WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
ELECTRIC GUITAR PRE-SHAPE
RL
USBA
minmax
GAIN
0
0
0
0
+
+
+
-
minmax
HIGH
0
-
minmax
MID
0
-
minmax
LOW
+
+
+
USBB
Bluetooth
minmax
GAIN
0
+
-
minmax
HIGH
0
+
-
minmax
MID
0
+
-
minmax
LOW
PHANTOM POWER
48V
minmax
LEVEL A/B
minmax
RECORD LEVEL
Press to
Select
FS
L
STEREO IN
R
9/10
9/10
minmax
STEREO IN LEVEL
minmax
REC LEVEL
minmax
TO CONTROL ROOM
EFFECts
media
MAIN
OUTPUTS
9
10
CONTROL ROOM
USB MEDIA PLAYBACK
DIGITAL EFFECT/MEDIA PLAYBACK
SOLO/MAIN
A/B SELECT
B/REC
REC
L
R
A
B/
EFX SELECTMEDIA SELECT
PV 10
RL
USB
Press to
Select
or edit
AutoTUNE
L
R
Operating
Manual
minmax
minmax
leftright
CLIP
SIGNAL
minmax
SOLO
minmax
AUX
minmax
EFX
c
RL
leftright
PAN
CLIP
SIGNAL
12345/67/8
minmax
LEVEL
SOLOSOLOSOLOSOLOSOLO
1
AUX
EFX
PAN
LEVEL
c
RL
CLIP
SIGNAL
minmax
2
minmax
AUX
minmax
EFX
c
RL
leftright
PAN
LEVEL
CLIP
SIGNAL
minmax
3
minmax
AUX
minmax
EFX
c
RL
leftright
PAN
LEVEL
ANALOG
MEDIA CHANNEL
CLIP
SIGNAL
minmax
4
minmax
leftright
AUX
BAL
LEVEL
c
5/6
RL
MUTEMUTEMUTEMUTEMUTE
minmax
AUX
DIGITAL
MEDIA CHANNEL
c
RL
leftright
BAL
CLIP
SIGNAL
minmax
LEVEL
7/8
L
MASTER
SOLO
SOLO
minmax
L
MONO
(SUM)
MIC MUTEMUTE
R
SOLO
minmax
minmax
RETURN TO MAINRETURN TO AUX
STEREO
MAIN L+R
minmax
AUX
HIGH
EFX
MUTE
minmax
EFX
R
LOW
ENABLE
KOSMOS-C
HEADPHONE/
SOLO/MAIN
minmax
LEVEL
SOLO/MAIN
www.peavey.com
FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation
is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device
must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence.
L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2)
I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible
d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s
authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try and correct the interference by one or more of the following measures.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is con-
nected.
• Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.
Features and specifications are subject to change without notice.
Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301
Congratulations on purchasing the Peavey PV®10AT or PV®10BT Compact Mixer. e PV®10AT and PV®10BT are studio-quality mixing consoles designed to meet diverse needs while occupying a small space. ese are the perfect consoles for small venue performances or home recording environments. PV series mixers feature built-in DSP eects that are useful in real-world recording and sound reinforcement, while parameter
controls allow you to tailor each eect to meet your needs.
e PV 10 BT includes 4 channels of reference-quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital eects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos
audio enhancement, 48 volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable
guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge.
is amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless
connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 10 BT can
stream audio directly to a PC. MP3 playback is also available, just plug a ash drive with MP3 les on it into the USB A port and use the LCD to
select and playback music. e PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and
the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 2 Channels of compression keep signals
with dicult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specically for guitar. Hi pass lters on every
channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or
power amplier. e all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reliability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it.
In addition to all of these features, the PV10AT features 2 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up
vocal harmonies, or it can be set for robotic vocal eects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to
auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set.
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.
