7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A
grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug
does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits
from the apparatus.
11. Only use attachments and accessories specied by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use
caution when moving the car t/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply
cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from
the AC mains, disconnect the power supply cord plug from the AC receptacle.
16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the
electrical installation of the building.
18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power
ampliers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.
19. This apparatus may be installed in an industr y standard equipment rack. Use screws through all mounting holes to provide the best support.
WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping
or splashing and no objects lled with liquids, such as vases, shall be placed on the apparatus.
WARNING
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
To reduce the risk of electrical shock, do not open the unit. No
user serviceable parts inside. Refer servicing to qualied service
personnel.
WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to par t 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses
and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.
CAN ICES-3 (B)/NMB-3(B)
The symbols shown below are internationally accepted symbols
that warn of potential hazards with electrical products.
This symbol indicates that a dangerous voltage
constituting a risk of electric shock is present
within this unit.
This symbol indicates that there are impor tant
operating and maintenance instructions in the
literature accompanying this unit.
SIXTY-TWO
2
OWNER’S MANUAL
Instructions de Sécurité
1. Lisez ces instructions.
2. Gardez précieusement ces instructions.
3. Respectez les avertissements.
4. Suivez toutes les instructions.
5. Ne pas utiliser près d’une source d’eau.
6. Ne nettoyer qu’avec un chif fon doux.
7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.
8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.
9. Ne pas modier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse
possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à
votre prise, contactez votre électricien.
10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du l, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.
11. N’utilisez que des accessoires recommandés par Rane.
12. N’utilisez que les éléments de transport, stands, pieds ou tables spéciés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une
valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence an d’éviter tout risque de blessure.
13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.
14. Adressez-vous à du personnel qualié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé :
si le cordon ou les ches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la
pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.
15. La che du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement
l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.
16. Cet appareil doit être branché à une prise terre avec protection.
17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.
18. En cas de montage en rack, laissez un espace sufsant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous
de celui-ci, mais certains (tels que de gros amplicateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre
appareil et dégrader ses performances.
19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille
de rack pour une meilleure xation et sécurité.
ATTENTION: an d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et
d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en
bouteilles, vases,…).
ATTENTION
CAUTION
RISK OF ELECTRIC SHOCK
Les symboles ci-dessous sont reconnus internationalement comme
prévenant tout risque électrique.
Ce symbole indique que cette unité utilise un voltage
élevé constituant un risque de choc électrique.
DO NOT OPEN
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
An d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.
Aucune pièce ne peut être changée par l’utilisateur. Contactez un
SAV qualié pour toute intervention.
REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15
des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une
énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux
des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation
particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/
hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:
• Réorienter ou déplacer l'antenne de réception.
• Augmenter la distance entre l'équipement et le récepteur.
• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.
• Consulter un revendeur ou un technicien radio / TV expérimenté.
ATTENTION: Les changements ou modications non expressément approuvés par Rane Corporation peuvent annuler l'autorité de l'utilisateur à
manipuler cet équipement et rendre ainsi nulles toutes les conditions de garantie.
CAN ICES-3 (B)/NMB-3(B)
Ce symbole indique la présence d’instructions
d’utilisation et de maintenance importantes dans le
document fourni.
22 Ext. Insert Options Menu
22 Filter Effect Options Menu
22 Flanger Effect Options Menu
22 Echo Effect Options Menu
23 Deck 1-2 Channel Options Menu
23 Mic Option Menu
23 Mic Bypass Mode
23 Headphone Tone Control
24 Mixer Shift Functions
24 MIDI Start/Stop
24 Nudge
24 BPM Adjust
24 Sync
24 Slip
25 DJ Changeover
26 Rane Drivers
28 Factory Defaults
29 MIDI Mapping
15 Aux
36 Magnetic Fader Maintenance
15 Session In and Out
38 Technical Specifications
15 Main and Booth
40 Limited Warranties
16 Software Controls
16 Library Browse
16 Loops Manual / Auto
42 Declaration of Conformity
SIXTY-TWO
5
OWNER’S MANUAL
Quick Start: Software
Before using your mixer, at least read this short section for the basics. Read the complete manual to get
the best investment from your new Sixty-Two. This section will help get you started with one computer.
Serato DJ Software Installation for Mac OS X
Before installing, we recommend you check for a
newer version of Serato DJ at serato.com/downloads
and install the latest Serato DJ version if it is newer
than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or browse using Finder to the location where the Serato DJ download was saved.
2. Double click the Serato DJ .dmg installer le.
3. The software EULA screen will appear - read the License Agreement, then click Agree.
4. The disk image mounts and opens the actions folder, once this is nished you can unmount the disk
image and launch Serato DJ.
