PV®6 • PV®6BT
Compact Mixer
Operating
Manual
www.peavey.com
FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s).
Operation is subject to the following two conditions: (1) this device may not cause harmful interference,
and (2) this device must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de
licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de
brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le
brouillage est susceptible d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void
the user’s authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which can
be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.
• Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled
environment.
ENGLISH
PV®6 and PV®6BT
Compact Mixers
Introducing the next level in world class non-powered mixer performance. e all new PV series mixing consoles include Peavey's
reference-quality mic preamps that deliver an incredible 0.0007% THD, making the PV series mixers excellent for live or recording applications. e PV 6 BT includes 2 channels of reference-quality mic preamps, 2 direct outputs for recording, 2 stereo channels, media
channel with Bluetooth wireless input, high quality digital eects, streaming USB out, 48 volt phantom power, dual selectable control
room outputs, compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, eects level per
channel, signal clip indicators, and a stereo master LED meter bridge. is amazingly versatile mixer is at home both in the studio as
well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. Direct outs
allow easy connection to most DAW interfaces for recording; in addition, the PV 6 BT can stream audio directly to a PC. EQ bypass
allows the user to compare the EQ'd signal to the original signal with the push of a button. Compression keeps signals with dicult
levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar. e all new PV series mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability with our 5 year warranty, and you can be
assured of years of quality reliable service!
FEATURES (both models):
• 2 Combination 1/4" balanced / XLR inputs feeding Silencer™ preamps
• Stereo 1/4"/ 3.5mm input channel with input gain, EQ, Eects send and Pan / Balance
• Switchable 1/4" / RCA (/ Bluetooth PV6 BT only) stereo input with input balance and level control
• 3-band EQ on all channels
• 2 Channels of Peavey's Exclusive Mid-Morph
• LED clip and signal present indication
• EQ Bypass on mic channels
• Dual selectable control room outputs
• Global 48V phantom power
• 1/4" balanced Main stereo ouputs
• Rugged console design
• Built-in stereo compressor with enable switch
• Stereo pan control per channel
• 2 Channels of direct out
• Stereo USB-B streaming audio in and out
• High quality master LED meter bridge
• Studio quality headphone output
• Peavey's exclusive on-board 1 Meg Ω guitar input
• Control room output with level control
• Electric Guitar Pre-Shape switch
• External universal input power supply
PV6BT ADDITIONAL FEATURES:
• Bluetooth wireless stereo audio input
• Efx Mute switch
PV6 ONLY:
• Efx master level feeding balanced 1/4" output
Installation Note:
is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
Front Panel: MONO MIC INPUT CHANNEL
ENABLE
GLOBAL COMPRESSOR
HIGH
MID-MORPH
LOW
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
low high
-
+
0
low high
-
+
PAN
c
RL
left right
c
RL
left right
c
RL
left right
c
RL
left right
LEVEL
min max min max min max
GAIN
1
MAIN L+R
L R
USB
RETURN
CONTROL ROOM
TO MAIN
A/B TOGGLE
A
B
RL
TO CONTROL
ROOM
min max
min max min max min max
min max min max
min max min max
min max min max min max
EFX
PHANTOM POWER 48V
LEVEL LEVEL
HEADPHONE
ELECTRIC GUITAR PRE-SHAPE POWER
EQ BYPASS
HIGH
MID-MORPH
LOW
PAN
LEVEL
GAIN
2
EFX
EQ BYPASS
HIGH
LOW
MID
PAN
LEVEL LEVEL
min max
GAIN
3/4
1 2 3/4
EFX
EQ BYPASS
COMPRESSOR LEVEL
5/6
LEVEL
BAL
1/4” RCA
R
L
3
STEREO
4R
L
DIRECT OUT
1/4”-Hi-Z
DIRECT OUT
RL
5
6R
L
5/6
min max
PV 6
EFX MASTER
6 INPUT STEREO MIXER
PV 6
MAIN
OUT
EFX
SEND
1
Electric Guitar Pre-Shape
Engaging this button optimizes the on board equalization for guitar.
