RME MADI-E User manual

User's Guide
Hammerfall® DSP System
HDSPe MADI
24 Bit / 192 kHz 9
TotalMix
SyncAlign
ZLM SyncCheck
SteadyClock
64 Channels MADI Interface
24 Bit / 192 kHz Digital Audio
Stereo Analog Monitoring
128 x 64 Matrix Router
2 x MIDI I/O
MIDI embedded in MADI
General
1 Introduction ...............................................................6
2 Package Contents.....................................................6
3 System Requirements ..............................................6
4 Brief Description and Characteristics.....................6
5 Hardware Installation................................................7
6 Hardware – Connectors
6.1 External Connectors ..............................................7
6.2 Internal Connectors................................................8
7 Accessories...............................................................8
8 Warranty.....................................................................8
9 Appendix....................................................................9
Driver Installation and Operation - Windows
10 Driver and Firmware
10.1 Driver Installation .................................................12
10.2 Driver Update.......................................................12
10.3 De-Installing the Drivers.......................................12
10.4 Firmware Update..................................................13
11 Configuring the HDSPe MADI
11.1 Settings Dialog.....................................................14
11.2 Settings Dialog – Pitch.........................................16
11.3 Clock Modes – Synchronization...........................17
12 Operation and Usage
12.1 Playback...............................................................18
12.2 DVD Playback (AC-3 / DTS)................................19
12.3 Notes on WDM.....................................................20
12.4 Multi-client Operation ...........................................20
12.5 Digital Recording..................................................21
13 Operation under ASIO
13.1 General ................................................................22
13.2 Known Problems..................................................22
14 Using multiple HDSPe MADI..................................23
15 DIGICheck Windows ...............................................23
16 Hotline – Troubleshooting......................................24
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Driver Installation and Operation - Mac OS X
17 Driver and Flash Update
17.1 Driver Installation.................................................26
17.2 Driver Update.......................................................26
17.3 Firmware Update.................................................26
18 Configuring the HDSPe MADI
18.1 Settings Dialog.....................................................27
18.2 Clock Modes – Synchronization..........................29
19 Mac OS X FAQ
19.1 Round about Driver Installation...........................30
19.2 MIDI doesn't work ................................................30
19.3 Supported Sample Rates.....................................30
19.4 Repairing Disk Permissions.................................30
19.5 Various Information..............................................31
20 Using more than one HDSPe System...................31
21 DIGICheck Mac........................................................32
22 Hotline – Troubleshooting .....................................32
Connections and TotalMix
23 Connections
23.1 Headphones.........................................................34
23.2 MADI I/Os ............................................................34
23.3 MIDI .....................................................................35
24 Word Clock
24.1 Word Clock Input and Output..............................35
24.2 Technical Description and Background...............36
24.3 Cables and Termination.......................................37
24.4 General Operation ...............................................38
25 TotalMix: Routing and Monitoring
25.1 Overview..............................................................39
25.2 The User Interface...............................................40
25.3 Elements of a Channel ........................................42
25.4 Tour de TotalMix..................................................42
25.5 Submix View ........................................................44
25.6 Mute and Solo......................................................44
25.7 Quick Access Panel.............................................45
25.8 Presets.................................................................45
25.9 Monitor Panel.......................................................47
25.10 Preferences..........................................................47
25.11 Editing the Names ...............................................48
25.12 Hotkeys................................................................49
25.13 Menu Options.......................................................50
25.14 Fader Groups.......................................................50
25.15 Level Meter..........................................................51
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26 TotalMix: The Matrix
26.1 Overview..............................................................52
26.2 Elements of the Matrix View ................................52
26.3 Usage...................................................................52
26.4 Advantages of the Matrix.....................................53
27 TotalMix Super-Features
27.1 ASIO Direct Monitoring (Windows only) ..............53
27.2 Selection and Group based Operation ................54
27.3 Copy Routings to other Channels........................54
27.4 Delete Routings....................................................54
27.5 Recording a Subgroup (Loopback)......................55
27.6 Using external Effects Devices............................56
27.7 MS Processing.....................................................57
28 TotalMix MIDI Remote Control
28.1 Overview..............................................................58
28.2 Mapping ...............................................................58
28.3 Setup....................................................................59
28.4 Operation .............................................................59
28.5 Simple MIDI Control.............................................60
28.6 Loopback Detection.............................................61
Technical Reference
29 Technical Specifications
29.1 Inputs ...................................................................64
29.2 Outputs.................................................................64
29.3 Digital...................................................................65
29.4 MIDI......................................................................65
30 Technical Background
30.1 MADI Basics.........................................................66
30.2 Lock and SyncCheck...........................................67
30.3 Latency and Monitoring........................................68
30.4 DS – Double Speed .............................................69
30.5 QS – Quad Speed................................................70
30.6 SteadyClock.........................................................71
30.7 Terminology .........................................................72
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User's Guide HDSPe MADI © RME
User's Guide
HDSPe MADI
General
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1. Introduction
Thank you for choosing the HDSPe MADI. This unique audio system is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play tech­nology. The numerous unique features and well thought-out configuration dialog puts the Ham­merfall DSPe MADI at the very top of the range of digital audio interface cards.
