Pioneer DJM-2000 User Manual

DJ MIXER TABLE DE MIXAGE DJ-MISCHPULT
DJM-2000
MIXER PER DJ DJ MENGPANEEL MESA DE MEZCLAS DJ
DJ микшерный пульт
http://www.prodjnet.com/support/
The Pioneer website listed above provides answers to frequently asked questions, information about software, and other up-to-date data of assistance to our customers.
Le site Web de Pionner ci-dessus fournit des réponses aux questions souvent posées, des informations au sujet des logiciels et d’autres données mises à jour afin de venir en aide à notre clientèle.
Auf der oben angegebenen Pioneer-Website werden unseren Kunden Antworten auf häufig gestellte Fragen, Informationen über Software und weitere Unterstützung mit neuesten Daten angeboten.
Operating Instructions Mode d’emploi Bedienungsanleitung Istruzioni per l’uso Handleiding Manual de instrucciones Инструкции по эксплуатации
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Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have fin-
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
CAUTION:
TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
IMPORTANT
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Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel.
IMPORTANT: THE MOULDED PLUG
This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 10 amp fuse is fitted in this plug. Should the fuse need to be replaced, please ensure that the replacement fuse has a rating of 10 amps and that it is approved by ASTA or BSI to BS1362.
Check for the ASTA mark or the BSI mark on the body of the fuse.
If the plug contains a removable fuse cover, you must ensure that it is refitted when the fuse is replaced. If you lose the fuse cover the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be obtained from your local dealer.
If the fitted moulded plug is unsuitable for your socket outlet, then the fuse shall be removed and the plug cut off and disposed of safely. There is a danger of severe electrical shock if the cut off plug is inserted into any 13 amp socket.
If a new plug is to be fitted, please observe the wiring code as shown below. If in any doubt, please consult a qualified electrician.
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code: Blue : Neutral Brown : Live As the colours of the wires in the mains lead of this appliance may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows;
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
How to replace the fuse: Open the fuse compartment with a screwdriver and replace the fuse.
If you want to dispose this product, do not mix it with general household waste. There is a separate collection system for used electronic products in accordance with legislation that requires proper treatment, recovery and recycling.
Private households in the member states of the EU, in Switzerland and Norway may return their used electronic products free of charge to designated collection facilities or to a retailer (if you purchase a similar new one).
For countries not mentioned above, please contact your local authorities for the correct method of disposal.
By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and recycling and thus prevent potential negative effects on the environment and human health.
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ished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory drawings. However the method of connecting and operating the unit is the same.
WARNING
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his equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filled with liquid near this equipment (such as a vase or flower pot) or expose it to dripping, splashing, rain or moisture.
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WARNING
Before plugging in for the first time, read the following section carefully.
The voltage of the available power supply differs according to country or region. Be sure that the power supply voltage of the area where this unit will be used meets the required voltage (e.g., 230 V or 120 V) written on the rear panel.
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WARNING
T
o prevent a fire hazard, do not place any naked flame
sources (such as a lighted candle) on the equipment.
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VENTILATION CAUTION
When installing this unit, make sure to leave space around the unit for ventilation to improve heat radiation (at least 5 cm at rear, and 3 cm at each side).
WARNING
Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product, and to protect it from overheating. To prevent fire hazard, the openings should never be blocked or covered with items (such as newspapers, table-cloths, curtains) or by operating the equipment on thick carpet or a bed.
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Operating Environment
Operating environment temperature and humidity: +5 °C to +35 °C (+41 °F to +95 °F); less than 85 %RH (cooling vents not blocked) Do not install this unit in a poorly ventilated area, or in locations exposed to high humidity or direct sunlight (or strong artificial light)
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If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal. The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when on vacation).
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CAUTION
The POWER switch on this unit will not completely shut off all power from the AC outlet. Since the power cord serves as the main disconnect device for the unit, you will need to unplug it from the AC outlet to shut down all power. Therefore, make sure the unit has been installed so that the power cord can be easily unplugged from the AC outlet in case of an accident. To avoid fire hazard, the power cord should also be unplugged from the AC outlet when left unused for a long period of time (for example, when on vacation).
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POWER-CORD CAUTION
Handle the power cord by the plug. Do not pull out the plug by tugging the cord and never touch the power cord when your hands are wet as this could cause a short circuit or electric shock. Do not place the unit, a piece of furniture, etc., on the power cord, or pinch the cord. Never make a knot in the cord or tie it with other cords. The power cords should be routed such that they are not likely to be stepped on. A damaged power cord can cause a fire or give you an electrical shock. Check the power cord once in a while. When you find it damaged, ask your nearest PIONEER authorized service center or your dealer for a replacement.
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Contents
How to read this manual
The names of displays, menus, and buttons in this manual are enclosed in brack­ets. (e.g. [MASTER] channel, [ON/
Before start
Features ...........................................................................................................................5
What’s in the box .............................................................................................................5
Connections
Rear Panel .......................................................................................................................6
Connecting input terminals ...........................................................................................7
Connecting output terminals .........................................................................................7
Connecting to the control panel ....................................................................................8
Connecting a computer ..................................................................................................8
About the USB audio driver software ............................................................................8
Operations
Control Panel .................................................................................................................11
Basic Operation ............................................................................................................12
Advanced Operations ...................................................................................................14
List of MIDI Messages ..................................................................................................18
Types of BEAT EFFECT ..................................................................................................22
Changing the settings
Setting preferences .......................................................................................................24
About the auto standby function .................................................................................24
Additional information
Troubleshooting ............................................................................................................25
About the liquid crystal display ....................................................................................26
About the exemption clauses ......................................................................................26
Block Diagram...............................................................................................................27
Specifications ................................................................................................................28
OFF], [File] menu)
Before start
Features
This unit is a high-performance DJ mixer designed for professional DJs, which, in addition to its high sound quality design, is equipped with a multi-touch panel and various types of interface and effect functions enabling new styles of DJ performing.
TOUCH PANEL EFFECT
This unit uses a large 5.8-inch LCD multi-touch panel. When the [FREQUENCY MIX] and [SIDECHAIN REMIX] effect functions are combined, the effect can be checked both visually and aurally, enabling intuitive control.
FREQUENCY MIX
The track frequencies are divided into seven bands and displayed graphically. Fader control on the touch panel makes it easier to grasp the details and mix two channels or swap instruments (parts).
SIDECHAIN REMIX
The sound of a specific channel can be used as the trigger to apply effects to the sound of other channels. Operation of the touch panel’s pad makes it possible to process sound dynamically.
This unit supports 48 kHz 16 bit, 48 kHz 24 bit and 44.1 kHz 16 bit USB audio signals.
English
What’s in the box
! CD-ROM ! USB Cable ! LAN cables x 4 ! Power cable ! Warranty card ! Operating instructions (this document)
INST FX
This unit is equipped with six types of effects (NOISE, ZIP, CRUSH, JET, HPF, LPF). Effects can be obtained simply by turning the [FILTER] controls for the differ­ent channels for improvisational performances, and the desired effects can be achieved by adjusting the [PARAMETER] control.
BEAT EFFECT
The DJM series’ well-received BEAT EFFECT function has been carried over and further evolved. This unit is equipped with an [EFFECT FREQUENCY] function allowing the amount of the effect applied to be adjusted by frequency range, for even greater playing freedom than before.
PRO DJ LINK
When a PRO DJ LINK-compatible Pioneer DJ player (CDJ-2000, CDJ-900 etc.), a computer on which rekordbox is installed and this unit are connected by LAN cable, the PRO DJ LINK functions below can be used. For details, see About PRO DJ LINK on page 14.
SD & USB Export
rekordbox LINK Export
LIVE SAMPLER
LINK MONITOR
STATUS INFORMATION
SOUND CARD
This unit is equipped with sound card/ USB audio interface allowing up to four audio sources from one computer to be assigned to the different channels and mixed. Furthermore, the master channel output signals can be output to the computer, a great convenience for example for recording the mixed sound.
HIGH SOUND QUALITY
Measures have been taken to improve sound quality for both the digital and analog inputs and outputs. Sound processing with 96 kHz sampling, a 24-bit high sound quality A/ D converter and a 32-bit high sound quality D/ A converter achieves more powerful, higher grade sound.
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Connections
CH 2CH 3CH 4
CH 1
SIGNAL GND
CD
CD
L
R
L
R
PHONO
MIDI OUTUSB
CDLINE
CONTROL
OUTIN
(TRS)
RL
RL
R
L
RL(MONO) RL(MONO)
DIGITAL
BOOTHSENDRETURN
COMPUTER 1
COMPUTER 2
LINK
CH 3CH 1
CH 4CH 2
CH 2CH 3CH 4CH 1
DIGITAL
SIGNAL GND
CD
1GND
-6dB -3dB 0dB
2HOT
3COLD
CD
L
R
PHONO
POWER
AC IN
OFF ON
MASTER1
MASTER
ATT.
MASTER2REC OUT
DIGITAL CD DIGITAL
L
R
CDLINE
CONTROL
CD DIGITAL
1 2 63 345 2345 a
bc
7 85 6 3 759
de
fgkhijl
Be sure to turn off the power and unplug the power cord from the power outlet whenever making or changing connections. Refer to the operating instructions for the component to be connected. Connect the power cord after all the connections between devices have been completed. Be sure to use the included power cord.
Rear Panel
1 POWER (page 12)
Turns this unit’s power on and off.
2 PHONO (page 7)
Connect to a phono level (MM cartridge) output device. Do not input line level signals.
3 CD (page 7)
Connect to a DJ player or a line level output component.
4 SIGNAL GND (page 7)
Connect an analog player’s ground wire here. This helps reduce noise when the analog player is connected.
5 CD, DIGITAL (page 12)
Selects the analog signal input terminals (CD) or the digital signal input terminals (DIGITAL IN).
6 LINE (page 7)
Connect to a cassette deck or a line level output component.
7 CONTROL (page 7)
Connect using a control cord (included with Pioneer DJ players).
8 DIGITAL OUT (page 7)
Outputs the master channel audio signals.
9 DIGITAL IN (page 7)
Connect these to the digital coaxial output terminals on DJ players, etc. The sound may be momentarily interrupted when the output signal sampling frequency is switched.
a Kensington security slot
b USB (page 8)
Connect to a computer.
c MIDI OUT (page 7)
Connect this to the MIDI IN terminal on an external MIDI sequencer.
d LINK (page 7)
Connect these to the LINK terminals on Pioneer DJ players or the LAN ports of computers on which rekordbox is installed (PRO DJ LINK).
e RETURN (page 7)
Connect to the output terminal of an external effector. When the [L (MONO)] channel only is connected, the [L (MONO)] channel input is simultaneously input to the [R] channel.
f SEND (page 7)
Connect to the input terminal of an external effector. When the [L (MONO)] channel only is connected, a monaural audio signal is output.
g BOOTH (page 7)
Output terminals for a booth monitor, compatible with balanced or unbal­anced output for a TRS connector.
h REC OUT (page 7)
This is an output terminal for recording.
i MASTER2 (page 7)
Connect to a power amplifier, etc.
j MASTER ATT.
Switches the attenuation level of the sound output from the [MASTER1] and [MASTER2] terminals. Select 0 dB, –3 dB or –6 dB.
k MASTER1 (page 7)
Connect to a power amplifier, etc.
l AC IN
Connect to a power outlet using the included power cord. Wait until all con­nections between the equipment are completed before connecting the power cord. Be sure to use the included power cord.
Connecting input terminals
CH 2CH 3CH 4
CH 1
SIGNAL GND
CD
CD
L
R
L
R
PHONO
MIDI OUTUSB
CDLINE
CONTROL
OUTIN
(TRS)
RL
RL
R
L
RL(MONO) RL(MONO)
DIGITAL
BOOTH SEND RETURN
LINK
CH 2CH 3CH 4CH 1
DIGITAL
SIGNAL GND
CD
1GND
-6dB -3dB 0dB
2HOT
3COLD
CD
L
R
PHONO
POWEROFF
ON
MASTER1
MASTER
ATT.
MASTER2REC OUT
DIGITAL CD DIGITAL
L
R
CDLINE
CONTROL
CD DIGITAL
COMPUTER 1
COMPUTER 2
CH 3CH 1
CH 4CH 2
AC IN
PRO DJ LINK
1
Computers
Pioneer DJ players
2
To power outlet
Pioneer DJ players
2
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
rekordbox rekordbox
Digital audio output device
Analog player
Cassette deck, CD player, etc.