2
Signal Presence/Clip LED
is LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED
ashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in
clipping (red LED), compensate here by reducing gain (3). e red clipping LED lights when
roughly 5dB of headroom remains.
3
Gain
e Input Gain control is used to establish proper gain structure in the channel. e input gain
can be adjusted over a wide range to compensate for so voices or very loud drums. To maximize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob
(10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.
High EQ
4
is High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12
kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of
the source.
1
2
3
4
5
Mid EQ
5
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When
turned counterclockwise, it cuts at 250 Hz to reduce frequencies that muddy the sound. When
turned clockwise, it boosts at 4 kHz to add intelligibility to vocals. Either way, improved vocal or
instrument denition can be achieved.
6
Low EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds
depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too
much of this EQ can give you a booming bottom end. Caution: Excessive low frequency boost
causes greater power consumption and increases the possibility of speaker damage.
EQ Bypass
7
Engaging this button bypasses the equalization of the channel.
EFX Send
8
is control adjusts the level of the channel signal added to the eects mix. e signal is sent
to the internal eects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the
le (min) will turn o eects on the associated channel, while turning the knob to the right will
increase the amount of the selected eect.
Pan
9
is knob controls the placement of the signal in the stereo eld. When rotated completely counterclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚
only in the right channel. is control functions as a balance control to adjust the relative level of
the le and right signals on stereo channels.
10
Channel Level
is controls the output level of the channel into the main mix. e gain is 0 dB when set to the
detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing
such that normal levels are seen at the bicolor LED and the main meter array. As additional
sources are added, it is normal to turn this knob down slightly.
6
7
8
9
10
ENABLE
GLOBAL COMPRESSOR
c
RL
left right
MAIN L+R
L R
USB
RETURN
CONTROL ROOM
TO MAIN
A/B TOGGLE
A
B
RL
TO CONTROL
ROOM
less more
min max min max
min max min max min max
EFX SELECT
EFX ADJUST
EFFECTS ADJUST
PHANTOM POWER 48V
1.Plate Reverb 1
2.Plate Reverb 2
3.Plate Reverb 3
4.Hall Reverb 1
5.Hall Reverb 2
6.Hall Reverb 3
7.Room Reverb 1
8.Room Reverb 2
9.Room Reverb 3
10.Double
11.Slapback
12.Dly Few Repaets
13.Dly More Repeats
14.Chorus 1
15.Chorus 2
16.Chorus 3
TIME
RAT E
EFX MUTE
LEVEL LEVEL
HEADPHONE
6 INPUT STEREO MIXER
WITH DIGITAL EFFECTS AND BLUETOOTH
PV 6
POWER
LEVEL
min max
COMPRESSOR LEVEL
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
5/6
LEVEL
BAL
1/4”
RCA
Bluetooth
R
L
MAIN OUT
USB
3
STEREO
4R
L
RL
5
6R
L
PAIRING
5/6
Front Panel: STEREO INPUT CHANNEL
2
Signal Presence/Clip LED
is LED helps in setting the gain control. Gain (3) should be adjusted so that the green LED
ashes in time with the source, and turns red only on the loudest peaks. If adding EQ results in
clipping (red LED), compensate here by reducing gain (3). e red clipping LED lights when
roughly 5dB of headroom remains.
Gain
3
e Input Gain control is used to establish proper gain structure in the channel. e input gain
can be adjusted over a wide range to compensate for so voices or very loud drums. To maximize the signal-to-noise ratio, the gain should be set to the proper level, with the Level Knob
(10) set to 0. If the clip LED comes on and remains lit, try reducing the gain.
4
High EQ
is High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12
kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of
the source.
5
Mid EQ
is midrange control adjusts the stereo channel's eq +/-20 dB @ 440Hz
6
Low EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15 dB at 80 Hz). Low EQ adds
depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too
much of this EQ can give you a booming bottom end. Caution: Excessive low frequency boost
causes greater power consumption and increases the possibility of speaker damage.
