Peavey XR 696 User Manual

OPERATING GUIDE

2

Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

CAUTION: Risk of electrical shock — DO NOT OPEN! CAUTION: To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer

servicing to qualified service personnel.

WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this appliance, read the operating guide for further warnings.

Este símbolo tiene el propósito, de alertar al usuario de la presencia de “(voltaje) peligroso” que no tiene aislamiento dentro de la caja del producto que puede tener una magnitud suficiente como para constituir riesgo de corrientazo.

Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la operación y mantenimiento en la literatura que viene con el producto.

PRECAUCION: Riesgo de corrientazo — No abra. PRECAUCION: Para disminuír el riesgo de corrientazo, no abra la cubierta. No hay piezas adentro que el usario

pueda reparar. Deje todo mantenimiento a los técnicos calificados.

ADVERTENCIA: Para evitar corrientazos o peligro de incendio, no deje expuesto a la lluvia o humedad este aparato Antes de usar este aparato, Iea más advertencias en la guía de operación.

Ce symbole est utilisé pur indiquer à l’utilisateur la présence à l’intérieur de ce produit de tension nonisolée dangereuse pouvant être d’intensité suffisante pour constituer un risque de choc électrique.

Ce symbole est utilisé pour indiquer à l’utilisateur qu’il ou qu’elle trouvera d’importantes instructions sur l’utilisation et l’entretien (service) de l’appareil dans la littérature accompagnant le produit.

ATTENTION: Risques de choc électrique — NE PAS OUVRIR! ATTENTION: Afin de réduire le risque de choc électrique, ne pas enlever le couvercle. Il ne se trouve à l’intérieur

aucune pièce pouvant être reparée par l’utilisateur. Confier I’entretien à un personnel qualifié.

AVERTISSEMENT: Afin de prévenir les risques de décharge électrique ou de feu, n’exposez pas cet appareil à la pluie ou à l’humidité. Avant d’utiliser cet appareil, lisez les avertissements supplémentaires situés dans le guide.

Dieses Symbol soll den Anwender vor unisolierten gefährlichen Spannungen innerhalb des Gehäuses warnen, die von Ausreichender Stärke sind, um einen elektrischen Schlag verursachen zu können.

Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen, die Handhabung und Wartung des Produkts betreffen.

VORSICHT: Risiko — Elektrischer Schlag! Nicht öffnen! VORSICHT: Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die Abdeckung enfernen. Es befinden

sich keine Teile darin, die vom Anwender repariert werden könnten. Reparaturen nur von qualifiziertem Fachpersonal durchführen lassen.

ACHTUNG: Um einen elektrischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerät nicht dem Regen oder Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.

XR®696 POWERED SOUND REINFORCEMENT MIXING CONSOLE

Representing years of research and development in mixer engineering, the XR 696 is a state-of-theart powered mixer packed with features. Incorporating DSP-based reverb/effects and delivering an awesome output of 600 Watts per channel program material (@ 4 Ohms), this compact, lightweight mixer is perfect for most any application. Designed for durability and ease of operation, the XR 696 will provide years of hassle-free performance.

FEATURES

• 8 low-noise, low-Z mic preamps

• 4 true high-Z 1/4" mic inputs

• 3-band equalization (Channels 1 - 8)

• Monitor send (each channel)

• EFX send (Channels 1 - 8)

• -25 dB pad (Channels 1 - 6)

• Low-cut filter (Channels 1 - 6)

• Stereo line inputs (Channels 7 - 9)

• 16-bit, DSP-based stereo reverb/effects with two parameter controls

• Two 9-band graphic EQs with FLS

®

Feedback Locating System

• 48 V phantom power

• Stereo/Main-Monitor mode switch

• 2x600 W @ 4 Ohms internal power amplifier

• DDT

™

speaker protection

The standard channels (1 - 8) feature discrete low noise mic preamps with globally switched phantom power and 3-band EQ. Channels (1 - 4) feature true high-impedance 1/4" mic inputs. Two additional channels (5 - 6) offer 1/4" line-level inputs. Channels (1 -6) feature globally switched Low Cut filters. Channels (1 -6) feature Pad Switches to accomodate a wide range of input signals. Finally, there are three stereo channels (7 - 9) for tape, CD, or synth inputs.