(line level output devices)
Analog player
CH 2CH 3CH 4
CH 1
SIGNAL GND
MIDI OUTUSB
OUT IN
(TRS)
RL
RL
R
L
RL(MONO) RL(MONO)
DIGITAL
BOOTHSENDRETURN
LINK
CH 2CH 3CH 4CH 1
SIGNAL GND
CD
1GND
-6dB -3dB 0dB
2HOT
3COLD
CD
L
R
PHONO
POWEROFF
ON
MASTER1
MASTER
ATT.
MASTER2REC OUT
DIGITAL
L
R
CDLINE
CONTROL
CD DIGITAL
CD
CD
L
RR
PHONO
DIGITAL
L
CDLINE
CONTROL
CD DIGITAL
CH 3CH 1
CH 4CH 2
AC IN
COMPUTER 1
COMPUTER 2
L
R
L
R
Power amplifierTo power outlet
Digital audio input device
Power amplifier
(for booth monitor)
External effector
1
MIDI sequencer
Cassette deck, etc.
(analog input recording device)
Power amplifier
English
1 For details on PRO DJ LINK, see About PRO DJ LINK on page 14. Use the included LAN cables to connect to Pioneer DJ players.
2 To use the fader start function, connect a LAN cable or control cord (page 13).
Connecting output terminals
1 Also connect the external effector to the [RETURN] terminal (input terminal).
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Connecting to the control panel
HEADPHONES
CUE
MONO SPLIT STEREO
-
0
CUE
MASTER
PHONES
LEVEL
MIXING
10
9
7
8
6 5 4 3 2 1 0
AB
THRU
A
CROSS FA DER ASS
CD
/DIGITAL PHONO
USB 1/2
TRIM
MIC
OVER
10
7 4 2
1
0
- 1
- 2
- 3
- 5
- 7
ISO
EQ/
EQ
MID
HI
+
9
+
6
LOW
HI
-26/
+
6
-26/
-12
+12
OFF ON OVER
TALK
MIC LEVEL
0
-
-12
+12
CD
/DIGITAL
ISO
EQ/
-26
-26
Microphones
Headphones
CH 2
CH 1
SIGNAL GND
CD
CD
L
R
L
R
PHONO
MIDI OUTUSB
CDLINE
CONTROL
CH 3
LINK
CH 1
COMPUTER 1
COMPUTER 2
CH 4
CH 2
DIGITALCD DIGITAL
Computer
Connecting a computer
About the USB audio driver software
This driver software is a proprietary program for inputting and outputting audio signals from the computer. To use this unit connected to a computer on which a Windows or Mac OS is installed, install the driver software on the computer beforehand.
Software Use Agreement
This software usage agreement (hereafter referred to as “the agreement”) deter­mines matters related to use of the DJ function software (hereafter referred to as “the software”) between the customer and Pioneer Corporation (hereafter referred to as “Pioneer”). Be sure to read the following articles carefully before installing and using the software. Use of the software implies that the customer has consented to the agreement. If you do not consent to the agreement, do not install or use the software.
[Usage agreement]
On the condition of complying with the contents of this agreement, the customer has permission to install and use this software on a single personal computer.
[Restrictions]
The customer shall not create, distribute or send reproductions of this software over networks or from one computer to another. In addition, the customer shall not modify, sell, lend, transfer or resell the software, nor distribute, create, etc., secondary works of the software. Furthermore, the customer shall not reverse compile, reverse engineer, reverse assemble or otherwise change the software into formats perceptible by humans.
[Copyrights, etc.]
Copyrights and all other intellectual property rights related to this software are the property of Pioneer and its affiliates. This software is protected by copyright laws and the provisions of international treaties.
[Repudiation of guarantee and technical support]
This software and all associated documentation, etc., is provided on an “as is” basis. Pioneer does not guarantee the customer nor third parties regarding merchantability, compatibility with specific purposes, violation of rights of oth­ers or any other matters, nor does it guarantee technical support related to this software or associated documentation. Note that repudiation of guarantee may not be not recognized in some countries and regions by mandatory provisions, in which case this repudiation of guarantee may not apply. The customer’s rights may differ in some countries and regions.
[Limitation of liability]
Pioneer and other suppliers of this software shall accept no responsibility whatsoever for damages incurred through use of or inability to use this software or any associated documentation (including but not limited to loss of profits, business interruptions, damages resulting from loss or impairment of informa­tion, etc.), even if Pioneer has been notified of the possibility of such damages. Limitation of liability related to incidental or direct damages may not be recog­nized in some countries and regions by mandatory provisions, in which case this limitation of liability may not apply. Note that, regardless of the case, the respon­sibility of Pioneer and its subsidiaries regarding this software shall not exceed the sum paid by the customer to Pioneer or its subsidiaries. This repudiation of limitation of liability is a fundamental element of the arrangement between the customer and Pioneer.
[Governing law]
This agreement complies with the laws and ordinances of Japan and shall be interpreted accordingly. This agreement stipulates all articles of the arrangement between the customer and Pioneer, and shall be applied with priority over any prior and existing agreements related to this matter (regardless of whether oral or in writing). The Tokyo District Court shall be the court of exclusive jurisdiction in first instance for any disputes arising regarding this agreement.
Connect with the included USB cable.
Cautions on Installation
! Before installing the driver software, be sure to turn off the power of this unit
and disconnect the USB cable from both this unit and your computer.
! If you connect this unit to your computer without installing the driver soft-
ware first, an error may occur on your computer depending on the system environment.
! If you have discontinued the installation process in progress, step through
the installation process again from the beginning according to the following procedure.
! Read Software Use Agreement carefully before installing this unit’s propri-
etary driver software.
! Before installing the driver software, terminate all other programs running on
your computer.
! The driver software is compatible with the following OSs.
Mac OS X (10.3.9 and later) Windows Vista® Home Basic/ Home Premium/ Ultimate/ Business — Windows® XP Home Edition/ Professional (SP2 or later)
The driver support is not compatible with 64-bit versions of operating sys-
tems (64-bit editions of Windows Vista® and Windows® XP Professional x64 Edition).
! The included CD-ROM includes installation programs in the following 12
languages.
English, French, German, Italian, Dutch, Spanish, Portuguese, Russian,
Simplified Chinese, Traditional Chinese, Korean, and Japanese
When using operating systems in other languages, follow the instructions on
the screen to select [English (English)].
Installing the driver software
 Installation Procedure (Windows)
Read Cautions on Installation carefully before installing the driver software. ! To install or uninstall the driver software, you need to be authorized by the
administrator of your computer. Log on as the administrator of your computer before proceeding with the installation.
1 Insert the included CD-ROM into the computer’s CD drive.
The CD-ROM folder appears. ! If the CD-ROM folder is not displayed after a CD-ROM is loaded, open the CD
drive from [Computer (or My Computer)] in the [START] menu.
2 Double-click [DJM-2000_X.XXX.exe].
The driver installation screen appears.
3 When the language selection screen appears, select [English] and click [OK].
You can select one from multiple languages depending on the system environ­ment of your computer.
4 Carefully read the Software Use Agreement and if you consent to the provisions, put a check mark in [I agree.] and click [OK].
If you do not consent to the provisions of the Software Use Agreement, click [Cancel] and stop installation.
5 Proceed with installation according to the instructions on the screen.
If [Windows Security] appears on the screen while the installation is in progress, click [Install this driver software anyway] and continue with the installation. ! When installing on Windows XP If [Hardware Installation] appears on the screen while the installation is in
progress, click [Continue Anyway] and continue with the installation.
! When the installation program is completed, a completion message appears. ! When the installation of the driver software is completed, you need to reboot
your computer.
Installation Procedure (Macintosh)
Read Cautions on Installation carefully before installing the driver software. ! To install or uninstall the driver software, you need to be authorized by the
administrator of your computer. Have the name and password of the adminis­trator of your computer ready in advance.
1 Insert the included CD-ROM into the computer’s CD drive.
The CD-ROM folder appears. ! Double-click the CD icon on the desktop when folders are not displayed after
a CD-ROM has been loaded.
2 Double-click [DJM-2000_M_X.X.X.dmg].
The [DJM-2000AudioDriver] menu screen appears.
3 Double-click [DJM-2000AudioDriver.pkg].
The driver installation screen appears.
4 Check the details on the screen and click [Continue Anyway].
5 When the Software Use Agreement screen appears, select [English], carefully read the Software Use Agreement and click [Continue Anyway].
You can select one from multiple languages depending on the system environ­ment of your computer.
6 If you consent to the provisions of the Software End User License Agreement, click [Agree].
If you do not consent to the provisions of the Software Use Agreement, click [I disagree] and stop installation.
7 Proceed with installation according to the instructions on the screen.
! Click [Cancel] to cancel installation after it has started. ! When the installation of the driver software is completed, you need to reboot
your computer.
Connecting the DJM-2000 and computer
1 Connect this unit to your computer via a USB cable.
This unit functions as an audio device conforming to the ASIO standards. ! When using ASIO-compatible applications, [USB 1/2], [USB 3/4], [USB 5/6]
and [USB 7/8] can be used as inputs. Depending on the input/ output setting, it is possible to use three of this unit’s sets of inputs.
! When using DirectX-compatible applications, only [USB 1/
the input.
! The computer’s recommended operating environment depends on the DJ
application. Be sure to check the recommended operating environment for the DJ application you are using.
! When another USB audio device is connected to the computer at the same
time, it may not operate or be recognized normally. We recommend only connecting the computer and this unit. ! When connecting the computer and this unit, we recommend connecting
directly to this unit’s USB port.
2] can be used as
2 Press [POWER].
Turn on the power of this unit. ! The message [Installing device driver software] may appear when the DJM-
2000 is connected to the computer for the first time or when it is reconnected
to the computer’s USB port. Wait until the [Your devices are ready for use]
message appears. ! When installing on Windows XP
[Can Windows connect to Windows Update to search for software?]
may appear while the installation is in progress. Select [No, not this time] and click [Next] to continue with the installation.
[What do you want the wizard to do?] may appear while the instal-
lation is in progress. Select [Install the software automatically (Recommended)] and click [Next] to continue with the installation.
If [Windows Security] appears on the screen while the installation is in
progress, click [Install this driver software anyway] and continue with the installation.
Switching the input/ output setting
Use this procedure to switch the computer’s input/ output setting when using the driver software. ! If applications using this unit as the default audio device (DJ applications,
etc.) are running, quit those applications before switching the input/ output
setting. ! Some time is required after the input/ output setting is switched for the com-
puter to be updated. The input/ output setting cannot be switched while the
computer is being updated. ! Sound may not be output if there are differences between the input/ output
settings on this unit and on the computer. If this happens, turn this unit’s
power on and reset the input/ output settings with the USB cable connected. ! If the input/ output setting is switched while using DirectX, the application
may not recognize the driver software. ! MIDI communications are interrupted if the input/ output setting is switched
during MIDI communications.
Switching procedure (Windows)
Click the Windows [START] menu>
[All Programs] > [Pioneer] >
[DJM-2000] > [DJM-2000 Setting Utility].
Switch the computer’s input/ output setting.
ASIO 4 outputs 0 inputs 16 bits DirectX 1 output 0 inputsASIO 3 outputs 1 input 16 bits DirectX 1 output 1 inputASIO 3 outputs 0 inputs 24 bits DirectX 1 output 0 inputs
Switching procedure (Macintosh)
>
Click [Apple]
Switch the computer’s input/ output setting.
8-channel output No input 16 bits6-channel output 2-channel input 16 bits6-channel output No input 24 bits
[System Preferences] > [Other] > [DJM-2000 Settings].
Adjusting the buffer size (Windows)
Use this procedure to adjust the computer’s buffer size when using ASIO driver software.
Click the Windows [START] menu> [All Programs] > [Pioneer] > [DJM-2000] > [DJM-2000 Setting Utility].
A sufficiently large buffer size decreases the chance of sound dropout (sound interruption) but increases audio signal transmission delay (latency). ! If applications using this unit as the default audio device (DJ applications,
etc.) are running, quit those applications before adjusting the buffer size.
English
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Checking the version of the driver software
 Procedure for checking (Windows)
Click the Windows [START] menu>
[All Programs] > [Pioneer] >
[DJM-2000] > [DJM-2000 Version Display Utility].
The [Version] screen appears.
