Panasonic AW-E860L User Manual

FRANÇAIS

DEUTSCH ENGLISH

ITALIANOESPAÑOL

Convertible Camera

AW-E860L

Before attempting to connect, operate or adjust this product,

please read these instructions completely.

- 1 (E) -

1

indicates safety information.

$

DO NOT REMOVE PANEL COVER BY
UNSCREWING.

To reduce the risk of electric shock, do not remove
cover. No user serviceable parts inside.
Refer servicing to qualified service personnel.

WARNING:

TO REDUCE THE RISK OF FIRE OR SHOCK
HAZARD, KEEP THIS EQUIPMENT AWAY
FROM ALL LIQUIDS-USE AND STORE ONLY
IN LOCATIONS WHICH ARE NOT EXPOSED
TO THE RISK OF DRIPPING OR SPLASHING
LIQUIDS, AND DO NOT PLACE ANY LIQUID
CONTAINERS ON TOP OF THE EQUIPMENT.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK
HAZARD AND ANNOYING INTERFERENCE,
USE THE RECOMMENDED ACCESSORIES
ONLY.

Note:

The rating plate (serial number plate) is on the
bottom of the unit.

ENGLISH VERSION

- 2 (E) -

ENGLISH

The information marking of this product may be found on the
bottom of the product.
The serial number of this product may be found on the
bottom of the product.
You should note the serial number of this product in the
space provided and retain this book as a permanent record
of your purchase to aid identification in the event of theft.

Model No.

Serial No.

CONTENTS

Preface ............................................................................... 3

Features .............................................................................. 4

Special notes on operation ................................................. 5

Precautions ......................................................................... 6

Major operating controls and their functions ....................... 8

Mounting ........................................................................... 12

Flange back adjustment (For zoom lens) ......................... 14

Iris gain control in a lens ................................................... 15

Connections ...................................................................... 16

Adjustment ........................................................................ 21

Use mode setting .............................................................. 27

Menu item setting ............................................................. 29

Setting and changing the optional cards ........................... 50

Setting to initial set ............................................................ 51

Appearance ...................................................................... 55

Specifications .................................................................... 56

Standard accessories ....................................................... 58

Caution:

Before attempting to connect or operate this product,
please read these instructions completely.

- 3 (E) -

• The Panasonic AW-E860L is a digital signal processing
colour video camera that incorporates three 2/3” wide
CCDs. A digital video signal processing system is packed
in a compact, lightweight body while assuring high picture
quality, high reliability and high performance.

• System setup and adjustments can be easily performed by
following the setup menu.

• Connection to peripheral devices, such as a RCU, a RCB
and a lens and the camera pan/tilt unit enables a wide
variation of system configurations.

• Option cards may also be installed.

❈ The following cards are not available for AW-E860;

· AW-PB301 Component studio card:
Use AW-PB305.

· AW-PB302 RGB card:
The camera unit contains this function.

· AW-PB303 High-sensitivity card

· AW-PB304 SDI card:
Use AW-PB504.

· AW-PB306 Studio SDI card:
Use AW-PB506.

· AW-PB307 SVGA card

· AW-PB309 WEB card

· AW-PB310 IEEE 1394 card

Preface

Note

In order to protect the environment when the convertible
camera is to be discarded at the end of its service life,
ask a specialized contractor to dispose of it properly.

- 4 (E) -

ENGLISH

1. Digital video signal processing for high quality, high
reliability, high performance, lightweight and compact
size.

2. Resolution: 850 lines (HIGH BAND DTL: ON),
S/N ratio: 63 dB (DNR ON)

3. Minimum illumination: 0.4 lx (F1.7, Night Eye H mode)

4. SET UP menu for system check and readjustments.

5. Built-in automatic controls, including ATW, ELC, and
AGC.

6. CCD readout is switchable between field and frame
modes. Vertical resolution can be stepped up in frame
mode and it is effective for shooting still objects.

