Peavey XR 600G User Manual

XR®600G Operation Manual

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Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

CCAAUUTTIIOONN::

Risk of electrical shock — DO NOT OPEN!

CCAAUUTTIIOONN::

To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside.

Refer servicing to qualified service personnel.

WWAARRNNIINNGG::

To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture.

Before using this appliance, read the operating guide for further warnings.

Este símbolo tiene el propósito, de alertar al usuario de la presencia de “(voltaje) peligroso” sin aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para constituir riesgo de descarga eléctrica.

Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la operación y mantenimiento en la información que viene con el producto.

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Riesgo de descarga eléctrica ¡NO ABRIR!

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Para disminuír el riesgo de descarga eléctrica, no abra la cubierta. No hay piezas útiles

dentro. Deje todo mantenimiento en manos del personal técnico cualificado.

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Para evitar descargas eléctricas o peligro de incendio, no deje expuesto a la lluvia o

humedad este aparato Antes de usar este aparato, Iea más advertencias en la guía de operación.

Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur la présence d’une tension dangereuse pouvant être d’amplitude suffisante pour constituer un risque de choc électrique.

Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur qu’il ou qu’elle trouvera d’importantes instructions concernant l’utilisation et l’entretien de l’appareil dans le paragraphe signalé.

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Afin de réduire le risque de choc électrique, ne pas enlever le couvercle. Il ne se trouve à l’intérieur aucune pièce pouvant être reparée par l’utilisateur. Confiez I’entretien et la réparation de l’appareil à un réparateur Peavey agréé.

AAVVEERRTTIISSSSEEMMEENNTT

: Afin de prévenir les risques de décharge électrique ou de feu, n’exposez pas cet appareil à la pluie ou à l’humidité. Avant d’utiliser cet appareil, lisez attentivement les avertissements supplémentaires de ce manuel.

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Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen, die Handhabung und Wartung des Produkts betreffen.

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Risiko — Elektrischer Schlag! Nicht öffnen!

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Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die Abdeckung enfernen. Es befinden sich keine Teile darin, die vom Anwender repariert werden könnten. Reparaturen nur von qualifiziertem Fachpersonal durchführen lassen.

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Um einen elektrischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerät nicht dem

Regen oder Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.

IIMMPPOORRTTAANNTT SSAAFFEETTYY IINNSSTTRRUUCCTTIIOONNSS

WWAARRNNIINNGG::

When using electrical products, basic cautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from the apparatus.

11. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your plug‚ proceed as follows:

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E‚ the earth symbol‚ colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black. c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

12. Only use attachments/accessories provided by the manufacturer.

13. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

14. Unplug this apparatus during lightning storms or when unused for long periods of time.

15.

Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

16. Never break off the ground pin. Write for our free booklet “Shock Hazard and Grounding.” Connect only to a power supply of the type marked on the unit adjacent to the power supply cord.

17. If this product is to be mounted in an equipment rack, rear support should be provided.

18. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government’s Occupational and Health Administration (OSHA) has specified the following permissible noise level exposures:

Duration Per Day In Hours Sound Level dBA, Slow Response

890 692 495 397 2 100

1 1⁄

102

1 105

⁄

110

⁄4or less 115

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.

SSAAVVEE TTHHEESSEE IINNSSTTRRUUCCTTIIOONNSS!!

XR®600G Powered Mixers

Thank you for purchasing the XR600G by Peavey. This powered mixer includes many of the latest technological developments from Peavey engineers. Incorporating two‚ 200 Watt amplifiers‚ dual 9-band EQ‚ digital effects‚ FLS®(Peavey’s award-winning Feedback Locating System)‚ DDT™ speaker protection as well as many other features‚ this compact‚ lightweight powered mixer is perfect for most any application. More power. More features. More reliability. All from Peavey!

Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.

