The exclamation point within an equilateral triangle is intended to alert the user
to the presence of important operating and maintenance (servicing) instructions
in this manual.
The lightning flash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of uninsulated “dangerous” voltage
within the product’s enclosure that may be of sufficient magnitude to constitute a risk of
electric shock to humans.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE COVER.
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED
PERSONNEL.
CAUTION: To reduce the risk of electric shock, do not expose this appliance to
rain and moisture. The apparatus shall not be exposed to dripping or splashing
liquids and no object filled with liquids, such as vases, shall be placed on the
apparatus.
CAUTION: These service instructions are for use by qualified service personnel
only. To reduce the risk of electric shock, do not perform any servicing other than
that contained in the operation instructions. Repairs must be performed by
qualified service personnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry a cloth.
7. Do not block any ventilation openings. Install in accordance
with the manufacturer’s instructions.
8. Do not install near any heat sources, such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A
polarized plug has two blades, with one wider than the other. A grounding-type
plug has two blades and a third grounding prong. The wide blade and the
third prong are provided for your safety. If the provided plug does not fit into
your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched, particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
11. Use only attachments/accessories specified by PreSonus.
12. Use only with the cart, stand, tripod, bracket, or table
specified by the manufacturer or sold with this apparatus.
When a cart is used, use caution when moving the cart/
apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms
or when unused for long periods of time.
14. Servicing is required when the apparatus has been damaged in any way, such as
if a power-supply cord or plug is damaged; or liquid has been spilled, or objects
have fallen, into the apparatus; or if the apparatus has been exposed to rain or
moisture, does not operate normally, or has been dropped. All PreSonus products
in the USA should be serviced at the PreSonus factory in Baton Rouge, Louisiana.
If your product requires a repair, contact support@presonus.com to arrange for a
return-authorization number. Customers outside the USA should contact their local
distributor. Your distributor’s contact information is available at www.presonus.com.
15. The apparatus shall be connected to a Mains power outlet
with a protective grounding/earthing connection.
16. Where the Mains plug or an appliance coupler is used as the disconnect
device, the disconnect device shall remain readily operable.
EU Directives on the Protection of the
Environment and Other Euro Stuff
RoHS This product is compliant with the EU Directive 2011/65/EU for the Restriction
of the use of Certain Hazardous Substances in Electrical and Electronic Equipment.
No lead (Pb), cadmium (Cd), mercury (Hg), hexavalent chromium (Cr+6), PBB
or PBDE is intentionally added to this device. Any traces of impurities of these
substances contained in the parts are below the RoHS specified threshold levels.
REACh This product is compliant with the European Union Directive
EC1907/206 for the Registration, Evaluation, Authorization, and Restriction
of chemicals (REACh) and contains none or less than 0.1% of the
chemicals listed as hazardous chemicals in the REACh regulation.
WEEE This symbol on the product or its packaging indicates that this
product must not be disposed of with other waste. Instead, it is your
responsibility to dispose of your waste equipment by handing it over to
a designated collection point for the recycling of waste electrical and
electronic equipment. The separate collection and recycling of your waste
equipment at the time of disposal will help conserve natural resources and
ensure that it is recycled in a manner that protects human health and the environment. For
more information about where you can drop off your waste equipment for recycling, please
contact your local city recycling office or the dealer from whom you purchased the product.
CE This product complies with the European Union Council Directives
and Standards relating to electromagnetic compatibility EMC Directive
(2006/95/EC) and the Low Voltage Directive (2004/108/EC).
AudioBox™ 1818VSL
1.0 Overview — 1
1.1 Introduction — 1
1.2 Summary of AudioBox 1818VSL
Hardware Features — 2
1.3 Summary of Studio One Artist
Software Features — 2
1.4 Summary of Virtual StudioLive
Software Features — 3
4.1.5 Loading Scenes and Presets from VSL — 30
4.1.6 Using VSL to Create a Monitor Mix — 31
4.2 AB1818VSL Remote — 33
4.2.1 Networking your iPad and Computer — 33
4.2.2 Connecting to Virtual StudioLive — 36
4.2.3 AB1818VSL Remote: Overview Page — 37
OverviewHookupConnecting
to a
Computer
1.5 What is in the Box — 4
2.0 Hookup — 5
2.1 Front-Panel Connections — 5
2.2 Rear-Panel Connections — 7
2.3 Typical Band Hookup Diagram — 9
2.4 Speaker-Switching
Hookup Diagram — 10
3.0 Connecting to a
Computer — 11
3.1 System Requirements — 11
3.2 Installation for Windows — 12
3.3 Installation for Mac OS X — 14
3.4 Using the AudioBox 1818VSL with
Popular Audio Applications — 15
4.2.4 Aux Mix Page — 42
4.2.5 Settings Page — 44
4.2.6 Channel Zoom Page — 46
4.3 Studio One Artist Quick Start — 47
4.3.1 Installation and Authorization — 47
4.3.2 Enabling the Audio Driver — 52
4.3.3 Configuring MIDI Devices — 53
4.3.4 Creating a New Song — 56
4.3.5 Creating Audio Tracks — 58
4.3.6 Creating MIDI Tracks — 59
4.3.7 Adding Virtual Instruments
and Plug-in Effects to
Your Song — 60
5.0 Tutorials — 62
5.1 Microphone Types — 62
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
and Warranty
Troubleshooting
4.0 Software: Virtual StudioLive
and Studio One Artist — 17
4.1 Virtual StudioLive — 17
4.1.1 Virtual StudioLive: Setup — 17
4.1.2 Virtual StudioLive: Browser — 22
4.1.3 Virtual StudioLive: Overview and Fat Channel Tab — 23
4.1.4 VSL Controls: Definitions and Uses — 24
5.1.1 Condenser — 62
5.1.2 Dynamic — 62
5.1.3 USB Microphones and Other Types — 62
5.1.4 Microphone Placement — 63
5.2 A Brief Tutorial on Dynamics
Processing — 66
5.2.1 Common Questions Regarding
Dynamics Processing — 66
iii
OverviewHookupConnecting
5.2.2 Types of Dynamic
Processing — 67
5.2.3 Compression Settings: Some