FEATURES:
• 4 Combination 1/4" and XLR low noise mic preamps
• Stereo 1/4", RCA or 3.5mm input channel
• Bluetooth wireless connectivity
• 3-band EQ on all channels
• 4 Channels of Peavey's Exclusive Mid-Morph
• 150 Hz low-cut switch on all mic inputs
• LED clip and signal present indication
• Individual channel mutes
• EQ Bypass per mic channel
• On board studio quality digital eects with individual channel control
• Eects and playback LCD display
• One pre-fader AUX send
• Precision 60 mm faders on master
• Dual selectable control room outputs / Record out with independent level
• Global 48V phantom power
• Main stereo outputs with balanced 1/4" and XLR connectors
• Rugged console design
Installation Note:
is unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
• 2 channels of built-in compression
• Stereo pan control per channel
• On-board USB-A MP3 playback
• 4 Channels of direct out
• Kosmos -C bass and treble enhancement
• Channel 9/10 stereo return/input
• Individual Solo function
• Stereo USB-B streaming audio in and out
• High quality master LED meter bridge
• Master mic mute
• Studio quality headphone output
• Peavey's exclusive on-board 1 Meg guitar input
• Antares Auto-Tune with Peavey's exclusive Custom Key
feature
PV10AT Front Panel (channels 1 and 2)
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
1
2345/6
7/8
USB A
DIRECT OUT
5
6R
L
R
L
10
9
R
L
R
L
DIRECT OUTDIRECT OUT
PAIRING
9/10
1/4”-Hi-Z CH.4 Only
LEVEL
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
MAIN L+R
1
1
2345/6
7/8
DIRECT OUT
RL
L
L
R
R
PHANTOM POWER
48V
USB A
SOLO/MAIN
CONTROL ROOM
SOLO/MAIN
USB
minmax
HEADPHONE/
SOLO/MAIN
DIRECT OUT
SOLO
SOLOSOLOSOLOSOLOSOLO
5
6R
L
R
L
10
9
R
L
R
L
Press to
Select
Press to
Selector edit
EFX SELECTMEDIA SELECT
DIGITAL EFFECT/MEDIA PLAYBACK
USB MEDIA PLAYBACK
EFFECtsmedia
minmax
minmax
DIRECT OUTDIRECT OUT
MIC MUTEMUTE
MASTER
minmax
RETURN TO MAINRETURN TO AUX
DIGITALMEDIA CHANNEL
LEVEL A/B
minmax
REC LEVEL
minmax
RECORD LEVEL
minmax
TO CONTROL ROOM
minmax
ANALOGMEDIA CHANNEL
RL
EFX
AUX
STEREO IN LEVEL
minmax
ENABLE
A/B SELECT
B/REC
KOSMOS-C
minmax
minmax
HIGH
LOW
USBA
USBB
Bluetooth
MONO
(SUM)
STEREO
A
B/
REC
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
EQ BYPASSEQ BYPASSEQ BYPASS
PAIRING
LEVEL
minmax
HIGH
LOW
0
-
+
minmax
0
-
+
minmax
PAN
c
RL
leftright
EFX
minmax
AUX
minmax
COMP
minmax
GAIN
2
minmax
comp
HI PASS
MID-MORPH
0
lowhigh
-
+
LEVEL
minmax
HIGH
LOW
0
-
+
minmax
0
-
+
minmax
PAN
c
RL
leftright
EFX
minmax
AUX
minmax
GAIN
3
minmax
HI PASS
MID-MORPH
0
lowhigh
-
+
LEVEL
minmax
HIGH
LOW
0
-
+
minmax
0
-
+
minmax
PAN
c
RL
leftright
EFX
minmax
AUX
minmax
GAIN
4
minmax
HI PASS
MID-MORPH
0
lowhigh
-
+
LEVEL
minmax
HIGH
LOW
0
-
+
minmax
0
-
+
minmax
BAL
c
RL
leftright
AUX
minmax
GAIN
5/6
minmax
MID
LEVEL
minmax
HIGH
LOW
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
0
-
+
minmax
BAL
c
RL
leftright
AUX
minmax
GAIN
7/8
12345/67/8
minmax
MID
PV 10AT
PV 10
ELECTRIC GUITAR PRE-SHAPE
9/10
9/10
EFX
MUTE
SOLO
SOLO
1/4”-Hi-Z CH.4 Only
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
SIGNAL
CLIP
MUTEMUTEMUTEMUTE
Auto-TUNE
Auto-TUNE
AT
1
MIC/LINE INPUT (CH.1-8)
is combination input jack accepts a ¼” or XLR balanced plug. e XLR balanced input is optimized
for a microphone or other low impedance source. e ¼” input is a TRS balanced type, and also accepts
ordinary TS guitar cables.
2
DIRECT OUT
is impedance-balanced TRS output signal is taken aer the mic preamp, hi pass lter, and compressor,
but before the EQ stage.
3
AUTO-TUNE ACTIVATION BUTTON AND LED (PV10AT only)
Pressing this button activates the PV10AT's onboard AUTO-TUNE feature. e button illuminates when
in AUTO-TUNE mode (SEE Eects Select {50} and the following page).
4
GAIN
e Input Gain control is used to establish proper gain structure in the channel. For best results, use the
Solo system (19) to monitor the channel while you set the gain. e goal is maximum gain without distortion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used
for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain.
5
150 Hz HI PASS FILTER
e hi pass lter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing
low frequencies that make a mix sound muddy. is feature is especially useful when playing outside on a
windy day or on a hollow-sounding‚ noisy stage. ese kinds of ambient noises can rob your sound system
of power. Engaging this switch will remove those frequencies from the system and restore power where
needed.