The package contains drivers for Windows (XP, Vista, 7, 8) and Mac OS X x86 (Intel). Our high-performance philosophy guarantees maximum system performance by executing as
many functions as possible not in the driver (i.e. the CPU), but directly within the audio hard­ware.
2. Package Contents
Please check that your HDSPe MADI package contains each of the following:
HDSPe MADI PCI card
HDSPe MADI expansion board
Quick Info guide
RME Driver CD
MIDI breakout cable
Expansion Board ribbon cable (14-conductor)
3. System Requirements
Windows XP or up, Mac OS X Intel (10.5 or up)
PCI Express Interface: a free PCI Express slot, 1 lane, version 1.1
4. Brief Description and Characteristics
All settings can be changed in real-time
8 available buffer sizes/latencies: 0.7 / 1.5 / 3 / 6 / 12 / 23 / 46 / 93 ms
32 channels 96 kHz/24 bit record/playback
16 channels 192 kHz/24 bit record/playback
Automatic and intelligent master/slave clock control
Word clock input and output
TotalMix for latency-free submixes and perfect ASIO Direct Monitoring
SyncAlign guarantees sample aligned and never swapping channels
SyncCheck tests and reports the synchronization status of input signals
2 x MIDI I/O, 32 channels high-speed MIDI
DIGICheck DSP: Level meter in hardware, peak- and RMS calculation
TotalMix: 8192 channel mixer with 42 bit internal resolution
SteadyClock: Jitter-immune, super-stable digital clock
Quick Boot technology for immediate loading of the hardware settings
Optional Time Code module (TCO) for external Video-/SMPTE synchronization
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5. Hardware Installation
Before installing the PCI Express card, please make sure the computer is switched off and the power cable is disconnected from mains supply. Inserting or removing the card while the computer is in operation can cause irreparable damage to both motherboard and card!
1. Disconnect the power cord and all other cables from the computer.
2. Remove the computer's housing. Further information on how to do this can be obtained from your computer's instruction manual.
3. Important: Before removing the HDSPe MADI from its protective bag, discharge any static in your body by touching the metal chassis of the PC.
4. Prior to installation: Connect the HDSPe MADI card to the Expansion Board using the sup­plied flat ribbon cable.
5. Insert the HDSPe MADI firmly into a free PCI Express slot, press and fasten the screw.
6. Insert the Expansion Board and fasten the screw.
7. Replace the computer's housing.
8. Reconnect all cables including the power cord.
6. Hardware - Connectors
6.1 External Connectors
The bracket of the main board has two MADI inter­faces, optical and coaxial input and output each, a MADI error LED and the analog stereo output.
Identical signals are avail­able at both the optical and the coaxial output. Therefore two devices can be connected, i.e. using the HDSPe MADI as a splitter (distribution 1 to 2).
The Expansion Board's bracket has the word clock input and output. Next to the input BNC socket, a green LED dis­plays the word clock in­put's LOCK state. Between the BNC sockets, 75 Ohm word clock termination can be activated and verified by a yellow LED.
The included breakout cable is connected to the 9-pin Mini-DIN connector and provides two MIDI inputs and outputs via four 5-pin DIN connectors.
: If neither word clock I/O nor MIDI I/O is required, it is not necessary to install the Expan-
Note sion Board at all.
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6.2 Internal Connectors
X402
15-pin connector for the included HDSPe MADI Expansion Board.
