Peavey PV 10 BT Users Manual

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PV®10AT • PV®10BT

Compact Mixer

1/4”-Hi-Z CH.4 Only

DIRECT OUT

DIRECT OUT DIRECT OUT

2345/6

PV 10AT

min max

GAIN

min max

COMP

min max

HIGH

low high

MID-MORPH

min max

LOW

Auto-TUNE

HI PASS

min max

GAIN

min max

HIGH

low high

MID-MORPH

min max

LOW

HI PASS

min max

GAIN

min max

HIGH

low high

MID-MORPH

min max

LOW

AT AT

HI PASS

comp

EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS

min max

GAIN

min max

COMP

min max

HIGH

low high

MID-MORPH

min max

LOW

HI PASS

comp

USB A

3.5mm STEREO

AUX SEND

PAIRING

7/8

10 INPUT STEREO MIXER

WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH

ELECTRIC GUITAR PRE-SHAPE

USB A

min max

GAIN

min max

HIGH

min max

MID

min max

LOW

USB B

Bluetooth

min max

GAIN

min max

HIGH

min max

MID

min max

LOW

PHANTOM POWER

48V

min max

LEVEL A/B

min max

RECORD LEVEL

Press to

Select

STEREO IN

9/10

min max

STEREO IN LEVEL

min max

REC LEVEL

min max

TO CONTROL ROOM

EFFECts media

MAIN OUTPUTS

CONTROL ROOM

USB MEDIA PLAYBACK

DIGITAL EFFECT/MEDIA PLAYBACK

SOLO/MAIN

A/B SELECT

B/REC

REC

EFX SELECTMEDIA SELECT

PV 10

USB

Press to

Select or edit

AutoTUNE

Operating

Manual

min max

left right

CLIP

SIGNAL

min max

SOLO

min max

AUX

min max

EFX

left right

PAN

CLIP

SIGNAL

1 2 3 4 5/6 7/8

min max

LEVEL

SOLO SOLO SOLO SOLO SOLO

AUX

EFX

PAN

LEVEL

CLIP

SIGNAL

min max

AUX

min max

EFX

left right

PAN

LEVEL

CLIP

SIGNAL

min max

AUX

min max

EFX

left right

PAN

LEVEL

ANALOG MEDIA CHANNEL

CLIP

SIGNAL

min max

left right

AUX

BAL

LEVEL

5/6

MUTEMUTEMUTEMUTEMUTE

min max

AUX

DIGITAL MEDIA CHANNEL

left right

BAL

CLIP

SIGNAL

min max

LEVEL

7/8

MASTER

SOLO

min max

MONO (SUM)

MIC MUTEMUTE

SOLO

min max

RETURN TO MAIN RETURN TO AUX

STEREO

MAIN L+R

min max

AUX

HIGH

EFX

MUTE

min max

EFX

LOW

ENABLE

KOSMOS-C

HEADPHONE/

SOLO/MAIN

min max

LEVEL

SOLO/MAIN

www.peavey.com

FCC/ICES Compliancy Statement This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation.

Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.

Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the equipment.

Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is con-

nected.

• Consult the dealer or an experienced radio/TV technician for help.

Caution

The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.

Features and specifications are subject to change without notice.

Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301

(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com

ENGLISH

PV®10AT and PV®10BT

Compact Mixers

Congratulations on purchasing the Peavey PV®10AT or PV®10BT Compact Mixer. e PV®10AT and PV®10BT are studio-quality mixing consoles designed to meet diverse needs while occupying a small space. ese are the perfect consoles for small venue performances or home recording environments. PV series mixers feature built-in DSP eects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each eect to meet your needs.

e PV 10 BT includes 4 channels of reference-quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital eects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48 volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. is amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 10 BT can stream audio directly to a PC. MP3 playback is also available, just plug a ash drive with MP3 les on it into the USB A port and use the LCD to select and playback music. e PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 2 Channels of compression keep signals with dicult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar. Hi pass lters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or power amplier. e all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it.

In addition to all of these features, the PV10AT features 2 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up vocal harmonies, or it can be set for robotic vocal eects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set.

Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.

FEATURES:

• 4 Combination 1/4" and XLR low noise mic preamps

• Stereo 1/4", RCA or 3.5mm input channel

• Bluetooth wireless connectivity

• 3-band EQ on all channels

• 4 Channels of Peavey's Exclusive Mid-Morph

• 150 Hz low-cut switch on all mic inputs

• LED clip and signal present indication

• Individual channel mutes

• EQ Bypass per mic channel

• On board studio quality digital eects with individual channel control

• Eects and playback LCD display

• One pre-fader AUX send

• Precision 60 mm faders on master

• Dual selectable control room outputs / Record out with independent level

• Global 48V phantom power

• Main stereo outputs with balanced 1/4" and XLR connectors

• Rugged console design

Installation Note:

is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"