EENNGGLLIISSHH

◆ 6 low-noise‚ low-Z mic preamps

◆ 7 line inputs

◆ 3-band equalization each channel

◆ monitor sends on each channel

◆ effects send: channels 1–6

◆ 25 dB pad: channels 1–4

◆ switchable 9-band EQ‚ assignable to monitor or channel 1 with FLS™

◆ dual main or main/monitor power amp mode switch

◆ dedicated 9-band EQ for mains with FLS™

◆ DSP-based effects; 16 presets with parameter control

◆ signal/clipping indicator on each channel

◆ 48 Volt phantom power

◆ dual 200 Watts per channel internal power amplifiers

◆ DDT speaker protection with activity LED

◆ mute switch for input channels 1–6

Features

The standard channels (1–6) feature discrete‚ low-noise mic preamps with globally-switched phantom power and a 3-band EQ. Channels 1–4 offer balanced 1/4" line-level inputs and feature a full 25 dB pad switch to accommodate a wide range of input signals. Finally‚ channels (5–7) have dual input jacks (summed) for your tape‚ CD or synth input.

The master section features a DSP-based digital effects processor. This processor includes 16 presets‚ that provide a selection of effects designed to enhance your sound. There is also a parameter control that allows you to set the Time/Size of the effect.

XR 600G Front Panel

1. Connect speakers to your XR600G. Route speaker cable for safety‚ taping down if necessary.

2. Be certain that all levels are down and your EQ is flat.

3. Connect all microphones and instruments. Turn on power to the XR600G and set master controls to the 12:00 position.

4. Use mode switch to select both power amplifiers for main speakers or one amplifier for mains and one amplifier for monitors.

5. Adjust channel level controls for proper volume mix. Engage pad switches if a channel distorts or if the channel becomes loud very quickly as its control is turned up.

6. Adjust graphic and channel EQ as needed.

7. Set and adjust the effects settings and channel send.

8. Now‚ play like you’ve never played before. Have fun!

QUICK SET-UP GUIDE

Channel Section

Channels 1–4 feature all of the same great controls. Channels 5 and 6 include all of the features of the first four channels except the -25 dB pad. These two channels also feature dual 1/4" input jacks (summed to mono); perfect for digital keyboards or other devices with stereo outputs. Channel 7 is designed primarily for tape players/recorders‚ CD players or other similar devices.

Channels 1–4

1. Mic Input: XLR balanced‚ low-impedance channel input optimized for a

microphone or other low-impedance source. Pin 2 is the positive input. Due to the wide range of gain adjustment‚ signal levels as high as +10 dBV (2.45 V RMS) can be accommodated with the pad switch engaged. When the phantom power is enabled‚ this connector has +48 V on pins 2 and 3 with pin 1 as the ground reference.

2. Line Input: 1/4" balanced TRS inputs. The tip is the positive input which may also

be used for unbalanced inputs. A pad switch is provided to attenuate strong signals present at this input. Note: The Mic input and the Line input cannot be used

simultaneously within the same channel.

3. Pad: Attenuates the input signal by -25 dB. If you notice distortion from a

particular channel or if the channel becomes loud very quickly‚ try engaging this switch. In addition to increasing the dynamic range‚ the channel input can now accommodate a higher input level before clipping occurs. This may be necessary when close-mic’ing a loud guitar amp or drum kit.

4. Level & Signal/Clipping Indicator: Sets the signal level sent to the main mix.

The bi-color LED is green when signal is present and red when clipping occurs. If clipping occurs‚ turn the channel Level control (4) down. If the channel clips when turning the Level control up only slightly‚ try engaging the Pad switch (3).

5. Mon (monitor): Controls the level of each channel signal (pre-EQ) that is added

to the monitor mix.

6. Low EQ: A shelving type of active tone control that varies the bass frequency

levels (±15 dB at 70 Hz). This will add depth to thin-sounding signals or clean up muddy ones. As with any EQ‚ use sparingly. Too much of this EQ can give you a booming bottom end.

