Phonic Sonic Station 16 User manual
SONIC STATION 16
User's Manual
Manual del Usuario
English Español
SONIC STATION 16
MIXING CONSOLE
CONSOLA DE MEZCLA
ENGLISH ..................................................I
ESPAÑOL ..................................................II
APPENDIX ................................................III
V1.2 12/03/2014
USER'S MANUAL
CONTENTS
INTRODUCTION 1
FEATURES 1
BASIC SETUP 1
CONVERTING TO TABLE TOP MODE 2
INITIALLING THE RACK MOUNT KIT 3
MAKING CONNECTIONS 4
CONTROLS AND SETTINGS 5
DIGITAL EFFECT TABLE 9
SPECIFICATIONS 10
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APPENDIX
APPLICATIONS 1
DIMENSIONS 2
BLOCK DIAGRAM 3
Phonic preserves the right to improve or alter any information within this
document without prior notice
SONIC STATION 16
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1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer
’
s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not
into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories
by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table
by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tipover.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to
service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated
“
dangerous voltage” within the
product
’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those
may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects
with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the
area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
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SONIC STATION 16
INTRODUCTION
BASIC SETUP
Thank you for choosing one of Phonic’s many quality compact
mixers. The Sonic Station 16 mixing console - designed by
the talented engineers that have created a variety of mixers
fantastic in style and performance in the past - displays similar
prociency that previous Phonic products have shown; with
more than a few renements, of course. The Sonic Station 16
features full gain ranges, amazingly low distortion levels, and
incredibly wide dynamic ranges - just showing the dominance
these small machines will have in the mixing World.
We know how eager you are to get started - wanting to get the
mixer out and hook it all up is probably your number one priority
right now - but before you do, we strongly urge you to take a
look through this manual. Inside, you will nd important facts
and gures on the set up, use and applications of your brand
new mixer. If you do happen to be one of the many people who
atly refuse to read user manuals, then we just urge you to at
least glance at the Instant Setup section. After glancing at or
reading through the manual (we applaud you if you do read the
entire manual), please store it in a place that is easy for you to
nd, because chances are there is something you missed the
rst time around.
FEATURES
Getting Started
1. Ensure all power is turned off on the Sonic Station 16 Mixer.
To totally ensure this, the AC cable should not be connected
to the unit.
2. All faders and level controls should be set at the lowest
level and all channels switched off to ensure no sound is
inadvertently sent through the outputs when the device
is switched on. All levels should be altered to acceptable
degrees after the device is turned on.
3. Plug all necessary instruments and equipment into the
device's various inputs as required. This may include line
signal devices, as well as microphones and/or guitars,
keyboards, etc.
4. Plug any necessary equipment into the device's various
outputs. This could include Ampliers, active speakers or
monitors, signal processors, and/or recording devices.
5. Plug the supplied AC cable into the AC inlet on the back
of the device ensuring the local voltage level is identical to
that required on your device.
6. Plug the supplied AC cable into a power outlet of a suitable
voltage.
7. Turn the power switch on.
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● Audiophile-Quality & ultra low noise
● 16 Mic/Line channels with inserts and phantom power
● 4 true subgroups with main L and R routing switches
● Direct outputs for multi-track recording
● 3-band EQ with swept mid-range plus low cut on each mono
channel
● 18dB/oct, 75Hz low cut lter on each channel
● 4 aux send mixing bus, aux 1 & 2 with Pre/Post switch
● 24-bit digital stereo multi-effect processor with 16 programs
plus one main parameter control and foot switch
● 4 stereo aux returns, 3 with effect to monitor
● Control Room and Phones outputs with multi-input source
matrix
● Mono out with variable LPF from 60Hz to 160Hz for subwoofer
● Record output with trim control for recording level matching
● Handy mini-stereo I/O for MD, MP3 player/recorder
● Built-in switching power supply with universal connector,
100-240VAC, 50/60Hz
● Rotatable connecting panel for saving rack space
● Rack-mounting kit included
Channel Setup
1. To ensure the correct audio levels of each input channel is
selected, every channel should rst be switched off and all
faders set to 0. Also, all EQ controls should be set in the
center, and all AUX sends down.