5. Drag the Serato DJ application icon to the Applications folder alias.
6. You may then need to enter your User Password to authenticate.
7. Serato DJ will now copy to the Applications folder, once this is nished you can unmount the disk image
and launch Serato DJ.
Serato DJ Software Installation for Windows
Before installing, we recommend you download and install the latest Serato DJ version from serato.com if
it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Windows Explorer to the location where the Serato DJ download installer was saved.
2. Double click the Serato DJ .exe installer le.
3. Accept the Security Warning and click “Run”.
4. The installer introduction screen will appear, click Next.
5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.
6. If a User Account Control window appears, click Yes.
7. Serato DJ will now perform a standard installation.
8. The installation is now complete. You can now click Close.
NOTE: A shortcut will be also be created on desktop.
When you first connect your Sixty-Two Mixer via USB, you may see a request to install drivers. Accept
the request and allow the driver installation to proceed. After drivers are installed, a Sixty-Two control
panel will be available, and your software will recognize the Sixty-Two.
After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a
new compatible device that has not already had its driver installed.
Serato Scratch Live
Your Sixty-Two is completely compatible with Serato Scratch Live, downloadable from serato.com. You
can download the Sixty-Two Manual for Serato Scratch Live at either serato.com or dj.rane.com.
Other DJ and DAW Programs
Rane drivers come with the Serato DJ installer to use other software. See "Rane Drivers" on page 26.
SIXTY-TWO
6
OWNER’S MANUAL
MAIN OUT
SEND
PHONO
GROUNDS
INPUT SELECT
SESSION
ANALOG INPUTS
100-240V 50/60 Hz 15 WATTS
LEFT
RIGHT
RANE CORPORATION
RETURN
FLEXFX LOOP
USB A
USB B
BOOTH OUT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
OUT
IN
214
3
PH - CD
PH - CD
PH - CD
PH - CD
MIC - LINE
MIC
INPUT
POWEREDPOWERED
SIXTY-TWO
MAIN SPEAKERS OR AMPS
CD OR TURNTABLE OUTCD OR TURNTABLE OUT
USB
7.
Quick Start: Hardware
This guide will help you get your decks connected and music playing on one computer. Leave the
power off until your decks and amplifiers are connected.
Analog Inputs
1. Connect your Left deck’s RCA cables to ANALOG INPUT 1.
• If it’s a CD player, select CD with the switch above the input jacks.
• If it’s a turntable, select PH (Phono) with the switch above the input jacks. Secure the ground wire to a
Phono Ground terminal.
2. Set the SOURCE selector for DECK 1.
PH / CD 1 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose
3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.
• Select CD or PH as in step 1.
4. Set the SOURCE selector for DECK 2.
PH / CD 3 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose
A.
A.
SIXTY-TWO
7
OWNER’S MANUAL
Analog Outputs
• Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• Booth Out is on a pair of balanced ¼˝ TRS (tip-ring-sleeve) jacks.
• Session Out is available on a pair of unbalanced RCA jacks.
• Headphones output mix is available on both ¼˝ and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, you may use any of these
outputs as the “Main” output if a different cable type is required to your speaker ampliers.
Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and
noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an
unbalanced cable. See the RaneNote “Sound System Interconnection” at rane.com for cable wiring
recommendations.
Quick Start: Operation
USB Control Source
The default Inputs for decks performing Digital Vinyl Simulation (DVS) are Inputs 1 and 3, but you can
change this. Analog Input 1 or 2 may be selected in Serato DJ software as the DVS signal for the Left
Virtual Deck. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck.
To select the control sources in Serato DJ, click the SETUP button at the top of the screen. In the Audio
tab, verify that Control Source > PGM 1 is set to “1”. This will be your Left Virtual Deck. verify that Control
Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
To select the control sources in Scratch Live, click the SETUP button at the top of the Scratch Live
screen. In the Hardware > General tab, verify that Control Source > PGM 1 is set to “1”. This will be your
Left Virtual Deck. verify that Control Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
Calibrating Serato DJ for Control Vinyl or CD
Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in
by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range
of signals, and be congurable to use them optimally. Calibrating is just conguring the software to your
situation. Calibration is equally important for both vinyl and CD users of Serato DJ.
There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening
to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over
the top of the tone. The directional tone provides the current speed and direction of the record, while the
noise map tells the software precisely where on the record the needle is currently.
The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which
a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input
signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered
noise and ignored.
This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the
environment as well as the signal on the record, especially in the noisy environment of a live show.