The Master section features a unique graphic equalizer/power amp mode switch. Without patching, the XR 696 can be used as a full stereo mixer amplifier (default). In the Main/Monitor mode, one graphic and amplifier can be used for monitor and the other graphic and amplifier for the main L and R (mono) signal.

Also included in the Master section are 16 stereo digital effects from the award-winning Deltafex

®

digital signal processor. By including separate Time/Size and Color/Tone controls, the user can create many effect settings from the 16 we provided. All channels, except Channel 9, have a dedicated digital effects send routed directly to the DSP effects processor.

To take advantage of the XR 696’s powerful features, please read this owner’s manual carefully and keep it as a reference. This manual includes several sections detailing individual areas of mixer operation including: control functions, set-up, and applications in sound reinforcement.

3

ENGLISH

CHANNEL SECTION: CHANNELS 1-4

1. MIC INPUT: XLR balanced, low-impedance channel input optimized for

a microphone or other low-level source. Pin 2 is the positive input. Because of the wide range of gain adjustment, signal levels as high as +10 dBV (2.45 V RMS) can be accommodated. When the phantom power is enabled, this connector has +48 V on pins 2 and 3 with pin 1 as the ground reference. (The Mic Input can also be found on Channels 5 - 8.) See caution on page 7.

2. HI-Z/LINE INPUT: Channels (1 -4) are 1/4" balanced TRS high-

impedance inputs. The tip is the positive input, which can also be used for unbalanced inputs. A Pad (#3) switch is provided to attenuate strong signals present at this input. Within the same channel, the mic input and the Hi-Z/Line input cannot be used simultaneously.

3. PAD: Attenuates the input signal by 25 dB. If you find that barely

touching the Level control (#4) gives you an enormous increase in volume or if distortion occurs, try using the Pad switch. In addition to increasing the dynamic range, the channel input can now accommodate a higher input level before clipping. This may be necessary with a close mic on loud guitar amplifiers or drum kits. The Pad switch can also be found on Channels 5 and 6 which are line level inputs only.

4. GAIN: Sets the signal level sent to the Left and Right bus. (The Gain

control can also be found on Channels 5 - 9.)

5. MON: Adjusts the level of the channel signal (pre-EQ) that is added to

the Monitor mix. (The Monitor control can also be found on Channels 5 - 9.) This control is independent of the main channel Gain control (#4).

6. LOW EQ: A shelving type of active tone control that varies the bass

frequency levels ±15 dB at 70 Hz. It will add depth to thin signals, or clean up muddy ones. (The Low control can also be found on Channels 5 - 9.)

7. MID EQ: Mid ±15 dB. This control sets the amount of cut and boost at

the mid-frequency. (The Mid control can also be found on Channels 5 - 8.)

8. HIGH EQ: A shelving type of active tone control that varies the treble

frequency levels ±15 dB at 12 kHz. It is designed to remove noise or to add brilliance to the signal, depending on the quality of the source. (The High control can also be found on Channels 5 - 9.)

9. EFX: This control varies the level into the digital effects processor bus

adjusting the signal level from the particular channel to the digital processor. (The effects control can also be found on Channels 5 - 8.) The channel Gain control (#4) also affects this level.

4

N

1

4

5

6

7

8

9

2

3

1

5

EFX.

10

+15

LOW

10

+3

+6

+20 GAI

EFX.

HIGH

MID

MON

0

-15

0

-15

0

-15

5

0

0dB

-3

-6

PAD

MIC

1

-25dB

HI Z/

HI Z/ LINE

LINE

NOTE: Channels 5-9 contain features that differ from the previous channels. Only those features are mentioned below. For information on features not mentioned please refer to the section for Channels 1-4.

CHANNELS 5-6

10. LINE: 1/4" balanced TRS input for line-level signals. This signal is

connected through a 25 dB pad to the mic input below it.

11. LOW CUT: This is a low-cut filter with a corner frequency of 80 Hz used

to filter rumble, wind noise, breath thumps, stage noise, and other lowfrequency components that rob power from the amplifiers and muddy the signal. Depressing this switch will affect Channels 1 - 6 only. Use of the filter will not affect the monitor signal.

CHANNELS 7-8

12. RIGHT INPUT: High-impedance 1/4" input for line-level signals. The Right

Input is adjusted by the Level control (#4). If the XR®696 is in Left/Right mode then the signal will go to the Right Speaker Output (#37). In Mon/Main mode the signal is combined with the Left and placed on the Main Speaker Output. The right signal can also be patched out of the XR 696 via the Right Output jack (#31) to external components such as effects, power amps, and recording devices.

