P Q R S T U V W X Y Z

E-200/E-100

Working with the Flash memory

Let us first have a look at the remaining Function parameters. They allow you to save newly recorded songs and Styles loaded from a floppy disk ory, and to remove such files.

Saving songs to a Flash memory

Songs you record or edit with the E-200/E-100’s Recorder (or that you modify using the Stylist functions) can be saved to its Flash memory or floppy disk save them to floppy and page 16 for how to select songs in the Flash memory.

(1) Press [FUNCTION].

(2) Use FAMILY [√][®] to select the “WriteSNG” parameter.

Wait until the display looks as shown above, then proceed with the following step.

The E-200/E-100 automatically selects a Flash memory that doesn’t yet contain data. (The first character, “S”, flashes.)

Note: If no vacant Flash memory remains or if the memory capacity is exhausted, the display shows the “Mem Full” message when you select this function. In that case, it will be impossible to save your song. You can, however, delete another song (“Remove”) and repeat step (2) and following. Note: The “No Song” message means that there are no song data that could be saved.

[E-200 only]

to the E-200/E-100’s Flash mem-

[E-200 only]

. See page 49 for how to

FUNCTION

SONG 001

yes

(3) If necessary, use the SELECT [√][®] buttons to move the

cursor to another character position (that character flashes).

(4) Use the numeric buttons to assign a character to that

position.

The available characters are:

_ ! # $ % & ’ - @ ^ ‘

0 1 2 3 4 5 6 7 8 9

A B C D E F G H I J K L M

N O P Q R S T U V W X Y Z

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.

(5) Repeat steps (3) and (4) to assign the desired characters to

the remaining positions.

(6) After entering the name, press the [YES/+] button to save

the song to the E-200/E-100’s Flash memory.

The display now counts down:

Writing

At the end of the saving operation, the display briefly shows the “Complete” message.

Note: Press [NO/–] if you do not wish to save the song after all.

(7) Press another “big” button in the DATA ENTRY section to

leave this function.

Saving Styles to a Flash memory

Music Styles you load from floppy disk (and which are copied to the USER STL memory at that time) can be saved to a Flash memory.

(1) Press [FUNCTION]. (2) Use FAMILY [√][®] to select the “WriteSTL” parameter.

Wait until the display looks as follows, then proceed with the next step:

TANGO

The E-200 automatically selects a Flash destination memory that doesn’t yet contain data. (The first character flashes.)

Note: If no vacant Flash memory remains or if the memory capacity is exhausted, the display shows the “Mem Full” message when you select this function. In that case, it will be impossible to save the Music Style. You can, however, delete another Style (“Remove”) and repeat step (2) and following. Note: The “No Style” message means that there are no Style data that could be saved.

(3) If necessary, use the SELECT [√][®] buttons to move the

cursor to another character position (that character flashes).

(4) Use the numeric buttons to assign a character to that

position.

The available characters are:

(5) Repeat steps (3) and (4) to assign the desired characters to

the remaining positions.

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position. This works like a mobile phone.

(6) After entering the name, press the [YES/+] button to save

the Style to the E-200’s Flash memory.

[E-200 only]

yes

Page 46

Removing

E-200/E-100

The display now counts down:

Writing

At the end of the saving operation, the display briefly shows the “Complete” message.

Note: Press [NO/–] if you do not wish to save the Music Style after all.

(7) Press another “big” button in the DATA ENTRY section to

leave this function.

Removing songs from the Flash memory

Songs you no longer need can be deleted (which is called “Remov” here) to make room for new songs.

(1) Press [FUNCTION].

FUNCTION

(2) Use FAMILY [√][®] to select the “RemovSNG” parameter.

(3) Use the SELECT [√][®] buttons to select the song you wish

to delete.

SELECT

(4) Press the [YES/+] button.

The display now shows the “Sure?” message, while Yes starts flashing.

(5) Press the [YES/+] button again to delete the song (or [NO÷–

] if you do not want to delete it after all).

The display now shows the following message:

Removing

Once the file has been deleted, the display briefly shows the “Complete” message.

(6) Press another “big” button in the DATA ENTRY section to

leave this function.

Removing Styles from the Flash memory

Styles you no longer need can be deleted (which is called “Remov” here) to make room for new Styles.

(1) Press [FUNCTION]. (2) Use FAMILY [√][®] to select the “RemovSTL” parameter.

Wait until the display shows the name of the first Style memory (101), then proceed with the following step.

Note: The “No Style” message means that there are no Music Style data that could be deleted.

(3) Use the SELECT [√][®] buttons to select the Music Style you

wish to delete.

(4) Press the [YES/+] button.

The display now shows the “Sure?” message, while Yes starts flashing.

(5) Press the [YES/+] button again to delete the Style (or

[NO÷–] if you do not want to delete it after all).

The display now shows the following message:

Once the file has been deleted, the display briefly shows the “Complete” message.

(6) Press another “big” button in the DATA ENTRY section to

leave this function.

[E-200 only]

FAMILY

Wait until the display shows the name of the first song memory (101), then proceed with the following step.

Note: The “No Song” message means that there are no song data that could be deleted.

Page 47

E-200/E-100

Archiving data using a computer (USB)

The E-200/E-100’s USB port can be used for exchanging files with a computer.

As long as the icon is not displayed, the USB port is not used.

If the icon is displayed, however, your E-200/E-100 will appear as an external drive on your PC’s or Mac’s desktop:

The drive letter (“E:” in the above illustration) depends on the number of drives recognized by Windows (and is of no importance for MacOS).

Note: Data transfer is possible with Windows 2000/Me/XP or later/ Mac OS 9.04 or later. If you encounter problems with your system, please contact your nearest Roland service center for details.

Once recognized, you can copy files to the “Song” or “Style” folder by dragging and dropping them using the usual routines.

The “Style” and “Song” folders cannot be deleted and must not be renamed. You can empty them by dragging all files they

contain to the trash, though.

Proceed as follows (Windows XP):

(1) Restart your PC. (2) Switch on your E-200/E-100. (3) Press the E-200/E-100’s [USB] button.

The display shows the error message “No Cable” to signal that USB communication is impossible.

(4) Connect the E-200/E-100’s USB port to a free USB port of

your computer using the supplied cable.

E-200/E-100 Computer

The icon appears and the display shows “PC<>E200” (or “PC<>E100”).

Note: If you do not connect a USB cable within 15 seconds, the E-200/E-100 returns to its normal mode.

Note: Never switch off the E-200/E-100 while the

Writing” message is displayed, because doing so would

“ damage all data in the E-200/E-100’s Flash area. (See “InitFLSH (Flash initialization)” (p. 40) if you need to repair the Flash area after an erroneous operation.) Note: The “Wait… Connection Proceding” mes- sage may appear when you press the [USB] button.

Proceed as follows (other operating systems):

(1) Switch on your Mac or PC if it isn’t on already. (2) Switch on your E-200/E-100 if it isn’t on already. (3) Press the E-200/E-100’s [USB] button.

The display shows the error message “No Cable” to signal that USB communication is impossible.

Note: If you do not connect a USB cable within 15 seconds, the E-200/E-100 returns to its normal mode.

(4) Connect the E-200/E-100’s USB port to a free USB port of

your computer using the supplied cable.

The icon appears and the display shows “PC<>E200” (or “PC<>E100”).

If you prefer to use another cable, choose one with the correct USB jack types (a “square” one for the E-200/E-100 and probably a “flat” one for your computer).

Note: Do not connect the E-200/E-100 to a USB hub. Always connect it directly to your computer.

Note: Never switch off the E-200/E-100 while the

Writing” message is displayed, because doing so would

“ damage all data in the E-200/E-100’s Flash area. (See “InitFLSH (Flash initialization)” (p. 40) if you need to repair the Flash area after an erroneous operation.)

For all operating systems:

Note: If you press the [USB] button without connecting the USB

cable, the display shows the error message “No Cable” to signal that USB communication is impossible. Connect a cable to cause this message to disappear.

(5) Open the “My Computer” window (Windows) and check

whether your computer has found an “E200_E100” drive. (6) Open that drive by double-clicking on its icon. (7) Open either the “Style” or the “Song” folder.

This depends on whether you want to delete/rename/add

Music Styles or Standard MIDI Files.

(8) Do one of the following:

• Copy the desired Music Styles from the “Style” folder to your computer’s hard disk using drag & drop.

• Copy the desired songs from the “Song” folder to your computer’s hard disk using drag & drop.

• Copy the desired Music Styles from your computer’s hard disk to the “Style” folder using drag & drop. (See also the explanation below step (10).)

• Copy the desired songs from your computer’s hard disk to the “Song” folder using drag & drop.

• Rename the desired Style or song files in the “Style” or “Song” folder.

• Delete the files you no longer need.

Note: While the “PC<>E200” message is displayed, all of the E-200/E-100’s buttons and keys are blocked.

(9) To disconnect the E-200/E-100 from your computer:

• Macintosh: Drag the “E200_E100” (or “Removable Disk”) icon to the trash. —OR—

Page 48

E-200/E-100

• Windows: Click on the removal icon on the task bar. Wait until a drop-down menu appears and select the entry that says something to the effect of “Stop USB disk E200_E100”. You should now see a window that says something to the effect of “The USB device XX can now be safely removed from the system”. Click on the [OK] button.

—THEN—

• Disconnect the USB cable from your computer and the E-200/E-100.

(10) Press the [USB] button again.

The display shows the “Sure?” message.

(11) Press [YES/+] (the icon disappears).

(Press [NO/–] to remain in USB mode.) If you copied Music Styles from your computer to the Flash

area, the display now shows “Wait… Converting Styles” to indicate that files with the extension “.STL” are converted to the E-200/E-100’s Music Style format (“.STH”).

Note that this conversion is only necessary for Music Styles in the E-200/E-100’s Flash area that do not yet have the “.STH” extension.

Note: This operation adds a few bytes to every converted Music Style. In rare circumstances (when the Flash area is nearly full), this may lead to the impossibility to convert all Styles that still have the extension “.STL”. The E-200/E-100 then displays the “MemFull” message to signal that the conversion was aborted before reaching the last “.STL” file. All Styles up to that point have been converted, though, and can be used.

Disk functions

The E-200’s Disk functions allow you to save the Recorder Song in the

USER SNG

to and from disk, to delete files on a floppy disk, and format disks.

Though you can use 2DD or 2HD floppies, 2HD disks have twice the capacity of 2DD disks, so use 2HDs whenever you can.

Whenever the disk drive writes data to or reads data from disk, the Disk icon ( ) flashes in the display. Do not remove the floppy disk while this icon is displayed as that may damage both the disk drive and the disk (so that it becomes unreadable).

[E-200 only]

memory to disk, to save and load your files

Loading User Programs from disk

This load function is called LOAD Upr. It allows you to trans- fer a set of 10 User Programs (i.e. for all memories) to the E-200’s internal memory. This will overwrite the User Programs that currently reside in the internal memories.

Note: If you wish to use the User Programs in the internal memory at a later stage, first save them to disk before proceeding. See p. 49.

Note: The User Program set data also contain the TONE button assignments (page 28). After loading a User Program set, the eight TONE buttons may therefore select other sounds than before.