X403
10-pin connector for a connection of the Time Code Option (TCO).
X200
No function. Used to program the card in the factory.
X400 Sync In
Internal word clock input for synchronization of multiple cards via SYNC OUT. Supported since firmware version 17.
X401 Sync Out
This 3-pin connector carries an internal word clock signal. It can be used to synchronize multi­ple cards with sample accuracy, and without the need for an external connection. The card where SYNC OUT is used is Master, the one with SYNC IN is Slave. In the Settings dialog the Slave has to be set to Sync In under Pref. Sync Ref, the Clock Mode must be set to AutoSync. Supported since firmware version 17.
7. Accessories
RME offers several optional components. Additionally parts of the HDSPE MADI, like the spe­cial breakout cables, are available separately.
Part Number Description
BOHDSP9652 MIDI breakout cable VKHDSP9652 14-conductor flat ribbon cable
ONK0100 MADI Optical Network Cable, 3.3 ft (1 m) ONKD0300 MADI Optical Network Cable, 10 ft (3 m) ONKD0600 MADI Optical Network Cable, 20 ft (6 m) ONKD1000 MADI Optical Network Cable, 33 ft (10 m) ONKD2000 MADI Optical Network Cable, 66 ft (20 m) ONKD5000 MADI Optical Network Cable, 165 ft (50 m)
8. Warranty
Each individual HDSPe undergoes comprehensive quality control and a complete test at IMM before shipping. The usage of high grade components should guarantee a long and trouble-free operation of the unit.
If you suspect that your product is faulty, please contact your local retailer. Audio AG grants a limited manufacturer warranty of 6 months from the day of invoice showing
the date of sale. The length of the warranty period is different per country. Please contact your local distributor for extended warranty information and service. Note that each country may have regional specific warranty implications.
In any case warranty does not cover damage caused by improper installation or maltreatment ­replacement or repair in such cases can only be carried out at the owner's expense.
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No warranty service is provided when the product is not returned to the local distributor in the region where the product had been originally shipped.
Audio AG does not accept claims for damages of any kind, especially consequential damage. Liability is limited to the value of the Hammerfall DSP. The general terms of business drawn up by Audio AG apply at all times.
9. Appendix
RME news, driver updates and further product information are available on our website: http://www.rme-audio.com Distributor:
Audio AG, Am Pfanderling 60, D-85778 Haimhausen, Tel.: (49) 08133 / 91810 Manufacturer:
IMM Elektronik GmbH, Leipziger Strasse 32, D-09648 Mittweida
Trademarks All trademarks, registered or otherwise, are the property of their respective owners. RME,
DIGICheck and Hammerfall are registered trademarks of RME Intelligent Audio Solutions. HDSPe MADI, HDSP AES-32, TMS, DIGI96, SyncAlign, ZLM, SyncCheck and TotalMix are trademarks of RME Intelligent Audio Solutions. Alesis and ADAT are registered trademarks of Alesis Corp. ADAT optical is a trademark of Alesis Corp. Microsoft, Windows 2000, Windows XP, Windows Vista and Windows 7 are registered trademarks or trademarks of Microsoft Corp. Steinberg, Cubase and VST are registered trademarks of Steinberg Media Technologies GmbH. ASIO is a trademark of Steinberg Media Technologies GmbH.
Copyright © Matthias Carstens, 07/2012. Version 1.4 Current driver version: Windows: 3.29, Mac OS X Intel: 3.03. Firmware: 29
Although the contents of this User’s Guide have been thoroughly checked for errors, RME can not guarantee that it is correct throughout. RME does not accept responsibility for any misleading or incorrect information within this guide. Lending or copying any part of the guide or the RME Driver CD, or any commercial exploitation of these media without express written permission from RME Intelligent Audio Solutions is prohibited. RME reserves the right to change specifi­cations at any time without notice.
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CE / FCC Compliance
CE
This device has been tested and found to comply with the limits of the European Council Direc­tive on the approximation of the laws of the member states relating to electromagnetic compati­bility according to RL2004/108/EG.
FCC
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protec­tion against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
RoHS
This product has been soldered lead-free and fulfils the requirements of the RoHS directive.
ISO 9001
This product has been manufactured under ISO 9001 quality management. The manufacturer, IMM Elektronik GmbH, is also certified for ISO 14001 (Environment) and ISO 13485 (medical devices).