6
COMPRESSION CONTROL (Channels 1 and 2 only)
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of
compression. e compressor ratio is in the 4:1 range, varying with signal levels and the amount of compression. is is useful for controlling peak levels from live sources, and has been designed to subtly tame
the levels of live vocals without noticeable artifacts. e compressor is aer the gain control (5) and the hi
pass lter (4), but before the direct out (2), so it can be patched to external equipment.
7
Compressor LED
is LED illuminates when the compressor is actively compressing a signal.
8
Hi EQ
is active tone control (shelving type: ±15 dB) varies the level of the high frequency range.
9
MID-MORPH EQ (CH. 1-7)
Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned
counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise,
it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument denition can
be achieved.
10
Low EQ
is active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker
damage.
11
EQ BYPASS
Engaging this button bypasses the equalization of the channel, allowing you to easily hear the eect of
the EQ settings.
12
AUX SEND
is control adjusts the level of the channel signal sent to the Aux output. e signal is taken before the
channel level (18) but aer the channel EQ, meaning that changes to the EQ settings will aect the aux
mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors,
when used in a live performance, or to feed headphone ampliers in a recording situation.
7
DIRECT OUT
HI PASS
minmax
comp
GAIN
minmax
COMP
16
17
-
minmax
HIGH
-
lowhigh
MID-MORPH
-
minmax
LOW
EQ BYPASS
minmax
minmax
leftright
CLIP
SIGNAL
minmax
LEVEL
SOLO
AT
0
+
0
+
0
+
AUX
EFX
c
RL
PAN
MUTE
1
2
3
4
5
6
8
9
10
11
12
13
14
15
18
19
PV10AT Front Panel (channels 1 and 2)
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
7/8
RL
PHANTOM POWER
48V
USB A
CONTROL ROOM
SOLO/MAIN
5
6R
L
R
L
10
9
R
L
R
L
RL
STEREO IN LEVEL
minmax
USBA
USBB
Bluetooth
10 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
PAIRING
GAIN
PV 10
9/10
9/10
1/4”-Hi-Z CH.4 Only
POWER
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
7/8
USB A
5
6R
L
R
L
10
9
R
L
R
L
PAIRING
9/10
13
EFX SEND
is control adjusts the level of the channel signal added to the eects mix. e signal is sent to the internal eects processor. Turning the knob to
the le (min) will turn o eects on the associated channel, while turning the knob to the right will increase the amount of the selected eect. e
eects send signal is taken aer the channel level (18) so that adjustments made to the fader will also aect the send level.
14
PAN CONTROL
is knob controls the placement of the signal in the stereo eld. When rotated completely counterclockwise‚ the signal is present only on the le
channel; when rotated completely clockwise‚ only in the right channel. is control functions as a balance control to adjust the relative level of the
le and right signals on stereo channels 5/6 and 7/8. (Note 1/4" inputs on ch 5-6 and 9-10 are mono unless both are connected, then they switch
to stereo)
15
MUTE SWITCH
Pressing this switch will silence the channel signal going to the main mix, aux send, and eects. e mute switch will not aect the signal sent to
the solo system.
16
CLIP/MUTE LED
is LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. e clip indicator
circuit monitors the signal aer the gain control, aer the EQ, and aer the main level; because clipping can be caused by high settings of any
of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e.
piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting
of input gain + EQ will result in this LED ashing briey on the loudest peaks.
17
SIGNAL LED
e signal LED lights when the channel level reaches approximately -20 dBu. is not only indicates which channels are active, but also serves as
a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source.
18
CHANNEL LEVEL CONTROL
is is the channel's output control, which sets the signal level sent to the le and right mix and the eects send control. e gain is 0 dB (unity gain) when set to the detent at mid-rotation (12:00). 10 dB of boost is available at the max gain setting. Normal operation is to start with
this knob at the detent, and set the input gain and EQ with the source playing such that normal levels are seen at the signal /clip LED's and the
main meter array. As additional sources are added, it is normal to turn this knob down slightly to prevent overdriving the main mix bus.
19
SOLO SWITCH AND LED
When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master section, indicating that the Solo system is now active. e Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to
the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected
source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed
channel(s).
PV10AT Front Panel (channel 4)
20
MIC/LINE INPUT (CHANNEL 4 ONLY)
is input is the same as channels 1-3 unless Guitar Shape is pressed. When ELECTRIC GUITAR
PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube
guitar amplier input.
21
Electric Guitar Pre-Shape
Engaging this button optimizes the on board equalization for electric guitar.