(1) Insert a disk into the drive. (2) Press [DISK] to select the Disk mode.

DISK

The “LOAD Upr” function is already selected, so there is nothing else you need to do. (Otherwise, use FAMILY [√][®] to select this parameter.)

(3) Use SELECT [√][®] to select the User Program Set you wish

to load.

SELECT

The Yes message next to it starts flashing.

(4) Press the [YES÷+] button to load the selected file.

YES

Note: Press [NO÷–] if you do not want to load the selected file after all.

If you pressed [YES÷+], the display now shows the message “Loading”. Once the data have been loaded, the “Complete” message briefly appears.

(5) Press another “big” button in the DATA ENTRY section to

leave this function.

Possible error messages

No Disk You forgot to insert a floppy disk into the drive.

No Files The disk you inserted contains no User Program

data.

NoFormat The floppy disk is either not formatted or uses a

format the E-200 doesn’t recognize. Press [YES÷+] to format it now (careful: this will erase all data on disk).

Disk Err The disk is probably damaged and cannot be

used.

File Err The file you selected is damaged and cannot be

loaded.

Page 49

E-200/E-100

Loading songs from disk

LOAD Sng allows you to load a song on floppy disk into the E-200/E-100’s User memory.

(1) Insert a disk into the drive. (2) Press [DISK] to select the Disk mode. (3) Select the “LOAD Sng” function using FAMILY [√][®]. (4) Use SELECT [√][®] to select the song you wish to load.

The Yes message next to it starts flashing.

(5) Press the [YES÷+] button to load the selected file.

Note: Press [NO÷–] if you do not want to load the selected file after all.

If you pressed [YES÷+], the display now shows the message “Loading”. Once the data have been loaded, the “Complete” message briefly appears.

(6) Press another “big” button in the DATA ENTRY section to

leave this function.

Note: See also “Possible error messages” above.

Loading Music Styles from disk

LOAD Stl allows you to load a Music Style on floppy disk into the E-200/E-100’s User memory.

(1) Insert a disk into the drive. (2) Press [DISK] to select the Disk mode. (3) Select the “LOAD Stl” function using FAMILY [√][®]. (4) Use SELECT [√][®] to select the Music Style you wish to

load.

The Yes message next to it starts flashing.

(5) Press the [YES÷+] button to load the selected file.

Note: Press [NO÷–] if you do not want to load the selected file after all.

If you pressed [YES÷+], the display now shows the message “Loading”. Once the data have been loaded, the “Complete” message briefly appears.

(6) Press another “big” button in the DATA ENTRY section to

leave this function.

Note: See also “Possible error messages” (p. 48).

Saving files to disk

The E-200 provides the following Save functions: SAVE Upr: Use this function to save the contents of the

internal User Program memories (all 10 of them) to a floppy disk.

Note: The User Program set data also contain the TONE button assignments (page 28).

SAVE Sng: This allows you to save the song in the USERSONG memory to a floppy disk. A song saved to disk

becomes a Standard MIDI File.

(1) Insert a disk into the drive.

Every floppy contains a square tab that allows you to “close” a little window. With the tab in that position, you can save data to the disk. Do not forget to write-enable the disk by closing this little window prior to inserting the floppy disk.

(2) Press [DISK] and use SELECT [√][®] to select “SAVE Upr”

or “SAVE Sng”.

(3) If necessary, use the SELECT [√][®] buttons to move the

cursor to another character position (that character flashes).

Note: Each time you press another numeric button (for entering characters), the cursor advances automatically to the next position.

(4) Use the numeric buttons to assign a character to that

position.

The available characters are as shown above.

(5) Repeat steps (3) and (4) to assign the desired characters to

the remaining positions.

Though you could save the file with the current default name (“SONG_001”, or “USPR_000”), a proper name will help you identify the file at all times. We therefore suggest you take the time to specify a meaningful name.

Note: If you select “SPACE” ([0] button), the display will insert a “_”. That’s because MS-DOS® does not allow you to use spaces.

(6) After entering the name, press the [YES/+] button to save

the data to floppy disk.

The display now looks as follows:

Saving

At the end of the saving operation, the display briefly shows the “Complete” message.

Note: If the message “Protect” appears, you forgot to switch off the disk’s Write protection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press [YES÷+]. Note: Press [NO/–] if you do not want to save the selected file after all.

(7) Press another “big” button in the DATA ENTRY section to

leave this function.

Possible error messages

No Disk You forgot to insert a floppy disk into the drive.

Protect See above.

Disk Full The remaining disk capacity does not allow to

save your data to this disk.

NoFormat The floppy disk is either not formatted or uses

a format the E-200 doesn’t recognize. Press [YES÷+] to format it now (careful: this will erase all data on disk).

Disk Err The disk is probably damaged and cannot be

used.

OverWrt? The name you assigned to the data already

exists on the floppy disk you inserted. If you press [YES÷+] to continue, the file on disk will be overwritten (and the corresponding data will be erased). Either insert another floppy disk, or press [DISK] and enter another name for the data you want to save.

Page 50

E-200/E-100

Deleting files on disk

The Delete functions allow you to erase files from the inserted floppy disk. This may be necessary to make room for new files (e.g. when the “Disk Full” message appears). Be careful, though, to only delete files you are absolutely (positively) sure you will never need again. Once a file has been deleted, it is gone forever.

Note: As a rule, you should first make a backup copy of your disk on your computer. After all, files really only become indispensable once they are no longer available…

DEL Upr: Use this function to delete a User Program Set from disk. Be aware that by doing so, you actually erase 10 User Program settings.

DEL Sng: This allows you to delete a song file on disk.

(1) Insert the disk with the file you want to delete into the

drive.

(2) Press [DISK] to select the Disk mode. (3) Use SELECT [√][®] to select “DEL Upr” or “DEL Sng”. (4) Use SELECT [√][®] to select the file you wish to delete

(example: “USPR_005”). The Yes message starts flashing.

(5) Press the [YES÷+] button.

To be on the safe side, the E-200 now asks you whether you really want to delete the file (“Sure?”).

(6) Press [YES÷+] to delete the file, or [NO÷–] to abort the oper-

ation.

If you pressed [YES÷+], the display now shows the message “Deleting”. Once the data have been deleted, the “Complete” message briefly appears.

(7) Press another “big” button in the DATA ENTRY section to

leave this function.

Possible error messages

No Disk You forgot to insert a floppy disk into the drive.

Protect You forgot to switch off the disk’s Write pro-

tection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press [YES÷+].

NoFormat The floppy disk is either not formatted or uses a

format the E-200 doesn’t recognize. Press [YES÷+] to format it now (careful: this will erase all data on disk).

Disk Err The disk is probably damaged and cannot be

used.

No Files The disk contains no files of the selected type.

Insert another disk.

Format

Before being able to save files to a disk, you need to prepare a floppy disk. This is called “formatting”. If the floppy you are about to use is IBM PC formatted, there is no need to format it, though disk access is faster with disks formatted on the E-200. Otherwise proceed as follows:

(1) Insert a disk into the drive.

Every floppy contains a square tab that allows you to “close” a little window. With the tab in that position, you can format the disk. Do not forget to write-enable the disk by closing this little window prior to inserting the floppy disk.

(2) Press [DISK] to select the Disk mode. (3) Use FAMILY [√][®] to select “FORMAT”. The “Sure?”

message appears and the Yes message starts flashing.

(4) Press [YES÷+] to format the disk.

Note: If you do not want to format your floppy, press [NO÷–]. Note: By formatting a disk, you erase all files it contains. It

would be a good idea to first check what it contains (e.g. on your PC).

The value to the left of the “Formatng” message now counts from “1” to “100” while the disk icon flashes to indicate that the disk is being accessed. When the disk is formatted, the message “Complete” is briefly displayed.

Page 51

E-200/E-100

15. Using the outputs and an optional footswitch

If you like, you can also record your performance (or a Recorder songs) to cassette, MD, etc. To this end, you need to connect the E-200/E-100’s OUTPUT sockets to the external device’s REC IN jacks.

Cassette deck, power ampliﬁer, HiFi ampliﬁer, MA series active speakers, etc.

DP-2, DP-6, or BOSS FS-5U footswitch

Use a standard 1/4” phone cable for doing so. Another use for these outputs is to connect the E-200/E-100 to your HiFi or keyboard amplifier (such as the Roland KC-550/350/150). Using a HiFi amplifier requires the use of an adapter plug (phono/RCA→ 1/4” jack). If you like, you can also purchase two Roland PJ-1M cables.

Note: By connecting the OUTPUT jacks, you do not switch off the E-200/E-100’s amplification system.

You can connect an optional DP-2, DP-6, or BOSS FS-5U foot switch to the FOOTSWITCH jack in order to hold the notes even after releasing the keys, or to perform other functions (see p. 38).

Page 52

E-200/E-100

16. Miscellaneous

Functions for educational purposes

The E-200/E-100 provides two functions that may come in handy for music teachers or for those who use the E-200/E-100 in class:

Deactivating or activating the Demo function

The E-200/E-100’s Demo function can be switched off so that pressing [USB]+[KEYBOARD¥TOUCH] will have no effect at all. This may be useful in situations where the E-200/E-100 is used in class. Here is how to deactivate the Demo function:

(1) Switch off the E-200/E-100. (2) Hold down the [USB], [KEYBOARD¥TOUCH] and [ACOUSTIC]

buttons while switching the E-200/E-100 back on again.

The display briefly shows “DISABLED”. This setting is remembered, so that next time you want to

listen to a demo song, you have to repeat the above procedure.

Deactivating or activating the Arranger

Use the following procedure to ensure that the Arranger cannot be started or stopped:

(1) Switch off the E-200/E-100. (2) Hold down the [ACOUSTIC] and [ARRANGER] buttons while

you switch the E-200/E-100 back on again.

The display briefly shows “DISABLED”. It is now impossible to start/stop the Arranger using the [START÷STOP] button.

Repeat the above procedure when you want to use the Arranger again.

Deactivating or activating the Arranger and Demo functions

A third “educational” option is to switch off both the Demo and the Arranger functions in one go:

(1) Switch off the E-200/E-100. (2) Hold down the [ACOUSTIC] and [START÷STOP] buttons

while you switch the E-200/E-100 back on again.

The display briefly shows “DISABLED”. It is now impossible to start/stop the Arranger or demo song playback.

Repeat the above procedure when you want to use the Arranger and Demo function again.

Initializing your E-200/E-100 (Factory)

After working extensively with your E-200/E-100, you may want to recall the original factory settings. Note that the

Recorder song will be empty and that the User Programs contain factory settings after initializing your E-200/E-100.

Here is how to initialize your E-200/E-100:

(1) Power off your E-200/E-100. (2) Hold down the [USER¥PROGRAM/WRITE] button while

turning your E-200/E-100 back on again.

The message “Factory” informs you that the E-200/ E-100 has been initialized.

Note: This does not affect the data in the E-200/E-100’s Flash memory. See page 40 for how to initialize that area.

