Peavey XR 696 User Manual
OPERATING GUIDE
2
Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
Intended to alert the user of the presence of important operating and maintenance (servicing)
instructions in the literature accompanying the product.
CAUTION: Risk of electrical shock — DO NOT OPEN!
CAUTION: To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer
servicing to qualified service personnel.
WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before
using this appliance, read the operating guide for further warnings.
Este símbolo tiene el propósito, de alertar al usuario de la presencia de “(voltaje) peligroso” que no tiene
aislamiento dentro de la caja del producto que puede tener una magnitud suficiente como para constituir
riesgo de corrientazo.
Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la
operación y mantenimiento en la literatura que viene con el producto.
PRECAUCION: Riesgo de corrientazo — No abra.
PRECAUCION: Para disminuír el riesgo de corrientazo, no abra la cubierta. No hay piezas adentro que el usario
pueda reparar. Deje todo mantenimiento a los técnicos calificados.
ADVERTENCIA: Para evitar corrientazos o peligro de incendio, no deje expuesto a la lluvia o humedad este
aparato Antes de usar este aparato, Iea más advertencias en la guía de operación.
Ce symbole est utilisé pur indiquer à l’utilisateur la présence à l’intérieur de ce produit de tension nonisolée dangereuse pouvant être d’intensité suffisante pour constituer un risque de choc électrique.
Ce symbole est utilisé pour indiquer à l’utilisateur qu’il ou qu’elle trouvera d’importantes instructions sur
l’utilisation et l’entretien (service) de l’appareil dans la littérature accompagnant le produit.
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ATTENTION: Afin de réduire le risque de choc électrique, ne pas enlever le couvercle. Il ne se trouve à l’intérieur
aucune pièce pouvant être reparée par l’utilisateur. Confier I’entretien à un personnel qualifié.
AVERTISSEMENT: Afin de prévenir les risques de décharge électrique ou de feu, n’exposez pas cet appareil à la
pluie ou à l’humidité. Avant d’utiliser cet appareil, lisez les avertissements supplémentaires situés dans le guide.
Dieses Symbol soll den Anwender vor unisolierten gefährlichen Spannungen innerhalb des Gehäuses
warnen, die von Ausreichender Stärke sind, um einen elektrischen Schlag verursachen zu können.
Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam
machen, die Handhabung und Wartung des Produkts betreffen.
VORSICHT: Risiko — Elektrischer Schlag! Nicht öffnen!
VORSICHT: Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die Abdeckung enfernen. Es befinden
sich keine Teile darin, die vom Anwender repariert werden könnten. Reparaturen nur von qualifiziertem
Fachpersonal durchführen lassen.
ACHTUNG: Um einen elektrischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerät nicht dem Regen
oder Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.
XR®696 POWERED SOUND REINFORCEMENT MIXING CONSOLE
Representing years of research and development in mixer engineering, the XR 696 is a state-of-theart powered mixer packed with features. Incorporating DSP-based reverb/effects and delivering an
awesome output of 600 Watts per channel program material (@ 4 Ohms), this compact, lightweight
mixer is perfect for most any application. Designed for durability and ease of operation, the XR 696
will provide years of hassle-free performance.
FEATURES
• 8 low-noise, low-Z mic preamps
• 4 true high-Z 1/4" mic inputs
• 3-band equalization (Channels 1 - 8)
• Monitor send (each channel)
• EFX send (Channels 1 - 8)
• -25 dB pad (Channels 1 - 6)
• Low-cut filter (Channels 1 - 6)
• Stereo line inputs (Channels 7 - 9)
• 16-bit, DSP-based stereo reverb/effects with two parameter controls
• Two 9-band graphic EQs with FLS
®
Feedback Locating System
• 48 V phantom power
• Stereo/Main-Monitor mode switch
• 2x600 W @ 4 Ohms internal power amplifier
• DDT
™
speaker protection
The standard channels (1 - 8) feature discrete low noise mic preamps with globally switched
phantom power and 3-band EQ. Channels (1 - 4) feature true high-impedance 1/4" mic inputs. Two
additional channels (5 - 6) offer 1/4" line-level inputs. Channels (1 -6) feature globally switched Low
Cut filters. Channels (1 -6) feature Pad Switches to accomodate a wide range of input signals.