Procedure for checking (Macintosh)
>
Click [Apple]
[About This Mac] > [More Info] > [Extensions] > [DJM-
2000 USBAudio].
The [Version] screen appears.
Checking the latest information on the driver software
For the latest information on the driver software for exclusive use with this unit, visit our website shown below. http://www.prodjnet.com/support/
Operations
OVER
POWER
CD
/DIGITAL PHONO
USB 1/2
TRIM
CH
SELECT
EFFECT SELECT
EFFECT FREQUENCY
1 2 3 4
OFF ON
MASTER
LINK
HEADPHONES
MIC
INST FX
MIDI
CURVE SETTING
10 7 4 2 1
0
- 1
- 2
- 3
- 5
- 7
- 10
- 15
- 24
dB
10
9
7
8
6 5 4 3 2 1 0
BALANCE
LOW
TIME
LIVE
SAMPLER
WAKE UP
LEVEL/DEPTH
1/8
1/4 1/2 3/4 1/1 2/1 4/1
MIN MAX
MIN
MAX
AUTO
/TAP
TAP
ON/OFF
ON/OFF
CUE
CUE
CUE
AB
DELAY
ECHO
FILTER
GATE
ROLL
TRANS
REVERB
MULTI TAP
DELAY
PHASER
SLIP ROLL
SEND/
RETURN
REV ROLL
CUE
CUE
NOISE JET
ZIP HPF
CRUSH LPF
MONO
ON/OFF
CH EQ
EQ
CROSS FADER
CH FADER
ISOLATOR
START/STOP
SNAPSHOT
UTILITY
BOOTH MONITOR
STEREO
MONO SPLIT STEREO
LR
DJM-
2000
-
0
L
R
FILTER
PARAMETER
MINMAX
OVER
10
7 4 2 1 0
- 1
- 2
- 3
- 5
- 7
- 10
- 15
- 24 dB
ISO
EQ/
EQ
LOW
MID
HI
+
9
+
6
-
0
0
LOW
MIN
MAX
CUE
MASTER
PHONES
LEVEL
MIXING
HI
-26/
+
6
-26/
+
6
-26/
-12
+12
OFF ON OVER
TALK
PROFESSIONAL MIXER
10
9
7
8
6 5 4 3 2 1 0
AB
THRU
AB
THRU
CROSS FA DER ASSIGN
AB
THRU
AB
THRU
CROSS FADER ASSIGN
MIC LEVEL
0
-
CUE
FILTER
MINMAX
CUE
FILTER
MINMAX
CUE
FILTER
MINMAX
-12
+12
CD
/DIGITAL LINE
USB 3/4
OVER
10
7 4 2 1 0
- 1
- 2
- 3
- 5
- 7
- 10
- 15
- 24 dB
10
7 4 2 1 0
- 1
- 2
- 3
- 5
- 7
- 10
- 15
- 24 dB
ISO
EQ/
ISO
EQ/
TRIM
+
9
HI
+
6
-26/
MID
+
6
-26/
LOW
+
6
-26/
CD
/DIGITAL LINE
USB 5/6
TRIM
+
9
HI
+
6
-26/
MID
+
6
-26/
LOW
+
6
-26/
OVER
10
7 4 2 1 0
- 1
- 2
- 3
- 5
- 7
- 10
- 15
- 24 dB
ISO
EQ/
CD
/DIGITAL PHONO
USB 7/8
TRIM
+
9
HI
+
6
-26/
MID
+
6
-26/
LOW
+
6
-26/
OVER
MIC
A B M
MID
MIN MAX
HI
MIN MAX
MIDI
MIX
REMIX
3
2
4
6
8
9
a
b
7
1
d
f
g
7
h
i
c
5
e e ee
d
f
g
7
h
i
c
n
r
w
t
u
q
o
x
7
7
s
d
f
g
7
h
i
c
d
f
g
7
h
i
c
y
A
B
C
D
F
G
H
E
7
z
j
m
k
l
v
p
Control Panel
English
1 Microphone input jack (page 13)
2 MIC LEVEL (page 13)
3 EQ (HI, LOW) (page 13)
4 OFF, ON, TALK OVER (page 13)
5 INST FX (page 15)
6 PARAMETER (page 15)
7 CUE (page 12)
8 MONO SPLIT, STEREO (page 12)
9 MIXING (page 12)
a LEVEL (page 12)
b PHONES (page 12)
c CD/DIGITAL, PHONO, LINE, USB */* (page 12)
d TRIM (page 12)
e EQ/ISO (HI, MID, LOW) (page 12)
f Channel Level Indicator (page 12)
g FILTER (page 15)
h Channel Fader (page 12)
i CROSS FADER ASSIGN (A, THRU, B) (page 12)
j CH SELECT (page 16)
k EFFECT SELECT (page 16)
l EFFECT FREQUENCY (HI, MID, LOW) (page 16)
m Beat buttons (page 16)
n TIME (page 16)
o LEVEL/
p AUTO/TAP (page 16)
q TAP (page 16)
r ON/
s LIVE SAMPLER (UTILITY, WAKE UP) (page 15, page 24)
DEPTH (page 16)
OFF (BEAT EFFECT) (page 16)
t MIDI (page 16)
u MIX (page 14)
v REMIX (page 14)
OFF (TOUCH PANEL EFFECT) (page 14)
w ON/
En
11
En
12
x Crossfader (page 12)
y MASTER (page 12)
z Master Level Indicator (page 12)
A BALANCE (page 13)
B MONO, STEREO (page 13)
C BOOTH MONITOR (page 13)
D START/
E ON/
STOP (SNAPSHOT) (page 16)
OFF (MIDI) (page 16)
F CH EQ (ISOLATOR, EQ) (page 12)
G CH FADER (
H CROSS FADER (
, ) (page 13)
, , ) (page 13)
Basic Operation
Outputting sound
1 Press [POWER].
Turn on the power of this unit.
2 Switching the [CD/DIGITAL, PHONO, LINE, USB */*] switch
Select the input sources for the different channels from among the devices con­nected to this unit.
[CD/DIGITAL]: Selects the DJ player connected to the [CD] terminals. To
select the DJ player connected to the [DIGITAL IN] terminal, set the [CD, DIGITAL] switch on the rear panel to [DIGITAL].
[PHONO]: Selects the analog player connected to the [PHONO]
terminals.
[LINE]: Selects the cassette deck or CD player connected to the [LINE]
terminals.
[USB */*]: Selects the sound of the computer connected to the [USB]
port.
3 Rotate [TRIM].
Adjusts the level of audio signals input in each channel. The corresponding channel level indicator lights when audio signals are being properly input to that channel.
4 Set the channel fader to the inner position.
Adjusts the level of audio signals output in each channel.
5 Switch the [CROSS FADER ASSIGN (A, THRU, B)] switch.
Switches the output destination of each channel.
[A]: Assigns to [A] (left) of the crossfader. [B]: Assigns to [B] (right) of the crossfader. [THRU]: Choose this when you do not want to use the crossfader. (The
signals do not pass through the crossfader.)
6 Set the crossfader.
This operation is not necessary when [CROSS FADER ASSIGN (A, THRU, B)] is set to [THRU].
7 Turn the [MASTER] control.
Audio signals are output from the [MASTER1] and [MASTER2] terminals. The master level indicator lights.
Adjusting the sound quality
Turn the [EQ/ISO (HI, MID, LOW) ] controls for the individual channels.
Refer to Specifications on page 28 for the range of sound that can be adjusted by each control.
Switching the [EQ/ISO (HI, MID, LOW)] function.
Switch the [CH EQ (ISOLATOR, EQ)] switch.
[ISOLATOR]: The isolator function is set. The indicator lights. [EQ]: The equalizer function is set.
Monitoring sound with headphones
1 Connect headphones to the [PHONES] jack.
2 Press [CUE] for the channel to be monitored.
3 Switch the [MONO SPLIT, STEREO] switch.
[MONO SPLIT]: The sound of the channel for which [CUE] is pressed is
output from the headphones output’s left channel, while the sound of [MASTER] is output from the right channel.
[STEREO]: The sound of the channel for which [CUE] is pressed is output
in stereo from the headphones.
4 Turn the [MIXING] control.
This adjusts the balance of the monitor volume between the sound of the channel for which [CUE] is pressed and the [MASTER] channel sound.
5 Turn the [LEVEL] control for [HEADPHONES].
Sound is output from the headphones in the channel selected by [CUE].
! Monitoring is canceled when [CUE] is pressed again. ! When [LIVE SAMPLER] is turned on, [CUE] button for the TOUCH PANEL
EFFECT and [CUE] button for the [LINK] cannot be pressed simultaneously.
Monitoring the sound of the computer
1 Connect headphones to the [PHONES] jack.
2 Connect a computer on which rekordbox is installed.
For instructions on connections, see Connecting input terminals on page 7.
3 Selecting the track to be monitored with rekordbox
4 Press [CUE] button for [LINK].
The track selected with rekordbox is output from the headphones.
! Monitoring is canceled when [CUE] is pressed again. ! The same operation as at Monitoring sound with headphones (steps 3 to 5)
can be performed.
Switching the fader curve
Using a microphone
English
1 Connect the microphone to the microphone input jack.
2 Set [OFF, ON, TALK OVER] to [ON] or [TALK OVER].
[ON]: The indicator lights. [TALK OVER]: The indicator flashes.
! When set to [TALK OVER], sound other than that from the [MIC] terminal is
attenuated by 20 dB (default value) when sound of –15 dB (default value) or greater is input to the microphone.
3 Turn the [MIC LEVEL] control.
This adjusts the audio level output from the [MIC] terminal.
! Pay attention that rotating to the extreme right position outputs a very loud
sound.
4 Input audio signals to the microphone.
Select the channel fader curve characteristics.
Switch the [CH FADER (
[ ]: The curve rises suddenly at the back side. [ ]: The curve rises gradually (the sound gradually increases as the
channel fader is moved away from the front side).
, )] switch.
Select the crossfader curve characteristics.
Switch the [CROSS FADER (
[ ]: Makes a sharply increasing curve (if the crossfader is moved away
from the [A] side, audio signals are immediately output from the [B] side).
[ ]: Makes a curve shaped between the two curves above and below. [ ]: Makes a gradually increasing curve (if the crossfader is moved
away from the [A] side, the sound on the [B] side gradually increases, while the sound on the [A] gradually decreases).
, , )] switch.
Starting playback on a DJ player using the fader (fader start)
When connected to a Pioneer DJ player by LAN cable (included with this unit) or control cord (included with the DJ player), operations such as starting playback on the DJ player can be controlled with this unit’s fader. Connect this unit and Pioneer DJ player beforehand. For instructions on connec­tions, see Connecting input terminals on page 7.
Start playback using the channel fader
Adjusting the sound quality
Turn the [EQ (HI, LOW)] control for [MIC] channel.
Refer to Specifications on page 28 for the range of sound that can be adjusted by each control.
Switching between monaural and stereo audio
This switches the sound output from the [MASTER1], [MASTER2], [BOOTH], [REC OUT], [PHONES], [DIGITAL OUT] and [USB] terminals between monaural and
stereo.
Switch the [MONO, STEREO] switch.
[MONO]: Outputs monaural audio. [STEREO]: Outputs stereo audio.
Adjusting the L/ R balance of audio
The left/ right balance of the sound output from the [MASTER1], [MASTER2], [BOOTH], [REC OUT], [PHONES], [DIGITAL OUT] and [USB] terminals can be adjusted.
1 Set the [MONO, STEREO] switch to [STEREO].
2 Rotate [BALANCE].
The L/ R balance of audio varies according to the rotation direction and position of the [BALANCE] control. ! Rotating to the rightmost position outputs only the right sound of stereo
audio. Rotating to the leftmost position outputs only the left sound of stereo audio.
1 Set [CROSS FADER ASSIGN (A, THRU, B)] to [THRU].
2 Set [FADER START] to [ON].
For instructions on setting, see Changing the settings on page 24.
3 Set the channel fader to the outermost position.
4 Set the cue on the DJ player.
The DJ player pauses playback at the cue point.
5 Set the channel fader to the inner position.
Playback starts on the DJ player. ! If you set the channel fader back to the original position, the player instanta-
neously returns to the cue point already set and pauses playback (back cue).
Start playback using the crossfader
1 Set [CROSS FADER ASSIGN (A, THRU, B)] to [A] or [B].
2 Set [FADER START] to [ON].
For instructions on setting, see Changing the settings on page 24.