Page 53

17. Specifications

E-200/E-100

E-200/E-100 Intelligent Keyboard

Keyboard: 61 keys, velocity sensitive Sound source: PCM samples Max polyphony: 64 voices Tones: 510 panel sounds + 542 XG compatible voices + 256 GM2

compatible sounds Drum Kits: 20 Drum Kits, 11 XG-compatible Drum Kits + 9 GM2-

compatible Drum Kits

Multitimbral parts: 19 Compatibility: GM2, GS, XG Lite Display type: New large backlit custom display Panel controls: VOLUME knob, ACCOMP/KEYBOARD BALANCE but-

tons, TEMPO/DATA buttons, BENDER/MODULATION lever, FAMILY buttons, SELECT buttons, 10 Style family buttons (plus numeric buttons [0]~[9]), 8 assignable TONE family buttons

Music Styles: 94 Styles in Flash memory (78 factory + 16 changeable)

One Touch: 2 x 78 Orchestrator: 3 levels: Drum&Bass, Combo, Full Band Stylist: 5: Acoustic, Pop, Rock, Dance, World Songs: Realtime SMF player

16-track Recorder: 4 easy modes (ALL, Keyboard, Single, Punch In/ Out)

Song Stylist: 5: Acoustic, Pop, Rock, Dance, World Flash Memory: For Music Styles and Songs User Programs: 10 Effects: Reverb: 8 types, Chorus: 8 types, Multi-FX: 47 types Data storage: E-200→ FDD 3.5” 2HD/2DD (Styles, Songs/SMF,

User Programs) E-100 & E-200→ File save & load from PC via USB (Style, Song)

Metronome: Time Signature setting (1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8), Volume setting

Other functions: 2 easy modes: Piano, Arranger, Music Assistant: 106 settings, Split (2 Tones: Split [L] + Main [R]), Dual (2 Tones: Main + Dual), Melody Intelligence: 18 types, Octave (–4~4), Transpose (–12~12), V-Link System updates: Yes

Connections: USB: file transfer, MIDI IN, OUT Outputs: L/Mono, Right (1/4” phone jacks), Phones 1/2, DC IN

(adapter) Others: E-200→ Output Power: 10W+10W with “Digital Bass

Enhancer”, Stereo Speakers: x ø13cm, Bass Reflex E-100→ Output Power: 5W+5W with “Digital Bass Enhancer”, Stereo speakers: 2 x ø12cm

Power supply: 12V/3.5A (E-200), 12V/1A (E-100) Dimensions: 1020 x 355 x 132 mm Weight: 8kg (E-200), 7kg (E-100) Supplied accessories: E-200→ Owner’s Manual, PSB-4U adapter,

music rest, USB cable E-100→ Owner’s Manual, ACO adapter, music rest, USB cable

Note: Specifications are subject to change without prior notice.