• 2 channels of built-in compression

• Stereo pan control per channel

• On-board USB-A MP3 playback

• 4 Channels of direct out

• Kosmos -C bass and treble enhancement

• Channel 9/10 stereo return/input

• Individual Solo function

• Stereo USB-B streaming audio in and out

• High quality master LED meter bridge

• Master mic mute

• Studio quality headphone output

• Peavey's exclusive on-board 1 Meg guitar input

• Antares Auto-Tune with Peavey's exclusive Custom Key feature

PV10AT Front Panel (channels 1 and 2)

3.5mm STEREO

MAIN OUTPUTS

STEREO IN

AUX SEND

2345/6

7/8

USB A

DIRECT OUT

DIRECT OUT DIRECT OUT

PAIRING

9/10

1/4”-Hi-Z CH.4 Only

LEVEL

3.5mm STEREO

MAIN OUTPUTS

STEREO IN

AUX SEND

MAIN L+R

2345/6

7/8

DIRECT OUT

PHANTOM POWER

48V

USB A

SOLO/MAIN

CONTROL ROOM

SOLO/MAIN

USB

min max

HEADPHONE/

SOLO/MAIN

DIRECT OUT

SOLO

SOLO SOLO SO LO SOLO SO LO

Press to

Select

Press to

Select or edit

EFX SELECTMEDIA SELECT

DIGITAL EFFECT/MEDIA PLAYBACK

USB MEDIA PLAYBACK

EFFECts media

min max

DIRECT OUT DIRECT OUT

MIC MUTEMUTE

MASTER

min max

RETURN TO MAIN RETURN TO AUX

DIGITAL MEDIA CHANNEL

LEVEL A/B

min max

REC LEVEL

min max

RECORD LEVEL

min max

TO CONTROL ROOM

min max

ANALOG MEDIA CHANNEL

EFX

AUX

STEREO IN LEVEL

min max

ENABLE

A/B SELECT

B/REC

KOSMOS-C

min max

HIGH

LOW

USB A

USB B

Bluetooth

MONO

(SUM)

STEREO

REC

10 INPUT STEREO MIXER

WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH

EQ BYPASS EQ BYPASS EQ BYPASS

PAIRING

LEVEL

min max

HIGH

LOW

min max

PAN

left right

EFX

min max

AUX

min max

COMP

min max

GAIN

min max

comp

HI PASS

MID-MORPH

low high

LEVEL

min max

HIGH

LOW

min max

PAN

left right

EFX

min max

AUX

min max

GAIN

min max

HI PASS

MID-MORPH

low high

LEVEL

min max

HIGH

LOW

min max

PAN

left right

EFX

min max

AUX

min max

GAIN

min max

HI PASS

MID-MORPH

low high

LEVEL

min max

HIGH

LOW

min max

BAL

left right

AUX

min max

GAIN

5/6

min max

MID

LEVEL

min max

HIGH

LOW

min max

BAL

left right

AUX

min max

GAIN

7/8

1 2 3 4 5/6 7/8

min max

MID

PV 10AT

PV 10

ELECTRIC GUITAR PRE-SHAPE

9/10

EFX

MUTE

SOLO

1/4”-Hi-Z CH.4 Only

SIGNAL

CLIP

SIGNAL

CLIP

SIGNAL

CLIP

SIGNAL

CLIP

SIGNAL

CLIP

MUTEMUTEMUTEMUTE

Auto- TUNE

Auto-TUNE

MIC/LINE INPUT (CH.1-8)

is combination input jack accepts a ¼” or XLR balanced plug. e XLR balanced input is optimized for a microphone or other low impedance source. e ¼” input is a TRS balanced type, and also accepts ordinary TS guitar cables.

DIRECT OUT

is impedance-balanced TRS output signal is taken aer the mic preamp, hi pass lter, and compressor, but before the EQ stage.

AUTO-TUNE ACTIVATION BUTTON AND LED (PV10AT only)

Pressing this button activates the PV10AT's onboard AUTO-TUNE feature. e button illuminates when in AUTO-TUNE mode (SEE Eects Select {50} and the following page).

GAIN

e Input Gain control is used to establish proper gain structure in the channel. For best results, use the Solo system (19) to monitor the channel while you set the gain. e goal is maximum gain without distortion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain.

150 Hz HI PASS FILTER

e hi pass lter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing low frequencies that make a mix sound muddy. is feature is especially useful when playing outside on a windy day or on a hollow-sounding‚ noisy stage. ese kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed.

COMPRESSION CONTROL (Channels 1 and 2 only)

Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live sources, and has been designed to subtly tame the levels of live vocals without noticeable artifacts. e compressor is aer the gain control (5) and the hi pass lter (4), but before the direct out (2), so it can be patched to external equipment.

Compressor LED

is LED illuminates when the compressor is actively compressing a signal.

Hi EQ

is active tone control (shelving type: ±15 dB) varies the level of the high frequency range.

MID-MORPH EQ (CH. 1-7)

Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument denition can be achieved.

Low EQ

is active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage.

EQ BYPASS

Engaging this button bypasses the equalization of the channel, allowing you to easily hear the eect of the EQ settings.

