Professional Audio Products Data Sheet
GOOSENECK MICROPHONES
GM 5 Mandolin/Violin Gooseneck Microphone
GM 9 Dobro/Archtop Gooseneck Microphone
GM 16 Guitar Gooseneck Microphone
GM 17 Banjo Gooseneck Microphone
General Description
The GM 5 is a 5" gooseneck microphone for a mandolin or violin.
The GM 9 is a 9" gooseneck microphone for a dobro or archtop guitar.
The GM 16 is a 16" gooseneck microphone for an acoustic guitar.
The GM 17 is a 17" gooseneck microphone for a banjo.
This gaggle of gooseneck (geeseneck?) microphones are designed to
mount inside acoustic instruments. Each microphone is a uni-directional
electret condenser which can be positioned for the best sound within the
instrument. It requires a special 6 volt 2-wire phantom power (T-power)
supply to operate, supplied on Rane's AP 13 Acoustic Preamplifier (for
which these assemblies are intended to be used). A second pair of leads are
provided to connect to an existing piezo pickup. Output is derived from a
¼" TRS jack at the mounting end of the gooseneck that provides the pickup
wired to the tip and the microphone wired to the ring. This jack can replace
the existing endpin or ¼" connector on the instrument body. If a TRS cable
is used, both pickup and mic signals are kept separate on a single stereo
cable. If a mono ¼" cable is used, only the pickup will be active.
Frequency response of the mic is 50 Hz-18 kHz ±5 dB, with a maximum
SPL of 120 dB. Sensitivity is -64 dB (0 dB=1V/µbar). The scale drawings
to the right are one-half actual size.
GM 5/9/16/17
Microphone Placement
The black face of the mic is active, the lighter face is passive.
Position the microphone approximately ¼" beneath the soundboard
near the treble side of the sound hole, with the active black face of the
microphone towards the interior of the instrument (approximately
towards the chest of the player in a guitar). Rotating the active face of
the mic towards the back of the instrument often tends to reduce
excessive bass response.
Every instrument is unique, and may require a different mic
position. You are encouraged to experiment with positioning the mic
until the best combination of tone and volume is produced. Like any
microphone, the GM can feedback if not properly aimed relative to
loudspeaker volume.
The GM is a low impedance microphone intended for use with the
Rane AP 13, which contain graphic equalizers to help minimize
feedback as well as provide optimum tone and balance. Also see Rane
Note 131, “Microphone Options for the AP 13 Acoustic Preamp.”
GM 9GM 5
GM 16
GM 17
GM 5/9/16/17
GOOSENECK MICROPHONES
Professional Audio Products Data Sheet
GM 5 and GM 9 Installation
1. Remove the brass sleeve from the GM. Enlarge the hole in
the body for the brass sleeve to fit into with a ½" tapered
reamer if neccessary.
2. If the instrument has a pickup, disconnect the wires from
the existing jack and connect (solder) those leads to the
loose set of wires protruding from the middle of the GM.
Separate and insulate the connections with electrical tape.
3. Remove the brass sleeve from the GM and glue it in place
on the instument body. After the glue has dried, insert the
microphone from outside the instrument and tighten by
turning clockwise. The punch mark on the jack face
indicates the active face of the microphone, and should be
directed toward the rear of the instrument.
4. Set the Phantom Power on the AP 13 to 6 volts. Connect a
quality TRS to TRS cable from the instrument to the
preamp. Set the front panel switch to TIP=PZO/
RING=MIC. Consult the owner's manual of the preamp for
further instructions.
GM 16 Installation
1. Remove the strings. Enlarge the hole for the endpin with a
½" tapered reamer if neccessary.
2. If the instrument has a pickup, disconnect the wires from
the existing jack and connect (solder) those leads to the
loose set of wires protruding from the middle of the GM.
Separate and insulate the connections with electrical tape.
3. Insert the microphone assembly through the sound hole and
tighten the strap button/locknut from outside the instrument.
4. Replace the strings and tune the guitar. Set the Phantom
Power on the AP 13 to 6 volts. Connect a quality TRS to
TRS cable from the instrument to the preamp. Set the front
panel switch to TIP=PZO/RING=MIC. Consult the owner’s
manual of the preamp for further instructions.
GM 17 Installation
1. Remove the wing nut and washer from the mic bracket.
Remove the resonator from the banjo if it has one. If it
does, slip the GM through the flange.
2. If the instrument has a pickup, disconnect the wires from
the existing jack and connect (solder) those leads to the
loose set of wires protruding from the middle of the GM.
Solder, separate and insulate the connections.
3. Slip the part of the microphone mounting bracket with the
threaded stud behind two of the hoop heads that tension the
banjo head. Fit the other part (attached to the gooseneck
and output jack) over the threaded stud. Then install and
tighten the washers and wing nut until the microphone
bracket is firmly attached to the hoop brackets.
4. Bend the gooseneck around the rim and position the
microphone behind the head, approximately underneath the
bridge. Set the Phantom Power on the AP 13 to 6 volts.
Connect a quality TRS to TRS cable from the instrument to
the preamp. Set the front panel switch to TIP=PZO/
RING=MIC. Consult the owner's manual of the preamp for
further instructions.
©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5098 TEL (425)355-6000 FAX (425)347-7757 WEB http://www.rane.com
All features & specifications subject to change without notice 04701 AUG98