Starting Points — 72
5.3 Equalizers — 74
5.3.1 What is an EQ? — 74
Computer
to a
Software: Virtual StudioLive
and Studio One Artist
AB1818VSL Remote,
TutorialsTechnical
Information
Troubleshooting
and Warranty
5.3.2 Equalization Settings:
How to Find the Best and Leave
the Rest — 76
5.3.3 General EQ Suggestions — 79
5.4 Aux Bus Mixing — 82
5.4.1 Monitor Mixing — 82
5.4.2 Effects Processing — 82
5.5 Digital Effects — 83
5.5.1 Reverb — 83
5.5.2 Delay — 84
5.4.3 Modulation Effects — 84
6.0 Technical Information — 85
6.1 Specifications — 85
7.0 Troubleshooting and
Warranty — 87
7.1 Troubleshooting — 87
7.2 PreSonus Limited Warranty — 88
Index — 90
Current Section 0Owner’s ManualCurrent Sub Section 0.0
OverviewHookupConnecting
to a
Computer
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
and Warranty
Troubleshooting
v
PreSonus AudioBox™ 1818VSL
vi
Owner’s Manual
1.0 Overview
1.1 Introduction
Overview 1
Introduction 1.1
Overview
HookupConnecting
Thank you for purchasing the PreSonus AudioBox™ 1818VSL. PreSonus Audio
Electronics has designed the AudioBox 1818VSL utilizing high-grade components to
ensure optimum performance that will last a lifetime. Loaded with 8 high-headroom,
Class A, XMAX™ microphone preamplifiers; a built-in 18x18 USB 2.0 recording
and playback engine; MIDI I/O; S/PDIF I/O; ADAT I/O; BNC word clock output;
Fat Channel processing with 3-band EQs, compressors, limiters, and downward
expanders; delay and reverb effects; and more, AudioBox 1818VSL breaks new
boundaries for music performance and production. All you need is a computer with
a USB 2.0 connection, a few microphones and cables, powered speakers, and your
instruments, and you are ready to record in the studio or in front of a live audience!
We encourage you to contact us at 225-216-7887 (9 a.m. to 5 p.m. Central Time)
with questions or comments regarding your PreSonus AudioBox 1818VSL.
PreSonus Audio Electronics is committed to constant product improvement, and
we value your suggestions highly. We believe the best way to achieve our goal
of constant product improvement is by listening to the real experts: our valued
customers. We appreciate the support you have shown us through the purchase
of this product and are confident that you will enjoy your AudioBox 1818VSL!
ABOUT THIS MANUAL: We suggest that you use this manual to familiarize yourself with the
features, applications, and correct connection procedures for your AudioBox 1818VSL before trying
to connect it to your computer. This will help you avoid problems during installation and setup.
Throughout this manual you will find Power User Tips that can quickly make you an
AudioBox 1818VSL expert. In addition to the Power User Tips, you will find an assortment
of audio tutorials at the back of this manual. These tutorials cover everything from
microphone placement to equalizer and compression-setting suggestions.
to a
Computer
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
and Warranty
Troubleshooting
1
1 Overview
1.2 Summary of AudioBox 1818VSL Hardware Features
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
Overview
HookupConnecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
1.2 Summary of AudioBox 1818VSL Hardware Features
• 24-bit/96 kHz sampling rate
• 8 Class A XMAX microphone preamplifiers
• 2 Instrument inputs
• 6 Line inputs
• MIDI I/O
• S/PDIF I/O
• ADAT I/O
• BNC word clock output
• High-definition analog-to-digital converters (114 dB dynamic range)
• 18x18 USB 2.0 audio interface
• Headphone output
• Rugged steel chassis
• Virtual StudioLive™ monitor-mixing software
• Studio One™ Artist
• Compatible with Cubase, Digital Performer, Logic, Nuendo, Pro Tools
9+, Sonar, Studio One, and other audio-recording software
Information
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and Warranty
• Mac OS X®- and Windows®-compatible
1.3 Summary of Studio One Artist Software Features
All PreSonus audio interfaces include PreSonus Studio One Artist recording
software, which comes with over 4 GB of plug-ins, loops, and samples, giving
you everything you need for music recording and production. The Studio
One Artist Quick Start Guide is located in Section 4.3 of this manual. You will
find a complete user manual on the Studio One Artist installation DVD.
• Over 4 GB of loops, samples, and instruments, featuring: Presence
virtual sample player, Impact virtual drum machine, SampleOne virtual
sampler, Mojito virtual analog-modeled subtractive synthesizer
• Innovative and intuitive MIDI mapping
• Powerful drag-and-drop functionality for faster workflow
• Mac OS X®- and Windows®-compatible
2
Owner’s Manual
Overview 1
Summary of Virtual StudioLive Software Features 1.4
1.4 Summary of Virtual StudioLive Software Features
Virtual StudioLive is a powerful monitor-mixing application that allows you to
add professional dynamics processing, EQ, and effects to your monitor mixes.
• Easy drag-and-drop workflow
• Drag presets directly to channels
• Drag parts of presets directly to components in the Fat Channel
• StudioLive 16.0.2 Fat Channel with:
•High-pass Filter
•Downward Expander
•Compressor
•3-band semi-parametric EQ
•Limiter
• Two effects buses with 32-bit floating-point reverbs and delays
• Quickly drop entire Scenes to the mixer for instant
recall of all channel and effects settings
• Load effects quickly by simply dragging and dropping
• Mixer overview:
•See all of the most-used mixer parameters at once
Overview
HookupConnecting
to a
Computer
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
•See the state of all Fat Channel settings at once
•See all Aux mixes at once
•See the current effects and parameter settings
Information
and Warranty
Troubleshooting
3
1 Overview
1.5 What is in the Box
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
Overview
Hookup
Connecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
1.5 What is in the Box
In addition to this manual, your AudioBox 1818VSL package contains the following:
PreSonus AudioBox 1818VSL USB 2.0 recording interface
6’ (1.8m) USB cable
External power supply
Information
Troubleshooting
and Warranty
Software library containing:
• PreSonus Studio One Artist program DVD plus gigabytes of third-party content
• PreSonus Virtual StudioLive and AudioBox driver CD
4
Owner’s Manual
2.0 Hookup
2.1 Front-Panel Connections
Hookup 2
Front-Panel Connections 2.1
OverviewConnecting
Hookup
Microphone Inputs. Your AudioBox 1818VSL is equipped with PreSonus
XMAX microphone preamplifiers for use with all types of microphones.
