Panasonic AJ-HPX3100G User Manual

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This product is eligible for the P2HD 5 Year Warranty Repair Program. For details, see page 7.

Operating Instructions

Memory Card Camera-Recorder

Model No. AJ-HPX3100G

Before operating this product, please read the insructions carefully and save this manual for future use.

FJ0910AT0 -FJ @ Printed in Japan

ENGLISH

VQT3A79

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CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER SERVICEABLE PARTS INSIDE.

REFER TO SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (service) instructions in the literature accompanying the appliance.

WARNING:

z To reduce the risk of fire or electric shock, do not expose

this equipment to rain or moisture.

z To reduce the risk of fire or electric shock, keep this

equipment away from all liquids. Use and store only in locations which are not exposed to the risk of dripping or splashing liquids, and do not place any liquid containers on top of the equipment.

Declaration of Conformity

Model Number: AJ-HPX3100G Trade Name: Panasonic Responsible Party: Panasonic Corporation of North America Support contact: 1-800-524-1448 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

FCC Note:

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

z Reorient or relocate the receiving antenna. z

Increase the separation between the equipment and receiver.

z Connect the equipment into an outlet on a circuit different

from that to which the receiver is connected.

z Consult the dealer or an experienced radio/TV technician for

help.

The user may find the booklet “Something About Interference” available from FCC local regional offices helpful.

Warning :

To assure continued FCC emission limit compliance, follow the attached installation instructions and the user must use only shielded interface cables when connecting to host computer or peripheral devices. Also any unauthorized changes or modifications to this equipment could void the userís authority to operate this device.

CAUTION:

To reduce the risk of fire or electric shock and annoying interference, use the recommended accessories only.

CAUTION:

To reduce the risk of fire or electric shock, refer mounting of the optional interface boards to qualified service personnel.

CAUTION:

In order to maintain adequate ventilation, do not install or place this unit in a bookcase, built-in cabinet or any other confined space. To prevent risk of electric shock or fire hazard due to overheating, ensure that curtains and any other materials do not obstruct the ventilation.

CAUTION:

Do not leave the unit in direct contact with the skin for long periods of time when in use. Low temperature burn injuries may be suffered if the high temperature parts of this unit are in direct contact with the skin for long periods of time. When using the equipment for long periods of time, make use of the tripod.

CAUTION:

Excessive sound pressure from earphones and headphones cause hearing loss.

WARNING:

Always keep memory cards (optional accessory) or accessories (Front Audio Level control knob, screw, AUDIO connector cap, XLR connector cap, GPS connector cap) out of the reach of babies and small children.

CAUTION:

A coin type battery is installed inside of the unit. Do not store the unit in temperatures over 60 °C (140 °F). Do not leave the unit in an automobile exposed to direct sunlight for a long period of time with doors and windows closed.

CAUTION:

Do not lift the unit by its handle while the tripod is attached. When the tripod is attached, its weight will also affect the unit’s handle, possibly causing the handle to break and hurting the user. To carry the unit while the tripod is attached, take hold of the tripod.

CAUTION:

Do not jar, swing, or shake the unit by its handle. Any strong jolt to the handle may damage the unit or result in personal injury.

Read this first!

indicates safety information.

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EMC NOTICE FOR THE PURCHASER/USER OF THE APPARATUS

A rechargeable battery that is recyclable powers the product you have purchased. Une batterie rechargeable et recyclable alimente le produit que vous avez acheté.

This product contains a CR Coin Cell Lithium Battery which contains Perchlorate Material — special handling may apply. See www.dtsc.ca/gov/hazardouswaste.perchlorate.

Caution regarding laser beams

The CCD may be damaged if it is subjected to light from a laser beam. When using the camera-recorder in locations where laser irradiation equipment is used, be careful not to allow the laser beam to shine directly on the lens.

1. Applicable standards and operating environment (AJ-HPX3100G)

The apparatus is compliant with:

z standards EN55103-1 and EN55103-2 1996.11, and z electromagnetic environments E1, E2, E3, E4, and E5.

2. Pre-requisite conditions to achieving compliance with the above standards

<1> Peripheral equipment to be connected to the apparatus and special connecting cables

z The purchaser/user is urged to use only equipment which has been recommended by us as peripheral

equipment to be connected to the apparatus.

z The purchaser/user is urged to use only the connecting cables described below.

<2> For the connecting cables, use shielded cables which suit the intended purpose of the apparatus.

z Video signal connecting cables

Use double shielded coaxial cables, which are designed for 75-ohm type high-frequency applications, for SDI (Serial Digital Interface). Coaxial cables, which are designed for 75-ohm type high-frequency applications, are recommended for analog video signals.

z Audio signal connecting cables

If your apparatus supports AES/EBU serial digital audio signals, use cables designed for AES/EBU. Use shielded cables, which provide quality performance for high-frequency transmission applications, for analog audio signals.

z Other connecting cables (USB)

Use shielded cables, which provide quality performance for high-frequency applications, as connecting cables.

z If your apparatus is supplied with ferrite core(s), they must be attached on cable(s) following instructions in this

manual.

3. Performance level

The performance level of the apparatus is equivalent to or better than the performance level required by these standards.

However, the apparatus may be adversely affected by interference if it is being used in an EMC environment, such as an area where strong electromagnetic fields are generated (by the presence of signal transmission towers, cellular phones, etc.). In order to minimize the adverse effects of the interference on the apparatus in cases like this, it is recommended that the following steps be taken with the apparatus being affected and with its operating environment:

1. Place the apparatus at a distance from the source of the interference.

2. Change the direction of the apparatus.

3. Change the connection method used for the apparatus.

4. Connect the apparatus to another power outlet where the power is not shared by any other appliances.

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To remove the battery

Main Power Battery (Ni-Cd / Ni-MH / Li-ion Battery)

z To detach the battery, please proceed in the reverse order of the installation method described in this manual.

(Refer to page 108 for the detail.)

z If a battery made by any other manufacturer is to be used, check the Operating Instructions accompanying the battery.

Back-up Battery (Lithium Battery)

z For the removal of the battery for disposal at the end of its service life, please consult your dealer.

PLEASE NOTE:

z When preparing to record important images, always shoot some advance test footage, to verify that both pictures and

sound are being recorded normally.

z Should video or audio recording fail due to a malfunction of this camera-recorder or the P2 cards used, we will not assume

liability for such failure.

z If the unit is operated continuously with the fan stopped due to a failure, camera images may not be output, recorded, or

played back properly.

z Please note that a beat signal may interfuse into the video signal occasionally when under an intense electric field (such as

directly under a radio tower).

What to remember when throwing memory cards away or transferring them to others

Formatting memory cards or deleting data using the functions of the unit or a computer will merely change the file management information: it will not completely erase the data on the cards. When throwing these cards away or transferring them to others, either physically destroy them or use a data deletion program for computers (commercially available) to completely erase the data. Users are responsible for managing the data on their memory cards.

Precautions when installing USB drivers

Select “AJ-HPX3100” when installing USB drivers from the CD-ROM that comes with this unit (AJ-HPX3100) onto a personal computer.

EEE Yönetmeliğine Uygundur. EEE Complies with Directive of Turkey.

Pursuant to at the directive 2004/108/EC, article 9(2)

Panasonic Testing Centre Panasonic Service Europe, a division of Panasonic Marketing Europe GmbH

Winsbergring 15, 22525 Hamburg, F.R. Germany

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Contents

Read this first! ..................................................................................... 2

General Features of Camera unit ..................................................................... 9

Features of Recorder/player unit ...................................................... 10

Features of the Input/Output unit ...................................................... 12

Other features ................................................................................... 12

Dimensions drawing.......................................................................... 13

Color TV Standard Settings (Settings for frame frequency).............. 14

System Configuration........................................................................ 15

Parts and their Functions Power Supply and Accessory Mounting Section .............................. 16

Audio (input) Function Section.......................................................... 18

Audio (output) Function Section........................................................ 20

Shooting and Recording/Playback Functions Section ...................... 21

Menu Operation Section ................................................................... 25

Time Code Section ........................................................................... 26

Warning and Status Display Functions ............................................. 27

Display Window Functions ................................................................ 28

LCD Monitor...................................................................................... 29

Viewfinder ......................................................................................... 30

Recording and Playback P2 Cards ........................................................................................... 32

How to handle data recorded on P2 cards........................................ 34

Basic Procedures.............................................................................. 35

Normal Recording ............................................................................. 37

PRE-RECORDING function.............................................................. 38

Loop Recording................................................................................. 39

Interval Recording............................................................................. 39

ONE CLIP REC Function .................................................................. 42

Recording Review Function .............................................................. 44

Adjustments and Settings for Recording

Normal and Variable Speed Playback .............................................. 45

Text Memo Function ......................................................................... 45

Shot Mark Function........................................................................... 46

Recording Setting and Operation Mode............................................ 46

Multi Format ...................................................................................... 47

Adjusting the White balance and Black Balance............................... 49

Setting the Electronic Shutter ........................................................... 53

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Assigning Functions to USER Buttons.............................................. 55

Selecting Audio Input Signals and Adjusting Recording Levels........ 57

Setting External Reference Signal and GENLOCK .......................... 61

Setting Time Data ............................................................................. 62

Viewfinder Screen Status Displays ................................................... 75

Adjusting and setting the LCD monitor ............................................. 87

Selection of video output signals ...................................................... 88

Handling data.................................................................................... 90

Chromatic Aberration Compensation (CAC)................................... 104

Preparation Power Supply.................................................................................. 108

Mounting the Lens and Performing the Flange Back and

White Shading Adjustments ............................................................ 111

Preparing for Audio Input ................................................................ 114

Mounting the Camera on a Tripod .................................................. 115

Attaching the Shoulder Strap .......................................................... 116

Attaching the Rain Cover................................................................ 116

Attaching the F.AUDIO LEVEL control Knob .................................. 117

Connection of the DC OUT connector and

the external REC strat/stop switch.................................................. 117

Manipulating Clips with

Thumbnail Manipulations Overview ................................................ 118

Thumbnails

Connection with external device

Connection with external devices using the USB 2.0 port .............. 136

Connection using the SDI IN connector.......................................... 142

Connection of the remote control unit (AJ-RC10G) ........................ 143

Connection of the extension control unit (AG-EC4G) ..................... 145

Maintenance and Inspections Inspections Before Shooting ........................................................... 146

Maintenance ................................................................................... 148

Warning System.............................................................................. 153

Menu Menu Configuration......................................................................... 158

Menu Description Tables ................................................................ 162

Updating the Firmware incorporated into the unit............................................................199

Specifications...................................................................................................................200

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Index................................................................................................................................204

z The SD card logo is a registered trademark. z SDHC Logo is a trademark of SD-3C, LLC. z MMC (Multi Media Card) is a registered trademark of Infineon Technologies AG. z Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other

countries.

z Screenshots are used in accordance with Microsoft Corporation guidelines. z Apple is trademark or registered trademarks of Apple Inc. in the United States and/or other countries. z Unislot is a registered trademark of Ikegami Tsushinki Co., LTD. z Other model names, company names, and product names listed in these operating instructions are trademarks or registered

trademarks of their respective companies.

z This product is licensed under the AVC Patent Portfolio License for the personal and non-commercial use of a consumer, and

no license is granted or shall be implied for any use other than the personal uses detailed below.

- To encode video in compliance with the AVC standard (“AVC Video”)

- To decode AVC Video that was encoded by a consumer engaged in a personal and non-commercial activity

- To decode AVC Video that was obtained from a video provider licensed to provide AVC Video

• Additional information may be obtained from MPEG LA, LLC (http://www.mpegla.com).

Note concerning illustrations in these instructions

z Illustrations (camera-recorder, menu screens, etc.) in these operating instructions differ slightly from the actual camera-

recorder.

References

z References are shown as (page 00).

Terminology

z Both SD Memory Cards and SDHC Memory Cards as referred to as “SD Memory Cards” in these operating instructions. z Memory cards that have the “P2” logo (e.g., AJ-P2C064AG, an optional accessory) are referred to as “P2 cards” in these

operating instructions.

z Video that is created during a single recording operation is referred to as a “clip” in these operating instructions.

Thank you for purchasing this Panasonic P2HD device.

P2HD 5 Year Warranty Repair Program*

Customers who register as users on the website will receive an extended warranty repair valid for up to five years.

1st year 2nd year 3rd year 4th year 5th year

P2HD device

*1: Please note that this extended warranty is not available in some countries/regions. *2: Not all models eligible for extended warranty coverage. *3: The basic warranty period may vary depending on the country/region. *4: Not all repair work is covered by this extended warranty. *5: The maximum warranty period may be adjusted depending on the number of hours the device has been used.

Basic warranty

Extended warranty repair

Free 5 years of Warranty Repairs

Make sure to save the “Registration Notice” e-mail

Purchase

P2 product

“Registration Notice”

e-mail sent

during the warranty period.

Details about user registration and the extended warranty: http://panasonic.biz/sav/pass_e

Please note, this is a site that is not maintained by Panasonic Canada Inc. The Panasonic Canada Inc. privacy policy does not apply and is not applicable in relation to any information submitted. This link is provided to you for convenience.

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Attention

Adjust the following two settings when using the unit for the first time.

Adjust the black-balance setting when using the unit for the first time. (Refer to page 52)

z The unit is delivered from the factory with the color TV standard not yet specified. To revise the settings for frame

frequency according to the TV standard, refer to the procedures described on page 14.

General

The unit is a solid CCD camera-recorder integrating 2/3-inch 2.2-megapixel components that support interlaced/progressive drive (reading all pixels) and record/playback that supports the compression format for AVC-Intra100, AVC-Intra50 and DVCPRO HD, DVCPRO50, DVCPRO and DV. The unit supports the HD and SD methods shown in the following table. The unit is also equipped with CAC (chromatic aberration correction function for the magnification ratio chromatic aberration of lenses), Scan Reverse (corrects images when Anamo lenses or lenses for film applications are used), and the film-like gamma function. For recording, the compression and recording methods are selectable among AVC-Intrra100, AVC-Intra50, DVCPRO HD, DVCPRO50, DVCPRO and DV. Since minimal image deterioration occurs when recording with AVC-Intra 100 compression in particular, high image quality can be retained.

_ Supported formats

Mode SYSTEM MODE

1080-59.94i

1080-50i

480-59.94i

576-50i

Shooting/Recording method

AVC-Intra100 59.94i

AVC-Intra50

DVCPRO HD

AVC-Intra100

AVC-Intra50

DVCPRO HD

DVCPRO50 DVCPRO DV

29.97P (Native)

23.98P (Native)

59.94i

29.97P Over 59.94i

23.98P Over 59.94i (2-3 Pull down)

23.98PA Over 59.94i (2-3-3-2 Pull down)

50i 25P (Native)

50i 25P over 50i

59.94i

29.97P Over 59.94i

23.98P Over 59.94i (2-3 Pull down)

23.98PA Over 59.94i (2-3-3-2 Pull down)

50i 25P Over 50i

General:

Page 9

General

Features of Camera unit

_ Multi-format

By applying the interlace drive/progressive drive (reading all pixels) to the 2.2-mega pixel CCD, the unit supports a variety of recording methods. (Refer to page

48)

_ Chromatic Aberration Compensation function

The unit is equipped with a function to correct the magnification ratio chromatic aberration of lenses caused by the fact that the refractive index in lenses varies with the wavelength of light (hereinafter referred to as chromatic aberration). By using this function, chromatic aberration around the lens can be corrected and high definition images can be obtained. However, a lens supporting chromatic aberration compensation is must be used. (Refer to page 104)

_ Scan Reverse function

The Scan Reverse function, as standard configuration, cancels the image inversion that occurs when a lens adapter from Canon or Angenieux is used, and it can be switched through the Menu settings. (Refer to page 162)

_ Film-like Gamma function

In order to obtain film tone in Varicam (AJ-HDC27 series), the unit is equipped with the FILM-REC gamma almost equivalent to Varicam.

_ 2-disk 4-type configuration optical filters

The unit is equipped with CC filters for 3200K, 4300K, 5600K, and 6300K. The 5600K filter for outdoor recording is standard. (Refer to page 21)

_ DRS (Dynamic Range Stretcher) function

With this function, the dynamic range of high brightness areas that may be skipped with white blanks in an ordinary recording method can be expanded by compressing images and maintaining the contrast. (Refer to page 55)

_ Lens file function

The unit has 8 lens files. By using an SD memory card, 64 lens files can be stored. (Refer to page 99)

_ Focus assist function

The unit will display a marker to help with focusing when shooting videos. This function provides a visual cue for focusing. (Refer to page 55)

_ Data management function

Within the unit, one user data file and four sets of scene file data can be saved. By using an SD memory card as the setup cart, up to eight sets of setup data can be stored. (Refer to page

90)

_ Color bar

The unit employs the SMPTE color bar, ARIB color bar, Split color bar for SNG (Satellite News Gathering) as well as the conventional color bar, which is useful for adjusting the color monitor. (Refer to page 184)

_ 14-bit A/D conversion digital signal processing

Analog video signals are processed into digital data by a 14-bit A/D converter with sampling frequencies of 74 MHz. It is possible to reproduce images that are more finely detailed.

Storage type high-sensitivity function (DS. GAIN)

The unit uses the storage type gain increase function by driving the CCD progressively. With this function, it is possible to obtain brighter pictures without increasing noise under low light conditions. This is a function that makes it possible to achieve higher sensitivity of up to 34 dB above the regular gain increase. Furthermore, this function can also be used as picture effects. (Refer to page 185) In addition, this function operates when shooting in

59.94i and 50i. SHUTTER mode turns off when in this state.

General: Features of Camera unit

Page 10

Features of Recorder/player unit

_ Multiple Slots

AJ-HPX3100 is equipped with 2 slots for P2 cards. 2 cards may be inserted in these slots for continuous recording. They also provide new recording capabilities specific to memory cards.

Hot-Swap recording

The Hot-Swap capability allows cards not in use to be replaced without interrupting recording. This facilitates continuous recording.

LOOP REC

AJ-HPX3100 can retain a certain amount of previously recorded material by continuously looprecording data into a specified recording area.

z INTERVAL REC/ONE SHOT REC

The

AJ-HPX3100 features interval recording at

minimum one-frame intervals. This function is particularly suited to shooting science and nature programs. Frame-by-frame shooting is simple with the one-shot recording function.

z PRE-RECORDING function

In standby status, AJ-HPX3100 always stores video and sound input to the camera for up to 8 seconds. This means that the PRE-RECORDING function, when turned on, records the video and sound for a preceding duration preset by the user. This feature recovers critical moments that you might have missed. For DVCPRO and DV, video and sound can be recorded for up to 15 seconds.

z ONE CLIP REC Function

This function compiles multiple recordings into a combined clip and does not isolate single recordings (from REC START to STOP) to single clips. The combined clip can be handled with ease with transferring or copying etc., as the clip can be treated as a single thumbnail or when editing. Up to a maximum of 99 recordings can be combined into this single clip.

z Data protection

Data on P2 cards will not be lost due to overwriting unless the files are deleted or the cards are initialised. Recordings are written only to free space.

_ HD: Format AVC-I 100/AVC-I 50/DVCPRO HD

SD: Format DVCPRO50/DVCPRO/DV

Recorded video is compressed through a component digital recording method that uses a state-of-the-art compression technology, and sound is recorded using the non-compression PCM recording method, which excels in such areas as S/N ratio, frequency bands, waveform properties and reproducibility of fine areas. These methods further enhance the quality of images and sound. And it is also possible to select AVC (Advance Video Coding) compression of the ISO/IEC14496-10 standard in addition to DVCPRO HD in HD mode. The unit performs the in-frame compression. In SD mode, you can select a recording format appropriate for your purpose. For example, choose DVCPRO50 to give higher priority to image quality or DVCPRO if cost efficiency is a high priority.

Note

When the clip is played back in the format not selected on the menu, the picture may be disturbed until the format is detected.

_ 4-channel Digital Audio Recording (all formats)

In HD (1080i) mode, 4-channel digital audio recording is used. Also, you can record at 24 bits when selecting AVC-Intra format. All formats in SD mode also support 4-channel digital audio recording with high-quality sound (48 kHz/16 bits).

_ Clip Thumbnailing

z Automatic generation of thumbnails

AJ-HPX3100 automatically generates a thumbnail for each recording cut (clip). It is possible to make use of this on the camera-recorder as well as for non-linear editing purposes, and after uploading to a server.

z Thumbnail display on the LCD monitor

The 81.28 mm (3.2 inches) color LCD side of the your video camera-recorder can provide a multi-screen view of 12 clip thumbnails. You can choose a desired clip to playback instantly.

z Seamless playback of selected clips

You can select more than one clip from the thumbnail view for continuous playback and output of seamless video.

Note

During continuous playback of clips in different recording formats, seamless playback is not available.

z Display of clip information

By selecting clips, information added to clips, such as the recording time, Text Memo, Shot Marks and metadata can be checked.

General: Features of Recorder/player unit

Page 11

General

_ Text Memos & Shot Marks

Each clip can incorporate comments, in the form of text memo added to the thumbnail associated with the time code, together with shot marks which, for example, can help you distinguish OK cuts from reject cuts. Both text memos and shot marks can be added to selected clips during and after a recording. This is helpful for editing recorded video. In addition, you can use the copy function for each text memo block to take only the necessary portions out of a clip.

_ Front-mounted Sound Level Control Mechanism

AJ-HPX3100 features a front-mounted control for fine adjustment of the sound recording level. This control is particularly effective for adjusting the sound level when you are shooting without a sound recordist. The control can be disabled. (Refer to page 19)

_ Recording Time on P2 Cards (When one 64 GB

card is used)

HD Mode

Image system

1080-59.94i/50i

1080-30PN/ 25PN (Native)

1080-24PN (Native)

*1 Including 30P, 24P, and 25P pull down of the DVCPRO HD

SD Mode

Image system

Recording method and Recording time

DVCPRO HD AVC-Intra100 AVC-Intra50

Approx.

64 minutes

Recording method and Recording time

DVCPRO 5 0

Approx.

64 minutes

Approx.

64 minutes

Approx.

80 minutes

DVCPRO

Approx.

128 minutes

Approx.

128 minutes

Approx.

160 minutes

_ Support for Built-in Unislot Wireless Receiver

AJ-HPX3100 is designed to support an optional slot-in wireless receiver. (Refer to page 114 and 191) The unit also supports 2-channel wireless receivers.

_ Recording Review Capability

This capability automatically plays back the last 2 to 10 seconds of recorded video, allowing you to quickly check the recorded contents.

_ Built-in Time Code Generator/reader

A special-purpose Subcode track can be used to record and reproduce time code information.

_ Support for Metadata

AJ-HPX3100 is capable of recording positional information (latitudes, longitudes and altitudes), as UMID information (metadata), from the GPS unit AJGPS910G (optional accessory). Names/titles can also be recorded, e.g. the camera person, the reporter, or the program which was registered on the SD memory card in advance. This information is also useful in managing information on clips. Regarding SD memory cards, please also see <Cautions in using SD memory cards> (page 22).

_ P2 cards that can be used with this unit

You can use P2 cards from 4 GB to 64 GB, like the optional AJ-P2C064AG (64 GB) and the AJ-P2E032XG (32 GB). (As of October, 2010)

Approx.

480-59.94i/576-50i

*2 For 2ch audio recording *3 Including 30P, 24P, and 25P pull down

128 minutes

Approx.

256 minutes

Approx.

256 minutes

Note

The values for 32 GB cards are 1/2, the values for 16 GB cards are 1/4 and the values for 8 GB cards are 1/8 those of 64 GB cards shown above.

_ On splitting clips recorded on P2 cards

If the one-time continuous recording exceeds the duration which is given in the table below when a P2 card with a memory capacity of 8 GB or more is used in AJ-HPX3100, the recording is automatically continued on a separate clip. When performing thumbnail operations (such as display, delete, repair or copy) for these kinds of clips using a P2 device, it is possible to perform the operations for the entire recording as a single clip. However, with nonlinear editing software or a personal computer, the recording may be displayed as separate clips.

Recording method (except for native)

DVCPRO HD AVC-Intra100 AVC-Intra50 DVCPRO50 DVCPRO DV

Continuous

recording time

Approx.