Page 54

E-200/E-100

163 106 2 24 Oud ETHNIC

Tone no. PC CC32 CC00 Name Family

164 107 2 0 Shamisen ETHNIC

165 108 2 0 Koto ETHNIC

166 108 2 16 Kanoon ETHNIC

167 110 2 0 Bagpipe ETHNIC

168 111 2 0 Fiddle ETHNIC

169 112 2 1 Shanai 2 ETHNIC

170 48 2 0 Timpani PRCSSION

171 115 2 0 StlDrums PRCSSION

172 116 2 8 Castnets PRCSSION

173 117 2 0 Taiko PRCSSION

174 123 2 2 Thunder SFX

175 123 2 3 Wind SFX

176 124 2 0 Bird SFX

177 124 2 2 HrseGllp SFX

178 124 2 3 Bird 2 SFX

179 125 2 1 Telphn 2 SFX

180 126 2 0 Helicptr SFX

181 126 2 1 CarEngne SFX

182 126 2 3 Car-Pass SFX

183 126 2 5 Siren SFX

184 126 2 6 Train SFX

185 127 2 0 Applause SFX

186 127 2 1 Laughing SFX

187 127 2 2 Screamng SFX

188 128 2 3 Xplosion SFX

189 1 2 0 Piano 1 OTHER

190 2 2 8 StPiano2 OTHER

191 3 2 0 Piano 3 OTHER

192 3 2 1 EG+Rhds1 OTHER

193 3 2 2 EG+Rhds2 OTHER

194 3 2 8 StPiano3 OTHER

195 4 2 8 OldUprgt OTHER

196 5 2 16 FM+SA EP OTHER

197 5 2 24 60sEPno OTHER

198 5 2 25 HardRhds OTHER

199 5 2 26 MllwRhds OTHER

200 6 2 0 E.Piano2 OTHER

201 6 2 8 Dtnd EP2 OTHER

202 6 2 16 St.FM EP OTHER

203 100 2 5 Nyln+Rhd OTHER

204 7 2 0 Harpschr OTHER

205 7 2 8 Cpld Hps OTHER

206 8 2 39 PulsClav OTHER

207 10 2 0 Glcknspl OTHER

208 12 2 1 HardVibe OTHER

209 12 2 8 StVibrap OTHER

210 13 2 8 StMarimb OTHER

211 13 2 16 Barafon OTHER

212 13 2 17 Barafon2 OTHER

213 13 2 24 Log drum OTHER

214 15 2 8 ChrchBll OTHER

215 15 2 9 Carillon OTHER

216 99 2 0 Crystal OTHER

217 99 2 1 SynMallt OTHER

218 99 2 3 RndGlock OTHER

219 99 2 5 GlcknChm OTHER

220 99 2 6 ClrBells OTHER

221 99 2 7 XmasBell OTHER

222 99 2 8 VbrBells OTHER

223 99 2 9 DigiBell OTHER

224 99 2 17 AirBells OTHER

225 99 2 18 BellHarp OTHER

226 99 2 19 Gamelimb OTHER

227 17 2 1 Organ101 OTHER

228 17 2 7 Dtnd Or1 OTHER

229 17 2 8 TrmOrgan OTHER

230 17 2 9 Organ109 OTHER

231 17 2 17 60sOrgn2 OTHER

232 17 2 18 60sOrgn3 OTHER

233 17 2 31 PopOrgan OTHER

234 17 2 32 RockOrgn OTHER

235 17 2 33 Even Bar OTHER

236 17 2 40 OrganBss OTHER

237 18 2 1 Organ201 OTHER

238 18 2 8 ChorsOr2 OTHER

239 18 2 10 Dtnd Or2 OTHER

240 18 2 32 PercOrg2 OTHER

241 20 2 16 ChrchOr3 OTHER

242 21 2 16 PuffOrgn OTHER

243 23 2 1 Harmonc2 OTHER

18. Lists

82 42 2 0 Viola STRINGS

83 43 2 0 Cello STRINGS

84 44 2 0 Contrbss STRINGS

85 53 2 8 St.Choir VOCAL

86 54 2 40 Humming VOCAL

87 54 2 0 VoiceOoh VOCAL

88 55 2 0 SynVox VOCAL

89 86 2 0 Solo Vox VOCAL

90 67 2 8 BlwTenor SAX

91 67 2 7 BrthyTnr SAX

92 65 2 0 SoprnSax SAX

93 66 2 0 Alto Sax SAX

94 67 2 0 TenorSax SAX

95 68 2 0 BartnSax SAX

96 74 2 48 FluteVib WIND

97 73 2 0 Piccolo WIND

98 69 2 0 Oboe WIND

99 71 2 0 Bassoon WIND

100 72 2 1 Clarinet WIND

101 76 2 0 PanFlute WIND

102 79 2 0 Whistle WIND

103 57 2 0 Trumpet AC BRASS

104 57 2 8 FlglHorn AC BRASS

105 58 2 0 Trombone AC BRASS

22 99 2 2 SftCryst CHR PERC

23 99 2 4 LoudGlock CHR PERC

24 99 2 16 ChrlBell CHR PERC

106 59 2 0 Tuba AC BRASS

25 113 2 0 TnklBell CHR PERC

Tone no. PC CC32 CC00 Name Family

1 1 2 8 StPiano1 PIANO

2 1 2 16 EuropnPf PIANO

3 2 2 0 Piano 2 PIANO

4 4 2 0 Honkytnk PIANO

5 5 2 0 E.Piano1 E.PIANO

6 5 2 8 StSoftEP E.PIANO

7 5 2 47 DynoRhds E.PIANO

8 5 2 48 Wurly E.PIANO

9 6 2 10 EPLegend E.PIANO

10 6 2 24 HardFMEP E.PIANO

11 6 2 32 EP Phase E.PIANO

12 7 2 24 Harpsi 2 KEYBOARD

13 7 2 16 StHarpsi KEYBOARD

14 8 2 0 Clav. KEYBOARD

15 8 2 8 CompClav KEYBOARD

16 9 2 0 Celesta CHR PERC

17 11 2 0 MusicBox CHR PERC

18 12 2 0 Vibraphn CHR PERC

19 13 2 0 Marimba CHR PERC

20 14 2 0 Xylphone CHR PERC

Tone no. PC CC32 CC00 Name Family

Tones selectable via the front panel

21 15 2 0 TublBell CHR PERC

107 60 2 0 MtdTrump AC BRASS

108 61 2 0 FrnchHrns AC BRASS

109 62 2 0 Brass 1 AC BRASS

26 18 2 0 Organ 2 ORGAN

27 17 2 0 Organ 1 ORGAN

28 17 2 10 R&Borgan ORGAN

110 62 2 16 BrssFall AC BRASS

111 62 2 24 TwnTrmpt AC BRASS

112 62 2 26 TrombnSc AC BRASS

113 63 2 0 SynBrss1 SYNBRASS

29 17 2 34 CoolOrgn ORGAN

30 17 2 16 60sOrgn1 ORGAN

31 17 2 24 ChseOrgn ORGAN

32 18 2 9 PercOrg1 ORGAN

114 63 2 5 JmpBrass SYNBRASS

115 63 2 16 OctSnBrs SYNBRASS

116 64 2 17 VeloBrs2 SYNBRASS

117 82 2 4 Big Lead SYN LEAD

33 19 2 0 Organ 3 ORGAN

34 19 2 8 RotryOrg ORGAN

35 19 2 16 RotryOrS ORGAN

36 19 2 24 RotryOrF ORGAN

118 81 2 0 Sqr Wave SYN LEAD

119 81 2 3 MellowFM SYN LEAD

120 81 2 4 CC Solo SYN LEAD

121 81 2 17 260 Sync SYN LEAD

37 20 2 0 ChrchOr1 ORGAN

38 20 2 8 ChrchOr2 ORGAN

39 20 2 24 OrgnFlte ORGAN

40 20 2 32 TrmFlute ORGAN

122 82 2 0 Saw Wave SYN LEAD

123 82 2 2 PulseSaw SYN LEAD

124 82 2 6 GR-300 SYN LEAD

125 82 2 16 WaspySyn SYN LEAD

41 21 2 0 ReedOrgn ORGAN

42 22 2 0 AccrdnFr ACCORDN

43 22 2 8 AccrdnIt ACCORDN

44 24 2 0 Bandneon ACCORDN

126 82 2 46 SeqncdSw SYN LEAD

127 83 2 0 SnCallpe SYN LEAD

128 83 2 2 PurPanLd SYN LEAD

129 85 2 0 Charang SYN LEAD

45 23 2 0 Harmonic ACCORDN

46 25 2 0 NylStrGt GUITAR

47 25 2 24 VeloHrmx GUITAR

48 26 2 9 Nyln+Stl GUITAR

130 85 2 1 WireLead SYN LEAD

131 85 2 8 DistLead SYN LEAD

132 91 2 0 Polysyn POLY SYN

133 91 2 1 80sPlySn POLY SYN

49 25 2 40 Reqnt Gt GUITAR

50 25 2 49 FlmncoGt GUITAR

51 26 2 0 StlStrGt GUITAR

52 26 2 8 12-strGt GUITAR

134 97 2 0 Ice Rain POLY SYN

135 100 2 1 WarmAtms POLY SYN

136 101 2 0 Brightns POLY SYN

137 89 2 0 Fantasia POLY SYN

53 26 2 16 Mandolin GUITAR

54 27 2 0 Jazz Gt. E.GUITAR

55 27 2 8 PedalStl E.GUITAR

56 28 2 1 CleanGt2 E.GUITAR

138 89 2 1 Fantsia2 POLY SYN

139 90 2 0 Warm Pad PAD

140 90 2 1 ThickPad PAD

141 90 2 3 RotryStr PAD

57 28 2 4 JCClnGt. E.GUITAR

58 28 2 23 MidTneGT E.GUITAR

59 29 2 0 Muted Gt E.GUITAR

60 30 2 0 OvrdrvGt E.GUITAR

142 90 2 4 Soft Pad PAD

143 92 2 0 SpcVoice PAD

144 92 2 1 HeavenII PAD

61 31 2 0 Dist Gt E.GUITAR

62 31 2 16 Power Gt E.GUITAR

63 33 2 0 AcsticBs BASS

145 92 2 3 Itopia PAD

64 33 2 1 Ac.Bass1 BASS

146 94 2 1 Tine Pad PAD

147 94 2 2 PannrPad PAD

65 34 2 0 FingrdBs BASS

66 34 2 2 JazzBass BASS

148 96 2 0 SweepPad PAD

149 96 2 1 PolarPad PAD

67 34 2 3 FngrdBs3 BASS

68 35 2 0 PckdBass BASS

150 96 2 9 Shwimmer PAD

151 98 2 0 Sndtrack PAD

69 36 2 0 FrtlssBs BASS

70 37 2 0 SlpBass1 BASS

152 100 2 6 AmbntPad PAD

153 102 2 1 Goblinsn PAD

71 39 2 0 SynBass1 BASS

72 39 2 16 ResoSHBs BASS

154 103 2 5 ResoPnnr PAD

155 104 2 0 StarThme PAD

73 39 2 22 Sqr Bass BASS

74 49 2 16 StStrngs STRINGS

156 16 2 0 Santur ETHNIC

157 47 2 0 Harp ETHNIC

158 76 2 8 Kawala ETHNIC

75 50 2 10 StSlwStr STRINGS

76 50 2 8 LegtoStr STRINGS

77 51 2 0 SynStrng STRINGS

159 78 2 0 Shakuhch ETHNIC

160 105 2 0 Sitar ETHNIC

161 106 2 0 Banjo ETHNIC

78 45 2 9 SuspnStr STRINGS

79 46 2 0 PzzctStr STRINGS

80 41 2 0 Violin STRINGS

162 106 2 8 Rabab ETHNIC

81 41 2 8 SlwVioln STRINGS

Page 55

422 97 2 1 HarmRain OTHER

Tone no. PC CC32 CC00 Name Family

423 97 2 2 Africnwd OTHER

424 97 2 8 ClaviPad OTHER

425 98 2 8 Rave OTHER

426 90 2 2 Horn Pad OTHER

427 90 2 5 Sine Pad OTHER

428 93 2 0 BowdGlss OTHER

429 94 2 0 MetalPad OTHER

430 95 2 0 Halo Pad OTHER

431 96 2 8 Converge OTHER

432 96 2 10 CelstlPd OTHER

433 98 2 1 Ancestrl OTHER

434 98 2 2 Prologue OTHER

435 102 2 0 Goblin OTHER

436 102 2 2 50sSciFi OTHER

437 103 2 0 EchDrops OTHER

438 103 2 1 EchoBell OTHER

439 103 2 2 Echo Pan OTHER

440 103 2 3 EchoPan2 OTHER

441 103 2 4 BigPannr OTHER

442 103 2 6 WtrPiano OTHER

443 104 2 1 StrThme2 OTHER

444 16 2 1 Santur 2 OTHER

445 16 2 8 Cimbalom OTHER

446 47 2 24 Yang Qin OTHER

447 105 2 1 Sitar 2 OTHER

448 105 2 2 DtnSitar OTHER

449 105 2 8 Tambra OTHER

450 105 2 16 Tamboura OTHER

451 106 2 1 MtdBanjo OTHER

452 106 2 16 Gopichnt OTHER

453 107 2 1 Tsugaru OTHER

454 108 2 8 TaishoKt OTHER

455 109 2 0 Kalimba OTHER

456 112 2 0 Shanai OTHER

457 112 2 8 Pungi OTHER

458 112 2 16 Hichriki OTHER

459 113 2 8 Bonang OTHER

460 113 2 9 Gender OTHER

461 113 2 10 GamlnGng OTHER

462 113 2 11 StGameln OTHER

463 113 2 16 RAMACybl OTHER

464 114 2 0 Agogo OTHER

465 114 2 8 Atarigan OTHER

466 116 2 0 Woodblck OTHER

467 117 2 8 ConcrtBD OTHER

468 117 2 9 CncrBDMt OTHER

469 118 2 0 MeloTom1 OTHER

470 118 2 1 Real Tom OTHER

471 118 2 8 MeloTom2 OTHER

472 118 2 9 Rock Tom OTHER

473 119 2 0 SyntDrum OTHER

474 119 2 8 808 Tom OTHER

475 119 2 9 ElecPerc OTHER

476 120 2 0 Rev Cym OTHER

477 120 2 1 Rev Cym2 OTHER

478 120 2 8 Rev Snr1 OTHER

479 120 2 9 RevSnr 2 OTHER

480 120 2 16 RevKick1 OTHER

481 120 2 17 RevConBD OTHER

482 120 2 24 RevTom 1 OTHER

483 120 2 25 RevTom 2 OTHER

484 122 2 0 BrtNoise OTHER

485 122 2 1 FlKClick OTHER

486 123 2 0 Seashore OTHER

487 123 2 1 Rain OTHER