The XMAX has a Class A input buffer, followed by a dual-servo gain
stage. This arrangement results in ultra-low noise and wide gain control,
allowing you to boost signals without increasing background noise.
The eight analog inputs of the AudioBox 1818VSL feature combo jacks. This
convenient connector accepts either a ¼-inch phone plug or an XLR plug.
48-volt Phantom Power. The AudioBox 1818VSL provides 48V phantom power
for every microphone input, in banks of four. This feature can be individually
enabled for each bank, using the buttons on the left side of the front panel.
WARNING: Phantom power is only required for condenser micro phones and
can severely damage dynamic mics, especially ribbon mics. Therefore, switch
phantom power off for all channels where it is not required.
XLR connector wiring for phantom power:
Pin 1 = GND
Pin 2 = +48V
Pin 3 = +48V
Instrument Inputs. The ¼-inch TS connectors on channels 1 and 2 are for use with
instruments (guitar, bass, etc.). When an instrument is plugged into the instrument
input, the mic preamp is bypassed, and the AudioBox 1818VSL becomes an
instrument preamplifier.
to a
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and Studio One Artist
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Troubleshooting
Power User Tip: Active instruments are those that have an internal preamp or a line-level output.
Active instruments should be plugged into a line input rather than into an instrument input.
Plugging a line-level source into the instrument inputs on the front of the AudioBox 1818VSL not
only risks damage to these inputs but also results in a very loud and often distorted audio signal.
Please note: As with any audio input device, plugging in a microphone or an instrument, or
turning phantom power on or off, will create a momentary spike in the audio output of your
AudioBox 1818VSL. Because of this, we highly recommend that you turn down the channel trim before
changing connections or turning phantom power on or off. This simple step will add years to life of
your audio equipment.
5
OverviewConnecting
Hookup
2 Hookup
2.1 Front-Panel Connections
Line-level Inputs. Channels 3-8 of the AudioBox 1818VSL have a ¼-inch, balanced
TRS connection for line-level input. When these inputs are engaged, the microphonepreamp circuit is bypassed. Typical examples of line-level connections are synthesizer
outputs, CD/DVD-player outputs, and (with exceptions) signal-processor outputs.
Input Gain/Trim Control. These knobs provide the following gain structure:
PreSonus AudioBox™ 1818VSL
Computer
to a
Software: Virtual StudioLive
and Studio One Artist
AB1818VSL Remote,
TutorialsTechnical
Information
Troubleshooting
and Warranty
•XLR Microphone / TS ¼-inch Instrument inputs: 80 dB
of variable gain (-15/-30 dB to +65/50 dB)
•TRS ¼-inch Line Level inputs: 40 dB of variable gain (-20 dB to +20 dB)
Clip Indicator. All channels feature clip LEDs next to the trim controls. The red clip
indicator LED will illuminate when the channel’s input signal reaches 0 dBFS. At this
level, your mic preamp/line trim signal will exhibit signs of clipping (distortion).
Power User Tip: Never run your input levels higher than the channel inputs can
handle. If you overdrive the analog-to-digital converters, it will cause digital
distortion (digital clipping), which sounds terrible. The XMAX™ preamps in your
AudioBox 1818 VSL provide plenty of headroom; take advantage of it.
Phones. The Phones knob controls the volume of the headphone output
on the front of the unit. The headphone amplifier is quite powerful, and the
volume goes to 11, so use the maximum setting with extreme caution.
Main. The Main knob controls the output level for the Main Outputs on
the back of the AudioBox 1818VSL, with a range of -80 dB to 0 dB.
USB Sync LED. This LED will illuminate blue when the AudioBox 1818VSL is
properly powered and synced to a USB 2.0 connection. It will flash blue and
red when the unit is properly powered but no USB connection is detected.
¼-inch Phones Jack. This is where you connect
headphones to your AudioBox 1818VSL.
Main Output Meters. These meters display the signal level going to the Main and
Line 1/2 Outputs on the back panel of the AudioBox 1818VSL. The level set by
the Main Output knob on the front panel has no effect on the metered level.
Power User Tip: Because Outputs 1 and 2 share the same signal source, you can use these meters to
monitor that output pair as well.
6
Owner’s Manual
2.2 Rear-Panel Connections
Hookup 2
Rear-Panel Connections 2.2
OverviewConnecting
Line Outputs. The AudioBox 1818VSL has eight line outputs to route
to external devices, such as headphone amps and DJ mixers. Outputs
1 and 2 share their playback streams with the Main Outs. Outputs
7 and 8 share their playback streams with the headphone output.
Outputs 3 through 6 have independent playback streams.
Main Out. These are the main outputs for the AudioBox 1818VSL. The output level of
the Main Outs is controlled by the Main volume knob on the front of the unit.
MIDI I/O. MIDI stands for “Musical Instrument Digital Interface.” MIDI inputs
and outputs allow connection to, and communication with, external MIDI
equipment. One function of these ports is MIDI sequencing but the MIDI
protocol can be used for much more than instruments and sequencing.
NOTE: MIDI is not audio but is frequently used to trigger or control an audio
source (such as a plug-in or synthesizer). It’s important to ensure that your
MIDI data is correctly sent and received by the appropriate hardware or
software devices. If the devices generate audio, you may also need to return
the audio to an AudioBox 1818VSL input channel. Please consult the User’s
Manuals of your MIDI devices for help with MIDI setup and usage.
Hookup
to a
Computer
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
S/PDIF In and Out Jacks. The S/PDIF standard allows two channels of audio
to be transmitted at rates up to 24 bit, 96 kHz. The S/PDIF I/O also allows the
AudioBox 1818VSL to send and receive word clock to external digital devices.