5 minutes

Approx.

10 minutes

Approx.

20 minutes

Notes

z The AJ-P2C002SG (2 GB) is disabled. z Depending on the type of P2 card, you need to update

the firmware installed on this unit.

> [Updating the Firmware incorporated into the unit] (page

199)

z For the latest information not available in the operating

Instructions, visit the P2 Support Desk at the following Web sites. http://pro-av.panasonic.net/

General: Features of Recorder/player unit

Page 12

Features of the Input/Output unit

_ Independent Dual HD SDI output equipped as

standard

The HD SDI signals output from the SDI OUT connector and the MON OUT connector are each independent. Embedded audio is superimposed on HD SDI output. Also, in SD mode, independent dual SD SDI signals can be output from the SDI OUT connector and the MON OUT connector.

_ Features USB2.0 port (HOST/DEVICE)

By connecting with a PC via USB2.0, a P2 card inserted in AJ-HPX3100 can be used as a bulk storage device. It is also possible to store data on a P2 card onto a USB

2.0-connected external hard disk equipped with USB host capability as well as view clips stored on hard disks and write them to P2 cards. (Refer to page 136)

_ Down converter output provided as a standard

configuration

When in HD mode, the MON OUT connector can output down converter signals (SD SDI signals or analog composite signals).

_ Remote control connector

By connecting the remote control unit (AJ-RC10G) or the extension control unit (AG-EC4G), which is available as an optional accessory, the unit can be controlled remotely. (Refer to page 143)

_ Confirmation of return video signals

With the viewfinder, you can check the return video signal (analog HD-Y signal) supplied to the GENLOCK IN connector of this unit or the HD SDI signal input to the SDI IN connector. And you can use them to check programs. Only video signals from the same record format can be confirmed. Also, in SD mode, you can check only the SD SDI signal input to the SDI IN connector.

_ DC OUT connector

The DC OUT connector of the unit produces 1.5 A of electrical current. By connecting an external switch to this connector, it is possible to control REC start/stop. Since a tally lamp can be used by connecting the LED to this connector, it is useful for shooting video when fixing the camera on a crane. (Refer to page 117)

_ HD/SD SDI input function

You can record SDI signals input from the SDI IN connector. However, what you can record is limited to the SDI signal with the same recording format as this unit.

_ LIGHT connector

You can connect to Anton/Bauer Ultralight 2. You can use bulbs up to 50 W. For batteries, because sometimes there isn’t enough power for lighting, use batteries with an ample power margin.

Other features

_ Viewfinder connection

From the viewfinder connector of the unit, 1080-59.94i or 1080-50i signals are output. Furthermore, signals are output for switching the frequencies of the connected viewfinder. Confirm images in multi formats by connecting the viewfinder (AJ-HVF21KG, AJ-CVF100G), which is available as an optional accessory. (Refer to page 30)

_ User button

On the side panel of the unit, five user buttons (USER MAIN/USER1/USER2/SHOT MARK/TEXT MEMO) are available. Each button can be assigned the on/off function for any frequently used feature selected from among the many features of the unit, such as slot select and Y get (Refer to page 55).

_ Camera extension system

By combining the camera adapter (AG-CA300G) and the base station (AG-BS300P/E) which are optional, you can employ this unit as a camera extension system. In addition to consulting the instruction manual for each device regarding connection methods and precautions for these devices, use them according to the AJHPX3000G guidelines. This unit is compatible with the HD viewfinder, so it is not possible to check the return video image in the viewfinder on systems where the SYSTEM MODE menu option is set to “480-59.94i” or “576-50i”, with the VF Interface box (AG-YA500G) connected. You can select the SYSTEM MODE menu option from the <SYSTEM MODE> screen of the SYSTEM SETTING page.

General: Features of the Input/Output unit

Page 13

General

Unit: mm (inch)

140 (5- )

Dimensions drawing

335.8 (13- )

102 (4- )

270.5 (10- )

209 (8- )

General: Dimensions drawing

Page 14

Color TV Standard Settings

*** OPTION M ENU ***

OPTION

AREA SETTIN G

< AREA SETTI NG >

AREA SELECT : PAL

_AREA SET

AREA SET? YES

(Settings for frame frequency)

The unit is delivered with the color TV standard not yet specified. To revise the settings for frame frequency according to the preferred standard, refer to the procedures described below.

1 After connecting the unit to the power supply

and then turning on the power, press the MENU SW button while pressing the LIGHT SW button to open OPTION MENU.

2 Turn the JOG dial button to move the cursor

(arrow) to the AREA SELECT item, and the press the JOG dial button. The menu item AREA SELECT is found in the <AREA SETTING> screen on the OPTION MENU page.

3 Select the area among NTSC, NTSC(J), and

PAL. After selecting the area by turning the JOG dial button, press the JOG dial button.

4 Move the cursor (arrow) to _ AREA SET by

turning the JOG dial button, and then press the JOG dial button. The following window appears.

5 Move the arrow (→) to YES and press the JOG

dial button. The settings selected in Step 3 above are reflected in FACTORY and CURRENT DATA on the screen.

6 Turn off the power supply once and then turn

on it again.

◆Notes

z The settings are not saved unless SET is executed even if

NTSC, NTSC(J), or PAL is selected in the AREA SELECT.

z When AREA SELECT is revised, the “_ AREA SET” blinks. z When these items are set when the unit is used for the first

time, only the following 11 items are revised. When the other settings of the unit are set in MAIN MENU, the MENU setting values for items other than the following 8 are ones that were set at the factory.

Factory

settings

SYSTEM MODE

REC FORMAT

CAMERA MODE

SET UP

SET UP (D/C)

REAR LINE IN LVL

AUDIO OUT LVL

HEAD ROOM 20dB 20dB 20dB 18dB

GUI metadata language indication

LANGUAGE

DATE

FORMAT

1080-

59.94i

AVC-I 100/ 60i

60i 60i 60i 50i

7.5%A 7.5%A 0% 0%

7.5% 7.5% 0% 0%

+4dB +4dB +4dB 0dB

American English

Not displayed

MDY MDY YMD DMY

NTSC NTSC(J) PAL

1080-

59.94i

AVC-I 100/ 60i

American English

Not displayed

1080-

59.94i

AVC-I 100/ 60i

Japanese/ For Japan

ENGLISH JAPANESE

1080-50i

AVC-I 100/ 50i

American English

Not displayed

General: Color TV Standard Settings (Settings for frame frequency)

*1 SET UP of the SYSTEM MODE menu

(Enabled only for 480-59.94i)

*2 SET UP of the DOWNCON SETTING menu

(Enabled only for 1080-59.94i)

*3 Select THUMBNAIL > SETUP > DATE FORMAT from the

thumbnail menu. > [Setting the Thumbnail Display Mode] (page 132).

Page 15

General

External DC power supply

Remote control cable

AJ-C10050G

Extension control unit

AG-EC4G

AJ-RC10G

ENDURA E-10

FUJINON/

CANON

SD Memory cards*

P2 Cards*

AJ-MC900G

V mount type Battery plate

AJ-HT901G

SHAN-RC700

AJ-SC900

AJ-HPX3100G

SHAN-TM700

Stereo microphone

Lens (Bayonet type)

Rain cover

Soft carrying case

Hard carrying case

Tripod adapter

Remote control unit

AJ-MH800G

Microphone holder

AJ-CVF100G

Color Viewfinder

AJ-HVF21KG

2-type HD Viewfinder

Unislot wireless microphone receiver

Battery

DIONIC90/160 HYTRON140

GPS unit

AJ-GPS910G

Ultralight2

(Maximum 50 W)

Anton/Bauer

IDX

System Configuration

◆Note

All of the devices and accessories other than the unit, which are shown in this system configuration, are optionally available. To use these devices and accessories, refer to the respective operation manuals.

* For the latest information on P2 cards and SD memory cards not available in the operating Instructions, visit the P2

Support Desk at the following Web sites. http://pro-av.panasonic.net/

General: System Configuration

Page 16

Parts and their Functions

Power Supply and Accessory Mounting Section

87 5

1. POWER switch

Used to turn on/off the power.

2. Battery mount

A battery pack from Anton/Bauer is mounted here. > [Mounting the Battery and Setting the Battery Type]

(page 109)

3. DC IN (external power input) socket (XLR, 4P)

camera-recorder is connected to an external DC power supply. > [Use of the external DC power supply] (page 110)

4. LIGHT switch

Choose a way to turn the video light connected to the

16.LIGHT connector ON/OFF. AUTO: If you leave the video light POWER switch

ON, then the light will light at the same time that this unit starts recording, and the light will go out at the same time recording stops.

MANUAL

: The light will light according to whether the

video light POWER switch is ON/OFF.

5. Lens mount (bayonet 2/3-type)

The lens is attached here. > [Mounting the Lens and Performing the Flange Back

and White Shading Adjustments] (page 111)

6. Lens lever

Lower this lever to lock the lens to the lens mount. > [Mounting the Lens and Performing the Flange Back

and White Shading Adjustments] (page 111)

8. Lens cable/microphone cable clamp

This clamp secures the lens and microphone cables. > [Mounting the Lens and Performing the Flange Back

and White Shading Adjustments] (page 111)

9. Tripod mount

When you want to mount camera-recorder on a tripod, the optional tripod adapter (SHAN-TM700) is attached here. > [Mounting the Camera on a Tripod] (page 115)

10.LENS jack (12-pin)

The lens connection cord is connected here. For a detailed description of your lens, see the relevant manufacturer’s instruction manual.

11.DC OUT (DC power supply) output socket

This output socket is designed for 12-VDC. It provides a maximum current of 1.5 A. Connect an external switch to this socket to control REC starts and stops or an LED for use as a tally lamp. > [Connection of the DC OUT connector and the

external REC strat/stop switch] (page 117)

Note

Confirm the pin arrangements of the DC output connector of the external DC power supply and the DC IN socket on the unit, and connect the proper polarities to each other. If the 12 V power supply is connected to the GND connector in error, it may cause a fire or failure of the unit.

7. Lens mount cap

To remove the cap, raise the 6. lens lever. When the lens is not mounted, replace the cap.

Parts and their Functions: Power Supply and Accessory Mounting Section

Page 17

Parts and their Functions

12.VF connector (20 Pin)

Installs the viewfinder (AJ-HVF21KG, AJ-CVF100G, which are optional). > [Viewfinder] (page 30)

Note

Please be aware that when the SYSTEM MODE is set at 480/59.94i or 576/50i the image quality displayed on the viewfinder screen, and the image quality actually recorded and output from this unit will be different.

13.GPS connector

This connects the optional GPS unit AJ-GPS910G.

14.Shoulder strap fittings

The shoulder strap is attached here. > [Attaching the Shoulder Strap] (page 116)

15.Light shoe

A video light or similar accessory can be attached here. The mounting hole size is 1/4-20UNC (screw length less than 6 mm).

16.LIGHT connector

You can connect an Anton/Bauer Ultralight 2 or equivalent product under 50 W for the video light. Also, when the light is lit, the battery charge level goes down sharply. When using the light, we recommend using a battery above 90 Wh.

17.Accessory mounting holes

Attach the accessories. Do not use for any purpose except to attach the accessories. There are two types of mounting hole size: 1/4-20UNC (screw length less than 10 mm) and 3/8-16UNC (screw length less than 10 mm).

18.Microphone holder mounting screw

The screws are for mounting the AJ-MH800G microphone holder (optional) and the AG-YA500G VF interface box (optional).

Parts and their Functions: Power Supply and Accessory Mounting Section

Page 18

Audio (input) Function Section

13 14

1. MIC IN (microphone input) jack (XLR, 5-pin)

A microphone (optional accessory) is connected here. Power for the microphone comes from this jack. A remote microphone may be connected. When a microphone is used, set the power to ON through the menu option FRONT MIC POWER. The menu item FRONT MIC POWER is found in the <MIC/AUDIO> screen on the MAIN OPERATION page. > [Preparing for Audio Input] (page 114)

2. AUDIO LEVEL CH1/3 / CH2/4 (audio channel 1/

3 / 2/4 recording level adjustment) controls

With the 3.AUDIO SELECT CH1/3 / CH2/4 (audio channel 1/3 / 2/4 automatic/manual level adjustment selector) switch positioned to [MAN], these controls can be used to adjust the recording levels for Audio Channels 1/2 (With the menu settings 3/4). Note that the controls are designed to be locked. For adjustment, each control must be depressed while turning.

3. AUDIO SELECT CH1/3 / CH2/4 (audio channel

1/3 / 2/4 automatic/manual level adjustment selector) switch

Use this switch to select recording level control mode for Audio Channels 1/2 (With the menu settings 3/4).

AUTO: Recording level automatically controlled. MAN: Recording level manually controlled.

4. AUDIO IN (audio input selector) switch

Use this switch to select the signals recorded through Audio Channels 1 - 4.

FRONT: Signal from the microphone connected to the

1.MIC IN (microphone input) jack is recorded.

W.L. (WIRELESS) :

Signal from the slot-in wireless receiver is recorded.

REAR: Signal from the audio device connected to the

5.AUDIO IN CH1/3 / CH2/4 (audio input channel 1/3 / 2/4) connectors is recorded.

Note

When you use stereo microphone (AJ-MC900G optional), set both CH1 and CH2 (With the menu settings CH3, CH4 to [FRONT]. The signal from L CH is recorded to CH1 (With the menu settings CH3 the menu settings CH4

) and that from R CH to CH2 (With ).

5. AUDIO IN CH1/3 / CH2/4 (audio input channel 1/

3 / 2/4) connectors (XLR, 3-pin)

Audio devices or a microphone may be connected here. > [When Using Audio Devices] (page 115)

LINE/MIC (line input/mic input) selector switch

Used to select the audio signal input from the 5.AUDIO IN CH1/3 / CH2/4 (audio input channel 1/3 / 2/4) connectors.

LINE: Audio signal line-input from the audio device is

input.

MIC: Audio signal from a self-powered (active)

microphone is input. (The main unit does not supply power to the remote microphone).

)

Parts and their Functions: Audio (input) Function Section

Page 19

Parts and their Functions

7. Microphone input +48V ON/OFF switch

This is the ON/OFF switch providing power to the microphone connected to the 5.AUDIO IN CH1/3 / CH2/ 4 (audio input channel 1/3 / 2/4) connector.

+48V: Provides +48 V to the microphone. OFF: Does not provide +48 V to the microphone.

Note

If the REAR MIC POWER menu option is not set to “ON” then power is not supplied regardless of the switch position. Select the REAR MIC POWER menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

8. Wireless slot

A Unislot wireless receiver (optional accessory) may be attached here.

9. F.AUDIO LEVEL (audio recording level

adjustment) control

This control adjusts the recording levels for Audio Channels 1/3 and 2/4. However, when the 3.AUDIO SELECT CH1/3 / CH2/4 (audio channel 1/3 / 2/4 automatic/manual level adjustment selector) switch is set to [AUTO], the level will adjust automatically and the 2.AUDIO LEVEL CH1/3 / CH2/4 (audio channel 1/3 / 2/4 recording level adjustment) controls and this knob will not be active. The control can be enabled or disabled through the menu options FRONT VR CH1 or FRONT VR CH2 (With the menu settings FRONT VR CH3 and FRONT VR CH4). These menu items can be found in the <MIC/ AUDIO> screen on the MAIN OPERATION page.

Parts and their Functions: Audio (input) Function Section

Page 20

Audio (output) Function Section

10.AUDIO OUT connector (XLR, 5-pin)

This connector outputs audio signals recorded on Channels 1/2 or 3/4. Output signals are selected with the 11.MONITOR SELECT (audio channel) CH1/2 / CH3/4 selector switch.

11.MONITOR SELECT (audio channel) CH1/2 /

CH3/4 selector switch

Use this switch to select the audio channel whose signals are output to the speakers, earphones or AUDIO OUT connector.

CH1/2: Signals on Audio Channels 1 and 2 are output. CH3/4: Signals on Audio Channels 3 and 4 are output.

The channel indications on the display window and on the audio level meter in the viewfinder are synchronised with this selector switch.

12.MONITOR SELECT (audio selection) CH1/3 / ST

/ CH2/4 selector switch

The MONITOR SELECT switch is synchronised with the audio signal output to the speakers and earphones, and from the AUDIO OUT connector.

CH1/3: Signal on Audio Channel 1 or 3 is output. ST: Stereo audio signals on Audio Channels 1 and

2 or Audio Channels 3 or 4 are output. The stereo signals can be changed to mixed signals using a menu option.

CH2/4: Signal on Audio Channel 2 or 4 is output.

15.Speakers

The speakers output EE sound during recording, and reproduced sound during playback. The speakers emit an alarm sound when the warning lamp blinks and/or the indicator activates. When the 16.PHONES (earphones) jack is connected with earphones, sound from the speaker is automatically muted.

16.PHONES (earphones) jack (mini jack)

This connector is designed for audio monitoring (stereo) earphones. Both the front and rear connectors output the same sound.

Monitor

switch

CH1/3 Audio Channel 1 Audio Channel 3

Stereo signals from

CH2/4 Audio Channel 2 Audio Channel 4

* You can select between stereo and mixed signal

types using the menu option MONITOR SELECT. This menu option can be found in the <MIC/ AUDIO> screen on the MAIN OPERATION page.

Audio Channels 1

MONITOR SELECT switch

CH1/2 CH3/4

Stereo signals from

Audio Channels 3

and 2*

and 4*

13.MONITOR (volume) control

Adjust the volume from earphones connected to the

15.Speakers, or 16. PHONES (earphones) jack.

14.ALARM (warning alarm volume adjustment)

Used to control the volume of the warning sound emitted from 15.Speakers or earphones connected to the 16.PHONES (earphones) jack. If the control is minimised, no alarm is audible.

Parts and their Functions: Audio (output) Function Section

Page 21

Parts and their Functions

Shooting and Recording/Playback Functions Section

2 3

1. CC FILTER/ND FILTER (filter switching)

controls

These are used to select the filter in accordance with the subject’s brightness and color temperature.

CC FILTER knob (outside, large diameter)

14 17

3. SHUTTER switch

Used to enable or disable the electronic shutter.

OFF: Electronic shutter disabled. ON: Electronic shutter enabled. SEL: Used to change the speed of the electronic

A : 3200K B : 4300K C : 5600K D : 6300K

ND FILTER knob (inside, small diameter)

1 : CLEAR (transparent) 2 : 1/4 ND 3 : 1/16 ND 4 : 1/64 ND

Shooting

conditions

Sunrise, sunset, inside a studio

Outdoors under a clear sky

Outdoors under cloudy or rainy skies

Snowscapes, high mountains, seashores or other perfectly clear scenery

CC FILTER ND FILTER

A (3200 K) 1 (CLEAR)

B (4300 K) or C (5600 K) or D (6300 K)

D (6300 K)

B (4300 K) or C (5600 K) or D (6300 K)

2 (1/4 ND) or 3 (1/16 ND)

1 (CLEAR) or 2 (1/4 ND)

3 (1/16 ND) or 4 (1/64 ND)

2. USER MAIN, USER 1 and USER 2 buttons

These buttons can be assigned user-selected functions, using a menu option. Each button, when pressed, performs the assigned function. > [Assigning Functions to USER Buttons] (page 55).

This dial switch returns to its original position. Each turn of the switch alters the shutter speed. > [Setting the Electronic Shutter] (page 53).

4. AUTO W/B (white/black) BAL switch

AWB : White balance is automatically adjusted.

ABB: Black balance is automatically adjusted.

Note

To stop automatic adjustment of the white or black balance in progress, set the switch to either ([AWB] or [ABB]). If automatic adjustment is cancelled, the value in effect before automatic adjustment will be used.

shutter.

When the WHITE BAL switch on the side is positioned at [A] or [B], the adjusted value is stored in the memory. Note that when the switch is positioned at [PRST] this function does not work.

The automatic adjustment function of the black shading can be assigned to this switch by turning on the SHD.ABB SW CTL item. (Refer to page 184) The menu item SHD.ABB SW CTL is found in the <SW MODE> screen on the CAM OPERATION page.

Parts and their Functions: Shooting and Recording/Playback Functions Section

Page 22

5. SYNCHRO SCAN ADJUSTMENT buttons

http://pro-av.panasonic.net/

z The SDHC card conforms to a new standard for memory cards

with a large capacity of more than 2 GB which was established by the SD Association in 2006.

These buttons are enabled when the 3.SHUTTER switch is positioned at [ON] and synchro scan is selected. They are used to adjust the speed of the synchro scan. The – button decreases shutter speed; the + button increases shutter speed. If you shoot a PC monitor, for example, you should adjust shutter speed so that the horizontal bars in the viewfinder will produce less noise.

6. REC button

Pressing this button starts recording, pressing again stops recording. This button has the same function as the 27.REC button on the handle and the VTR button at the lens.

7. SHOT MARKER button

Pressing this button while recording adds a shot mark to the thumbnail of that clip. This button also adds a shot mark to any thumbnail selected on the LCD monitor. For more information on shot marks. > [Shot Mark Function] (page 46) Also, you can use this button as the USER3 button for menu settings. > [Assigning Functions to USER Buttons] (page 55)

8. Text memo button

Records a text memo if pressed during recording or playback or when playback is paused. > [Text Memo Function] (page 45) Also, you can use this button as the USER4 button for menu settings. > [Assigning Functions to USER Buttons] (page 55)

9. MON OUT CHARACTER switch

This switch controls the superimposition of characters onto the video output from the MON OUT connector.

ON: Characters are superimposed. OFF: Characters are not superimposed.

> [Settings of signals output from MON OUT

connector] (page 89)

10.REW (rewind) button

During pause, this button performs a fast-reverse playback with the lamp blinking. During playback, it performs an approximately 4a fastreverse playback with the PLAY and REW lamps blinking. If this button is pressed when playback is paused, the start of the clip being played back is located in pause mode.

11.STOP button

This button stops playback. Also, press this button when you stop interval recording or one-shot recording, or when you quit consolidating clips once in ONE CLIP REC mode.

12.FF (fast forward) button

During pause, this button is used to perform fast playback with the lamp blinking. During playback, it performs an approximately 4a fast playback with the PLAY and FF lamps blinking. If this button is pressed when playback is paused, the start of the next clip is located in pause mode.

13.PLAY/PAUSE button

This button is used to view playback using the viewfinder screen or a color video monitor. The lamp comes on when playback starts. In playback mode, this button pauses (PLAY/PAUSE) playback with the lamp blinking.

14.P2 CARD ACCESS LED

This LED indicates the recording and playback status of each card. > [P2 CARD ACCESS LED and Status of P2 cards]

(page 33)

15.REMOTE (remote control) connector

Connect the AJ-RC10G remote control unit (optional). > [Connection of the remote control unit (AJ-RC10G)]

(page 143) You can also remote control part of the functions by connecting the AG-EC4G extension control unit (optional). > [Connection of the extension control unit (AG-

EC4G)] (page 145)

16.SD memory card insertion slot

An SD memory card (optional accessory) is inserted here. Use the SD memory card for recording/calling the settings menu and lens files for this unit, and also uploading metadata, etc.

Notes

z Use the unit by inserting an SD memory card that is

compliant with the SD standard or the SDHC standard.

z MMC (MultiMediaCards) cannot be used. (Bear in mind

that taking pictures may no longer be possible if you do use them.)

z If you intend to use miniSD/microSD cards in camera-

recorder, always install the adapter specially designed for miniSD/microSD cards. (The unit will not work properly if only the miniSD/microSD card adapter is installed. Make sure that the card has been installed in the adapter before using it.)

z Use of Panasonic’s SD memory cards and miniSD/

microSD cards is recommended. Be sure to format cards using camera-recorder.

z Any SD memory card with the following capacities (8 MB

to 2 GB) and any 32 GB SDHC memory card can be used with the unit.

z For the latest information not available in the operating

Instructions, visit the P2 Support Desk at the following Web sites.