EQ Bypass
7
Engaging this button bypasses the equalization of the channel.
8
EFX Send
is control adjusts the level of the channel signal added to the eects mix. e signal is sent
to the internal eects processor (PV6 BT) or the EFX send jack (PV6). Turning the knob to the
le (min) will turn o eects on the associated channel, while turning the knob to the right will
increase the amount of the selected eect.
9
Pan
is knob controls the placement of the signal in the stereo eld. When rotated completely counterclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚
only in the right channel. is control functions as a balance control to adjust the relative level of
the le and right signals on stereo channels.
10
Channel Level
is controls the output level of the channel into the main mix. e gain is 0 dB when set to the
detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing
such that normal levels are seen at the bicolor LED and the main meter array. As additional
sources are added, it is normal to turn this knob down slightly.
min max
GAIN
0
min max
min max
min max
min max
+
-
HIGH
0
+
-
MID
0
+
-
LOW
EQ BYPASS
min max
EFX
c
left right
RL
PAN
LEVEL
3/4
2
3
4
5
6
8
9
10
PV®6 Front Panel
5/6
RL
5
6R
L
5/6
EFX SEND
R
L
MAIN OUT
DIGITAL
11
Two-way Audio Input Selector
Allows you to select between a 1/4" and RCA audio input.
Balance
12
Adjusts relative levels of le and right channels.
Level
13
Adjusts the level of the source selected by (11).
14
Global Compressor Enable Button
When depressed, the compressor is enabled.
15
LED Meters
Two six-segment LED arrays are provided to monitor the levels of the
main le/right outputs. ese meters range from -18 dBu to +19dBu.
e highest green LED corresponds to +4 dBu at the outputs.
16
Digital Return Level
Controls the signal level coming in to the USB digital audio port, typically from a USB-equipped computer. e nominal setting is near 12:00
for this control.
To Control Room
17
When depressed, USB digital audio return is routed to the control
room and headphone outputs. Use this setting when recording with
DAW soware to avoid unintended loops.
18
To Main
When depressed, USB digital audio return is routed to the Main summing amp. is setting is recommended only when there is a
requirement to playback through the main outputs, at which time the
DAW soware must have input monitoring disabled.
16 17 18
TO CONTROL
ROOM
11 19
12
13
14
15
1/4” RCA
TO MAIN
c
RL
left right
BAL
min max min max min max
LEVEL
GLOBAL COMPRESSOR
ENABLE
DIGITAL
RETURN
LEVEL LEVEL
PV 6
PHANTOM POWER 48V
L R
min max min max
COMPRESSOR LEVEL
HEADPHONE
min max
LEVEL
RL
A
B
A/B TOGGLE
CONTROL ROOM
min max
EFX MASTER
20
21
22
23
24
MAIN L+R
25
26 27
Beware of creating an unintended loop, which results in very
LOUD and uncontrolled oscillation that can damage loudspeakers and eardrums!
19
RCA Connectors for Monitor
Connect powered monitors, or an amplier feeding monitor speakers here. Set the volume controls on the monitors A
and B to be equal when the A/B switch is toggled. e signal sent to this output is normally the Le/Right mix.
When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the Monitor Outputs.
A/B Toggle Switch
20
When depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputs
are muted. is allows the easy checking of a computer DAW mix on two dierent sets of monitors.
21
Monitor Level
Use this control to set the listening level in your control room monitors. e optimum setting for this control is 12:00, so monitor
amplier levels (or powered monitor levels) should be adjusted with this knob at 12:00. ere is an additional 17 dB of gain available
on this pot at the max position.
22
Phantom Power
is Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.
If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR
inputs that cannot handle this Voltage.
PV®6 Front Panel
23
EFX Level
is is the master output level control for the EFX mix. e output level sent to the EFX Send jack is controlled by the Channel Level
Control (10), the channel EFX Send controls (8), and by this master control. e 12:00 position is the recommended setting for this
control.