2. Choose the channel that you wish to set the level of and
ensure that channel has a signal sent to it similar to the
signal that will be sent when in common use. For example,
if the channel is using a microphone, then you should
speak or sing at the same level the performer normally
would during a performance. If a guitar is plugged into that
channel, then the guitar should also be used as it normally
would be.
3. Press the Solo button of the channel, and ensure the Pre
/ Post button under the solo level control on the master
section is released, allowing you to see the audio properties
in the level meter.
4. Turn the gain of the selected channel up to a level that
ensures the audio level is around 0 dB, as indicated by the
level meter.
5. This channel is now ready to be used; you can stop making
the audio signal.
6. To activate the channel, release the Solo button and
engage the channel’s on button and press the 1/2, 3/4 or
L/R routing buttons, allowing the signal to be sent to the
corresponding destinations.
7. You should now select the next channel to set and go back
to follow steps 1 through 6.
SONIC STATION 16
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CONVERTING TO TABLE TOP MODE
Remove the two supportive screws to utilize the connecting panel. Rotate as shown, and reattach screws to prevent rear panel fr
.
A
expose any circuitry to outside elements, therefore preventing damage
When the connecting panel sits perpendicular to the base of the mixer
a desk top mixer
revert back to rack-mount mode
English
om moving
ttach the long L-shaped bracket to the inside corner of the mixer with the provided screws,as shown. This ensures te mixer does not
.
, the design of the Sonic Station 16 allows users to utilize it as
, with a slightly angled face to allow easier controllablity.
2
Repeat instructions in reverse to
SONIC STATION 16
INSTALLING THE RACK MOUNT KIT
To install the rack mount kit to the Sonic Station 16 mixer, the connecting panel should be rst rotated to sit parallel to the mixer’s base.
This is the optimal position for rack mounting, as it saves space.
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SONIC STATION 16
3
MAKING CONNECTIONS
Rear Panel
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1. XLR Jacks
These jacks accept XLR inputs for
balanced signals. They can be used in
conjunction with microphones such as
professional condenser, dynamic or ribbon
microphones - with standard XLR male
connectors. With low noise preampliers,
these inputs serve for crystal clear sound
replication.
NB. When using an unbalanced microphone, please ensure phantom
power is switched off. However, when using condenser microphones
the phantom power should be activated.
2. Line In Jacks
These balanced inputs accept 1/4" TRS and 1/4" TS line
inputs for the addition of various music instruments – such
as keyboards, drum machines, electric guitars, as well as a
variety of other electric instruments.
3. Insert Jacks
The primary use for these
TRS phone jacks is for the
addition of external devices,
such as dynamic processors or
equalizers, to the corresponding
mono input channel. This will
require a Y cord that can send
and receive signals of the mixer
to and from an external processor. The tip of the TRS jack will
send the signal from the input channel, and the ring will return
the signal back to the mixer (the sleeve is the grounding).
4. Direct Outputs
These connections are for the direct output of the unbalanced
signals received by mono channels 1 through to 8, post-fader,
post-EQ, post-HPF, post-mute. They are most commonly used
to connect Multi-track recorders.
5. Auxiliary (AUX) Returns
The 1/4" TRS AUX Return inputs are for the return of audio to
the Sonic Station 16 mixer, processed by an external signal
processor. If really needed, they can also be used as additional
stereo inputs. The feed from these inputs can be adjusted
using the AUX Return controls on the face of the mixer. When
connecting a monaural device to the AUX Return 1, 2 and 4
inputs, simply plug a 1/4" phone jack into the left (mono) input,
and the signal will appear in the right as well. This, however,
does not work for the AUX Return 3.
NB. When any device is plugged into the mixer ’s corresponding EFX
Return inputs (AUX Return 3), the signal processed by the mixer’s
internal digital effect engine is then not fed to the Main L/R; the signal
fed into the EFX Return 3 inputs will be instead.
