SIXTY-EIGHT QUICK START
INSTALL
SCRATCH LIVE
WELCOME
Before using your Sixty-Eight, at least read
this short booklet for the basics, even if you
are already familiar with Scratch Live. Read the
complete manual to get the best investment
from your new Sixty-Eight.
Before installing, visit scratchlive.net to be sure
you have the latest Scratch Live software update.
Check here for known compatibility issues with
certain computers or operating systems. Check
back regularly for updates, advice and tips. If
you are new to installing software, read this
section rst.
1. At scratchlive.net, click DOWNLOADS.
2. See if the version online is higher than the disc
you have.
a. If it is the same, proceed to the Mac or
Windows installation section.
b. If it is higher, click the download link for Mac
or Win software.
3. Enter your email before you can download.
We recommend joining the Forum to learn
more about using Scratch Live (optional).
4. Do you want to open or save this file? Click
Save, and navigate to an easy place to nd it,
such as your desktop. When using Windows
Explorer, click Browse Folders in the lower
left corner and select Desktop.
5. When the download is complete, click Open.
a. For Mac, just double click the Scratch Live
Installer and it will install.
b. For Windows XP, opening this downloaded
le (double-clicking) should uncompress it.
A dialog will ask where you want the les:
choose Desktop. Note: if nothing happens
when you double-click the downloaded
le, you will need to install an unzip utility
to uncompress the le. Type “unzip” into a
search engine for several options.
MAC INSTALLATION
Insert the Software Installation CD and double-
click the installer icon. Mac users need only
connect the one of the Sixty-Eight mixer’s USB
ports after installing the software. No extra
hardware installation is required.
WINDOWS INSTALLATION
It is important that Windows users install the
Sixty-Eight drivers as well as the Scratch Live
software. The easiest way to do this is to allow
the Scratch Live installer to do all the work.
1. Connect your Sixty-Eight before you insert
your installation CD. When you rst connect
it, Windows will attempt to install the drivers
via the hardware wizard. Cancel and close the
hardware wizard.
2. Insert the Software Installation CD-ROM.
Make sure your Sixty-Eight is connected
rst. If a window doesn’t open automatically,
browse to the CD drive. Run setup.exe.
or
Launch the installer you just downloaded from
scratchlive.net.
3. Follow the on-screen instructions. Once the
installation is complete, Scratch Live appears
in the Start Menu under All Programs > Serato
> Scratch Live.
Because the Sixty-Eight was connected prior
to installing Scratch Live, no extra hardware
installation is required.
NOTE: Select the custom install option if you
wish to change the installation location of
Scratch Live.
ADDITIONAL WINDOWS DRIVERS
Vista & Windows 7 install the driver for all USB
ports at once. Windows XP treats each USB port
individually. You might like to install the Drivers
for the Sixty-Eight on all of your USB ports.
Connect your Sixty-Eight to a USB port.
Windows will again attempt to install the drivers
via the hardware wizard. Cancel and close the
hardware wizard.
With your hardware still connected, run the
Scratch Live driver updater. This is usually
located in:
C: > Program Files > Serato > driver_updater32.
exe
or for Vista and 7 64-bit systems:
C: > Program Files (x86) > Serato > driver_
updater64.exe.
Repeat this process for each of your USB ports.
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TIP: The driver updater can install drivers for
different types of Scratch Live hardware, not
just the Sixty-Eight. For example, if you play
at a club that uses a TTM 57SL mixer, just
connect the mixer and run through the driver
updater as above.
1
CONNECTIONS
SYSTEM OVERVIEW
The Scratch Live control records and CDs
are pressed with an audible tone specically
developed for controlling the Scratch Live
software application.
The Sixty-Eight converts the control signal
coming from each deck into digital audio, to be
sent via USB to the Scratch Live software, which
decodes that signal into a stream of information
based on what the DJ is doing with the control
disc. A virtual ‘deck’ replicates the movements
of the control disc. Audio les loaded onto the
Virtual Decks are then played back through the
outputs of the Sixty-Eight, with any manipulation
of the control discs reproduced on the audio,
effectively emulating vinyl control of the les
loaded in software.