Finally, there are three stereo channels (7 - 9) for tape, CD, or synth inputs.
The Master section features a unique graphic equalizer/power amp mode switch. Without patching,
the XR 696 can be used as a full stereo mixer amplifier (default). In the Main/Monitor mode, one
graphic and amplifier can be used for monitor and the other graphic and amplifier for the main L and
R (mono) signal.
Also included in the Master section are 16 stereo digital effects from the award-winning Deltafex
®
digital signal processor. By including separate Time/Size and Color/Tone controls, the user can
create many effect settings from the 16 we provided. All channels, except Channel 9, have a
dedicated digital effects send routed directly to the DSP effects processor.
To take advantage of the XR 696’s powerful features, please read this owner’s manual carefully
and keep it as a reference. This manual includes several sections detailing individual areas of mixer
operation including: control functions, set-up, and applications in sound reinforcement.
3
ENGLISH
CHANNEL SECTION:
CHANNELS 1-4
1. MIC INPUT: XLR balanced, low-impedance channel input optimized for
a microphone or other low-level source. Pin 2 is the positive input.
Because of the wide range of gain adjustment, signal levels as high as
+10 dBV (2.45 V RMS) can be accommodated. When the phantom
power is enabled, this connector has +48 V on pins 2 and 3 with pin 1 as
the ground reference. (The Mic Input can also be found on Channels
5 - 8.) See caution on page 7.
2. HI-Z/LINE INPUT: Channels (1 -4) are 1/4" balanced TRS high-
impedance inputs. The tip is the positive input, which can also be used for
unbalanced inputs. A Pad (#3) switch is provided to attenuate strong
signals present at this input. Within the same channel, the mic input and
the Hi-Z/Line input cannot be used simultaneously.
3. PAD: Attenuates the input signal by 25 dB. If you find that barely
touching the Level control (#4) gives you an enormous increase in
volume or if distortion occurs, try using the Pad switch. In addition to
increasing the dynamic range, the channel input can now accommodate
a higher input level before clipping. This may be necessary with a close
mic on loud guitar amplifiers or drum kits. The Pad switch can also be
found on Channels 5 and 6 which are line level inputs only.
4. GAIN: Sets the signal level sent to the Left and Right bus. (The Gain
control can also be found on Channels 5 - 9.)
5. MON: Adjusts the level of the channel signal (pre-EQ) that is added to
the Monitor mix. (The Monitor control can also be found on Channels
5 - 9.) This control is independent of the main channel Gain control (#4).
6. LOW EQ: A shelving type of active tone control that varies the bass
frequency levels ±15 dB at 70 Hz. It will add depth to thin signals, or
clean up muddy ones. (The Low control can also be found on Channels
5 - 9.)
7. MID EQ: Mid ±15 dB. This control sets the amount of cut and boost at
the mid-frequency. (The Mid control can also be found on Channels
5 - 8.)
8. HIGH EQ: A shelving type of active tone control that varies the treble
frequency levels ±15 dB at 12 kHz. It is designed to remove noise or to
add brilliance to the signal, depending on the quality of the source. (The
High control can also be found on Channels 5 - 9.)
9. EFX: This control varies the level into the digital effects processor bus
adjusting the signal level from the particular channel to the digital
processor. (The effects control can also be found on Channels 5 - 8.)
The channel Gain control (#4) also affects this level.
4
N
N
1
4
5
6
7
8
9
2
3
1
5
5
EFX.
10
10
+15
+15
+15
+15
LOW
10
10
+3
+3
+6
+6
+20 GAI
+20 GAI
EFX.
HIGH
MID
MID
MON
MON
0
0
0
-15
0
0
-15
-15
0
0
-15
-15
5
5
0
0
0dB
0dB
-3
-3
-6
-6
PAD
MIC
MIC
1
-25dB
HI Z/
HI Z/
LINE
LINE
NOTE: Channels 5-9 contain features that differ from the previous
channels. Only those features are mentioned below. For information on
features not mentioned please refer to the section for Channels 1-4.