Parts and their Functions: Shooting and Recording/Playback Functions Section

Page 23

Parts and their Functions

17.BUSY (operation mode display) lamp

Auto Knee function

Usually, when you adjust levels to shoot people or scenery against a strongly lit background, the background will be totally whited-out, with buildings and other objects blurred. In this case, the AUTO KNEE function reproduces the background clearly. This function is effective when:

• The subject is a person positioned in the shade under a clear

sky.

• The subject is a person inside a car or building, and you also

want to capture the background visible through a window.

• The subject is a high-contrast scene.

This lamp indicates the active status of the SD memory card. It stays illuminated when the card is active.

Note

While the lamp is on, do not insert or remove the card. The SD memory card might break.

18.Focal plane index ( )

This symbol indicates the focal plane of the CCD sensor. It provides a reference for making accurate focal distance measurements from the subject.

19.MARKER SEL, MODE CHK / MENU CANCEL

switch

This is the dual purpose spring switch for MARKER selection and MODE CHECK/MENU CANCEL. When you press this switch on the side of this unit, the marker displayed by the viewfinder changes. Press this button on the side of this unit to switch the information display screen for A and B, the two types of markers set with the menu, A (A marker display) > B (B marker display) > OFF (no marker display). When the power is turned on, the last selected indication before powerdown appears. > [Marker Check Screen Displays (MARKER SELECT

button function)] (page 86)] When you pull this button toward you, a six screen display for camera setting status (STATUS screen display, !LED screen display, FUNCTION screen display, AUDIO screen display, CAC screen display, USER SW screen display) switch sequentially on the viewfinder. The camera output signal is not affected. The display goes out in about 5 seconds. When the selected screen is displayed, the display will continue while you press the button. While displaying the menu, this button works as a switch to cancel changed setting values.

20.Gain selector switch

Use this switch to select video amplifier gain, according to lighting conditions under which you are shooting. The values for L, M, and H can be preset using menu options. These are factory-set to 0 dB for L, 6 dB for M, and 12 dB for H.

21.OUTPUT/AUTO KNEE selector switch

Used to select the video signals sent from the camera unit to the memory, viewfinder and video monitor.

CAM. AUTO KNEE ON:

Video being recorded through the camera is sent with the auto knee circuit activated. It is also possible to assign the DRS (Dynamic Range Stretcher) function instead of the AUTO KNEE function.

CAM. AUTO KNEE OFF:

Video being recorded through the camera is sent in manual knee mode.

BARS:

Color bar signal is output. The AUTO KNEE circuit does not work. You can select between four types of color bar signal. > [COLOR BARS] (page 184).

Note

With the factory settings, TEST TONE is output to all 4 channels of audio when OUTPUT/AUTO KNEE switch is set to [BARS] and CH1 of AUDIO IN switch is set to [FRONT]. The output method of TEST TONE can be changed in the TEST TONE menu option.

> [TEST TONE] (page 190)

22.WHITE BAL (white balance memory selector)

switch

Used to select the white balance adjustment method.

PRST: Use this when you have no time to adjust the

white balance. The value for the white balance is factory-set to 3200 K. It can be changed to any color temperature using a menu option. >[Setting Color Temperature Manually]

(page 51).

A or B: Pressing the 4. AUTO W/B BAL Switch

toward [AWB] automatically adjusts the white balance, saving the adjusted value in Memory A or B. Also, with menu settings you can assign B to auto tracking white balance (ATW) of the auto tracking mode. >[Adjusting the White Balance] (page 49).

Parts and their Functions: Shooting and Recording/Playback Functions Section

Page 24

2326

23.GENLOCK IN connector

When GENLOCK is set on the camera, or when the time code is externally locked, reference signals are input. Also, you can check the return video signal on the viewfinder screen by inputting an HD-Y signal, and selecting HD-Y with the RETURN SIGNAL menu option. You can select the RETURN SIGNAL menu option from the <GENLOCK> screen of the SYSTEM SETTING page. > [Setting External Reference Signal and GENLOCK]

(page 61)]

26.MON OUT (monitor output) connector

This is the video output connector for the monitor. According to the MONITOR OUT MODE menu option, images independent of SDI OUT can be output. Also, with the menu settings, HD-SDI or down converted SDSDI or VBS can be selected. Up convert is not supported. You can select the MONITOR OUT MODE menu option from the <OUTPUT SEL> screen of the SYSTEM SETTING page. You can set character superimposition with the 9.MON OUT CHARACTER switch switch separately from the

25.SDI OUT connector. > [Settings of signals output from MON OUT

connector] (page 89).

Note

When inputting HD SDI signals use a cable above 5C-FB.

27.REC button

Pressing this button starts recording, and pressing again stops recording. This button has the same function as 6.REC button and the VTR button at the lens. It may be disabled with 28.REC protection button.

28.REC protection button

This button disables 27.REC button on the handle.

24.SDI IN connector

You can input HD/SD SDI signals. By selecting “SDI” with the REC SIGNAL menu option, you can record signals from this input connector. You can select the REC SIGNAL menu option from the <SYSTEM MODE> screen of the SYSTEM SETTING page. Also, you can set GENLOCK on the menu based on this input signal. > [Setting External Reference Signal and GENLOCK]

(page 61)]

Note

When inputting HD SDI signals use a cable above 5C-FB.

25.SDI OUT connector

This is the dedicated SDI output connector. The same signal format as the SYSTEM MODE is output. Down convert and up convert are not supported. You can independently set character superimposition with the 26.MON OUT (monitor output) connector. > [Settings of signals output from SDI OUT connector]

(page 88)

Note

When inputting HD SDI signals use a cable above 5C-FB.

ON: The REC button is enabled. OFF: The REC button is disabled.

29.USB 2.0 connector (HOST)

30.USB 2.0 connector (DEVICE)

A USB 2.0 cable is connected here. When the menu option PC MODE is set to “ON”, data can be transferred via USB 2.0. During such data transfer, recording, playback or operations of clips is permitted. The menu item PC MODE is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page. > [Connection with external devices using the USB 2.0

port] (page 136)

Parts and their Functions: Shooting and Recording/Playback Functions Section

Page 25

Parts and their Functions

Menu Operation Section

1. MENU button

Used to turn on/off the menu.

2. JOG dial button

With the menu open, this button is used to navigate through menu pages, select options and specify values. > [Setting Menu Options] (page 160)

3. SD memory card insertion slot

An SD memory card (optional accessory) is inserted here. It is used when writing or saving menu data or lens files on an SD memory card.

4. BUSY (operation mode display) lamp

This lamp indicates the active status of the SD memory card. It stays illuminated when the card is active.

Note

While the lamp is on, do not insert or remove the card. The SD memory card might break.

5. MARKER SEL, MODE CHK / MENU CANCEL

switch

If you pull the button toward you while changing menu option settings, you can revert to values before the change.

Parts and their Functions: Menu Operation Section

Page 26

Time Code Section

1. GENLOCK IN connector (BNC)

This connector is used to input a reference signal before the camera unit is gen-locked, or before the time code is externally locked. > [Externally Locking the Time Code] (page 68)

2. SDI IN connector (BNC)

When GENLOCK is set on the camera, or when the time code is externally locked, reference signals are input. > [Externally Locking the Time Code] (page 68)

Note

Input SDI signal must be the same format selected on the system mode menu of this unit.

3. TC IN connector (BNC)

This connector is used to input a reference time code when you externally lock the time code. > [Externally Locking the Time Code] (page 68)

4. TC OUT connector (BNC)

When you inter-lock the time code of camera-recorder with that of an external device this must be connected with the time code input (TC IN) connector of the external device. > [Externally Locking the Time Code] (page 68)

2 4 3

7. DISPLAY (counter display selector) switch

Indications of the time code, CTL and user bits on the counter of the display window depend on the positions of this switch and the 8.TCG (time code selector) switch. Pressing the 5.HOLD button also displays Date/Time/ Time Zone.

UB: User bits/DATE/TIME/Time zone indicated. TC: Time code indicated. CTL: CTL indicated.

8. TCG (time code selector) switch

This switch is used to specify the stepping mode for the built-in time code generator.

F-RUN: Select this position to continuously advance

the time code independently of the P2 card recording status. Use this mode to synchronise the time code with the time of day, or to externally lock the time code.

SET: Select this position to set the time code and/or

user bits.

R-RUN: Select this position to advance the time code

only during recording. For spliced scenes recorded on P2 cards, the sequence of time codes is unbroken.

5. HOLD button

Pressing this button freezes the time data indication on the counter. Note that time code generation continues. Pressing the button again reactivates the counter. This function is used to ascertain the time code or CTL count of a particular recorded scene.

6. RESET button

This button resets the time data (CTL) on the counter to “00:00:00:00”. If this button is pressed when with the 8.TCG (time code selector) switch positioned at [SET], time code and user bits data are reset to 0, and real-time data is reset to the initial value.

Parts and their Functions: Time Code Section

9. CURSOR and SET buttons

Use these buttons to set the time code and user bits. The four triangular buttons are the CURSOR buttons, and the center rectangular one is the SET button. > [Setting Time Data] (page 62)

Page 27

Parts and their Functions

Warning and Status Display Functions

1. Back tally lamp

When the 2.BACK TALLY switch is set to [ON], the lamp behaves in the same way as the front tally lamp at the viewfinder.

2. BACK TALLY switch

This switch controls the action of the 1.back and 7.rear tally lamps.

ON: Back and rear tally lamps enabled. OFF: Back and rear tally lamps disabled.

3. WARNING lamp

This lamp starts blinking or lights up if something unusual occurs in the memory.

4. USB lamp

Stays on when the camera-recorder is in USB mode.

5. LIGHT button

Use this button to control illumination of the display window. Alternately pressing this button toggles illumination of the 6.Display window on or off.

6. Display window

This window displays warnings, battery-remaining level, sound volume, time data, and other information.

Note

When the battery is installed, the camera-recorder indicates the data even if the power is turned off. To turn off the data indications to keep the battery from being discharged, specify OFF for the menu item P. OFF LCD DISPLAY. The menu item P. OFF LCD DISPLAY is found in the <TC/UB> screen on the MAIN OPERATION page.

7. Rear tally lamp

When the 2.BACK TALLY switch is set on [ON], the rear tally lamp behaves in the same way as the back tally lamp.

Parts and their Functions: Warning and Status Display Functions

Page 28

Display Window Functions

Battery-remaining level indication bar

For a battery with a digital indicator (percentage indication), if the remaining level of the battery is higher than 70%, all seven segments up to the “F” position are lit. When the remaining level falls below 70%, the segments go out one-by-one for each drop of 10%. All seven segments can be set to light up when the battery-remaining balance is 100%. To do so select “100%” for the menu item BATT REMAIN FULL. The menu item BATT REMAIN FULL is found in the <BATTERY/P2CARD> screen on the MAIN OPERATION page.

Audio channel level meter

When the MONITOR SELECT CH1/2 / CH3/4 switch is set to [CH1/2], the meter indicates 1 and 2 as the audio channel numbers, together with their audio levels. When the switch is set to [CH3/4], the meter indicates 3 and 4 as the audio channel numbers, together with their audio levels.

Media-remaining space indication bar

The bar indicates the remaining free space on each P2 card, using a seven-segment display. Each segment can represent either three or five minutes of remaining free space, depending on the value set through the menu option CARD REMAIN/. According to the set value, the segments disappear one-by-one. The menu option CARD REMAIN / can be found in the <BATTERY/P2CARD> screen on the MAIN OPERATION page.

Information indication LOOP:

Stays illuminated in LOOP REC mode.

[Loop Recording] (page 39).

Mode indication

W: Stays illuminated when the camera-recorder operates in

SD mode (480-59.94i, 576-50i) and is set to 16:9 mode.

HD: Stays illuminated when the camera-recorder is in HD

mode (1080i).

DV: Stays illuminated when the recording/playback format is

DV.

GPS: Stays illuminated when radio waves are not received

during GPS operation.

GPS : Stays illuminated when radio waves are received during

GPS operation.

P-REC: Stays illuminated when the PRE REC MODE is set to

ON, and blinks when recording is continued after the recording tally lamp has gone out. The menu item PRE REC MODE is found in the <REC FUNCTION> screen on the SYSTEM SETTING page.

iREC: Remains illuminated during INTERVAL REC mode

recording, and blinks during a pause.

i: Blinks when INTERVAL REC mode is selected.

Time code indication

NDF: Stays illuminated when the time code is in non-drop frame

mode.

DF: Stays illuminated when the time code is in drop frame

mode.

SLAVE

: Stays illuminated when the time code is externally locked.

HOLD: Stays illuminated when the time code generator/reader

value is frozen.

CTL: Stays illuminated when the DISPLAY switch is positioned

at [CTL] to display the CTL count.

TCG: Stays illuminated when the DISPLAY switch is positioned

at [TC] (or [UB]) to display the TC (or UB) generator value.

TC:

Stays illuminated when the DISPLAY switch is positioned at [TC] (or [UB]) to display the TC (or UB) reader value.

VTCG: Stays illuminated when the DISPLAY switch is positioned

at [UB] to display the VIUB generator value.

VTC: Stays illuminated when the DISPLAY switch is positioned

at [UB] to display the VIUB reader value.

TIME:

Stays illuminated when the DISPLAY switch is positioned at [UB] to display the real-time hour, minute and second.

DATE: Stays illuminated when the DISPLAY switch is positioned

at [UB] to display the real-time date.

No Indication:

The CTL, VTCG, TIME, and DATE stay off when the DISPLAY switch is positioned at [UB] to display real time, time zone, hour and minute.

Time count indication:

The time code, CTL, user bits and real time are shown.

Note

When the DISPLAY switch is positioned at UB, each press of the HOLD button changes the indication through VTCG (VTC) > DATE > TIME > No Indication (Time Zone) > TCG (TC), in that order.

P2 card/battery-remaining level indications

SL A V E HOLD W GPS

NDF

VTCG

CTL

MEDIA B A T T

TIME D A T E

Y minM

E F

HDV

P-iREC

LOOP

O VE R O VE R

frm

13 24

-dB

Memory action status indication

Error Code Indication

> [Warning System] (page 153)

SL A V E HOLD W GPS

NDF

VTCG

CTL

MEDIA B A T T

TIME D A T E

Y minM

E F

HDV

P-iREC

LOOP

O VE R O VE R

frm

13 24

Parts and their Functions: Display Window Functions

-dB

frm

O VE R O VE R

-dB

13 24

NDF

SL A V E HOLD W GPS

VTCG

CTL

MEDIA B A T T

TIME D A T E

Y minM

E F

HD V

P-iREC

LOOP

Page 29

Parts and their Functions

LCD Monitor

5. CURSOR and SET buttons

The four triangular buttons are the CURSOR buttons, and the center rectangular one is the SET button. They are used to select a thumbnail and manipulate the thumbnail menu. > [Manipulating Clips with Thumbnails] (page 118).

6. EXIT/CANCEL button

6 57

1. LCD monitor

The LCD monitor displays the video in the viewfinder. Alternatively, it can show clips on the P2 card in a thumbnail format. In thumbnail display mode, clips can be edited or deleted, or P2 cards can be formatted using the

4.THUMBNAIL MENU button and 5.CURSOR and SET buttons.

Used to return the display to the previous state when the thumbnail menu or the property screen is displayed. Also, when you press the button while pressing the SHIFT button, it cancels. It is convenient when canceling clip selection status for a batch.

7. SHIFT button

Use by pressing at the same time as other buttons.

z SHIFT button + cursor button (#/$)

On the thumbnail screen, moves the pointer to the first or last thumbnail of the clip.

z SHIFT button +SET button

Selects all clips from the clip just selected up to the cursor position.

z SHIFT button +EXIT/CANCEL button

Operates the cancel function. > [EXIT/CANCEL button] (page 29)

Notes

z The image quality displayed with this monitor is

different from the image quality actually recorded/output from this unit. Be careful especially when setting the menu item SYSTEM MODE of this unit to “480/59.94i” and “576/50i”. The menu item SYSTEM MODE is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

z The image in the monitor is disrupted momentarily when

the SYSTEM MODE menu item is set to “480/59.94i” or “576/50i”, and the image is switched between the camera image and playback image, but this is not a malfunction.

z An image may freeze onto the LCD display for a while

when the battery is removed or the external DC power supply is unplugged while the power is still on, but this is not a malfunction. It will disappear after a while if left as it is.

z Residual images may seem to increase when the

temperature is low, but this is not a malfunction.

2. OPEN button

Used to open the LCD monitor.

3. THUMBNAIL button

This button switches the content on the 1.LCD monitor from the video in the viewfinder to clip thumbnails. Another press switches them back to the video from the viewfinder. Note that this switchover is not performed during a recording or playback.

Operations while pressing the SHIFT button are displayed below each button.

4. THUMBNAIL MENU button

In thumbnail display mode, this button allows you to manipulate the thumbnail menu (e.g., to delete clips).

Parts and their Functions: LCD Monitor

Page 30

Viewfinder

An HD viewfinder can be used with this unit. It is recommended to use the optional AJ-HVF21KG or AJ-CVF100G (59.94/50 Hz switching).

(z: the finder shows nothing on a black screen)

Mode

Each viewfinder shows return signals and SDI input signals in the recording formats assigned to the camera-recorder.

*1 HD Signals. *2 The image in the viewfinder is disrupted momentarily when the SYSTEM MODE menu item is set to “480/59.94i” or “576/50i”, and the

image is switched between the camera image and playback image, but this is not a malfunction. The SYSTEM MODE menu option can be selected from the <SYSTEM MODE> screen on the SYSTEM SETTING page.

*3 Image may be disrupted in a vertical direction when the return video image of the SDI input signal is displayed on the viewfinder with the

SYSTEM MODE menu option set to “480-59.94i” or “576-50i” and the GENLOCK menu item set to “INT”. This is not a malfunction, but the disruption can be cleared by selecting “SDI IN” in the GENLOCK menu option. The GENLOCK menu option can be selected from the <GENLOCK> screen on the SYSTEM SETTING page.

For details, please refer to the operating instructions for each viewfinder.

AJ-HVF21KG

13 14 11 7

Video seen through

viewfinder

Video from camera ± Playback ± Return video (HD-Y) ± HD-SDI input (HD) ± Video from camera ± Playback ± Return video (VBS) z HD-SDI input (SD

) ±

HD viewfinder

4. PEAKING control

Used to adjust the outlines of the video image in the viewfinder for easier focusing. This does not affect the signal output from the camera.

5. CONTRAST control

Used to adjust the contrast of the video image in the viewfinder. This does not affect the signal output from the camera.

2345 6

1. Viewfinder (optional accessory)

During recording or playback, the viewfinder displays the video image in monochrome. It also displays warnings, messages, zebra patterns, markers (safety zone and center markers), etc.

2. ZEBRA (zebra pattern) switch

This switch is used to display the zebra pattern in the viewfinder.

ON: Zebra pattern displayed. OFF: No zebra pattern displayed.

3. TALLY switch

Used to control the 7.Front tally lamp.

HIGH: Front tally lamp brightly illuminated. OFF: Front tally lamp stays off. LOW: Front tally lamp dimly illuminated.

6. BRIGHT control

Used to adjust the brightness of the video image in the viewfinder. This does not affect the signal output from the camera.

7. Front tally lamp

This lamp is activated when the 3.TALLY switch is positioned at [HIGH] or [LOW], and stays on during recording. It also blinks in synchronisation with the REC lamp in the viewfinder, and provides alerts. Use the TALLY switch to change the intensity of the lamp to ([HIGH] or [LOW]).

8. Back tally lamp

This lamp stays illuminated during shooting. It also blinks in synchronisation with the REC lamp in the viewfinder, and provides alerts. When the lever is positioned at [OFF], the back tally lamp is hidden.

Parts and their Functions: Viewfinder

Page 31

Parts and their Functions

9. Eyepiece

Note

Do not leave the eyepiece aimed at the sun. Doing so may damage the internal components.

If, when fitting a large lens, there is insufficient space between the top of the lens and the bottom of the viewfinder, the positions of the slide rails can be shifted upwards slightly by repositioning the screws.

10.Diopter adjustment ring

Use this to make adjustments in line with your diopter, in order to obtain optimum clarity in the viewfinder image. The adjustable range of the viewfinder view angle is shown in the following table.

Product Number Adjustable range

AJ-HVF21KG –0.9 D to –4.4 D

For an eyepiece for presbyopia, consult the dealer.

11.Connecting plug

a. Conventional screw positions b. Reposition and fix 3 screws here to raise the slide rail by

approximately 8 mm.

12.Locking ring

13.Microphone holder

14.Viewfinder stopper

Used to attach or remove the viewfinder.

15.Viewfinder left-right position anchoring ring

Used to adjust the side-to-side position of the viewfinder.

16.Viewfinder front-back position anchoring lever

Used to adjust the fore-and-aft position of the viewfinder.

Note

For more information, see th e instruction manual for the viewfinder.

Parts and their Functions: Viewfinder

Page 32

POWER: ON

Card slot cover

EJECT button

Insert the card with the logo facing up.

P2 CARD ACCESS LED

Recording and Playback

P2 Cards

Inserting P2 Cards

Note

When using the camera-recorder for the first time, be sure to set the time data beforehand.

> On how the time data is set, see [Setting Time Data] (page 62).

1 Turn on the POWER switch.

2 Open the card slot cover.

3 Insert a P2 card into the P2 card slot until the

EJECT button pops up.

4 Push the eject button that pops up to the right.

Insert a P2 card into camera-recorder. The P2 CARD ACCESS LED for the appropriate slot indicates the status of the P2 card. >[P2 CARD ACCESS LED and Status of P2 cards]

(page 33).

Recording and Playback: P2 Cards

5 Close the slot cover.

Notes

z To prevent cards from falling out, dust from entering

and reduce the risk of exposure to static electricity, close the card slot cover before moving the camera.

z Format P2 cards only on a P2 card device.

Page 33

Recording and Playback

Removing P2 Cards

Press the raised EJECT button to remove a P2 card.

Raise the EJECT button.

Protect

Write-protect switch

1 Open the card slot cover. 2 Raise the EJECT button.

The P2 CARD ACCESS LEDs may be set to stay off using the menu option ACCESS LED. The menu item ACCESS LED is found in the <OPTION MODE> screen on the SYSTEM SETTING page.

3 Then, depress the EJECT button to release the

P2 card so that you can remove it.

Notes

z After insertion, do not remove the P2 card while it is being

accessed or recognized (the P2 card access LED flashes orange), or the P2 card may fail. If your unit is not set to turn on the P2 CARD ACCESS LED, before removing the card ensure that PRE-RECORDING have finished after stopping recording or playback.

z If a P2 card being accessed is removed, the viewfinder

displays “TURN POWER OFF” and camera-recorder gives a warning using an alarm and the WARNING LED. In addition, all P2 CARD ACCESS LEDs blink rapidly in green. If this is the case, turn the power off.

> For more information on warning indications, see [Warning

System] (page 153).

z If a P2 card is removed while being accessed, clips on it may

become irregular. Check the clips and restore them if required.

> For more information about how to restore clips, see

[Restoring Clips] (page 126).

z If a P2 card being formatted is removed, it may be not be

formatted properly. In this case, the viewfinder displays “TURN POWER OFF”. If this message appears, turn off the power, then restart camera-recorder to reformat the card.

z If a P2 card is inserted while another P2 card is being played

back, the inserted P2 card is not recognised and the P2 CARD ACCESS LED for that card does not come on. Card recognition starts when the playback ends.

z Even if a P2 card is inserted in a vacant slot while recording,

the media may not be recognized during the following times:

 Immediately after PRE-RECORDING  Immediately before or after switching from the first P2

card for recording to the second one, when data are recorded on multiple cards spanning from one to the other (hot-swap recording)

To Prevent Accidental Erasure of P2 Card Content

To prevent the content of a P2 card being accidentally erased, position the write-protect switch on the P2 card at [Protect].

Note

Write-protect switchover can be performed while the card is being accessed (during recording or playback), but does not take effect until access to the card ceases.

P2 CARD ACCESS LED and Status of P2 cards

P2 CARD

ACCESS LED

Stays on in green ACTIVE Writing and reading

Stays on in orange

Blinks in orange ACCESSING Writing or reading being

Blinks rapidly in orange

Blinks slowly in green

Stays off NOT

MODE CHECK

indication*

ACTIVE Writing and reading

INFO READING Recognaising the P2 card.