3 Set the crossfader.
Set to the edge opposite the side on which the channel you want to use with the fader start function is set.
4 Set the cue on the DJ player.
The DJ player pauses playback at the cue point.
5 Set the crossfader.
Playback starts on the DJ player. ! If you set the crossfader back to the original position, the player instanta-
neously returns to the cue point already set and pauses playback (back cue).
Audio is output from the [BOOTH] terminal
Rotate [BOOTH MONITOR].
Adjusts the level of audio signals output at the [BOOTH] terminal.
En
13
En
14
Advanced Operations
1 2
5
6
3 4
5
3
4
7
9
a
8
2
1
6
About PRO DJ LINK
When a PRO DJ LINK-compatible Pioneer DJ player (CDJ-2000, CDJ-900 etc.), a computer on which rekordbox is installed and this unit are connected by LAN cable, the PRO DJ LINK functions below can be used. For more details on the PRO DJ LINK function, also refer to the DJ player’s han­dling instructions and rekordbox’s operating instructions. For instructions on connections, see Connecting input terminals on page 7. ! Up to four DJ players can be connected. Up to two computers can be
connected.
! Connect the DJ players to the [LINK] terminal ([CH1] to [CH4]) with the same
number as the channel to which the audio cables are connected.
! Connect the computers to the [COMPUTER 1] or [COMPUTER 2] terminal.
SD & USB Export
rekordbox music files and management data on SD memory cards/ USB devices connected to a CDJ-2000, CDJ-900, etc., can be transferred between DJ players.
rekordbox LINK Export
This function lets you transfer rekordbox music files and management data directly, eliminating the bother of exporting the data to an SD memory card/ USB device.
LIVE SAMPLER
The sound input to the [MIC] terminal or output from the [MASTER] terminals can be sampled and played on a DJ player.
LINK MONITOR
With this function, rekordbox music files stored on the computer can be quickly monitored over the headphones.
STATUS INFORMATION
This function informs the DJ players of the connected channel status (on-air status, channel number, etc.).
To mix [CH2] and [CH3]:
Prepare this unit in advance so that the sound of [CH3] is being output from the [MASTER] terminals.
1 Set the [CROSS FADER ASSIGN (A, THRU, B)] switches for [CH2] and [CH 3] to [THRU].
! Set the [CROSS FADER ASSIGN (A, THRU, B)] switches of the channels to be
mixed to [THRU].
! When using the crossfader, it is recommended to set it to the center position.
2 Press [MIX].
The [FREQUENCY MIX] screen appears on the touch panel.
3 Press the channel assign buttons to select [CH2] for the left side, [CH3] for the right side.
The volume levels for the individual frequency bands of the sound playing in [CH3] are displayed on the right half of the touch panel.
4 Press all the [ >> ] buttons.
All the touch faders move to the right edge.
5 Press [ON/ OFF].
This turns the effect on. [ON/ OFF] flashes when the effect is turned on.
6 Move the channel fader for [CH2] to the back side.
The volume levels for the individual frequency bands of the sound playing in [CH2] are displayed on the left half of the touch panel.
7 Move the touch fader to the left side.
The sound of the frequency bands whose crossfaders have been moved is mixed and output.
! The effect turns off when [ON/ OFF] is pressed again. ! To switch from the [FREQUENCY MIX] to the [SIDECHAIN REMIX] mode, first
press the [ON/ OFF] button to turn the effect off, then press [REMIX].
SIDECHAIN REMIX
When this function is used, the sound of the specified frequency band for the specified channel can be used as the trigger to apply effects to the sounds of other channels.
FREQUENCY MIX
The currently playing sound is divided into seven frequency bands that are dis­played graphically. Fader control on the touch panel makes it easier to grasp the details and mix two channels or swap instruments (parts).
CH
1
HOLD
2
EFFECT
3
DEPTH
LEVEL/
4
EXIT
5
TRIGGER (SAMPLING/
6
TRIGGER)
TRIGGER BAND
7
LINK
1
FS
2
Channel assign buttons These select the channels to be mixed.
3
Volume level display
4
5
6
Touch fader
<< >>
These light when DJ players are properly connected to the [LINK] terminals.
These light when the fader start function is turned on.
The input volume level to this function is displayed in a light color, the output volume level from this function is displayed in a dark color.
These adjust the volume balance of the channels to be mixed for the separate frequency bands.
These move the touch fader immediately to the left or right edge.
Control area Use this to change the effect’s parameters.
8
TRIGGER CH (SAM-
9
a
TRIGGER CH)
PLING/
Trigger indicators
 To set the channel for sampling and triggering to [CH3]
and mix the sampled sound with the sound of [CH2] for output:
Prepare this unit in advance so that the sound of [CH2] is being output from the [MASTER] terminals.
1 Press [REMIX].
The [SIDECHAIN REMIX] screen appears on the touch panel.
This selects the channel to which the effect is applied. This holds the effect’s parameter information (the position
at which the control area was touched). This selects the type of effect. Use this to adjust the amount of the effect applied. Use this to close the [TRIGGER] menu.
Use this to open the [TRIGGER] menu.
Use these to select the frequency band to be used as the trigger.
This selects the channel to be used as the effect trigger.
These flash according to the automatically detected rhythm for the different frequency bands.
2 Press the [2] button in the [CH] section.
1
2
3
7 8 9
4
5 6
This selects the channel to which the effect is applied.
3 Press [EFFECT] and select [SAMPLER].
This selects the type of effect.
Effect Name Descriptions
OSCILLATOR1 – 4
SAMPLER
PITCH
GATE
Sound is created inside this unit, mixed to the sound of the channel selected in the [CH] section, then output according to the [TRIGGER CH (SAMPLING/ TRIGGER CH)] trigger.
The sound of the channel selected at [TRIGGER CH (SAMPLING/ GER CH)] is sampled, mixed to the sound of the channel selected in the [CH] section, then output according to the [TRIGGER CH (SAMPLING/ TRIGGER CH)] trigger.
The pitch of the sound of the channel selected in the [CH] section is changed, mixed with the channel selected in the [CH] section, then out­put according to the [TRIGGER CH (SAMPLING/
The sound input at [CH] is output according to the [TRIGGER CH (SAM-
TRIGGER CH)] trigger.
PLING/
TRIGGER CH)] trigger.
TRIG-
! It is not possible to select multiple effects simultaneously.
4 Press [TRIGGER (SAMPLING/ TRIGGER)].
The [TRIGGER] menu appears.
5 At [TRIGGER CH (SAMPLING/ TRIGGER CH)], select [CH3].
This selects the channel to be used as the effect trigger. ! When [SAME] is pressed, the same channel as the one selected in the [CH]
section is selected as the trigger.
6 At [TRIGGER BAND], press [MID] and [HI].
This selects the frequency band set as the effect trigger. Only [LOW] (the bass sound) is selected.
7 Press [ON/ OFF].
This turns the effect on. [ON/ OFF] flashes when the effect is turned on.
8 Touch the control area.
[ ] appears at the point at which the panel was touched. The [CH3] sound at the point in the control area that was touched is sampled. Triggered by the low frequency sound of [CH3], the sampled sound is mixed with the sound of [CH2] (which is continuing to play normally) and output from the [MASTER] terminals. The effect changes when the position touched in the control area is changed.
! The effect turns off when [ON/ OFF] is pressed again. ! The sampled sound is only valid while the control area is being touched. ! To switch from the [SIDECHAIN REMIX] to the [FREQUENCY MIX] mode, first
press the [ON/
OFF] button to turn the effect off, then press [MIX].
Using [HOLD]
When [HOLD] is turned on, effect’s parameter information is held even if the effect is turned off. The parameter information is cleared when [HOLD] is turned off. ! The parameter information and sampled sound are cleared when the effect is
switched.
LIVE SAMPLER
The sound input to the [MIC] terminal or the sound output from the [MASTER] terminals can be sampled and played on a PRO DJ LINK–compatible Pioneer DJ player. Connect this unit and PRO DJ LINK-compatible Pioneer DJ player in advance. For instructions on connections, see Connecting input terminals on page 7.
Slider
6
PRE-REC SAVE
7
REC (REC STOP)
8
PREVIEW (STOP)
9
The sound is played from the position at which the touch panel was touched. This is only displayed when previewing the sound.
The sound is sampled from a point 8 seconds before the button was pressed.
The sound is sampled for up to 8 seconds from the point at which the button is pressed.
Use this to preview the sampled sound over the head­phones.
Sampling the sound being played
1 Press [LIVE SAMPLER].
The [LIVE SAMPLER] screen appears on the touch panel.
2 Press [MIC] or [MASTER] in the [SOURCE SELECT].
This selects the channel to be sampled.
3 Press [REC (REC STOP)].
The sound of the channel selected at step 2 is sampled from the point at which [REC (REC STOP)] was pressed.
! Sampling is possible for up to 8 seconds. ! Sampling stops automatically once 8 seconds have elapsed after [REC
(REC STOP)] was pressed.
4 Press [REC (REC STOP)].
Sampling stops. The sample saving screen is displayed.
Sampling the sound from the point 8 seconds before
1 Press [LIVE SAMPLER].
The [LIVE SAMPLER] screen appears on the touch panel.
2 Press [MIC] or [MASTER] in the [SOURCE SELECT].
This selects the channel to be sampled.
3 Press [PRE-REC SAVE].
The sound for the channel selected in step 2 is sampled from the point 8 seconds before [PRE-REC SAVE] was pressed. ! Sampling is possible for up to 8 seconds.
Previewing the sampled sound
1 Press the [CUE] button to the left of the touch panel.
2 Press [PREVIEW (STOP)].
The position being played is displayed at the playing address and slider displays. ! When the touch panel’s slider is touched, the sampled sound is played from
that position.
Playing the sampled sound on the DJ player
Use PRO DJ LINK to access this unit from the DJ player. The sampled sound (audio file) can be loaded and played on the DJ player.
INST FX
This effect changes in association with the [FILTER] controls for the individual channels.
1 Press one of the [INST FX] buttons.
This selects the type of effect. The button that was pressed flashes.
! The same effect is set for [CH1] to [CH4].
2 Turn the [FILTER] control.
The effect is applied to the channel(s) for which the control(s) was (were) pressed.
English
SOURCE SELECT
1
2
REC VOLUME
Status indicator
3
Waveform display This displays the sound as a waveform.
4
Playing address display
5
Select the source to be sampled here. Use these to adjust the volume for recording.
The volume can be adjusted in the range –9 dB to +9 dB. This indicates this unit’s status and whether or not sam-
pling data is available.
This displays the sound as a bar graph. This is only displayed when previewing the sound.
Effect Name Descriptions
White noise generated
NOISE
ZIP
CRUSH
JET
inside this unit is mixed in to the sound of the channel via the filter and output.
Lowers the pitch of the channel’s sound for output.
Changes the channel’s sound to a crushed sound for output.
Adds a flanger effect for output.
FILTER (parameter 1)
Sets the cut-off frequency for the filter through which the white noise passes.
Sets the amount of pitch shifting for lower­ing the pitch.
Sets the degree by which the input sound is crushed.
Sets the flanger effect.
PARAMETER (parameter 2)
Sets the volume of the white noise.
Sets the balance between the original sound and the effect sound.
The further the control is turned clockwise, the more the effect is stressed.
The further the control is turned clockwise, the more the effect is stressed.
En
15
En
16
Effect Name Descriptions
1
4
3
2
HPF
LPF
Outputs the sound through the high-pass filter.
Outputs the sound through the low-pass filter.
FILTER (parameter 1)
Sets the filter’s cut-off frequency.
Sets the filter’s cut-off frequency.
PARAMETER (parameter 2)
The further the control is turned clockwise, the more the effect is stressed.
The further the control is turned clockwise, the more the effect is stressed.
Adjusting the effect of the effect sound
Turn the [PARAMETER] control.
The further the control is turned clockwise, the more the effect is stressed. When turned all the way counterclockwise, the effect is minimum.
BEAT EFFECT
This function lets you instantaneously set various effects according to the tempo (BPM = Beats Per Minute) of the currently playing track.
AUTO (TAP)
1
BPM value display (3
2
digits)
BPM
3
% (ms)
4
1 Press [AUTO/TAP].
Select the BPM measurement mode.
AUTO: The BPM is automatically measured from the input audio signal.