CHANNELS 5-6
10. LINE: 1/4" balanced TRS input for line-level signals. This signal is
connected through a 25 dB pad to the mic input below it.
11. LOW CUT: This is a low-cut filter with a corner frequency of 80 Hz used
to filter rumble, wind noise, breath thumps, stage noise, and other lowfrequency components that rob power from the amplifiers and muddy the
signal. Depressing this switch will affect Channels 1 - 6 only. Use of the
filter will not affect the monitor signal.
CHANNELS 7-8
12. RIGHT INPUT: High-impedance 1/4" input for line-level signals. The Right
Input is adjusted by the Level control (#4). If the XR®696 is in Left/Right
mode then the signal will go to the Right Speaker Output (#37). In
Mon/Main mode the signal is combined with the Left and placed on the
Main Speaker Output. The right signal can also be patched out of the XR
696 via the Right Output jack (#31) to external components such as
effects, power amps, and recording devices.
13. LEFT/MONO INPUT: High-impedance 1/4" input for line-level signals. The
Left/Mono input supplies signal to both the Left and Right channels (if
there is nothing inserted to the right input jack) through the Level control
(#4). In Left/Right mode the signal will go to the Left Speaker Output (and
Right Speaker Output if nothing is inserted to the right input jack). In
Mon/Main mode the signal is combined with the Right and placed on the
Main Speaker Output.
CHANNEL 9
14. TAPE IN: This stereo RCA phono jack accepts a stereo input (nominally
-10 dBV) from the output of a tape deck or CD player and places it on the
Left and Right channels as well as the monitor mix.
15. TAPE OUT: This stereo RCA phono jack provides a signal for the
recording inputs of a stereo tape deck.
CAUTION: DO NOT HOOK THE TAPE IN AND TAPE OUT TO THE
INPUT AND OUTPUT OF THE SAME DECK. DOING SO WILL FORM A
LOOP CAUSING SEVERE FEEDBACK. USE SEPARATE DECKS FOR
RECORDING AND PLAYBACK.
5
N
13
11
12
10
14
15
6
low
cut
5
7
STEREO
5
0
-15
-15
-15 -15
0
-3
6
PAD
EFX.
HIGH
MID
LOW
MON
0
10
0
+15
-15
0
+15
-15
0
+15
0
10
0dB
-3
-6
+3
+20 GAI
10
0
+15
0
+15
0
+15
55
10
0dB
+3
+6
+20 GAIN
6
-25dB
LINE
LINE
LINE
EFX.
HIGH
MID
LOW
MON
+6
7
LEFT/
MONO
RIGHT
MIC MIC
LINE IN
LEFT
LEFT
RIGHT
RIGHT
REC OUT
6
MASTER SECTION
16. EFFECTS PEAK LED: Illuminates to indicate -6 dB of headroom before the signals being sent to the
effects circuit are clipped. Ideally, you would want this LED to light only occassionally. An occassional
blink indicates that you have the levels at an optimum setting. It is advisable to listen carefully to the
output at the same time in order to determine the final setting.