Note on Disposal
According to the guide line RL2002/96/EG (WEEE – Directive on Waste Electrical and Electronic Equipment), valid for all european countries, this product has to be recycled at the end of its lifetime.
In case a disposal of electronic waste is not possible, the recycling can also be done by IMM Elektronik GmbH, the manufacturer of the HDSPe MADI.
For this the device has to be sent free to the door to: IMM Elektronik GmbH
Leipziger Straße 32 D-09648 Mittweida Germany
Shipments not prepaid will be rejected and returned on the original sender's costs.
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User's Guide
HDSPe MADI
Driver Installation and Operation - Windows
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10. Driver and Firmware
10.1 Driver Installation
After the HDSPe MADI has been installed correctly (see 5. Hardware Installation), and the com­puter has been switched on, Windows will recognize the new hardware component and start its ‘Hardware Wizard’. Insert the RME Driver CD into your CD-ROM drive, and follow further in­structions which appear on your computer screen. The driver files are located in the directory \WDM on the RME Driver CD.
Windows now installs the driver of the HDSP system and registers it as a new audio device in the system. After a reboot, the symbols of TotalMix and Settings dialog will appear in the task bar.
In case the Hardware Wizard does not show up automatically after installation of the card, do not attempt to install the drivers manually! An installation of drivers for non-recognized hardware will cause a blue screen when booting Windows!
In Windows 7 Microsoft removed the automatic start of the Driver Software Update dialog. The­refore this dialog has to be started manually after the failed driver installation. Hit the Win key, type 'Device Manager', start the Device Manager by selecting it from the list and hit Enter.
The device is shown with a yellow warning symbol. Usually it is already found in the correct category, Sound, Video and Game Controller (Plug & Play detects a multimedia device). Right click on the device and select 'Update Driver Software' from the context menu.
The dialog Update Driver Software appears. Now follow the instructions given below.
10.2 Driver Update
When facing problems with the automatic driver update, the user-driven way of driver installa­tion will work.
Under >Control Panel /System /Device Manager /Sound, Video and Game Controllers /RME Hammerfall DSP MADI /Properties /Driver< you'll find the 'Update Driver' button.
XP: Select 'Install from a list or specific location (advanced)', click 'Next', select 'Don't search I will choose the driver to install', click 'Next', then 'Have Disk'. Now point to the
driver update's directory.
Vista/7: Select 'Browse my computer for driver software', then 'Let me pick from a list of device drivers from my computer', then 'Have Disk'. Now point to the driver update's direc-
tory. This method also allows for the installation of older drivers than the currently installed ones.
10.3 De-Installing the Drivers
A de-installation of the HDSPe driver files is not necessary – and not supported by Windows anyway. Thanks to full Plug & Play support, the driver files will not be loaded after the hardware has been removed. If desired these files can then be deleted manually.
Unfortunately Windows Plug & Play methods do not cover the additional autorun entries of To­talMix, the Settings dialog, and the registration of the ASIO driver. Those entries can be re­moved from the registry through a software de-installation request. This request can be found (like all de-installation entries) in Control Panel, Software. Click on the entry 'RME Hammerfall DSP (WDM)'.
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10.4 Firmware Update
The Flash Update Tool updates the HDSPe MADI to the latest firmware version. It requires an already installed driver.
Start the program pcie_fut.exe. The Flash Update Tool displays the current revision of the HDSPe MADI, and whether it needs an update or not. If so, then please press the 'Update' but­ton. A progress bar will indicate when the flash process is finished. The bar moves slowly first (program), then faster (verify).
If more than one interface card is installed, all cards can be flashed by changing to the next tab and repeating the process.
After the update the PCI Express card needs to be reset. This is done by powering down and shutting off the PC. A warm boot is not enough!
When the update fails (status: failure), the card's second BIOS will be used from the next cold boot on (Secure BIOS Technology). Therefore the card stays fully functional. The flash process should then be tried again on a different computer.