Power User Tip: Remember to set “S/PDIF” as the Clock Source and set the sample
rate to correspond to the external device in the AudioBox VSL Setup Tab (Windows)
or in Audio MIDI Setup (OS X) when using the S/PDIF input for external sync.
ADAT–S/MUX Input and Output. These are ADAT–S/MUX connections for your
external digital devices. When recording or playing back at 44.1 kHz or 48 kHz, the
ADAT input and output will stream 8 channels. When recording or playing back at
88.2 kHz or 96 kHz, each connection will stream 4 channels. The ADAT–S/MUX I/O
also allows the AudioBox to send and receive word clock to external digital devices.
Power User Tip: Remember to select “ADAT ” as the Clock Source and set the sample
rate to correspond the external device in the AudioBox VSL Setup Tab (Windows)
or in Audio MIDI Setup (OS X) when using the ADAT input for external sync.
and Warranty
Troubleshooting
7
Computer
and Studio One Artist
2 Hookup
2.2 Rear-Panel Connections
OverviewConnecting
BNC Sync Output. This is a 75Ω word clock output that allows the AudioBox
1818VSL to transmit word clock information to other digital audio devices.
Power User Tip: A 75Ω BNC word clock cable is required to achieve proper sync.
Hookup
to a
Software: Virtual StudioLive
AB1818VSL Remote,
USB 2.0 Port. This is where you connect the USB cable from your
AudioBox 1818VSL to your computer. The AudioBox 1818VSL
must be connected to a USB 2.0 port to work properly.
PreSonus AudioBox™ 1818VSL
TutorialsTechnical
Information
Troubleshooting
and Warranty
Power Input. This is where you connect the power supply for your AudioBox
1818VSL. The AudioBox 1818VSL cannot be bus powered.
Power Switch. This is the On/Off switch for your AudioBox 1818VSL.
8
Owner’s Manual
Hookup 2
Typical Band Hookup Diagram 2.3
2.3 Typical Band Hookup Diagram
powered speakers
headphone amps
OverviewConnecting
Hookup
to a
Computer
guitar and ampbass
drumset
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
and Warranty
Troubleshooting
9
2 Hookup
2.4 Speaker-Switching Hookup Diagram
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
OverviewConnecting
Hookup
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
2.4 Speaker-Switching Hookup Diagram
studio monitorsmonitor stationstudio monitors
Information
Troubleshooting
and Warranty
10
Owner’s Manual
Connecting to a Computer 3
System Requirements 3.1
3.0 Connecting to a Computer
Your AudioBox 1818VSL is a rugged USB 2.0 audio interface with
flexible monitoring control and professional audio tools.
3.1 System Requirements
Below are the minimum computer-system requirements for
PreSonus Studio One Artist and Virtual StudioLive software.*
Mac
• Operating Systems:
•Mac OS X 10.6 or higher
• Hardware:
•Minimum: Intel® Core™ Duo Processor, 2 GB RAM
•Recommended: Intel Core 2 Duo or Intel iCore
Windows
• Operating Systems (32- or 64-bit):
•Windows 7, Vista
processor or better, 2 GB or more RAM
OverviewHookupConnecting
to a
to a
Computer
Computer
Connecting
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
• Hardware:
• Minimum: Intel Core Duo or AMD Athlon™ X2 processor, 2 GB RAM
• Recommended: Intel Core 2 Duo or AMD Athlon X4 or better, 4 GB or more RAM
NOTE: The speed of your processor, amount of RAM, and capacity, size, and speed of your hard
drives will greatly affect the overall performance of your recording system. A faster processor
and more RAM can reduce signal latency (delay) and improve overall performance.
*Subject to change. Check www.presonus.com for updates.
Information
and Warranty
Troubleshooting
11
3 Connecting to a Computer
3.2 Installation for Windows
PreSonus AudioBox™ 1818VSL
Computer
Computer
and Studio One Artist
OverviewHookupConnecting
Connecting
to a
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Information
3.2 Installation for Windows
The AudioBox installer requires that your AudioBox 1818VSL be
connected to your computer. Connect your AudioBox 1818VSL to an
available USB 2.0 port and insert the Installation CD into your disc drive.
The AudioBox installer will auto-launch and take you through each step
of the installation process. Please read each message carefully.
It is recommended that you quit all applications before you start the installation.
Windows Vista Users: If you see any Windows Security
alerts, click “Install this driver software anyway.”
1. The installer will open to the Welcome screen.
Click “Next.”
Troubleshooting
and Warranty
2. You will be asked if you would like the installer to
automatically create an icon on your desktop for
AudioBox Virtual StudioLive software.
This software allows you to create near-zero
latency monitor mixes with dynamics and
effects. Creating a desktop icon will provide
you with quick access to these controls.
Click “Next.”
12
Owner’s Manual
Connecting to a Computer 3
Installation for Mac OS X 3.2
3. The installer will now scanned your computer, you will
be prompted to begin the installation. If your AudioBox
is not detected by the installer, you will prompted to
connect it.
Click “Install Driver.”
4. Once the driver has been installed successfully, you will
be alerted.
Click “Next” to finish the installation.
OverviewHookupConnecting
Connecting
to a
to a
Computer
Computer
5. In order for the driver to operate properly, you must
restart your computer.
Click “Finish” to automatically reboot your computer.
6. Once your computer has restarted,
connect your AudioBox 1818VSL.
Your AudioBox 1818VSL is now ready to use!
AB1818VSL Remote,
and Studio One Artist
Software: Virtual StudioLive
TutorialsTechnical
Information
and Warranty
Troubleshooting
13
3 Connecting to a Computer
3.3 Installation for Mac OS X
PreSonus AudioBox™ 1818VSL
Computer
Computer
and Studio One Artist
OverviewHookupConnecting
Connecting
to a
to a
Software: Virtual StudioLive
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3.3 Installation for Mac OS X
After inserting the Installation CD into your disc drive, browse the disc,
and run the AudioBox 1818VSL installer, which will take you through each
step of the installation process. Please read each message carefully and be
especially careful that you do not connect your AudioBox too soon.