SIXTY-TWO
8
OWNER’S MANUAL
How To Calibrate Serato DJ
With music playing in the background through your system or booth output, put your needle on the record
with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused
or stopped while calibrating.
Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider
to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to
background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be stationary.
• The background music playing must be at a similar level to
which you will play your set at.
• Calibrate Serato DJ every time you play.
TIP: If the slider jumps to the far right, then you have a problem
with noise in your turntables/CD players/mixer. Check all your
connections and make sure your equipment is well earthed.
In some situations you will not be able to improve the signal
quality, and you will have to play on regardless. In this situation,
stick to rel mode.
The Scopes
The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors
to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the
lower right corner.
Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
For optimal performance the inner ring should be as close to circular as possible. Use the scope
zoom slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to
adjust the shape of the inner ring. The number in the top left corner of the scope view gives the current
absolute position within the control record or CD. The number in the top right corner is the current speed
in RPM. In the bottom left is the current threshold setting, and the number in the bottom right shows
the percentage of readable signal – this number should be close to 85% when your system is calibrated
properly.
For complete software operating instructions, see the Serato DJ Manual.
SIXTY-TWO
9
OWNER’S MANUAL
10
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6
Sixty-Two Overview
Software controls are built-in for one or two computers
• Includes Serato DJ software.
• Includes Rane ASIO and Core Audio Drivers for Serato DJ and other audio programs.
• Advanced MIDI and audio routing:route either deck to either USB Port, and MIDI follows the audio.
• Independently control Library, Cues, Loops and Samples on two computers with more than 40 software
controls.
• Each of the two USB ports supports six stereo record and four stereo playback channels.
• USB record channels support:
• Vinyl control signal for two Virtual Decks, or record either of Decks post-fader.
• Record the Main Mix or the Mic.
• FlexFX USB Insert Send to each computer.
• USB playback channels support:
• Playback for two Virtual Decks.
• USB Aux playback for the SP-6 sample player.
• FlexFX USB Insert Return from each computer.
• Great-sounding 32-bit oating-point audio sampled at 48 kHz.
Deck input channel controls
• Pre-fader Level, 3-band isolator EQ, plus low-pass / high-pass sweep Filter with resonance adjustment.
• Crossfader, FlexFX and headphone Cue assigns.
• Proprietary magnetic faders and crossfader with contour and reverse controls.
Mic input
• Mic / Line input level switch.
• Controls: On, Over, Level, 2-band Tone and
FlexFX assign.
• Unused Mic controls easily map to MIDI.
Advanced post-fader FlexFX
• Internal Effects engine with:
• Filter, Flanger, Phaser, Echo, Robot and
Reverb.
• MIDI beat clock tracking and generation.
• Sync BPM with Serato DJ, MIDI beat clock
or manual Tap button.
• USB Insert loop for post-fader software
effects for each of the two ports.
• External analog insert loop for outboard effect
units.
Main Mix section
• Balanced XLR Main Mix and
1/4" TRS Booth outputs.
• RCA analog Session In & Out.
Headphone monitor with split cueing.
DECK 1
BYPASS CLEAN FEED
SP-6 ASSIGNONOVER
BACK
LEVEL
LOAD
SCROLL
LOOPS
AUTOMANUAL
BEATSSELECTSELECT
SYNC
LOOPIN
SYNC OFF
ROLLOUT
SLIP
SAVE
SHIFTSHIFT
AUX
LEVEL
FILTER
FLEXFX
HIGHLOW
+6OFF
HIGH
+6OFF
LOW
FLEXFX
INSERT
TIMETAP
DECK 1MIC
PH / CDPH / CD
1 2
BB
AA
LEVEL
SOURCE
RIGHTLEFT
PAN
HIGHLOW
FILTER
FLEXFX
FLANGERPHASERECHOROBOTREVERB
START / STOPNUDGEBPM
BEAT
CUE
DECK 1
LEVELMAIN
+6OFF
HIGH
HIGH
+6OFF
MID
MID
+6OFF
LOW
LOW
CUES12345
543
SAMPLES45632121BA
CUE
USB AUX
DECK 2MIXDECK 2
3 4
SOURCE
+6OFF
RIGHTLEFT
SESSION OUT
PAN
+6OFF
HIGHLOW
SESSION IN
FILTER
FLEXFX
+6OFF
ON
BOOTH
EXT. INSERTFILTER
CUE
DEPTH
CD
CUE
DECK 2
MANUALAUTO
LOOP
IN
OUT
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
SYNC
SYNC OFF
SLIP
PHONES
LEVEL
PAN
SPLIT CUE
BEATS
LOOP
ROLL
SAVELOOP
MAINCUE
SIXTY-TWO
10
OWNER’S MANUAL
MAIN OUT
SEND
PHONO
GROUNDS
INPUT SELECT
SESSION
ANALOG INPUTS
100-240V 50/60 Hz 15 WATTS
LEFT
RIGHT
RANE CORPORATION
RETURN
FLEXFX LOOP
USB A
USB B
BOOTH OUT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
OUT
IN
214
3
PH - CD
PH - CD
PH - CD
PH - CD
MIC - LINE
MIC
INPUT
Sixty-Two Connections
Power Supply
This mixer features an internal universal switching power supply that operates on any AC mains 100 to
240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ,
who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn
on/off muting, it’s smart to leave the power unplugged until everything else is connected.