AUTO is set when this unit’s power is turned on.
TAP: The BPM is input manually by tapping [TAP].
! The BPM measurement range when AUTO is selected is 70 to 180. Depending
on the track, it may not be possible to properly measure the BPM. If not, the BPM value flashes on the display. In this case, use the [TAP] button to input the BPM manually.
2 Press one of the [CH SELECT] buttons.
This selects the channel to which the effect is applied.
[1] – [4]: The effect is applied to the sounds of channels [CH1] – [CH4]. [MIC]: The effect is applied to the sound of the [MIC] channel. [A], [B]: The effect is applied to the sound of the crossfader’s [A] (left) or
[B] (right) side.
[M]: The effect is applied to the sound of the [MASTER] channel.
3 Press one of the [EFFECT SELECT] buttons.
This selects the type of effect.
! For the types of effects, see Types of BEAT EFFECT on page 22. ! When [SEND/RETURN] is selected, see Using the external effector below.
4 Press one of the beat buttons.
This selects the beat fraction for synchronizing the effect sound. The effect time corresponding to the beat fraction is set automatically. ! The beat fraction can be changed by turning [TIME] while pressing the beat
button.
5 Press [ON/ OFF].
The effect is applied to the sound. The effect’s time parameter can be adjusted by turning the [TIME] control. The effect’s quantity parameter can be adjusted by turning the [LEVEL/ DEPTH] control. [ON/
OFF] flashes when the effect is turned on.
! The effect turns off when [ON/ OFF] is pressed again.
Inputting the BPM manually
Tap the [TAP] button at least two times with a finger in (quarter note) beat with the currently playing sound.
The average value of the intervals at which the [TAP] button was tapped is set as the BPM. ! When the BPM is set using the [TAP] button, the beat fraction is set to 1/1,
and the time of one beat (one quarter note) is set as the effect time.
[AUTO] lights when the BPM measurement mode is set to the auto mode. [TAP] lights when in the manual input mode.
When in the auto mode, this displays the automatically detected BPM value. When the BPM cannot be detected, the previously detected BPM value is displayed and flashes. When in the manual input mode, this displays the BPM value that was input manually.
This is always lit. These light according to the units for the different effects.
! The BPM can be set manually by turning the [TIME] control while pressing
the [TAP] button.
! The BPM can be set manually by pressing the beat button while pressing
[TAP].
! The BPM can be set in units of 0.1 by turning [TIME] while pressing [TAP] and
[AUTO/TAP].
 Adjusting the amount of effect applied for different
frequency bands
Turn the [EFFECT FREQUENCY (HI, MID, LOW)] control.
See Types of BEAT EFFECT on page 22 for the parameters of the effects that can be adjusted with the different controls.
Using the external effector
1 Connect this unit and external effector.
[SEND/RETURN] lights. For instructions on connections, see Connecting output terminals on page 7. ! [SEND/RETURN] does not light when nothing is connected to the [RETURN]
terminal.
2 Press one of the [CH SELECT] buttons.
This selects the channel to which the effect is applied.
3 Press [SEND/RETURN].
[SEND/RETURN] flashes.
4 Press [ON/ OFF].
The sound that has passed through the external effector is output.
! The effect turns off when [ON/ ! If the [SEND/RETURN] terminal connection is canceled when [RETURN] is on,
[ON/ OFF] turns off and [DELAY] is selected at [EFFECT SELECT].
OFF] is pressed again.
Using the MIDI function
 Operating the DJ software
The DJM-2000 also outputs the operating data for the buttons and dials in MIDI format. If you connect a computer with a built-in MIDI-compatible DJ software via a USB cable, you can operate the DJ software on this unit. Install the DJ software on your computer in advance. Also, adjust audio and MIDI settings for the DJ software. ! For MIDI channel setting instructions, see Changing the settings on page 24.
1 Connect this unit’s [USB] terminal to the computer.
For details about connections, see Connecting a computer on page 8.
2 Start the DJ software.
3 Press [ON/
Turn the MIDI function on. Transmission of the MIDI messages begin. ! When the faders and controls are moved, messages are sent according to the
positions of the faders and controls. For messages output by this unit, see List of MIDI Messages on page 18.
! MIDI messages for the positions of all the buttons, faders and controls can
be sent in a single batch by pressing the [START/ STOP] button for at least 2 seconds (Snapshot function).
! The MIDI timing clock (BPM information) is sent regardless of [ON/ ! When [ON/ OFF] in the [MIDI] section is pressed again, sending of MIDI mes-
sages stops.
OFF] in the [MIDI] section.
OFF].
Sending the MIDI start and MIDI stop messages
Press [START/
! The MIDI start and MIDI stop messages are sent alternately each time the
[START/ STOP] button is pressed, regardless of whether the MIDI function is on or off.
STOP] in the [MIDI] section.
Using the MIDI control screens
This unit is equipped with four types of MIDI control screens. Use them accord­ing to your DJ software.
1 Press the [MIDI] button to the right of the touch panel.
The [MIDI CONTROL] screen appears on the touch panel.
2 Select a type, from [TYPE A] to [TYPE D].
This selects the type of MIDI control screen.
! When [PAGE1] or [PAGE2] is pressed, the page being displayed switches.
3 Operate the touch panel buttons or faders.
Transmission of the MIDI messages begin. For messages output by this unit, see List of MIDI Messages on page 18.
Operating an external MIDI sequencer
This unit sends the tempo of the currently playing source (BPM information) as the MIDI timing clock. This can be used to synchronize an external MIDI sequencer with the tempo of the source. ! External MIDI sequencers not supporting MIDI timing clocks cannot be
synchronized.
! External MIDI sequencers cannot be synchronized for sources for which the
BPM cannot be measured stably.
! MIDI timing clocks are output even for BPM values input manually by tapping
the [TAP] button with a finger. The MIDI timing clock output range is 40 BPM to 250 BPM.
1 Connect the [MIDI OUT] terminal to the external MIDI sequencer’s MIDI IN terminal using a commercially available MIDI cable.
2 Set the external MIDI sequencer’s sync mode to Slave.
3 Press [START/
The MIDI start message is sent.
4 Press [ON/ OFF] in the [MIDI] section.
Transmission of the MIDI messages begin.
STOP].
English
En
17
En
18
List of MIDI Messages
Control Panel
Category SW Name SW Type
TRIM
HI
MID
CH1
CH2
CH 3
CH4
Crossfader Crossfader VR Bn 0B dd 0-127
CURVE SETTING
MASTER
CH SELECT
BEAT EFFECT
LOW
FILTER
Channel fader VR Bn 11 dd 0-127
CROSS FADER ASSIGN
CUE
TRIM
HI
MID
LOW
FILTER
Channel fader VR Bn 12 dd 0-127
CROSS FADER ASSIGN
CUE
TRIM
HI
MID
LOW
FILTER
Channel fader VR Bn 13 dd 0-127
CROSS FADER ASSIGN
CUE
TRIM
HI
MID
LOW
FILTER
Channel fader VR Bn 14 dd 0-127
CROSS FADER ASSIGN
CUE
CH EQ (ISOLATOR, EQ) SW Bn 21 dd 0, 127
,
)
, , )
CH FADER (
CROSS FADER (
BALANCE MASTER level VR Bn 18 dd 0-127
CUE
BOOTH MONITOR
1
2
3
4
MIC
A
B
M
TIME
OFF BTN Bn 40 dd Trigger/ Toggle OFF=0, ON=127
ON/
AUTO/
TAP
CUE
TAP
DEPTH VR Bn 5B dd 0-127
LEVEL/
VR Bn 01 dd 0-127 VR Bn 02 dd 0-127 VR Bn 03 dd 0-127 VR Bn 04 dd 0-127 VR Bn 05 dd 0-127
SW Bn 41 dd 0, 64, 127 BTN Bn 46 dd Trigger/ VR Bn 06 dd 0-127 VR Bn 07 dd 0-127 VR Bn 08 dd 0-127 VR Bn 09 dd 0-127 VR Bn 0A dd 0-127
SW Bn 42 dd 0, 64, 127 BTN Bn 47 dd Trigger/ VR Bn 0C dd 0-127 VR Bn 0E dd 0-127 VR Bn 0F dd 0-127 VR Bn 15 dd 0-127 VR Bn 16 dd 0-127
SW Bn 43 dd 0, 64, 127 BTN Bn 48 dd Trigger/ VR Bn 50 dd 0-127 VR Bn 51 dd 0-127 VR Bn 5C dd 0-127 VR Bn 52 dd 0-127 VR Bn 53 dd 0-127
SW Bn 44 dd 0, 64, 127 BTN Bn 49 dd Trigger/
SW Bn 5E dd 0, 127
SW Bn 5F dd 0, 64, 127
VR Bn 17 dd 0-127
BTN Bn 4A dd Trigger/ VR Bn 19 dd 0-127 BTN Bn 22 dd Trigger/ BTN Bn 23 dd Trigger/ BTN Bn 24 dd Trigger/ BTN Bn 25 dd Trigger/ BTN Bn 26 dd Trigger/ BTN Bn 27 dd Trigger/ BTN Bn 28 dd Trigger/ BTN Bn 29 dd Trigger/
VR Bn 0D MSB Bn 2D LSB
BTN Bn 45 dd Trigger/ BTN Bn 4B dd Trigger/ BTN Bn 4E dd Trigger/
MIDI Messages
MSB LSB
Trigger/ Toggle Notes
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Trigger OFF=0, ON=127
OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 TIME value (half the
value when FILTER or
PHASER is selected for EFFECT SELECT)
Category SW Name SW Type
DELAY
MULTI TAP DELAY
ROLL
REV ROLL
TRANS
EFFECT SELECT
EFFECT FRE­QUENCY
INST FX
MIC
HEADPHONES
LINK CUE
Touch panel control
MIDI
1 When turning one button on switches another button from on to off, MIDI on and off messages are sent from the two buttons. When there is no button that switches off, only the MIDI on message is sent from the button that was pressed.
