Peavey PV 10 BT Users Manual

PV®10AT • PV®10BT
Compact Mixer
1/4”-Hi-Z CH.4 Only
DIRECT OUT
1
DIRECT OUT
DIRECT OUT DIRECT OUT
2345/6
PV 10AT
min max
GAIN
min max
COMP
0
+
-
min max
HIGH
0
+
-
low high
MID-MORPH
0
+
-
min max
LOW
Auto-TUNE
HI PASS
min max
GAIN
0
+
-
min max
HIGH
0
+
-
low high
MID-MORPH
0
+
-
min max
LOW
HI PASS
min max
GAIN
-
min max
HIGH
-
low high
MID-MORPH
-
min max
LOW
AT AT
HI PASS
comp
EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS
min max
GAIN
min max
COMP
0
+
-
min max
HIGH
0
+
-
low high
MID-MORPH
0
+
-
min max
LOW
HI PASS
comp
USB A
3.5mm STEREO
5
L
6R
AUX SEND
PAIRING
7/8
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
ELECTRIC GUITAR PRE-SHAPE
RL
USB A
min max
GAIN
0
0
0
0
+
+
+
-
min max
HIGH
0
-
min max
MID
0
-
min max
LOW
+
+
+
USB B
Bluetooth
min max
GAIN
0
+
-
min max
HIGH
0
+
-
min max
MID
0
+
-
min max
LOW
PHANTOM POWER
48V
min max
LEVEL A/B
min max
RECORD LEVEL
Press to
Select
FS
L
STEREO IN
R
9/10
9/10
min max
STEREO IN LEVEL
min max
REC LEVEL
min max
TO CONTROL ROOM
EFFECts media
MAIN OUTPUTS
9
10
CONTROL ROOM
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
SOLO/MAIN
A/B SELECT
B/REC
REC
L
R
A
B/
EFX SELECTMEDIA SELECT
PV 10
RL
USB
Press to
Select or edit
Auto­TUNE
L
R
Operating
Manual
min max
min max
left right
CLIP
SIGNAL
min max
SOLO
min max
AUX
min max
EFX
c
RL
left right
PAN
CLIP
SIGNAL
1 2 3 4 5/6 7/8
min max
SOLO SOLO SOLO SOLO SOLO
1
AUX
EFX
PAN
c
RL
CLIP
SIGNAL
min max
2
min max
AUX
min max
EFX
c
RL
left right
PAN
CLIP
SIGNAL
min max
3
min max
AUX
min max
EFX
c
RL
left right
PAN
ANALOG MEDIA CHANNEL
CLIP
SIGNAL
min max
4
min max
left right
AUX
BAL
c
5/6
RL
MUTEMUTEMUTEMUTEMUTE
min max
AUX
DIGITAL MEDIA CHANNEL
c
RL
left right
BAL
CLIP
SIGNAL
min max
7/8
L
MASTER
SOLO
SOLO
min max
L
MONO (SUM)
MIC MUTEMUTE
R
SOLO
min max
min max
RETURN TO MAIN RETURN TO AUX
STEREO
MAIN L+R
min max
AUX
HIGH
EFX
MUTE
min max
EFX
R
LOW
ENABLE
KOSMOS-C
HEADPHONE/
SOLO/MAIN
min max
SOLO/MAIN
www.peavey.com
FCC/ICES Compliancy Statement This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is con-
nected.
• Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled envi­ronment.
Features and specifications are subject to change without notice.
Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301
(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com
© 2015 EX000030
ENGLISH
PV®10AT and PV®10BT
Compact Mixers
Congratulations on purchasing the Peavey PV®10AT or PV®10BT Compact Mixer. e PV®10AT and PV®10BT are studio-quality mixing con­soles designed to meet diverse needs while occupying a small space. ese are the perfect consoles for small venue performances or home record­ing environments. PV series mixers feature built-in DSP eects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each eect to meet your needs.
e PV 10 BT includes 4 channels of reference-quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Blue­tooth wireless input, high quality digital eects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48 volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. is amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 10 BT can stream audio directly to a PC. MP3 playback is also available, just plug a ash drive with MP3 les on it into the USB A port and use the LCD to select and playback music. e PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 2 Channels of compression keep signals with dicult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar. Hi pass lters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or power amplier. e all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reli­ability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it.
In addition to all of these features, the PV10AT features 2 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up vocal harmonies, or it can be set for robotic vocal eects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set.
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.