24
Headphone Level
is knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.
25
Compressor Control
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor
ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live
sources. e compressor is aer the master level control(26), and before the main outs (35) and the USB port(39), so it can be used to
tame vocals being recorded into a DAW. You can audition the eect of the compressor by switching it in and out with the Enable
switch (14). When the compressor is active, the adjacent red LED will illuminate.
26
Level
is is the master level control, which controls the overall level sent to the main outputs (35) and the USB port (39).
27
Headphone Output
e Headphone Output is a 1⁄4” TRS (Tip= Le; Ring = Right; Sleeve = Ground) jack. e signal sent to this output is normally the
Le/Right mix. When the "To Control Room" switch (17) is engaged, the USB return signal is also sent to the headphones.
MAIN L+R
POWER
R
L
MAIN OUT
DIGITAL
RL
5
6R
L
ON/OFF
5/6
PV®6BT Front Panel
11
ree-way Audio Input Selector
Allows you to select between a 1/4", RCA audio input, or Bluetooth
connection.
12
Balance
Adjusts relative levels of le and right channels.
Level
13
Adjusts the level of the source selected by (11).
14
EFX Mute
Depressing this button will cut all digital eects from the main mix.
15
EFX Adjust
is rotary encoder adjusts the parameter of the eect selected by
EFX SELECT (16). For reverbs, double, slapback, and delays, the knob
controls the time. For chorus eects, this knob controls the rate. Any
adjustment you make with this knob will be stored into memory until
the next time you adjust the parameter. In other words, your changes
will "stick" even if you select a dierent eect. When you return, things
will be the way you le them.
16
EFX SELECT
Use this rotary encoder to choose which eect you want to
apply. ere are 9 reverbs, 4 delays, and 3 chorus eects.
You can ne-tune the behavior of the selected eect with
the EFX ADJUST knob.
17
Global Compressor Enable Button
When depressed, the compressor is enabled.
11
12
13
14
15
16
17
18
19 20 21
TO CONTROL
5/6
RCA
1/4”
Bluetooth
c
RL
left right
BAL
min max min max min max
LEVEL
EFX MUTE
less more
EFX ADJUST
GLOBAL COMPRESSOR
ENABLE
ROOM
TO MAIN
DIGITAL
RETURN
LEVEL LEVEL
PV 6 BT
1
2
16
3
15
4
14
13
5
12
6
11
7
8910
EFX SELECT
A/B TOGGLE
CONTROL ROOM
PHANTOM POWER 48V
EFFECTS ADJUST
1.Plate Reverb 1
2.Plate Reverb 2
3.Plate Reverb 3
4.Hall Reverb 1
5.Hall Reverb 2
6.Hall Reverb 3
7.Room Reverb 1
8.Room Reverb 2
9.Room Reverb 3
10.Double
11.Slapback
12.Dly Few Repaets
13.Dly More Repeats
14.Chorus 1
15.Chorus 2
16.Chorus 3
L R
min max min max
COMPRESSOR LEVEL
HEADPHONE
min max
LEVEL
27
28 29
RL
A
22
B
23
24
25
TIME
RATE
26
18
LED Meters
Two six-segment LED arrays are provided to monitor the levels of the
main le/right outputs. ese meters range from -18 dBu to +19dBu.
e highest green LED corresponds to +4 dBu at the outputs.
19
Digital Return Level
Controls the signal level coming in to the USB digital audio port, typically from a USB-equipped computer. e nominal setting is near 12:00
for this control.
20
To Control Room
When depressed, USB digital audio return is routed to the control
room and headphone outputs. Use this setting when recording with
DAW soware to avoid unintended loops.
21
To Main
When depressed, USB digital audio return is routed to the Main summing amp. is setting is recommended only when there is a
requirement to playback through the main outputs, at which time the
DAW soware must have input monitoring disabled.