AUX SEND

is control adjusts the level of the channel signal sent to the Aux output. e signal is taken before the channel level (18) but aer the channel EQ, meaning that changes to the EQ settings will aect the aux mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors, when used in a live performance, or to feed headphone ampliers in a recording situation.

DIRECT OUT

HI PASS

min max

comp

GAIN

min max

COMP

min max

HIGH

low high

MID-MORPH

min max

LOW

EQ BYPASS

min max

left right

CLIP

SIGNAL

min max

LEVEL

SOLO

AUX

EFX

PAN

MUTE

PV10AT Front Panel (channels 1 and 2)

3.5mm STEREO

MAIN OUTPUTS

STEREO IN

AUX SEND

7/8

PHANTOM POWER

48V

USB A

CONTROL ROOM

SOLO/MAIN

STEREO IN LEVEL

min max

USB A

USB B

Bluetooth

10 INPUT STEREO MIXER

WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH

PAIRING

GAIN

PV 10

9/10

1/4”-Hi-Z CH.4 Only

POWER

3.5mm STEREO

MAIN OUTPUTS

STEREO IN

AUX SEND

7/8

USB A

PAIRING

9/10

EFX SEND

is control adjusts the level of the channel signal added to the eects mix. e signal is sent to the internal eects processor. Turning the knob to the le (min) will turn o eects on the associated channel, while turning the knob to the right will increase the amount of the selected eect. e eects send signal is taken aer the channel level (18) so that adjustments made to the fader will also aect the send level.

PAN CONTROL

is knob controls the placement of the signal in the stereo eld. When rotated completely counterclockwise‚ the signal is present only on the le channel; when rotated completely clockwise‚ only in the right channel. is control functions as a balance control to adjust the relative level of the le and right signals on stereo channels 5/6 and 7/8. (Note 1/4" inputs on ch 5-6 and 9-10 are mono unless both are connected, then they switch to stereo)

MUTE SWITCH

Pressing this switch will silence the channel signal going to the main mix, aux send, and eects. e mute switch will not aect the signal sent to the solo system.

CLIP/MUTE LED

is LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. e clip indicator circuit monitors the signal aer the gain control, aer the EQ, and aer the main level; because clipping can be caused by high settings of any of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e. piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting of input gain + EQ will result in this LED ashing briey on the loudest peaks.

SIGNAL LED

e signal LED lights when the channel level reaches approximately -20 dBu. is not only indicates which channels are active, but also serves as a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source.

CHANNEL LEVEL CONTROL

is is the channel's output control, which sets the signal level sent to the le and right mix and the eects send control. e gain is 0 dB (unity gain) when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the signal /clip LED's and the

main meter array. As additional sources are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus.

SOLO SWITCH AND LED

When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master section, indicating that the Solo system is now active. e Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed channel(s).

PV10AT Front Panel (channel 4)

MIC/LINE INPUT (CHANNEL 4 ONLY)

is input is the same as channels 1-3 unless Guitar Shape is pressed. When ELECTRIC GUITAR PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube guitar amplier input.

Electric Guitar Pre-Shape

Engaging this button optimizes the on board equalization for electric guitar.

1/4”-Hi-Z CH.4 Only

DIRECT OUT

HI PASS

min max

LEVEL

3.5mm STEREO

MAIN OUTPUTS

STEREO IN

AUX SEND

MAIN L+R

7/8

PHANTOM POWER

48V

USB A

SOLO/MAIN

CONTROL ROOM

SOLO/MAIN

USB

min max

HEADPHONE/

SOLO/MAIN

SOLO

Press to

Select

Press to

Select

or edit

EFX SELECTMEDIA SELECT

DIGITAL EFFECT/MEDIA PLAYBACK

USB MEDIA PLAYBACK

EFFECts media

min max

MIC MUTE

MASTER

min max

RETURN TO MAIN RETURN TO AUX

LEVEL A/B

min max

REC LEVEL

min max

RECORD LEVEL

min max

TO CONTROL ROOM

min max

EFX

AUX

STEREO IN LEVEL

min max

ENABLE

A/B SELECT

B/REC

KOSMOS-C

min max

HIGH

LOW

MONO

(SUM)

STEREO

REC

PAIRING

PV 10

9/10

EFX

MUTE

SOLO

POWER

MAIN OUTPUTS

STEREO IN

AUX SEND

9/10

PV10AT/PV10BT Front Panel (channels 5, 6, 7 and 8)

3.5mm STEREO INPUT

e 3.5mm input to channel 5/6 accepts a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.

STEREO INPUTS

Channels 5 and 6 also feature 1/4" inputs. If only one jack is used, it behaves as a mono source with a pan control. When both jacks are connected, these connections serve as a stereo source with a balance control; 5 is Le and 6 is Right.