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11. Configuring the HDSPe MADI
11.1 Settings Dialog
Configuration of the HDSPe MADI is done via its own settings dialog. The panel 'Settings' can be opened:
by clicking on the hammer symbol in the Task Bar's notification area The mixer of the Hammerfall DSP System (TotalMix) can be opened:
by clicking on the mixer icon in the Task Bar's notification area The hardware of the HDSP system offers a number of helpful, well thought-of practical functions
and options which affect how the card operates - it can be configured to suit many different requirements. The following is available in the 'Settings' dialog:
Input selection
Configuration of digital I/Os
Synchronization behaviour
State of input and output
Current sample rate
Latency
Any changes made in the Settings dialog are applied immediately ­confirmation (e.g. by clicking on OK or exiting the dialog) is not required.
However, settings should not be changed during playback or record if it can be avoided, as this can cause unwanted noises.
Also, please note that even in 'Stop' mode, several programs keep the recording and playback devices open, which means that any new settings might not be applied immediately.
The status displays at the bottom of the dialog box give the user precise information about the current status of the system, and the status of all digital signals.
The tab About includes information about the current driver and firmware version of the HDSPe MADI.
Buffer Size
The setting Buffer Size determines the latency between incoming and outgoing ASIO and WDM data, as well as affecting system stability (see chapter 13.1).
WDM Devices
Not before Vista the OS had been capable to handle more than 32 WDM stereo devices. There­fore under W2k/XP it often makes sense to intentionally limit their number.
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Clock Mode Sample Rate
Sets the currently used sample rate. Offers a central and comfortable way of configuring the sample rate of all WDM devices to the same value, as since Vista the audio software is no longer allowed to set the sample rate. However, an ASIO program can still set the sample rate by itself.
During record/playback the selection is greyed out, so no change is possible.
Clock Source
The unit can be configured to use its own clock (Internal = Master), or one of the input signals (Word, MADI, TCO, Sync In). If the selected source isn't available (No Lock), the unit will change to the next available one (this behaviour is called AutoSync). If none is available then the internal clock is used. The current clock source is displayed as Current.
Pitch
More information on Pitch is available in chapter 11.2.
Options MADI In
Defines the input for the MADI signal. 'Optical' relates to the optical input, 'Coaxial' to the BNC socket.
TMS activates the transmission of Channel Status data and Track Marker information from the MADI input signal.
Auto activates redundancy operation. If the current input signal fails, the other input will be used immediately, provided a valid signal is found there. Input also works as automatic input selec­tion, in case only optical or coaxial is present as input signal.
MADI Out
Defines the format of the MADI output signal. MADI can be a 56 or 64 channel signal.
88.2/96 kHz
Sample rates higher than 48 kHz can be transmitted using the normal 48K Frame, or using a native 96K Frame at the card's output.
Word Clock Out
The word clock output signal usually equals the current sample rate. Selecting Single Speed causes the output signal to always stay within the range of 32 kHz to 48 kHz. So at 96 kHz and 192 kHz sample rate, the output word clock is 48 kHz.
MADI Input Status
Displays the state of the current input signal:
Channel format (64 or 56 channels)
Frame format (48K or 96K)
Sample rate (measured)
Active input (optical or coaxial)
Sync Check
RME’s exclusive SyncCheck technology provides an easy to use check and display of the cur­rent clock status. The SyncCheck field indicates whether no signal (No Lock), a valid signal (Lock) or a valid and synchronous signal (Sync) is present at each of the digital clock source inputs.
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About
This tab includes information about the driver and the card’s firmware version. Lock Registry uses a password to prevent changes of the settings stored in the registry. All
settings are still changeable temporarily. As the settings are always loaded from the registry when starting the computer, this method provides an easy way to define a specific initial state of the HDSP system.
11.2 Settings Dialog - Pitch
Usually soundcards and audio interfaces generate their internal clock (master mode) by a quartz. Therefore the internal clock can be set to 44.1 kHz or 48 kHz, but not to a value in be­tween. SteadyClock, RME's sensational Low Jitter Clock System, is based on a Direct Digital Synthesizer (DDS). This superior circuitry can generate nearly any frequency with highest pre­cision.
DDS has been implemented into the HDSPe MADI with regard to the needs of professional video applications, as well as to maximum flexibility. The section Pitch includes both a list of typical video frequencies (so called pull up/pull down at 0.1% and 4%) and a fader to freely change the basic sample rate in steps of 1 Hz (!) over a range of +/- 5%.
The Pitch function requires the HDSPe MADI to be in clock mode Master! The frequency setting will only be applied to this one specific card!