FULL The P2 card has no free

PROTECTED The write-protect switch on

SUPPORTED

FORMAT ERROR The P2 card is not properly

NO CARD No P2 card is inserted.

Status of P2 Card

enabled

enabled. The card is recordable (LOOP REC also enabled).

performed.

space. Only reading is enabled.

the P2 card is positioned at [PROTECT]. Only reading is enabled.

The card is not supported by your unit. Replace the card.

formatted. Reformat the card.

* The mode check indication is shown in the viewfinder.

> [Viewfinder Status Indication Layout] (page 76).

Recording and Playback: P2 Cards

Page 34

How to handle data recorded on P2 cards

Device:\

All these folders are required.

* This is the file in which the

information on the final clip that was recorded with the P2 device is written.

The P2 card is a semiconductor memory card that is used as the recording medium in the professional video production and broadcasting devices that make up the DVCPRO P2 Series.

z Since data recorded in the DVCPRO P2 format or AVC-

Intra are in a file format, they have excellent compatibility with PCs. The file structure is a unique format, which in addition to video and audio data in MXF files contains various other important information items. The folder structure links the data as shown on the right.

Changing or deleting just one information component could make it impossible to recognize the data as P2 data or use the card in a P2 device

z When transferring data from a P2 card to a PC, or when rewriting data saved on a PC to a P2 card, to prevent data loss be

sure to use the special P2 Viewer software. Download it from the following website. You can also visit the support desk at the following website for details on the system requirements of P2 Viewer.

http://pro-av.panasonic.net/

z When using regular IT tools such as Microsoft Windows Explorer or Apple Finder to transfer data to a PC, follow the

instructions below. However, be sure to use the P2 Viewer when returning data to a P2 card.

CONTENTS

AUDIO CLIP ICON PROXY VIDEO VOICE

LASTCLIP.TXT*

 Transfer the corresponding CONTENTS folder and LASTCLIP.TXT file together as a set.

Do not transfer individual files from the CONTENTS folder. When copying, copy the LASTCLIP.TXT file at the same time as the CONTENTS folder.

 When transferring multiple P2 cards to a PC, create a folder for each P2 card to prevent clips with the same name from

being overwritten.

 Do not delete data from the P2 card.  Before using a P2 card, be sure to format it with a P2 device.

Recording and Playback: How to handle data recorded on P2 cards

Page 35

Recording and Playback

Basic Procedures

2 1

OUTPUT:

CAM/AUTO KNEE ON

AUDIO SELECT CH 1/3 / CH 2/4:

AUTO

TCG:

F-RUN or R-RUN

GAIN:

Normally, this should be set to 0 dB. If conditions are too dark, an appropriate gain level should be set.

USER MAIN:

This switch is factory-set to perform slot selection.

This section describes the basic procedure for shooting and recording. Before you embark on a shoot, pre-inspect your system to ensure that it works properly.

* For directions on inspecting your memory card camera-recorder, see

[Inspections Before Shooting] (page 146).

Battery Set-up to P2 card Insertion

1 Insert a charged battery pack. 2 Turn on the POWER switch and ensure that

more than four segments of the batteryremaining amount indication bar are illuminated.

If the number of illuminated segments is fewer than five, first check the battery placement. If placement is not the problem, replace the battery with a fully charged one.

3 Insert a P2 card and ensure that the P2 CARD

ACCESS LED stays on in orange or green. Then, close the card slot cover.

When more than one P2 card slot contains a P2 card, the card in the slot with the lowest number is used first. However, regardless of slot number, a P2 card inserted later will not be accessed until the other cards have been used.

Example:

If all 2 slots contain P2 cards, the cards are used in order of slot numbers 1>2. However, if the P2 card in Slot 1 is removed and then re-inserted, the cards will be used in the following order: 2>1.

Switch Setting

When a battery and P2 cards are installed, set the switches as detailed below, before starting to use your unit.

Setting the switches before shooting and recording

Notes

z The USER MAIN button is factory-set to perform the slot

selection function, which selects the target card from among several P2 cards. When a new target P2 card is selected, the appropriate slot number appears on the P2 card remaining amount indicator in the viewfinder.

> For more information about the indications in the viewfinder,

see [Viewfinder Status Indication Layout] (page 76).

z SLOT SEL function is enabled during recording. Until the P2

card on which images are recorded has been switched completely, “SLOT SEL” blinks on the viewfinder. If the “SLOT SEL” operation cannot be executed for any reason, for instance immediately after starting recording or switching the P2 card on which images are recorded, “SLOT SEL INVALID” is displayed.

Note that the recording order is retained even if the power is turned off. When the power is next turned on, the last card written before powering-down will be the target card.

Note

When “SLOT1” is selected for the menu option P.ON REC SLOT SEL, recording starts from the P2 card inserted in the smallest slot number, after the power is turned on. The menu item P.ON REC SLOT SEL is found in the <REC FUNCTION> screen on the SYSTEM SETTING page.

Recording and Playback: Basic Procedures

Page 36

White/Black Balance Adjustment to Recording

Operation Buttons

During recording, all operation buttons (REW, FF, PLAY/ PAUSE, STOP) are disabled.

132245, 6

Completion

For shooting, follow the steps below.

1 Select a filter according to light conditions. 2 When the white balance is saved:

Position the WHITE BAL switch to [A] or [B].

When the white or black balance is not saved and you have no time to adjust the white balance:

Position the WHITE BAL switch to [PRST]. This adjusts the white balance against the filter according to the position of the FILTER control.

If the white balance is adjusted on the spot:

Position the WHITE BAL switch to [A] or [B] and shoot a white test subject so that it appears at the center of the screen. Then, follow the steps below to adjust the white balance.

1. Press the AUTO W/B BAL switch toward [AWB] to adjust the white balance.

2. Press the AUTO W/B BAL switch toward [ABB] to adjust the black balance.

3. Press the AUTO W/B BAL switch toward [AWB] to adjust the white balance again.

White/Black balance adjustment to recording completion

For directions on making adjustments, see [Adjusting the White Balance] (page 49) and [Adjusting the Black Balance] (page 52).

3 Point the camera at your subject to adjust the

focus, and zoom.

4 To use the electronic shutter, set the shutter

speed and operation mode.

For more information, see [Setting the Electronic Shutter] (page 53).

5 Press either the REC button to start recording.

During recording, the REC lamp in the viewfinder stays illuminated.

6 To stop recording, press either the REC

button at the lens.

The REC lamp in the viewfinder goes out.

Recording and Playback: Basic Procedures

Page 37

Recording and Playback

Camera recording

2:3 pull down = recording

Camera recording

2:3 pull down

Recording

MARKER SEL, MODE CHK / MENU CANCEL switch

REC button

Normal Recording

REC button starts recording of video and sound on the P2 card. A cluster of data that consists of video and sound generated through a shooting action, together with such added information as meta data, is called a “clip”.

Normal Recording and Native Recording

In the unit, the camera’s recording method is selectable between the Native recording method with the frame rate unchanged and the normal recording method pulling the frame rate down to 59.94 or 50 frames.

Normal recording (Pull-down recording)

Images at 24P (23.98p: referred to as 24P) are pulled down in 2:3 mode. Images at 30P (29.97p: referred to as 30P) are pulled down in 2:2 mode and recorded as 59.94i (referred to as 60i). Images at 25P are recorded as 50i with 2:2 pulled down. 24PA (2:3:3:2 Advanced Pull down) is supported as well. AVC-Intra does not support pull-down recording.

Example of 24P Over 60i

Notes

z The recording will start from the top frame of a five-frame

cycle for 24P/24PA recording or a four-frame cycle for 24P native recording, respectively. Therefore, the time code may be discontinued when recording clips continuously in different modes during the recording cycle.

z Even if a P2 card has just been inserted, or the power has

been just turned on, you can start recording using the internal memory of camera-recorder. In this case, recording cannot be stopped until the P2 card is recognised. If the inserted card is not recognized as a recordable P2 card, the record in internal memory is instantly discarded, and the message “CANNOT REC” message is displayed on the viewfinder. Pull the MARKER SEL, MODE CHK / MENU CANCEL switch to check P2 card status (displayed in viewfinder).

BA C D

Ao Ae Bo Be Bo Ce Co De Do De

Native recoding

This recording method extracts and records effective frames at the frame rates of the AVC-Intra recording in 1080i. Even in Native recording, the rate for outputting camera images and playback images is 59.94i or 50i that are pulled down.

Example of 1080-24PN (Native)

BA C D

Ao Ae Bo Be Bo Ce Co De Do De

Recording and Playback: Normal Recording

Page 38

PRE-RECORDING function

Previous clip

New clip

REC start

(Recording starts)

REC/PAUSE

(Recording pauses)

Real-time video

Real-time sound

Specified PRE-REC duration

Content on P2 card

The internal memory of your unit is capable of storing several seconds of video and sound data coming from the camera. This capability can be used to record video and sound several seconds before either the REC button is pressed to start recording. To use this function, the menu option PRE REC MODE must be set to “ON”. The storage duration of the internal memory can be set from the menu option PRE REC TIME. These menu items are found in the <REC FUNCTION> screen on the SYSTEM SETTING page. The function of the menu option PRE REC MODE may be assigned to a desired user button by using any one of the menu options USER MAIN SW, USER1 SW, USER2 SW, SHOT MARK (USER3) SW or TEXTMEMO (USER4). These menu items are found in the <USER SW> screen on the CAM OPERATION page. These are the options for PRE REC TIME.

1-8 SEC (When recording in DVCPRO50 in HD or SD mode) 1-15 SEC (When recording in DVCPRO or DV in SD mode)

Specify the duration for which data may be recorded before either the REC buttonis pressed.

Notes

z “P-REC” indication when the “PRE REC MODE” menu

option is set to OFF

After recording is stopped, the “P-REC” indication remains displayed until all video and sound are recorded on the P2 card, even if the PRE REC MODE menu option is set to OFF.

> For details of the [P-REC] display, refer to [29.INTERVAL

REC/PRE RECORDING information display (page 81)].

In addition, this display can be turned off by configuring the P-REC/i-REC settings. The menu item P-REC/i-REC is found in the <VF INDICATOR> screen on the VF page.

z Immediately after the power is turned on, the menu option

PRE REC TIME is selected and/or the storage duration is changed, the content in internal memory will be undefined. In these situations, the video or sound will not be recorded for the duration specified, even if the REC button is pressed to start recording.

z A P2 card that has been just inserted takes some time to

recognise. In this situation, video or sound may not be recorded for the duration specified, even if the REC button is pressed to start a recording.

z The internal memory does not store video or sound when a

playback or recording review is being performed. For this reason, no video or sound can be recorded during such operation.

z When recording starts, the time code indication (TCG) may

be shown as “HOLD” until the P2 card has been recognised.

z PRE RECORDING function does not work when recording

SDI input signals and when INTERVAL REC and LOOP REC functions are working.

Recording and Playback: PRE-RECORDING function

Page 39

Recording and Playback

Loop Recording

Card1 Card2

Recording starts

Before LOOP

REC starts

Recording

Cycle 1

Data is recorded by connecting the unrecorded sections on the P2 card (in the sequence of A to B). When the remaining recording space becomes zero, A is erased and new data is recorded (C).

Recording

Cycle 2

No content

Content recorded

When two P2 card slots contain cards, this function allows the target P2 card to be switched in order. Even when the free space of a P2 card is used up, this function continues recording while erasing existing data. To use this function, the menu option LOOP REC MODE must be set to “ON”. The menu item FLOOP REC MODE is found in the <REC FUNCTION> screen on the SYSTEM SETTING page.

Notes

z When the LOOP REC capability is used, each P2 card must

have at least one minute of free space.

z During LOOP REC, the P2 CARD ACCESS LEDs for all target

P2 cards illuminate in orange. Note that if any of the target P2 card is removed, LOOP REC stops.

z When the menu option LOOP REC MODE is set to ON, the

viewfinder and display window both show “LOOP”. However, when only one card is inserted, or when each card has less than one minute of free space, the LOOP REC capability does not work, even if the option LOOP REC MODE is set to ON. If this is the case, the indication “LOOP” flashes in the viewfinder and on the display window.

z When the menu option LOOP REC MODE is set to “ON”, the

space remaining on the P2 card is displayed as an estimated recording time for the current recording format. When LOOP REC is stopped immediately after deleting an old recording, the actual time remaining may be shorter than the displayed time.

z LOOP REC function does not work when:

 the INTERVAL REC MODE menu option is set to “ON” or

“ONE SHOT”.

 the ONE CLIP REC MODE menu option is set to “ON”.  Native mode, 24P or 24PA mode is selected in the REC

FORMAT or CAMERA MODE menu option.

 the REC SIGNAL menu option is set to “SDI”.

> [Recording Setting and Operation Mode] (page 46)

Interval Recording

It is possible to record in intervals of one frame as the shortest length by using the internal memory of the unit. To use this option, set the interval recording mode, REC TIME, PAUSE TIME and TAKE TOTAL TIME for the menu option INTERVAL REC MODE. When the settings are finalized, TOTAL REC TIME needed on the P2 card is automatically calculated and displayed. The menu item INTERVAL REC MODE is found in the <REC FUNCTION> screen on the SYSTEM SETTING page.

Terminating the LOOP REC Mode

You can terminate the LOOP REC mode by either:

z Turning off the POWER switch of camera-recorder; or z Setting the menu option LOOP REC MODE to “OFF”.

The following are the options for INTERVAL REC MODE:

OFF:

No interval recording performed.

ON:

Interval recording performed.

ONE SHOT:

Performs “one-shot” recording for the duration specified under the REC TIME option by pressing the REC button.

Recording and Playback: Loop Recording

Page 40

Shooting procedures when INTERVAL REC is ON

iREC start

Time Axis

Real-time video

Sound

REC TIME (Recording time=t1)

PAU S E TIM E (Pausing time=t2)

TAK E TOTAL T I M E

(Time necessary for shooting)

Content on P2 card

TOTAL REC TIME

(Recording time on P2 card)

One clip

1 Following basic operations of shooting and

recording according to “Basic Procedures”, lock the camera securely.

2 Check that “i” is blinking in the display, and

that the interval recording mode is selected.

3 Press REC button.

Interval recording starts. Recording automatically stops after the specified TAKE TOTAL TIME, and the entire recording is generated as one clip. “i” starts blinking in the display when the internal recording mode is selected. “iREC” illuminates after recording starts. “iREC” blinks during a pause. The display in the viewfinder is the same as that in the display window. The tally lamp illuminates during recording. If PAUSE TIME is set at 2 minutes or longer, the tally lamp illuminates at 5-second intervals to indicate that it is paused. The tally lamp also blinks 3 seconds before recording starts.

To stop the Interval recording mode

z Setting the menu option INTERVAL REC MODE to “OFF”.

When INTERVAL REC HOLD is set to “OFF”, the mode returns to ordinary recording mode if the POWER switch of the unit is turned OFF. If INTERVAL REC HOLD is set to “ON”, the interval recording mode will not change even if the POWER switch is turned OFF.

t2 t2

12233

N-1

To stop recording

Press the STOP button. Recording stops. Then, the camera accesses the P2 card to record the video stored in memory before recording stops. The record from the beginning of the interval recording to the moment of pressing the STOP button is generated as one clip.

For continuous recording

Press the REC button, again. Interval recording resumes.

Recording and Playback: Interval Recording

Page 41

Recording and Playback

Previous clip

Real-time video

Sound

Content on P2 card

One clip

REC TIME (Recording time=t)

iREC

start

Time

Axis

iREC

start

STOP

button

Shooting procedures for the ONE SHOT mode of INTERVAL REC

After setting the ONE SHOT mode of INTERVAL REC, follow these steps:

1 Following basic operations of shooting and

recording according to “Basic Procedures”, lock the camera securely.

2 Press the REC button.

z The AJ-HPX3100 automatically goes into ONE

SHOT pause mode after the specified REC TIME.

z Performs recording for the duration specified under

the REC TIME option by pressing the REC button, and returns to ONE SHOT pause mode.

3 Press the STOP button.

The video stored in memory are generated as one clip.

During INTERVAL REC mode general notes

Sound

Interval recording does not record audio.

Record/Playback Buttons

During interval recording, all operation buttons other than STOP (REW, FF, PLAY/PAUSE) are disabled.

If the power is turned off during recording

If the AJ-HPX3100 is turned off during interval recording, the video stored in memory is recorded onto the P2 card, and then the camera automatically turns off.

Time code indication

When recording starts, the time code (TCG) display may not update until the unit recognizes the P2 card.

Removing cards

During INTERVAL REC mode operation, the P2 card access LED for the inserted P2 card blinks in orange. Do not remove the P2 card during this status. If you should

remove the card accidentally, restore clips. However, even if the clips are restored, the last 3 to 4 seconds up to a maximum of about 10 seconds of the recording may be lost if the P2 card is removed while recording onto multiple P2 cards. For more information on how to fix clips, see [Restoring Clips] (page 126).

To divide clips or to change the P2 card used for recording

Even during ONE SHOT mode, clips will not be generated on the P2 card until the STOP button is pressed. Press the STOP button, and stop ONE SHOT mode operation.

When replacing the P2 card, check the access LED, etc. to make sure that access has been terminated before removing the P2 card.

To stop the ONE SHOT mode of INTERVAL REC

z Set the menu option INTERVAL REC MODE to “OFF”.

When INTERVAL REC HOLD is set to [OFF], the mode returns to ordinary recording mode if the POWER switch of the unit is turned OFF. If INTERVAL REC HOLD is set to [ON], the ONE SHOT mode will not change even if the POWER switch is turned OFF.

z Operating mode limitations

INTERVAL REC function does not work when:

 the LOOP REC MODE menu option is set to “ON”.  the ONE CLIP REC MODE menu option is set to

“ON”.

 Native mode, 24P or 24PA mode is selected in the

REC FORMAT or CAMERA MODE menu option.

 The REC SIGNAL menu option is set to “SDI”.

> [Recording Setting and Operation Mode] (page 46)

Thumbnail operation and menu operation

Thumbnail operation does not work during the INTERVAL REC mode operation. Press the STOP button before operating thumbnails. When standby time is set to 1 minute or more or when in ONE SHOT mode, the following restrictions apply even though the menu can be operated during stand-by mode.  The respective settings or SYSTEM MODE, REC

SIGNAL, REC FORMAT, CAMERA MODE, AUDIO SMPL RES, 25M REC CH SEL, and PC MODE cannot be changed.

 The respective settings for SD CARD READ/WRITE,

LENS FILE CARD R/W, READ USER DATA, READ FACTORY DATA, reading SCENE FILE, and CAC FILE CARD READ cannot be executed.

Recording and Playback: Interval Recording

Page 42

ONE CLIP REC Function

* Up to a maximum of 99 recordings can be combined into a

single clip. When the 99th recording ends, recordings are no longer automatically combined into the same clip. Subsequent recordings are combined into a new clip.

First Recording

Second Recording

Nth Recording*

REC Start

REC stop

Single Combined Clip

REC Start

REC stop

This function compiles multiple recordings into a combined clip and does not isolate single recordings (from REC START to STOP) to single clips.

Use this function by setting the ONE CLIP REC MODE item to “ON”. The menu item ONE CLIP REC MODE is found in the <REC FUNCTION> screen on the SYSTEM SETTING page. When the ONE CLIP REC mode is selected, “1-CLIP” will display in the lower right of the viewfinder and the LCD monitor. Start the first recording by pressing the REC button. “START 1¢CLIP” will display. Any subsequent recordings are automatically combined into the clip. Up to a maximum of 99 clips can be combined into a single clip.

Exiting ONE CLIP REC mode

Set the ONE CLIP REC MODE item to “OFF” in the Menu.

Cueing to the Start of the Combined Section of the Clip

A text memo can be automatically added to the start of the recording, the start of a section can be cued for playback, and the thumbnail of the location can be checked before each recording. Automatically add a text memo to the start of the recording by setting the START TEXT MEMO item to “ON”. The menu item START TEXT MEMO is found in the <OPTION MODE> screen on the SYSTEM SETTING page. Check and playback the location of the added text memo by selecting THUMBNAIL > TEXT MEMO CLIPS from the Thumbnail Menu and moving the cursor over the desired clip. > [Playing back a clip at the position where a text memo is

recorded] (page 124) In addition, cue the location of the text memo for playback by setting the SEEK SELECT item to “CLIP&T”. Press the FF or REW button while playback is paused. The menu item SEEK SELECT is found in the <OPTION MODE> screen on the SYSTEM SETTING page.

Follow the instructions below to use a new and separate clip and end combining to the clip.

z Press and hold the STOP button for about 2 seconds

while recording is paused. (operating while recording is on standby)

Or z Press and hold the REC button for about 2 seconds while

recording to stop recording. (operating while recording)

Follow the instructions above to end combining to the clip. “END 1-CLIP” displays. Subsequent recordings use a new and separate clip.

Notes

z In addition to the aforementioned steps, the following ends

combining to the clip and subsequent recordings use a new clip.

z The clip does not stop combining even when the STOP

button is pressed in the Menu or on the thumbnail display.

z Pressing the STOP button of the remote control unit (AJ-

RC10G) or the extension control unit (AG-EC4G) cannot quit consolidating clips.

Recording a New Clip

 When the power is turned off  When the P2 card with the previous recording is

removed

 When the P2 card is formatted or the clip is deleted

(when the previous combined clip does not exist)

Recording and Playback: ONE CLIP REC Function

Page 43

Recording and Playback

Precautions when in ONE CLIP REC mode

z The INTERVAL REC and LOOP REC functions cannot be

used at the same time.

z This mode does not operate when the REC SIGNAL item

is set to “SDI”. The menu item REC SIGNAL is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

z The menu and thumbnail operations are restricted as

follows when combining to the clip. Press and hold the STOP button for about 2 seconds to stop combining to the clip when switching to this mode.

 The following menu items cannot be changed.

SYSTEM MODE, REC SIGNAL, REC FORMAT, CAMERA MODE, AUDIO SMPL RES, PC MODE, 25M REC CH SEL

 The following Menu items, related to the reading/

writing of the SD memory card and reading of the settings file, cannot be executed. SD CARD READ/WRITE, LENS FILE CARD R/W, READ USER DATA, READ FACTORY DATA, Reading SCENE FILE, CAC FILE CARD READ

 Selecting the OPERATION > COPY menu option of

the thumbnail menu does not work.

z The processing time to complete the recording may take a

little more time than normally to allow the clip to be combined with subsequent recordings.

z The fade process does not work on discontinuous audio

during playback where the recordings are combined within the clip.

z If non-linear editing software is used on clips with multiple

combined recordings, the software may not operate normally (present as of Oct 2010). Refer to the P2 support page from the following web site for the most recent information on software that has been confirmed to work with these types of clips.

http://pro-av.panasonic.net/

Recording and Playback: ONE CLIP REC Function

Page 44

Recording Review Function

Recorded clip

2-10 Seconds

The PLAY button plays back the clip from the beginning.

Recording starts

Recording pauses

The RET button puts the camera-recorder into REC REVIEW mode.

When recording is paused, pressing the RET button automatically locates the last two seconds of video just recorded, and the viewfinder provides video playback. After playback, the camera-recorder is again ready to start recording. The picture location/playback duration can be increased to up to 10 seconds by continuously pressing the RET button. For short clips, however, when the start of a clip is located, continuously pressing the RET button does not play back any clips before that clip. The function of the RET button may be assigned to a desired user button by using one of the menu options USER MAIN SW, USER1 SW, USER2 SW, SHOT MARK (USER3) SW or TEXT MEMO (USER4) SW. These options can be found in the <USER SW> screen on the CAM OPERATION page. When recording is paused, pressing the PLAY/PAUSE button plays back the last recorded clip, from the beginning. This unit enters the recording standby mode after the playback ends.