FEATURES:
• 4 Combination 1/4" and XLR low noise mic preamps
• Stereo 1/4", RCA or 3.5mm input channel
• Bluetooth wireless connectivity
• 3-band EQ on all channels
• 4 Channels of Peavey's Exclusive Mid-Morph
• 150 Hz low-cut switch on all mic inputs
• LED clip and signal present indication
• Individual channel mutes
• EQ Bypass per mic channel
• On board studio quality digital eects with individual channel control
• Eects and playback LCD display
• One pre-fader AUX send
• Precision 60 mm faders on master
• Dual selectable control room outputs / Record out with independent level
• Global 48V phantom power
• Main stereo outputs with balanced 1/4" and XLR connectors
• Rugged console design
Installation Note:
is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
• 2 channels of built-in compression
• Stereo pan control per channel
• On-board USB-A MP3 playback
• 4 Channels of direct out
• Kosmos -C bass and treble enhancement
• Channel 9/10 stereo return/input
• Individual Solo function
• Stereo USB-B streaming audio in and out
• High quality master LED meter bridge
• Master mic mute
• Studio quality headphone output
• Peavey's exclusive on-board 1 Meg guitar input
• Antares Auto-Tune with Peavey's exclusive Custom Key feature
PV10AT Front Panel (channels 1 and 2)
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
1
2345/6
7/8
USB A
DIRECT OUT
5
6R
L
R
L
10
9
R
L
R
L
DIRECT OUT DIRECT OUT
PAIRING
9/10
1/4”-Hi-Z CH.4 Only
LEVEL
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
MAIN L+R
1
1
2345/6
7/8
DIRECT OUT
RL
L
L
R
R
PHANTOM POWER
48V
USB A
SOLO/MAIN
CONTROL ROOM
SOLO/MAIN
USB
min max
HEADPHONE/
SOLO/MAIN
DIRECT OUT
SOLO
SOLO SOLO SO LO SOLO SO LO
5
6R
L
R
L
10
9
R
L
R
L
Press to
Select
Press to
Select or edit
EFX SELECTMEDIA SELECT
DIGITAL EFFECT/MEDIA PLAYBACK
USB MEDIA PLAYBACK
EFFECts media
min max
min max
DIRECT OUT DIRECT OUT
MIC MUTEMUTE
MASTER
min max
RETURN TO MAIN RETURN TO AUX
DIGITAL MEDIA CHANNEL
LEVEL A/B
min max
REC LEVEL
min max
RECORD LEVEL
min max
TO CONTROL ROOM
min max
ANALOG MEDIA CHANNEL
RL
EFX
AUX
STEREO IN LEVEL
min max
ENABLE
A/B SELECT
B/REC
KOSMOS-C
min max
min max
HIGH
LOW
USB A
USB B
Bluetooth
MONO
(SUM)
STEREO
A
B/
REC
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
EQ BYPASS EQ BYPASS EQ BYPASS
PAIRING
LEVEL
min max
HIGH
LOW
0
-
+
min max
0
-
+
min max
PAN
c
RL
left right
EFX
min max
AUX
min max
COMP
min max
GAIN
2
min max
comp
HI PASS
MID-MORPH
0
low high
-
+
LEVEL
min max
HIGH
LOW
0
-
+
min max
0
-
+
min max
PAN
c
RL
left right
EFX
min max
AUX
min max
GAIN
3
min max
HI PASS
MID-MORPH
0
low high
-
+
LEVEL
min max
HIGH
LOW
0
-
+
min max
0
-
+
min max
PAN
c
RL
left right
EFX
min max
AUX
min max
GAIN
4
min max
HI PASS
MID-MORPH
0
low high
-
+
LEVEL
min max
HIGH
LOW
0
-
+
min max
0
-
+
min max
BAL
c
RL
left right
AUX
min max
GAIN
5/6
min max
MID
LEVEL
min max
HIGH
LOW
0
-
+
min max
0
-
+
min max
0
-
+
min max
0
-
+
min max
BAL
c
RL
left right
AUX
min max
GAIN
7/8
1 2 3 4 5/6 7/8
min max
MID
PV 10AT
PV 10
ELECTRIC GUITAR PRE-SHAPE
9/10
9/10
EFX
MUTE
SOLO
SOLO
1/4”-Hi-Z CH.4 Only
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
MUTEMUTEMUTEMUTE
Auto- TUNE
Auto-TUNE
AT
1
MIC/LINE INPUT (CH.1-8)
is combination input jack accepts a ¼” or XLR balanced plug. e XLR balanced input is optimized for a microphone or other low impedance source. e ¼” input is a TRS balanced type, and also accepts ordinary TS guitar cables.