7. The built-in synchronized scanning system reduces
noise in computer graphics.

8. Various correction circuits permit video reproduction with
high fidelity.

9. Chroma detail correction enables clear shots of dark
colour objects.

10. A dark detail circuit provides natural edge correction to
any object in a dark scene.

11. The 12-axis digital colour matrix enables users’ to create
images of their choice.

12. Four use modes for each of your specific applications
can be selected.

13. Full colour bar is indicated on the monitor screen.

14. Remote control with a RCU, RCB or a hybrid control
panel.

15. Aspect ratio is 16:9 and 4:3 selectable.

Features

- 5 (E) -

Special notes on operation

• Turn power off before connecting or disconnecting cables.

• Connection or disconnection of any studio cable, RCB
cable or other cable to any unit of equipment must be
performed while power is off.

• While the camera is in automatic mode;
Shooting of bright objects in ELC operation mode may
result in a smeared picture unique to the CCD.
The ATW function under fluorescent illumination can
adversely change the white balance.

• There is a cooling fan inside. It is an expendable part, and
must be replaced about every 30000 hours. (Whenever fan
replacement is necessary, be sure to ask the store where
you purchased the set.)

- 6 (E) -

ENGLISH

Precautions

DON’TS

• Do not attempt to disassemble the camera, remote control
unit (RCU) or other units. In order to prevent electric
shock, do not remove screws or covers. There are no
user-serviceable parts inside.

• Do not abuse the camera. Avoid striking, shaking, etc.
The camera contains sensitive components which could be
damaged by improper handling or storage.

• Do not let the lens remain uncapped when the camera is
not in use. If the lens is not installed, do not leave the lens
mount hole uncovered.

• Do not touch the surface of the lens or prism.

• Do not use strong of abrasive detergents when cleaning
the camera body.

• Do not aim the camera toward the sun, no matter whether
it is turned on or not.

• Do not expose the camera or remote control unit (RCU) to
rain or moisture, and do not try to operate the equipment in
wet conditions. Do not operate the camera or RCU if it
becomes wet.

• Do not operate the camera or remote control unit (RCU)
outdoors during a lightning storm.

• Do not use the camera in an extreme environment where
high temperatures or high humidity exist.

• Do not leave the camera and remote control unit (RCU)
turned on when not in use. Do not unnecessarily turn the
camera power on and off repeatedly. Do not block the
ventilation slots.

• Do not cover the port otherwise block ventilation during
operation. Internal heat buildup can cause a fire.

- 7 (E) -

Precautions

DOS

• Refer any servicing to qualified service personnel.

• Handle the camera with care.

• Protect the precision made lens by placing the lens cap
over when the camera is not in use. If the lens is not
installed, protect the surface of the prism by placing the
body cap into the lens mount hole.

• Use a mild blower or lens cleaning tissue designed for
coated lenses, to clean the surface of the lens or prism in
the event that it should become dirty.

• Use a dry cloth to clean the camera if it is dirty. In case the
dirt is hard to remove, use mild detergent and wipe gently.

• Use caution when operating the camera in the vicinity of
spot lights or bright lights, as well as light reflecting objects
and surfaces.

• Take immediate action if ever the camera or RCU should
become wet. Turn the power off and have the unit checked
by an authorized service facility.

• Follow normal safety precautions to avoid personal injury.

• Use the camera in an environment where the temperature
is within –10°C to +45°C and the relative humidity is within
30 % to 90 %.

• Always turn the power off when the camera is not going to
be used. Operate the camera and RCU only when there is
adequate ventilation.

- 8 (E) -

ENGLISH

Major operating controls and their functions

<Front view> <Top view>

<Side view>

- 9 (E) -

Major operating controls and their functions

1 Lens mount

2/3” Standard bayonet type (B4 mount) lens or a
microscope adapter can be mounted.

2 Lens fixing ring knob

Rotate the lens fixing ring knob counterclockwise and
remove the lens mount cap. Mount the lens on the
camera and rotate the lens fixing ring knob clockwise in
order to fix the lens securely.

3 Mounting hole

A screw hole (1/4” - 20 UNC) for mounting the camera on
a wall, ceiling with a mounting bracket or tripod.

4 Cooling fan

• Do not cover the port or otherwise block ventilation
during operation. Internal heat buildup can cause a fire.

• The cooling fan has a service life of about 30000 hours.
(at a room temperature of 25°C) Replace the fan that
has come to the end of its service life. (If the fan is used
at a room temperature of 35°C and above, replace it
about 30% sooner.)
Whenever fan replacement is necessary, be sure to ask
the store where you purchased the set.