Notes

z Set the menu option RET SW to “R. REVIEW”. The menu item

RET SW is found in the <SW MODE> screen on the CAM OPERATION page.

z When the SDI OUT MODE or MONITOR OUT MODE menu

option is set to “MEM”, the image of REC REVIEW is output not only to the viewfinder but also on the video output connector (SDI OUT connector, MON OUT connector) during REC REVIEW. Note that when a backup device is connected to back up the video the pictures for REC REVIEW are backed up. These menu items are found in the <OUTPUT SEL> screen on the SYSTEM SETTING page.

z In ONE CLIP REC mode, the furthest rewind point using REC

REVIEW and the start point for playback after pausing a recording is not at the start of the clip, but at the start of the most recent recording.

Recording and Playback: Recording Review Function

Page 45

Recording and Playback

Normal and Variable Speed Playback

TEXT MEMO button

The PLAY/PAUSE button provides monochrome playback through the viewfinder and color playback on the LCD monitor. A color video monitor connected to the SDI OUT or MON OUT connector of camera-recorder also provides color playback. You can also view playback with SDI from the SDI OUT connector, but the SDI OUT MODE menu option needs to be set to “MEM”. The menu item SDI OUT MODE is found in the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Variable speed playback

The FF and REW buttons provide 32a and 4a fast playbacks and fast reverse playbacks. When playback is paused, the FF button locates the beginning of the next clip while maintaining the pause mode.

Text Memo Function

When playback is paused, the REW button locates the

beginning of the current clip while maintaining the pause

mode.

Notes

z The camera-recorder cannot play back clips where the

SYSTEM MODE differs. If this is the case, set the SYSTEM MODE of camera-recorder to the format of the desired clip before playing it back.

z When a P2 card has been just removed or inserted, or when

the power has been just turned on for playback, it may take some time for camera-recorder to read clip information. If this is the case, the viewfinder displays “UPDATING”. If data is played back when the P2 card is being recognized, the message “CANNOT PLAY” will be displayed.

z If a P2 card is inserted while another P2 card is being played

back, the clips on the inserted P2 card will not be played back. A P2 card inserted during playback will be recognised after playback ends.

Text memos are time-coded thumbnails added to any video point when a clip is being recorded or played back. The Text Memo button adds text memo information at the appropriate point. You can edit added text memos using the P2 viewer. Through a thumbnail display, you can choose and play back the text memo point or copy any portion. > [Text Memo] (page 124)

Notes

z One clip can have up to 100 text memos.

z Text memos can also be recorded when the LCD monitor is

in thumbnail mode. In this case, the text memo is added to the position on the clip where the cursor is set (normally at the beginning) only.

z For a clip with voice memos added through the AJ-SPX800

or any other camera-recorder, you can record up to 100 text and voice memos in combination. For information about voice memos, see the instruction manual for the AJ-SPX800.

z Text memos cannot be recorded when the color bar is output

or the unit is in LOOP REC mode and INTERVAL REC mode.

Recording and Playback: Normal and Variable Speed Playback

Page 46

Shot Mark Function

SHOT MARKER button

A shot mark is added to the thumbnail of a clip to distinguish that clip from others. With the LCD monitor, only clips that have shot marks can be viewed and/or played back.

Adding Shot Marks

To add a shot mark during recording, press the SHOT MARK button. The viewfinder displays “MARK ON” and adds a shot mark to the thumbnail of the appropriate clip. Another press of the button erases the shot mark. When the SHOT MARK button is pressed during a recording pause, a shot mark is attached to the clip recorded immediately before. The shot mark can be deleted with another press.

Shot marks may also be added or erased using clip thumbnails. > [Shot Mark] (page 123)

Notes

z When the color bar is output or the unit is in LOOP REC

mode and INTERVAL REC mode, it is impossible to add/ delete shot marks.

z It is impossible to add shot marks to incomplete clips (refer

page 120).

z For clips recorded on plural P2 cards or clips split on a P2

card (refer to Note on page 11), a shot mark is added to the top clip only.

Recording Setting and Operation Mode

AJ-HPX3100 recording mode works according to the priorities outlined in the following table, relative to the setting of the menus and switches.

Functional

operation

mode

SDI input record

INTERVAL REC

LOOP REC OFF ON OFF Disabled Disabled Disabled

ONE CLIP REC

Normal Recording

* Disabled for color bars

Menu switches related to system/recording Limitations on various functions

REC SIGNAL

SDI Disabled Disabled Disabled

CAM

INTERVAL

REC MODE

ON or ONE SHOT

OFF OFF ON

OFF OFF OFF Enabled* Enabled*

LOOP REC

MODE

OFF OFF

ONE CLIP

REC MODE

REC FORMAT

CAMERA MODE

Disabled (recording mode is 60i or 50i)

Only 60i, 50i, 30P (Over60i), 25P (Over50i) are available

All modes are available (no limitations)

PRE

RECORDING

Disabled Enabled Enabled

Disabled Disabled Disabled

Enabled 1s - 8s/15s

Recording a

Enabled* Enabled*

Tex t Mem o

Shot Mark

Recording and Playback: Shot Mark Function

Page 47

Adjustments and Settings for Recording

Multi Format

Video system and Recording format

The unit uses an interlace/progressive scan (reading all pixels) switchable type CCD. With combinations of the SYSTEM MODE and CAMERA MODE menu options, you can select a video system from among 12 types including HD (1080i) and SD. When selecting “SDI” on the REC SIGNAL menu option, you can record external signals input from the SDI IN connector. These menu items are found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

Selecting a recording signal and method

SYSTEM MODE menu option

Allows you to select a combination of system frequency (59.94 Hz or 50 Hz) and signaling system (1080i, 480i, or 576i). When a change has been made to the SYSTEM MODE option, the viewfinder indicates “TURN POWER OFF.” Then, turn the POWER switch of the camera-recorder off and wait five seconds or longer before turning the camera-recorder on again.

REC SIGNAL menu option

CAM Signals from the camera are recorded. The

CAMERA MODE option allows you to select a camera operation mode (frame mode).

SDI Signals from the SDI IN connector are

recorded.

Note

When SDI is selected, the time code or UMID superimposed on SDI input signals are not recorded.

CAMERA MODE menu option

Used to select a camera operation mode when the option REC SIGNAL is set to CAM. >[Recording formats and output connector signal

formats] (page 48).

REC FORMAT menu option

Used to select the recording mode. The menu item REC FORMAT is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

For HD mode (1080i) AVC-I 100

The AVC-Intra100 format is used to record video. The native recording format applies to the 30PN, 24PN and 25PN modes.

AVC-I 5 0

The AVC-Intra50 format is used to record video. The native recording is applied to the 30PN, 24PN and 25PN modes.

DVCPRO HD

The DVCPRO HD format is used to record video.

For SD mode (480i, 576i)

DVCPRO5 0

The DVCPRO50 format (50 Mbps) is used to record video.

DVCPRO

The DVCPRO format (25 Mbps) is used to record video.

DV The DV format is used to record video.

Notes

z When the camera has been switched from 60i or 30P to

24P or 24PA, video may produce noise for a moment because the pull-down five-frame cycle is adjusted. This is not an abnormal condition.

z When AVC-I 100 or AVC-I 50 is selected, the CAMERA

MODE menu option cannot be selected.

ASPECT menu option

Used to select the aspect ratio for the SD mode. (480i or 576i) The menu item ASPECT is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

16：9 The 16:9 aspect ratio is used to record video.

4：3 The 4:3 aspect ratio is used to record video.

AUDIO SMPL RES menu option

Used to select the number of bits of audio in HD mode (1080i). You can select the AUDIO SMPL RES menu option from the <SYSTEM MODE> screen of the SYSTEM SETTING page.

16BIT Records at 16 bits. 24BIT Records at 24 bits.

Note

This menu option is not displayed in the DVCPRO HD mode, and a 16-bit recording is employed.

Adjustments and Settings for Recording : Multi Format

Page 48

Recording formats and output connector signal formats

The table below shows the formats used to record signals from the CCD and externally input signals along with the formats for signals output from the output connectors.

SYSTEM

MODE

item

1080-

59.94i

1080-50i

480-

59.94i

576-50i

Menu setting

REC

SIGNAL

item

CAM

SDI All options Unrelated 1080-59.94i

CAM

SDI All options Unrelated 1080-50i

CAM

SDI All options Unrelated 480-59.94i

CAM

SDI All options Unrelated 576-50i

REC

FORMAT

item

AVC-I 100/60i AVC-I 50/60i

AVC-I 100/ 30PN AVC-I 50/ 30PN

AVC-I 100/ 24PN AVC-I 50/ 24PN

DVCPRO HD/ 60i

AVC-I 100/50i AVC-I 50/50i

AVC-I 100/ 25PN AVC-I 50/ 25PN

DVCPRO HD/ 50i

DVCPRO50/ 60i DVCPRO/60i DV/60i

DVCPRO50/ 50i DVCPRO/50i DV/50i

CAMERA

MODE

item

60i 1080-59.94i

30P 1080-29.97P Native

24PN 1080i-23.98P Native

60i 1080-59.94i

30P

24P

24PA

50i 1080-50i

25P 1080-25P Native

50i 1080-50i

25P

60i 480-59.94i

30P

24P

24PA

50i 576-50i

25P

Video Audio Video Audio Video Audio

1080-29.97P Over59.94i 2:2

1080-23.98P Over59.94i 2:3

1080-23.98P Over59.94i 2:3:3:2

1080-25P Over50i 2:2

480-29.97P Over59.94i 2:2

480-23.98P Over59.94i 2:3

480-23.98P Over59.94i 2:3:3:2

576-25P Over50i 2:2

Recording

4ch 48 kbps 16 bit/24 bit

4ch 48 kbps 16 bit

4ch 48 kbps 16 bit/24 bit

4ch 48 kbps 16 bit

4ch 48 kbps 16 bit/24 bit

4ch (2ch) 48 kbps 16 bit

Recording and output status

OUTPUT

HD SDI (1080)

1080-59.94i

1080-29.97PsF Over59.94i 2:2

1080-23.98PsF Over59.94i 2:3

1080-59.94i 1080-29.97PsF

Over59.94i 2:2 1080-23.98PsF

Over59.94i 2:3 1080-23.98PsF

Over59.94i 2:3:3:2

1080-59.94i

1080-50i

1080-25PsF

Over50i 2:2

1080-50i 1080-25PsF

Over50i 2:2 1080-50i 4ch

4ch 48 kbps 16 bit/24 bit

4ch 48 kbps 16 bit

4ch 48 kbps 16 bit/24 bit

4ch 48 kbps 16 bit

48 kbps 16 bit/24 bit

OUTPUT

SD SDI (480i, 576i)

480-59.94i

480-29.97PsF Over59.94i 2:2

480-23.98PsF Over59.94i 2:3

480-59.94i 480-29.97PsF

Over59.94i 2:2 480-23.98PsF

Over59.94i 2:3 480-23.98PsF

Over59.94i 2:3:3:2

480-59.94i

576-50i

576-25PsF

Over50i 2:2

576-50i 576-25PsF

Over50i 2:2 576-50i 4ch

480-59.94i 480-29.97PsF

Over59.94i 2:2 480-23.98PsF

Over59.94i 2:3 480-23.98PsF

Over59.94i 2:3:3:2

480-59.94i

576-50i

576-25PsF Over50i 2:2

576-50i

4ch 48 kbps 16 bit

48 kbps 16 bit

4ch (2ch) 48 kbps 16 bit

*1 You can select 16 bit or 24bit in the menu item AUDIO SMPL RES when the AVC-Intra format is selected. *2 In the menu item 25M REC CH SEL, you can select 4ch when the DVCPRO50 format is selected, and can select 4ch or

2ch when the DVCPRO or DV format is selected when the AVC-Intra format is selected. *3 The time code, user bits, and UMID are recorded. *4 The time code, user bits, and UMID (selectable between ON and OFF) are output. *5 EDH (ON/OFF enabled), UMID (ON/OFF enabled) are output. Time code, user bits are not output.

Notes

z UMID is not output for recording or playing back in DV format. z During playback, the formats for clips in the same system mode are switched automatically and played back.

Adjustments and Settings for Recording : Multi Format

Page 49

Adjustments and Settings for Recording

Adjusting the White balance and Black Balance

OUTPUT: CAM

AUTO W/B BAL switch:

Used to perform AWB.

GAIN:Under normal conditions, set to 0 dB

If it is too dark, an appropriate gain should be set.

WHITE BAL: A or B

CC/ND FILTER control

1/4 or more of the screen in width

1/4 or more of the screen in height

AWB ACTIVE

AWB A OK 3.2K

AWB A OK 2.3K

;

AWB A OK 15K

To record high-quality video with the unit, the black and white balances must be adjusted according to conditions. For higher quality, it is recommended that the adjustments should be made in this order AWB (white balance adjustment) > ABB (black balance adjustment) > AWB (white balance adjustment).

Adjusting the White Balance

Whenever light conditions change, the white balance must be re-adjusted. To adjust the white balance, follow the steps below.

4 Adjust the lens iris. 5 Flip up the AUTO W/B BAL switch so that it is

positioned at [AWB], then release it.

1 Set the switches as illustrated below.

z The switch returns to the central position with the

white balance automatically adjusted.

Note

To cancel automatic white balance adjustment in process (the viewfinder displays “AWB ACTIVE”), re-position the AUTO W/B BAL switch at [AWB]. If automatic adjustment is cancelled, the value in effect before automatic adjustment will be used.

z During an adjustment, the viewfinder displays the

following message:

z The adjustment will take effect in a few seconds, and

the following message will appear: The adjusted value is automatically stored in the memory specified in Step

1 ([A] or [B]).

2 Adjust the CC/ND FILTER control according to

the light conditions.

> For examples of CC/ND FILTER adjustments, see

[Shooting and Recording/Playback Functions Section] (page 21).

3 Place a white pattern at a point where the light

conditions match those for the light source of the subject.

z Then zoom-in on the white pattern so that white color

appears in the screen. A white object (cloth or wall) may be used instead of a white pattern.

z The illustration below shows the required size for the

white space.

Notes

z Do not include a high-intensity spot in the screen. z The white object must appear at the center of the

screen.

z If the subject’s color temperature is lower than 2300K

or higher than 15000 K the following message appears: If the arrow points down (;) the actual color temperature is lower than the temperature indicated.

If the arrow points up (:) the actual temperature is higher than the temperature indicated. Case 1: when lower than 2300K

Case 2: when higher than 15000K

Adjustments and Settings for Recording : Adjusting the White balance and Black Balance

Page 50

Detection area for the white balance

90%

50%

25%

< WHITE BALA NCE MODE >

FILTER INH :ON SHOCKLESS A WB :NORMAL AWB AREA :25% AWB B :MEM ATW SPEED :NORMAL TEMP PRE SE L SW :3.2K/5.6K

COLOR TEMP PRE :3200K AWB A TEMP　　 :3200K AWB B TEMP :3200K

Retaining white balances

The detection area for the white balance is selectable between 90%, 50% and 25%, using the menu option AWB AREA. The detection area is factory-set to 25%. The menu item AWB AREA is found in the <WHITE BALANCE MODE> screen on the CAM OPERATION page.

When you have no time to adjust the white balance

Position the WHITE BAL switch at [PRST]. This adjusts the white balance for the filter according to the position of the CC/ND FILTER control.

When the white balance has not been automatically adjusted

When the white balance has not been successfully adjusted, the viewfinder displays an error message. If one of the error messages listed below appears, take the appropriate steps, then adjust the white balance again. If the error message appears after repeated readjustments, the interior of the unit must be inspected. For more information, contact your distributor.

Each value in memory is retained even if the camerarecorder is turned off; it will not be lost until the white balance is re-adjusted. White balances are stored in either of two systems: A or B. When the menu option FILTER INH is set to “ON” (default), each system stores only one value. If this is the case, the values are not synchronised with the filters. When the menu option FILTER INH is set to “OFF”, the adjusted value for each filter can be automatically stored in the memory that corresponds to the position of the WHITE BAL switch (A or B). Your unit has four built-in filters; it stores eight (4 a 2) adjusted values. The menu item FILTER INH is found in the <WHITE BALANCE MODE> screen on the CAM OPERATION page. Also, when the S. GAIN (super gain) function is operating, the AWB switch doesn’t operate, and the message (AWB UNABLE/S.GAIN MODE) is displayed.

On settings for Auto-tracking white balance (ATW)

This unit is equipped with an auto tracking white balance (ATW) function that automatically tracks the white balance of images according to the lighting conditions. You can set this ATW function to the [B] of the WHITE BAL switch. With the AWB B menu option, select “ATW”. You can select the AWB B menu option from the <WHITE BALANCE MODE> screen of the CAM OPERATION page. You can also assign the ATW function to the USER MAIN/ USER1/USER2 buttons. > [Assigning Functions to USER Buttons] (page 55)

Error message Description Remedies

COLOR TEMP. HIGH

COLOR TEMP. LOW

LOW LIGHT There is insufficient

LEVEL OVER There is too much

CHECK FILTER The FILTER control

TIME OVER AWB was not

Adjustments and Settings for Recording : Adjusting the White balance and Black Balance

The color temperature is too high.

The color temperature is too low.

light.

is displaced.

completed within the time allowed.

Select an appropriate filter.

Increase the light level or gain.

Decrease the light level or gain.

Check the FILTER control.

Shooting conditions may be unstable. If flicker occurs, press the shutter and readjust the AWB under stable conditions.

To cancel auto tracking white balance

Press the USER button assigned to ATW again, or change the WHITE BAL switch. However, when ATW has been set to the [B] of the WHITE BAL switch, it cannot be cancelled with the USER button.

Note

This function does not provide a 100 % accurate white balance. The tracking performance relative to changes in ambient lighting and white balance performance have been given a degree of latitude.

Page 51

Adjustments and Settings for Recording

Setting Color Temperature Manually

< WHITE BALA NCE MODE >

FILTER INH :ON SHOCKLESS A WB :NORMAL AWB AREA :25% AWB B :MEM ATW SPEED :NORMAL TEMP PRE SE L SW :3.2K/5.6K

COLOR TEMP PRE :3200K AWB A TEMP :2600K AWB B TEMP :3200K

The white balance can be manually adjusted by setting the color temperature. Manual color temperature settings can be performed for each of the WHITE BAL switch positions: PRST, A and B. The color temperature is set using the menu options COLOR TEMP PRE, AWB A TEMP, and AWB B TEMP. These menu items are found in the <WHITE BALANCE MODE> screen on the CAM OPERATION page. There are two types of color temperature adjustment for COLOR TEMP PRE: VAR or 3.2K/5.6K Switchable.

VAR: Selectable within the range from 2300K; to

15000K:.

3.2K/5.6K: Switchable between 3200K and 5600K.

Note

Even if the color temperature has been manually set, automatic adjustment of the white balance (AWB) records the color temperature at the time of AWB at the position where the WHITE BAL switch was located. When the CC filter position is switched, the value for the color temperature changes.

Viewfinder displays related to white balance

>[Viewfinder Screen Status Displays] (page 75).

Adjustments and Settings for Recording : Adjusting the White balance and Black Balance

Page 52

Adjusting the Black Balance

AUTO W/B BAL switch:

Used to perform ABB.

OUTPUT/AUTO KNEE selector switch: CAM

ABB ACTIVE

ABB OK

The black balance must be adjusted when:

z You use your unit the first time; z Your unit has not been used for some time; z The ambient temperature has changed substantially; z The gain switchover value has been changed; or z S.GAIN (super gain) has been set with the USER MAIN/

USER1/USER2 button.

z When you are changing the assignment for DS.GAIN on

the USER SW GAIN screen of the menu

1 Set the switches as illustrated below.

2 Tilt the AUTO W/B BAL switch so that it is

positioned at [ABB], then release it.

z The switch returns to the central position with the

black balance automatically adjusted.

z During adjustment, the viewfinder displays the

following message:

Notes

z Ensure that the lens connector is connected and the

lens iris is CLOSE.

z During a black balance adjustment, light is

automatically cut off.

z During a black balance adjustment, the gain switchover

circuit is automatically switched. The viewfinder screen may flicker and/or display noise; this is not a failure.

z If you find the black shading annoying after performing

an auto black balance adjustment, adjust the black shading. To do so, go to the menu option DETECTION (DIG), move the cursor (>), then press the JOG dial button. The menu item DETECTION (DIG) is found in the <BLACK SHADING> screen on the MAINTENANCE page. When you set the SHD.ABB SW CTL menu option to “ON” and press the AUTO W/B BAL switch for 8 seconds or longer, [B-SHD READY] is displayed in the viewfinder and black shading can be automatically adjusted after the automatic black balance operation. While the black shading is being adjusted, the “B-SHD ACTIVE” message is displayed in the viewfinder. Ensure that the lens iris is closed completely until the “B-SHD OK” message is displayed in the viewfinder. The menu item SHD. ABB SW CTL is found in the <SW MODE> screen on the CAM OPERATION page. However, when the remote control unit (AJ-RC10G: optional accessory) or extension control unit (AGEC4G: optional accessory) is connected, automatic black shading cannot be executed even if the ABB switch is held down.

z To cancel the automatic black balance adjustment in

process (the viewfinder displays “ABB ACTIVE”), flip the AUTO W/B BAL switch down to [ABB] again. If automatic adjustment is cancelled, the value in effect before automatic adjustment will be used.

Note

During adjustment, the lens iris automatically becomes CLOSE.

z The adjustment will take effect in a few seconds and

the following message will appear:

The adjusted value is automatically stored in the memory.

Retaining black balances

Each value in memory is retained even if the camerarecorder is turned off.

Adjustments and Settings for Recording : Adjusting the White balance and Black Balance

Page 53

Adjustments and Settings for Recording

Setting the Electronic Shutter

This section provides a description of the electronic shutter, together with setting and handling directions.

Shutter Modes

The table below lists the shutter modes in which the unit’s electronic shutter can be used as well as the shutter speeds which can be selected.

To use the fixed shutter speed

z For eliminating flicker due to lighting z For shooting fast moving subjects clearly

To use the shutter speed of SYNCHRO SCAN

z For shooting monitor screens in a way that minimizes the

pattern of horizontal lines

z For shooting images when adding effects to the subjects’

To use the half shutter speed (HALF)

z For shooting images when adding effects as if taken with

film

Notes

z No matter in which mode the electronic shutter is used, the

higher the shutter speed, the lower the camera’s sensitivity.

z When the aperture is in the automatic mode, it will

increasingly open and the depth of focus will become shallower as the shutter speed is increased.

movement

Mode Video system

1080-59.94i 60i

1080-29.97P 30P 1/60 1/30.9 - 1/3600

1080-23.98P 24P 1/48 1/24.7 - 1/2880

1080-23.98PA 24PA 1/48 1/24.7 - 1/2880

480-59.94i 60i 1/120 1/61.7 - 1/7200

480-29.97P 30P 1/60 1/30.9 - 1/3600

480-23.98P 24P 1/48 1/24.7 - 1/2880

1080-50i 50i 1/60, 1/120,

1080-25P 25P 1/50 1/25.7 - 1/3000

576-50i 50i 1/100 1/51.4 - 1/6000

576-25P 25P 1/50 1/25.7 - 1/3000

CAMERA

MODE

Shutter speed Half shutter speed Variable range for SYNCHRO SCAN

1/120 1/61.7 - 1/7200

1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, HALF 180deg, 172.8deg,

144.0deg, 120.0deg,

90.0deg, 45.0deg

1/100 1/51.4 - 1/6000 1/250, 1/500, 1/1000, 1/2000, HALF 180deg, 172.8deg,

144.0deg, 120.0deg,

90.0deg, 45.0deg

3 deg - 350 deg (1.0 deg step)

Adjustments and Settings for Recording : Setting the Electronic Shutter

Page 54

Setting the Shutter Mode and Speed

< SHUTTER SP EED >

SYNCHRO SCA N :ON POSITION1 :ON POSITION2 :ON POSITION3 :ON POSITION4 :ON POSITION5 :ON POSITION6 :ON

< SHUTTER SE LECT >

POSITION1 S EL :1/100 POSITION2 S EL :1/120 POSITION3 S EL :1/250 POSITION4 S EL :1/500 POSITION5 S EL :1/1000 POSITION6 S EL :1/2000

SHUTTER switch

NORMAL mode

SYNCHRO

SCAN mode

SHUTTER switch

SYNCHRO SCAN ADJUSTMENT buttons (+/–)

The shutter speed in any shutter mode is set using the SHUTTER switch. In SYNCHRO SCAN mode, shutter speed can be switched easily, using the SYNCHRO SCAN ADJUSTMENT switches (+/–) on the side panel. Note that the range of selectable shutter speeds may be predefined; whether or not to use the SYNCHRO SCAN mode may be determined through the <SHUTTER SPEED> and <SHUTTER SELECT> screens. > [CAM OPERATION] (page 181) The selected shutter speed is retained even if the unit is turned off.