USB MEDIA JACK

A-type USB connector that a removable data storage device can be connected to playback music

USB PLAYBACK:

First, slide the input selection switch (27) to the USB A position. e bottom of the LCD display will say “Insert USB drive”. Insert your USB drive into the USB Media Jack (24) at the top of channel 7/8. e Media Player will now enter "Folder Navigation Mode". In this mode, you can scroll through a list of all folders on the USB drive. Once you select a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll through a list of all songs contained in the selected folder. If there are no songs in the

selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll to the very beginning of the list and select the <FOLDERS> option. Once a song is nished playing, the Media Player will automatically start playing the next song. Once the Media Player reaches the last song, it will automatically loop back to the beginning of the list.

BLUETOOTH PAIRING BUTTON AND LED

e Bluetooth Pairing Button is used to turn on/o the Bluetooth. Once turned on, the Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled device with the mixer using the PIN 7878. e blue “Bluetooth Active LED” indicates the status of the Bluetooth connection. If the LED is o, the Bluetooth module is powered o. If the LED is slowly ashing, the PV mixer is not paired with any device, but is available for connection. When the LED is lit solid, the source device is properly paired to the mixer and ready to play. To clear the paired device memory, make sure Bluetooth is on and press and hold the Bluetooth Pairing Button for 5 seconds. e PV mixer will ask if you would like to clear the Bluetooth memory. Select "Y" using the Media Select knob to clear the memory. e PV mixer will go through the process of clearing the memory, which should take approximately 15 seconds.

RCA MEDIA INPUTS

e RCA inputs to channel 5/6 accept a stereo source such as an MP3 player, CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.

DIGITAL SOURCE SELECTOR

is switch selects between USB A (24), USB B (68), and the internal Bluetooth receiver.

MID CONTROL

Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are described above.

3.5mm STEREO

USB A

PAIRING

5/6

7/8

USB B

USB A

Bluetooth

min max

GAIN

min max

HIGH

min max

GAIN

min max

HIGH

min max

MID

min max

LOW

min max

AUX

ANALOG MEDIA CHANNEL

left right

BAL

MUTE

CLIP

SIGNAL

min max

MID

min max

LOW

min max

AUX

DIGITAL MEDIA CHANNEL

left right

BAL

MUTE

CLIP

SIGNAL

5/6 7/8

min max

LEVEL

SOLO SOLO

5/6

min max

LEVEL

7/8

9/10

PV10AT/PV10BT Front Panel (channel 4)

ANALOG BALANCE CONTROL

AUX SEND

STEREO IN

MAIN OUTPUTS

34 35

Controls the balance between the analog channels 5/6.

DIGITAL BALANCE CONTROL

Controls the balance between the digital channels 7/8.

AUX SEND XLR and 1/4" OUT

Ground compensated balanced output fed by the AUX SEND master level (52). e XLR is internally in parallel with the TRS. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will

also work.

FOOTSWITCH

is TRS jack is designed for use with Peavey's 2 Button Special Use Momentary Footswitch, Item # 03014070. e tip of this TRS jack, switch 1, remotely actuates the EFX Mute switch. e ring of the TRS jack, switch 2, remotely turns o the Auto-Tune on AT models.

is makes the use of Auto-Tune inconspicuous; by using the footswitch, your between-songs spoken banter won't be Auto-Tuned.

1/4" STEREO INPUTS

Channel 9 and 10 are a stereo pair of 1/4" jacks that can be used for an aux input, or eects return from an external processor. If only one jack is used, it behaves as a mono source. Once both jacks are connected, it behaves as a stereo source; 9 is Le and 10 is

Right.

1/4" STEREO OUTPUTS

Ground compensated balanced output fed by the master L and R Faders (60). e TRS jacks are internally in parallel with the XLR's. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will also work.

XLR STEREO OUTPUTS

Ground compensated balanced output fed by the master L and R Faders (60). e XLR jacks are internally in parallel with the TRS's. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS).

MAIN OUTPUTS

STEREO IN

AUX SEND

LEVEL A/B

REC LEVEL

9/10

PV10AT Front Panel

PHANTOM POWER

48V

9/10

PV 10

4441

PHANTOM POWER

min max

STEREO IN LEVEL

min max

39 40 42

min max

CONTROL ROOM

SOLO/MAIN

A/B SELECT

B/REC

REC

is Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power. If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR

inputs that cannot handle this Voltage.

STEREO IN LEVEL 9/10

Controls the level of input jacks 9 and 10. If only one jack is connected, it is sent to both L and R. If both jacks are connected, 9 is L and 10 is R. e Aux output could be fed to an external eects processor, and these jacks could be used as the eects return. Or a second mixer could be

daisy-chained in here.

LEVEL A/B

Controls the level of both A and B control room outputs. e active output is selected with A/B SELECT switch (41), when B/REC switch (42) is up. When B/REC switch is down, only output A is controlled.

REC LEVEL

When B/REC switch is down, controls the level at the B/REC outputs. Note: When B/REC switch is up, this control is inactive.