20
1/4”-Hi-Z CH.4 Only
DIRECT OUT
21
HI PASS
minmax
LEVEL
3.5mm STEREO
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
MAIN L+R
7/8
RL
L
L
R
R
PHANTOM POWER
48V
USB A
SOLO/MAIN
CONTROL ROOM
SOLO/MAIN
USB
minmax
HEADPHONE/
SOLO/MAIN
SOLO
5
6R
L
R
L
10
9
R
L
R
L
Press to
Select
Press to
Select
or edit
EFX SELECTMEDIA SELECT
DIGITAL EFFECT/MEDIA PLAYBACK
USB MEDIA PLAYBACK
EFFECtsmedia
minmax
minmax
MIC MUTE
MASTER
minmax
RETURN TO MAINRETURN TO AUX
LEVEL A/B
minmax
REC LEVEL
minmax
RECORD LEVEL
minmax
TO CONTROL ROOM
minmax
EFX
AUX
STEREO IN LEVEL
minmax
ENABLE
A/B SELECT
B/REC
KOSMOS-C
minmax
minmax
HIGH
LOW
MONO
(SUM)
STEREO
A
B/
REC
PAIRING
PV 10
9/10
9/10
EFX
MUTE
SOLO
SOLO
POWER
MAIN OUTPUTS
STEREO IN
FS
AUX SEND
R
L
10
9
R
L
R
L
9/10
PV10AT/PV10BT Front Panel (channels 5, 6, 7 and 8)
22
3.5mm STEREO INPUT
e 3.5mm input to channel 5/6 accepts a stereo input from the output of an MP3 player,
CD player, tape deck or other similar device. is input is optimized for portable handheld devices and therefore has very high sensitivity.
23
STEREO INPUTS
Channels 5 and 6 also feature 1/4" inputs. If only one jack is used, it behaves as a mono
source with a pan control. When both jacks are connected, these connections serve as a
stereo source with a balance control; 5 is Le and 6 is Right.
24
USB MEDIA JACK
A-type USB connector that a removable data storage device can be connected to playback
music
USB PLAYBACK:
First, slide the input selection switch (27) to the USB A position. e bottom of the LCD
display will say “Insert USB drive”. Insert your USB drive into the USB Media Jack (24)
at the top of channel 7/8. e Media Player will now enter "Folder Navigation Mode". In
this mode, you can scroll through a list of all folders on the USB drive. Once you select
a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll
through a list of all songs contained in the selected folder. If there are no songs in the
selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll
to the very beginning of the list and select the <FOLDERS> option.
Once a song is nished playing, the Media Player will automatically start playing the next
song. Once the Media Player reaches the last song, it will automatically loop back to the
beginning of the list.
25
BLUETOOTH PAIRING BUTTON AND LED
e Bluetooth Pairing Button is used to turn on/o the Bluetooth. Once turned on, the
Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled
device with the mixer using the PIN 7878. e blue “Bluetooth Active LED” indicates the
status of the Bluetooth connection. If the LED is o, the Bluetooth module is powered
o. If the LED is slowly ashing, the PV mixer is not paired with any device, but is available for connection. When the LED is lit solid, the source device is properly paired to the
mixer and ready to play. To clear the paired device memory, make sure Bluetooth is on
and press and hold the Bluetooth Pairing Button for 5 seconds. e PV mixer will ask if
you would like to clear the Bluetooth memory. Select "Y" using the Media Select knob
to clear the memory. e PV mixer will go through the process of clearing the memory,
which should take approximately 15 seconds.
26
RCA MEDIA INPUTS
e RCA inputs to channel 5/6 accept a stereo source such as an MP3 player, CD player,
tape deck or other similar device. is input is optimized for portable handheld devices
and therefore has very high sensitivity.
27
DIGITAL SOURCE SELECTOR
is switch selects between USB A (24), USB B (68), and the internal Bluetooth receiver.
28
MID CONTROL
Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are
described above.
22
3.5mm STEREO
L
USB A
24
5
23
PAIRING
5/6
6R
7/8
25
RL
26
USBB
27
USBA
Bluetooth
minmax
GAIN
0
-
minmax
HIGH
0
minmax
GAIN
0
+
+
-
minmax
HIGH
0
28
29
+
-
minmax
MID
0
+
-
minmax
LOW
minmax
AUX
ANALOG
MEDIA CHANNEL
c
RL
leftright
BAL
MUTE
CLIP
SIGNAL
+
-
minmax
MID
0
+
-
minmax
LOW
minmax
AUX
DIGITAL
MEDIA CHANNEL
c
RL
leftright
BAL
MUTE
CLIP
SIGNAL
30
5/67/8
minmax
LEVEL
SOLOSOLO
5/6
minmax
LEVEL
7/8
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