13. LEFT/MONO INPUT: High-impedance 1/4" input for line-level signals. The

Left/Mono input supplies signal to both the Left and Right channels (if there is nothing inserted to the right input jack) through the Level control (#4). In Left/Right mode the signal will go to the Left Speaker Output (and Right Speaker Output if nothing is inserted to the right input jack). In Mon/Main mode the signal is combined with the Right and placed on the Main Speaker Output.

CHANNEL 9

14. TAPE IN: This stereo RCA phono jack accepts a stereo input (nominally

-10 dBV) from the output of a tape deck or CD player and places it on the Left and Right channels as well as the monitor mix.

15. TAPE OUT: This stereo RCA phono jack provides a signal for the

recording inputs of a stereo tape deck. CAUTION: DO NOT HOOK THE TAPE IN AND TAPE OUT TO THE

INPUT AND OUTPUT OF THE SAME DECK. DOING SO WILL FORM A LOOP CAUSING SEVERE FEEDBACK. USE SEPARATE DECKS FOR RECORDING AND PLAYBACK.

5

N

13

11

12

10

14

15

6

low cut

5

7

STEREO

5

0

-15

-15 -15

0

-3

6

PAD

EFX.

HIGH

MID

LOW

MON

0

10

0

+15

-15

0

+15

-15

0

+15

0

10

0dB

-3

-6

+3

+20 GAI

10

0

+15

0

+15

0

+15

55

10

0dB

+3

+6

+20 GAIN

6

-25dB

LINE

EFX.

HIGH

MID

LOW

MON

+6

7

LEFT/

MONO

RIGHT

MIC MIC

LINE IN

LEFT

RIGHT

REC OUT

6

MASTER SECTION

16. EFFECTS PEAK LED: Illuminates to indicate -6 dB of headroom before the signals being sent to the

effects circuit are clipped. Ideally, you would want this LED to light only occassionally. An occassional blink indicates that you have the levels at an optimum setting. It is advisable to listen carefully to the output at the same time in order to determine the final setting.

17. PRESET: Selects the effect preset from the list below.

EFX Presets

PRESET NAME TIME/SIZE COLOR/TONE

1 Chamber Time: 150 to 5,000 ms Damping (High Frequency) 2 Plate Time: 100 to 4,000 ms Damping (High Frequency) 3 Room Time: 150 to 5,000 ms Damping (High Frequency) 4 Cathedral Time: 100 to 8,000 ms Damping (High Frequency) 5 Spring Time: 150 to 5,000 ms Damping (High Frequency) 6 Gate Time: 150 to 500 ms Damping (High Frequency) 7 Reverse Time: 150 to 500 ms Damping (High Frequency) 8 Delay + Reverb Time: 0 to 225 ms Reverb Time: 0 to 5,000 ms 9 Bright Delay Time: 0 to 500 ms Feedback: 0 to 99% 10 Warm Delay Time: 0 to 500 ms Feedback: 0 to 99% 11 Dark Delay Time: 0 to 500 ms Feedback: 0 to 99% 12 Ping Pong Delay Time: 0 to 500 ms Feedback: 0 to 99% 13 Chorus Rate: 0.125 to 8 Hz Depth: Best Set Full CW 14 Phaser Rate: 0.250 to 16 Hz Depth: Best Set Full CW 15 Flange Rate: 0.10 to 2.5 Hz Depth: Best Set Full CW 16 Rotary Speaker High Speed: 0.50 to 25 Hz Width: 0 to 100% CW

18. TIME/SIZE: In Reverb and Delay presets, this control adjusts the time of the particular reverb or

delay; in Chorus, Phaser, and Flange, it adjusts the rate of each. In Rotary Speaker setting, this adjusts the speed of the speaker rotation.

19. COLOR/TONE: Adjusts the high-frequency content of the effects signal. (While using a delay, this

control adjusts the feedback or depth.)

20. EFX TO MON: Controls the amount of effects signal sent to the monitor mix. This control allows

effects to be heard from the stage via the monitor.