Analog Inputs
Four Phono / CD inputs are provided by RCA jacks. These may be set for PH or CD using rear panel slide
switches. Analog inputs 1 and 2 are used by DECK 1. Analog inputs 3 and 4 are used by DECK 2. Analog
Input 1 or 2 may be selected in Serato DJ software as the Digital Vinyl Simulation (DVS) signal for the Left
Virtual Deck or for recording on USB stereo pair 5-6. Analog Input 3 or 4 may be selected in software as
the DVS signal for the Right Virtual Deck or for recording on USB stereo pair 7-8. Set any unused inputs to
CD. Connect your turntable ground wires to the PHONO GROUND posts on the rear when using PH inputs.
One stereo Session Input is available on a pair of RCA input jacks. This input may connect two mixers
together or as a general purpose auxiliary input to the mixer.
The Mic Input will accept an XLR 3-pin plug, a balanced ¼˝ TRS (tip-ring-sleeve) plug or an unbalanced
TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the MIC - LINE switch on the
rear panel. Set this to Line when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on unbalanced ¼˝ TS (tip-sleeve) jacks. These inputs automatically
switch to mono when only one cable is connected to the left or right Return input. The FlexFX Return input
is normally used along with the FlexFX Send output to connect an outboard analog effects processor.
Phono Sensitivity and Analog Insert level can be adjusted in the "Rane Drivers" on page 26.
Analog Outputs
There are ve stereo analog outputs available on the mixer:
• MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• BOOTH OUT is on a pair of balanced ¼˝ TRS jacks.
• SESSION OU T is available on a pair of unbalanced RCA jacks.
• FLEXFX LOOP SEND output is available on a pair of unbalanced ¼˝ inch TS jacks. For a mono FlexFX Send,
use the Left output. The FlexFX Send output is normally used along with the FL EXF X LOOP RE TURN input to
connect outboard effects.
• HEADPHONES output is available on both ¼˝ TRS and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, users may use any of these
outputs as the “Main” output if a different cable type is required for system connection.
Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your
cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.
See the RaneNote “Sound System Interconnection” at rane.com for cable wiring recommendations.
SIXTY-TWO
SIXTY-TWO
11
OWNER’S MANUAL
Two USB Ports
There are six stereo record channels and four stereo playback channels. These channels are
simultaneously available on two USB ports, allowing two computers to share the device. This allows two
DJs to play together and supports uninterrupted transitions from one DJ to another.
Rane ASIO and Core Audio drivers allow the Sixty-Two to act as a 12-record 8-playback USB sound
card for use with Serato DJ and other third-party software applications that support ASIO or Core Audio.
These drivers are multi-client, meaning they allow multiple applications on a computer to share the device
at the same time.
The Sixty-Two has two USB ports, allowing simultaneous connection of two computers. Each port
is completely independent. It is possible to run Serato DJ on one computer while running third-party
software on the other, Mac or PC. See how to share the Sixty-Two in "DJ Changeover" on page 25.
Left Virtual Deck L&R
Right Virtual Deck L&R
USB RECORDUSB PLAYBACK
Deck 1 Record L&R
Deck 2 Record L&R
Left DVS Control L&R
Right DVS Control L&R
SP-6 Sample Player L&R
FX Return L&R
x2 USB PORTSx2 USB PORTS
FX Send L&R
Main Mix Record L&R
USB Playback Stereo Pair Serato DJ DescriptionMixer Use
11-2Left Virtual Deck OutputSelect as Deck 1 Source from USB A or USB B
23-4Right Virtual Deck OutputSelect as Deck 2 Source from USB A or USB B
35-6SP-6 Output OptionUSB AUX Source (sum of USB A & USB B)
47-8FX Return to the Mixer
USB Record
11-2Record Source Deck 1Deck 1 Post Fader and Post Crossfader Output
23-4Record Source Deck 2Deck 2 Post Fader and Post Crossfader Output
35-6Record or DVS Control for Left DeckSelects PH/CD 1 or PH/CD 2 in Control Panel
47-8Record or DVS Control for
59-10FX Send from the Mixer
611-12Record the Main Mix or MicSelect Main Mix or Mic in the Control Panel
Right Deck
FlexFX
Selects PH/CD 3 or PH/CD 4 in Control Panel
FlexFX
Insert Return (sum of USB A & USB B)
Insert Send
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BEATS
MIXDECK 2
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
MANUALAUTO
MAIN
SESSION OUT
SESSION IN
BOOTH
Deck Input Channels
Two input channels, or buses, have nearly identical controls with the exception of the Source selectors.