1. You will be directed to the Welcome screen. Click
“Continue” and follow the onscreen instructions.
2. You will be directed to choose the hard drive onto
which you want to install the drivers and Virtual
StudioLive software. You must choose your system
drive; storage drives and partitions cannot be used as
hosts for the driver.
Information
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and Warranty
When installation is completed, you will find the
Universal Control program in your Applications folder.
It is recommended that you place this in your Dock.
Click “Install.”
3. When installation is completed, your computer will
restart. Once it has rebooted, connect your
AudioBox 1818VSL to your Mac with a USB cable and
power it on. You are now ready to use your AudioBox
1818VSL!
14
Owner’s Manual
Connecting to a Computer 3
Using the AudioBox 1818VSL with Popular Audio Applications 3.4
3.4 Using the AudioBox 1818VSL with Popular Audio Applications
Apple Logic Pro/Express 7+:
Complete setup instructions for Studio One Artist and a brief tutorial on
its features can be found in Section 4.3 of this manual. However, you can
use your AudioBox 1818VSL with any audio-recording application that
supports Core Audio or ASIO. Please consult the documentation that came
with your audio application for specific instructions on how to select the
AudioBox 1818VSL driver as the audio-device driver for your software.
Below are basic driver-setup instructions for four popular audio applications.
1. Launch Logic Pro/Express.
2. Go to Logic | Preferences | Audio.
3. Click on the Devices Tab .
4. On the Core Audio tab, check Enabled.
5. Select PreSonus AudioBox 1818VSL from the device menu.
6. You will be asked if you’d like to relaunch Logic. Click “try (re)launch.”
OverviewHookupConnecting
Connecting
Software: Virtual StudioLive
to a
to a
Computer
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AB1818VSL Remote,
and Studio One Artist
Steinberg Cubase 4+
7. Your AudioBox 1818VSL features custom I/O labels for faster workflow.
To enable these labels for use in Logic, go to Options | Audio | I/O Labels.
8. The second column in the pop-up window will be named
“Provided by Driver.” Activate each of these labels for your
AudioBox 1818VSL. When you are done, close this window.
9. You are now ready to use your AudioBox 1818VSL.
1. Launch Cubase.
2. Go to Devices | Device Setup.
3. Select “VST Audio System” from the Devices column in the Device Setup.
4. Select PreSonus AudioBox 1818VSL from the ASIO Driver dropdown list.
5. Click “Switch” to begin using the AudioBox 1818VSL driver.
6. Once you have successfully changed the driver, go to Devices | VST Connections to enable your input and output buses.
TutorialsTechnical
Information
and Warranty
Troubleshooting
15
3 Connecting to a Computer
3.4 Using the AudioBox 1818VSL with Popular Audio Applications
PreSonus AudioBox™ 1818VSL
Computer
Computer
and Studio One Artist
OverviewHookupConnecting
Connecting
to a
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Cakewalk Sonar 6+
1. Launch Sonar.
2. Go to Options | Audio... and click on the Advanced tab.
3. Change the Driver Mode to “ASIO.” (Using WDM, rather than
ASIO, for pro-audio applications is not recommended.)
4. Click the “OK” button.
5. Restart Sonar.
6. Go to Options | Audio... and click on the Drivers tab.
7. Highlight all input and output drivers beginning with “PreSonus AudioBox 1818VSL.”
8. Go to Options | Audio... and click on the General tab.
9. Set the Playback Timing Master to “ PreSonus AudioBox... DAW Out 1.”
10. Set the Recording Timing Master to “PreSonus AudioBox... Mic/Inst 1.”
4. Go to Input Config: Enable and select the desired Input channels.
5. Go to Output Config: Enable and select the desired Output channels.
6. You may now select the AudioBox 1818VSL’s inputs
and outputs for each track created in Live.
ProTools 10+
1. Launch ProTools
1. Go to Setup | Hardware and select AudioBox 1818VSL
from the Peripherals list. Click OK.
16
1. Go to Setup | Playback Engine and select AudioBox 1818VSL
from the menu at the top of the window. Click OK.
Owner’s Manual
Software: Virtual StudioLive and Studio One Artist 4
Virtual StudioLive 4.1
4.0 Software: Virtual StudioLive and Studio One Artist
Your AudioBox 1818VSL comes with a powerful software bundle that
provides everything you need to record, produce and mix an album.
This software package, including Virtual StudioLive™ (VSL) and Studio
One™ Artist, is designed to help you get the most from your studio.
4.1 Virtual StudioLive
Virtual StudioLive is a powerful monitoring software that essentially
turns your AudioBox 1818VSL into a mini-StudioLive™ 16.0.2. VSL
provides control of channel, effects bus, and Main bus levels; Fat
Channel parameters; and effects. VSL also includes a librarian,
allowing you to easily manage your presets and mix Scenes.
Controlling VSL is as easy as drag-and-drop. Load Fat Channel presets and
Scenes by simply dragging them onto the channel or mixer overview. You
can load Fat Channel presets as a complete channel strip or as individual
gate, compressor, and EQ presets. You can even drag presets out of the
browser and exchange them with other AudioBox 22/44/1818VSL owners.
4.1.1 Virtual StudioLive: Setup
The VSL Setup tab lets you set basic driver parameters such as buffer size
and sample rate and enables you to adjust the user preferences in VSL. To
access the Setup options, click on the Setup Tab button at the top of the
VSL window.
OverviewHookupConnecting
to a
Computer
AB1818VSL Remote,
AB1818VSL Remote,
and Studio One Artist
and Studio One Artist
Software: Virtual StudioLive
Software: Virtual StudioLive
TutorialsTechnical
Meter DecaySets the Response Time for the Meters in the Device Window.
VSL gives you the option to set the response time for the channel meters.
By default, this is set to Normal. Enable Slow Meter decay to more
accurately meter the peaks and falls of the signal. Enable Fast Metering to
monitor your signal in real time.
Meter Peak HoldSets the Clip Indicator to Remain Illuminated.