6. Auxiliary (AUX) Sends
These balanced 1/4" TRS phone jacks are the nal output
of line-level signal fed from the corresponding auxiliary send
mixing buses, and are best suited for use with external effect
processors or stage monitors. Feeding the output from the
Auxiliary outs to an equalizer and amplier, and then to a oor
monitor speaker allows artists to monitor their own instruments
or vocals whilst performing. The AUX 5 and AUX 6 Sends take
their signal directly from AUX Controls 3 and 4, when the 5/6
Shift Button is activated.
7. Group Outs
These balanced 1/4" TRS phone jacks output the nal feed
from the Group 1, 2, 3 and 4 Faders on the main panel of the
mixer. These outputs can be used to feed multi-track records,
as well as an amplier and speakers to be used along with the
Main Speakers.
8. CTRL RM (Control Room) Output
These two 1/4" Phone Jack outputs feed the signal altered by
the Control Room level control on the face of the mixer. This
output has extensive use, as it can be used to feed the signal
from the mixer to an active monitor, for the monitoring of the
audio signal from within a booth, among many other possible
uses.
9. DSP Effect Output
These ports are for the immediate output of the EFX signal,
processed by the internal effect processor, the level of which is
not determined by the AUX 3 Return/EFX control on the face
of the mixer. This can be used to send to the external devices,
for monitoring purposes, or returned to a few channel on the
Sonic Station 16, and routed to the AUX 1, 2 and outputs
(the AUX 3 control must, of course, be turned down to avoid
forming a feedback loop), as well as the Group Outs, allowing
the processed signal to be sent to multiple destinations for
various applications.
10. Foot Switch Jacks
These ports are for the inclusion of a foot switch (non-
latchable), used to remotely adjust properties of the built-in
Digital Effect processor, to the mixer. This can be used to
activated and deactivate the effects processor as needed.
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SONIC STATION 16
11. 2T RTN
The rst of these inputs accommodates RCA cables from such
devices as tape and CD players. In addition to these inputs,
however, Phonic has incorporated a mini stereo port for the
inclusion of mini disc (MD), portable CD, and MP3 players
(such as the Apple iPod), as well as laptop computers.
12. Record Outputs with Trim Control
As with the Tape In ports, these outputs will accommodate
RCA cables, able to be fed to a variety of recording devices.
Also included are mini stereo ports for the addition of recording
devices such as MD players and laptop computers. The
Record Out also features a convenient trim control, allowing
for simple level matching while recording.
13. Mono / Subwoofer Output
This XLR and 1/4" TRS output feeds a monaural signal of the
Main L-R signals combined, as adjusted by the accompanying
level control. This is ideal for use with a mono sound system, or
for the addition of a subwoofer to your set of speakers, adding
more punch to low frequency sounds. Also featured is an
Insert point, allowing external devices, such as a compressor,
to be used to alter the mono signal before it is fed through the
outputs.
The Low Pass Filter controls are used to cut unwanted high
frequency sounds of the mono output at a rate of 12 dB per
octave, for a clearer bass sound when using subwoofers,
The switch turns the Low Pass Filter on and off, whereas the
accompanying control adjusts the high cut frequency between
60 and 160Hz.
14. Main Outputs
These outputs will output the nal stereo line level signal
sent from the main mixing bus. The primary purpose of the
two male XLR jacks is to send the main output to external
devices, which may include power ampliers (and in-turn, a
pair of speakers), other mixers, as well as a wide range of
other possible signal processors (equalizers, crossovers,
etcetera). The two 1/4" TRS phone jacks are able to send
the Main output to external devices that may run in parallel
with the mixer, This may include additional power ampliers,
mixers, PA systems, as well as a wide range of other possible
signal processors.
15. Main Inserts
Located above each of the Main 1/4" Outputs, the primary use
for these 1/4" TRS phone jacks is for the addition of external
devices, such as dynamic processors or equalizers, to Main
L and Main R signals. This will require a Y cord that can
send(pre-fader) and receive signals of the mixer to and from
an external processor.