1 Press the SHUTTER switch, positioned at

[ON], towards [SEL].

2 Once more, press the SHUTTER switch

towards [SEL]. Repeat this switchover until the desired mode or speed appears in the viewfinder screen.

If all modes and speeds are available, the display changes in the following order:

Placing the Camera-recorder in SYNCHRO SCAN Mode

Press the SHUTTER switch positioned at [ON] towards [SEL], to place the camera-recorder in SYNCHRO SCAN mode. z In the SYNCHRO SCAN mode, it is possible to change the

shutter speed continuously by operating the SYNCHRO SCAN (+/–) buttons.

z The shutter speed display in synchro scan mode is

switchable between second indication and angle indication.

> [SYNCHRO SCAN DISP.] (page 177)

POSITION1 POSITION2 POSITION3 POSITION4 POSITION5 POSITION6

Viewfinder displays relating to the shutter

See [Viewfinder Screen Status Displays] (page 75).

Note

SHUTTER mode turns off when operating the DS.GAIN.

Adjustments and Settings for Recording : Setting the Electronic Shutter

Page 55

Adjustments and Settings for Recording

Assigning Functions to USER Buttons

< USER SW >

USER MAIN S W :SLOT SEL USER1 SW :S.GAIN USER2 SW :DS.GAIN SHOT MARK S W :SHOT MARK (USER3 SW) TEXT MEMO S W :TEXT MEMO (USER4 SW)

The USER MAIN SW, USER1 SW , USER2 SW, SHOT MARK SW (USER3 SW) and TEXT MEMO SW (USER4 SW) buttons can be assigned user-selected functions. To select desired functions, use the menu items USER MAIN SW, USER1 SW , USER2 SW, SHOT MARK SW (USER3 SW) and TEXT MEMO SW (USER4 SW). These options can be found in the <USER SW> screen, which is accessible from the CAM OPERATION page.

Selectable Functions

INH: No function assigned. S.GAIN: S.GAIN function assigned. The AWB does not

DS.GAIN: DS.GAIN function assigned.

S.IRIS: Super Iris function assigned.

I.OVR: Iris Override function assigned.

S.BLK: Super Black function assigned.

B.GAMMA: The BLACK GAMMA function is allocated.

function while the S.GAIN function is ON.

Notes

z The DS.GAIN function only operates when

shooting in 59.94i and 50i. Also, SHUTTER mode turns off when operating the DS.GAIN.

z Image when the DS.GAIN function is turned

ON or OFF will not be continuous.

This is useful for backlight compensation.

The target (reference) value in Auto Iris mode must be changed. To change the target value, put the unit into this mode and press the JOG dial button. Turn the JOG dial button clockwise or anticlockwise to change the value. The iris indication section of the viewfinder screen displays When the desired value is displayed, stop turning the JOG dial button. Then, press the dial button to accept that value. Note that once the mode is cancelled or the power is turned off the original reference value will be used again.

This function lowers the black level to the pedestal level or below.

This function highlights the black gradations. Regardless of the value set in the BLACK GAMMA item, the BLACK GAMMA is set to

“+”, “+ +”, “–”, or “– –”.

+: Iris opens up by 0.5. + +: Iris opens up by 1.

–: Iris closes down by 0.5. – –: Iris closes down by 1.

No indication

: The reference value is used.

“+3”. You can select the BLACK GAMMA menu option from either the <LOW SETTING> screen, the <MID SETTING> screen, or the <HIGH SETTING> screen of the PAINT page.

D.ZOOM: The digital zoom function is assigned.

This function zooms up the angle of view at 2/ 3/4 vertical horizontal ratio.

ATW: The automatic tracking white balance function

is assigned.

ATW LOCK: When you press while the ATW function is

operating, the white balance value is set. When you press once again the ATW function resumes operation.

Y GET: Function of indicating the brightness level of

the center marker assigned.

DRS: The function of the dynamic range stretcher is

assigned. This function expands dynamic range by compressing the image level of high intensity components and extending the image level of low intensity components. The compression level is variable on the <KNEE LEVEL> screen on the PAINT page.

Notes

z Because the DRS function compresses the

image level of high intensity components and extends the image level of low intensity components, turning the DRS function ON/ OFF sometimes causes slight differences in color.

zWhen the DRS function is turned on, the Knee

function and the BLACK GAMMA function are not available.

ASSIST： The function to turn on or off the assigned

focus assist indication.

Note

When the ASSIST button is turned on, a graph is displayed on the viewfinder and the bottom right of the LCD monitor. Adjust the focus ring on the lens so that the graph comes further right.

C.TEMP： The function to switch to the mode that allows

the JOG dial button to change the assigned color temperature. It is useful for intentionally changing the color temperature after adjusting the white balance. To change the color temperature, press the user button with this assigned function, and then press the JOG dial button. The color temperature indicated on the viewfinder display is highlighted and starts blinking, indicating that the color temperature can be changed. While the indication is blinking, the JOG dial button can be turned to change the color temperature. At this time, the value set for the position (PRST, A, or B) to which the WHITE BAL switch is set is also changed.

AUDIO CH1/3:

The function to switch the input signal of audio

Adjustments and Settings for Recording : Assigning Functions to USER Buttons

Page 56

channel 1 or audio channel 3 (you can switch

< USER SW GA IN > S.GAIN ¢30dB ¢36dB ¢42dB

DS.GAIN ¢ 6dB

¢10dB

¢12dB

¢15dB

¢20dB

¢24dB

¢28dB

¢34dB

with the VR SELECT menu option on the <MIC/AUDIO> screen of the MAIN OPERATION page) is assigned. Pressing the button switches the input signal in the following order: FRONT > REAR > W.L. Note that the AUDIO IN switch can also be used to change the input signal: later specification takes precedence.

AUDIO CH2/4:

The function to switch the input signal of audio channel 2 or audio channel 4 (you can switch with the VR SELECT menu option on the <MIC/AUDIO> screen of the MAIN OPERATION page) is assigned. Pressing the button switches the input signal in the following order: FRONT > REAR > W.L. Note that the AUDIO IN switch can also be used to change the input signal: later specification takes precedence.

REC SW: Function of the REC START/STOP button

assigned.

RET SW:

Function of the RET button at the lens assigned.

PRE REC: PRE-RECORDING switch ON/switch OFF

function assigned.

SLOT SEL: Function of switching the target P2 card

among multiple cards assigned.

PC MODE: The function to turn on or off the assigned

USB device or USB host mode. Switching between the USB device and USB host modes is set by selecting the PC MODE SELECT menu option. The menu item FRONT MIC POWER is found in the

<SYSTEM MODE> screen on the SYSTEM SETTING page.

SHOT MARK

: Function to add a shot mark when you press,

and delete the mark when you press again is assigned. For details on the Shot Mark function, see [Shot Mark Function] (page 46). This function can only be assigned to the SHOT MARK (USER3) button. It cannot be assigned to other USER buttons.

TEXT MEMO

: The function to record a text memo in the

frame for the point in time when you pressed is assigned. For details on the Text Memo function, see [Text Memo Function] (page 45). This function can only be assigned to the TEXT MEMO (USER4) button. It cannot be assigned to other USER buttons.

LCD B.L: Switches the intensity of the LCD monitor

back light. Interlocks with the set value of the BACK LIGHT menu option. You can select the BACK LIGHT menu option from the <LCD MONITOR> screen of the SYSTEM SETTING page.

Notes

z When the remote control unit (AJ-RC10G: optional) or the

extension control unit (AG-EC4G: optional) is connected, and I.OVR and C TEMP are assigned to the USER button on the AJ-RC10G or AG-EC4G, operation of this unit’s JOG dial button is disabled.

z The functions below also go OFF when the power of this unit

is turned OFF. I.OVR/S.BLK/B GAMMA/Y GET/DRS/ASSIST/C.TEMP/ATW/ ATW LOCK/D.ZOOM/S.GAIN/DS.GAIN However for C.TEMP, variable color temperature will be retained.

AJ-HPX3100 allows three other modes to be used in addition to the L/M/H standard gain settings: the analog gain-up S.GAIN (super gain) mode to achieve a gain of 30 dB or more, the cumulative gain-up DS.GAIN (digital super gain) mode which uses progressive drive. To select these functions, perform menu operations to select the S.GAIN item and DS.GAIN item, and preset the gain to be used for each item. These menu items are found in the <USER SW GAIN> screen on the CAM OPERATION page. For instance, if the S.GAIN and DS.GAIN functions have been allocated to the USER MAIN button, USER1 button or USER2 button, the gain can be increased by using these buttons in combination with the USER buttons.

1) To increase the gain without increasing noise:

2) To increase the normal analog gain:

Adjustments and Settings for Recording : Assigning Functions to USER Buttons

Setting the Switchover of USER SW GAIN

3) To achieve ultra-high sensitivity:

The DS.GAIN function is used.

(noise is increased)

Use the S.GAIN feature alone.

Settings Options and Usage

Note

Note that the accuracy of AUTO IRIS, White Balance, and Black Balance may be influenced by an increase in noise.

S.GAIN: An analog gain increase with an asterisk is one

DS.GAIN: A cumulative gain increase with an asterisk is

Use the S.GAIN function and DS.GAIN function in combination. However, exercise care during operation since image lag will become more conspicuous with moving subjects the more the gain is increased by using the DS.GAIN function. When shooting moving subjects, keep the gain increase with the DS.GAIN function to under 12 dB

that is valid. One without an asterisk is invalid.

one that is valid. One without an asterisk is invalid.

Page 57

Adjustments and Settings for Recording

Selecting Audio Input Signals and Adjusting

AUDIO IN switches

Displays whether REAR XLR AUTO (rear XLR connector input automatic switching) is selected.

Displays the system of each input signal CH1 - 4.

Recording Levels

AJ-HPX3100 supports independent 4-channel sound recording in any recording format. When the AUDIO SELECT CH1/3 / CH2/4 switches are set to [AUTO], the recording level of audio channel 1/2 (3/4 with the menu settings) is automatically adjusted. Also you can adjust manually by setting to [MAN] and using the AUDIO LEVEL CH1/ 3 / CH2/4 controls and the F.AUDIO LEVEL controls. Also from the menu you can select whether the recording level for audio channel 3/4 (1/2 with the menu settings) is automatic adjustment or manual adjustment (performing adjustment on the set values in the menu).

Notes

z With this unit you can select whether with the AUDIO LEVEL CH1/3 / CH2/4 controls the channel 1/2 audio level is adjusted, or the

channel 3/4 level is adjusted. With the factory settings, the level adjust controls are set to adjust the audio for channel 1/2.

z Even in HD mode (1080i), 4-channel sound is recoded on P2 cards. z When SDI input signals connector are recorded, the settings above are overridden; audio signals from the SDI IN connector is

always recorded.

Selecting Audio Input Signals

The input signals to be recorded on Audio Channels 1, 2, 3, and 4 are selected with the AUDIO IN switch. >[Audio (input) Function Section] (page 18)

You can check input selection status with the MODE CHECK of the AUDIO screen.

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   

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   

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   

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   



Also, when the REAR XLR AUTO CH1/2 and REAR XLR AUTO CH3/4 menu options are set to “ON”, the selection of input signal automatically switches to [REAR] at the point when the XLR connector is inserted in the AUDIO IN CH1/3 / 2/4 connectors in the back. At this time, the AUDIO IN switch for the corresponding channel is disabled. When using the DVCPRO or DV format of SD mode (480i, 576i), the factory settings are set to not record audio channels 3 and 4. When recording Channel 4, set the 25M REC CH SEL menu option to “4CH”. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels

Page 58

Recording level adjustment

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

















 

   



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

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

   



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















Select CH1/2 on the VR SELECT menu option

Select CH3/4 on the VR SELECT menu option

AUDIO LEVEL CH1/3 / CH2/4 controls

Display window

AUDIO SELECT CH1/3 / CH2/4 switch

You can select the recording level adjustment method from among three methods, the adjustment control/adjustment with menu options/automatic adjustment. With the VR Select menu option, select the two channels, CH1/2 or CH3/4, to assign to the adjustment controls. The VR SELECT menu option can be selected from the <MIC/ AUDIO> screen of the MAIN OPERATION page. The two channels which are not selected become automatic adjustment, but it is also possible to select adjustment with the menu option. The factory settings assign CH1/2 to the adjustment controls.

Selecting the level adjustment method

With the VR SELECT menu option, select either CH1/2 or CH3/4 to assign the AUDIO LEVEL CH/1/3 / CH2/4 controls.

CH1/2: Assigns AUDIO LEVEL CH1/3 / CH2/4 controls to

channels 1/2. AUDIO SELECT CH1/3 / CH2/4 switches are enabled for channels 1/2. The channels 3/4 become automatic adjustment, but the automatic adjustment is released by setting the AUTO LEVEL CH3 menu option and AUTO LEVEL CH4 menu option to “OFF”, making it possible to adjust the level with the LVL CONTROL CH3 menu option and LVL CONTROL CH4 menu option. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

CH3/4: Assigns AUDIO LEVEL CH1/3 / CH2/4 controls to

channels 3/4. AUDIO SELECT CH1/3 / CH2/4 switches are enabled for the channels 3/4. The channels 1/2 become automatic adjustment, but the automatic adjustment is released by setting the AUTO LEVEL CH1 menu option and AUTO LEVEL CH2 menu option to “OFF”, making it possible to adjust the level with the LVL CONTROL CH1 menu option and LVL CONTROL CH2 menu option.

Audio level adjustment menu

Note

When the VR SELECT menu option is changed, the value of each menu option in the menu screens above is inherited. For example, the AUTO LEVEL CH1 menu option inherits the value of the AUTO LEVEL CH3 and vice versa.

When the level adjustment controls are assigned to CH1/2

Selection of level adjustment for channel 1 and 2

Level adjustment methods for channel 1 and 2 are selected with the AUDIO SELECT CH1/3 / CH2/4 switches, either [AUTO] (automatic adjustment) or [MAN] (manual adjustment with the adjustment knob). When [MAN] is selected, volume for channel 1 and 2 is controlled with the AUDIO LEVEL CH1/3 / CH2/4 knobs.

Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels

Page 59

Adjustments and Settings for Recording

Adjustment with AUDIO LEVEL CH1/3 / CH2/4 knobs

 

 

F.AUDIO LEVEL control

Adjust the AUDIO LEVEL CH1/3 / CH2/4 knobs while looking at the audio channel level meter in the display window, or the audio level meter display in the LCD monitor. Also when the bar at the highest level (0dB) is passed, the OVER display lights up to indicate that the input volume is too great. It is necessary to adjust such that 0 dB will not be displayed even at the maximum.

The audio level meter displayed in the display window

 

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          

 



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

















SL A V E HOLD W GPS

NDF

VTCG

CTL

TIME D A T E

HD V

P-iREC

O VE R

Level adjustment of channel3/4

Automatic adjustment is enabled when the AUTO LEVEL

CH3 menu option and AUTO LEVEL CH4 menu option are turned “ON”.

Y minM

E F

MEDIA

E F

B A T T

LOOP

The audio level meter displayed inside the viewfinder

frm

-dB

1 2

Also when these menu options are turned “OFF”, operation of automatic adjustment stops, and audio level adjustment is possible with the LVL CONTROL CH3 and LVL CONTROL CH4 menu options. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

When the level adjustment knobs are assigned to CH3/4

Selection of level adjustment for channel 3 and 4

Adjustment with the F.AUDIO LEVEL control

When you operate this unit alone, we recommend you use the F.AUDIO LEVEL control for adjustment of audio level. Select the audio channel you want to adjust in advance, and while looking at the level meter in the viewfinder screen, adjust the F.AUDIO LEVEL control so that input does not become too great. Furthermore, when the recording level is adjusted with the F.AUDIO LEVEL control, whether to enable for the selected input signal system of each channel is set with the FRONT VR CH1 menu option and FRONT VR CH2 menu option. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

FRONT VR CH1, CH2

OFF: disabled FRONT: enabled when FRONT is selected for input

signal

W.L.: enabled when wireless is selected for input

signal

REAR: enabled when REAR is selected for input

signal

ALL: enables all input systems

Level adjustment method for channel 3 and 4 are selected with the AUDIO SELECT CH1/3 / CH2/4 switches, either [AUTO] (automatic adjustment) or [MAN] (manual adjustment with the adjustment knob). When [MAN] is selected, volume for channel 3 and 4 is controlled with the AUDIO LEVEL CH1/3 / CH2/4 controls.

Adjustment with AUDIO LEVEL CH1/3 / CH2/4 controls

In the same way as when the level adjustment knob is assigned to CH1/2, adjustment is possible with the AUDIO LEVEL CH1/3 / CH2/4 controls.

Level adjustment of channel1/2

Automatic adjustment is enabled when the AUTO LEVEL CH1 menu option and AUTO LEVEL CH2 menu option are turned “ON”. Also when these menu options are turned “OFF”, operation of automatic adjustment stops, and audio level adjustment is possible with the LVL CONTROL CH1 and LVL CONTROL CH2 menu options. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels

Page 60

Selection table of adjustment methods

Displays selection status of level adjustment. VR: adjustment with

the adjustment knob

MENU: adjustment with

the menu

AUTO: automatic

adjustment

Displays whether F.AUDIO LEVEL is enabled for each channel. OFF: the F.AUDIO LEVEL

control is disabled.

ON: the F.AUDIO LEVEL

control is enabled.

---: level adjustment with the knob is not selected. (Automatic adjustment or adjustment with the menu is selected)

When selecting “CH1/2” with the VR SELECT menu option

CH1、CH2 CH3、CH4

AUDIO SELECT CH1/3 switch AUDIO SELECT CH2/4 switch

Adjustment methods

MAN Manual adjustment with

the adjustment controls

AUTO Automatic adjustment ON Automatic adjustment

When selecting “CH3/4” with the VR SELECT menu option

CH1、CH2 CH3、CH4

AUTO LEVEL CH1 menu item AUTO LEVEL CH2 menu item

Adjustment methods

OFF Manual adjustment with the

LVL CONTROL CH1 menu option, LVL CONTROL CH2 menu option

ON Automatic adjustment AUTO Automatic adjustment

You can check selection status of the audio level adjustment method with the MODE CHECK of the AUDIO screen.

AUTO LEVEL CH3 menu item AUTO LEVEL CH4 menu item

Adjustment methods

OFF Manual adjustment with the

LVL CONTROL CH3 menu option, LVL CONTROL CH4 menu option

AUDIO SELECT CH1/3 switch AUDIO SELECT CH2/4 switch

Adjustment methods

MAN Manual adjustment with

the adjustment controls

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

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

   







   



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

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



   





Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels

Page 61

Adjustments and Settings for Recording

Setting External Reference Signal and GENLOCK

Locking video signal to external reference signal

You can lock the video signals output from this unit to a reference signal provided externally. This unit can receive external reference signals from the following two connectors.

Note

The sub-carrier of the composite signals of this unit is not locked to the sub-carrier of the reference signal.

z GENLOCK IN connector (for analog signals only) z SDI IN connector (for SDI signals only)

GENLOCKing to standard signals provided from the GENLOCK IN connector

GENLOCKing to standard signals provided from the SDI IN connector

Provides SDI signals matching system frame frequency to the SDI IN connector.

To enable reference signals input to the SDI IN connector, you An HD-Y signal that matches system frame frequency or a composite signal is provided to the GENLOCK IN connector. To enable reference signals input to the GENLOCK IN connector, you need to select “GL IN” with the GENLOCK menu option. Select the output signal to lock the input reference signal with the GL PHASE menu option. (Only when 1080-59.94i, 1080-50i) Perform horizontal phase adjustment of the reference signal and output signal with the H PHASE COARSE menu option and the H PHASE FINE menu option. You can select each menu option from the <GENLOCK> screen of the SYSTEM SETTING page.

need to select “SDI IN” with the GENLOCK menu option.

In addition, when “SDI” is selected with the REC SIGNAL

menu option, the reference signal input to the SDI IN

connector is synchronized regardless of the state selected

with the GENLOCK menu option. The phase of the output

signal at this time becomes the same as the reference signal

provided to the SDI IN connector.

Perform horizontal phase adjustment of the reference signal

and output signal with the H PHASE COARSE menu option

and the H PHASE FINE menu option. You can select the

REC SIGNAL menu option from the <SYSTEM MODE>

screen of the SYSTEM SETTING page.

The following output states result from selection of external reference signals and GENLOCK setting.

Selection of external reference signal

Recording

format

1080i SDI IN HD SDI: SDI IN

480i/576i SDI IN SD SDI: SDI IN

GENLOCK *

GL IN HD-Y: GENLOCK IN

INT - - Output is non-synchronous with input signal

GL IN VBS: GENLOCK IN

INT - - Output is non-synchronous with input signal

Input signal and Input connector

connector

SD SDI: SDI IN connector

connector

VBS: GENLOCK IN connector

connector

HD SDI: SDI IN connector

connector

HD-Y: GENLOCK IN connector

Setting of

GENLOCK

GL PHASE *

HD SDI HD SDI output matches HD SDI input signal.

For the HD SDI input signal, the VBS output delays by about 90 H.

COMPOSIT VBS output matches HD SDI input signal.

For the HD SDI input signal, the HD SDI output gains by about 90 H.

HD SDI HD SDI output is non-synchronous with HD SDI input signal.

COMPOSIT

HD SDI HD SDI output matches HD-Y input signal.

COMPOSIT VBS output matches HD-Y input signal.

HD SDI HD SDI output matches VBS input signal.

COMPOSIT VBS output matches VBS input signal.

- SD SDI output matches SD SDI input signal.

- SD SDI output is not locked to SD SDI input signal.

- SD SDI output matches SD SDI input signal.

- SD SDI output is not locked to HD-Y input signal.

VBS output is non-synchronous with HD SDI input signal.

For the HD-Y input signal, the VBS output delays by about 90 H.

For the HD-Y input signal, the HD SDI output gains by about 90 H.

For the VBS input signal, the VBS output delays by about 90 H.

For the VBS input signal, the HD SDI output gains by about 90 H.

VBS output matches SD SDI input signal.

VBS output is not locked to SD SDI input signal.

VBS output matches SD SDI input signal.

VBS output is not locked to HD-Y input signal.

(phase relation with external reference signal)

State of output signal

The GENLOCK menu option and the GL PHASE menu option are selected from the <GENLOCK> screen of the SYSTEM SETTING page.

Adjustments and Settings for Recording : Setting External Reference Signal and GENLOCK

Page 62

Setting Time Data

This unit provides time codes, user bits, and day-hour (real time) data as time data, and they are recorded in frames synchronous with images, and are also recorded as data for clip metadata files. It also includes a CTL counter and camera ID.

Description of time data

Time code

The TCG switch can be used to switch between Rec run and free run. Free run: The time code always advances even when the

power is turned off. It can be handled as time. It can be slaved to the time code input through the TC IN connector.

Rec run: The time code is recorded as sequential values

regenerated as the time code for a clip recorded on a P2 card.

User bits

The following two types of user bits are built in.

LTC UB: recorded as LTC, and output from the TC OUT

connector. Also, output as LTC of HD SDI signals.

VITC UB

You can select and record each respective user set values, time, year month day, with the same value as time codes, camera photo frame rate information, input value of external signals from the TC IN connector.

: recorded as VITC (with DVCPRO, recorded in

the VIDEO AUX zone). Also, output as VITC of HD SDI signals.

CTL counter

The CTL counter will measure total recording time after resetting in the recording operation. On the other hand, this value is the count time and sets the start point of a clip that can be played back. This can be used to find the current playback position.

Camera ID

The camera ID can be set with 10 characters a3 lines, which can be superimposed on the color bar video. It can be also superimposed along with date and time data.