When this option is enabled, the clip indicator on any given channel
meter in VSL will remain illuminated until manually cleared, even if the
signal is no longer clipping. The meters will also display the last peak
value until a new peak is established. To clear the clip indicator, click on it
with your mouse.
Meter Post FaderSets the Channel Metering to Post Fader Signal
When this option is enabled, the channel meters in VSL will display the
signal level after it has been boosted or attenuated by the channel fader.
By default, all metering in VSL is pre-fader.
Information
and Warranty
Troubleshooting
17
4 Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist
0.0 Current Sub Section
4.1 Virtual StudioLive
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
OverviewHookupConnecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Run at Startup (Windows Only) Launches the Virtual StudioLive Application Automatically on Startup.
When this is enabled, VSL will automatically launch each time you boot
your Windows.
On the Mac, you can set this up first by dragging VSL to your dock,
then by right-clicking it and selecting Options>Open at Login.
Please Note: VSL is disabled when it is not launched and all audio routing
must be made either in your DAW or in your system preferences.
Sample Rate Selector (OS X Only)Changes Sample Rate.
Sets the sample rate to 44.1, 48, 88.2, or 96 kHz.
A higher sample rate will increase the fidelity of the
recording. It will also increase the file size and the amount
of system resources necessary to process the audio.
Changing the sample rate will produce a momentary popping noise.
Because of this, it is recommended that you turn the Main and Phones
volumes down on your AudioBox prior to changing the sample rate.
On Windows systems, the sample rate is set from
inside your host audio application.
Information
Troubleshooting
and Warranty
Performance (OS X only)Changes VSL’s Input Monitoring Buffer Size.
VSL offers three Performance modes for input monitoring: Fastest,
Normal, and Safe. These modes allow you to adjust the VSL’s buffer to
either lower the input latency or increase it depending on your
computer’s speed.
• Fastest: Sets VSL’s input buffer to 1 millisecond.
• Normal: Sets VSL’s input buffer to 2 milliseconds.
• Safe: Sets VSL’s input buffer to 4 milliseconds.
For most machines, Normal mode will provide
excellent stability with nominal latency.
Buffer Size Selector (Windows only) Changes the Buffer Size.
You can set the buffer size from 64 (44.1 or 48 kHz) or 128 (88.2 or 96 kHz)
to 2048 samples. The buffer size determines the roundtrip time it takes
audio data to be converted from analog to digital and back to analog. As
a general rule, the higher the buffer size, the better the system
performance, but the less playable virtual instruments and the like
become. In general, 512 samples (11 to 12 milliseconds) will provide you
with a large enough buffer for optimum system performance, but low
enough to be unobtrusive. You should set your buffer size and sample
rate prior to launching your host application.
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18
On the Mac, the buffer size is set from inside your host application.
Power User Tip: The buffer size you set in VSL (Windows) or in your audio application
(Mac OS X), applies only to the driver’s performance in your ASIO or Core Audio application.
Owner’s Manual
ADAT Mode (Windows Only)Sets ADAT I/O to ADAT or S/MUX Mode
Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist 4
Virtual StudioLive 4.1
When recording or playing back at 44.1 kHz or 48 kHz, the ADAT I/O on
the AudioBox 1818VSL will provide 8 audio channels over the optical
inputs and outputs. When recording or playing back at 88.2 kHz or 96 kHz,
these connections will provide 4 audio channels.
In order to record or playback at 88.2 kHz or 96 kHz over
ADAT, you must set the correct Input and Output ADAT
Modes. AudioBox VSL provides two modes:
ADAT 8x8: Channels 1-8 (44.1/48 kHz)
ADAT SMUX 4x4: Channels 1-4 (88.2/96 kHz)
If you are recording at 88.2 kHz or 96 kHz, you must set the ADAT In Mode
to “ADAT SMUX 4x4” in addition to setting the correct sample rate.
If you are outputting audio through the optical outputs
on your AudioBox 1818VSL at 88.2 kHz or 96 kHz, you
must set the ADAT Out Mode to “ADAT SMUX 4x4” .
By default, these Modes are set to ADAT 8x8. As long
as you are using your AudioBox 1818VSL at 44.1 kHz or
48 kHz, you do not need to make any changes.
Power User Tip: Failure to set the correct ADAT Mode for the sample rate being used will result in audio
artifacts. Setting ADAT mode is not necessary when using Analog or S/PDIF I/O at higher sample rates.
OverviewHookupConnecting
Software: Virtual StudioLive
Software: Virtual StudioLive
to a
Computer
AB1818VSL Remote,
AB1818VSL Remote,
and Studio One Artist
and Studio One Artist
ADAT Mode (OS X Only)Sets ADAT I/O to ADAT or S/MUX Mode
When recording or playing back at 44.1 kHz or 48 kHz, the ADAT I/O
on the AudioBox 1818VSL will provide 8 audio channels over the
optical inputs and outputs. When recording or playing back at 88.2
kHz or 96 kHz, these connections will provide 4 audio channels.
In order to record or playback at 88.2 kHz or 96 kHz over ADAT,
you must set the correct Input and Output ADAT Modes. These
settings are available in OS X’s Audio MIDI Setup Utility.
By default, these Modes are set to 18ch-24bit. As long
as you are using your AudioBox 1818VSL at 44.1 kHz or
48 kHz, you do not need to make any changes.
To record or playback at 88.2 kHz or 96 kHz, open the Audio MIDI Setup
Utility on your Mac (Applications/Utilities/Audio MIDI Setup).
Once Audio MIDI Setup opens, click on the Audio window. If the Audio
window doesn’t open when Audio MIDI Setup first opens, go to Window
and select “Show Audio window.”
Select “AudioBox 1818VSL” from the audio device list on the left. To the
left of the Sample Rate selection menu, you will find the ADAT Mode
menu:
TutorialsTechnical
Information
and Warranty
Troubleshooting
18ch -24bit: Channels 1-8 (44.1/48 kHz)
14ch - 24bit: Channels 1-4 (88.2/96 kHz)
19
4 Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist
4.1 Virtual StudioLive
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
OverviewHookupConnecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Power User Tip: Failure to set the correct ADAT Mode for the sample rate being used will result in audio
artifacts. Setting ADAT mode is not necessary when using Analog or S/PDIF I/O at higher sample rates.