16. Power Connector and Fuse Holder
This port is for the addition of a power cable and supply,
allowing power to be supplied to the mixer. Please use the
power cable that is included with this mixer only. The Fuse
holder, located above the AC Power connector, is, of course,
for the Sonic Station 16’s fuse. If the fuse happens to blow,
open the holder cover, and replace the fuse with a suitable
replacement (as indicated underneath the power connector).
Front Panel
17. 12V Lamp
This BNC socket allows you to attach a 12 Volt gooseneck
lamp, allowing better visibility in areas with poor light.
18. Phones Output
This output port is best suited for use with headphones,
allowing monitoring of the mixer. The audio level of this output
is controlled using the Phones control on the front panel's
master section.
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SONIC STATION 16
5
CONTROLS AND SETTINGS
Rear Panel
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19. Power Switch
This switch is used to turn the mixer on and
off. Ensure you turn all level controls down
before activating.
20. Phantom Power Switch
When this switch is in the on position, it activates +48V of
phantom power for all microphone inputs, allowing condenser
microphones (well, the ones that don’t use batteries) to be
used on these channels. Activating Phantom Power will be
accompanied by an illuminated LED above the left channel
Level Meter. Before turning Phantom Power on, turn all level
controls to a minimum to avoid the possibility of a ghastly
popping sound from the speakers.
NB. Phantom Power should be used in conjunction with balanced
microphones. When Phantom Power is engaged, single ended
(unbalanced) microphones and instruments should not be used on the
Mic inputs. Phantom Power will not cause damage to most dynamic
microphones, however if unsure, the microphone’s user manual should
be consulted.
Channel Controls
21. Gain Control
This controls the sensitivity of the input signal of the Line/
Microphone input of mono channels. The gain should be
adjusted to a level that allows the maximum use of the audio,
while still maintaining the quality of the feed. This can be
accomplished by adjusting it to a level that will allow the peak
indicator occasionally illuminate or slightly lower than this.
22. Low Cut Filter (75 Hz)
This button, located on channels 1 through to 16, will activate
a high-pass lter that reduces all frequencies below 75 Hz at
18 dB per Octave, helping to remove any unwanted ground
noise or stage rumble.
23. High Frequency Control
This control is used to give a shelving boost or cut of ±15
dB to high frequency (12 kHz) sounds. This will adjust the
amount of treble included in the audio of the channel, adding
strength and crispness to sounds such as guitars, cymbals,
and synthesizers.
24. Middle Frequency Control
This control is used to provide a peaking style of boost and
cut to the level of middle frequency sounds at a range of ±15
dB. The Sonic Station 16 mixer also provides a sweep control,
allowing you to select a center frequency between 100 Hz and
8 kHz. Changing middle frequencies of an audio feed can be
rather difcult when used in a professional audio mix, as it is
usually more desirable to cut middle frequency sounds rather
than boost them, soothing overly harsh vocal and instrument
sounds in the audio.
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25. Low Frequency Control
This control is used to give a shelving boost or cut of ±15 dB
to low frequency (80 Hz) sounds. This will adjust the amount
of bass included in the audio of the channel, and bring more
warmth and punch to drums and bass guitars.
26. AUX Controls
These four AUX controls alters the signal level that is being
sent to the auxiliary 1 to 4 mixing buses, the signal of which is
suitable for connecting stage monitors, allowing artists to listen
to the music that is being played, or to fed to an external effect
processors. AUX 1 and AUX 2 each feature a Pre/Post button,
which alternates the feed to the AUX mixing bus between a
post and pre-fader feed. AUX 3, on the other hand, acts as
an EFX send for the internal effect processor, or simply as an
Auxiliary output. Both the AUX 3(EFX) and AUX 4 controls are
post fader and are sent directly to the corresponding outputs.
27. 5/6 Shift Button
This button changes the routing of the AUX 3 and 4 controls,
allowing the channel's signal to be directly output through the
AUX 5 and 6 outputs respectively.
28. Pan Controls
This alternates the degree or level of audio that the left and
right side of the main mix should receive.