Beware of creating an unintended loop, which results in very
LOUD and uncontrolled oscillation that can damage loudspeakers
and eardrums!
PV®6BT Front Panel
22
RCA Connectors for Monitor
Connect powered monitors, or an amplier feeding monitor speakers here. Set the volume controls on the monitors A
and B to be equal when the A/B switch is toggled. e signal sent to this output is normally the Le/Right mix.
When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the Monitor Outputs.
A/B Toggle Switch
23
When depressed, the A outputs are muted and the B outputs are on. When raised, the A outputs are on and the B outputs
are muted. is allows the easy checking of a computer DAW mix on two dierent sets of monitors.
24
Monitor Level
Use this control to set the listening level in your control room monitors. e optimum setting for this control is 12:00, so monitor
amplier levels (or powered monitor levels) should be adjusted with this knob at 12:00. ere is an additional 17 dB of gain available on
this pot at the max position.
25
Phantom Power
is Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.
If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR
inputs that cannot handle this Voltage.
26
Headphone Level
is knob sets the headphone and control room output levels. To avoid damage to your hearing‚ make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level.
Compressor Control
27
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor
ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live
sources. e compressor is aer the master level control (28), and before the main outs (36) and the USB port(39), so it can be used to
tame vocals being recorded into a DAW. You can audition the eect of the compressor by switching it in and out with the Enable
switch (14). When the compressor is active, the adjacent red LED will illuminate.
28
Level
is is the master level control, which controls the overall level sent to the main outputs (36) and the USB port (39).
29
Headphone Output
e Headphone Output is a 1⁄4” TRS (Tip= Le; Ring = Right; Sleeve = Ground) jack. e signal sent to this output is normally the
Le/Right mix. When the "To Control Room" switch (20) is engaged, the USB return signal is also sent to the headphones.
PV®6 Upper Panel
PV 6
28 30 32 35
28
MIC/LINE INPUT
1/4”-Hi-Z
DIRECT OUT
DIRECT OUT
1 2 3/4
6 INPUT STEREO MIXER
29 31 33 34
L
STEREO
RL
L
3
4R
5
6R
5/6
MAIN OUT
DIGITAL
EFX SEND
L
R
is combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection.
e tip is positive on the 1/4” balanced input, and pin 2 is positive on the XLR. When ELECTRIC GUITAR PRE-SHAPE is depressed,
the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.
1/4" TRS Direct Outs
29
Impedance-balanced outputs fed by the mic preamp. Channel 1 output is aer the ELECTRIC GUITAR PRE-SHAPE switch.
30
Stereo 3.5mm Input
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
31
Stereo Inputs
Channels 3 and 4 feature stereo inputs via 1/4" jack. If only one jack is used, it behaves as a mono source with a pan control. Once both
jacks are connected, it behaves as a stereo source with a balance control; 3 is Le and 4 is Right.
32
RCA Connection
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
33
Stereo
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
34
EFX Send
Ground compensated TRS balanced output fed by the EFX SEND master level (23). ese outputs can be used with Tip Ring Sleeve
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
35
Main Out
Ground compensated TRS balanced outputs fed by the master LEVEL control (26). ese outputs can be used with Tip Ring Sleeve
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
PV®6BT Upper Panel
PV 6 BT
30 32 34 36
MIC/LINE INPUT
30
1/4”-Hi-Z
DIRECT OUT
STEREO
L
DIRECT OUT
L
3
4R
1 2 3/4
6 INPUT STEREO MIXER
WITH DIGITAL EFFECTS AND BLUETOOTH
31 33 35 37
RL
5
6R
5/6
MAIN OUT
DIGITAL
ON/OFF
L
R
38
is combination input jack can accept either a 1/4” (balanced or unbalanced) input or a XLR balanced, low-impedance connection.
e tip is positive on the 1/4” balanced input, and pin 2 is positive on the XLR. When ELECTRIC GUITAR PRE-SHAPE is depressed,
the channel 1 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.