5 Expansion slot

Remove the cover, and connect the expansion card box.
For details, refer to the manual for expansion card box.

6 MENU switch (MENU/A)

A menu will appear on the monitor screen when this
switch is pressed for about 5 seconds. This item can be
selected by pressing the switch while the menu is on the
screen.

7 ITEM/AWC switch (ITEM/AWC/S)

The item just below can be selected by pressing this
switch while the menu is on the screen. When the menu
is not displayed or the camera is in shooting mode, the
automatic white balance control can be set with this
switch.

8 YES/ABC switch (YES/ABC/+)

The Sub Menu for each item of the Main Menu is
displayed when this switch is pressed while the Main
Menu is on the screen.
While the Sub Menu is displayed, any setting can be
brought up to a higher value with this switch. When the
menu is not displayed or the camera is in shooting mode,
the automatic black balance control can be set with this
switch.

9 NO/BAR switch (NO/BAR/–)

The item just below can be selected by pressing this
switch while the Sub Menu is on the screen.
While the Sub Menu is displayed any setting can be
brought down to a lower value with this switch. When the
menu is not displayed or the camera is in shooting mode,
the colour bar and the shooting conditions are alternately
indicated by pressing the switch.

: Video output connector (VIDEO OUT)

A composite video signal is provided at this connector.

; Iris connector (IRIS)

Input terminal for lens with an iris control function.

- 10 (E) -

ENGLISH

Pin No.

Signal
1 Return Control
2 Not Used
3 GND
4

Auto/Manual Control
5 Iris Control
6 Lens Power

Pin No.

Signal
7 Iris Follow
8

Auto/Remote Control

9 Not Used

10 Not Used
11 Not Used
12 Not Used

< I/F Remote connector (I/F REMOTE)

Input terminal dedicated to control signals from the
optional remote control box (RCB) (WV-CB700A, etc.)
and the RCU (WV-RC700A, WV-RC550, etc.) and the
camera pan/tilt unit (AW-PH400, etc.).

• WV-CB700A is connected through the optional RCB
cable (AW-CA50T10/AW-CA50B10).

• WV-RC700A/WV-RC550 is connected through the
optional RCU cable (AW-CA50A26).

• AW-CB400 is connected through the optional camera
control cable (AW-CA50T8).

= Power indicator

Red LED lamp lights to indicate that the specified DC
power is supplied to the camera.

> DC 12 V input connector (DC 12V IN)

12 V DC is supplied through the DC power supply cable
(DC cable with ø6.5 plug supplied with AW-PS505A).
(Recommended AC adapter: AW-PS505A)

? Cable clamp

Clamp the DC power supply cable connected to the DC
12 V input connector to prevent it from slipping out.

@ G/L input connector (G/L IN)

Signals synchronized with the reference signal are to be
supplied to this connector when the camera is to be
synchronized with the reference signal BB.

A Optional card slot

Slot for inserting an optional card. For details, refer to the
manual for optional cards.

- 11 (E) -

Major operating controls and their functions

Cautions

1. Connect this to a DC 12 V class 2 power supply only.

2. To prevent fire or shock, the UL listed wire
VW-1, style 1007 should be used as for the cable for
DC 12 V input connector.

- 12 (E) -

ENGLISH

Mounting

• Lenses of any make can be mounted on the camera as
long as they are equipped with a 2/3” standard bayonet.

• Use the lens extension cable AW-CA12T12A (6”/15 cm) if
your lens cable is too short.

1. Lens mounting

Rotate the lens fixing ring knob counterclockwise and
remove the lens mount cap. Mount the lens on the
camera and rotate the lens fixing ring knob clockwise in
order to fix the lens securely. Connect the camera cable
to the IRIS connector on the back panel of the camera.

Control cable

Camera cable

To lens I/F connector
of camera pan/tilt unit

To iris connector

Lens fixing ring
knob

- 13 (E) -

Mounting

2. Camera mounting

1. To mount a camera on a pan/tilt head or a mounting

bracket or the like, attach the mounting adapter
(supplied) to the bottom of the camera in case of bottom
mounting.

2. Fix the camera mounting base, pan/tilt unit, and tripod

securely in the screw hole (1/4”-20UNC) of the camera or
the mounting adapter.