2
DIRECT OUT
is impedance-balanced TRS output signal is taken aer the mic preamp, hi pass lter, and compressor, but before the EQ stage.
3
AUTO-TUNE ACTIVATION BUTTON AND LED (PV10AT only)
Pressing this button activates the PV10AT's onboard AUTO-TUNE feature. e button illuminates when in AUTO-TUNE mode (SEE Eects Select {50} and the following page).
4
GAIN
e Input Gain control is used to establish proper gain structure in the channel. For best results, use the Solo system (19) to monitor the channel while you set the gain. e goal is maximum gain without distor­tion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain.
5
150 Hz HI PASS FILTER
e hi pass lter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing low frequencies that make a mix sound muddy. is feature is especially useful when playing outside on a windy day or on a hollow-sounding‚ noisy stage. ese kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed.
6
COMPRESSION CONTROL (Channels 1 and 2 only)
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of com­pression. is is useful for controlling peak levels from live sources, and has been designed to subtly tame the levels of live vocals without noticeable artifacts. e compressor is aer the gain control (5) and the hi pass lter (4), but before the direct out (2), so it can be patched to external equipment.
7
Compressor LED
is LED illuminates when the compressor is actively compressing a signal.
8
Hi EQ
is active tone control (shelving type: ±15 dB) varies the level of the high frequency range.
9
MID-MORPH EQ (CH. 1-7)
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument denition can be achieved.
10
Low EQ
is active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Ex­cessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.
11
EQ BYPASS
Engaging this button bypasses the equalization of the channel, allowing you to easily hear the eect of the EQ settings.
12
AUX SEND
is control adjusts the level of the channel signal sent to the Aux output. e signal is taken before the channel level (18) but aer the channel EQ, meaning that changes to the EQ settings will aect the aux mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors, when used in a live performance, or to feed headphone ampliers in a recording situation.
7
DIRECT OUT
HI PASS
min max
comp
GAIN
min max
COMP
16
17
-
min max
HIGH
-
low high
MID-MORPH
-
min max
LOW
EQ BYPASS
min max
min max
left right
CLIP
SIGNAL
min max
LEVEL
SOLO
AT
0
+
0
+
0
+
AUX
EFX
c
RL
PAN
MUTE
1
2
3
4
5
6
8
9
10
11
12
13
14
15
18
19
PV10AT Front Panel (channels 1 and 2)
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
7/8
RL
PHANTOM POWER
48V
USB A
CONTROL ROOM
SOLO/MAIN
5
6R
L
R
L
10
9
R
L
R
L
RL
STEREO IN LEVEL
min max
USB A
USB B
Bluetooth
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
PAIRING
GAIN
PV 10
9/10
9/10
1/4”-Hi-Z CH.4 Only
POWER
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
7/8
USB A
5
6R
L
R
L
10
9
R
L
R
L
PAIRING
9/10
13
EFX SEND
is control adjusts the level of the channel signal added to the eects mix. e signal is sent to the internal eects processor. Turning the knob to the le (min) will turn o eects on the associated channel, while turning the knob to the right will increase the amount of the selected eect. e eects send signal is taken aer the channel level (18) so that adjustments made to the fader will also aect the send level.
14
PAN CONTROL
is knob controls the placement of the signal in the stereo eld. When rotated completely counterclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚ only in the right channel. is control functions as a balance control to adjust the relative level of the le and right signals on stereo channels 5/6 and 7/8. (Note 1/4" inputs on ch 5-6 and 9-10 are mono unless both are connected, then they switch to stereo)
15
MUTE SWITCH
Pressing this switch will silence the channel signal going to the main mix, aux send, and eects. e mute switch will not aect the signal sent to the solo system.
16
CLIP/MUTE LED
is LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. e clip indicator circuit monitors the signal aer the gain control, aer the EQ, and aer the main level; because clipping can be caused by high settings of any of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e. piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting of input gain + EQ will result in this LED ashing briey on the loudest peaks.
17
SIGNAL LED
e signal LED lights when the channel level reaches approximately -20 dBu. is not only indicates which channels are active, but also serves as a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source.
18
CHANNEL LEVEL CONTROL
is is the channel's output control, which sets the signal level sent to the le and right mix and the eects send control. e gain is 0 dB (uni­ty gain) when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the signal /clip LED's and the
main meter array. As additional sources are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus.
19
SOLO SWITCH AND LED
When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master sec­tion, indicating that the Solo system is now active. e Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed channel(s).