Clock Source Select
(Windows Only)
If you are recording at 88.2 kHz or 96 kHz, you must set the ADAT Input
Mode to “14ch -24bit” in addition to setting the correct sample rate.
If you are outputting audio through the optical outputs on your AudioBox
1818VSL at 88.2 kHz or 96 kHz, you must set the ADAT Output Mode to
“14ch - 24bit” .
Changes the Clock Source for the AudioBox 1818VSL.
The clock-source setting determines the port from which the AudioBox
1818VSL is receiving word clock information. This keeps the AudioBox in
sync with other digital devices. You can choose between Internal, S/PDIF,
or ADAT.
In general, you will want the AudioBox 1818VSL to be your
master clock, in which case you should set the clock to “Internal”.
This setting also means that your AudioBox is generating word
clock and sending this information out of its digital outputs.
Information
Troubleshooting
and Warranty
Power User Tip: When slaved to an external clock, the AudioBox 1818VSL will not
automatically change its sample rate to match the external clock. As a result, it may fail to
sync to the clock source. If your AudioBox is not syncing to an external source, make sure that
both your master device and the AudioBox 1818VSL are set to the same sample rate.
Setting Clock Source
(OS X)
If you want the AudioBox to receive sync from an external device,
choose the digital input to which the external device is connected
(S/PDIF or ADAT). The AudioBox 1818VSL’s sync light will flash from
blue to red. When the AudioBox is in sync, the light will be blue.
Using Audio MIDI Setup to Set the Clock Source for the AudioBox 1818VSL.
The clock-source setting determines the port from which
the AudioBox 1818VSL is receiving word clock information.
This keeps the AudioBox in sync with other digital devices.
You can choose between Internal, S/PDIF, or ADAT.
In general, you will want the AudioBox 1818VSL to be your
master clock, in which case you should set the clock to “Internal.”
This setting also means that your AudioBox is generating word
clock and sending this information out of its digital outputs.
If you want the AudioBox to receive sync from an external
device, open the Audio MIDI Setup Utility on your Mac
(Applications/Utilities/Audio MIDI Setup).
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20
Once Audio MIDI Setup opens, click on the Audio window. If
the Audio window doesn’t open when Audio MIDI Setup first
opens, go to Window and select “Show Audio window.”
Owner’s Manual
Main to S/PDIF InBypasses the SPDIF Input and Routes Main Mix to DAW Inputs 9 and 10.
Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist 4
Virtual StudioLive 4.1
Select “AudioBox 1818VSL” from the audio device list
on the left. Using the Clock Source pull-down menu,
choose the digital input to which the external device
is connected (S/PDIF or ADAT). The AudioBox’s sync
light will flash from blue to red. When the AudioBox is
in sync, the light will be blue.
Power User Tip: When slaved to an external clock, the
AudioBox will not automatically change its sample rate
to match the external clock. As a result, it may fail to sync
to the clock source. If your AudioBox is not syncing to an
external source, make sure that both your master device
and the AudioBox are set to the same sample rate.
VSL gives you the option to record the Main Mix in your DAW
application. This means that whatever you are listening to through
your AudioBox 1818VSL Main Outputs will be recorded in your
DAW by record-enabling Inputs 9 and 10 (S/PDIF Left and Right).
When this option is selected, you will not be able to record the
signal connected to the physical SPDIF input on the back of your
AudioBox 1818VSL on its own. However, if the S/PDIF stereo input is
a part of the Main Mix in VSL, it will be recorded as part of the mix.
It should be noted that the Main Level knob on the front of the
AudioBox 1818VSL will not have any effect on the recording.
OverviewHookupConnecting
to a
Computer
AB1818VSL Remote,
AB1818VSL Remote,
and Studio One Artist
and Studio One Artist
Software: Virtual StudioLive
Software: Virtual StudioLive
TutorialsTechnical
Power User Tip: Do not route the track on which you are recording the Main Mix
in your DAW to Outputs 1-8. This will send the Main Mix back to the DAW input
channels in VSL and create a feedback loop. It is highly recommended that you
either do not select an output for the Main Mix recording track in your DAW.
Main to S/PDIF OutPatches the Main Mix to the S/PDIF Output.
This preference allows you to patch the Main Mix to your S/PDIF
output. This is especially useful when utilizing a studio control
center with a S/PDIF input (like the PreSonus Central Station).
When this preference is enabled, the Main Mix in VSL will be routed
to the S/PDIF output on the back of your AudioBox 1818VSL
in addition to your Main Outputs and Line Outputs 1/2.
Power User Tip: When this preference is enabled, you will not be able to patch
signal from your DAW directly to the S/PDIF output on your AudioBox 1818VSL.
Information
and Warranty
Troubleshooting
21
4 Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist
4.1 Virtual StudioLive
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
OverviewHookupConnecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Information
4.1.2 Virtual StudioLive: Browser
When you first launch VSL, notice the Browser window along the right
side of the screen. The Browser in VSL functions similarly to the Browser
in Studio One. From the Browser, you can see all of your Scenes, Fat
Channel presets, and FX presets that are saved on your computer.
You can also create new settings from this window. Simply dragand-drop a Scene or preset to load it on your AudioBox 1818VSL.
Browser Tab ButtonsDisplays the Different Preset Categories.
All of your Scenes and presets are contained in dedicated folders in VSL.
To view a specific set of presets, simply click on its tab.
• SCENE. Displays stored Scenes. A Scene is like a snapshot of your
mix. It stores all Fat Channel parameters for every input and bus, as
well as fader positions, the aux and effects mixes, FX bus settings, and
channel mutes and solos. Creating a Scene requires simply dialing
in a mix that you would like to use at a later date and saving it.
• FAT CH. Displays stored Fat Channel presets. VSL comes equipped with Fat
Channel presets that have been custom-designed by professional audio
engineers. These presets can be altered, renamed, and overwritten; you can
build your own nearly limitless custom library of channel-strip settings.