488 123 2 4 Stream OTHER

489 123 2 5 Bubble OTHER

490 124 2 1 Dog OTHER

491 124 2 4 Kitty OTHER

492 124 2 5 Growl OTHER

493 125 2 0 Telphn 1 OTHER

494 125 2 2 DoorCrk OTHER

495 125 2 3 Door OTHER

496 125 2 4 Scratch OTHER

497 125 2 5 WndChims OTHER

498 125 2 7 Scratch2 OTHER

499 126 2 2 Car-Stop OTHER

500 126 2 4 CarCrash OTHER

501 126 2 7 Jetplane OTHER

502 126 2 8 Starship OTHER

503 126 2 9 BurstNs OTHER

504 127 2 3 Punch OTHER

E-200/E-100

505 127 2 4 HeartBt OTHER

506 127 2 5 Footstps OTHER

507 127 2 6 Applaus2 OTHER

508 128 2 0 Gun Shot OTHER

509 128 2 1 MachnGun OTHER

510 128 2 2 Lasergun OTHER

333 49 2 10 TremOrch OTHER

Tone no. PC CC32 CC00 Name Family

244 25 2 8 Ukulele OTHER

Tone no. PC CC32 CC00 Name Family

334 49 2 11 ChoirStr OTHER

335 49 2 24 VeloStrn OTHER

245 25 2 16 NylonGto OTHER

246 25 2 32 NylonGt2 OTHER

336 49 2 40 60String OTHER

337 50 2 0 SlwStrng OTHER

247 26 2 32 SteelGt2 OTHER

248 26 2 33 Stl+Body OTHER

338 50 2 1 SlwStrn2 OTHER

339 50 2 9 WarmStrn OTHER

249 32 2 0 GtHrmncs OTHER

250 32 2 16 AcGtHrmx OTHER

340 51 2 1 OBStrngs OTHER

341 51 2 2 SynStrn1 OTHER

251 100 2 0 Atmspher OTHER

252 100 2 2 NylnHarp OTHER

342 51 2 8 70s Str1 OTHER

343 51 2 9 70s Str2 OTHER

253 121 2 0 GtFrtNoz OTHER

254 27 2 1 MellowGt OTHER

344 52 2 0 SynStrn2 OTHER

345 52 2 1 SynStrn3 OTHER

255 27 2 2 JazzGt.2 OTHER

256 28 2 0 CleanGt. OTHER

346 56 2 0 Orch Hit OTHER

347 56 2 1 Bass Hit OTHER

257 28 2 3 OpenHrd1 OTHER

258 28 2 8 ChorusGt OTHER

348 56 2 2 6th Hit OTHER

349 56 2 3 Euro Hit OTHER

259 28 2 48 CleanGt3 OTHER

260 29 2 1 Mt DstBs OTHER

350 56 2 4 TechnHit OTHER

351 56 2 8 ImpctHit OTHER

261 29 2 8 Funk Pop OTHER

262 29 2 16 Funk Gt2 OTHER

352 56 2 9 PhllyHit OTHER

353 56 2 16 LoFiRave OTHER

263 29 2 24 Jazz Man OTHER

264 30 2 4 Gt Pinch OTHER

354 53 2 0 ChoirAah OTHER

355 53 2 9 MelloChr OTHER

265 31 2 1 Dist.Gt2 OTHER

266 31 2 2 Dazed Gt OTHER

356 53 2 32 ChrAahs2 OTHER

357 55 2 8 SynVoice OTHER

267 31 2 8 Fdbck Gt OTHER

268 31 2 9 FdbckGt2 OTHER

358 55 2 19 AnaVoice OTHER

359 100 2 3 Harpvox OTHER

269 31 2 17 PowerGt2 OTHER

270 31 2 18 5th Dist OTHER

360 100 2 4 HllwRels OTHER

361 65 2 8 SoprSax2 OTHER

271 31 2 24 RockRhyt OTHER

272 31 2 25 RockRhy2 OTHER

362 66 2 1 AltoSax2 OTHER

363 66 2 8 HyprAlto OTHER

273 31 2 26 DstRtmGT OTHER

274 32 2 8 GtFdback OTHER

364 67 2 1 TenrSax2 OTHER

365 67 2 9 SprTenor OTHER

275 121 2 1 GtCtNoiz OTHER

276 121 2 3 GtCtNoz2 OTHER

366 70 2 0 EnglHorn OTHER

367 72 2 0 JzClrint OTHER

277 121 2 4 DstCutNz OTHER

278 121 2 6 PickScrp OTHER

368 72 2 8 BsClarnt OTHER

369 74 2 0 Flute OTHER

279 33 2 2 Ac.Bass2 OTHER

280 33 2 3 Ac.Bass3 OTHER

370 75 2 0 Recorder OTHER

371 77 2 0 BottlBlw OTHER

281 34 2 1 FngrdBs2 OTHER

282 34 2 4 FngrdBs4 OTHER

372 80 2 0 Ocarina OTHER

373 57 2 1 Trumpet2 OTHER

283 34 2 7 FingrSlp OTHER

284 35 2 3 Pckd Bs2 OTHER

374 57 2 2 Trumpet3 OTHER

375 57 2 3 DrkTrmpt OTHER

285 35 2 8 Mt PckBs OTHER

286 36 2 1 FrtlsBs2 OTHER

376 57 2 24 BrightTp OTHER

377 57 2 25 Warm Tp. OTHER

287 36 2 2 FrtlsBs3 OTHER

288 36 2 3 FrtlsBs4 OTHER

378 58 2 1 Trombne2 OTHER

379 58 2 2 Trombne3 OTHER

289 36 2 4 SnFrtlss OTHER

290 36 2 5 MrSmooth OTHER

380 58 2 4 BrightTb OTHER

381 59 2 1 Tuba 2 OTHER

291 36 2 8 FrtlsBs5 OTHER

292 36 2 48 FtFrtlss OTHER

382 60 2 2 MtTrmpt2 OTHER

383 61 2 1 Fr.Horn2 OTHER

293 37 2 8 ResoSlap OTHER

294 38 2 0 SlpBass2 OTHER

384 61 2 8 FrHornSl OTHER

385 61 2 16 HornOrch OTHER

295 39 2 1 SynBs101 OTHER

296 39 2 2 JunoBass OTHER

386 62 2 1 Brass 2 OTHER

387 62 2 8 Brass 3 OTHER

297 39 2 3 106Bass OTHER

298 39 2 8 AcidBass OTHER

388 62 2 25 TwinBons OTHER

389 62 2 27 TrmbnSc2 OTHER

299 39 2 9 TB303Bss OTHER

300 39 2 10 TeknBass OTHER

390 63 2 1 PolyBrss OTHER

391 63 2 3 SYBrass OTHER

301 39 2 19 ClaviBss OTHER

302 39 2 20 Hammer OTHER

392 63 2 4 JunoBrss OTHER

393 63 2 8 SynBrss3 OTHER

303 39 2 21 JnglBass OTHER

304 39 2 23 PopSynBs OTHER

394 63 2 9 QuakBrss OTHER

395 63 2 18 Octv Brs OTHER

305 39 2 24 LghtSnBs OTHER

306 39 2 25 FatTBBss OTHER

396 64 2 0 SynBrss2 OTHER

397 64 2 1 SoftBrss OTHER

307 40 2 0 SynBass2 OTHER

308 40 2 1 SynBs201 OTHER

398 64 2 8 SynBrss4 OTHER

399 64 2 16 VeloBrs1 OTHER

309 40 2 2 Mod Bass OTHER

310 40 2 3 Seq Bass OTHER

400 81 2 1 Square OTHER

401 81 2 2 HollwMin OTHER

311 40 2 8 BeefFMBs OTHER

312 40 2 9 XWr Bass OTHER

402 81 2 5 Shmoog OTHER

403 81 2 6 LMSquare OTHER

313 40 2 16 RubbrBss OTHER

314 40 2 17 SH101Bs1 OTHER

404 81 2 8 SineWave OTHER

405 81 2 16 DistSqre OTHER

315 40 2 18 SH101Bs2 OTHER

316 40 2 19 SmthBass OTHER

406 82 2 1 P5 Saw OTHER

407 82 2 3 FelineGR OTHER

317 40 2 20 MildBass OTHER

318 40 2 21 DetunBss OTHER

408 82 2 5 VeloLead OTHER

409 82 2 7 LA Saw OTHER

319 40 2 29 AttckPls OTHER

320 121 2 2 Str Slap OTHER

410 82 2 8 Dr. Solo OTHER

411 82 2 9 SawWave2 OTHER

321 121 2 5 BassSld OTHER

322 56 2 10 DoublHit OTHER

412 82 2 10 Saw OTHER

413 82 2 36 NatrLead OTHER

323 41 2 1 Violin2 OTHER

324 41 2 9 SlVioln2 OTHER

414 83 2 1 VentSyn OTHER

415 84 2 0 ChiffrLd OTHER

325 42 2 1 Viola2 OTHER

326 43 2 1 Cello2 OTHER

416 87 2 0 5thSawWv OTHER

417 87 2 1 BigFives OTHER

327 45 2 0 Trem Str OTHER

328 45 2 8 SlwTrmol OTHER

418 88 2 0 Bss&Lead OTHER

419 88 2 1 Big&Raw OTHER

329 49 2 0 Strings OTHER

330 49 2 1 Strings2 OTHER

420 88 2 2 Fat&Prky OTHER

421 88 2 7 DlydLead OTHER

331 49 2 8 Orchstra OTHER

332 49 2 9 Orchstr2 OTHER

Page 56

E-200/E-100

Tone no. PC CC32 CC00 Name Family

511 1 2 0 STNDARD1 DRUMS

512 2 2 0 STNDARD2 DRUMS

513 9 2 0 ROOM DRUMS

514 10 2 0 Hip Hop DRUMS

515 11 2 0 Drum'Bss DRUMS

516 12 2 0 TechHous DRUMS

517 14 2 0 R&B DRUMS

518 17 2 0 POWER DRUMS

519 26 2 0 TR808909 DRUMS

520 27 2 0 DANCE DRUMS

521 31 2 0 NewTR909 DRUMS

522 33 2 0 Jazz Kit DRUMS

523 41 2 0 BRUSH DRUMS

524 49 2 0 ORCHSTRA DRUMS

525 50 2 0 ETHNIC DRUMS

526 3 2 0 STNDARD3 DRUMS

527 25 2 0 ELECTRNC DRUMS

528 34 2 0 JAZZ DRUMS

529 51 2 0 KICK&SNR DRUMS

530 57 2 0 SFX DRUMS

(*) See below for details.

Page 57

PC: 25 [CC32: 2]

ELECTRONIC

------------

PC: 17 [CC32: 2]

POWER

------------

PC: 14 [CC32: 2]

R&B

------------

PC: 12 [CC32: 2]

TECHHOUS

------------

PC: 11 [CC32: 2]

DRUM'BSS

------------

Kick 1

Kick 2

909 Kick

House Kick

909 Kick 3

909 Kick2

909 Kick 3

House Kick

------------

TR-808 Kick

HipHop Kick

909 Kick2

TR-808 Kick

HipHop Kick

SimpleKick

909 Kick

HipHop Kick

SimpleKick

------------

R&B OHHsh

R&B OHHAhHa

TR-909 OHHsh

TR-909 OHHAhHa

TR-909 OHHsh

TR-909 OHH

Ah HaShutHa

------------

ShutHa

ShutHi

ShutHa

ShutHi

------------

One

Two

One

Two

One

Two

------------

Three

Four

Three

Four

Three

Four

Snare Roll

Finger Snap

Snare Roll

Finger Snap

Snare Roll

Snap

Snare Roll

Snap

Snare Roll

Snap

High-Q

Slap

High-Q

Slap

High-Q

Slap

High-Q

Slap

High-Q

Slap

Scrtch Push2

Scrtch Pull2

Sticks

ScratchPush

ScratchPull

Sticks

Scrtch Push2

Scrtch Pull2

Sticks

Scrtch Push2

Scrtch Pull2

Sticks

Scrtch Push2

Scrtch Pull2

Sticks

SquareClick

Mtrnm.Click

Mtrnm. Bell

SquareClick

Mtrnm.Click

Mtrnm. Bell

SquareClick

Mtrnm.Click

Mtrnm. Bell

SquareClick

Mtrnm.Click

Mtrnm. Bell

SquareClick

Mtrnm.Click

Mtrnm. Bell

Elec Kick 2

Elec Kick 1

Side Stick

Power Kick2

Power Kick1

Side Stick

909 Kick 3

SimpleKick

Side Stick

909 Kick

House Kick

Side Stick

TR-808 Kick

909 Kick2

Side Stick

Elec. Snare

808clap

Elec Snare 2

Synth Drum 2

Dance Snare1

808clap

Power Snare1

Rock Tom 4

R&B Snare

R&B Clap

909Snare2

Real Tom 6

Techno Snare

909Clap

House Snare

Synth Drum 2

Jungle Snare

909Clap

Ps Snare

808 Tom 2

Jazz Clsd.HH

Synth Drum 2

Pedal HiHat

Room Chh

Rock Tom 4

Pedal HiHat

R&B CHH

Real Tom 6

R&B CHH

TR-909 CHH

Synth Drum 2

TR-909 CHH

R&B CHH

808 Tom 2

R&B CHH

Synth Drum 2

Jazz Open HH

Synth Drum 2

Rock Tom 4

R8 Ohh2

Rock Tom 4

Real Tom 4

R&B OHH

Real Tom 4

Synth Drum 2

TR-909 OHH

Synth Drum 2

808 Tom 2

HipHopOHH

808 Tom 2

Synth Drum 2

Crash Cym.1

Synth Drum 2

Ride Cymbal

Rock Tom 1

Crash Cym.1

Rock Tom 1

Ride Cymbal

Real Tom 1

909 Crash

Real Tom 1

Ride Cymbal

Synth Drum 2

909 Crash

Synth Drum 2

Ride Cymbal

808 Tom 2

909 Crash

808 Tom 2

Ride Cymbal

ReverseCymbl

Ride Bell

Tambourine

Splash Cym.

China Cymbal

Ride Bell

Tambourine

Splash Cym.

ReverseCymbl

Ride Bell

Tambourine

Splash Cym.

ReverseCymbl

Ride Bell

Tambourine

Splash Cym.

China Cymbal

Ride Bell

Tambourine

Splash Cym.