3. If the camera cannot be securely fixed, mount the camera

on a mounting bracket or the like with the supplied rubber
sheet between the camera and it.

4. To mount the camera on the pan/tilt head, use a driver in

order to fix it securely.

$ Preventing the camera from falling or coming off

OWhen attaching a camera to the pan/tilt head (AW-PH400,

etc.), follow the directions in the Operating Instructions to fix
the camera firmly in position.
In addition, link the camera to the pan/tilt head using the safety
chain and the mounting screws to help ensure the camera
does not fall.

OWhen attaching the camera on any mounting or other pan/tilt

head, check that the mounting can safely bear the total weight
of the camera, lens, connection cables, etc., fix the camera
firmly in position using the prescribed tool, and take
appropriate measures to prevent the camera from falling.

When changing the camera mounting adapter, use a
screwdriver or similar tool to tighten the screws firmly.

Mounting adapter

Camera mounting bracket (WV-831)

- 14 (E) -

ENGLISH

Flange back adjustment (For zoom lens)

1. Fully open the iris by shooting a dark object. (Iris

selection switch should be set to M.)

2. Loosen the flange back lock knob.

3. Aim the camera at any object over 2 meters away from

the camera.

4. Set the lens to its TELE end first and adjust its focus with

the focus ring.

5. Set the lens to its widest angle next and adjust its focus

with the flange back adjust ring.

6. Adjust the focus ring and the flange back adjust ring

alternately for the best focus within the zooming range.
Tighten the flange back lock knob upon completion of
focusing.

7. Turn the iris selection switch to Position A.

FOCUS ring

Flange back lock knob

Flange back adjust ring

- 15 (E) -

Iris gain control in a lens

An iris gain control hole is usually provided in the front of the
lens. Adjustment of the iris gain, with a screwdriver through
the hole may be done as follows. (Shape and location of the
hole may vary depending on the type of lens.)

1. Turn the iris selection switch to Position A (AUTO).

2. Rotate the iris gain control to the maximum gain, but in a

range where no hunting or oscillating of the iris ring
develops.

Iris gain control (G, S)

Automatic iris power zoom lens

- 16 (E) -

ENGLISH

Connections

Caution:

The connection and installation should be done by qualified service personnel or system installers.
Refer any servicing to qualified service personnel.

$ Connection of device with a composite input connector

• Connection to any device which has a composite input connector, such as a video monitor or a VTR, must be made through
the VIDEO OUT connector.

• Power supply to the camera must be through the DC cable with ø6.5 plug supplied with AW-PS505A.

• For DC power supply, use the optional AC adapter AW-PS505A.

VIDEO OUT
connector

Video monitor

AC adapter AW-PS505A

VIDEO IN

75 Ω coaxial cable

DC cable with ø6.5 plug
supplied with AW-PS505A

- 17 (E) -

Connections

Connection to the RCU (WV-RC700A, WV-RC550) is made
through the optional RCU cable AW-CA50A26.

1. Turn RCU power off before connecting cables.

2. Set the cable selection switch of the RCU to MULTI

(in case of using the WV-RC700A).

3. Connect the 50-pin connector of the RCU cable to the I/F

REMOTE connector of the camera.

4. Turn RCU power on and the power indicator lamp will

light. The camera can now be remote controlled by the
RCU.

Notes:

• The maximum extension distance between the camera
and WV-RC700A is 300 m. The maximum extension
distance between the camera and WV-RC550 is 100 m.

• Use the following options for cable extension.
Studio cable WV-CA26U15 (15 m/50 ft)

WV-CA26U30 (30 m/100 ft)
WV-CA26U100 (100 m/330 ft)

Cable joint adapter

WV-CA26T26

$ Connection of a remote control unit (RCU)

Set to MULTI

WV-RC700A

RCU cable
AW-CA50A26 (15 m)

- 18 (E) -

ENGLISH

$ Connection of a remote control box (RCB)

The RCB (WV-CB700A) and the camera must be connected
with the optional RCB cable AW-CA50T10.

1. Turn RCB power off before connecting cables.

2. Connect the 50-pin connector of the RCB cable to I/F
REMOTE connector of the camera. The 10-pin connector
must be connected to the RCB.