A/B SELECT

When this switch is up, output A is on and output B is o. When this switch is down, output B is on and output A is o. Use this switch to evaluate a mix on 2 dierent pairs of monitors, such as near eld and far eld monitors. By setting the level controls on both monitoring systems the same, a rapid A/B comparison can be made. Overall monitor level is controlled by LEVEL A/B. NOTE: When the B/REC switch (42)is

down, this switch is disabled , and the A output remains on at all times, fed by LEVEL A/B (39).

B/REC SWITCH

Determines the function of the B/REC output. When up, B/REC jack functions as monitor B output, selected by A/B select and controlled by LEVEL A/B. When down, B/REC jack is an independent record output, with level controlled by REC LEVEL.

CONTROL ROOM MONITOR OUTPUT A

Connect powered monitors, or an amplier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal when the A/B switch is toggled. e signal sent to this output is normally the Le/Right mix. e USB "To Control Room" pot (47) feeds the USB return signal to these Monitor Outputs for use in a DAW recording setup. When the Solo LED is lit (62), only the soloed source(s) will be heard. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the LEVEL

A/B control.

PV10AT Front Panel

MAIN OUTPUTS

STEREO IN

AUX SEND

PHANTOM POWER

48V

CONTROL ROOM

SOLO/MAIN

LEVEL A/B

min max

REC LEVEL

min max

STEREO IN LEVEL

min max

A/B SELECT

B/REC

REC

PV 10

9/10

CONTROL ROOM MONITOR OUTPUT B / RECORD OUT

is pair of outputs can either serve as your "B" Record Monitor Output; or, with the B/REC switch (42) down, as an independently controlled Record Output. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the

B/REC control.

USB RECORD LEVEL KNOB

Controls the level of signal sent to the USB B connector on the back of the mixer. e recommended setting is near 12:00, but a wide range is available to accommodate varying levels and sensitivites.

CONTROL ROOM LEVEL

Controls the level of signal returning from the USB B connector on the back of the mixer. e signal is routed to the control room and headphone outputs, for multitrack recordings on a DAW. e recommended setting is near 12:00.

min max

RECORD LEVEL

Press to

Select

46 47

min max

TO CONTROL ROOM

EFFECts media

USB MEDIA PLAYBACK

USB

Press to

Select

or edit

EFX SELECTMEDIA SELECT

AutoTUNE

DIGITAL EFFECT/MEDIA PLAYBACK

MEDIA AND EFFECTS LCD DISPLAY

e top row of this LCD displays the currently selected Eect and the bottom row displays the statusof the MP3 Player, which can be used for navigating the folders on the USB drive or displaying the current song playing. e bottom line will also briey display the Bluetooth status during power on, power o, and memory clearing.

MEDIA SELECT

Once a USB device is connected in channel 8, you can use the “Media Select” encoder to navigate through the folders/songs on the drive. Once the desired le is displayed on the screen, press the Media Select knob to cue that le. Use the controls on the mixer for play, pause, forward and reverse.

EFX SELECT KNOB

See detailed description on the following page.

MEDIA PLAYBACK CONTROLS

ese controls allow you to play, pause and scroll though digital media via USB jack.

AUTO-TUNE MODE BUTTON (PV10AT ONLY)

Pressing this switch changes the top line of the LCD between Auto-Tune Edit Mode and EFX Edit Mode. is funtion is not available in

the PV10BT.

PV10AT Front Panel

EFX Select Knob:

EFX Mode:

In EFX Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the EFX preset in the display. e new selection will be blinking in the display; push the EFX Select knob to choose the new eect. Once the effect has been selected, you can now edit the eect. To do this, press the EFX Select knob and the display will change to the current parameter setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.

Auto-Tune Mode:

In Auto-Tune Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob changes the Auto-Tune preset in the display. e new selection will be blinking in the display; push the EFX Select knob to choose the new Auto-Tune preset.

Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. e display will change to the current Key setting. Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. e Key setting determines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table below.

Note:

If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use the EFX Select knob to select the Root (labeled "RT"). is will be the note o which the custom key is based. en use the Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have nished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. e mixer is capable of storing 9 dierent custom keys, one for each preset slot.

e scale degrees are numbered across the top, with half-steps indicated by a dash.

RT=Root or Key

*indicates the root or key is C

"+" indicates the note will be allowed.

"-" indicates the note will not be allowed.

By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. ere are only two of those, so you can have the other one just by changing the root to C# or B.

*is screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root.

Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select knob to change the Speed setting. e Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. e range for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed parameter.

e display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. e Detune setting determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to the standard A440, or where the note A4 equals 440 Hz. e range of the Detune setting is -64 to 63 cents, a width of 128 cents. e distance between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to t any possible environment.

Note:

Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned on-the-y. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 stan dard, simply change the Detune setting in the Auto-Tune setting. is is much easier and takes much less time than having some one tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global param eter. is means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change.

Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all AutoTune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.

Note:

Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Autotune, without having to adjust any settings. e slower speed setting does not produce a robotic eect on the voice, and all twelve semitones are allowed. Just remember to use footswitch #2 to bypass Autotune between songs, otherwise your speaking will be Autotuned!