17. PRESET: Selects the effect preset from the list below.
EFX Presets
PRESET NAME TIME/SIZE COLOR/TONE
1 Chamber Time: 150 to 5,000 ms Damping (High Frequency)
2 Plate Time: 100 to 4,000 ms Damping (High Frequency)
3 Room Time: 150 to 5,000 ms Damping (High Frequency)
4 Cathedral Time: 100 to 8,000 ms Damping (High Frequency)
5 Spring Time: 150 to 5,000 ms Damping (High Frequency)
6 Gate Time: 150 to 500 ms Damping (High Frequency)
7 Reverse Time: 150 to 500 ms Damping (High Frequency)
8 Delay + Reverb Time: 0 to 225 ms Reverb Time: 0 to 5,000 ms
9 Bright Delay Time: 0 to 500 ms Feedback: 0 to 99%
10 Warm Delay Time: 0 to 500 ms Feedback: 0 to 99%
11 Dark Delay Time: 0 to 500 ms Feedback: 0 to 99%
12 Ping Pong Delay Time: 0 to 500 ms Feedback: 0 to 99%
13 Chorus Rate: 0.125 to 8 Hz Depth: Best Set Full CW
14 Phaser Rate: 0.250 to 16 Hz Depth: Best Set Full CW
15 Flange Rate: 0.10 to 2.5 Hz Depth: Best Set Full CW
16 Rotary Speaker High Speed: 0.50 to 25 Hz Width: 0 to 100% CW
18. TIME/SIZE: In Reverb and Delay presets, this control adjusts the time of the particular reverb or
delay; in Chorus, Phaser, and Flange, it adjusts the rate of each. In Rotary Speaker setting, this
adjusts the speed of the speaker rotation.
19. COLOR/TONE: Adjusts the high-frequency content of the effects signal. (While using a delay, this
control adjusts the feedback or depth.)
20. EFX TO MON: Controls the amount of effects signal sent to the monitor mix. This control allows
effects to be heard from the stage via the monitor.
21. EFX TO MAIN: Controls the amount of effects signal sent to the main mix.
22. FLS
®
(Feedback Locator System): These LEDs illuminate to indicate the frequency band of highest
energy. When feedback occurs, this system will automatically indicate the graphics slider to use to
decrease that frequency band’s gain in order to lessen or eliminate feedback. (NOTE: These LEDs
illuminate with any audio signal, not just during feedback.)
23. GRAPHIC EQUALIZERS: These 9-band equalizers are fixed on one-octave centers. They are
designed for 12 dB of cut and 12 dB boost. They are connected directly to their power amplifier inputs.
24. SYSTEM MODE: This switch is used to configure the XR
®
696 as either a stereo or dual mono
amplifier. It is recessed to prevent accidental switching during a performance. Use a non-metallic
object to change the switch position (e.g., a toothpick). The XR 696 is shipped from the factory in the
default setting of Left Main to the upper EQ and Right to the lower EQ. When this switch is depressed,
it switches the lower EQ to (mono) PA Left + Right. The upper EQ then becomes the monitor signal
only, creating an entire PA and monitor mixing system in one small, easy-to-carry package. And this
change is accomplished without a single patch cord!
25. MONITOR LEVEL: Sets the overall level of the monitor signal that is sent to the Monitor Output Jack.
This control also sets the monitor level going to the power amp when in Main/Monitor mode (see
System Mode #24).
26. MAIN LEVEL: This is the master level control for the main mix sent to the Left/Mono and Right
output jacks. This control sets the Main level going to the power amp when in Main/Monitor mode (see
System Mode #24). A good starting position for this control is the center detent position (12:00).
27. PHANTOM POWER SWITCH: Applies 48 V DC voltage to all input XLR connectors to power
microphones that require it.
CAUTION! When phantom power is switched on, make sure that any channel you are plugging a mic
into is turned down in both the main and monitor mixes. Otherwise, there will be a loud pop in the PA.
This is normal. It is best to plug all mics into their respective channels with the phantom power
switched off. This reduces noise in the PA and reduces the chances of the mic being damaged. If
phantom power is used, do not connect unbalanced microphones or other devices that cannot handle
this voltage to the XLR inputs. (Some wireless receivers may be damaged; consult their manuals for
compatibility.) The line input 1/4" jacks are not connected to the phantom supply, and are safe for all
inputs (balanced or unbalanced). An unbalanced-to-balanced impedance converter, such as the
Peavey 5116 or a Peavey 1:1 Interface Adapter, can also be used to isolate a mic from phantom
voltage.
7
C
33
25
21
24
22
23
32
26
31
22
16
23
30292827
20
191817
SET
PEAK
(-6dB)
+
-
XR
+
-
FLS
63
12
12
63
12
12
48V
PHANTOM
1
1
3
5
3
1
7
11
9
PRESET
DIGITAL
125
LEFT
696
125
RIGHT
DESIGNED IN U.S.A.