PV10AT Front Panel (channel 4)
20
MIC/LINE INPUT (CHANNEL 4 ONLY)
is input is the same as channels 1-3 unless Guitar Shape is pressed. When ELECTRIC GUITAR PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.
21
Electric Guitar Pre-Shape
Engaging this button optimizes the on board equalization for electric guitar.
20
1/4”-Hi-Z CH.4 Only
DIRECT OUT
21
HI PASS
min max
LEVEL
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
MAIN L+R
7/8
RL
L
L
R
R
PHANTOM POWER
48V
USB A
SOLO/MAIN
CONTROL ROOM
SOLO/MAIN
USB
min max
HEADPHONE/
SOLO/MAIN
SOLO
5
6R
L
R
L
10
9
R
L
R
L
Press to
Select
Press to
Select
or edit
EFX SELECTMEDIA SELECT
DIGITAL EFFECT/MEDIA PLAYBACK
USB MEDIA PLAYBACK
EFFECts media
min max
min max
MIC MUTE
MASTER
min max
RETURN TO MAIN RETURN TO AUX
LEVEL A/B
min max
REC LEVEL
min max
RECORD LEVEL
min max
TO CONTROL ROOM
min max
EFX
AUX
STEREO IN LEVEL
min max
ENABLE
A/B SELECT
B/REC
KOSMOS-C
min max
min max
HIGH
LOW
MONO
(SUM)
STEREO
A
B/
REC
PAIRING
PV 10
9/10
9/10
EFX
MUTE
SOLO
SOLO
POWER
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
R
L
10
9
R
L
R
L
9/10
PV10AT/PV10BT Front Panel (channels 5, 6, 7 and 8)
22
3.5mm STEREO INPUT
e 3.5mm input to channel 5/6 accepts a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable hand­held devices and therefore has very high sensitivity.
23
STEREO INPUTS
Channels 5 and 6 also feature 1/4" inputs. If only one jack is used, it behaves as a mono source with a pan control. When both jacks are connected, these connections serve as a stereo source with a balance control; 5 is Le and 6 is Right.
24
USB MEDIA JACK
A-type USB connector that a removable data storage device can be connected to playback music
USB PLAYBACK:
First, slide the input selection switch (27) to the USB A position. e bottom of the LCD display will say “Insert USB drive”. Insert your USB drive into the USB Media Jack (24) at the top of channel 7/8. e Media Player will now enter "Folder Navigation Mode". In this mode, you can scroll through a list of all folders on the USB drive. Once you select a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll through a list of all songs contained in the selected folder. If there are no songs in the
selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll to the very beginning of the list and select the <FOLDERS> option. Once a song is nished playing, the Media Player will automatically start playing the next song. Once the Media Player reaches the last song, it will automatically loop back to the beginning of the list.
25
BLUETOOTH PAIRING BUTTON AND LED
e Bluetooth Pairing Button is used to turn on/o the Bluetooth. Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled device with the mixer using the PIN 7878. e blue “Bluetooth Active LED” indicates the status of the Bluetooth connection. If the LED is o, the Bluetooth module is powered o. If the LED is slowly ashing, the PV mixer is not paired with any device, but is avail­able for connection. When the LED is lit solid, the source device is properly paired to the mixer and ready to play. To clear the paired device memory, make sure Bluetooth is on and press and hold the Bluetooth Pairing Button for 5 seconds. e PV mixer will ask if you would like to clear the Bluetooth memory. Select "Y" using the Media Select knob to clear the memory. e PV mixer will go through the process of clearing the memory, which should take approximately 15 seconds.
26
RCA MEDIA INPUTS
e RCA inputs to channel 5/6 accept a stereo source such as an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
27
DIGITAL SOURCE SELECTOR
is switch selects between USB A (24), USB B (68), and the internal Bluetooth receiver.
28
MID CONTROL
Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are described above.
22
3.5mm STEREO
L
USB A
24
5
23
PAIRING
5/6
6R
7/8
25
RL
26
USB B
27
USB A
Bluetooth
min max
GAIN
0
-
min max
HIGH
0
min max
GAIN
0
+
+
-
min max
HIGH
0
28
29
+
-
min max
MID
0
+
-
min max
LOW
min max
AUX
ANALOG MEDIA CHANNEL
c
RL
left right
BAL
MUTE
CLIP
SIGNAL
+
-
min max
MID
0
+
-
min max
LOW
min max
AUX
DIGITAL MEDIA CHANNEL
c
RL
left right
BAL
MUTE
CLIP
SIGNAL
30
5/6 7/8
min max
LEVEL
SOLO SOLO
5/6
min max
LEVEL
7/8
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