CONNECTING THE SIXTY-EIGHT
Follow these steps to set up the Sixty-Eight for
Scratch Live, using up to four turntables or CD
players to control the software playback:
1. Inputs
Connect your CD players or turntables to the
ANALOG INPUTS on the Sixty-Eight. If your CD
players have S/PDIF outputs, connect these
to the S/PDIF inputs on the Sixty-Eight. We
recommend connecting decks left of the mixer
to 1 and 2, and decks on the right to 3 and 4.
Match the L channel from each of your decks
(usually white) with the white (uppermost) RCA
sockets on the mixer and R (usually red) with the
red sockets. This is important to give Scratch
Live the correct direction of playback. If your
songs play backwards, you probably have the
left and right channels swapped from your deck.
2. Input Level Selection
Set each input to the correct input level using
the P - L - S switches. P = Phono, L = Line (for
CD players) and S = S/PDIF. Unused inputs are
best set to L.
3. USB Audio
Select Scratch Live as the audio source for a
channel by turning a PGM SOURCE knob to a
USB input. Any of the four analog inputs
may be used for Scratch Live vinyl emulation
control. Control input sources are selected in
Scratch Live software.
4. Connect the Sixty-Eight to your computer
Using the provided USB cable, connect either
USB A or USB B to an available USB 2.0 port
on your computer. The Sixty-Eight automatically
switches its control point if only one of the USB
ports is connected.
Make sure you connect it directly to your
computer and not through a hub or splitter.
TURNTABLE SETUP
1. Set the tone arms to the specic
recommendations of the cartridge used, so
that the needle never leaves the record, but
not heavy enough that it heats up signicantly.
Both produce poor tracking.
2. Grounding is extremely important when using
Scratch Live. Make sure you have good
connections from the ground wires of your
turntables to a grounding post on the Sixty-
Eight. If you do not ground your turntables
properly, the control signal will be noisy and
the tracking of the record position will be
erratic.
CD PLAYER SETUP
Disable all built-in effects on the CD player,
including keylock/master tempo.
CALIBRATING
SCRATCH LIVE
Since Scratch Live is controlled by an analog
signal, there is no guarantee of what state that
signal will be in by the time the software gets to
interpret it. Therefore, Scratch Live needs to be
able to handle a wide range of signals, and be
congurable to use them optimally. Calibrating
is just conguring the software to your situation.
Calibration is equally important for both vinyl
and CD users of Scratch Live.
There are two parts to the Scratch Live control
signal: The directional tone, and the noise map.
Listening to the control vinyl, the directional tone
is the 1 kHz tone. The noise map sounds like
random noise over the top of the tone.
The directional tone provides the current
speed and direction of the record, while the
noise map tells the software precisely where on
the record the needle is currently.
THE NOISE THRESHOLD
A threshold is a lower limit, below which a
process will not occur. In the case of Scratch
Live, the noise threshold is the limit below which
the input signal will not be interpreted as control
signal; in other words if it’s below the threshold,
it is considered noise and ignored.
This setting is necessary because a stylus is
very sensitive, and will inevitably pick up noise
from the environment as well as the signal on the
record, especially in the noisy environment of a
live show.
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HOW TO CALIBRATE SCRATCH LIVE
With music playing in the background (from any
source), put your needle on the record with the
turntable stopped. If you are using CD players,
the same rules apply. Have the CD deck paused
or stopped while calibrating. Ensure the rear
panel P - L - S switches are set correctly.
Click and hold the estimate button until the
slider stops moving. Moving the threshold slider
to the left will make Scratch Live more sensitive
to slow record movement, but also more
sensitive to background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be
stationary.
• The background music playing must be at a
similar level to which you will play your set at.
• Calibrate Scratch Live every time you play.
TIP: If the slider jumps to the far right,
then you have a problem with noise in your
turntables/CD players/mixer. Check all your
connections and make sure your equipment
is well earthed. In some situations you will
not be able to improve the signal quality, and
you will have to play on regardless. In this
situation, stick to REL mode.
THE SCOPES
The scopes on the Setup screen in Scratch Live
display the input signal as a phase diagram. The
key factors to look at on the scope display are
crisp clean lines, round shape, and the tracking
percentage in the lower right corner.
Start both turntables or CD players. You will
see green rings appear in the scope view as
shown above.
For optimal performance the inner ring should
be as close to circular as possible. Use the
scope zoom slider (1x to 16x) to zoom in or out
as necessary. Use the scope L/R Balance and
P/A Balance controls to adjust the shape of the
inner ring.