Changing the sample rate during record/playback often results in a loss of audio, or brings up warning messages of the audio software. Therefore the desired sample rate should be set at least coarsely before starting the software.
Coarse
Coarse modification in steps of 50 Hz is done by clicking with the mouse to the left and right of the fader knob.
Fine
Fine modification in steps of 1 Hz is done by using the left/right cursor keys.
Reset
Ctrl key plus left mouse click.
Application examples
Pitch allows for a simultaneous change of speed and tune during record and playback. From alignment to other sources up to creative effects – everything is possible.
Pitch enables you to intentionally de-tune the complete DAW. This way, the DAW can match instruments which have a wrong or unchangeable tuning.
Pitch allows for the change of the sample rate of all WDM devices at the same time. Since Vista this is no longer possible via the audio program, thus requires a manual reconfiguration of all WDM devices. Changing the sample rate from the Settings dialog solves this problem.
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11.3 Clock Modes - Synchronisation
In the digital world, all devices must be either Master (clock source) or Slave (clock receiver). Whenever several devices are linked within a system, there must always be a single master clock.
A digital system can only have one master! If the card’s clock mode is set to 'Master', all other devices must be set to ‘Slave’.
The HDSPe MADI utilizes a very user-friendly, intelligent clock control, called AutoSync. In AutoSync mode, the system constantly scans the digital input for a valid signal. If any valid sig­nal is found, the card switches from the internal quartz (Clock Mode – Current Internal) to a clock extracted from the input signal (Clock Mode – Current MADI, Word, TCO or Sync In). The difference to a usual slave mode is that whenever the clock reference fails, the system will automatically use its internal clock and operate in clock mode Master.
AutoSync guarantees that normal record and record-while-play will always work correctly. In certain cases however, AutoSync may cause feedback in the digital carrier, so synchronization breaks down. To remedy this, switch the HDSP clock mode to ‘Internal’.
RME’s exclusive SyncCheck technology enables an easy to use check and display of the cur­rent clock status. SyncCheck indicates whether there is a valid signal (Lock, No Lock) for each input (Word, MADI, TCO, Sync In), or if there is a valid and synchronous signal (Sync). In the field Clock Mode the clock reference is shown. See chapter 32.1.
Via Clock Source a preferred input can be defined. As long as the card sees a valid signal there, this input will be designated as the sync source, otherwise the other inputs will be scanned in turn. If none of the inputs are receiving a valid signal, the card automatically switches clock mode to ‘Master’.
Under WDM the card will (has to) set the sample rate. Therefore the error shown to the right can occur. A stable signal with a sample rate of 32 kHz is detected at the Word Clock input (Sync), but Windows audio had been set to 44100 Hz before. The red colour of the text label signals the error condition, and prompts the user to set 32000 Hz manually as sample rate.
Under ASIO the audio software sets the sample rate, so that such an error will usually not hap­pen – but it can too. In slave mode the external sample rate has priority. Feeding 44.1 kHz will prevent the ASIO software to set 48 kHz – obviously, as the only way to do so would be to enter a different clock mode (Master/Internal).
In practice, SyncCheck provides the user with an easy way of checking whether all digital de­vices connected to the system are properly configured. With SyncCheck, finally anyone can master this common source of error, previously one of the most complex issues in the digital studio world.
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12. Operation and Usage
12.1 Playback
The HDSP system can play back audio data in supported formats only (sample rate, bit resolu­tion). Otherwise an error message appears (for example at 22 kHz and 8 bit).
In the audio application being used, HDSP must be selected as output device. This can often be found in the Options, Preferences or Settings menus under Playback Device, Audio Devices, Audio etc.
We strongly recommend switching off all system sounds (via >Control Panel /Sounds<). Also HDSPe should not be the Preferred Device for playback, as this could cause loss of synchroni­zation and unwanted noises. If you feel you cannot do without system sounds, you should use on-board sound or any cheap sound card and select this one as Preferred Device in >Control Panel /Multimedia /Audio< or >Control Panel /Sound /Playback<.
The screenshot to the right shows a typical configuration dialog as displayed by a (stereo) wave editor. After selecting one of the 32 playback devices, audio data is sent to the according audio chan­nels.
Increasing the number and/or size of audio buffers may prevent the audio signal from breaking up, but also increases latency i.e. output is delayed. For synchronized playback of audio and MIDI (or similar), be sure to activate the checkbox ‘Get position from audio driver’.