• FX. Displays stored effects presets. VSL comes loaded with 50 custom
reverb and delay presets designed by PreSonus. In addition to these
presets, you can build your own nearly limitless custom effects library.
The factory presets can be altered, renamed, and overwritten.
Troubleshooting
and Warranty
Add New ButtonCreates a New Scene or Preset.
Just below the Browser tabs, you will see the Add New button. Clicking
this button will immediately create a new Scene or preset.
Remove ButtonDeletes a Stored Scene or Preset.
Right next to the Add New button, you will find
the Remove button. Clicking this button will delete
the currently selected, stored Scenes or presets.
Show/Hide Browser Displays/Hides the Browser Window.
The Browser can be hidden from view to provide more real-estate for
your mix. Simply click on the “Hide Browser” button to close the Browser.
To reopen the Browser, click on the “Show Browser” button in the upper
right corner of your VSL window.
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22
Owner’s Manual
Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist 4
Virtual StudioLive 4.1
4.1.3 Virtual StudioLive: Overview and Fat Channel Tab
VSL provides you with two ways to look at your mix and to
dial in FX settings: The Overview and Fat Channel Tabs.
The Overview Tab provides you with a complete graphical
representation of your Virtual StudioLive mix environment.
The Fat Channel Tab opens a detailed overview of the Fat Channel
parameters for the currently selected channel. The Fat Channel
Tab can be opened either from the tab button at the top of the VSL
window or by simply double-clicking on any of the microviews.
From either tab you can:
• Adjust levels for all analog and digital inputs, all eight playback
streams, both effects buses, the main output level of the
entire mix, and the output levels of each monitor mix.
• Adjust the panning for the analog and digital
inputs and playback streams
• Adjust the send level for both the analog and digital
inputs and playback streams to each FX bus
• Adjust the send level for each channel to
outputs 3 and 4, 5 and 6, and 7 and 8
• Adjust the parameters for the FX preset on each FX bus
• Solo and mute each analog input and playback stream
OverviewHookupConnecting
to a
Computer
AB1818VSL Remote,
AB1818VSL Remote,
and Studio One Artist
and Studio One Artist
Software: Virtual StudioLive
Software: Virtual StudioLive
TutorialsTechnical
• Meter the inputs and outputs
From either the Overview or the Fat Channel tab, you can
access the show/hide channel buttons to help keep your
mix organized. You can hide the following channel groups
from your mix: ADAT, DAW Returns, and Outputs.
Show/Hide ADAT Inputs ButtonDisplays/Removes ADAT Input Channels from the Mix.
When this button is enabled, the ADAT input channels will
be displayed in the mixer. If you disable this button, you will
no longer see the ADAT channels in the mixer; however, any
changes or routing that have been made will still be active,
and these channels will still be heard in your mixes.
Show/Hide DAW Returns ButtonDisplays/Removes DAW Playback Streams from the Mix.
When this button is enabled, DAW Playback Streams 1 through
8 will be displayed in the mixer. If you disable this button, you
will no longer see these channels in the mixer; however, any
changes or routing that have been made will still be active,
and these channels will still be heard in your mixes.
Please Note: From VSL, you only have access to DAW Returns 1-8. The ADAT
and S/PDIF output streams can only be accessed from your DAW.
Information
and Warranty
Troubleshooting
23
4 Software: Virtual StudioLive, AB1818VSL Remote, & Studio One Artist
4.1 Virtual StudioLive
PreSonus AudioBox™ 1818VSL
Computer
and Studio One Artist
OverviewHookupConnecting
to a
Software: Virtual StudioLive
AB1818VSL Remote,
TutorialsTechnical
Show/Hide Outputs ButtonDisplays/Removes Output Channels from the Mix.
When this button is enabled, the stereo output channels will be displayed
in the mixer. If you disable this button, you will no longer see the stereo
outputs in the mixer; however, any changes or routing that have been
made will still be active, and you will still be able to hear your monitor
mixes through all eight outputs.
This button will not remove the Main Output from
the mixer. This output is always visible.
Please Note: From VSL, you can create and send mixes to all eight Line Outputs on your
AudioBox 1818VSL. Outputs 1 and 2 share a mix with the Main Outputs, so the mix you create
for your Main Outputs will be heard through both pairs of outputs. Outputs 7 and 8 share a
mix with the headphone output, so creating a mix for Outputs 7 and 8 will send an identical
mix stream to the headphone output on the front panel of the AudioBox 1818VSL.
4.1.4 VSL Controls: Definitions and Uses
VSL is a powerful application that allows you to create monitor mixes
using all of the processing features of a StudioLive 16.0.2 digital mixer.
These monitor mixes are not recorded in your host application. It is vital
to remember that lowering the channel fader in VSL will not lower the
signal in your host application, so it is possible to clip the recording
without clipping the monitor mix. You must set the level for the
recording using the trim knobs on the face of the AudioBox 1818VSL.
Information
Troubleshooting
and Warranty
A quick note on playback streams: The channels labeled “DAW” in VSL carry a playback
stream from your host application (DAW). Traditionally, if you wanted to route a track in your
DAW to a physical output on your interface, you assigned this output in your host application.
Because the Virtual StudioLive application provides much more flexible routing, you can
now route this same track to one output or every output, by itself or as part of a mix.
VSL On/Off Enables / Disables VSL Mixing.
When the VSL On/Off button is disengaged, your AudioBox 1818VSL
functions as a simple 18x18 audio interface with no monitor mix or DSP
capability. If you plan on mixing exclusively in your DAW or do not need
to create monitor mixes using your computer, disabling VSL can greatly
simplify your work environment.
When VSL is turned on, you will have access to all
its mixing capability on your computer.
VSL is automatically disabled when you quit the application.
Select Button Accesses the Fat Channel.
Above each fader in VSL, you will see Select buttons. There is a Select
button on each of the analog and digital inputs, each DAW return, on
both effects buses, and on the Main output bus. Each of these buttons
serves exactly the same purpose: to access the Fat Channel parameters
for its channel or bus.
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