7. Mid EQ: A band pass (peak/notch) type of active tone control that varies the

mid-range frequencies (±15 dB at 1 kHz).

8. High EQ: A shelving type of active tone control that varies the treble frequency (±15 dB at 12 kHz). This control is

designed to remove noise or add brilliance to the signal depending on the quality of the source.

9. Efx: This control varies the level into the digital effects processor bus‚ adjusting signal level from the individual channel to

the digital processor. It is post gain and will be affected by the gain control.

Channel 7

Channels 5–6

10 & 11. Line Inputs: High impedance 1/4" input for line-level signals. The inputs are summed

to mono‚ allowing a stereo source to be input into these channels. In critical situations‚ two mono line sources can be connected to one input.

12. Line In: This pair of RCA phono jacks accepts a stereo input (nominally

-10 dBV) from the output of a tape deck‚ CD player or other similar device. The signal is placed on the main channel as well as the monitor mix.

13. Line Out: This pair of RCA phono jacks provides a signal for the recording

inputs of a stereo tape‚ CD player or other similar device.

14. Mute Channels 1–6: What a great feature! Take a break‚ mute channels 1–6

without changing the mic level settings. Use channel 7 for your break music. Just remember to unmute before beginning your performance.

CAUTION: DO NOT HOOK THE LINE IN AND LINE OUT TO THE INPUTS AND OUTPUTS OF THE SAME DEVICE. DOING SO WILL FORM A LOOP THAT CAN CAUSE SEVERE FEEDBACK. USE SEPARATE DECKS FOR RECORDING AND PLAYBACK.

Master Section

You’ll find enough features in the Master Section of the XR600G to fit most sound reinforcement situations. Our audacious engineers (these guys are nuts) have been busy adding features to these products that you won’t find in any other powered mixer. A DSP effects processor‚ 9-band EQ‚ FLS®Feedback Locating System‚ DDT™ speaker protection and much more.

16 17 18 19 20

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15. EFX Defeat: Depressing this button defeats the Effects. The effects may also be defeated via the footswitch input (32).

16. EFX Select: This rotary switch selects one of sixteen available effects. See the table below.

17. Effects Input CLip LED: This red LED illuminates to indicate 6 dB of headroom before the signals being sent to the

effects circuit are clipped. Ideally‚ you want this LED to light only occasionally. An occasional blink indicates that your levels are set optimally. Listen carefully to the output to determine the final setting.

18. EFX Time: This control adjusts the time of the particular reverb or delay.

19. EFX to Monitor: This control adjusts the amount of effects signal sent to the monitor mix. This allows effects to be

heard from the stage via the monitors. Keep this control as low as possible.

20. EFX to Main: Adjusts the amount of effects sent to the main mix. Controls the amount of effects sent to the front-of-

house mix. ✓ Remember: A little goes a long way!

21. FLS

Feedback Locating System: When feedback occurs‚ the corresponding LED of the frequency band that is

feeding back will illuminate over the slider to be adjusted. Slowly bring the corresponding slider down until the feedback is gone. The LED will remain illuminated for a few seconds after the feedback is gone. If the feedback doesn't return‚ all the LEDs will become active again acting as a normal EQ.

22. Power LED: This LED illuminates when power is supplied to the XR600G.

23. EQ Assignment: This switch allows you to patch the second (top) EQ to either the Monitor or to Channel 1. The

default position is the Monitor mode. This is indicated by the illuminated green LED. Push the button to change this to the Channel 1 mode and the yellow LED lights. This is a great feature to use if you have a critical instrument such as an acoustic guitar or a lead vocal. You can assign the top 9-band EQ to this channel! Although‚ keep in mind that this eliminates the EQ for your monitors.