21. EFX TO MAIN: Controls the amount of effects signal sent to the main mix.

22. FLS

®

(Feedback Locator System): These LEDs illuminate to indicate the frequency band of highest

energy. When feedback occurs, this system will automatically indicate the graphics slider to use to decrease that frequency band’s gain in order to lessen or eliminate feedback. (NOTE: These LEDs illuminate with any audio signal, not just during feedback.)

23. GRAPHIC EQUALIZERS: These 9-band equalizers are fixed on one-octave centers. They are

designed for 12 dB of cut and 12 dB boost. They are connected directly to their power amplifier inputs.

24. SYSTEM MODE: This switch is used to configure the XR

®

696 as either a stereo or dual mono amplifier. It is recessed to prevent accidental switching during a performance. Use a non-metallic object to change the switch position (e.g., a toothpick). The XR 696 is shipped from the factory in the default setting of Left Main to the upper EQ and Right to the lower EQ. When this switch is depressed, it switches the lower EQ to (mono) PA Left + Right. The upper EQ then becomes the monitor signal only, creating an entire PA and monitor mixing system in one small, easy-to-carry package. And this change is accomplished without a single patch cord!

25. MONITOR LEVEL: Sets the overall level of the monitor signal that is sent to the Monitor Output Jack.

This control also sets the monitor level going to the power amp when in Main/Monitor mode (see System Mode #24).

26. MAIN LEVEL: This is the master level control for the main mix sent to the Left/Mono and Right

output jacks. This control sets the Main level going to the power amp when in Main/Monitor mode (see System Mode #24). A good starting position for this control is the center detent position (12:00).

27. PHANTOM POWER SWITCH: Applies 48 V DC voltage to all input XLR connectors to power

microphones that require it. CAUTION! When phantom power is switched on, make sure that any channel you are plugging a mic

into is turned down in both the main and monitor mixes. Otherwise, there will be a loud pop in the PA. This is normal. It is best to plug all mics into their respective channels with the phantom power switched off. This reduces noise in the PA and reduces the chances of the mic being damaged. If phantom power is used, do not connect unbalanced microphones or other devices that cannot handle this voltage to the XLR inputs. (Some wireless receivers may be damaged; consult their manuals for compatibility.) The line input 1/4" jacks are not connected to the phantom supply, and are safe for all inputs (balanced or unbalanced). An unbalanced-to-balanced impedance converter, such as the Peavey 5116 or a Peavey 1:1 Interface Adapter, can also be used to isolate a mic from phantom voltage.

7

C

33

25

21

24

22

23

32

26

31

22

16

23

30292827

20

191817

SET

PEAK (-6dB)

+

-

XR

+

-

FLS

63

12

63

12

48V

PHANTOM

1

3

5

3

1

7

11

9

PRESET

DIGITAL

125

LEFT

696

125

RIGHT

DESIGNED IN U.S.A.

EFX.

5

0

TIME

FEEDBACK

250

500

MONITOR

/

250

500

MAIN

/

BUILT UNDER U.S. PATENT

SW.

FT.

DEFEAT

5

1

0

/

SIZE

EFFECTS

LOCATING

1K

EQUALIZATION

1

200W

2X600w

1K

EQUALIZATION

LINE

MONITOR

5

0

/

COLOR

2K

NO.

5,737,428

OUTPUT

LEFT/MONO

1

0

TONE

4K

SYSTEM

STEREO

POWER

4,318,053

/

RIGHT

0

TO

EFX.

SENDS

8K

MIXER

8K

5

1

0

MON.

16K

+

12

-

12

+

12

-

12

POWER

LEFT

0

EFX.

POWER

MONITOR

3

-

6

-

E

Q

W

/

P

MODE

STEREO

MAIN

3

-

6

-

AMP

5

TO

0dB

GAIN

RAMP

0dB

GAIN

RIGHT

1

MAIN

+

MON/

MAIN

+

IN

0

3

+

6

10

SELE

3

+

6

+

10

ON

28. EFX DEFEAT: This 1/4" jack accepts an on/off 1/4" footswitch (Peavey Pt. #00051000) to defeat the

effects of both the Main and Monitor mixes.

29. MONITOR OUTPUT: This 1/4" jack provides an output from the monitor mix to supply external power

amp/monitor combinations. The level of this signal is determined by the Monitor Level control.