Cowbell

Crash Cym.2

Cowbell

Crash Cym.2

Cowbell

Crash Cym.2

Cowbell

Crash Cym.2

808cowbe

Crash Cym.2

Vibraslap

Ride Cymbal

Vibraslap

Ride Cymbal

Vibraslap

Ride Cymbal

Vibraslap

Ride Cymbal

Vibraslap

Ride Cymbal

Bongo High

Bongo Lo

Mute H.Conga

Bongo High

Bongo Lo

Mute H.Conga

Bongo High

Bongo Lo

Mute H.Conga

Bongo High

Bongo Lo

Mute H.Conga

Bongo High

Bongo Lo

808 Conga

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

808 Conga

High Timbale

Low Timbale

Agogo

Cabasa

Maracas

ShrtWhistle

Maracas

ShrtWhistle

Maracas

ShrtWhistle

Maracas

ShrtWhistle

808marac

ShrtWhistle

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

Claves

Woodblock

Claves

Woodblock

Claves

Woodblock

Claves

Woodblock

808clave

Woodblock

Mute Cuica

Open Cuica

Woodblock

Mute Cuica

Open Cuica

Woodblock

Hoo

Woodblock

Hoo

Woodblock

Mute Cuica

Open Cuica

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

E-200/E-100

------------

PC: 10 [CC32: 2]

HIP HOP

------------

PC: 9 [CC32: 2]

ROOM

------------

PC: 3 [CC32: 2]

STANDARD 3

------------

PC: 2 [CC32: 2]

STANDRD 2

------------

PC: 1 [CC32: 2]

STANDRD 1

------------

Drum Kits

245

C–1 0

------------

909 Kick 3

House Kick

------------

TR-808 Kick

------------

909 Kick

909 Kick2

TR-909 OHHsh

TR-909 OHHAhHa

------------

1416171921

C0 12

------------

ShutHa

ShutHi

------------

One

Two

------------

Three

------------

Four

Snare Roll

------------

Snare Roll

------------

Snare Roll

------------

Snare Roll

------------

Snare Roll

C1 24

Snap

High-Q

Slap

Finger Snap

High-Q

Slap

Finger Snap

High-Q

Slap

Finger Snap

High-Q

Slap

Finger Snap

High-Q

Slap

262829

Scrtch Push2

Scrtch Pull2

Sticks

ScratchPush

ScratchPull

Sticks

ScratchPush

ScratchPull

Sticks

ScratchPush

ScratchPull

Sticks

ScratchPush

ScratchPull

Sticks

313335

SquareClick

Mtrnm.Click

SquareClick

Mtrnm.Click

SquareClick

Mtrnm.Click

SquareClick

Mtrnm.Click

SquareClick

Mtrnm.Click

Mtrnm. Bell

HipHop Kick

SimpleKick

Mtrnm. Bell

Room Kick 2

Room Kick 1

Mtrnm. Bell

Std.1 Kick2

Std.1 Kick1

Mtrnm. Bell

Std2 Kick2

Std.2 Kick1

Mtrnm. Bell

Kick 1

Kick 2

C2 36

Side Stick

HipHop Snare

Side Stick

Room Snare 1

Side Stick

Std.1 Snare1

Side Stick

Std.2 Snare1

Side Stick

Snare 2

384041

FunkClap

HipHopSnare2

Real Tom 6

808clap

Room Snare 2

Room Tom 5

808clap

Std.1 Snare2

Real Tom 6

808clap

Std.2 Snare2

Real Tom 6

909Clap

Snare 1

Real Tom 6

HipHopCHH

Real Tom 6

HipHopCHH

Room Chh

Room Tom 5

Pedal HiHat

Close HiHat

Real Tom 6

Pedal HiHat

Jazz Clsd.HH

Real Tom 6

Pedal HiHat

Close HiHat

Real Tom 6

Pedal HiHat

Real Tom 4

HipHopOHH

Real Tom 4

Room Tom 2

R8 Ohh2

Room Tom 2

Real Tom 4

Open Hi Hat

Real Tom 4

Jazz Open HH

Real Tom 4

Open HiHat

Real Tom 4

Real Tom 1

Crash Cym.1

Real Tom 1

Room Tom 2

Crash Cym.1

Room Tom 2

Real Tom 1

Crash Cym.1

Real Tom 1

Crash Cym.1

Real Tom 1

Crash Cym.1

Real Tom 1

505253

C3 48

Ride Cymbal

ReverseCymbl

Ride Bell

Ride Cymbal

China Cymbal

Ride Bell

Ride Cymbal

China Cymbal

Ride Bell

Ride Cymbal

China Cymbal

Ride Bell

Ride Cymbal

China Cymbal

Ride Bell

Tambourine

Splash Cym.

Cowbell

Tambourine

Splash Cym.

Cowbell

Tambourine

Splash Cym.

Cowbell

Tambourine

Splash Cym.

Cowbell

Tambourine

Splash Cym.

Cowbell

555759

Crash Cym.2

Vibraslap

Ride Cymbal

Crash Cym.2

Vibraslap

Ride Cymbal

Crash Cym.2

Vibraslap

Ride Cymbal

Crash Cym.2

Vibraslap

Ride Cymbal

Crash Cym.2

Vibraslap

Ride Cymbal

Bongo High

Bongo Lo

Mute H.Conga

Conga Hi Opn

Conga Lo Opn

Bongo High

Bongo Lo

Mute H.Conga

Conga Hi Opn

Conga Lo Opn

Bongo High

Bongo Lo

Mute H.Conga

Conga Hi Opn

Conga Lo Opn

Bongo High

Bongo Lo

Mute H.Conga

Conga Hi Opn

Conga Lo Opn

Bongo High

Bongo Lo

Mute H.Conga

Conga Hi Opn

Conga Lo Opn

6264656769

C4 60

High Timbale

Low Timbale

Agogo

High Timbale

Low Timbale

Agogo

High Timbale

Low Timbale

Agogo

High Timbale

Low Timbale

Agogo

High Timbale

Low Timbale

Agogo

Cabasa

Maracas

ShrtWhistle

Maracas

ShrtWhistle

Maracas

ShrtWhistle

Maracas

ShrtWhistle

Maracas

ShrtWhistle

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

747677

C5 72

Claves

Woodblock

Claves

Woodblock

Claves

Woodblock

Claves

Woodblock

Claves

Woodblock

Hoo

Woodblock

Mute Cuica

Open Cuica

Woodblock

Mute Cuica

Open Cuica

Woodblock

Mute Cuica

Open Cuica

Woodblock

Mute Cuica

Open Cuica

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Mute Triangl

Open Triangl

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo

Jingle Bell

Bell Tree

Castanets

Mute Surdo

Jingle Bell

Bell Tree

Castanets

Mute Surdo

Jingle Bell

Bar Chimes

Castanets

Mute Surdo

Jingle Bell

Bar Chimes

Castanets

Mute Surdo

8688899193

C6 84

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

C7 96

Page 58

PC: 57 [CC32: 2]

SFX

------------

PC: 51 [CC32: 2]

KICK & SNARE

------------

PC: 50 [CC32: 2]

ETHNIC

------------

PC: 49 [CC32: 2]

ORCHESTRA

------------

PC: 41 [CC32: 2]

BRUSH

------------

E-200/E-100

------------

Finger Snap

------------

Snare Roll

------------

Snare Roll

------------

Tambourine

Castanets

Crash Cym.1

Finger Snap

Jazz Clsd.HH

Pedal HiHat

Finger Snap

High-Q

Slap

------------

Scrtch Push2

Scrtch Pull2

------------

Snare Roll

Concert Snr

Concert Cym.

Concert BD

Jazz Open HH

Ride Cymbal

Sticks

SquareClick

ScratchPush

ScratchPull

Sticks

SquareClick

Gt.CutNoise2

Dist.CutNoiz

------------

Jingle Bell

Bell Tree

Bar Chimes

Mtrnm.Click

Mtrnm. Bell

Jazz Kick 1

Mtrnm.Click

Mtrnm. Bell

Jazz Kick 2

Dist.CutNoiz

Bass Slide

Pick Scrape

------------

Wadaiko

Wadaiko Rim

Shimedaiko

Concert BD

Side Stick

Concert Snr

Jazz Kick 1

Side Stick

Brush Swirl

High-Q

Slap

ScratchPush

------------

Std.1 Kick1

Std.1 Kick2

Atarigane

Hyoushigi

Ohkawa

Castanets

Concert Snr

Timpani

Brush Slap1

Brush Swirl

Lite Tom 4

ScratchPull

Sticks

SquareClick

Std.2 Kick1

Std2 Kick2

Kick 1

H kotsuzumi

L Kotsuzumi

Ban_Gu

Timpani

Brs Chh

Lite Tom 4

Pedal HiHat

Mtrnm.Click

Mtrnm. Bell

Gt.FretNoise

Kick 2

Soft Kick

Jazz Kick 1

Big Gong

Small Gong

Bend Gong

Timpani

Lite Tom 4

Brush Ohh

Lite Tom 4

Gt.Cut Noise

String Slap

Fl.KeyClick

Jazz Kick 2

Concert BD

Room Kick 1

Room Kick 2

RAMA Cymbal

Gamelan Gong

Udo_Short

Timpani

Lite Tom 4

Brush Crash

Lite Tom 4

Brush Ride

Laughing

Screaming

Punch

Power Kick1

Power Kick2

Elec Kick 2

Udo_Long

Udo_slap

Bendir

Timpani

Tambourine

China Cymbal

Brush RideBL

Tambourine

Heart Beat

Footsteps

Elec Kick 1

Elec. Kick

TR-808 Kick

Req_Dum

Req_tik

Tabla_Te

Splash Cym.

Cowbell

Con.Cymbal2

Splash Cym.

Cowbell

Crash Cym.2

Applause

DoorCreaking

Door

TR-909 Kick

Dance Kick 2

Std.1 Snare1

Tabla_Na

Tabla_Tun

Tabla_Ge

Vibraslap

Concert Cym.

Bongo High

Vibraslap

Ride Cymbal

Bongo High

Scratch

Wind Chimes

Car-Engine

Std.1 Snare2

Std.2 Snare1

Std.2 Snare2

Tabla Ge Hi

Talking Drum

Bend tlk_drm

Bongo Lo

Mute H.Conga

Conga Hi Opn

Bongo Lo

Mute H.Conga

Conga Hi Opn

Car-Stop

Car-Pass

Car-Crash

Siren

Tight Snare

Concert Snr

Jazz Snare 1

Jazz Snare 2

Caxixi

DJembe

Djembe_rim

Low Timbale

Conga Lo Opn

High Timbale

Low Timbale

Agogo

Conga Lo Opn

High Timbale

Low Timbale

Agogo

Train

Jetplane

Helicopter

Starship

Room Snare 1

Room Snare 2

Dance Snare1

Power Snare1

Timbl Paila

High Timbale

Cowbell

Bongo High

Agogo

Cabasa

Maracas

ShrtWhistle

Agogo

Cabasa

Maracas

ShrtWhistle

Gun Shot

Machine Gun

Lasergun

Rev.Snare

Power Snare2

Elec Snare 1

Bongo Lo

Mute H.Conga

Conga Hi Opn

LongWhistle

Short Guiro

Long Guiro

LongWhistle

Short Guiro

Long Guiro

Explosion

Dog

Horse-Gallop

Bird

Dance Snare2

Elec Snare 2

House Snare

Elec. Snare

Conga MtLow

Conga Slap

Conga Lo Opn

Conga Slide

Claves

Woodblock

Mute Cuica

Claves

Woodblock

Mute Cuica

Rain

Thunder

Wind

Seashore

Elec Snare 3

808 Snare 1

808 Snare 2

909 Snare 1

Mut Pandiero

Opn Pandiero

Open Surdo

Mute Surdo

Open Cuica

Mute Triangl

Open Triangl

Shaker

Open Cuica

Mute Triangl

Open Triangl

Shaker

Stream

Bubble

Kitty

909 Snare 2

Brush Swirl

Brush Tap

Tamborim

Agogo

Jingle Bell

Bell Tree

Castanets

Jingle Bell

Bell Tree

Castanets

Bird 2

Growl

Applause 2

Brush Slap1

Brush Slap2

Brush Slap

Shaker

Low Whistle

Mute Surdo

Open Surdo

Applause

Mute Surdo

Open Surdo

------------

Telephone 1

Telephone 2

------------

Brush Swirl

Long Swirl

Mute Cuica

Open Cuica

Mute Triangl

------------

Open Triangl

Short Guiro

Long Guiro

Cabasa Up

------------

Cabasa Down

------------

PC: 34 [CC32: 2]

