PRESONUS DigiTube Single-Channel Tube, DigiTube User Manual

Copyright © 2001, PreSonus Audio Electronics, Inc.
ALL RIGHTS RESERVED
DigiTUBE
Single-Channel Tube Mic-Preamplier
with S/PDIF Output
USER’S MANUAL 1.1
1.1 Introduction ............................................................................... 1
1.2 Features .................................................................................... 2
2.1 Front Panel................................................................................. 4
2.1.1 Tube Preamp Section ................................................................... 4
2.1.2 Equalizer Section ........................................................................ 6
2.2 Back Panel ................................................................................. 9
2.2.1 Digital Section ............................................................................ 9
2.2.2 Analog Section............................................................................ 9
2.3 Vacuum Tubes .......................................................................... 12
2.3.1 Replacing the Vacuum Tube ........................................................ 10
2.4 Power Supply ........................................................................... 12
3 Technical Specications ......................................................... 12
4 PreSonus Limited Warranties ................................................. 14
TABLE OF CONTENTS
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1
OVERVIEW 1
1.1 INTRODUCTION
Thank you for purchasing the PreSonus DigiTUBE Single-Channel Tube Mic­Preamplier with S/PDIF Output. This preamp was designed using state of the art components to deliver crystal clear audio for an indenate period of time. We believe the DigiTUBE to be an exceptional sounding unit and an exceptional value.
Please contact us at 1-800-750-0323 with your questions or comments regard­ing this product. PreSonus Audio Electronics, Inc. is committed to constant product improvement and believes the best way to accomplish this task is by listening to the experts on our gear, our valued customers. We appreciate the support you have shown us through the purchase of this product.
Please pay close attention to how you connect your DigiTUBE to your system. Improper grounding is the most common cause of noise problems found in studio or live sound systems. We urge you to scan this manual before hooking up your DigiTUBE to familiarize yourself with its features and applications.
Good luck and enjoy your DigiTUBE!
1 OVERVIEW
2
1.2 FEATURES
The following is a summary of your DigiTUBE’s features:
Dual Servo Gain Stage
Your DigiTUBE contains a dual servo gain stage (no capacitors). This design provides ultra low noise performance and wide dynamic control. The DigiTUBE can boost the desirable signal without increasing unwanted background noise.
Mic/Instrument/Line Input
The DigiTUBE has a Neutrik™ combo (XLR & ”) connector. The XLR input can be used for microphone signals and phantom power is available for condenser mics when the 48V switch is engaged. The XLR will also accept line level signals when the PAD/LINE switch is engaged. The ” input will accept instrument level signals, only. The PAD/LINE switch has no effect on the ” input and it should be understood that the ” input is not designed to accept line level signals.
Pad/Line
A switch on the front panel may be used to engage a -20dB pad for mic level signals or change the XLR input operating level from mic to line. Using the ­20dB pad provides a more manageable signal from high output devices giving the operator greater control over the incoming signal and a much reduced chance of over-driving the input, thereby avoiding distortion.
48V
The DigiTUBE has 48V phantom power available. Phantom power assures optimum performance from your condenser microphone without the need of an external power supply. A 80Hz switch is provided on the front panel of the DigiTUBE that enables the user to insert an 80Hz lter. Often referred to as a rumble lter, this feature is useful for eliminating bothersome low-end sounds such as air conditioning noise without greatly altering the desired audio.
Parametric Equalizer
The equalizer section is equipped with three dual concentric potentiometers The outer control selects the frequency and the inner control boosts/cuts the selected frequency. The EQ controls are LOW, MID, HI from left to right. The bandwidths are broad enough and have enough overlap to allow a very effective contour of the incoming audio signal.
3
OVERVIEW 1
Drive
The DigiTUBE is provided with a DRIVE potentiometer for controlling the amount of signal routed through the 12AX7 vacuum tube. This feature lets you control how much saturation of the signal occurs. Greater levels of tube saturation give the signal greater warmth and a richer sound. This feature works equally well on mics and instruments and is just what is needed to tame that ‘brittle’ sound encountered with different types of digital media.
Internal Clock
An internal clock is provided for 44.1 kHz or 48 kHz operation selectable by way of the switch on the back panel. An INTERNAL/EXTRERNAL selector and a BNC connector for external clock input can be found on the back panel as well as the S/PDIF connector for the DigiTUBE’s digital output.
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2 CONTROLS & OPERATION
2.1 FRONT PANEL
The front panel of the DigiTUBE contains:
GAIN (dB) LOW MID HIGH
EQ IN
MIC/INSTRUMENT
LINE
POWER
-42 -36 -30 -24 -18 -12 -6 -3 0 3 6 9 12 15 18 24
OUTPUT LEVEL (dBu)
2k
900 5k
120
30 1k
0
-12 +12
5k
3k 15k
0
-12 +12
DRIVE
TUBE PREAMP EQUALIZER
24
3 48
5
0 10
80Hz48V
PAD/
LINE
-12 +12
0
FREQLEVEL
The front panel of the DigiTUBE is divided into two sections: the tube preamp controls are located on the left hand side of the unit’s front panel and the equalizer section is on the right.
2.1.1 TUBE PREAMP SECTION
Neutrik™ Combo Microphone (XLR) / Instrument (”) Input Drive Control Pad/Line Switch Gain Control (3dB - 48dB) +48V Phantom Power Switch
Mic/Line/Instrument Input
The DigiTUBE has a Neutrik™ combo connector which provides both an XLR and a ” TS input. The XLR connector can accept microphones or by engaging the PAD/LINE switch, line level signals. The ” input is for instrument level signals only. If you wish to adapt a line level device with a ” connector, An XLR connector with pins 1 and 3 tied together for ground and the hot connected to pin 2 must be made. This adapts the unbalanced line level cable to input signal via the XLR input and the PAD/LINE switch to convert the input to accept a line level signal.
Drive
The DRIVE potentiometer controls how much signal is routed through the 12AX7 vacuum tube. The effect achieved by this procedure can be subtle to extreme, depending on the setting being used. A ‘warming up’ of the sound can be noticed at lower settings. This effect can be used to compensate for the harsh­ness commonly encountered in digital signals with
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