The HDSPe MADI allows sample rates of up to 192 kHz via MADI. In this mode, only channels 1 to 16 are available.
Note on Windows Vista/7 Since Vista the audio application can no longer control the sample rate under WDM. Instead the user has to work himself through numerous settings (up to 32 with a MADI card!), and to set the sample rate to the exact same value per stereo device.
Therefore the driver of the HDSPe MADI includes a workaround: the sample rate can be set globally for all WDM devices within the Settings dialog, see chapter 11.1.
:
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12.2 DVD-Playback (AC-3/DTS)
AC-3 / DTS
When using popular DVD software players like WinDVD and PowerDVD, their audio data stream can be sent to any AC-3/DTS capable receiver via the HDSPe MADI. For this to work an output wave device has to be selected in >Control Panel/ Sounds and Multimedia/ Audio< or >Control Panel/ Sound/Playback<. Also check 'use preferred device only'.
The DVD software's audio properties now show the options 'SPDIF Out' or similar. When select­ing these, the software will transfer the non-decoded digital multichannel data stream to the HDSPe. Naturally a successful decoding also requires a MADI to AES converter like the RME ADI-642, converting the playback signals to stereo AES3 or SPDIF.
: This 'SPDIF' signal sounds like chopped noise at highest level. The first 2 channels
Note (Loudspeaker) do not support digital AC-3/DTS playback.
Multichannel
PowerDVD and WinDVD can also operate as software decoder, sending a DVD's multichannel data stream directly to the outputs of the HDSPe MADI. For this to work select the WDM play­back device ’Loudspeaker’ of the HDSPe MADI in
XP: >Control Panel/ Sounds and Multimedia/ Audio<, and 'Use only default devices' has to be checked. Additionally the loudspeaker setup, found under >Volume/ Speaker Settings/ Ad- vanced< has to be changed from Stereo to 5.1 Surround.
Vista/7: >Control Panel/ Sound/ Playback < as ‘Standard’. Additionally the loudspeaker setup, found under >Configuration<, has to be changed from Stereo to 5.1 Surround.
PowerDVD's and WinDVD's audio properties now list several multichannel modes. If one of these is selected, the software sends the decoded analog multichannel data to the HDSPe MADI. TotalMix can then be used to play back via any desired output channels.
The typical channel assignment for surround playback is: 1 - Left
2 - Right 3 - Center 4 - LFE (Low Frequency Effects) 5 - SL (Surround Left) 6 - SR (Surround Right)
Note 1 professional cards are not specialized to play back system sounds, and shouldn't be disturbed by system events. To prevent this be sure to re-assign this setting after usage or disable any system sounds (tab Sounds, scheme 'No audio').
Note 2 Sync and/or word clock, the playback speed and pitch follows the incoming clock signal.
: Setting the card to be used as system playback device is against common sense, as
: The DVD player will be synced backwards from the HDSPe card. So when using Auto-
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12.3 Notes on WDM
The driver offers a WDM streaming device per stereo pair, like HDSP MADI (1+2). WDM streaming is Microsoft's current driver and audio system. WDM streaming is hardly usable for professional music purposes, as all data is processed by the Kernel Mixer, causing a latency of at least 30 ms. Additionally, WDM can perform sample rate conversions unnoticed, cause off­sets between record and playback data, block channels unintentionally and much more.
Several programs do not offer any direct device selection. Instead they use the playback device selected in Windows under
XP: <Control Panel/ Sounds and Multimedia/ Audio> Vista/7: <Control Panel/ Sound/ Playback> The program Sonar from Cakewalk is unique in many ways. Sonar uses the so called WDM
Kernel Streaming, bypassing the WDM mixer, thus achieves a similar performance to ASIO.
Because of the driver's multichannel streaming ability Sonar not only finds the stereo device mentioned above, but also the 8-channel interleaved devices, and adds the channel number at the end:
HDSP MADI (1+2) is the first stereo device HDSP MADI (3+4) is the next stereo device HDSP MADI (1+2) 3/4 are the channels 3/4 of the first 8-channel interleaved device.
We recommend to not use these interleaved devices. Also note that it is not possible to use one stereo channel twice (the basic and the interleaved one), even with different applications.