29. On Button and Indicator
This turns the channel on, allowing the user to use the feed
from the channel’s inputs to supply the MAIN L/R, GROUP 1/2,
GROUP 3/4, AUX and EFX buses (as specied by the user, of
course). The corresponding indicator will be illuminated when
turned on.
30. Sig Indicator
This LED indicator shows when the input level reaches -
20 dBu, basically showing when a signal is received by the
corresponding channel.
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SONIC STATION 16
31. 1-2, 3-4 and L-R Buttons
These handy buttons allow you to decide the audio path of
the corresponding channel. Pushing the "1/2" or "3/4" buttons
allows the signal to be sent to the Group 1/2 or 3/4 mixes
respectively, where the "L-R" allow it to be sent to the Main
L/R mixes.
32. Peak Indicator
This LED indicator will illuminate when the channel hits high
peaks, 6 dB before overload occurs. It is best to adjust the
channel level control so as to allow the PEAK indicator to light
up on regular intervals only. This will ensure a greater dynamic
range of audio. This indicator also doubles as a Solo indicator,
when the SOLO button is engaged.
33. Solo Button
The Solo button is pushed to allow the signal of the corresponding
channel to be sent to the Control Room / Phones mixing bus
(pre or post fader, depending on the properties selected by
the pre / post button, located below the solo level control), for
use with either headphones or studio monitors. This button
also allows for easier isolation of individual channel signals,
ensuring setting of the input gain or tracking of audio by sound
engineers is made simpler. The peak indicator above the
Solo button illuminates whenever the Solo button is activated,
however also doubles as a Peak Indicator, illuminating when
the signal reaches high peaks.
34. Channel Level Control (Fader)
This 60 mm fader will alter the signal level that is sent from the
coresponding channel to the corresponding mixing buses.
36. Program Control
This control is used to scroll through the various effects
shown on the Digital Effect Display. Turning the control will
automatically change the effect and apply it to the mix. To see
the list of available programs, please check the Digital Effect
Table.
37. Peak Indicator
This LED indicator will illuminate when the channel hits high
peaks, 6 dB before overload occurs. It is best to adjust the AUX
3(EFX) control(on all Input Channels and the Master Section)
so as to allow the PEAK indicator to light up on regular intervals
only. This will ensure a greater dynamic range of audio.
38. Effect On Button and Indicator
This button is pushed to turn the corresponding effect panel on
or off. When the effect processor is turned on, the corrsponding
LED illuminates.
39. Parameter Control
This will adjust the one main parameter of the digital effect
program that is applied to the audio feed. Please refer
to the Digital Effects Table for more information on Effect
parameters.
NB. The digital effect engine has a "memory" function, which allows you
to adjust the parameters of a program, then, if you change the parameters
of another program and return to the original one, your parameter setting
will be kept until the Parameter Control is turned once again, at which
time it will be altered according to the control.
Master Section
40. AUX Return 1 to 4 Controls
These controls adjusts the signal level of audio fed through to
the stereo AUX Return inputs. The "To AUX Send 1", "To AUX
Send 2", ect., controls adjust the pre-fader level of the signal
from the AUX Return controls to the corresponding AUX mixing
buses for effect-to-monitor send. The AUX 3 control typically
adjusts the signal level of audio fed through to stereo AUX
Return 3 inputs, however, if no device is plugged into the AUX
Return 3 inputs, it then acts as the output level control of the
built-in Digital Effect Engine.
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Digital Effect Engine
35. Digital Effect Display
This panel displays the titles of different effects that can be
added toaudio. When you select the effect, the LED beside
the effect name will illuminate, and the alteration be applied
automatically. For a list of available effects, please observe
the Digital Effect Table.
SONIC STATION 16
0
41. Main L/R - Group Buttons
The rst of these buttons changes the destination of signal
sent from the AUX Return 3 mixing buses between the Main
L/R and Group mixing buses, The second button works when
the user selects to send the signal "To Group", allowing the
signal to be send to either Group 1-2 ot Group 3-4.
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