JAZZ

------------

PC: 33 [CC32: 2]

Jazz Kit

------------

PC: 31 [CC32: 2]

New TR-909

------------

PC: 27 [CC32: 2]

DANCE

------------

PC: 26 [CC32: 2]

TR-808/909

------------

C–1 0

------------

245

------------

909 Kick 3

------------

House Kick

TR-808 Kick

------------

C0 12

------------

HipHop Kick

SimpleKick

TR-909 OHHsh

------------

141617

------------

TR-909 OHHAhHa

------------

ShutHa

ShutHi

------------

192123

------------

One

Two

------------

Three

Four

------------

C1 24

Snare Roll

Finger Snap

Snare Roll

Finger Snap

Snare Roll

Snap

Snare Roll

Finger Snap

Snare Roll

Finger Snap

262829

High-Q

Slap

ScratchPush

Slap

ScratchPush

Slap

Scrtch Push2

Slap

Scrtch Push2

Slap

Scrtch Push2

ScratchPull

Sticks

SquareClick

Mtrnm.Click

ScratchPull

Sticks

SquareClick

Mtrnm.Click

Scrtch Pull2

Sticks

SquareClick

Mtrnm.Click

Scrtch Pull2

Sticks

SquareClick

Mtrnm.Click

Scrtch Pull2

Sticks

SquareClick

Mtrnm.Click

303234

313335

Mtrnm. Bell

Jazz Kick 2

Jazz Kick 1

Mtrnm. Bell

Jazz Kick 2

Jazz Kick 1

Mtrnm. Bell

909 Kick

909 Kick2

Mtrnm. Bell

Dance Kick 2

Elec Kick 2

Mtrnm. Bell

TR-909 Kick

TR-808 Kick

C2 36

Side Stick

Jazz Snare 1

Hand clap2

Jazz Snare 2

Real Tom 6

Jazz Clsd.HH

Side Stick

Jazz Snare 1

Hand clap2

Jazz Snare

Real Tom 6

Jazz Clsd.HH

Side Stick

909 Snare

909Clap

909Snare2

808 Tom 2

TR-909 CHH

Side Stick

Power Snare2

808clap

Elec Snare 1

Synth Drum 2

CR-78 chh

808 Rimshot

808 Snare 1

808clap

909 Snare 1

808 Tom 2

808__chh

3840414345

Real Tom 6

Pedal HiHat

Real Tom 4

Jazz Open HH

Real Tom 6

Jazz Pedl.HH

Real Tom 4

Jazz Open HH

808 Tom 2

TR-909 CHH

808 Tom 2

TR-909 OHH

Synth Drum 2

808__chh

Synth Drum 2

CR-78 ohh

808 Tom 2

808__chh

808 Tom 2

808__ohh

Real Tom 4

Real Tom 1

Crash Cym.1

Real Tom 4

Real Tom 1

Crash Cym.1

808 Tom 2

909 Crash

Synth Drum 2

Crash Cym.1

808 Tom 2

808 Crash

C3 48

Real Tom 1

Ride Cymbal

China Cymbal

Real Tom 1

Ride Cymbal

China Cymbal

808 Tom 2

Ride Cymbal

China Cymbal

Synth Drum 2

Ride Cymbal

ReverseCymbl

808 Tom 2

Ride Cymbal

China Cymbal

505253

Ride Bell

Tambourine

Ride Bell

Tambourine

Ride Bell

Tambourine

Ride Bell

Tambourine

Ride Bell

Tambourine

Splash Cym.

Cowbell

Crash Cym.2

Vibraslap

Splash Cym.

Cowbell

Crash Cym.2

Vibraslap

Splash Cym.

808cowbe

Crash Cym.2

Vibraslap

Splash Cym.

Cowbell

Crash Cym.2

Vibraslap

Splash Cym.

808cowbe

Crash Cym.2

Vibraslap

555759

Ride Cymbal

Bongo High

Bongo Lo

Mute H.Conga

Ride Cymbal

Bongo High

Bongo Lo

Mute H.Conga

Ride Cymbal

Bongo High

Bongo Lo

808 Conga

Ride Cymbal

Bongo High

Bongo Lo

Mute H.Conga

Ride Cymbal

Bongo High

Bongo Lo

808 Conga

6264656769

C4 60

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

808 Conga

High Timbale

Low Timbale

Conga Hi Opn

Conga Lo Opn

High Timbale

Low Timbale

808 Conga

High Timbale

Low Timbale

Agogo

Cabasa

Maracas

ShrtWhistle

Maracas

ShrtWhistle

808marac

ShrtWhistle

Maracas

ShrtWhistle

808marac

ShrtWhistle

LongWhistle

C5 72

Short Guiro

Long Guiro

Claves

Woodblock

Mute Cuica

Short Guiro

Long Guiro

Claves

Woodblock

Mute Cuica

Short Guiro

Long Guiro

808clave

Woodblock

Mute Cuica

Short Guiro

Long Guiro

Claves

Woodblock

Hoo

Short Guiro

Long Guiro

808clave

Woodblock

Mute Cuica

7476777981

Open Cuica

Mute Triangl

Open Triangl

Open Cuica

Mute Triangl

Open Triangl

Open Cuica

Mute Triangl

Open Triangl

Hoo

Mute Triangl

Open Triangl

Open Cuica

Mute Triangl

Open Triangl

Shaker

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

Jingle Bell

Bell Tree

C6 84

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

Castanets

Mute Surdo

868889

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

Open Surdo

------------

909294

919395

------------

C7 96

Page 59

(Cabasa Down)

PC: 50 [CC32: 2]

ETHNIC

Claves

Woodblock

------------

E-200/E-100

102

104

106

109

111

114

116

100

101

103

105

107

110

112

113

(C7) (96)

C8 108

115

121

123

118

117

119

120

126

122

124

125

127

Page 60

E-200/E-100

Name Tempo Time sign.

54 LuvBossa 136 4 / 4

55 MidBossa 150 4 / 4

56 UpBossa 168 4 / 4

LATIN:

Name Tempo Time sign.

01 BigHouse 130 4 / 4

02 EuroDnce 138 4 / 4

POP:

Music Styles

57 LatinPop 92 4 / 4

58 BigSamba 116 4 / 4

03 90sHouse 132 4 / 4

04 70sDisco * 126 4 / 4

59 ChaCha * 130 4 / 4

05 70sDance 108 4 / 4

60 Mambo * 102 4 / 4

61 Salsa 100 4 / 4

06 Twostep * 130 4 / 4

07 ElecRock * 124 4 / 4

62 Merengue 124 4 / 4

63 Tango 120 4 / 4

08 Rock 120 4 / 4

09 Stivie P 116 4 / 4

GOSPEL:

11 Cool Rap 94 4 / 4

10 Hip’nHop * 102 4 / 4

64 Gospel 60 6 / 8

12 PianoRap * 94 4 / 4

65 SoftGosp 65 4 / 4

66 GosplBld 128 6 / 4

13 UsGroove 96 4 / 4

14 Groovy P 100 4 / 4

67 GosplPop 143 4 / 4

15 SunnyPop 104 4 / 4

68 GspShout 150 4 / 4

16 FeelGood 98 4 / 4

69 Holiday1 115 4 / 4

70 Holiday2 100 3 / 4

TRADITIONAL:

17 NightPop 78 4 / 4

18 80s Pop 101 4 / 4

19 Cute Pop 108 4 / 4

71 Holiday3 120 4 / 4

72 Kids 120 4 / 4

73 PolkaPop * 127 4 / 4

20 PianoBal 56 4 / 4

21 ClassBal 62 4 / 4

BALLAD:

74 Foxtrot 185 4 / 4

22 StoryBal 70 4 / 4

75 SwingFox 192 4 / 4

76 Hawaiian 109 4 / 4

23 SteadyRk 73 4 / 4

24 WayURPop 75 4 / 4

77 EngWltz 91 3 / 4

25 HappyBal 78 4 / 4

78 W’Waltz 180 3 / 4

26 SimpleBl 80 4 / 4

27 MorninBl 84 4 / 4

101 Ireland 125 3 / 4

FLASH:

28 90s Pop 88 4 / 4

29 PoppinBl 92 4 / 4

102 Irish 131 4 / 4

30 6_8Balld 93 6 / 8

103 Tejano 109 4 / 4

31 Ballad 75 4 / 4

104 USBallad 88 4 / 4

105 Blues 61 4 / 4

OLDIES:

106 R&B 105 4 / 4

32 LoveSong 51 4 / 4

107 March4/4 125 4 / 4

33 Cool 6_8 96 6 / 8

108 Polka 130 4 / 4

34 SlowDanc 80 4 / 4

109 Country 130 4 / 4

110 JazzWltz 100 3 / 4

35 60s Feel 88 4 / 4

36 EarlyRck 110 4 / 4

111 Musette 175 3 / 4

112 Charlest 205 4 / 4

37 60sBeach 115 4 / 4

38 MerseyBt 130 4 / 4

113 Rhumba 100 4 / 4

114 Beguine 110 4 / 4

39 50sDance 138 4 / 4

40 Twistin 162 4 / 4

115 SlWaltz 90 3 / 4

41 Rockin’ 185 4 / 4

116 PDoble 122 4 / 4

42 Slow Old 64 4 / 4

43 EZ Cntry 73 4 / 4

44 CntryBld 82 4 / 4

COUNTRY:

45 CntryPop 105 4 / 4

46 NewCntry 113 4 / 4

47 JzBallad 70 4 / 4

SWING:

48 BgBndBld 82 4 / 4

49 OrgSwing 109 4 / 4

50 30BigBnd * 120 4 / 4

51 BigBand * 144 4 / 4

52 Jazz Club 150 4 / 4

53 Boogie 150 4 / 4

[COMBO]

(longer version).

[FULL¥BAND]

(*) The marked Styles have two intros of different

lengths. You can select these by pressing

(shorter version ) or

Page 61

Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )

E-200/E-100

C C# D E E F

CM7 C#M7 DM7 E M7 EM7 FM7

C7 C#7 D7 E 7 E7 F7

Cm C#m Dm E m Em Fm

Chord Intelligence (“Md1” setting)

Cm7 C#m7 Dm7 E m7 Em7 Fm7

CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7

Cdim C#dim Ddim E dim Edim Fdim

Dm7 ( 5 ) Em7 ( 5 )

Cm7 ( 5 )

Caug C#aug Daug E aug Eaug Faug

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4

= Constituent notes of this chord.

✭= Keys you need to press to hear this chord.

●

Page 62

E-200/E-100

B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F# G A A B B

F#M7 GM7 A M7 AM7 B M7 BM7

F#7 G7 A 7 A7 B 7 B7

F#m Gm A m Am B m Bm

F#m7 Gm7 A m7 Am7 B m7 Bm7

F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7

F#dim Gdim A dim Adim B dim Bdim

F#aug Gaug A aug Aaug B aug Baug

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4

= Constituent notes of this chord.

✭= Keys you need to press to hear this chord.