30. LEFT/MONO OUTPUT: This 1/4" jack provides an output from the Left Main mix to supply external

amp/speaker combinations. The level of this signal is determined by the Main Level control. When no plug is connected to the Right Output (#31) then the right signal is mixed with the left, and both can be accessed at the Left/Mono Output. This works well when you use the internal amps for monitor and external amps for Main. Only one patch cord is required to get the Main out to the external amp. In order to utilize both internal amps for Monitors then patch from Monitor Out into Right Power input.

31. RIGHT OUTPUT: This 1/4" jack provides an output from the Right Main mix to supply external

amp/speaker combinations. The level of this signal is determined by the Main Level control.

32. POWER AMP INPUTS: Plugging into these jacks allows the user to go directly into the graphic

equalizer, then into its respective power amplifier channel, and therefore bypass the other functions of the XR

®

696.

33. POWER LED: The power “on” LED indicator will light when the unit is powered.

AC POWER AND POWER AMPLIFIER SECTION:

34. A/C POWER INLET: This is the receptacle for an IEC line cord,

which provides AC power to the mixer/amplifier. Connect the line cord to this connector to provide power to the unit. Damage to the equipment may result if improper line voltage is used (see line voltage marking on unit).

35. POWER: The XR 696’s main power switch. The power on LED

indicator (#33) will light when the unit is powered.

36. FUSE: This is the main safety fuse for the AC line voltage. Only

replace the fuse with one the exact same type and rating. IF THE FUSE CONTINUES TO OPEN, DO NOT OVER FUSE. TAKE THE UNIT TO AN AUTHORIZED PEAVEY SERVICE CENTER!

37. PARALLEL LEFT/RIGHT SPEAKER OUTPUTS: These 1/4" jacks are the amplifier’s outputs. By

connecting a speaker cable to this jack and to a speaker cabinet, you complete the signal chain. You will notice that there are two pairs of jacks. The two pairs are your two (stereo) amp outputs. Two cabinets can be connected to each channel, as long as the combined impedance of the cabinets is not less than 4 Ohms. (i.e., two 8 Ohm cabinets in parallel = 4 Ohms, four 16 Ohm speakers in parallel = 4 Ohms, etc.).

8

34 36

35

37

POWER

120 VAC

60 Hz

500 WATTS

FUSE

15 AMP

OFF

RIGHT/MAIN

4

OHM

MIN

CLASS 2 WIRING

LEFT/ MONITOR

4

OHM

MIN

ON

9

Left/Monitor

XR

®

696 BLOCK DIAGRAM

600 WATTS PER CHANNEL (PROGRAM) • 4 OHMS

475 WATTS PER CHANNEL (PROGRAM) • 8 OHMS

Right/Main

Power Amp Out

Bridge Out

Left/Monitor

Power Amp Out

Effect Defeat

Effects to Main

Effects

Selector

Color

Stereo

RIGHT BUS LEFT BUS

EFX BUS MON BUS

1-6 BUS

Digital

Effects

Time

Peak

LED

Effects to

Monitor

Tape Out

DDT

Left/Monitor

Left Power Amp Input

Left/Mono Main Output

Mode Select

Power Amp

Right Power Amp Input

DDT

Right/Main

Power Amp

Right Main Output

Monitor Output

Monitor

Master

210 WATTS PER CHANNEL • 4 OHMS

150 WATTS PER CHANNEL • 8 OHMS

BRIDGE 420 WATTS • 8 OHMS

Low Cut

(80 Hz)

EFX LEVEL

LO MIDHI

TONE CONTROL

CHANNEL GAIN

PAD

MIC PREAMP

CHANNELS 1-4

HI-Z INPUT

+48V Phantom

LO-Z INPUT

LO MIDHI

TONE CONTROL

MONITOR SEND

MIC PREAMP

CHANNELS 5-6

LINE INPUT

EFX LEVEL

CHANNEL GAIN

PAD

+48V Phantom

MONITOR SEND

LO-Z INPUT

EFX LEVEL

LO MIDHI

TONE CONTROL

CHANNEL GAIN

RIGHT

LEFT/

CHANNELS 7-8

MONO

STEREO LINE INPUT

LO MIDHI

MIC PREAMP

+48V Phantom

LO-Z INPUT

Mon Send

LO HI

TONE CONTROL

CHANNEL 9 (TAPE)

TAPE/CD

INPUT

LO HI

CHANNEL GAIN

Monitor Send

XR

®

696 LEVEL DIAGRAM

10

TO POWER AMPS

+ 2 dBu NOMINAL

GRAPHIC EQ

LEFT & RIGHT OUT

+21 dBu MAX

TAPE OUT

MONITOR OUT

+21 dBu MAX

EQ

+12 dB

-10 dBu NOM.