The number in the top left corner of the scope
view gives the current absolute position within
the control record or CD. The number in the
top right corner is the current speed in RPM. In
the bottom left is the current threshold setting,
and the number in the bottom right shows the
percentage of readable signal — this number
should be close to 85% when your system is
calibrated properly.
CALIBRATION TROUBLESHOOTING
After calibration, the number in the upper right
corner of the scope view should say 0.0 while
the needle is on the record and the turntable is
stopped.
If that number is uctuating then manually
move the Estimate slider to the right until that
number is stable at 0.0. If you’ve moved the
slider all the way to -24 and its still uctuating
then you have a grounding or interference
problem somewhere in the chain.
If so, the rst thing to check is that the
grounding wire coming from your turntable is
connected to a Sixty-Eight grounding post.
Next, make sure that the Sixty-Eight isn’t
sitting next to a power source such as a power
strip and that the RCA cables aren’t laying
across other power conducting cables.
If you are still experiencing issues, you might
have to adjust the placement of your setup. For
example, make sure bass bins aren’t directly
under the turntables.
If you have trouble getting the rings circular,
you probably need to clean or change your
needles.
If the image appears as a line, then you
have a missing channel. Check your RCA
connections and needles. For more calibration
troubleshooting help see “Scope Reading and
Fixes” in the manual.
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3
IMPORTING AND
PLAYING MUSIC
IMPORTING YOUR MUSIC
The easiest way to load music into your library is
by using the Files button:
1. Click on the Files button to open the les
panel. The left side of this window displays
various locations on your computer hard drive
(and external drives if you have one). Click on
these locations to navigate your computer and
nd your music. By default, your music will
usually be found in either “Music” (Mac) or “My
Music” (Windows).
2. Once you have located your music, drag the
folder or les you want to import onto the
purple “ All...” icon. This is located to the
left of your screen at the top of the crates and
playlist window. If you wish to import all of
your music, just drag your whole music folder
onto this icon.
TIP: You can also import by dragging files
and folders directly from Windows Explorer
(PC version) or Finder (Mac version) into the
Scratch Live library.
SUPPORTED FILE TYPES
Scratch Live supports xed and variable bit rate
.MP3, Ogg Vorbis, .AAC*, .ALAC*, .AIFF, .WAV
and Whitelabel (wl.mp3) le types. M3U playlists
are also supported.
*Apple Quicktime is required for AAC and ALAC.
NOTE: Older iTunes Music Store DRM files
cannot be played back by Scratch Live.
iTunes Plus files are DRM-free.
THE OFFLINE PLAYER
The ofine player is a useful tool for preparing
crates, auditioning tracks, and setting cue and
loop points. The ofine player is available when
Scratch Live hardware is not connected, and
outputs through the current default audio device.
Load a track to the ofine player by dragging and
dropping onto the Deck, or pressing shift+left
arrow. If the end of the loaded track is reached,
the next track in the current playlist is played
automatically. Click the Ofine Player Controls
button (under the pointer below) to expand and
hide the ofine player controls.
For information on rescanning, moving,
copying, deleting and backing up your les, see
“File Management” in the manual.
HOW TO ANALYZE FILES
Before you play your music in Scratch Live, It is
important to rst analyze your les. The analyze
les function processes the songs in your library
to detect le corruption, saves the waveform
overview to an ID3 tag*, and calculates auto-
gain and BPM values.
To analyze les, run Scratch Live with the
Sixty-Eight disconnected. On the left side of the
main screen, click the Analyze Files button to
automatically build overviews for all the tracks in
your library.
You can drag and drop individual folders,
crates or les onto the Analyze Files button to
force the building of overviews at any time.
ABOUT CORRUPT FILES
If Scratch Live detects a corrupt le it
will tag it with a corrupt le icon:
It is very important that you delete
ANY corrupt les from your library as they can
cause Scratch Live to crash regardless if you
play the le or not. See “Status Icons” and
“Corrupt File Descriptions and Diagnoses” in the
manual.
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SET AUTO BPM
PLAYING MUSIC
Click on the “ All...” icon to show all the tracks
in your library. Use the keyboard shortcut Shift
- Left Arrow to load the highlighted track on to
the Left Deck, and Shift - Right Arrow to load the
highlighted track on to the Right Deck.