●

Page 63

32 Parts

2 Logical Parts

1~16

1~16, Off

Mode 3

Mode 3, 4 (M=1) *2

0~127

E-200/E-100

Bank Select

Modulation

Portamento Time

Data Entry

Volume

Panpot

Expression

V-Link control

Hold 1

Portamento

Sostenuto

Soft

Portamento Control

Effect 1 Depth

Effect 3 Depth

NRPN LSB, MSB

RPN LSB, MSB

Program Number 1~128

O *1

O*1

OOOOOXOOOOO

O (Reverb)

O (Chorus)OO

O*1

0~127

O*1

O (120, 126, 127)

O (121)OO (123-125)

O: Yes

X: No

Mode 3

Mode 3, 4 (M=1)

*****

0~127

*****

Number True Voice

Note ON

Note OFF

Velocity

1~16

1~16, Off

Default

Message

Function... Transmitted Recognized Remarks

Default

Changed

Basic

MIDI Implementation Chart

[Intelligent Keyboard] Date: November 2003

Model: E-200/E-100 Version: 1.01

Channel

Altered

Mode

Note

Key’s

Ch’s

After

Touch

O*1

OOOOOOOXOOOOOOO

0,32

Pitch Bend O *1 O *1

6, 38

64656667849193

22, 23, 24, 25

Control

Change

O*1

98, 99

100, 101

Program

*****

Change True #

O*1

Song Position Pointer

Song Sel

Tune

System Exclusive O O

System

Common

O*1

XXO*1

Clock

Commands

All Sounds Off

System

Real Time

XOX

Reset All Controllers

Local On/Off

All Notes Off

Aux

Messages

Active Sense

Reset

*1 O X is selectable

*2 Recognized as M=1 even if M≠1

Mode 2: OMNI ON, MONO

Notes

Mode 1: OMNI ON, POLY

Mode 4: OMNI OFF, MONO

Mode 3: OMNI OFF, POLY

Page 64

E-200/E-100

Page 65

ISRAEL

MOCO, INC.

No.41 Nike St., Dr.Shariyati Ave.,

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IRAN

Roland Ireland

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Avenue, Dublin 12

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TEL: (021) 285-4169

Roland Italy S. p. A.

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TEL: (01) 4294444

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TEL: (02) 937-78300

Amman 1118, JORDAN

Roland Scandinavia Avd.

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TEL: (06) 464-1200

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Tecnologias Musica e Audio,

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Cais Das Pedras, 8/9-1 Dto

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PORTUGAL

TEL: (022) 608 00 60

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P.O. Box 62, Doha, QATAR

TEL: 4423-554

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& Stores)

ROMANIA

FBS LINES

Piata Libertatii 1,

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TEL: (266) 364 609

RUSSIA

SAUDI ARABIA

1st Floor, Alkhobar,

3-Bogatyrskaya Str. 1.k.l

107 564 Moscow, RUSSIA

SYRIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

TEL: (095) 169 5043

Roland Electronics

de España, S. A.

Calle Bolivia 239, 08020

SPAIN

Technical Light & Sound

Center

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Bldg. No. 47, P.O.BOX 13520,

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TEL: (011) 223-5384

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TEL: (93) 308 1000

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TEL: (0)8 702 00 20

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TEL: (0212) 2499324

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Zabeel Road, Al Sherooq Bldg.,

TEL: (04) 3360715

Pasaji No:74/20

Taksim - Istanbul, TURKEY

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No. 14, Grand Floor, Dubai, U.A.E.

U.A.E.

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Landstrasse 5, Postfach,

CH-4452 Itingen,

TEL: (061) 927-8383

TIC-TAC

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P.O. Box 180

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TEL: (03131) 414-40

Roland Canada Music Ltd.

(Head Office)

5480 Parkwood Way Richmond

TEL: (604) 270 6626

B. C., V6V 2M4 CANADA

CANADA

UNITED KINGDOM

Roland (U.K.) Ltd.

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SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

Enterprise Park, SWANSEA

Roland Canada Music Ltd.

(Toronto Office)

170 Admiral Boulevard

MIDDLE EAST

U. S. A.

Mississauga On L5T 2N6

TEL: (905) 362 9707

CANADA

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

BAHRAIN

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: (323) 890 3700

As of November 1, 2003 (Roland)

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia,

TEL: (022) 66-9426

TEL: 211 005

CYPRUS

E-200/E-100

EUROPE

Roland Austria GES.M.B.H.

Siemensstrasse 4, P.O. Box 74,

A-6063 RUM, AUSTRIA

TEL: (0512) 26 44 260

PARAGUAY

Distribuidora De

J.E. Olear y ESQ. Manduvira

TEL: (021) 492-124

Todo Musica S.A.

Francisco Acuna de Figueroa 1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

TEL: 315-0101

Instrumentos Musicales

Asuncion PARAGUAY

Panama City, REP. DE PANAMA

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

MEXICO

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

PHILIPPINES

Information

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as

AFRICA

shown below.

PANAMA

TEL: (55) 5668-6699

de los Padres 01780 Mexico D.F.

MEXICO

Swee Lee Company

CRISTOFORI MUSIC PTE

SINGAPORE

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street,

ARD E1 Golf, Heliopolis,

EGYPT

150 Sims Drive,

SINGAPORE 387381

TEL: 6846-3676

Cairo 11341, EGYPT

TEL: 20-2-417-1828

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

REUNION

Blk 3014, Bedok Industrial Park E,

LTD

#02-2148, SINGAPORE 489980

Ste Clotilde Cedex,

REUNION ISLAND

URUGUAY

ROLAND TAIWAN

TEL: 6243-9555

ENTERPRISE CO., LTD.

TAIWAN

TEL: (0262) 218-429

That Other Music Shop

11 Melle St., Braamfontein,

(PTY) Ltd.

SOUTH AFRICA

Musicland Digital C.A.

Av. Francisco de Miranda,

Centro Parque de Cristal, Nivel

VENEZUELA

C2 Local 20 Caracas

VENEZUELA

Room 5, 9fl. No. 112 Chung Shan

TEL: (02) 2561 3339

N.Road Sec.2, Taipei, TAIWAN,

R.O.C.

THAILAND

P.O.Box 32918, Braamfontein 2017

TEL: (011) 403 4105

Johannesbourg, SOUTH AFRICA

Paul Bothner (PTY) Ltd.

Johannesbourg, SOUTH AFRICA

VIETNAM

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2,

TEL: (02) 2248821

Bangkok 10100, THAILAND

17 Werdmuller Centre,

SOUTH AFRICA

P.O.BOX 23032, Claremont 7735,

Main Road, Claremont 7708

SOUTH AFRICA

TEL: (212) 285-8586

Saigon Music

TEL: (021) 674 4030

AUSTRIA

Suite DP-8

40 Ba Huyen Thanh Quan Street

Hochiminh City, VIETNAM

Tel: (08) 930-1969

ASIA

CHINA

Roland Benelux N. V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

BELGIUM/HOLLAND/

LUXEMBOURG

AUSTRALIA/

NEW ZEALAND

Roland Corporation

38 Campbell Avenue

Dee Why West. NSW 2099

TEL: (02) 9982 8266

Australia Pty., Ltd.

AUSTRALIA

Roland Shanghai Electronics

5F. No.1500 Pingliang Road

TEL: (021) 5580-0800

Shanghai 200090, CHINA

Co.,Ltd.

AUSTRALIA

Roland Shanghai Electronics

(BEIJING OFFICE)

10F. No.18 Anhuaxili

Chaoyang District, Beijing 100011

CHINA

Co.,Ltd.

TEL: (014) 575811

K-AUDIO

Kardasovska 626.

CZ-198 00 Praha 9,

CZECH REP.

TEL: (2) 666 10529

CZECH REP.

Roland Corporation Ltd.

NEW ZEALAND

TEL: (010) 6426-5050

Roland Shanghai Electronics

Co.,Ltd.

CENTRAL/LATIN

32 Shaddock Street, Mount Eden,

TEL: (09) 3098 715

Auckland, NEW ZEALAND

(GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie Yi

Guangzhou 510600, CHINA

Tel: (020) 8736-0428

Xiang, Wu Yang Xin Cheng,

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: 3916 6200

DENMARK

AMERICA

ARGENTINA

Tom Lee Music Co., Ltd.

Service Division

HONG KONG

Roland France SA

FRANCE

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

22-32 Pun Shan Street, Tsuen

HONG KONG

TEL: 2415 0911

Wan, New Territories,

4, Rue Paul Henri SPAAK,

Parc de l'Esplanade, F 77 462 St.

TEL: 01 600 73 500

Roland Scandinavia As,

Elannontie 5

Thibault, Lagny Cedex FRANCE

BRAZIL

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Filial Finland

FINLAND

Roland Brasil Ltda

Rua San Jose, 780 Sala B

Kowloon, HONG KONG

COSTA RICA

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi

TEL: 2333 1863

Flats Compound Off. Dr. Edwin

INDIA

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

Roland Elektronische

Oststrasse 96, 22844 Norderstedt,

GERMANY

JUAN Bansbach

Ave.1. Calle 11, Apartado 10237,

Instrumentos Musicales

TEL: (022) 2493 9051

Moses Road, Mumbai-400011,

INDIA

TEL: (040) 52 60090

Musikinstrumente HmbH.

San Jose, COSTA RICA

TEL: 258-0211

Comercial Fancy S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

CHILE

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

INDONESIA

TEL: (021) 6324170

Jakarta Pusat

INDONESIA

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

GREECE

Santiago - Centro, CHILE

KOREA

HUNGARY

TEL: (02) 688-9540

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo ,

Edificio No.4010 San Salvador,

EL SALVADOR

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint, HUNGARY

TEL: (23) 511011

TEL: 262-0788

EL SALVADOR

BENTLEY MUSIC SDN BHD

140 & 142, Jalan Bukit Bintang

TEL: (03) 2144-3333

55100 Kuala Lumpur,MALAYSIA

Page 66

E-200/E-100

Roland E-100 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

1. Important notes

2. Panel descriptions

Front panel

Rear panel

3. First steps

Setting up

Demo songs

Playing without accompaniment

4. Playing with accompaniment (Arranger)

Starting/using the Arranger

Selecting Music Styles

Balance

5. Playing back songs

Basic song playback

Additional playback functions

Stylist function

7. Recording your music

Basic song recording

Other recording functions

One Touch (OTP)

Using the Music Assistant

Melody Intelligence

Bass Inversion (Bass Inv)

More Music Style functions

9. Keyboard part functions

Selecting sounds for the Main, Split and Dual parts

Drum sounds and sound effects (“SFX”)

Transpose

Octave settings

Other Keyboard part functions

10. Performance functions and effects

Performance functions

Using effects

V-LINK function

11. Function menu

12. Working with User Programs

Selecting a User Program

13. MIDI functions

14. Data management

Working with the Flash memory

15. Using the outputs and an optional footswitch

16. Miscellaneous

Functions for educational purposes

17. Specifications

18. Lists

Tones selectable via the front panel

Drum Kits

Music Styles

Chord Intelligence (“Md1” setting)

MIDI Implementation Chart