3. Turn RCB power on and the camera can be controlled
remotely by the RCB.

Notes:

• The monitor output signals of the RCB attenuate and
deteriorate with cable length. It is recommended that the
signals from the monitor output be used for monitoring
purposes only.

• No gen-lock signal is available from the RCB.

• If a longer distance (more than 3 m) is desired between the
camera and the RCB, use the following optional cable.

AW-CA50B10 and WV-CA10B02 (2 m)

WV-CA10B25 (25 m)
WV-CA10B50 (50 m)

AC adapter AW-PS505A

Video signal IN

RCB WV-CB700A

RCB cable AW-CA50T10 (3 m)

MONITOR OUT

DC cable with ø6.5 plug
supplied with AW-PS505A

RCB

- 19 (E) -

Connections

$ Connection with multiple cameras (Colour lock mode)

An example of connection for VBS/BB input (Colour
lock mode).

• One of the multiple cameras is used as the source of
reference signals.

• Supply a synchronizing signal (BB) to the G/L input
connectors of each cameras.

• Do not switch off the camera used for supplying the
reference signals.

• Adjust the SC-phase and H-phase at the video output
connector.

VIDEO OUT

CAMERA

Camera for external sync
(or special effect generator)

G/L IN

VIDEO OUT

OUTPUTINPUT

Video output
To special effect generator or monitoring system

Video distributor
WJ-300C

External sync
signal (BB)

- 20 (E) -

ENGLISH

DC cable with ø6.5 plug
supplied with AW-PS505A

Computer

VIDEO OUT connector

AC adapter AW-PS505A

75 Ω coaxial cable

Composite video

input connector

(VIDEO IN)

Video monitor

RS-232C

PC control cable AW-CA50T9 (10m)

$ Connection of computer

The system shown here can remotely control this camera by using a computer.
The software and the cable for RS-232C required for this operation should be obtained locally.
Please contact qualified service personnel for this software.

$ Connection of devices with camera pan/tilt control system

• Refer to the operating instructions of the pan/tilt head to connect camera to it.

- 21 (E) -

Adjustment

$ Automatic white balance control (AWC)

There are two white balance memories, “AWC A” or “AWC
B” for two different light sources colour temperatures, with
the automatic white balance setting. Then, when the two
different light sources are encountered, you may operate the
camera properly by simply change the white balance mode
to either AWC A or AWC B. There is no need to readjust the
camera to the ambient conditions.
❈ The preset conditions will be renewed whenever you input

new conditions.

1. Turn the white balance selection switch to either “AWC A”
or “AWC B” of RCU or select the white balance mode
either AWC A or AWC B by menu.

2. Aim the camera at a white object (a white wall or a white
handkerchief) and zoom in to enlarge the image as much
as possible.

[ADJUSTMENT by CAMERA]

3. In normal shooting mode:
Press the ITEM/AWC switch for over 2 second.

[ADJUSTMENT with the RCU (RCB, hybrid control panel)]

4. When the AUTO set switch is turned to AWC, the white
balance will be automatically set. While the system is
being set, auto warning indicator (LED) blinks and it goes
out when the white balance setting is completed. If the
lamp remains lit, the setting must be tried again.

RCU (RCB)

CAMERA

AUTO set switch

AUTO LED

ITEM/AWC
switch

- 22 (E) -

ENGLISH

Notes:

• For white balance setting aim the camera at a white object
and try to position it in the centre of the monitor screen.
The object must appear in over 10 % of the total monitor
screen area. Try to avoid overly bright objects in the scene.

• White balance may not be correctly set if the lighting of the
object is too weak.

• Since the camera has a built-in memory, the set white
balance will remain in the memory even if power is turned
off. Therefore, it is not necessary to reset the white
balance if the colour temperature of those objects remains
unchanged. However, it must be reset if the colour
temperature changes, such as when you move from
indoors to outside, or vice versa.

• When the camera is used without a RCU or RCB red/blue
gain adjustment of painting setting will be automatically
reset to ±0 after setting the white balance. (painting setting
in only User Mode.)

$

Automatic tracking white balance setting (ATW)

White balance will be automatically set to continuously
match changes of light source and colour temperature while
the white balance setting is set to ATW.

Notes:

• ATW might not function properly when high brightness light
(ex. fluorescent lamp) beams into a screen.