EFX.
5
0
TIME
FEEDBACK
250
500
MONITOR
/
250
500
MAIN
/
BUILT UNDER U.S. PATENT
SW.
FT.
DEFEAT
5
1
0
/
SIZE
EFFECTS
LOCATING
1K
EQUALIZATION
1
200W
2X600w
1K
EQUALIZATION
LINE
MONITOR
5
0
/
COLOR
2K
2K
NO.
5,737,428
OUTPUT
LEFT/MONO
1
0
TONE
4K
4K
SYSTEM
STEREO
POWER
4,318,053
/
RIGHT
0
TO
EFX.
SENDS
8K
MIXER
8K
5
1
0
MON.
16K
16K
+
12
-
12
+
12
-
12
POWER
LEFT
0
EFX.
POWER
MONITOR
3
-
6
-
E
Q
W
/
P
MODE
STEREO
MAIN
3
-
6
-
AMP
5
TO
0dB
GAIN
RAMP
0dB
GAIN
GAIN
RIGHT
1
MAIN
+
MON/
MAIN
+
IN
0
3
+
+
6
10
SELE
3
+
6
+
10
ON
28. EFX DEFEAT: This 1/4" jack accepts an on/off 1/4" footswitch (Peavey Pt. #00051000) to defeat the
effects of both the Main and Monitor mixes.
29. MONITOR OUTPUT: This 1/4" jack provides an output from the monitor mix to supply external power
amp/monitor combinations. The level of this signal is determined by the Monitor Level control.
30. LEFT/MONO OUTPUT: This 1/4" jack provides an output from the Left Main mix to supply external
amp/speaker combinations. The level of this signal is determined by the Main Level control. When no
plug is connected to the Right Output (#31) then the right signal is mixed with the left, and both can
be accessed at the Left/Mono Output. This works well when you use the internal amps for monitor and
external amps for Main. Only one patch cord is required to get the Main out to the external amp. In
order to utilize both internal amps for Monitors then patch from Monitor Out into Right Power input.
31. RIGHT OUTPUT: This 1/4" jack provides an output from the Right Main mix to supply external
amp/speaker combinations. The level of this signal is determined by the Main Level control.
32. POWER AMP INPUTS: Plugging into these jacks allows the user to go directly into the graphic
equalizer, then into its respective power amplifier channel, and therefore bypass the other functions of
the XR
®
696.
33. POWER LED: The power “on” LED indicator will light when the unit is powered.
AC POWER AND POWER AMPLIFIER SECTION:
34. A/C POWER INLET: This is the receptacle for an IEC line cord,
which provides AC power to the mixer/amplifier. Connect the line
cord to this connector to provide power to the unit. Damage to
the equipment may result if improper line voltage is used (see
line voltage marking on unit).
35. POWER: The XR 696’s main power switch. The power on LED
indicator (#33) will light when the unit is powered.
36. FUSE: This is the main safety fuse for the AC line voltage. Only
replace the fuse with one the exact same type and rating. IF THE FUSE CONTINUES TO OPEN, DO
NOT OVER FUSE. TAKE THE UNIT TO AN AUTHORIZED PEAVEY SERVICE CENTER!
37. PARALLEL LEFT/RIGHT SPEAKER OUTPUTS: These 1/4" jacks are the amplifier’s outputs. By
connecting a speaker cable to this jack and to a speaker cabinet, you complete the signal chain.
You will notice that there are two pairs of jacks. The two pairs are your two (stereo) amp outputs.
Two cabinets can be connected to each channel, as long as the combined impedance of the cabinets
is not less than 4 Ohms. (i.e., two 8 Ohm cabinets in parallel = 4 Ohms, four 16 Ohm speakers in
parallel = 4 Ohms, etc.).