Notes

z Only one type of user set value can be recorded. z For recoding 24P/24PA in 1080i or 480i mode, VITC UB is

fixed to frame rate information.

z In Native mode, VITC UB is fixed to frame rate information.

Date and time (real time)

The built-in clock maintains the date and time. When the GPS unit AJ-GPS910G is installed, the built-in clock is corrected with accurate date and time information from the GPS. This clock is used to store the date and time while the power is turned off and as the time for the user bits and date data, as well as the reference for file generation times during clip recording, which determine the sorting order of thumbnails and the order of playback. It is also used to generate clip metadata and UMIDs (Unique Material Identifiers).

Adjustments and Settings for Recording : Setting Time Data

Page 63

Adjustments and Settings for Recording

Recording time code and user bits

The number of frames for TC varies with the settings for the input signal, system mode, and camera mode as follows.

REC

SIGNAL

CAM

SYSTEM

MODE

1080-59.94i

1080-50i

480-59.94i

576-50i

1080-59.94i 480-59.94i

SDI

1080-50i 576-50i

Recording

frame

MODE

60i, 30P (Over 60i)

24P (Over 60i) 24PA (Over 60i)

30PN (Native)

24PN (Native)

50i, 25P (Over 50i)

25PN (Native)

60i 30P (Over 60i)

24P (Over 60i) 24PA (Over 60i)

50i, 25P (Over 50i)

LTC VITC

As per the TC

mode

Always nondrop frame

As per the TC mode

Always nondrop frame

As per the TC mode

Always nondrop frame

As per the TC mode

As per the TC

mode

Always nondrop frame

As per the TC

mode

Always nondrop frame

As per the TC

mode

Always nondrop frame

As per the TC

mode

No. of frames

of TC during

recording and

presetting

25 25

30 30

25 25

30 30

25 25 25

No. of frames

of the output

No. of frames

of the

displayed TC

30/24 switchable

Recording:

24 fixed

Playback:

30/24 switchable

LTC UB VITC UB

As per the

VITC UB mode Always frame

rate information

Always frame rate information

As per the VITC UB mode

Always frame rate information

As per the VITC UB mode

Always frame rate information

As per the VITC UB mode

As per the UB

mode

As per the UB

*5*

mode

As per the UB

mode

As per the UB

*5*

mode

As per the UB

mode

As per the UB

mode

As per the UB

mode

*1 It will not be slaved to a TC or UB value that is input in the SDI IN connector. *2 If the option menu FRAME RATE UB is set to “MENU”, then recording is performed as per the UB or VITC UB mode. If

this is the case, however, edit tools (e.g. PC edit software) cannot record the required information. The menu item

FRAME RATE UB is found in the <OPTION> screen on the OPTION MENU page. *3 For free run, the time code is slaved to the time code input through the TC IN connector. *4 For free run, the time code is slaved to the time code input through the TC IN connector if it is a non-drop frame. *5 When the option UB MODE is set to EXT, then the bits are slaved to the user bits input through the TC IN connector. The

menu item UB MODE is found in the <TC/UB> screen on the MAIN OPERATION page. *6 Regardless of the menu settings, frame rate information is always recorded. During playback, the information is output

after being converted into pull-down frame rate information. *7 When the UB MODE is set to “FRM RATE”, the pull-down frame rate information read out from the VITC UB area is

output during playback. *8 For details on this item, refer to [Recording formats and output connector signal formats] (page 48)

Adjustments and Settings for Recording : Setting Time Data

Page 64

Setting of the User bits

CURSOR and SET buttons

HOLD switch

DISPLAY switch

Display window

TCG switch

LTC UB is selected with the UB MODE menu option, and VITC UB is selected with the VITC UB MODE menu option. You can select each menu option from the <TC/UB> screen of the MAIN OPERATION page.

USER (UB MODE only)

The included user value is recorded. A user value is input through the display window. The recorded user value is retained even if the power is turned off. >For more information about how to input a user value,

see [Inputting a user value] (page 64).

TIME

The time kept by the built-in clock is recorded.

DATE

The hour digits for date and time kept by the built-in clock are recorded.

EXT (UB MODE only)

The user bits value input through the TC IN connector is recorded. The included user’s value will also be this input value.

TCG

The time code value is recorded.

FRM RATE

The frame rate information for camera shooting is recorded. >[Frame rate information recorded in user bits] (page

64)

REGEN

The user bits last recorded on the current target P2 card is read and recorded as is.

USER/EXT (VITC UB MODE only)

The included user’s value is recorded as the VITC UB area. It is the same value as the user bits indicated when the option UB MODE is set to “USER” or “EXT”.

Inputting a user value

2 Position the TCG switch at [SET].

When the left digit starts blinking you can change the value.

3 Use CURSOR buttons to set the user bits.

! button: Shifts the target (blinking) digit to the right. "

button: Shifts the target (blinking) digit to the left.

button: Advances the blinking number by one digit.

button:Winds back the blinking number by one digit.

4 Position the TCG switch at [F-RUN] or [R-

RUN].

5 Go to the <TC/UB> screen from the MAIN

OPERATION page, and set the menu option UB MODE to “USER”.

Notes

z When the TCG switch is positioned at [SET],

thumbnails cannot be manipulated.

z To confirm VICT UB, press the HOLD switch to display

VTCG on the display window.

Retaining the user bits

The data set for the user bits are automatically saved and retained even if the camera-recorder is turned off.

Frame rate information recorded in user bits

If video information to be recorded based on the frame rate set through the menu option CAMERA MODE is recorded in the user bits, it can be edited with editing tools (e.g. PC editing software). In 1080i and SD mode, the frame rate information for the VITC UB recorded are used usually. The menu item CAMERA MODE is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

1 Position the DISPLAY switch at [UB].

Adjustments and Settings for Recording : Setting Time Data

Page 65

Adjustments and Settings for Recording

Frame rate information

Camera shooting mode

60i: 600 30P: 308 24P: 248 24PA: 24C 50i: 502 25P: 25A

Sequence No.

24P, 24PA: 0 to 4 In all other modes

: Fixed at F

Fixed value

Checking information for the 6 digits at right.

Media management information

z Updated frame information/

Effective frame

Starting field for the updated frame

Time code frame digit

Image

Sequence No.

Updated frame information

Time code frame digit

Image

Sequence No.

Updated frame information

Time code frame digit

Image

Updated frame information

Media management information

REC START/STOP mark

Camera recording mode

24PN: 24C 30PN: 308 25PN: 25A

Fixed value

Verification information for the 6 digits to the right



Example:

Playback

Recording

# indicates sequence No. 0 to 4.

The frame rate and video pull-down menu are linked to the time code and user bits as follows:



&'(&)(&*

Frame rate: 24P Over 60i (2:3)



The frame rate information of user bits in Native recording is as follows.



&'+&)(&,



Note

During playback of clips recorded in Native recording frame rate information of user bits is converted according to the image pull down and then output.



&'+&)(&,



&'-&)(&*



00 01 02 03 04 05 06

0 1 2 3 4 0 1

10 10 01 01 00 10 10

• • •

23 24 25 26 27 28 29

• • •

Co De Do De Ao Ae Bo Be Bo CeCo DeDo DeAo Ae Bo Be Bo CeCo DeDo De Ao Ae Bo Be

• • •

3 4 0 1 2 3 4

• • •

01 00 10 10 01 01 00

Frame rate: 24PA Over 60i (2:3:3:2)

00 01 02 03 04 05 06

0 1 2 3 4 0 1

10 10 01 00 10 10 10

• • •

23 24 25 26 27 28 29

• • •

Co Ce Do De Ao Ae Bo Be Bo CeCo CeDo DeAo Ae Bo Be Bo CeCo CeDo De Ao Ae Bo Be

• • •

3 4 0 1 2 3 4

• • •

00 10 10 10 01 00 10

Frame rate: 30P Over 60i (2:2)

25P Over 50i (2:2)

00 01 02

Ao Ae Bo Be Co Ce

10 10 10

• • •

Adjustments and Settings for Recording : Setting Time Data

Page 66

Setting the Internal Clock’s Date and Time

1 Position the DISPLAY switch at [UB]. 2 Press the HOLD button to display a date in the

display window.

3 Position the TCG switch at [SET]. 4 Use the CURSOR and SET buttons to set the

year, month and day (Y/M/D).

Note that any later than 2037 cannot be set.

button: Shifts the target (blinking) digit to the right.

! "

button: Shifts the target (blinking) digit to the left.

button: Advances the blinking number by one digit.

button:Winds back the blinking number by one digit.

5 Press the HOLD button to display a time in the

display window.

6 Use the CURSOR buttons to set the hour,

minute and second (h/min/s).

7 Position the TCG switch at [F-RUN] or [R-

RUN]. The internal clock starts at the moment the switch position is changed.

8 Press the HOLD button to display a time zone

(time difference between local time and Greenwich Mean Time) in the display window.

9 Position the TCG switch at [SET]. 10

Use the # and $ buttons to set the desired hours and minutes ahead of (no sign) or behind (– sign) the Greenwich Mean Time.

Example: If the local time is five hours behind Greenwich Mean Time (New York), set the time zone to “05:00 –”.

The time zone is always recorded, together with the date and time, as metadata. See the table at right to set the time zone according to your local time.

Position the TCG switch at [F-RUN] or [R-RUN] to accept the time zone.

Notes

z When using the camera-recorder for the first time, be

sure to perform this setting beforehand. Do not change the setting during use of the camerarecorder.

z When the TCG switch is positioned at [SET],

thumbnails cannot be manipulated.

Time

difference

00:00

+ 00:30

+ 01:00

+ 01:30

+ 02:00

+ 02:30

+ 03:00

+ 03:30

+ 04:00

+ 04:30

+ 05:00

+ 05:30

+ 06:00

+ 06:30

+ 07:00

+ 07:30

+ 08:00

+ 08:30

+ 09:00

+ 09:30

+ 10:00

+ 10:30

+ 11:00

+ 11:30

+ 12:00

+ 12:45

+ 13:00

Area

Greenwich –

Central Europe –

Eastern Europe –

Moscow –

Teh ran –

Abu Dhabi –

Kabul –

Islamabad –

Bombay –

Dacca –

Rangoon –

Bangkok –

Beijing –

Tokyo –

Darwin –

Guam –

Lord Howe Island –

Solomon Islands –

Norfolk Island –

New Zealand

Chatham Islands

Time

difference

12:00

–

11:30

11:00

–

10:30

10:00

–

09:30

09:00

08:30

08:00

07:30

07:00

06:30

06:00

05:30

05:00

–

04:30

04:00

–

03:30

03:00

02:30

02:00

01:30

01:00

00:30

Area

Kwajalein

Midway Island

Hawaii

Marquesas Islands

Alaska

Los Angeles

Denver

Chicago

New York

Halifax

Newfoundland Island

Buenos Aires

Mid-Atlantic

Azores Islands

Notes

z In Step 4, if the TCG switch is positioned at [F-RUN] or [R-

RUN], this also activate the internal clock. To cancel date, time and time zone settings in process, hold down the SET button and position the TCG switch at [F-RUN] or [R-RUN].

z Clock accuracy fluctuates between about

month when the power is turned off. If more accurate timekeeping is required, check the time when the power is turned on and, if necessary, reset the clock. When the GPS unit AJ-GPS910G is installed, and if it successfully receives time information, the internal clock keeps accurate (local) time based on the received time (Greenwich Mean Time) and the time zone. If the date and time differ from the actual local time, the time zone may not be set correctly. Check again, to see if the time zone is set correctly. (The date and time need not be set again.)

z The built-in clock operates for several years on a lithium

battery built into the camera-recorder. When the lithium battery is exhausted, the viewfinder indicates the message “BACKUP BATT EMPTY” when the power is turned on.

> [Maintenance] (page 148)

± 30 seconds per

Adjustments and Settings for Recording : Setting Time Data

Page 67

Adjustments and Settings for Recording

Setting the Time Code

1 Position the DISPLAY switch at [TC]. 2 Position the TCG switch at [SET]. 3 Set the menu option TC MODE to “DF” or

“NDF”.

“DF” steps the time code in drop frame mode, and

“NDF” steps it in non-drop frame mode. However, the

camera always operates in “NDF” for 24P, 24PA and

24PN (Native) modes. The menu item TC MODE is

found in the <TC/UB> screen on the MAIN

OPERATION page.

Note

Switching between DF and NDF is operative only when

the system frequency of the camera-recorder is set to

59.94 Hz.

4 Use the CURSOR buttons to set the time code.

The time code setting range extends from 00:00:00:00

to 23:59:59:29 (59.94 Hz), 23:59:59:23 (24PN) or to

23:59:59:24 (50 Hz).

button:Shifts the target (blinking) digit to the right.

button:Shifts the target (blinking) digit to the left.

button:Advances the blinking number by one digit.

button:Winds back the blinking number by one digit.

5 Change the position of the TCG switch.

[F-RUN] steps the time code in free run mode, and [R-

RUN] set it in recording run mode.

Regeneration function using REC REVIEW

If the menu option FIRST REC TC is set to PRESET, if the time code has been set or reset, or if the time code has been switched from free run to Rec run, it is possible to regenerate the time code as the last time code of a clip recorded on the P2 card. This action requires you to preset the RET SW menu option to “R. REVIEW” and the REC REVIEW REGEN menu option to “ON”. The menu item RET SW is found in the <SW MODE> screen on the CAM OPERATION page, and the menu item REC REVIEW REGEN is found in the <TC/UB> screen on the MAIN OPERATIONpage.

1 Make sure the P2 card to record the data.

To regenerate the time code of the last recorded clip when more than one P2 card is inserted, press the Thumbnail button to open the thumbnail screen.

2 Be sure a P2 card is inserted for recording the

clip displayed at the end of the screen, and then switch the slot with the USER button assigned the SLOT SEL function so that data will be recorded on the P2 card.

3 Press the RET button on the lens.

z The message “TC REGEN” is displayed in the

viewfinder.

z During the next recording, the time code of the last

recorded clip on the card will be regenerated.

Notes

z When the unit is in the 24P or 24PA mode, time code

settings are adjusted to the five-frame unit. For 24PN (Native) mode, it is adjusted for counting by the fourframe unit. The time code cannot be set when recording in the 24P, 24PA, and 24PN (Native) formats.

z When the TCG switch is positioned at [SET],

thumbnails cannot be manipulated.

Regeneration of Time Code

When the TGC switch is positioned to R-RUN, the time code recorded on the last frame of the last recorded clip (with the latest recording date) on the P2 card is read, and this time code can be used again. When the menu option FIRST REC TC is set to REGEN and a P2 card is removed or inserted or the target recording card is changed with the USER button for the SLOT SEL function, the same time code is added to the last recorded clip on the target P2 card. When there is no recorded clip, the time code is recorded on the new recording target P2 card, from the value generated by the TC generator built into the camerarecorder. The menu item FIRST TC REC is found in the <TC/UB> screen on the MAIN OPERATION page.

z When a card with recorded data is changed, the time

code of the last recorded clip on the changed P2 card will be regenerated.

z This function is disabled during recording or free-run.

Time code function during battery replacement

Even during battery replacement, the backup mechanism functions, allowing the camera-recorder to operate continuously. If SYSTEM MODE is changed, a free-run time code may shift. After turning on the power again, confirm the time code and reset if necessary.

Note

When the POWER switch has been switched ON # OFF # ON, the backup accuracy of the time code in free run mode is about ±2 frames.

Adjustments and Settings for Recording : Setting Time Data

Page 68

Externally Locking the Time Code

Reference time

code

Reference video

signal

Reference unit

To the next camera

Reference video signal

The unit’s internal time code generator can be locked to an external generator. In addition, the external time code generator can be locked to the unit’s internal generator.

Example of connections for external locking

As the figure shows, connect both the reference video signal and reference time code. For more information about the reference video signal and GENLOCK, see [Setting External Reference Signal and GENLOCK] (page 61).

Example 1: When locking onto an external signal

TC IN

GENLOCK IN

SDI IN

In the unit, there is a video signal delay in the camera, which is required or the process of converting video images taken with the image-shooting element from the progressive signals to the interlace signals. Since time is required for making the 2:3 pull-down from the 24P frame, there is a video signal delay in the camera. When recording from a device that can record images without a delay and the unit is connected in parallel, it is necessary to synchronize the time code. To set this timing, set it in the TC VIDEO SYNCHRO item. The menu item TC VIDEO SYNCHRO is found in the <TC UB> screen on the MAIN OPERATION page. Set by referring to the connection example.

Setting of the TC VIDEO SYNCHRO item

Item

TC VIDEO SYNCHRO

Var iabl e

range

0 1 2 3

Remarks

For setting to correct the time code according to the delay of video signals.

0: Do not correct. 1: To delay the time code to be input

according to the timing of the video images.

2: To forward the time code to be

output according to the timing of the video images.

3: To delay the time code to be input

and forward the time code to be output, respectively, according to the timing of the video images.

Example 2: When connecting a multiple number of units

and using one of them as the reference unit

TC OUT

TC IN

GENLOCK IN

SDI IN

TC OUT

TC IN

GENLOCK IN

SDI IN

TC OUT

Note

This setting is enabled during progressive shooting (when CAMERA MODE is 24P, 30P, 25P), and when the Scan Reverse function is operating. This setting is unnecessary during normal recording (when CAMERA MODE is 60i, 50i).

Note

If you make a system with more than one unit, use the same settings for all cameras for input and output. When different settings are mixed, the image timing will not match.

Adjustments and Settings for Recording : Setting Time Data

Page 69

Adjustments and Settings for Recording

Example 3:

TCG

TC OUT

TC IN

REF IN

TC IN

VIDEO IN

SDI IN

HD SDI IN

AJ-HPX3100

DAT

GENLOCK IN

SDI IN

MON OUT

SDI OUT

Reference video signal

External time code generator

Device that records images without a delay

Settings of the TC

VIDEO SYNCHRO

item: 1

VTR etc.

Reference video signal

External time code generator

Device that records images without a delay

Settings of the TC

VIDEO SYNCHRO

item: 3

2nd unit and later

Settings of the TC VIDEO SYNCHRO

item: 3

1st unit

Settings of the TC

VIDEO SYNCHRO

item: 3

When the unit and an external device are locked to the external time code generator, which is connected externally, and when simultaneous recording is made by using the TC OUT output signals.

Example 4:

When the unit and an external device are locked to the external time code generator and when several units of the camera are connected in a cascade configuration.

TCG

TC OUT

TC IN

DAT

AJ-HPX3100

TC IN

GENLOCK IN

SDI IN

TC OUT

AJ-HPX3100

TC IN

GENLOCK IN

SDI IN

TC OUT

AJ-HPX3100

TC IN

GENLOCK IN

SDI IN

TC OUT

Adjustments and Settings for Recording : Setting Time Data

Page 70

Example 5:

Reference video signal

To be connected if necessary

A device that synchronizes with the TC IN input and capable to record without delay (DAT etc.)

Settings of the TC

VIDEO SYNCHRO

item: 3

TCG

TC OUT

TC IN

AJ-HPX3100

TC OUT

AJ-HPX3100

TC IN

TC OUT

AJ-HPX3100

TC IN

DAT

GENLOCK IN

SDI IN

GENLOCK IN

SDI IN

GENLOCK IN

SDI IN

Reference video signal

To be connected if necessary

A device that synchronizes with the TC IN input and capable to record without delay (such as DAT or a camera-recorder)

1st unit

n-th unit

Settings of the TC

VIDEO SYNCHRO

item: 3

Settings of the TC

VIDEO SYNCHRO

item: 3

Settings of the TC

VIDEO SYNCHRO

item: 3

From the 2nd unit to the (n-1)-th unit

When an external device is locked to the time code generator of the unit.

TCG

TC OUT

AJ-HPX3100

TC IN

GENLOCK IN

SDI IN

TC OUT

TC IN

DAT

Example 6:

When an external device is locked to the time code generator of camera-recorder, which is connected in a cascade configuration.

Adjustments and Settings for Recording : Setting Time Data

Page 71

Adjustments and Settings for Recording

To externally lock the time code

Follow the steps below.

1 Turn on the POWER switch. 2 Position the TCG switch at [F-RUN]. 3 Position the DISPLAY switch at [TC]. 4 Set the menu option GENLOCK to “GL IN” or

“SDI IN”.

This option can be found in the <GENLOCK> screen,

which is accessible from the SYSTEM SETTING page.

Cautions in switching the power source from battery to external power supply

Connect the DC IN socket with the external power supply before removing the battery pack, in order to keep the time code generator energised. If the battery pack is removed first, there is no guarantee that the time code will stay externally locked.

External synchronisation of the camera when the time code is externally locked

When the time code is externally locked, the reference video signals input through the GENLOCK IN or SDI IN connector gen-lock the camera.

5 Supply a phase-relationship reference time

code (that conforms to the time code

requirements) and reference video signals to

the GENLOCK IN or SDI IN connectors,

respectively.

Now the built-in time code generator is locked with the reference time code. From about 10 seconds after locking the time code generator stays locked even if the supply of external reference time code is discontinued.

Notes

z To externally lock the unit, as the master device, with more

than one unit, the mode must be the same as that of the camera. Note that in a system using both interlaced and progressive scanning, there may be breaks in the video and time code.

z When this unit’s MON OUT connector and SDI OUT

connector are used as reference video signals, set the MONITOR OUT MODE menu option or the SDI OUT MODE menu option to “CAM”. These menu items are found in the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Superimpose of time codes

Notes

z When the time code generator is externally locked, the time

code instantly becomes locked with the external time code, and the counter displays the external time code value. Do not put the unit in recording mode before the sync generator stabilises. Additionally, time codes lock on TC IN connector signals. Time codes of HD SDI signals input from the SDI IN connector are not locked.

z Be sure to enter the non-drop-frame time code to externally

lock the time code in the 24P, 24PA or 24PN (Native) mode. Externally locking the drop-frame time code is not permitted. Video quality may be degraded momentarily while externally locking to adjust the 5-frame cycle. This is not abnormal.

z While recording data in the 24P, 24PA, or Native modes, it is

impossible to lock the time code externally. Lock it before recording. When the unit PRE REC MODE is set to [ON] in these modes, corrupt images or stopped time codes may be recorded if the time code is switched from REC RUN to FREE RUN immediately before recording or when using slave lock.

To display the time code in the viewfinder or the LCD monitor when recording or during playback, set TC in <VF INDICATOR3/3> to “TCG”, “TCR”, or “TCG/TCR”. To display these time code displays in MONITOR OUT and SDI OUT output, set the MON OUT CHARACTER switch on the side panel to [ON], set the MONI OUT CHARA menu option to “ON”, and set the SDI OUT CHARACTER switch to [ON]. You can select the MONI OUT CHARA menu option from the <OUTPUT SEL> screen of the SYSTEM SETTING page. Additionally, to display time codes while displaying the color bar, set the TC ON COLOR BAR menu option to “ON”. You can select the TC ON COLOR BAR menu option from the <VF INDICATOR> screen of the VF page.

Setting the user bits when the time code is externally locked

When the TCG switch is positioned to F-RUN, only the time code is locked to an external time code. To lock the user bits to an externally input value, the UB MODE and VITC UB MODE menu options must be set to “EXT” and “USER/ EXIT”, respectively. These menu items are found in the <TC/UB> screen on the MAIN OPERATION page.

To unlock the externally locked time code

Discontinue external time code supply, then position the TCG switch at [R-RUN].

Adjustments and Settings for Recording : Setting Time Data

Page 72

Providing an ID to the Camera

< CAMERA ID >

ID1 : ABCDE FGHIJ

ID2 : ABCDE FGHIJ

ID3 : ABCDE FGHIJ

The camera ID is specified through the <CAMERA ID> screen. The ID can include up to 10 alphanumeric characters, symbols, and/or spaces.

Note

When the settings menu is displayed, outputting color bar signals does not indicate the camera ID.

1 Go to the <CAMERA ID> screen from the CAM

OPERATION page and turn the JOG dial button to move the cursor to options [ID1:] [ID3:].