DISPLAY MODES
If this option is checked while analyzing les,
Scratch Live will calculate the estimated tempos
of your les. If Scratch Live is condent that the
Auto BPM estimate for a le is accurate, it will be
written to an ID3 tag* in the le. The Auto BPM
function will not be applied if the track already
contains BPM information. To re-analyze these
les and use Auto BPM or auto gain on them,
drag them onto the Analyze Files button. If you
know your le’s BPM will fall within a certain
range, use the range drop down to avoid double
or half value BPMs being calculated.
*NOTE: ID3 tags contain data about
your tracks and are saved inside the files
themselves. Genre, track name and artist are
examples of common tag information. See
“Editing ID3 tags” in the manual.
TIP: You can also load tracks to Decks using
the mouse. Click and drag a track from the
track list area on to either Virtual Deck.
To start playing a track, simply put the needle on
the record and start the turntable. The track will
start playing as soon as it detects the signal from
the control vinyl (or CD).
In ABS mode, the track will play from the
position dictated by the placement of the
needle on the record. If you place the needle at
the beginning of the record, the track will start
playing from the beginning. You can skip through
the track by picking up the needle and placing
it further into the record, just as with regular
records (This is known as needle dropping).
TRACK DISPLAY
When a track is loaded, the track name, artist
and length are displayed in the track title bar,
and the Virtual Deck shows a solid black line.
If the track has BPM or key information written
in the tag this will also be displayed.
Scratch Live gives you the option of four different
display modes to suit your style of performance.
The Display Mode buttons are located in the top
left of the Main Screen. They are:
Library Mode: Maximizes your library
space by minimizing the Virtual Deck
information displayed. In Library Mode only
the track information, Virtual Deck, mode, track
overview display and meter are displayed.
TIP: Use the space bar to toggle between
Library Mode and your current display mode.
Classic Vertical Mode: Two Decks are
displayed on the left and right sides of
the screen with vertical waveforms in the middle.
PRIMARY & SECONDARY DECK
LAYERS
When using the Sixty-Eight with more than two
Virtual Decks, layers are used to determine
which Decks respond to keyboard shortcuts
and the Control Strips on the Sixty-Eight. The
Primary Deck layer is the main left and right
Decks that you will use, while the Secondary
Deck layer is the other secondary Decks. You
decide which Decks are to be the Primary and
Secondary Decks, this can be congured on the
Setup screen. See “Select Primary Decks” in the
manual.
To switch focus between the Primary and
Secondary Deck layers, use the Layer button on
the Sixty-Eight or the ~ (tilde) keyboard shortcut.
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Classic Horizontal Mode: Two Decks
are displayed on the left and right sides
of the screen with horizontal waveforms in the
middle.
2-Deck Stack Mode: Two Decks
are stacked on top of each other
in a horizontal fashion. Stack Mode aligns
the waveforms on top of each other, while
maximizing waveform space. The controls for all
Decks can be shown or hidden by pressing the
Show Deck Controls Button on any Deck.
4-Deck Stack Mode: Four Decks
are stacked on top of each other in a
horizontal fashion, as in 2-Deck Stack Mode.
5
VIRTUAL DECKS
ABSOLUTE MODE
RELATIVE MODE
USB SOURCES & ANALOG INPUTS
Each Virtual Deck in
Scratch Live has a
USB source, which
allows you to select
which Analog input on
the Sixty-Eight is used
to control it. You can
then congure which
Virtual Deck in Scratch
Live plays through which channel on the Sixty-
Eight. To set a USB Source in Scratch Live, click
the USB Source dropdown box above the Virtual
Deck.
Any Virtual Deck with USB Source 1 or 2
selected can output through channels 1 or 2
on the Sixty-Eight, while any Virtual Decks with
USB Source 3 or 4 selected can output through
channels 3 or 4.
Once you have set USB sources for all the
Virtual Decks, use the PGM Source knobs on
the Sixty-Eight to select a USB source for that
channel.
ABS mode is the default mode, and most closely
resembles the properties of normal vinyl. The
beginning of the track is mapped to the start of
the record, and by picking up the tone arm and
moving the needle to another part of the record
(needle dropping) you can move to a different
position within the track.
ABS mode faithfully reproduces the movement
of vinyl control records, including stops, starts,
scratching, needle dropping, rubbing and other
turntablist techniques.