Multi-Channel using WDM
The WDM Streaming device Loudspeaker (MADI Out 1+2) of the RME driver can operate as usual stereo device, or as up to 8-channel device.
An 8-channel playback using the Windows Media Player requires the speaker setup 7.1 Sur- round. Configure as follows:
XP: >Control Panel /Sounds and Multimedia /Audio /Volume /Speaker Settings /Advanced < Vista/7: >Control Panel /Sound /Playback /Loudspeaker /Configure <
12.4 Multi-client Operation
RME audio interfaces support multi-client operation. Several programs can be used at the same time. The formats ASIO and WDM can even be used on the same playback channels simulta­neously. As WDM uses a real-time sample rate conversion (ASIO does not), all active ASIO software has to use the same sample rate.
However, a better overview is maintained by using the channels exclusively. This is no limitation at all, because TotalMix allows for any output routing, and therefore a playback of multiple soft­ware on the same hardware outputs.
Inputs can be used from an unlimited number of WDM and ASIO software at the same time, as the driver simply sends the data to all applications simultaneously.
RME's sophisticated tool DIGICheck is an exception to this rule. It operates like an ASIO host, using a special technique to access playback channels directly. Therefore DIGICheck is able to analyse and display playback data from any software, no matter which format it uses.
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User's Guide HDSPe MADI © RME
12.5 Digital Recording
Unlike analog soundcards which produce empty wave files (or noise) when no input signal is present, digital interfaces always need a valid input signal to start recording.
Taking this into account, RME added a comprehensive I/O signal status display to the HDSPe MADI, showing sample frequency, lock and sync status for every input.
The sample frequency shown in the fields Clock Mode and MADI Input Status is useful as a quick display of the current configuration of the unit and the connected external equipment. If no sample frequency is recognized, it will read ‘No Lock’.
This way, configuring any suitable audio application for digital recording is simple. After selecting the correct input, HDSPe MADI displays the current sample frequency. This parameter can then be changed in the application’s audio properties (or similar) dialog.
It often makes sense to monitor the input signal or send it directly to the output. This can be done at zero latency using TotalMix (see chapter 25).
An automated control of real-time monitoring can be achieved by Steinberg’s ASIO protocol with RME’s ASIO drivers and all ASIO 2 compatible programs. When 'ASIO Direct Monitoring' has been switched on, the input signal is routed in real-time to the output whenever a recording is started (punch-in).
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13. Operation under ASIO
13.1 General
Start the ASIO software and select ASIO Hammerfall DSP as the audio I/O device. The HDSP system supports ASIO Direct Monitoring (ADM). The HDSPe MADI’s MIDI I/O can be used with both MME MIDI and DirectMusic MIDI. At a sample rate of 88.2 or
96 kHz (Double Speed mode), the number of channels available at the MADI input and output is halved. At a sample rate of
176.4 or 192 kHz (Quad Speed mode), the number of channels is reduced to
16. : When changing the
Note sample rate range between Single, Double and Quad Speed the number of channels presented from the ASIO driver will change too. This may require a reset of the I/O list in the audio software.
13.2 Known Problems
If a computer does not provide sufficient CPU-power and/or sufficient PCIe-bus transfer rates, then drop outs, crackling and noise will appear. Raising the buffer size in the Settings dialog of the HDSP system helps in most cases. We recommend to deactivate all PlugIns to verify that these are not the reason for such effects.
Another common source of trouble is incorrect synchronization. ASIO does not support asyn­chronous operation, which means that the input and output signals not only have to use the same sample frequency, but also have to be in sync. Devices connected to the HDSPe MADI must be properly configured for Full Duplex operation. As long as SyncCheck (in the Settings dialog) only displays Lock instead of Sync, the devices have not been set up properly!
The same applies when using more than one HDSP system - they all have to be in sync. Else a periodically repeated noise will be heard.
RME supports ASIO Direct Monitoring (ADM). Please note that not all programs support ADM completely or error-free. The most often reported problem is the wrong behaviour of panorama in a stereo channel.
In case of a drift between audio and MIDI, or in case of a fixed deviation (MIDI notes placed close before or behind the correct position), the settings in Cubase/Nuendo have to be changed. At the time of print the option 'Use System Timestamp' should be activated. The HDSP system supports both MME MIDI and DirectMusic MIDI. It depends on the used applica­tion which one will work better.
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