• White balance may not be accurately set if there is no
white object in the scene being shot.

$ Manual white balance setting

[ADJUSTMENT by CAMERA]

Manual setting is possible in User Mode only.

1. Select the white balance mode either AWC A or AWC B

by menu.

2. Aim the camera at a large white object.

Press the ITEM/AWC switch for over 2 second.

3. Adjust the red gain/blue gain control in the Painting item

of Colour Set sub menu of User Mode until the carrier
wave of the white portion of the video signal is at the
minimum width or the white object in the monitor screen
appears pure white. (Use an oscilloscope or a waveform
monitor for precise adjustment.)

[ADJUSTMENT with the RCU (RCB)]

After AWC setting, adjust the R/B GAIN controller in the
same way as described in Step 3 above.

The white object must occupy over
10 % of the monitor screen area.

- 23 (E) -

Adjustment

$ Reset to 3200K or 5600K white balance

When the white balance setting is set to either “3200K” or
“5600K” the white balance will be automatically set to the
colour temperature 3200K or 5600K, respectively.

$ Black balance adjustment

• Close the lens.
If the motor drive lens is controlled from the camera, the
lens is automatically closed when the black balance is
adjusted.

• When the camera is used without a RCU or RCB, R/B
pedestal adjustment of painting setting will be
automatically reset to ±0 after setting the black balance.
(painting setting in only User Mode.)

[ADJUSTMENT by CAMERA]

Press the YES/ABC switch for over 2 seconds and the black
balance will be set automatically in 10 seconds.

In user mode, black balance fine adjustment can be
performed with the red pedestal/blue pedestal setting after
setting the black balance.

[ADJUSTMENT with the RCU (RCB, hybrid control panel)]

Set the AUTO set switch to ABC and the black balance will
be automatically set. While the system is being set, the auto
warning indicator (LED) blinks and it goes out when the
black balance setting is completed. If the lamp remains lit,
ABC should be tried again.

Minimize the carrier wave using
the red & blue gain controls

Waveform for white
balance set chart

YES/ABC switch

AUTO set switch

AUTO LED

- 24 (E) -

ENGLISH

$ Total pedestal level adjustment

(Use an oscilloscope or a waveform monitor for this
adjustment.)
This step is to adjust the black levels (pedestal levels) of two
or more cameras to be the same.

[ADJUSTMENT by CAMERA]

1. Close the lens.

2. Select Pedestal item in the brightness setting Sub Menu.

(Select [Pedestal] in the [Iris, Shutter, Gain Set] sub
menu in User Mode.)

3. Set the pedestal level to 0.025 V with the YES/ABC

switch or the NO/BAR switch.

[ADJUSTMENT with RCU (RCB, hybrid control panel)]

Adjust the pedestal level to 0.025 V with the total pedestal
adjustment.

NO/BAR switch
YES/ABC switch

TOTAL PEDESTAL

$ Gen-lock adjustment

Phase adjustments must be performed with the camera or
the RCU (RCB) when external synchronizing signals are
supplied to the system in cases where multiple cameras are
used or peripheral devices are connected.

U Horizontal phase control

Observe the waveform of the external synchronizing input
signal (black burst signal) and video output signal on a
two-channel oscilloscope. Then match the horizontal phase
of both signals by adjusting them with the cameras or RCU’s
horizontal phase control.

[ADJUSTMENT by CAMERA]

1. Press the NO/BAR switch for over 5 seconds to display

the colour bar.

2. Select [G/L Adjustment] on the main menu, then select [H

Phase] on the submenu.

3. Adjust the horizontal phase with the YES/ABC and

NO/BAR switch.

[ADJUSTMENT with RCU (RCB, hybrid control panel)]

Use the horizontal phase control.

- 25 (E) -

Adjustment

External gen-lock input signal
(black burst output of special effect

generator)

Video signal

Horizontal phase
control

Subcarrier phase
coarse control

Subcarrier phase
fine control

Adjust the horizontal phase

NO/BAR switch
YES/ABC switch

Caution:

• When horizontal phase adjustment is required using RCU
(RCB) or hybrid control panel, BAR/CAM switch should be
set to BAR. Horizontal phase cannot be adjusted if the
switch is in the CAM position. After adjustment set
BAR/CAM switch back to CAM.