Auto-Tune Key Table

Auto-Tune Key Table Key Display Note Number (n)=

Key 0 1 2 3 4 5 6 7 8 9 10 11 Chrom C C# D D# E F F# G G# A A# B C Maj C D E F G A B C Mnr C D D# F G G# A# C#Maj C C# D# F F# G# A# C#Mnr C# D# E F# G# A B D Maj C# D E F# G A B D Mnr C D E F G A A# D#Maj C D D# F G G# A# D#Mnr C# D# F F# G# A# B E Maj C# D# E F# G# A B E Mnr C D E F# G A B F Maj C D E F G A A# F Mnr C C# D# F G G# A# F#Maj C# D# F F# G# A# B F#Mnr C# D E F# G# A B G Maj C D E F# G A B G Mnr C D D# F G A A# G#Maj C C# D# F G G# A# G#Mnr C# D# E F# G# A# B A Maj C# D E F# G# A B A Mnr C D E F G A B A#Maj C D D# F G A A# A#Mnr C C# D# F F# G# A# B Maj C# D# E F# G# A# B B Mnr C# D E F# G A B

LEVEL

MAIN OUTPUTS

STEREO IN

AUX SEND

PHANTOM POWER

48V

SOLO/MAIN

CONTROL ROOM

SOLO/MAIN

USB

min max

HEADPHONE/

SOLO/MAIN

Press to

Select

Press to

Select or edit

EFX SELECTMEDIA SELECT

DIGITAL EFFECT/MEDIA PLAYBACK

USB MEDIA PLAYBACK

EFFECts media

LEVEL A/B

min max

REC LEVEL

min max

RECORD LEVEL

min max

TO CONTROL ROOM

min max

STEREO IN LEVEL

min max

ENABLE

A/B SELECT

B/REC

KOSMOS-C

min max

HIGH

LOW

REC

PV 10

9/10

POWER

PV10AT Front Panel

52 53 55

min max

MASTER

SOLO

AUX

SOLO

min max

RETURN TO MAIN RETURN TO AUX

MIC MUTE

MONO

(SUM)

STEREO

min max

EFX

MUTE

EFX

AUX MASTER CONTROL KNOB

Controls the overall level of the signal coming out of the Aux Output (31). is Auxiliary output is typically fed to a power amplier to drive

SOLO

MAIN L+R

stage monitors so singers can hear themselves amidst amplied instruments, or to a headphone amplier to give vocalists a monitor feed that will not be picked up by microphones while recording.

AUX MASTER SOLO BUTTON AND LED

Allows you to listen to just the Auxiliary mix. e setting of the AUX MASTER knob determines the level you will hear when this button is pressed.

EFX RETURN SOLO BUTTON AND LED

Allows you to listen to just the eects return. e setting of the Return to Main knob determines the level you will hear when this button is pressed.

RETURN TO AUX CONTROL KNOB

is control determines the level of the internal digital eects processor being sent to the Aux output. One possible use is to put reverb in the headphones of a vocalist, to give them a condence boost for recording, without putting any reverb on the actual recorded track. Or in a live situation, the same can be done by feeding a delay or reverb to the monitors.

EFX RETURN TO MAIN

is control determines the level of the internal digital eects processor being sent to the main L and R outputs.

EFX MUTE BUTTON AND LED/CLIP LED

When depressed, the output of the internal digital eects is shut o. Muting the eects is an easy way to determine what a particular eect is doing to your mix. LED remains lit when EFX MUTE is engaged. When EFX MUTE is not engaged, this LED functions as a clip indicator for the internal digital eects. If the digital eects are clipping, reduce the level of the EFX SEND pots.

PV10AT Front Panel

STEREO/MONO MODE SWITCH

In the mono position, the le and right buses are summed together aer the faders. In this position, the L fader controls the level of the L bus, and the R fader controls the level of the R bus, allowing you to use the L and R buses as groups. For example, all vocals could be panned L and

all instruments panned R. en the L fader becomes the vocal master level and the R becomes the instruments master level.

MIC MUTE BUTTON AND LED

Depressing this button mutes all of the mic inputs channels (1-4) and the eects return. e media input channels are still "live". is allows you to play break music, while muting all of the microphone inputs.

MAIN LEVEL FADERS

e Master Faders control the levels sent to the Main Le/Right outputs (34, 35). Best results are obtained when these controls are set near the midpoint of the enclosed rectangle.

MAIN L+R METER ARRAY

Displays the level of the L and R outputs, or, when solo is active, displays the soloed channel(s). e top green LED corresponds to an output level of +4dBu. e red LED is a clip warning indicator. e range of the meter is from -17 dBu to + 15 dBu.

MAIN SOLO LED

Lights when any solo button is pushed, to indicate that the solo system is active.

USB

Press to

Select or edit

PV 10

POWER

PV10AT Front Panel

KOSMOS-C HIGH CONTROL

A very selective high frequency lter with a high Q. e eect varies with source material, so some experimentation is required for optimum results.