+10 dBu MAX

+15 dB

+2 dBu = 0 dBV

-12 dB

-15 dB

+30

+21 dBu

+13.5 dBu

+20

INPUTS

+10

0 dBu

LO-Z MIC

LINE/TAPE

HI-Z

(W/PAD)

-11 dBu

-10

(W/PAD)

-12.5 dBu

-20

-28 dBu

-35 dBu

-40

-30

LO-Z MIC

(NO PAD)

-50

HI-Z MIC

(NO PAD)

-60 dBu

-60

11

XR®696 In - Left/Right Mode

Mains - Left Mains - Right

Impulse

®

1012

Impulse

®

1012

Reactor

PVM

LOW CUT

1

2

5

EFX.

0

10

0

+15

-15

0

0dB

-3

-6

PAD PAD PAD PAD PAD PAD

™

22

+15 +15

-15

HIGH

0

+15

-15

MID

0

000

+15

LOW

-15

5

55555555

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

PAD

1

-25dB -25dB -25dB -25dB -25dB -25dB

HI Z/

HI Z/ LINE

LINE

MIC MIC MIC MIC MIC MIC MIC MIC

MIC

80Hz CHANNELS 1-6 ONLY

3

5

EFX.

0

10

0

-15

HIGH

0

+15

-15

MID

+15

LOW

-15 -15 -15 -15 -15 -15

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

2

3

-25dB

HI Z/

LINE

Hi Z Mic

Left/Monitor Outputs (Rear)

low

STEREO

cut

4

-15

-3

-6

5

0

10

0

+15

0

+15

0

+15

0

10

0dB

+20 GAIN

5

EFX.

0

-15

HIGH

0

-15

MID

0

LOW

0

MON

0dB

-3

+3

-6

+6

5

LINE LINE

10

+15

10

+20 GAIN

EFX.

HIGH

MID

LOW

MON

+3

+6

6

5

EFX.

0

10

0

+15

-15

HIGH

0

+15

-15

MID

0

+15

LOW

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

4

HI Z/ LINE

6

5

7

5

EFX.

0

10

0

+15

-15

HIGH

0

+15

-15

MID

0

+15

LOW

0

10

MON

0dB

-3

+3

-6 +6

+20 GAIN

7

LEFT/

MONO

LINE LINE

LINE

RIGHT RIGHT

8

0

-15

0

0dB

-3

-6

Tape Player In

Wireless Mic/Gtr

STEREO

5

10

0

+15

0

+15

0

+15

10

+3

+6

+20 GAIN

MONO

Right/Main Outputs (Rear)

-

+

8

DELAY

REVERB

12

9

DELAYS

-

EFX.

MODULATIONS

13

1

5

-

SPEAKER

ROTARY

6

1

STEREO

9

0

HIGH

+15

HIGH

-15

0

MID

+15

LOW

-15

LOW

0

10

MON

0dB

-3

+3

-6 +6

+20 GAIN

9

8

LINE IN

LEFT/

RIGHT

LEFT

RIGHT

LEFT

REC OUT

PEAK (-6dB)

+

-

XR

+

-

63

12

63

12

48V

PHANTOM

3

1

11

FLS

DESIGNED IN U.S.A.

ON

9

PRESET

DIGITAL

125

LEFT

696

125

RIGHT

EFX.

5

7

FEEDBACK

250

MONITOR

/

250

/

SW.

FT.

DEFEAT

TIME

MAIN

BUILT UNDER U.S. PATENT

1

3

5

PRESET

REVERBS

7

1

5

0

1

0

/

SIZE

EFFECTS

500

MONITOR

5

0

/

COLOR

TONE

LOCATING

2K

1K

EQUALIZATION

1

200W

2X600w

2K

1K

EQUALIZATION

NO.

5,737,428

LINE

OUTPUT

LEFT/MONO

1

0

4K

SYSTEM

POWER

STEREO

4,318,053

/

RIGHT

EFX.

SENDS

8K

5

1

0

TO

EFX.