Effect Description Application Parameter

1 Hall Rev Medium Concert Hall Ensemble Rev Time

2 Large Hall Rev Larger Concert Hall Darker Gen Reverb Rev Time

3 Room 1 Rev Intimate Room Bright Pop Vocal Rev Time

4 Room 2 Rev Larger Room Darker Drums,Rhythm Rev Time

5 Plate 1 Rev Bright Pop Vocal Rev Time

6 Plate 2 Rev Darker Drums Rev Time

7 Cathedral Large Space, Long and Darker Choir Rev Time

8 Spring Classic Spring Guitar Rev Time

9 Delay 1 Single Delay (Slap-back) Voc/Instr Dly Time

10 Delay 2 Warm Delay with Repeats Instruments Dly Time

11 Delay 3 Dark Delay with Repeats Instruments Dly Time

12 Tape Delay Warm Delay Instruments Dly Time/Feedback

13 Doubler Single Delay, 30 - 120 ms Instruments Dly Time

14 Shimmer Warm Delay with Modulation Instruments Dly Time

15 Vocal Enhancement 1 Brightens and adds Room Reverb Vocals Rev Level

16 Vocal Enhancement 2 Brightens and adds Spring Reverb Vocals Rev Level

24. DDT™ Speaker Protection: Peavey’s award-winning speaker protection is built into the XR600G. This important

feature allows you to maximize the power amplifiers without fear of distortion.

25. Graphic EQ: These 9-band EQs are fixed on one-octave centers. They are designed for 12 dB of cut or boost. The

equalizers are placed before the Preamp outputs and therefore‚ the Main and monitor preamp outputs are post-EQ.

26. Monitor Level: This control sets the overall level of the monitor signal that is sent to the Monitor output jack. This

control also sets the monitor level going to the power amp when in Main/Mono mode.

27. Power Amp Mode: This button is used to configure the XR600G power amps as either main/main or main/monitor. It is

recessed to prevent accidental switching. Use a non-metallic object to change the switch position (e.g.‚ a toothpick). The unit is shipped from the factory in the default main/main setting. When the main/main switch is depressed‚ the first power amp is assigned to the mains and the second amplifier is assigned to the monitor.

28. Main Level: This is the master level control for the main mix sent to the main output jack and corresponding

power amplifier(s). This also controls the main level going to the power amp when in the main/monitor mode.

29. Power Amp 2 In: Plugging into this jack allows a path directly to the power amplifier channel.

30. Power Amp 1 In: Plugging into this jack allows a path directly to the power amplifier channel.

31. Main Output: This 1/4" jack provides a signal from the main system mix after the graphic EQ. This is used primarily to

feed an auxiliary amplifier/speaker system.

32. Monitor Output: This 1/4" jack provides a signal from the monitor mix‚ after the graphic EQ‚ for an external

amplifier/speaker system. The level is determined by the channel monitor and master monitor controls.

33. Effects Defeat: This 1/4" jack accepts an on/off 1/4" footswitch (Peavey Part # 00051000) to defeat effects of both the

Main and Monitor mixes.

34. Phantom Power Switch: This switch‚ when depressed‚ applies 48 VDC to all input XLR connectors to power

microphones that require phantom power.

Caution: When phantom power is switched on‚ make sure that any channel you are plugging a microphone into is turned down and the Master Main and Monitor controls are set to minimum. Otherwise‚ there will be a loud pop in the system. It is best to first plug in all microphones into their respective channels before phantom power is switched on. This reduces noise through the system and reduces the chance of damage to the microphones. If phantom power is used‚ do not connect unbalanced‚ dynamic microphones or other devices to the XLR inputs that cannot handle this voltage. (Some wireless receivers may be damaged. Consult their manuals.) The line input jacks are not connected to the phantom supply and are safe for all inputs (balanced or unbalanced). An unbalanced to balanced impedance converter such as the Peavey 5116 or a Peavey 1:1 Interface Adapter may also be used to isolate a microphone from phantom voltage.

35 36 37

35. AC Power Inlet: This is the receptacle for

the supplied IEC line cord. This provides AC power to the unit. Connect the supplied line cord to this connector to provide power to the unit. Damage to the equipment may result if improper line voltage is used (see line voltage markings on the unit).