KOSMOS-C LOW CONTROL

is Kosmos-C Low enhancement works by creating harmonics of signals in the bottom ocave, where speakers are usually ineective. e harmonics are more easily reproduced, resulting in a perception of stronger bass. e eect is source dependent; obviously a source with little energy in the bottom octave will not create booming bass.

KOSMOS-C ENABLE

Allows you to easily A/B the eects of your Kosmos Settings.

HEADPHONE SOLO/MAIN LEVEL

min max

HIGH

min max

LOW

ENABLE

KOSMOS-C

HEADPHONE/

SOLO/MAIN

Controls the level of the headphones. e headphone is normally fed by the main outs, unless the solo system is active. Always start with the headphone level at "min" to avoid hearing damage.

min max

LEVEL

SOLO/MAIN

PV10AT/PV10BT

67 68 69

POWER

DIGITAL AUDIO

PORT

DC POWER INLET

COMPUTER

Use to connect the included power supply. Be sure the power supply is connected to the PV®10 before connecting to a power source. Use 15VDC, 1A adapter only. Replace only with Peavey part number 30908119.

POWER SWITCH

is is the main power switch.

USB PORT TYPE B

e USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer. e USB port sends the mixer’s main/tape stereo out to the computer. e USB port receives digital audio from the computer; it can then be assigned through the selector switch (27) to the main le/right output, if the computer is being used for playback only. For recording, use the USB TO CONTROL ROOM control (47), to avoid creating a loop. Compatible with Windows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0

or later, and iOS devices.

Block Diagram-PV®10AT & PV®10BT

CBA

A B C D

RIGHT

3.5mm In

4-9-2015_11:362 2

Date:

Meridian, MS 39305

PV10_BLOCK

5022 Hartley Peavey Drive

Peavey Electronics Corp.

Sheet

Sheet Title:

Title:

CONFIDENTIAL

CLIP

FOOTSWITCH

T = EFX Mute

R = AutoTune Bypass (AT Models)

EFX

DEFEAT

MUTE

EFFECTS

MEDIA PLAYER

EFX In

EFX Out

Solo

MIC

MUTE

SELECTOR

EFX

MEDIA

SELECTOR

To Mains

EFX Return

To AUX

EFX Return

OUT

LEFT

Mono

KOSMOS - C

KOSMOS ENABLE

MIC

MUTE

Level

Headphone

Solo

A/B

Select

Level

Control Rm

OUT

RIGHT

Master

Right

HIGH

LOW

Left

Master

SOLO

AUX EFX

Right Left

Right 1-4 Left 1-4

Control Rm A

Record

Control Rm B/

Record Out

Level

Record Out

OUT

To USB B Streaming Output

Level

Record

AUX

Solo

PAN

CLIP

SIGNAL

LEVEL

Mute

PAN

EFX

AUX

CLIP

Solo

SIGNAL

LEVEL

Mute

EFX

AUX

Solo

CLIP

SIGNAL

BALANCE

EFX

AUX

Mute

LEVEL

ON/OFF

AUTO-TUNE

CH 1-2 ONLY

Direct Output

Bypass

12kHz

4kHz

400Hz

MID-MORPH

80Hz

COMP

Ch 1-2 Only

+48V

ON/OFF

PHANTOM

CHANNEL 1 - 3

MIC PRE

231

XLR

Threshold

HI PASS

Gain

LINE

ON/OFF

AUTO-TUNE

Bypass

4kHz

MID-MORPH

COMP

Ch 1-2 Only

Guitar

MIC PRE

PHANTOM

231

XLR

CHANNEL 4

12kHz

400Hz

80Hz

HI PASS

CH 1-2 ONLY

Direct Output

Threshold

Gain

LINE

LEFT

RIGHT

CHANNEL 5/6

LO MID HI

LEFT

RIGHT

Solo

CLIP

SIGNAL

Mute

USB A

CHANNEL 7/8

BALANCE

LEVEL

LO MID HI

Input

Media Player

EFX

Input

USB B

Streaming

Input

STATUS

AUX

Selector

Solo

INPUT

BLUETOOTH

LEFT

CHANNEL 9/10

PV®10AT & PV®10BT Series Specications

Mic pre EIN = -126 dBu @ max gain with 150 ohm source

Inputs

Function Input Z

(ohms min)

Microphone

(150 ohms)

Line

(10 k ohms)

Line 4 TS, GTR

SHAPE ON

Stereo Input 5/6

Stereo Input 9/10

3.5mm, RCA

2 kΩ Max Gain

10 kΩ

1 Meg Ω @ ≤ 200

Hz, like 12AX7

input.

10 kΩ

6.8 kΩ

2.8 kΩ

Input Gain

Setting Min** Nominal* Max

(59 dB)

Min Gain

(4 dB)

Max Gain

(40 dB)

Min Gain

(-15 dB)

Max Gain (18 dB)

Nominal

Max Gain ( 18 dB)

Nominal

Max Gain (18 dB)

Nominal

-71 dBu

-17 dBu

-52 dBu

+2 dBu

-31 dBu

-13 dBu

-23 dBu

-15 dBu

-43 dBu

-24 dBu

0 dBu=0.775 V (RMS)

** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain. * Nominal settings are dened as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specied.