MAIN

MON.

TO

POWER

16K

MONITOR

0dB

3

-

3

+

12

6

-

+

6

10

+

GAIN

-

12

E

Q

W

/

RAMP

P

MODE

MIXER

16K

SELECT

MON/

STEREO

MAIN

+

12

0dB

3

-

3

+

6

-

6

+

10

+

-

12

GAIN

POWER

IN

AMP

LEFT

RIGHT

Mode Switch Out

Tape Player

Out

MAQ™ 150

Keyboard

L

R

Stereo V oice Module

SP

™

112MX

12

Monitors

XR®696 In Monitor/Main Mode

SP™ 112MX

Mains

Impulse

®

1012

Reactor

PVM™ 22

LOW CUT

1

2

5

EFX.

0

10

0

+15

-15

0

-3

-6

PAD PAD PAD PAD PAD PAD

™

+15 +15

-15

HIGH

0

+15

-15

MID

0

000

+15

LOW

-15

5

55555555

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

PAD

1

-25dB -25dB -25dB -25dB -25dB -25dB

HI Z/

LINE

MIC MIC MIC MIC MIC MIC MIC MIC

MIC

80Hz CHANNELS 1-6 ONLY

3

5

EFX.

0

10

0

-15

HIGH

0

+15

-15

MID

+15

LOW

-15 -15 -15 -15 -15 -15

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

2

3

-25dB

HI Z/

LINE

Hi Z Mic

Left/Monitor Outputs (Rear)

low

STEREO

5

EFX.

0

10

0

+15

HIGH

0

+15

MID

0

+15

LOW

0

10

MON

0dB

+3

+6

+20 GAIN

LEFT/

MONO

RIGHT RIGHT

STEREO

8

5

0

-15

0

-15

0

0dB

-3

-6

7

4

-15

-3

-6

5

EFX.

0

0dB

0

10

+15

10

+3

+20 GAIN

10

0

+15

-15

HIGH

0

+15

-15

MID

0

+15

LOW

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

4

5

HI Z/

LINE LINE

LINE

7

5

EFX.

0

10

0

+15

-15

HIGH

0

+15

-15

MID

0

+15

LOW

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

6

LINE LINE

LINE

cut

6

5

Tape Player In

Wireless Mic/Gtr

10

+15

10

+20 GAIN

Right/Main Outputs (Rear)

1

5

-

+

8

DELAY

REVERB

12

9

DELAYS

-

EFX.

MODULATIONS

13

1

5

-

SPEAKER

ROTARY

6

1

STEREO

9

0

HIGH

+15

HIGH

-15

0

MID

+15

LOW

-15

LOW

0

10

MON

0dB

-3

+3

-6

+6

+20 GAIN

9

8

LINE IN

LEFT/

MONO

RIGHT

LEFT

RIGHT

LEFT

REC OUT

PEAK (-6dB)

+

-

XR

+

-

63

12

63

12

48V

PHANTOM

3

1

11

FLS

DESIGNED IN U.S.A.

ON

9

PRESET

DIGITAL

125

LEFT

696

125

RIGHT

EFX.

5

7

FEEDBACK

250

MONITOR

/

250

SW.

FT.

DEFEAT

0

1

0

/

SIZE

TIME

EFFECTS

1K

500

1

1K

500

MAIN

EQUALIZATION

/

BUILT UNDER U.S. PATENT

MONITOR

0

1

/

COLOR

TONE

LOCATING

2K

EQUALIZATION

200W

2X600w

2K

NO.

5,737,428

LINE

OUTPUT

LEFT/MONO

0

4K

POWER

4K

SENDS

SYSTEM

STEREO

4,318,053

/

RIGHT

0

EFX.

8K

MIXER

8K

1

3

5

PRESET

REVERBS

7

1

5

1

0

TO

EFX.

MAIN

MON.

TO

POWER

16K

MONITOR

0dB

3

-

3

+

12

6

-

+

6

10

+

GAIN

-

12

E

Q

W

RAMP

/

P

MODE

SELECT

MON/

STEREO

16K

MAIN

+

12

0dB

3

-

3

+

6

-

6

+

10

+

-

12

GAIN

POWER

IN

AMP

LEFT

RIGHT

Mode Switch Depressed (In)

Tape Player

Out

Keyboard

L

R

Stereo V oice Module