8
34 36
35
37
POWER
120 VAC
60 Hz
500 WATTS
FUSE
15 AMP
OFF
RIGHT/MAIN
4
OHM
MIN
CLASS 2 WIRING
LEFT/ MONITOR
4
OHM
MIN
ON
9
Left/Monitor
XR
®
696 BLOCK DIAGRAM
600 WATTS PER CHANNEL (PROGRAM) • 4 OHMS
475 WATTS PER CHANNEL (PROGRAM) • 8 OHMS
Right/Main
Power Amp Out
Power Amp Out
Bridge Out
Left/Monitor
Power Amp Out
Effect Defeat
Effects to Main
Effects
Selector
Color
Stereo
RIGHT BUS
LEFT BUS
EFX BUS
MON BUS
1-6 BUS
Digital
Effects
Time
Peak
LED
Effects to
Monitor
Tape Out
DDT
Left/Monitor
Left Power Amp Input
Left/Mono Main Output
Mode Select
Power Amp
Right Power Amp Input
DDT
Right/Main
Power Amp
Right Main Output
Monitor Output
Monitor
Master
210 WATTS PER CHANNEL • 4 OHMS
150 WATTS PER CHANNEL • 8 OHMS
BRIDGE 420 WATTS • 8 OHMS
Low Cut
(80 Hz)
EFX LEVEL
LO MIDHI
TONE CONTROL
CHANNEL GAIN
PAD
MIC PREAMP
CHANNELS 1-4
HI-Z INPUT
+48V Phantom
LO-Z INPUT
LO MIDHI
TONE CONTROL
MONITOR SEND
MIC PREAMP
CHANNELS 5-6
LINE INPUT
EFX LEVEL
CHANNEL GAIN
PAD
+48V Phantom
MONITOR SEND
LO-Z INPUT
EFX LEVEL
LO MIDHI
TONE CONTROL
CHANNEL GAIN
RIGHT
LEFT/
CHANNELS 7-8
MONO
STEREO LINE INPUT
LO MIDHI
MIC PREAMP
+48V Phantom
LO-Z INPUT
Mon Send
LO HI
TONE CONTROL
CHANNEL 9 (TAPE)
TAPE/CD
INPUT
LO HI
CHANNEL GAIN
Monitor Send
XR
®
696 LEVEL DIAGRAM
10
TO POWER AMPS
+ 2 dBu NOMINAL
GRAPHIC EQ
LEFT & RIGHT OUT
+21 dBu MAX
TAPE OUT
MONITOR OUT
+21 dBu MAX
EQ
+12 dB
-10 dBu NOM.
+10 dBu MAX
+15 dB
+2 dBu = 0 dBV
-12 dB
-15 dB
+30
+21 dBu
+13.5 dBu
+20
INPUTS
+10
0 dBu
LO-Z MIC
LINE/TAPE
HI-Z
(W/PAD)
-11 dBu
-10
(W/PAD)
-12.5 dBu
-20
-28 dBu
-35 dBu
-40
-30
LO-Z MIC
(NO PAD)
-50
HI-Z MIC
(NO PAD)
-60 dBu
-60
11
XR®696 In - Left/Right Mode
Mains - Left Mains - Right
Impulse
®
1012
Impulse
®
1012
Reactor
PVM
LOW CUT
1
2
5
5
5
EFX.
EFX.
0
0
0
10
10
10
0
0
+15
-15
-15
-15
-15
-15
0
0
0dB
0dB
-3
-3
-6
-6
PAD PAD PAD PAD PAD PAD
™
™
22
+15 +15
-15
HIGH
0
0
0
+15
+15
+15
-15
MID
MID
0
000
+15
+15
LOW
-15
5
5
55555555
0
10
10
10
MON
MON
0dB
-3
+3
+3
-6
+6
+6
+20 GAIN
+20 GAIN
+20 GAIN
PAD
1
-25dB -25dB -25dB -25dB -25dB -25dB
HI Z/
HI Z/
LINE
LINE
MIC MIC MIC MIC MIC MIC MIC MIC
MIC
80Hz CHANNELS 1-6 ONLY
3
5
EFX.
EFX.