1/4" TRS Direct Outs
31
Impedance-balanced outputs fed by the mic preamp. Channel 1 output is aer the ELECTRIC GUITAR PRE-SHAPE switch.
32
Stereo 3.5mm Input
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
33
Stereo Inputs
Channels 3 and 4 feature stereo inputs via 1/4" jack. If only one jack is used, it behaves as a mono source with a pan control. Once both
jacks are connected, it behaves as a stereo source with a balance control; 3 is Le and 4 is Right.
34
RCA Connection
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
35
Stereo
Accept a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
Main Out
36
Ground compensated TRS balanced outputs fed by the master LEVEL control (28). ese outputs can be used with Tip Ring Sleeve
(TRS) balanced or Tip Sleeve (TS) unbalanced connectors.
37
Bluetooth® Activation Button
Press and hold this button until the LED blinks 3 times, indicating the Bluetooth has been powered on or o, then release.
Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled device with the
mixer using the PIN 7878. To clear the paired device memory, make sure the Bluetooth is turned o and press and hold the button for
at least 10 seconds. e LED will initially blink 3 times but then should remain o. Once you have released the button aer 10 seconds,
you can proceed by powering it on as normal, and the memory will be cleared.
Le/Right Outputs
38
e Le/Right Outputs feature two 1/4" TRS Z-balanced jacks. ese outputs can be used with Tip Ring Sleeve (TRS) balanced or Tip
Sleeve (TS) unbalanced connectors.
PV®6 and PV®6BT Rear Panel
37 38 39
DIGITAL AUDIO
POWER
PORT
28
DC POWER INLET
ON
COMPUTER
Use to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source.
Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119.
29
POWER SWITCH
is is the main power switch.
30
USB PORT TYPE B
e USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer.
e USB port sends the mixer’s main/tape stereo out to the computer. e USB port receives digital audio from the computer; it can then be
assigned through the USB TO Main switch ({18}, PV6; {21}, PV6BT) to the main le/right output, if the computer is being used for playback
only. For recording, use the USB TO CONTROL ROOM control ({17}, PV6; {20}, PV6BT), to avoid creating a loop. Compatible with Win-
dows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0 or later, and iOS devices.
PV®6BT EFX
1 - Plate Reverb Bright
2 - Plate Reverb Medium Low-Pass
3 - Plate Reverb Dark
4 - Hall Reverb Vocal
5 - Hall Reverb Vocal Huge
6 - Hall Reverb Strings
7 - Room Reverb Vocal Air
8 - Room Reverb Snare Low
9 - Room Reverb Acoustic Guitar
10 - Delay Double
11 - Delay Slapback
12 - Delay Bright, Few Repeats
13 - Delay Bright, More Repeats
14 - Chorus High Depth, Slow Rate
15 - Chorus Moderate Depth, Wide Rate
16 - Chorus Short Depth, Fast Rate
Peavey Electronics Corp.