• When horizontal phase adjustment is moved, colour phase
is also moved. Adjust colour phase whenever horizontal
phase adjustment is moved.

U Colour phase adjustment

Supply the output signal (split colour bar) from the colour
special effect generator to a colour monitor or vectorscope.
Adjust the colour phase of the camera.

[ADJUSTMENT by camera]

1. Press the NO/BAR switch for over 5 seconds for the

colour bar mode.

2. Select [G/L Adjustment] on the main menu, then select

[SC Coarse] on the sub menu.

3. Make coarse adjustment with the YES/ABC switch and

the NO/BAR switch.

4. Select [SC Fine] on the sub menu. Perform fine
adjustment with the YES/ABC switch and the NO/BAR
switch.

[ADJUSTMENT with RCU (RCB, Hybrid control panel)]

Use the subcarrier phase coarse adjustment control and
subcarrier phase fine control.
❈ It is recommended that a vectorscope be used for

maximum accuracy in colour phase adjustment.

Caution:

• When colour phase adjustment is required using RCU

(RCB) or hybrid control panel, BAR/CAM switch should be
set to BAR. Colour phase cannot be adjusted if the switch
is in the CAM position. After adjustment set BAR/CAM
switch back to CAM.

• When horizontal phase adjustment is moved, colour phase

is also moved. Adjust colour phase whenever horizontal
phase adjustment is moved.

- 26 (E) -

ENGLISH

Colour bar of camera

Colour bar of special
effects generator

Sprit line

- 27 (E) -

Use mode setting

$ Use Mode Setting

The camera has four use modes, and various functions for
four use modes have been preset.
Functions can be set as best suited to each use mode.

• Halogen mode

Suited to indoor shooting, such as at weddings, parties,
lecture meetings, events, etc.
Settings can be changed using a simple menu.

• Fluorescent mode

Suited to indoor shooting under fluorescent lighting.
Settings can be changed using a simple menu.

• Outdoor mode

Suited to outdoor shooting.
Settings can be changed using a simple menu.

• User mode

Settings can be changed using a detail menu.

$ Setting by camera

1. Turn the camera on while keeping the MENU switch
depressed.
The use mode setting menu shown at right appears on
the monitor screen and one of the use mode blinks.

2. Press the MENU switch, ITEM/AWC switch, or NO/BAR
switch to let the desired use mode blink.
MENU switch (A):

The blinking item moves up by one.

ITEM/AWC switch (S), NO/BAR switch (–):

The blinking item moves down by one.

3. Press the YES/ABC switch.
The blinking use mode comes into effect. After the use
mode setting menu is shown for about 5 seconds, the
camera returns to be ready for operation.
Then, the camera operates in the selected use mode.

- 28 (E) -

ENGLISH

Scene File Switch Scene File Switch

Operation mode Position of Position of Hybrid

RCU (RCB) control panel
Halogen Mode 1 1
Fluorescent Mode 2 2
Outdoor Mode 3 3
User’s Mode USER SET 4

$ Setting by RCU (RCB) or hybrid control

panel

An operation mode is selected depending on the position of
the scene file switch.

CAMERA RCU (RCB) Hybrid control panel

MENU
ITEM/AWC

YES/ABC
NO/BAR

SCENE
FILE switch

SCENE FILE switch

- 29 (E) -

Menu item setting

$ Menu item setting

• Each of the four use modes of the camera has a main
menu. (Shown at right)

• Each item of the main menu has a submenu, which
consists of several settings.

• These settings have been preset to the optimum values to
suit each use mode, and can be changed to suit actual
shooting conditions.

• They can be set from the camera and RCU (RCB).
They can also be set from the hybrid control panel using
the switches, but the setting items are limited because the
menu is not shown.

Notes:

• Composite signals are output from the video output
regardless of the position ENC/VF of the RCU (RCB) user
set switch.

• [End] is displayed only in setting from the camera alone.

• [Option Card1] is shown only when an optional card is
inserted into the camera. [Option Card2] is shown only
when an additional card box is equipped with the camera
and then an optional card is inserted into the camera.

U Main Menu screen

Main menu of Halogen,

Fluorescent, Outdoor Mode

Main menu of User Mode

Use mode

Blinking