Source Selector
The SOURCE selector for Deck 1 selects one of four
sources:
•
A Left Virtual Deck (USB stereo playback pair
1-2) from USB A.
DECK 1
PH / CDPH / CD
1 2
BB
AA
SOURCE
LEVEL
DECK 2
LEVEL
3 4
SOURCE
• Also assigns the MIDI controls for the Left Deck
software and Deck 1 mixer to USB A.
• PH / CD 1 (THRU): Set to PH or CD on the rear panel.
• When selected in software, this input is available
PAN
RIGHTLEFT
HIGH
+6OFF
HIGH
+6OFF
PAN
RIGHTLEFT
on USB record 5-6 for use as the DVS control
signal or for audio recording. To select this control
source in Serato DJ: go to Setup > Audio > Deck
Setup > PGM 1 and select “1”.
FILTER
HIGHLOW
+6OFF
MID
+6OFF
MID
FILTER
HIGHLOW
• PH / CD 2 (THRU): Set to PH or CD on the rear panel.
• When selected in software, this input is available
on USB record 5-6 for use as the DVS control
FLEXFX
LOW
+6OFF
LOW
+6OFF
FLEXFX
signal or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck
Setup > PGM 1 and select “2”.
•
B Left Virtual Deck (USB stereo playback pair 1-2) from USB B.
• Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer to USB B.
The SOURCE selector for Deck 2 selects one of four sources:
•
A Right Virtual Deck (USB stereo playback pair 3-4) from USB A.
• Also assigns the MIDI controls for the Right Deck software and Deck 2 mixer to USB A.
• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.
• When selected in software, this input is available on USB record 7-8 for use as the DVS control signal
or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
PGM 1 and select “3”.
• PH / CD 4 (THRU): Set to PH or CD with the rear panel switch.
• When selected in software, this input is available on USB record 7-8 for use as the DVS control signal
or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
PGM 1 and select “4”.
•
B Right Virtual Deck (USB stereo playback pair 3-4) from USB B.
• Also assigns the MIDI controls for the Left Deck software and Deck 2 mixer to USB B.
Level
LEVEL controls adjust the input gain from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock.
Pan
Left / Right PAN controls adjust the balance of left and right signals. Left and right are equal at 12 o’clock .
Tone Controls
HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity
gain (no boost or cut) is at 12 o’clock.
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SYNC
SYNC OFF
SLIP
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
MANUALAUTO
Filter
The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a at “no-lter” response. Moving
the lter toward the LOW position progressively reduces high frequencies. Moving the lter toward the HIGH
position progressively reduces low frequencies. The Resonance or Q of these Filters can be adjusted on
the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.
High resonance adds a “zip” effect to the Filter when it is moved. Low resonance is best when the Filter is
used for mixing.
FlexFX
The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software
effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned
with the option to insert internal effects, external analog effects or software effects via USB. See "FlexFX
Loop" on page 18.
Channel Faders & Crossfader
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE
and CONTOUR controls on the front panel. See "Magnetic Fader Maintenance" on page 36.
Channel Meters
Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak
hold. Use the LEVEL controls to stay out of the red.
Headphone Cue
CUE buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the
FlexFX Bus can be cued in the headphones before bringing it into the mix. Cue controls
operate as solo or radio-button controls. This means engaging a Headphone Cue turns
all the other Headphone Cue controls off. You can select more than one at a time by
simultaneously pressing more than one Cue.
• The Headphone monitor provides stereo or mono split cue operation.
• When set for stereo operation (SPLIT CUE dim), the Pan control pans between stereo
Cue and stereo Main Mix.
• When set for Split Cue operation (SPLIT CUE bright), the Pan control pans between
Mono Cue in the left ear and mono Main Mix in the right ear.
• The Phones LEVEL control sets the volume to the headphone jacks.
• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the
same mix.
PHONES
LEVEL
PAN
SPLIT CUE
MAINCUE
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