D
4
3
2
1
CBA
Sheet Title:
Title:
Sheet
Date:
of
D
CONFIDENTIAL
Meridian, MS 39305
5022 Hartley Peavey Drive
3.5mm In
LEVEL
To USB B Streaming Output
PV6_BLOCK
4-10-2015_9:552 2
Block Diagram
OUT
LEFT
1
3
2
Level
Meters
Output
Enable
COMPRESSOR
Master
Level
Headphone
Headphone
Monitor Bus
A/B
Toggle
Level
Control Rm
Control Rm A
Control Rm B
1
3
2
PV6 ONLY
EFX
SEND
CLIP
EFX
MUTE
EFX
SELECT
EFFECTS
EFX
OUT
RIGHT
1
3
2
ADJUST
EFX In
PV6BT ONLY
EFX Out
Threshold
EFX
Right
Left
To Monitor Bus
PAN
LEVEL
EFX
CLIP
SIGNAL
BALANCE
EFX
BALANCE
To Main
To
Control Room
CLIP
SIGNAL
LEVEL
PAN
EFX
CLIP
SIGNAL
LEVEL
12kHz
400Hz
80Hz
Direct Output
EQ
EQ
LO MID HI
LEVEL
Direct Output
EQ
Bypass
HI
12kHz
4kHz
EQ
400Hz
MID-MORPH
LO
80Hz
EQ
Bypass
HI
4kHz
EQ
MID-MORPH
LO
DIGITAL RETURN
In
Guitar
EQ
Guitar
MIC PRE
+48V
ON/OFF
PHANTOM
CHANNEL 1
231
XLR
Gain
LINE
MIC PRE
PHANTOM
CHANNEL 2
231
XLR
Gain
LINE
LEFT
RIGHT
CHANNEL 3/4
CHANNEL 5/6
Input
STATUS
Selector
INPUT
BLUETOOTH
(BT Model Only)
USB B Streaming Return
Product Specifications
PV®6 & PV®6BT Series Specications
Mic pre EIN = -126 dBu @ max gain with 150 ohm source
Inputs
Function Input Z Input Gain
Setting Min** Nominal* Max
Microphone
(150 ohms)
Line
(10 k ohms)
Line 1, GTR SHAPE
ON
Line 3/4
3.5mm
Line 5/6
2 kΩ Max Gain
10 kΩ
1 Meg Ω @ ≤ 200
Hz, like 12AX7
input.
10 kΩ
2.8 kΩ
6.8 kΩ
(59 dB)
Min Gain
(4 dB)
Max Gain
(40 dB)
Min Gain
(-15 dB)
Max Gain (19 dB)
Nominal
Max Gain ( 30 dB)
Nominal
Max Gain (18 dB)
Nominal
-71 dBu
-17 dBu
-52 dBu
+2 dBu
-32 dBu
-15 dBu
-44 dBu
-27 dBu
-43 dBu
-13dBu
Input Levels
-51 dBu
+5 dBu
-32 dBu
+23 dBu
-12 dBu
+6 dBu
-24 dBu
-6 dBu
-23 dBV
-3 dBu
-39 dBu
+16 dBu
-20 dBu
> +32 dBu
+2 dBu
+13 dBu
-10 dBu
+8 dBu
-10 dBu
+12dBu
Bal/
Connector
Unbal
Bal XLR Pin 1 Gnd
Bal 1/4" TRS;
Unbal 1/4" TS;
Unbal
Pin 2 (+)
Pin 3 (-)
Tip (+)
Ring (-)
Sleeve Ground
Tip (+)
Sleeve Ground
3.5mm; Tip=L, Ring=R,
Sleeve Ground
1/4" TS; Tip (+), Sleeve
Ground
RCA
0 dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and
master faders set for maximum gain.
* Nominal settings are dened as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment
pot which is as specied.
2.2 kΩ
Max Gain (29 dB)
Nominal
-32 dBu
-19 dBu
-22 dBu
-8 dBu
-8 dBu
+6dBu
Outputs
Function Min Load
Z
(ohms)
Main Left/Right 600 +4 dBu +20 dBu Bal XLR Pin Ground Tip
Eects Send (PV6
only)
Control Room 600 +4 dBu +20 dBu Unbal RCA: Tip (+),
Headphone 8 +4 dBu (no load) +20 dBu Unbal 1/4" TRS; Tip Left, Ring Right
0 dBu=0.775 V (RMS)
600 +4 dBu +20 dBu Bal 1/4" TRS: Tip (+), Ring (-)
Output Levels
Nominal Max
Bal/
Unbal
Connector
Pin 2 (+), Pin 3 (-)
1/4" TRS: Tip (+), Ring (-)
Sleeve Ground
Sleeve Ground
Sleeve Ground
Sleeve Ground
RCA: Tip (+),
Sleeve Ground
Gain
Mic Input Gain Adjustment Range: +4 dB to +59 dB
Mic Input to Left/Right Balance Output 79 dB (max gain)
Line Input Gain Adjustment Range: -15 dB to 40 dB
Line Input to Left/Right Balance Output 60 dB (max gain)
Stereo 3/4 Gain Adjustment Range: O to +19 dB
Stereo3/4 to Left/Right Output 39 dB (max gain)
3.5mm Input Gain Adjustment Range: O to +30 dB
3.5mm Input to Left/Right Output 51 dB (max gain)
Stereo Line 5/6 Gain Adjustment Range: O to +18 dB
Stereo 5/6 to Left/Right Output 28 dB (max gain)
RCA Gain Adjustment Range: O to +29 dB
RCA to Left/Right Output 39 dB (max gain)
Frequency Response
Mic Input to Left/Right Output 10 Hz to 20 kHz +0 dB/-1 dB
Total Harmonic Distortion
<0.006% Typical (22 Hz to 22 kHz BW)
Hum and Noise
Output Residual Noise S/N Ratio (Ref: +4dBu) Test Conditions