When you reach the end of the record
using either REL or ABS modes, Scratch Live
automatically switches to INT mode. This
is known as Emergency Internal mode, and
prevents long tracks from stopping when you run
out of record. You can switch from Emergency
Internal mode to ABS mode by lifting the needle
and placing it in the lead-in of the control record.
Emergency Internal mode will activate after 1
second. Use the keyboard shortcut F1 (left deck)
or F6 (right deck) to switch to ABS mode.
NOTE: Be careful when scratching near the
end of the record not to accidentally go past
this point and into internal mode, or the track
will no longer respond to record movement!
REL mode observes the relative forward and
backward movement of the record, but does not
take into account the position within the record.
REL mode disables needle dropping, but allows
skip-free scratching.
See: “Drop To Absolute Position” in the manual.
REL mode adds additional speed controls:
Previous track – Go to the previous track
in the list.
Rewind - The rewind function speeds up
the longer you press the button.
Fast forward – The fast forward function
speeds up the longer you hold the button.
Next track – Jump to the next track in
the list.
TIP: Use the keyboard shortcut F2 (left deck)
or F7 (right deck) to switch to REL mode.
SCRATCH LIVE MODES
Scratch Live has three different modes of
operation. You can switch between these modes
by clicking the mode buttons near each Virtual
Deck.
6
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INTERNAL MODE
Pitch Slider - Use the pitch slider to
make pitch adjustments while using
INT mode. Drag the pitch slider with the
mouse to make large pitch movements,
or hold the shift key and drag the pitch
slider to make ne adjustments.
Clicking the RANGE button above
the slider changes the slider range to
±8%, ±10%, ±16%, ±50% or ±100%.
MORE CONTROLS
The complete list of keyboard shortcuts is on
the last page of this Quick Start.
Click on the waveform to ‘scrub’ or make ne
adjustments to your position within the track.
This may be useful if you wish to set cue points
in your tracks, and don’t have your turntables or
CD players connected.
INT mode allows playing tracks without external
vinyl (or CD) control. INT mode has a start /
stop function and a virtual pitch slider. Holding
down the shift key moves the pitch slider slowly.
Holding the ctrl key and clicking on the pitch
slider resets it to 33 RPM or 45 RPM, depending
on which you are closest to at the time.
Scratch Live automatically switches to INT
mode when the end of the control record is
reached; you can switch back to ABS mode by
placing the needle in the lead-in of the control
record. If you switch from ABS or REL into
INT mode, Scratch Live automatically adjusts
pitch to maintain playback speed as set by the
turntable. Use the keyboard shortcut F3 (left
deck) or F8 (right deck) to switch to INT mode.
INT mode adds these additional controls:
Play / pause reverse - Press to play,
press again to stop playback. You can
adjust the braking knob in the setup screen
to range from an immediate stop to a slow
turntable-style ‘power down’. See “Braking” in
the manual.
TEMPORARY CUE
There is a temporary cue point that can be used
like the cue button on many DJ CD players.
Press ctrl-I to set this temporary cue point on
the Left Deck, and ctrl-K to set it on the Right
Deck. This temp cue point is shown in the main
waveform as a white marker. This cue point is
not saved with the track, and by default is set to
the beginning of the track. Press I to jump to this
temporary cue point on the Left Deck, and K for
the Right Deck. If you hold down the I or K key
while the track is stopped, it will play from the
temporary cue point. As soon as you release the
key, it will jump back to the temporary cue point.
Note that you can use this shortcut to jump to
the beginning of the track if the temporary cue
point has not been set. See “Cue Points” in the
manual.
NOTE: If you play a track in INT mode, and
then switch to ABS or REL mode, the pitch
adjustment will be dictated by the turntable,
so there will be a jump in pitch unless they are
already perfectly matched.
TIP: If you are in ABS or REL mode and you
get a build up of dust on the needle that is
breaking up the audio, hold down ctrl and
press the INT button. This will take you to INT
mode and reset the pitch to zero.
MORE HELP
This Quick Start just gives the highlights to get
you running. You will want to read the full manual
while using the Sixty-Eight to understand it.
Before calling the factory for support, rst look
for your question in the manual.
The next place to search online in the Forum
at scratchlive.net, where thousands of tips
are updated daily. You will denitely want to
bookmark this one in your browser.