36. Power: The main power switch for the

XR600G. The power on LED indicator (front) will light when the unit is powered.

37. Fuse: This is the main safety fuse for the AC line voltage. Only replace with a fuse of the exact type and rating. If the

fuse continues to open‚ do not over fuse. Take the unit to an authorized Peavey service center.

38 & 39. Main/Monitor and Main Outputs: These 1⁄4" jacks are the amplifier’s outputs. By connecting a speaker cable to

these jacks and to a speaker cabinet‚ you complete the signal chain. You will notice there are two pairs of jacks. The two pairs are your two amplifier outputs. Two cabinets can be connected to each channel as long as the combined impedance of the cabinets is not less than 4 ohms. (i.e.‚ two 8 ohm cabinets in parallel = 4 ohms‚ four 16 ohm cabinets in parallel = 4 ohms‚ etc.)

VENTILATION: ALLOW 6" (15.5 CM) ON ALL SIDES FOR PROPER VENTILATION.

Keyboard

XR600G Hookup Diagrams

The following hookup diagrams are only suggestions. This powered mixer provides enough flexibility for a variety of needs. Just use common sense when hooking up your equipment. When in doubt‚ consult your authorized Peavey dealer.

XR600G Main/Main

XR600G Monitor/Main Mode

Keyboard

XR600G · Input Specifications:

Lo-Z Mic (150 ohms)

Line Input

Tape

Main

Monitor

Tape

600

10k

+2dBu

-10dBu

+21dBu

+10dBu

Unbal

1/4" Phono Tip (+) Sleeve Ground 1/4" Tip (+) Sleeve Ground RCA

Function

Function Minimum Load Z (ohms) Bal

Unbal

ConnectorOutput Level

Nominal Max

Input Gain Control Settings

Bal Unbal

ConnectorInput Levels

Min** Nominal* Max

22k

20k

Max w/o pad (50dB) Max w/pad (25dB)

Max w/o pad (30dB) Max w/pad (5dB)

Max Gain (30dB)

-59dBu

-34dBu

-27dBu

-2dBu

-26dBu

-29dBu

-4dBu

+2dBu +27dBu

+4dBu

-11dBu +14dBu

+21dBu +46dBu

+21dBu

Bal

Unbal

XLR Pin 1 Gnd Pin 2 (+) Pin 3(-)

⁄4" TRS; Tip (+) Ring (-) Sleeve Gnd RCA jacks

Input Z (ohms) Min

** Minimum input level (sensitivity) is the smallest signal that will produce nominal output (4dBu) with channel and master controls set for maximum gain. * Nominal settings are defined as all controls set at 0dB (or 50% rotation for rotary pots)

0dBU = 0.775V (RMS)

+2dBU = 0dBV = 1V (RMS)

XR600G · Output Specifications:

Gain:

Mic Input to Main Output 60dB (Max Gain) Line Input to Main Output 30dB (Max Gain)

Frequency Response:

Mic Input to Main Output 20Hz–20kHz +0dB/-1dB Line Input to Main Output 20Hz–20kHz +0dB/-1dB To Power Amplifier Output 20Hz–20kHz +0dB/-1dB

Total Harmonic Distortion:

<0.01% 20Hz–20kHz Mic Input to Main/Monitor Output at Nominal Level (20Hz–80kHz BW) <0.01% 20Hz–20kHz Line Input to Main/Monitor Output at Nominal Level (20Hz–80kHz BW) <0.005% Typical @ 1kHz

Graphic Equalizer:

Filter Bandwidth 1 Octave Filter Frequencies 63‚ 125‚ 250‚ 500‚ 1k‚ 2k‚ 4k‚ 8k‚ 16k Maximum Boost and Cut +12dB Boost‚ -12dB Cut

XR®600G · Technical Specifications

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