Master Left/Right -97 dBu 101 dB Master Fader Down, Channel Levels Down
-92 dBu 96 dB Master Fader Nominal, Channel Levels Down,
Efx muted
-82 dBu 86 dB Master Fade Nominal, Channel Faders Nominal,
Panned Odd Channels (left), Even Channels
(right)
(Hum and noise measurements: 22 Hz to 22 kHz BW)
Equivalent Input Noise (EIN)
-126 dBu (input terminated with 150 ohms, bandwidth 20 kHz)
Crosstalk/Attenuation
Adjacent Input Channels (1 kHz) >90 dB
Left to Right Outputs (1 kHz) >70 dB Channel level control Kill (1 kHz) >85 dB
Common Mode Rejection Ratio (Mic Input)
50 dB minimum (20 Hz to 20 kHz)
70 dB typical @ 1 kHz
Meters
6 segment, peak reading (top green LED = +4 dBu) Red LED lights 5 dB below clipping
Signal/Overload Indicators
Dimensions
7.25" wide x 11.4" deep x 2.1875" high
(18.42 cm x 28.96 cm x 5.56 cm)
Weight
PV6: 3.99 lbs (1.81 kg) 100-240 VAC 50/60 Hz 15 Watts
PV6BT: 4.06 lbs (1.84 kg)
Power Requirements
Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY
Logo referenced in Directive 2002/96/EC Annex IV
The bar is the symbol for marking of new waste and
13 August 2005
Effective Date: 11/01/2011
What This Warranty Covers
Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada.
What This Warranty Does Not Cover
The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring
during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or
removed; (5) products not purchased from an Authorized Peavey Dealer.
Who This Warranty Protects
This Warranty protects only the original purchaser of the product.
How Long This Warranty Lasts
The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:
Product Category Duration
Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers 2 years *(+ 3 years)
Drums 2 years *(+ 1 year)
Enclosures 3 years *(+ 2 years)
Digital Effect Devices and Keyboards and MIDI Controllers 1 years *(+ 1 year)
Microphones 2 years
Speaker Components 1 year
(incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers)
Tubes and Meters 90 Days
Cables Limited Lifetime
AmpKit Link, Xport, Rockmaster Series, Strum’n Fun, RetroFire, GT & BT Series Amps 1 year
Marvel Jr. Guitar 90 Days
[* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]
What Peavey Will Do
We will repair or replace (at Peavey’s discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for
Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges.
How To Get Warranty Service
(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center.
OR
(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description
of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address.
Limitation of Implied Warranties
ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF
THIS WARRANTY.
Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you.
Exclusions of Damages
PEAVEY’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEY’S OPTION. IF WE ELECT TO REPLACE THE
PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS,
LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR
OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you.
This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state.
If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International
Service Center at (601) 483-5365.
Features and specifications are subject to change without notice.
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
is applied only to equipment manufactured after
FROM:
Here
Postage
Place
Meridian, Ms 39305
PO Box 1150
Attn: Warranty Department
Corporation
Peavey Electronics
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