Play / pause forward – Press to play,
press again to stop playback. Uses the
same braking as described above.
Bend down - Create a temporary
decrease in the playback speed. Use
bend down if the two tracks are in time, but this
track is slightly ahead of the other track.
Bend up – Create a temporary increase
in the playback speed. Use bend up if the
two tracks are in time, but this track is slightly
behind the other track.
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7
KEYBOARD SHORTCUTS ACTIONS ACCESSED DIRECTLY FROM THE COMPUTER KEYBOARD
KEY ACTION
ctrl - L
ctrl - R Reveal - the highlighted song is opened in a le browser.
ctrl - F Find - moves the cursor to the search box.
ctrl - A Select all.
ctrl - C Copy text in edit mode.
ctrl - E Edit text.
ctrl - V Paste text in edit mode.
ctrl - X Cut text in edit mode.
ctrl - Z Undo last track load.
shift - ctrl -
shift - ctrl -
ctrl - P Add tracks to the prepare window.
ctrl - N Start a new mic recording.
ctrl - O Open the track in your default MP3/WAV/OGG/AIF player.
- or + Zoom the main waveform display.
ctrl - or + Zoom the library text size.
tab Alternate focus between crates or songs.
ctrl - del and
ctrl - backspace
alt - del and
alt - backspace
ctrl - shift - del and
ctrl - shift - backspace
ctrl - shift - / Toggle the input reverse switch
esc Clear search string if searching, or exit Scratch Live.
Locate the current track. This will highlight the track you most recently loaded.
Pressing ctrl - L again will alternate between the tracks recently loaded on both decks.
Move focus up / down through the library or crates. Note that if you have a song highlighted in the song view, and
use shift - ctrl - you will move up or down through the library or crates. When you release the shift or ctrl key,
the focus will go back to the song view so that you can move up and down through songs using .
Remove track from library., remove track from crate, delete crate (does not delete the le).
Remove track from crate and from library.
Delete the le from your library and send to the recycle bin.
(Note to iTunes users: les in your iTunes library cannot be deleted this way).
SP-6 SAMPLE PLAYER
Load to sample slot
Play sample slot
LEFT DECK ACTION RIGHT DECK
ctrl - or shift -
ctrl - shift -
shift - alt -
ctrl - , (comma) Place a cue point. ctrl - . (period)
ctrl - 1, 2, 3, 4, 5 Place a cue point in a slot. ctrl - 6, 7, 8, 9, 0
1, 2, 3, 4, 5 Jump to cue points slots. (rel and int modes) 6, 7, 8, 9, 0
F1 Switch deck to absolute mode. F6
F2 Switch deck to relative mode. F7
F3 Switch deck to internal mode. F8
F5 Key lock on / off. F10
Q Play / pause reverse. A
W Play / pause forward. S
E Pitch down. D
R Pitch up. F
T Bend down. (rel and int modes) G
Y Bend up. (rel and int modes) H
U Censor. (rel and int modes) J
I
O Set / adjust loop in-point. L
P Set / adjust loop out-point. ;
[ Loop on / off. '
ctrl - [ Jump to selected loop. ctrl - '
alt - Q Load previous track. alt - A
alt - W Load next track. alt - S
alt - 1, 2, 3, 4, 5 Auto loop on / off. alt - 6, 7, 8, 9, 0
ctrl - alt - 1, 2, 3, 4, 5 Loop roll. ctrl - alt - 6, 7, 8, 9, 0
alt - E Rewind. (rel and int modes) alt - D
alt - R Fast forward. (rel and int modes) alt - F
alt - O Previous loop. alt - P
alt - L Next loop. alt - ;
alt - space bar Activate the tempo tapper. alt - space bar (x2)
ctrl - I
8
slot 1 slot 2 slot 3 slot 4 slot 5 slot 6
ctrl - alt - Z ctrl - alt - X ctrl - alt - C ctrl - alt - V ctrl - alt - B ctrl - alt - N
Z X C V B N
Load the highlighted song to a deck.
Load the track currently on one deck onto the other deck as well (instant doubles).
Unload the track from a deck.
Go to temporary cue point.
Set temporary cue point.
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(rel and int modes) K
(rel and int modes) ctrl - K
ctrl - or shift -
ctrl - shift -
shift - alt -
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