GATE
ECHO
REVERB
SLIP ROLL
FILTER
PHASER
SEND/
RETURN
HI
MID
LOW
NOISE
ZIP
CRUSH
JET
HPF
LPF
PARAMETER
HI
LOW
LEVEL
MIXING
CUE
MIDI
MIX
REMIX
OFF BTN Bn 72 dd Trigger/ Toggle OFF=0, ON=127
ON/
START
STOP
BTN Bn 2A dd Trigger/ BTN Bn 2B dd Trigger/ BTN Bn 2E dd Trigger/ BTN Bn 2F dd Trigger/ BTN Bn 35 dd Trigger/ BTN Bn 3D dd Trigger/ BTN Bn 37 dd Trigger/ BTN Bn 36 dd Trigger/ BTN Bn 3A dd Trigger/ BTN Bn 3B dd Trigger/ BTN Bn 39 dd Trigger/ BTN Bn 3E dd Trigger/ VR Bn 66 dd 0-127 VR Bn 67 dd 0-127 VR Bn 68 dd 0-127 BTN Bn 55 dd Trigger/ BTN Bn 56 dd Trigger/ BTN Bn 57 dd Trigger/ BTN Bn 69 dd Trigger/ BTN Bn 6A dd Trigger/ BTN Bn 6B dd Trigger/ VR Bn 6C dd 0-127 VR Bn 1E dd 0-127 VR Bn 1F dd 0-127 VR Bn 1A dd 0-127 VR Bn 1B dd 0-127 BTN Bn 73 dd Trigger/ BTN Bn 6E dd Trigger/ BTN Bn 6F dd Trigger/ BTN Bn 70 dd Trigger/ BTN Bn 71 dd Trigger/
BTN FA — BTN FC
MIDI Messages
MSB LSB
Trigger/ Toggle Notes
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
1
Toggle
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
1
Toggle
1
Toggle
OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127
OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127
OFF=0, ON=127 OFF=0, ON=127
English
Touch panel
FREQUENCY MIX, SIDECHAIN REMIX
Category SW Name SW Type
Touch fader 1 VR Bn 38 dd
Touch fader 2 VR Bn 4C dd 0-127 Touch fader 3 VR Bn 4D dd 0-127
FREQUENCY MIX
SIDECHAIN REMIX
Touch fader 4 VR Bn 74 dd 0-127 Touch fader 5 VR Bn 75 dd 0-127 Touch fader 6 VR Bn 76 dd 0-127
Touch fader 7 VR Bn 77 dd
X axis of control area VR Bn 1C dd 0-127 Y axis of control area VR Bn 3C dd 0-127
DEPTH VR Bn 31 dd 0-127
LEVEL/
CH1
CH2
CH3
CH4 TRIGGER CH (SAMPLING/ TRIGGER CH (SAMPLING/ TRIGGER CH (SAMPLING/ TRIGGER CH (SAMPLING/ TRIGGER CH (SAMPLING/ TRIGGER BAND LOW BTN 9n 59 dd Trigger/ TRIGGER BAND MID BTN 9n 5A dd Trigger/ TRIGGER BAND HI BTN 9n 5B dd Trigger/
TRIGGER CH) SAME BTN 9n 51 dd Trigger/ Toggle OFF=0, ON=127 TRIGGER CH) CH1 BTN 9n 52 dd Trigger/ Toggle OFF=0, ON=127 TRIGGER CH) CH2 BTN 9n 53 dd Trigger/ Toggle OFF=0, ON=127 TRIGGER CH) CH3 BTN 9n 54 dd Trigger/ Toggle OFF=0, ON=127 TRIGGER CH) CH4 BTN 9n 55 dd Trigger/ Toggle OFF=0, ON=127
BTN 9n 49 dd Trigger/ BTN 9n 4A dd Trigger/ BTN 9n 4B dd Trigger/ BTN 9n 4C dd Trigger/
MIDI Messages
MSB LSB
Trigger/ Toggle Notes
0 - 127 (very top of screen)
0 - 127 (very bottom of screen)
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
En
19
En
20
MIDI CONTROL
1 2 3 4
5 6 7 8
9
10 11 12
13 14 15 16
17 18 19
1 2 3 4
5 6 7 8
9
10 11 12
TYPE A
TYPE B
Category
Switch
position
[PAGE1]–9 BTN 9n 5D dd Trigger/ Toggle OFF=0, ON=127 [PAGE1]–10 BTN 9n 5E dd Trigger/ [PAGE1]–11 BTN 9n 5F dd Trigger/ [PAGE1]–12 BTN 9n 60 dd Trigger/ [PAGE1]–13 BTN 9n 61 dd Trigger/ [PAGE1]–14 BTN 9n 62 dd Trigger/ [PAGE1]–15 BTN 9n 63 dd Trigger/ [PAGE1]–16 BTN 9n 64 dd Trigger/ [PAGE1]–5 BTN 9n 65 dd Trigger/ [PAGE1]–6 BTN 9n 66 dd Trigger/ [PAGE1]–7 BTN 9n 67 dd Trigger/ [PAGE1]–8 BTN 9n 68 dd Trigger/ [PAGE1]–1 BTN 9n 69 dd Trigger/ [PAGE1]–2 BTN 9n 6A dd Trigger/ [PAGE1]–3 BTN 9n 6B dd Trigger/ [PAGE1]–4 BTN 9n 6C dd Trigger/ [PAGE1],
[PAGE2]–17 [PAGE1],
[PAGE2]–18 [PAGE1],
[PAGE2]–19 [PAGE2]–9 BTN 9n 6D dd Trigger/ [PAGE2]–10 BTN 9n 6E dd Trigger/ [PAGE2]–11 BTN 9n 6F dd Trigger/ [PAGE2]–12 BTN 9n 70 dd Trigger/ [PAGE2]–13 BTN 9n 71 dd Trigger/ [PAGE2]–14 BTN 9n 72 dd Trigger/ [PAGE2]–15 BTN 9n 73 dd Trigger/ [PAGE2]–16 BTN 9n 74 dd Trigger/ [PAGE2]–5 BTN 9n 75 dd Trigger/ [PAGE2]–6 BTN 9n 76 dd Trigger/ [PAGE2]–7 BTN 9n 77 dd Trigger/ [PAGE2]–8 BTN 9n 78 dd Trigger/ [PAGE2]–1 BTN 9n 79 dd Trigger/ [PAGE2]–2 BTN 9n 7A dd Trigger/ [PAGE2]–3 BTN 9n 7B dd Trigger/ [PAGE2]–4 BTN 9n 7C dd Trigger/ [PAGE1]–9 VR Bn 01 dd 0-127 [PAGE1]–10 VR Bn 02 dd 0-127 [PAGE1]–11 VR Bn 03 dd 0-127 [PAGE1]–12 VR Bn 04 dd 0-127 [PAGE2]–9 VR Bn 05 dd 0-127 [PAGE2]–10 VR Bn 06 dd 0-127 [PAGE2]–11 VR Bn 07 dd 0-127 [PAGE2]–12 VR Bn 08 dd 0-127 [PAGE1]–1 BTN 9n 30 dd Trigger/ [PAGE1]–2 BTN 9n 31 dd Trigger/ [PAGE1]–3 BTN 9n 32 dd Trigger/ [PAGE1]–4 BTN 9n 33 dd Trigger/ [PAGE1]–5 BTN 9n 34 dd Trigger/ [PAGE1]–6 BTN 9n 35 dd Trigger/ [PAGE1]–7 BTN 9n 36 dd Trigger/ [PAGE1]–8 BTN 9n 37 dd Trigger/ [PAGE2]–1 BTN 9n 38 dd Trigger/ [PAGE2]–2 BTN 9n 39 dd Trigger/ [PAGE2]–3 BTN 9n 3A dd Trigger/ [PAGE2]–4 BTN 9n 3B dd Trigger/ [PAGE2]–5 BTN 9n 48 dd Trigger/ [PAGE2]–6 BTN 9n 49 dd Trigger/ [PAGE2]–7 BTN 9n 4A dd Trigger/ [PAGE2]–8 BTN 9n 4B dd Trigger/
SW Type
BTN 9n 7D dd Trigger/
BTN 9n 7E dd Trigger/
BTN 9n 7F dd Trigger/
MIDI Messages
MSB LSB
Toggle Notes
Trigger/
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
TYPE C
1 2 3
4 5 6
7 8 9
10 11 12
1 2 3
4 5
TYPE D
Category
Switch
position
[PAGE1]–1 BTN 9n 3C dd Trigger/ Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 3D dd Trigger/ [PAGE1]–3 BTN 9n 3E dd Trigger/ [PAGE1]–4 BTN 9n 3F dd Trigger/ [PAGE1]–5 BTN 9n 40 dd Trigger/ [PAGE1]–6 BTN 9n 41 dd Trigger/ [PAGE1]–7 BTN 9n 42 dd Trigger/ [PAGE1]–8 BTN 9n 43 dd Trigger/ [PAGE1]–9 BTN 9n 44 dd Trigger/ [PAGE1]–10 BTN 9n 45 dd Trigger/ [PAGE1]–11 BTN 9n 46 dd Trigger/ [PAGE1]–12 BTN 9n 47 dd Trigger/ [PAGE2]–1 BTN 9n 24 dd Trigger/ [PAGE2]–2 BTN 9n 25 dd Trigger/ [PAGE2]–3 BTN 9n 26 dd Trigger/ [PAGE2]–4 BTN 9n 27 dd Trigger/ [PAGE2]–5 BTN 9n 28 dd Trigger/ [PAGE2]–6 BTN 9n 29 dd Trigger/ [PAGE2]–7 BTN 9n 2A dd Trigger/ [PAGE2]–8 BTN 9n 2B dd Trigger/ [PAGE2]–9 BTN 9n 2C dd Trigger/ [PAGE2]–10 BTN 9n 2D dd Trigger/ [PAGE2]–11 BTN 9n 2E dd Trigger/ [PAGE2]–12 BTN 9n 2F dd Trigger/ [PAGE1]–1 BTN 9n 57 dd Trigger/ Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 58 dd Trigger/ [PAGE1]–3 BTN 9n 59 dd Trigger/ [PAGE1]–4 VR Bn 1C dd 0-127 [PAGE1]–5 VR Bn 3C dd 0-127 [PAGE2]–1 BTN 9n 5A dd Trigger/ [PAGE2]–2 BTN 9n 5B dd Trigger/ [PAGE2]–3 BTN 9n 5C dd Trigger/ [PAGE2]–4 VR Bn 31 dd 0-127 [PAGE2]–5 VR Bn 32 dd 0-127
SW Type
MIDI Messages
MSB LSB
Toggle Notes
Trigger/
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
Toggle OFF=0, ON=127 Toggle OFF=0, ON=127 Toggle OFF=0, ON=127
English
En
21
En
22
Types of BEAT EFFECT
Original (4 beats)
1/2 delay (8 beats)
Input sound turned off
Time
Fade-out
1 beat
MIN MAX
MIN MAX
EFFECT FREQUENCY
MIN MAX
1/8 beat
1/4 beat
1/1 beat
Time
Level
Direct sound
Early reflected sound
Reverberations
1%
100%
Time
Effect turned on
Repeated
Original
1/1 roll
1/1 repeat1/2 repeat
Original
Roll
Changed from 1/2 to 1/1
Effect turned on
REVERB1
2
DELAY
1
This function outputs a delay sound once according to the beat button’s fraction. When 1/2 beat delay sound is added, 4 beats become 8 beats.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
ECHO1
2
Use these to set the delay time from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the delay time. 1 to 4000 (ms)
Use this to set the balance between the original sound and the delay sound.
Use these to set the balance between the original sound and the delay sound for the different bands.
This function outputs increasingly attenuated delay sounds several times accord­ing to the beat button’s fraction. With 1/1 beat echoes, the delay sounds are faded out according to the track’s tempo even after the input sound has been cut.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
Use these to set the delay time from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the delay time. 1 to 4000 (ms)
Use this to set the balance between the original sound and the echo sound.
Use these to set the balance between the original sound and the echo for the different bands.
This function adds a reverberation effect to the input sound.
Beat buttons (parameter 1) These set the degree of the reverb effect from 1 to 100 %.
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
ROLL1
2
Use this to set the degree of the reverb effect. 1 to 100 (%)
Sets the balance between the original sound and the effect sound.
Use these to set the balance between the original sound and the effect sound for the different bands.
This function records the input sound at the point at which the [ON/ OFF] but­ton is pressed and repeats the recorded sound according to the beat button’s fraction.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the effect time. 10 to 4000 (ms)
Use this to set the balance between the original sound and ROLL.
Use these to set the balance between the original sound and the ROLL for the different bands.
MULTI TAP DELAY
1
This function outputs up to 7 delay sounds in 1/8 units, according to the beat button’s fraction. The volume of the delay sound can be adjusted with the [EFFECT FREQUENCY] controls. The volume of the odd delay sounds is adjusted from [MIN] to the center posi­tion, the volume of the even delay sounds is adjusted from the center position to [MAX].
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the delay time. 10 to 4000 (ms)
Use this to set the balance between the original sound and the delay sound.
This sets the volume of the delay sound for the different bands.
SLIP ROLL1
2
This function records the input sound at the point at which the [ON/ OFF] but­ton is pressed and repeats the recorded sound according to the beat button’s fraction. When the effect time changes, the input sound is recorded again.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the effect time. 10 to 4000 (ms)
Use this to set the balance between the original sound and ROLL.
Use these to set the balance between the original sound and the ROLL for the different bands.
REV ROLL1
Effect turned on
Reversed and repeated
Original
1/1 reverse roll
Frequency
MIN MAX
MIN MAX
EFFECT FREQUENCY
MIN MAX
Cut
Cut Cut
Cut
1/1 beat
Time
Cycle
Phase shift
Time
MIN MAX
MIN MAX
EFFECT FREQUENCY
MIN MAX
Threshold
Threshold
Level
Threshold
Time
DJM-2000
SEND
RETURN
Effector
2
This function records the input sound at the point at which the [ON/ OFF] but­ton is pressed, reverses the recorded sound and repeats it according to the beat button’s fraction.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the effect time. 10 to 4000 (ms)
Use this to set the balance between the original sound and ROLL.
Use these to set the balance between the original sound and the ROLL for the different bands.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3)
EFFECT FREQUENCY (parameter 4)
1
GATE
These set the cycle for moving the phaser effect by 1/8 to 4/1 with respect to the time of one BPM beat.
This sets the cycle by which the phaser effect is moved. 10 to 32000 (ms)
The further the control is turned clockwise, the more the effect is stressed. When turned all the way counterclockwise, only the original sound is output.
Use these to set the balance between the original sound and the effect sound for the different bands.
English
FILTER
1
This function changes the filter’s cut-off frequency according to the beat button’s fraction.