0
10
0
-15
HIGH
HIGH
0
+15
-15
MID
MID
+15
LOW
LOW
-15 -15 -15 -15 -15 -15
0
10
MON
MON
0dB
-3
+3
+3
-6
+6
+6
+20 GAIN
2
3
-25dB
HI Z/
HI Z/
LINE
LINE
Hi Z Mic
Left/Monitor Outputs (Rear)
low
STEREO
cut
4
-15
-15
-3
-6
5
0
10
0
+15
0
+15
0
+15
0
10
0dB
+20 GAIN
5
EFX.
0
0
-15
HIGH
0
-15
MID
0
LOW
0
MON
0dB
-3
+3
-6
+6
5
LINE LINE
10
+15
+15
+15
10
+20 GAIN
EFX.
HIGH
MID
LOW
MON
+3
+6
6
5
EFX.
0
10
0
+15
-15
HIGH
0
+15
-15
MID
0
+15
LOW
0
10
MON
0dB
-3
+3
-6
+6
+20 GAIN
4
HI Z/
LINE
6
5
7
5
EFX.
0
10
0
+15
-15
HIGH
0
+15
-15
MID
0
+15
LOW
0
10
MON
0dB
-3
+3
-6
+6
+20 GAIN
7
LEFT/
MONO
LINE LINE
LINE
RIGHT RIGHT
8
0
-15
-15
0
0dB
-3
-6
Tape Player In
Wireless
Mic/Gtr
STEREO
5
10
0
+15
0
+15
0
+15
10
+3
+6
+20 GAIN
MONO
Right/Main Outputs (Rear)
-
+
8
DELAY
REVERB
12
9
DELAYS
-
EFX.
MODULATIONS
13
1
5
-
SPEAKER
ROTARY
6
1
STEREO
9
0
HIGH
+15
HIGH
-15
0
MID
+15
LOW
-15
LOW
0
10
MON
MON
0dB
-3
+3
-6
+6
+20 GAIN
9
8
LINE IN
LEFT/
RIGHT
LEFT
RIGHT
LEFT
REC OUT
PEAK
(-6dB)
+
-
XR
+
-
63
12
12
63
12
12
48V
PHANTOM
3
1
11
FLS
DESIGNED IN U.S.A.
ON
9
PRESET
DIGITAL
125
LEFT
696
125
RIGHT
EFX.
5
7
FEEDBACK
250
MONITOR
/
250
/
SW.
FT.
DEFEAT
TIME
MAIN
BUILT UNDER U.S. PATENT
1
1
3
5
PRESET
REVERBS
7
1
5
0
1
0
/
SIZE
EFFECTS
500
500
MONITOR
5
0
/
COLOR
TONE
LOCATING
2K
1K
EQUALIZATION
1
200W
2X600w
2K
1K
EQUALIZATION
NO.
5,737,428
LINE
OUTPUT
LEFT/MONO
1
0
4K
4K
SYSTEM
POWER
STEREO
4,318,053
/
RIGHT
EFX.
SENDS
8K
8K
5
5
1
1
0
0
0
0
TO
EFX.
MAIN
MON.
TO
POWER
16K
MONITOR
0dB
3
-
3
+
+
12
6
-
+
6
10
+
GAIN
-
12
E
Q
W
/
RAMP
P
MODE
MIXER
16K
SELECT
MON/
STEREO
MAIN
MAIN
+
12
0dB
3
-
3
+
6
-
6
+
10
+
-
12
GAIN
GAIN
POWER
IN
AMP
LEFT
RIGHT
Mode
Switch
Out
Tape Player
Out
MAQ™ 150
Keyboard
L
R
Stereo V oice Module
SP
™
112MX
12
Monitors
XR®696 In Monitor/Main Mode
SP™ 112MX
Mains
Impulse
®
1012
Reactor
PVM™ 22
LOW CUT
1
2
5
5
5
EFX.
EFX.