Input Levels

-51 dBu

+5 dBu

-32 dBu

+23 dBu

-12 dBu

+6 dBu

-13 dBu

-5 dBu

-23 dBV

-5 dBu

-39 dBu

+16 dBu

-20 dBu

> +32 dBu

+1 dBu

+19 dBu

+3dBu

+12 dBu

-10 dBu

+8 dBu

Bal/

Connector

Unbal

Bal XLR Pin 1 Gnd

Bal 1/4" TRS;

Unbal 1/4" TS;

Unbal 3.5mm; Tip=L, Ring

Pin 2 (+)

Pin 3 (-)

Tip (+)

Ring (-)

Sleeve Ground

Tip (+)

Sleeve Ground

= R,

Sleeve Ground

RCA: Tip (+),

Sleeve Ground

Outputs

Function Min Load

(ohms)

Main Left/Right 600 +4 dBu

Eects and

Monitor Sends

Control Room 600 +4 dBu

Headphone 8 +4 dBu (no load)

0 dBu=0.775 V (RMS)

600 +4 dBu

Nominal Max

Output Levels

+20 dBu

+20 dBu Unbal RCA: Tip (+),

+20 dBu

Bal/

Connector

Unbal

Bal XLR Pin Ground Tip

Pin 2 (+), Pin 3 (-)

1/4" TRS: Tip (+), Ring (-)

Sleeve Ground

Bal 1/4" TRS: Tip (+), Ring (-)

Sleeve Ground

Unbal 1/4" TRS; Tip Left, Ring Right

Sleeve Ground

Gain

Mic Input Gain Adjustment Range: 4 dB to 59 dB

Mic Input to Left/Right Balance Output 79 dB (max gain)

Line Input Gain Adjustment Range: -16 dB to 40 dB

Line Input to Left/Right Balance Output 60 dB (max gain)

Stereo 5/6 1/4" Gain Adjustment Range: O to +18 dB

Stereo 5/6 1/4"to Left/Right Output 42 dB (max gain)

Stereo 5/6 3.5mm / RCA Gain Adjustment Range: O to +28 dB

Stereo 5/6 3.5mm / RCA to Left/Right Output: 47 dB (max gain)

Stereo 9/10 Gain Adjustment Range: O to +18 dB

Stereo 9/10 to Left/Right Output 28 dB (max gain)

Frequency Response

Mic Input to Left/Right Output, Max Input Gain 14 Hz to 25 kHz +0 dB/-1 dB

Mic Input to Left/Right Output, input gain 12:00 9.5 Hz to 29 kHz +0 dB/-0.8 dB

Total Harmonic Distortion

<0.006% Typical, Mic to Left/Right Output (22 Hz to 22 kHz BW)

Hum and Noise

Output Residual Noise S/N Ratio (Ref: +4dBu) Test Conditions

Master Left/Right -97 dBu 101 dB Master Fader Down, Channel Levels Down

-90 dBu 94 dB Master Fader Nominal, Channel Levels Down

-83 dBu 87 dB Master Fade Nominal, Channel Faders Nominal, Panned Odd Channels (left), Even Channels

(right)

Monitor Send -95 dBu 99 dB All controls o

-80 dBu 84 dB All channel sends nominal, masters nominal

(Hum and noise measurements: 22 Hz to 22 kHz BW)

Equivalent Input Noise

-128 dBu (input terminated with 150 ohms, bandwidth 20 kHz)

Crosstalk/Attenuation

Adjacent Input Channels (1 kHz) >90 dB Mute Button Attenuation (1 kHz) >90 dB

Left to Right Outputs (1 kHz) >70 dB Channel Fader Kill (1 kHz) >85 dB

Common Mode Rejection Ratio (Mic Input)

50 dB minimum (20 Hz to 20 kHz)

70 dB typical @ 1 kHz

Meters

6 segment, peak reading (0 db = +4 dBu) Red LED lights 5 dB below clipping

Signal/Overload Indicators

Dimensions

12.75" wide x 15.1" deep x 2.1875" high

(32.39 cm x 38.35 cm x 5.56 cm)

Weight

PV10BT: 8.22 lbs (3.73 kg) 100-240 VAC 50/60 Hz 15 Watts PV10AT: 8.26 lbs (3.75 kg)

Power Requirements

Logo referenced in Directive 2002/96/EC Annex IV

The bar is the symbol for marking of new waste and

13 August 2005

www.peavey.com

Warranty registration and information for U.S. customers available online at

www.peavey.com/warranty

or use the QR tag below

Features and specications subject to change without notice.

Peavey Electronics Corporation 5022 Hartley Peavey Drive Meridian, MS 39305 (601) 483-5365 FAX (601) 486-1278

(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005

is applied only to equipment manufactured after

Peavey PV 10 BT Users Manual

Specifications and Main Features

Frequently Asked Questions

User Manual