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
TRANS
1
These set the cycle for moving the cut-off frequency from 1/8 to 4/1 with respect to 1 beat of BPM time.
Use this to set the cycle at which the cut-off frequency is moved. 10 to 32000 (ms)
The further the control is turned clockwise, the more the effect is stressed.
These set the balance between the original sound and the effect sound for the different bands.
This function cuts the sound according to the beat button’s fraction. The amount of the sound to be cut can be changed at [EFFECT FREQUENCY].
Beat buttons (parameter 1)
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
These set the 1/8 to 4/1 cut time with respect to 1 beat of BPM time.
Use this to set the effect time. 10 to 16000 (ms)
Sets the balance between the original sound and the effect sound.
This sets the amount of the original sound to be cut for the different bands.
This function outputs the input sound that has a level above the threshold level, cutting the input sound that has a level below the threshold level. The threshold level can be changed at [EFFECT FREQUENCY].
Beat buttons (parameter 1) This sets the release time between 1 and 100 %.
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3)
EFFECT FREQUENCY (parameter 4)
SEND/RETURN
This sets the release time. 1 to 100 (%)
Sets the threshold level. The further the control is turned clockwise, the more the effect is stressed and the sound is cut.
Use these to set the threshold levels for the different bands.
1
Connect an external effector, etc., here. [EFFECT FREQUENCY] can be used as an isolator.
Beat buttons (parameter 1) —
TIME (parameter 2)
DEPTH (param-
LEVEL/
eter 3) EFFECT FREQUENCY
(parameter 4)
This adjusts the sound level input to the [RETURN] terminal.
This sets the audio output level of the RETURN sound for the different bands.
1 When “A”, “B” or “M” is selected with the [CH SELECT] buttons, the effect sound
cannot be monitored by pressing [CUE] (BEAT EFFECT) unless the sound for the channel you want to monitor is being output from [MASTER] channel.
2 When BEAT EFFECT is off, the effect sound cannot be monitored by pressing
[CUE] (BEAT EFFECT).
PHASER
The phaser effect changes according to the beat button fraction.
1
En
23
En
24
Changing the settings
1
1 Press [LIVE SAMPLER (UTILITY, WAKE UP)] for at least 1 seconds.
The [USER SETUP] screen appears. The [LIVE SAMPLER (UTILITY, WAKE UP)] indicator flashes. ! To display the [CLUB SETUP] screen, first turn this unit’s power off, then press
[POWER] while pressing [LIVE SAMPLER (UTILITY, WAKE UP)].
2 Press the setup item button.
The selection items appear.
3 Select the setup item.
Select the item on the touch panel and enter it.
4 Change the item’s setting.
Select the item on the touch panel and enter it.
! Press [SAVE] to save the changes to the [CLUB SETUP] screen.
5 Press [EXIT].
The [USER SETUP] screen closes.
Setup item button
1
Setting preferences
Settings indicated in italics are the default settings set upon purchase.
Mode Options settings Selection item 1 Selection item 2 Selection item 3 Descriptions
1
ZONE1
MIDI
2
ZONE2
USER SETUP
FADER START
LCD BACK LIGHT
VERSION No.
SYSTEM
CLUB SETUP
MIC
TOUCH PANEL
FACTORY RESET
1 Changes the MIDI settings of the buttons on the control panel, [FREQUENCY MIX] and [SIDECHAIN REMIX]. 2 Changes the MIDI settings for [TYPE A] to [TYPE D] on the MIDI control screen.
LINK
CONTROL
Displays the DJM-2000’s software version.
DIGITAL OUT MAX LEVEL
DIGITAL SAMPLING RATE
AUTO STANDBY
OUTPUT TO BOOTH MONITOR
TALK OVER THRESH­OLD LEVEL
TALK OVER LEVEL
The touch panel’s calibration is adjusted by pressing [+] in order. YES, NO Restores all the settings to their factory defaults.
BUTTON ACTION
MIDI CHANNEL
BUTTON ACTION
MIDI CHANNEL
RESET
CH1 to CH4 ON, OFF
CH2, CH3 ON, OFF
1, 2, 3, 4, 5 Adjusts the touch panel’s brightness.
–19 dB, –15 dB, –10 dB, –5 dB
48 kHz, 96 kHz Switches the digital signal sampling rate.
ON, OFF Turns the auto standby function on and off.
ON, OFF
–25 dB, –20 dB, –15 dB, –10 dB
–25 dB, –20 dB, –15 dB, –10 dB
! To close the [CLUB SETUP] screen, press [POWER] to turn this unit’s power
off.
TOGGLE
TRIGGER 1, 2, to 16 Sets the MIDI channel.
TOGGLE
TRIGGER
1, 2, to 16 Sets the MIDI channel.
Select the MIDI signal sending method, [TOGGLE] or [TRIGGER].
Select the MIDI signal sending method, [TOGGLE] or [TRIGGER].
Restores the [TYPE A] – [TYPE D] MIDI settings to the default values. [RESET] function is unique to [ZONE2].
Turns the fader start function of the DJ players connected to the [LINK] terminals on and off.
Turns the fader start function of the DJ players connected to the [CONTROL] terminals on and off.
Adjusts the maximum audio level output from the [DIGITAL OUT] terminal.
Sets whether or not to output the microphone’s audio signals from [BOOTH] terminals.
Sets the talkover sensitivity. The talkover function is activated when a sound with a volume above the set volume is input to the micro­phone.
Sets the attenuation level for the sound other than the microphone’s sound when the talkover function is activated.
About the auto standby function
When [AUTO STANDBY] is set to [ON], the standby mode is set automatically if 4 hours pass with all of the conditions below met.
That none of this unit’s buttons or controls are operated. That no audio signals of –10 dB or greater are input to this unit’s input terminals. That no PRO DJ LINK connections are made.
! The standby mode is canceled when [LIVE SAMPLER (UTILITY, WAKE UP)] is pressed.
Additional information
Troubleshooting
! Incorrect operation is often mistaken for trouble or malfunction. If you think that there is something wrong with this component, check the points below. Sometimes
the trouble may lie in another component. Inspect the other components and electrical appliances being used. If the trouble cannot be rectified after checking the items below, ask your nearest Pioneer authorized service center or your dealer to carry out repair work.
! The player may not operate properly due to static electricity or other external influences. In such cases, normal operation may be restored by unplugging the power
cord then plugging it back in.
Problem Check Remedy
The power is not turned on. Is the power cord properly connected? Plug in the power cord to an AC outlet. No sound or small sound. Is the [CD/
Digital sound cannot be output. Is the digital audio output’s sampling frequency (fs) suited
Distorted sound. Is the level of audio output from the microphone channel
Can’t crossfade. Is the [CROSS FADER ASSIGN] switch properly set? Set the channel’s [CROSS FADER ASSIGN] switch properly. (page 12) Can’t fader start a DJ player. Is [FADER START] set to off? Set [FADER START] to on at the [USER SETUP] screen. (page 13)
BEAT EFFECT function does not work. Are the [CH SELECT] buttons properly set? Press the [CH SELECT] button(s) to select the channel(s) to which you want
[INST FX] does not work. Is the [FILTER] control set to the proper position? Turn the [FILTER] control clockwise. (page 15) Can’t use an external effector. Is [ON/
Distorted sound from an external effector. Is the external effector’s audio output level set to an
Tempo (BPM) cannot be measured or measurement value of tempo (BPM) is implausible.
Measured tempo (BPM) differs from tempo indicated on CD.
MIDI sequencer does not synchronize. Is the MIDI sequencer’s sync mode set to Slave? Set the MIDI sequencer’s sync mode to Slave.
MIDI control does not work. Is the MIDI channel turned on? Press [ON/
This unit is not recognized after it has been connected to a computer.
Sound of a computer cannot be output from this unit. Are this unit and computer properly connected? Connect this unit and computer using a USB cable. (page 8)
Nothing happens when touch panel is pressed. Touch panel’s calibration is off. Adjust the touch panel with the [TOUCH PANEL] settings at the [CLUB
The effect sound cannot be monitored when [CUE] for the BEAT EFFECT is pressed.
DIGITAL, PHONO, LINE, USB */ *] switch set to
the proper position? Are the [CD, DIGITAL] switches on the rear panel properly
set? Are the connection cables properly connected? Connect the connection cables properly. (page 7) Are the terminals and plugs dirty? Clean the terminals and plugs before making connections. Is the [MASTER ATT.] switch on the rear panel set to [–6
dB], etc.?
for the specifications of the connected device?
properly set?
Is the level of audio input to each channel properly set? Adjust the [TRIM] control so that the channel level indicator lights at about
Is the DJ player properly connected to the [CONTROL] terminal?
Is the DJ player properly connected to the [LINK] terminal? Connect the DJ player to the [LINK] terminal properly using a LAN cable.
Are the audio cables properly connected? Connect this unit’s audio input terminals and the DJ player’s audio output
OFF] for the BEAT EFFECT set to on? Press [ON/ OFF] for the BEAT EFFECT to turn [SEND/ RETURN] on. (page 16)
Is the external effector properly connected to the [SEND] or [RETURN] terminal?
appropriate level? Is the audio input level too high or too low? Adjust the [TRIM] control so that the channel level indicator lights at about
The values may differ slightly due to the different ways in which the BPM is
Does the MIDI sequencer you are using support MIDI timing clocks?
Are the MIDI settings properly set? To operate DJ software with this unit, this unit’s MIDI messages must be
Is the driver software properly installed on your computer? Install the driver software. If the software is already installed, re-install it.
Are the audio output device settings properly set? Select this unit with the audio output device settings. For instructions
Is this unit’s input selector switch properly set? Set the channel’s input selector switch to the [USB */
The circuit that generates the echo for the [ECHO], [REVERB], [ROLL], [SLIP
Switch the [CD/ DIGITAL, PHONO, LINE, USB */ *] switch to the channel’s input source. (page 12)
Set the [CD, DIGITAL] switches according to the devices to be played. (page 12)
Switch the [MASTER ATT.] switch. (page 6)
On the [CLUB SETUP] screen, set [DIGITAL SAMPLING RATE] according to the specifications of the connected equipment. (page 24)
Adjust the [MASTER] control so that the master channel level indicator lights at about [0 dB] at the peak level. (page 12)
Set [MASTER ATT.] to [–3 dB] or [–6 dB]. (page 6)
[0 dB] at the peak level. (page 12)
Connect the [CONTROL] terminal and DJ player using a control cord. (page 7)
(page 7)
terminals by audio cable. (page 7)
to add the effect.
Connect the external effector to the [SEND] and [RETURN] terminals. (page 7)
Adjust the external effector’s audio output level.
[0 dB] at the peak level. (page 12) For some tracks, it may not be possible to measure the tempo (BPM). In this
case, input the tempo manually using the [TAP] button. (page 16)
measured. There is no need to make any corrections.
MIDI sequencers not supporting MIDI timing clocks cannot be synchro­nized.
OFF] in the [MIDI] section. (page 16)
assigned to the DJ software you are using. For instructions on assigning messages, see your DJ software’s operating instructions.
(page 8)
on making settings for your application, see your application’s operating instructions.
*] position. (page 12)
SETUP] screen. (page 24)
ROLL] and [REV ROLL] effect sounds is positioned after the effect circuit, so
the effect sound cannot be monitored. This is not a malfunction.
English
En
25
En
26
About the liquid crystal display
! Small black or shining points may appear on the liquid crystal display. This is
a phenomenon inherent to liquid crystal displays; this is not a malfunction.
! When using in cold places, the liquid crystal display may be dark for a while
after the DJM-2000’s power is turned on. It will reach the normal brightness after a while.
! When the liquid crystal display is exposed to direct sunlight, the light will
reflect off it, making it difficult to see. Block the direct sunlight.
About the exemption clauses
! Pioneer is a registered trademark of Pioneer Corporation. ! Microsoft®, Windows Vista®, and Windows® are registered trademarks
or trademarks of Microsoft Corporation in the United States and/ or other countries.
! Pentium is a registered trademark of Intel Corporation. ! Adobe and Reader are either registered trademarks or trademarks of Adobe
Systems Incorporated in the United States and/ or other countries.
! Apple, Macintosh or Mac OS are registered trademarks of Apple Inc. in the
United States and/
! ASIO is a trademark of Steinberg Media Technologies GmbH. ! The names of companies and products mentioned herein are the trademarks of
their respective owners.