0
0
0
10
10
10
0
0
+15
-15
-15
-15
-15
-15
0
0
-3
-3
-6
-6
PAD PAD PAD PAD PAD PAD
™
+15 +15
-15
HIGH
0
0
0
+15
+15
+15
-15
MID
MID
0
000
+15
+15
LOW
-15
5
5
55555555
0
10
10
10
MON
MON
0dB
0dB
0dB
-3
+3
+3
+3
-6
+6
+6
+20 GAIN
+20 GAIN
+20 GAIN
PAD
1
-25dB -25dB -25dB -25dB -25dB -25dB
HI Z/
HI Z/
LINE
LINE
MIC MIC MIC MIC MIC MIC MIC MIC
MIC
80Hz CHANNELS 1-6 ONLY
3
5
EFX.
EFX.
0
10
0
-15
HIGH
HIGH
0
+15
-15
MID
MID
+15
LOW
LOW
-15 -15 -15 -15 -15 -15
0
10
MON
MON
0dB
-3
+3
-6
+6
+6
+20 GAIN
2
3
-25dB
HI Z/
HI Z/
LINE
LINE
Hi Z Mic
Left/Monitor Outputs (Rear)
low
STEREO
5
EFX.
0
10
0
+15
HIGH
0
+15
MID
0
+15
LOW
0
10
MON
0dB
+3
+6
+20 GAIN
LEFT/
MONO
RIGHT RIGHT
STEREO
8
5
0
0
-15
0
-15
0
0
0dB
-3
-6
7
4
-15
-15
-3
-6
5
5
EFX.
EFX.
0
0
0
0dB
0
0
0
10
+15
+15
+15
10
+3
+20 GAIN
10
0
+15
-15
HIGH
HIGH
0
+15
-15
MID
MID
0
+15
LOW
LOW
0
10
MON
MON
0dB
-3
+3
-6
+6
+6
+20 GAIN
4
5
HI Z/
LINE LINE
LINE
7
5
EFX.
0
10
0
+15
-15
-15
HIGH
0
+15
-15
-15
MID
0
+15
LOW
0
10
MON
0dB
-3
-3
+3
-6
-6
+6
+20 GAIN
6
LINE LINE
LINE
cut
6
5
Tape Player In
Wireless
Mic/Gtr
10
+15
+15
+15
10
+20 GAIN
Right/Main Outputs (Rear)
1
5
5
5
-
+
8
DELAY
REVERB
12
9
DELAYS
-
EFX.
MODULATIONS
13
1
5
-
SPEAKER
ROTARY
6
1
STEREO
9
0
HIGH
+15
HIGH
-15
0
MID
+15
LOW
-15
LOW
0
10
MON
MON
0dB
-3
+3
+3
-6
+6
+6
+20 GAIN
9
8
LINE IN
LEFT/
MONO
RIGHT
LEFT
RIGHT
LEFT
REC OUT
PEAK
(-6dB)
+
-
XR
+
-
63
12
12
63
12
12
48V
PHANTOM
3
1
11
FLS
DESIGNED IN U.S.A.
ON
9
PRESET
DIGITAL
125
LEFT
696
125
RIGHT
EFX.
5
7
FEEDBACK
250
MONITOR
/
250
SW.
FT.
DEFEAT
0
1
0
/
SIZE
TIME
EFFECTS
1K
500
1
1K
500
MAIN
EQUALIZATION
/
BUILT UNDER U.S. PATENT
MONITOR
0
1
/
COLOR
TONE
LOCATING
2K
EQUALIZATION
200W
2X600w
2K
NO.
5,737,428
LINE
OUTPUT
LEFT/MONO
0
4K
POWER
4K
SENDS
SYSTEM
STEREO
4,318,053
/
RIGHT
0
EFX.
8K
MIXER
8K
1
3
5
PRESET
REVERBS
7
1
5
1
1
0
0
0
TO
EFX.
MAIN
MON.
TO
POWER
16K
MONITOR
0dB
3
-
3
+
+
12
6
-
+
6
10
+
GAIN
-
12
E
Q
W
RAMP
/
P
MODE
SELECT
MON/
STEREO
16K
MAIN
MAIN
+
12
0dB
3
-
3
+
6
-
6
+
10
+
-
12
GAIN
GAIN
POWER
IN
AMP
LEFT
RIGHT
Mode
Switch
Depressed
(In)
Tape Player
Out
Keyboard
L
R
Stereo V oice Module
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