This product has been licensed for nonprofit use. This product has not been licensed for commercial purposes (for profit-making use), such as broadcast­ing (terrestrial, satellite, cable or other types of broadcasting), streaming on the Internet, Intranet (a corporate network) or other types of networks or dis­tributing of electronic information (online digital music distribution service). You need to acquire the corresponding licenses for such uses. For details, visit
/
www.mp3licensing.com.
http:/
or other countries.
The audio compression technology for MP3 is offered under the license of Fraunhofer IIS and Thomson Multimedia.
Block Diagram
INST FX
INST FXprocessing
CH1- 4 In CH1- 4 Out
[MIX]
Assign X Assign X
Assign YAssign Y
Mix On/Off
Mix On/Off
Mix CUE
CH1 CH2 CH3 CH4
THRU
CH1 CH2 CH3 CH4
THRU
CH1
CH2 CH3 CH4
THRU
CH1 CH2 CH3 CH4
THRU
Mix processing
[REMIX]
Trigger CH SELECT
Remix Effect CH
Remix Effect CH
Remix On/Off
Remix CUE
SAME CH1 CH2
CH3 CH4
CH1 CH2 CH3 CH4
CH1 CH2 CH3 CH4
Remix processing
[BEAT EFFECT (SND/RTN)]
EFFECT CH SELECT
CableCheck
Return In
SEND Out
Effect Out
Effect CUE
CH1- 4 CF_A/B
MIC
Master
Return Level
No Cable
Effect SW
Cable Exist
BEAT EFFECT (ETC.)
EFFECT CH SELECT
Effect Out
Effect CUE
Effect SW
CH1- 4 CF_A/B
MIC
Master
EFFECTprocessing
MIX RATIO
[H.P. MIX]
CHx CUE
Effect CUE
Master CUE
CUE Balance
H.P.Level
H.P.Level
Mono Split
Stereo
L
R
Master Balance
Mono Split
Stereo
L
R
H.P. Out Lch
H.P. Out Rch
CHn In 1-4
MIC1 In
CH1-CH4 COMMON
*1
2posi
*2, 3, 4
*2, 3
*5 *4 *2, 3
*2, 4
*2, 3
BPM
detect
CH sel1
REMIX detect Trigger
3Band
EQ
CH 1-4
EQ
Isolator
Switch
REMIX
CUE
Mix/Remix SW
Ch1- 4 Level Meter
MIC Data2
Talk Over On/Off
Talk Over On/Off
MIC Data2
MIC Data2
MIC Data1 MIC Data2
Master CUE
Talk Over Level
On
Talk Over
Off
Link/Live Sampler CUE
Talk Over threshold
REMIX
CH sel2
BEAT
EFFECTS
(SND/RTN)
CH1- 4 CF_A/B
MIC
Master
MIX CUE
MIX
CH(x, y)
INST FX [ch1-4]
BEAT
EFFECTS
[CHx(pre)]
BEAT EFFECTS [CHx(post)]
BEAT
EFFECTS
[Master]
Send
Return
[CHx]
*2, 4
BEAT
EFFECTS
[MIC] Send
Return
[MIC]
CUE Monitor [CH1- 4]
EFFECT
CUE [EFFECT]
PHONO
AMP
CH2,3
Digital/USB in
Analog in
Phono
Digital Trim CHn Fader
CROSS Fader
Master Balance
Talk Over
Booth Level
CHx MIX Data
Master Data
Mic SW
Live Sampler Source Select
CF Assign
3posi
3posi
Assign A CH1- 4
Assign B CH1- 4
CH Fader Curve
3posi
Cross Fader Curve
Thru CF_A CF_B
MIC SW
3posi
Off
On
TalkOver
BPM detect [CF_A]
Send Return [CF_A]
*5
*5
*5
*4
BPM
detect
[CF_B]
BPM
detect
[Master]
Master
Mono<=>
Stereo
H.P.
MIX
BEAT EFFECTS [CF_A(post)]
BEAT EFFECTS [CF_B(post)]
Send Return [CF_B]
Send Return [Master]
2Band
MIC
EQ
BPM
detect
[MIC]
MIC1
L/R
Master Balance
MIC
Filter
MIC In
level
detect
Link In
Return In
Send Out
- Browsing Monitor
- Live Sampler Monitor
MIC Monitor SW
CUE SW
EFFECT CH SELECT
CHx CUE
EFFECT CUE
Mix/Remix CUE
Link/Live Sampler CUE
MIC Data1
Master Level
Rec Level
H.P. Level
Digital Level
Master Level Meter
Booth Out
Rec Out
Master Out1
Master Out2
Digital Out
H.P. Out
Link Out
- Live Sampler
*1: Same effect processing for channels 1 to 4. *2: Effect processing for setting selected with effect channel select switch. *3: The effect input position is set to either before or after the fader, depending on the effect’s specifications. *4: When SND/RTN is selected, the channel set with the effect channel select switch is sent/returned. *5: Detects the BPM for the channel selected with the effect channel select switch.
CH1
MIC
CD
CD
LINE
CD
PHONO
PHONO
CD
LINE
DIGITAL IN
DIGITAL IN
DIGITAL IN
DIGITAL IN
MIC
PHONES
MASTER
REC
BOOTH
SEND
D_OUT
LAN OUT
CH2
LAN IN
DSP
CH3
CH4
SRC
DIR
ADC
ADC
DIR
SRC
ADC
SRC
DIR
ADC
DIR
SRC
ADC
CH1CH2CH3CH4
DAC
DAC
DAC
DAC
DAC
SRC
SRC
DIT
SRC
SRC
I/F
con
USB IC
TRIM
TRIM
TRIM
TRIM
USB AUDIO DATA
USB AUDIO DATA
PHONES
MASTER1
MASTER2MUTE
RECMUTE
BOOTHMUTE
SEND
DIGITAL OUT
USB
Type B
LAN×5
CH4 DIGITAL/USB SELECT
CH3 DIGITAL/USB SELECT CH2 DIGITAL/USB SELECT CH1 DIGITAL/USB SELECT
MUTE
English
En
27
En
28
Specifications
General
Power requirements ..................................................... AC 220 V to 240 V, 50 Hz/ 60 Hz
Power consumption .................................................................................................42 W
Power consumption (standby) ...............................................................................0.4 W
Main unit weight ..................................................................................................... 8.5 kg
External dimensions ..................................430 mm (W) x 107.9 mm (H) x 409 mm (D)
Tolerable operating temperature .........................................................+5 °C to +35 °C
Tolerable operating humidity ...................................... 5 % to 85 % (no condensation)
Audio Section
Sampling rate ........................................................................................................96 kHz
A/ D, D/ A converter ................................................................................................. 24 bits
Frequency characteristic
CD/ LINE/ MIC .................................................................................... 20 Hz to 20 kHz
S/ N ratio (rated output)
PHONO ............................................................................................................. 93 dB
CD/
DIGITAL, LINE ...........................................................................................107 dB
MIC .................................................................................................................... 85 dB
Total harmonic distortion (LINEMASTER1)................................................. 0.004 %
Standard input level / Input impedance
PHONO ..............................................................................................–52 dBu/ 47 kW
LINE .............................................................................................–12 dBu/ 47 kW
CD/
MIC .......................................................................................................–52 dBu/ 8 kW
RETURN .............................................................................................–12 dBu/
Standard output level / Load impedance / Output impedance
MASTER1 .....................................................................+8 dBu/ 10 kW/ 1 W or lower
MASTER2 ...................................................................+2 dBu/ 10 kW/ 22 W or lower
REC OUT ......................................................................–8 dBu/ 10 kW/ 22 W or lower
BOOTH .......................................................................+8 dBu/ 10 kW/ 1 kW or lower
SEND ..........................................................................–12 dBu/ 10 kW/ 1 kW or lower
PHONES .......................................................................+8.5 dBu/ 32 W/ 1 W or lower
Rated output level / Load impedance
MASTER1 .........................................................................................+26 dBu/ 10 kW
MASTER2 .........................................................................................+20 dBu/ 10 kW
Crosstalk (LINE) ...................................................................................................... 82 dB
Channel equalizer characteristic
HI ...................................................................................... –26 dB to +6 dB (13 kHz)
MID ....................................................................................–26 dB to +6 dB (1 kHz)
LOW .................................................................................... -26 dB to +6 dB (70 Hz)
Microphone equalizer characteristic
HI .................................................................................... –12 dB to +12 dB (10 kHz)
LOW ............................................................................... –12 dB to +12 dB (100 Hz)
Input / Output terminals
PHONO input terminal
RCA pin jack ............................................................................................................ 2
CD input terminal
RCA pin jack ............................................................................................................ 4
LINE input terminal
RCA pin jack ............................................................................................................ 2
MIC input terminal
XLR connector/ Phone jack (Ø 6.3 mm) ................................................................ 1
RETURN Input terminals
Phone jack (Ø 6.3 mm) ...........................................................................................1
DIGITAL IN coaxial input terminal
RCA pin jack ............................................................................................................ 4
MASTER output terminal
XLR connector ......................................................................................................... 1
RCA pin jack ............................................................................................................ 1
BOOTH output terminal
Phone jack (Ø 6.3 mm) ...........................................................................................1
REC OUT output terminal
RCA pin jack ............................................................................................................ 1
SEND output terminal
Phone jack (Ø 6.3 mm) ...........................................................................................1
DIGITAL OUT coaxial output terminal
RCA pin jack ............................................................................................................ 1
MIDI OUT terminal
5P DIN ......................................................................................................................1
PHONES output terminal
Stereo phone jack (Ø 6.3 mm) ............................................................................... 1
USB terminal
B-type ....................................................................................................................... 1
CONTROL terminal
Mini phone jack (Ø 3.5 mm) ................................................................................... 2
LINK terminal
LAN terminal (100Base-TX) ...................................................................................6
47 kW
The specifications and design of this product are subject to change without notice.
Fr
2
Nous vous remercions d’avoir acquis un produit Pioneer. Veuillez lire attentivement ce mode d’emploi afin de connaître la manière d’utiliser l’appareil comme il
Ce point d’exclamation, placé dans un triangle équilatéral, a pour but d’attirer l’attention de l’utilisateur sur la présence, dans les documents qui accompagnent l’appareil, d’explications importantes du point de vue de l’exploitation ou de l’entretien.
Ce symbole de l’éclair, placé dans un triangle équilatéral, a pour but d’attirer l’attention de l’utilisateur sur la présence, à l’intérieur du coffret de l’appareil, de “tensions dangereuses” non isolées d’une grandeur suffisante pour représenter un risque d’électrocution pour les êtres humains.
ATTENTION :
POUR ÉVITER TOUT RISQUE D’ÉLECTROCUTION, NE PAS ENLEVER LE COUVERCLE (NI LE PANNEAU ARRIÈRE). AUCUNE PIÈCE RÉPARABLE PAR L’UTILISATEUR NE SE TROUVE À L’ INTÉRIEUR. CONFIER TOUT ENTRETIEN À UN PERSONNEL QUALIFIÉ UNIQUEMENT.
ATTENTION
DANGER D´ELECTROCUTION
NE PAS OUVRIR
IMPORTANT
D3-4-2-1-1_A1_Fr
Si vous souhaitez vous débarrasser de cet appareil, ne le mettez pas à la poubelle avec vos ordures ménagères. Il existe un système de collecte séparé pour les appareils électroniques usagés, qui doivent être récupérés, traités et recyclés conformément à la législation.
Les habitants des états membres de l’UE, de Suisse et de Norvège peuvent retourner gratuitement leurs appareils électroniques usagés aux centres de collecte agréés ou à un détaillant (si vous rachetez un appareil similaire neuf).
Dans les pays qui ne sont pas mentionnés ci-dessus, veuillez contacter les autorités locales pour savoir comment vous pouvez vous débarrasser de vos appareils.
Vous garantirez ainsi que les appareils dont vous vous débarrassez sont correctement récupérés, traités et recyclés et préviendrez de cette façon les impacts néfastes possibles sur l’environnement et la santé humaine.
K058b_A1_Fr
convient. Cela fait, conservez le mode d’emploi de façon à pouvoir vous y référer en cas de nécessité. Dans certains pays ou certaines régions, la forme de la fiche d’alimentation et de la prise d’alimentation peut différer de celle qui figure sur les schémas, mais les bran­chements et le fonctionnement de l’appareil restent les mêmes.
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