Notes

z When the menu option CAMERA ID is set to “BAR”, the

camera ID is recorded together with color bar signals. The menu item CAMERA ID is found in the <VF INDICATOR> screen on the VF page.

z The ID POSITION menu option can be used to select a

position where the camera ID is superimposed on the color bar. The menu item ID POSITION is found in the <VF INDICATOR> screen on the VF page.

z When the TIME/DATE menu option is set to ON, the

camera ID along with the data and time information are superimposed on the color bar. The menu item TIME/ DATE is found in the <VF INDICATOR> screen on the VF page.

z When the TC ON COLOR BAR is turned ON, the time

code is displayed when the color bar is output, but the time code is not recorded. The menu item TC ON COLOR BAR is found in the <VF INDICATOR> screen on the VF page.

2 Press the JOG dial button.

The cursor moves to the ID entry area, allowing you to enter an ID.

3 Turn the JOG dial button until a desired

character appears.

The characters that appear are switched in the following order:

Space: 

Alphabetical characters: A to Z

Numerals: 0 to 9

Symbols: ', >, <, /, -

4 Press the JOG dial button to accept a desired

character.

5 Turn the JOG dial button to move cursor to the

next digit (clockwise), and repeat Steps 3 - 4 to set characters.

z To change an input character, turn the JOG dial

button to move the arrow (cursor) to the appropriate character and carry out steps

z When all the characters are set, turn the JOG dial

button to move the cursor to [:].

z Pressing the JOG dial button brings the cursor back

to the options [ID1:] - [ID3:].

3 and 4.

6 To exit the menu, press the MENU button.

Adjustments and Settings for Recording : Setting Time Data

Page 73

Adjustments and Settings for Recording

Setting UMID Information

< UMID SET/IN FO >

--OWNER- COUNTRY :*** ORGANIZATION :****

USER :****

**DEVICE NOD E**

The unit supports UMID (Unique Material Identifier) metadata. You need to specify as UMID information the country where you live (using up to three characters), organisation or company (up to four characters) and user name (up to four characters). For the country name, you must use abbreviations prescribed in the ISO3166 Country

Code

. Here are some examples of the correct method for specifying a user name:

*1 Examples: China CHN

U.S.A. USA Canada CAN Japan JPN

6 To exit the menu, press the MENU button.

1 Go to the <UMID SET/ INFO> screen from the

MAIN OPERATION page and turn the JOG dial button to move the cursor to the option [USER].

2 Press the JOG dial button.

The cursor moves to the user entry area, allowing you to enter a user name.

3 Turn the JOG dial button until a desired

character appears.

The characters appear in the following order:

Space: 

Alphabetical characters: A to Z

Numerals: 0 to 9

Symbols: ', >, <, /, -

 Note

The COUNTRY entry can only include alphabetical characters and spaces.

4 Press the JOG dial button to accept a desired

5 Turn the JOG dial button to move the cursor to

character.

the next digit (clockwise), and repeat Steps 3 to 4 to set characters.

z To change an input character, go back to step 2. z When the last character is set, press the JOG dial

button to bring the cursor back to the option [USER].

Adjustments and Settings for Recording : Setting Time Data

Page 74

CTL Count Setting and Display

Current value

Clip 2 Clip 3

Clip 1

Clip 3

Example:

Delete Clip 2.

First frame

Clip 1

Current value

Clip 1

Clip 2

Clip 3

Clip 1

Clip 2

Example:

Reset

First frame

Clip 3

By setting the DISPLAY switch to “CTL”, CTL count is displayed on the time count indication of the LCD display window. The CTL count is displayed in ±12 hours with non-dropframe. The playback order of clips recorded on a P2 card is not linear as for VTRs. It is organized according to thumbnail operations or exchanging P2 cards, and the priority of recorded clips will be altered. Therefore, different CTL counts are displayed for recording mode and playback mode, respectively.

CTL count for recording mode (recording CTL)

Recording CTL count is displayed during recording mode (REC, REC/PAUSE, STOP and REC REVIEW), and the count continues from the end point of the previous recording. Recording CTL count is retained even if the power is turned off. When the power is next turned on, the count continues from the previous value.

 Notes

z If the RESET button is pressed while the recording CTL

count is being displayed, only the recording CTL count is reset. Note that reset is disabled during the REC REVIEW operation.

z 24 frames are counted in the 24PN (Native) mode.

CTL count for the playback mode (playback CTL)

During playback mode (PLAY, FF, REW, PLAY/PAUSE), playback CTL count is displayed. Whenever the playback order of clips is altered (clips are sorted by shooting dates), previous playback CTL count is disabled. The first frame of the first clip is used as a reference value for recalculation, and the new playback CTL count is displayed.

The playback order of clips is altered when either of the following occurs: z Clips are deleted, copied or restored, or the P2 card is

formatted.

z The thumbnail display is switched (for more information,

see [Switching the Thumbnail Display] (page 122)).

z A P2 card is inserted or removed.

The reference value (value of the first frame of the first clip) is changed when either of the following occurs:

z The power is turned on, the first frame becomes 0. z When the playback CTL count is reset, the current

playback position is set as 0, and the previous reference value becomes a negative value.

00:00:00:00

–00:03:00:00

00:01:00:00 00:02:00:00 00:03:00:00

–00:02:00:00 –00:01:00:00

00:00:00:00

 Notes

z If the RESET button is pressed while the playback CTL

count is being displayed, only the playback CTL count is reset.

z For playback in 24PN (Native) mode, 30 frames are

counted in accordance with the pull-down images.

00:00:00:00

Adjustments and Settings for Recording : Setting Time Data

00:01:00:00 00:02:00:00 00:03:00:00

00:01:00:00 00:02:00:00

Page 75

Adjustments and Settings for Recording

Viewfinder Screen Status Displays

< MODE CHECK IND >

STATUS :ON ! LED :ON FUNCTION :ON AUDIO :ON CAC :ON USER SW STA TUS :ON P.ON IND :ON

In addition to video images, the viewfinder displays lamps and text that indicate the settings and operating status of the unit, together with messages, a center marker, a safety zone marker and the camera ID.

Lamps in the Viewfinder Screen

2. Abnormal Operating Status Warning Lamp

This lamp comes on when the unit is in any of the abnormal operating statuses specified through the menu sub-option !LED. >For statuses that activate the lamp, see the options in

the <!LED> screen in [!LED] (page 180).

3. BATT (battery) Lamp

This lamp starts blinking a few minutes before the battery charge starts to run out, and stays illuminated after the battery is completely flat. The battery should be replaced before it is nearly flat, so that operation will not be interrupted.

The above viewfinder is the AJ-HVF21KG (for further information on your optional viewfinder model, see the relevant instruction manual).

1. TALLY/REC (recording) Lamp

This lamp stays illuminated during recording, and starts blinking if any abnormal action occurs.

>[Warning System] (page 153)

4. SAVE Lamp

In the normal setting:

The lamp stays OFF.

When the menu option SAVE LED is set to “P2 CARD”:

The lamp starts blinking when the P2 card remaining free space is getting low. The menu item SAVE LED is found in the <VF INDICATOR> screen on the VF page. >[Warning System] (page 153)

The viewfinder can display a screen that allows you to check the settings and status of the unit. When you pull the MARKER SEL or MODE CHK/MENU CANCEL switch of this unit toward you, 6 screen displays switch.

STATUS screen > !LED screen > FUNCTION screen > AUDIO screen > CAC screen > USER SW STATUS screen > No indication

Each screen is displayed for about five seconds. When you pull the MARKER SEL or MODE CHK/MENU CANCEL switch toward you while displaying a screen, it moves to the next screen. Whether or not to display each screen is specified through the <MODE CHECK IND> screen, which is accessible from the VF page.

Mode Check Screen Displays (MODE CHK function)

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 76

Selecting Viewfinder Display Information

< VF INDICA TOR1/3 >

EXTENDER :ON SHUTTER :ON FILTER :ON WHITE :ON GAIN :ON IRIS :S+IRIS CAMERA ID :BAR ID POSITION :UPPER L DATE/TIME :OFF ZOOM LVL :ON SYSTEM MODE :ON REC FORMAT :ON CAMERA MODE :ON

;

# :

< VF INDICA TOR2/3 >

COLOR TEMP :ON CAC :OFF GAMMA MODE :ON DRS :ON

;

# :

< VF INDICA TOR3/3 >

P2CARD REMA IN :TOTAL BATTERY :ON AUDIO LVL :ON TC ON COLOR BAR :OFF TC :OFF SYSTEM INFO :NORMAL SAVE LED :OFF REC STATUS :OFF P-REC/i-RE C :ON

     

 

   









 

 











4 3

5 7

9 8



13 14

16 17 18









To select the information items you want to have displayed in the viewfinder screen, go to the <VF INDICATOR> screens from the VF page, and turn on or off the appropriate options, or specify desired values. > For directions on setting the options, see [Setting Menu

Options] (page 160).

Viewfinder Status Indication Layout

The indications are arranged as illustrated below.

For more information, see the following pages:

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 77

Adjustments and Settings for Recording

Information Item Indication Status

[1]

1. System mode

1080-59.9i 1080-50i 480-59.9i 576-50i

2. Camera mode

60i 30P 24P 24PA 50i 25P

3. REC FORMAT

4. Shutter speed/mode 11/¢¢.¢/1¢¢¢.¢d

5. P2 card remaining free space

6. P2 card remaining free space (MODE CHECK)

7. Camera-recorder REC indication

8. Battery type (MODE CHECK)

9. Battery remaining level/voltage

AVC-I 100 AVC-I 5 0 DVCPRO HD DVCPRO50 DVCPRO DV

1/60 (1/100) - 1/2000, HALF,

¢¢¢.¢d ¢¢¢min

END WP LOOP

INFO P2

¢/¢

¢¢¢min The number of the P2 card slot that contains the target card and the remaining

REC This is displayed when the menu item REC TALLY of the is set to “CHAR”.

DIONIC90 - AC ADPT Battery type, selected through a menu option. “AC ADPT” indicates when an

¢¢.¢V ¢¢¢%

EMP

This indicates the mode that the unit operates in. 1080-59.94 interlace mode 1080-50 interlace mode 480-59.94 interlace mode 576-50 interlace mode

This indicates the video system when signals output from CCD are recorded on a P2 card or output as video signals. 1080-59.94i or 480-59.94i 1080-29.97P or 480-29.97P 1080-23.98P or 480-23.98P (2-3 Pull-down) 1080-23.98P or 480-23.98P (2-3-3-2 Pull-down) 1080-50i or 576-50i 1080-25P or 576-25P

Note

In AVC-Intra format, it becomes Native recording for 30P, 24P, and 25P. This indicates the recording mode.

This indicates that the shutter speed is set to SYNCHRO SCAN. This indicates that a fixed shutter speed has been set.

The indication “¢¢¢min” stays illuminated under normal conditions or blinks when the remaining level is near zero. When the card space is used up, “END” blinks. The P2 card is write-protected. The camera-recorder is in LOOP REC mode. When loop recording cannot be performed, for example because the P2 card has no free space, the indication blinks. P2 card being recognised. Total free space/capacities of the P2 cards (when MODE CHECK is being performed).

Note

When the menu item P2 CARD REMAIN is set to “ONE CARD”, the number of the P2 card slot that contains the target card is indicated, together with the remaining space. The menu item P2 CARD REMAIN is found in the <VF INDICATOR> screen on the VF page. > [P2 Card Remaining Free Space/capacity Indication] (page 83).

free space (when MODE CHECK is being performed) are indicated. This item displays the estimated recording time (Refer to [Loop Recording] (page 39)) when in LOOP REC mode. This indication also appears when the target P2 card has been switched with a user button.

The menu item REC TALLY is found in the <OPTION MODE> screen on the SYSTEM SETTING page. This is displayed when the menu item REC STATUS is set to “ON”. The menu item REC TALLY is found in the <VF INDICATOR> screen on the VF page.

external DC power supply has been input. Battery remaining level in tenths of a volt

The remaining battery level is indicated in percentage. This indicates that the battery level is empty. This indicates the battery is fully charged.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 78

Information Item Indication Status

10. GAIN switch assignment information (during MODE CHECK)

11. Camera Warning and Report Area

(related to AWB, ABB and switch settings)

(Switch changeover indication)

(Low light warning) LOW LIGHT Brightness too low.

LOW/MID/HIGH

S.GAIN 30/36/42 DS.GAIN 6:/10:/12:/

AWB A ACTIVE AWB B ACTIVE AWB A OK ¢.¢K AWB B OK ¢.¢K AWB BREAK ¢.¢K AWB NG

COLOR TEMP LOW COLOR TEMP HIGH LEVEL OVER LOW LIGHT TIME OVER ATW MODE

AWB PRESET ¢.¢K AWB UNABLE

S.GAIN MODE

CHECK FILTER

ABB ACTIVE ABB OK ABB BREAK ABB NG B-SHD READY

B-SHD ACTIVE B-SHD OK B-SHD BREAK B-SHD NG

WHITE: #

¢.¢K ATW MODE

AUTO KNEE: ON/OFF

DRS: ON/OFF

GAIN:¢¢

SS: 1/¢¢¢¢ or ¢¢¢.¢deg SS: 1 1/¢¢¢¢ or 1¢¢¢.¢d CC: ¢¢¢¢ ¢¢K ND: ¢ EXTENDER: ON/OFF IRIS: ¢¢ F ¢.¢

–6 to 30

15:/20:/24:/ 28:/34:

dB+¢¢:

Value set for the master gain Example: LOW: 0 Gain value to which S.GAIN and DS.GAIN are assigned These are displayed only during MODE CHCK.

AWB being performed on Ch A. AWB being performed on Ch B. AWB successful on Ch A. AWB successful on Ch B. AWB action aborted by user. AWB action failed. The second line indicates the status.

Color temperature too low. Color temperature too high. Brightness too high. Brightness too low. Action timed-out. This is indicated when AWB cannot be executed since ATW is being

operated. AWB cannot operate because the WHITE BAL switch is set to PRST. AWB cannot operate. The status is displayed on the second line.

Super gain is operating. Recheck the location of the filter switching tab when turning the power on and operating AWB. ABB being performed. ABB action successful. ABB action aborted by user. ABB action failed. Black shading accepted (by holding down the AUTO W/B BAL switch during ABB adjustment). Black shading being adjusted. Black shading adjustment successful. Black shading adjustment aborted by user. Black shading adjustment failed.

The WHITE BAL switch has been switched. # is replaced with A, B or PRST.

The set color temperature.

ATW is set.

Displayed when the OUTPUT/AUTO KNEE switch is assigned to ON or OFF and the AUTO KNEE switch is turned ON/OFF. Displayed when the OUTPUT/AUTO KNEE switch is assigned to DRS and the AUTO KNEE switch is turned ON/OFF.

Gain has been switched with the GAIN selector switch or a user button. When DS GAIN is operating, the value is also displayed. When the shutter speed has been switched, the shutter speed is indicated. Shutter speed is in SYNCHRO SCAN mode. This appears when the CC filter setting has been selected. This appears when the ND filter setting has been selected. Lens extender has been turned on or off. Indicated when the iris override correction value is to be changed.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 79

Adjustments and Settings for Recording

Information Item Indication Status

12. User button functions

UM: USER MAIN

button U1: USER1 button U2: USER2 button U3: SHOT MARK

(USER3) button U4: TEXT MEMO

(USER4) button

INH S.GAIN ¢¢dB/OFF DS.GAIN ¢¢:/OFF S.IRIS ON/OFF I.OVR ON/OFF S.BLK –¢¢/OFF

B.GAMMA ON/OFF D.ZOOM a2/a3/a4/OFF ATW ON/OFF ATW LOCK ON/OFF AUD CH1/3 AUD CH2/4 REC SW Y GET ON RET SW SLOT SEL PRE REC USB HOST/DEVICE/OFF DRS ON/OFF ASSIST ON/OFF C.TEMP ON/OFF

LCD B.L SHOT MARK TEXT MEMO

User buttons disabled. Selected S.GAIN Selected DS.GAIN Whether S.IRIS is ON or OFF. Iris override can be set (the IRIS OVERRIDE setting is ON). Status of SUPER BLACK (ON or OFF). When it is ON, the set value is also indicated. Status of BLACK GAMMA (shade correction for the black level): ON or OFF Digital zoom magnification. Indicates whether ATW is ON or OFF. Indicates ATW lock is ON or OFF. Input signal to be recorded on Audio Channel 1 has been switched. Input signal to be recorded on Audio Channel 2 has been switched. USER button acts as REC switch. Y GET function ON. USER button acts as RET switch. Switch that changes the target card is set. Indicates that PRE-RECORDING mode has been switched ON or OFF. USB action status has been switched. Indicates whether the dynamic range stretcher function is ON or OFF. Indicates whether the focus assist function is ON or OFF. Indicates the mode for changing the color temperature with the JOG dial button is ON or OFF. Displayed when intensity of the LCD monitor back light is switched. Displayed when a shot mark is added/erased. Displayed when text memos are recorded.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 80

Information Item Indication Status

13. System information and warnings

14. Time code indication TCG 12:59:59:20

15. Chromatic aberration compensation

16. Extender EX Lens extender used.

17. Color temperature ¢.¢K Color temperature assigned to A, B, and PRST of the WHITE BAL switch (this

18. Filter position 1 - 4

19. Dynamic range stretcher mode

SYSTEM ERROR-¢¢

TURN POWER OFF

CARD ERR ¢

REC WARNING OVER MAX# CLIPS

TEMPORARY PAUSE

BACKUP BATT EMPTY FAN STOP WIRELESS-RF EOM BOS EOS CANNOT REC

CANNOT PLAY

COMM ERROR

TEXT MEMO TEXT MEMO INVALID MARK ON/OFF

SHOT MARK INVALID UPDATING USB DEVICE

USB HOST

THUMBNAIL OPEN CLIP DISCONTINUED

TC REGEN

SLOT SELECT

SLOT SELECT INVALID

DIR NG CARD

SLOT1/2

RUN DOWN CARD

SLOT1/2

REAR XR AUTO

TCR 12:59:59:20 (V)UBG AB CD EF 00 (V)UBR 12 34 56 78 CTL –1:59:59:20

CAC Displayed when chromatic aberration compensation is activated

A - D

(blink)

DRS This appears when the video level of a part with high brightness is

Something abnormal is happening to the internal computer communications or reference signal. No further recording or playback can be performed. replaced with an error code. For more information, see [Error Codes] (page 155). P2 card has been removed while being accessed (recorded, played back, or formatted), and subsequent operation is disabled. An error has occurred while recording data to or playing data from a P2 card. In the actual indication the ¢ is replaced by the slot number of the P2 card that triggered the error. Something abnormal is happening to video and/or audio being recorded. Displayed when the maximum number of clips (1000) recorded to the P2 card is exceeded. There is a temporary halt in recording due to distortion in reference signals such as during GENLOCK input. Backup battery needs replacing. The fan is locked and halted. RF signal from the wireless receiver is degraded. P2 card has no free space. Playback position is at the start of all the clips. Playback position is at the end of all the clips. The P2 card is not recordable. Detailed information is provided on the FUNCTION screen of MODE CHECK. > [Displays in mode check only] (page 82) Clip cannot be played back perhaps because no P2 card is loaded, or the P2 card contains no clips. Displayed when disconnection between microcomputers continues for a specified period or longer. Text memo has been added. Text memo has not been successfully added. Shot mark been added or deleted. For information on shot marks, see [Shot Mark Function] (page 46).

This is displayed when shot marks cannot be added.

Clip information is being updated. Playback operation disabled. AJ-HPX3100 is in USB DEVICE mode. When communication is disabled, the indication blinks. Indicates that the camera-recorder is set to the USB HOST mode. When the external hard disk is not successfully recognized, then the indication blinks. Thumbnail is being manipulated. Displayed when the consistency of the combined clip is disrupted and subsequent recordings cannot be combined in the clip when recording in ONE CLIP REC mode. The RET button was pressed to regenerate the time code as the time code for the last clip recorded on a P2 card.

This blinks while the recording slots of P2 cards are switched after pressing the USER switch where the SLOT SEL function is assigned. This is displayed if the recording slots of P2 cards cannot be switched when the USER switch where the SLOT SEL function is assigned is pressed. This is displayed when the recording starts or completes while a P2 card with an irregular directory arrangement is inserted or data are recorded after inserting an irregular P2 card.

This is displayed when the recording starts or completes with a P2 card on which the maximum number of overwrites has been exceeded, or when data is recorded after inserting such a P2 card. The AUDIO IN switch is disabled because audio input automatically goes to the rear XLR connector.

TCG (time code generator value) TCR (time code reader value) UBG VUBG (User bits generator value) UBR VUBR (User bits reader value) Displays CTL count.

is a value stored at AWB performance or a value set through the menu option). The indication is not provided in ATW mode.

This indicates the position of the ND filter. This indicates the position of the CC filter. This indicates that the filter has not been set to a proper position.

compressed, and the function stretching the dynamic range is selected.

¢¢

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 81

Adjustments and Settings for Recording

Information Item Indication Status

[i]

20. WHITE BAL switch

position

21. Stored gain indication 6:/10:/12:/15:/20:/24:/

22. Gain value ¢¢dB Current gain value.

23. Audio input channel

and level meter

24. Super iris ON S Super iris ON.

25. Iris override

indication

26. Super black ON B Super black ON.

27. Iris, F value NC

28. Zoom indication Z00 - Z99 Zoom degree is indicated. This indication is not provided for a lens that does

29. INTERVAL REC/PRE

RECORDING information display

30. Gamma mode display HD/SD/FLK1/FLK2/FLK3/

31. ATW lock status ATW LOCK Displayed when the color temperature is fixed by pressing the USER switch to

32. Types of markers MKR: A/B/OFF Types of markers currently displayed.

33. Y GET value ¢¢¢.¢% While Y GET is ON, displays output intensity level adjacent to the center

34. Digital zoom DZa2/a3/a4 During digital zoom mode, displays the magnification.

A B P T

28:/34:

- - - - - - - - + F W R

+ + + – – – (No indication)

OPEN F1.7 - F16 CLOSE

(blink) (blink) ¢¢h¢¢m/¢¢s

P-REC (blink)

P-REC (lit)

1-CLIP

1¢CLIP

START 1¢CLIP END 1-CLIP

FREC/VREC

WHITE BAL switch positioned at [A]. WHITE BAL switch positioned at [B]. WHITE BAL switch positioned at [PRST]. ATW mode is set. However it flashes when intensity and color are outside the operation range

Storage gain (DS.GAIN) value (when active)

Selected channel together with its audio level. AUDIO IN switch is positioned at FRONT. AUDIO IN switch is positioned at W.L.(WIRELESS) AUDIO IN switch is positioned at REAR.

Correction phase of the iris override (when active) + + : On the open side by 1 +: On the open side by 0.5 – – : On the closed side by 1 –: On the closed side by 0.5 No indication : Standard status

Note

This is displayed when “S+IRIS” or “S” is selected in the IRIS menu option. You can select the IRIS menu option from the <VF INDICATOR> screen of the VF page.

Lens cable is not connected. Lens iris is at maximum. Lens iris value Lens iris closed.

Note

These indications are provided when the lens is capable of indicating the iris value. When the iris is being overridden, they blink.

not return the zoom position, even if the indication is set to ON. Displayed before and after operation during INTERVAL REC mode.

Displayed during I Displays the pause time before the next recording during INTERVAL REC.

Displayed until images/audio are completely recorded to the P2 card after stopping recording. Do not remove the P2 card or turn the power off until the flashing display completely turns off.

Note

NTERVAL REC operation.

“P-REC” flashes regardless of the PRE RECORDING function settings.

When the PRE RECORDING function is set to ON, lights when you pull the MARKER SEL, MODE CHK / MENU CANCEL switch toward you. In addition, this displays when the mode switches to PRE RECORDING mode by pressing the PRE REC assigned USER switch.

Displayed when a recording is about to be recorded to a new clip while ONE CLIP REC mode is on.

Displayed when a recording can be compiled and recorded to the previous clip while ONE CLIP REC mode is ON.

Note

If the P2 card is removed or the clip is deleted, subsequent recordings are recorded to a new clip when the previous combined clip does not exist. In this case, “1

Displayed when recording of a new clip has started in ONE CLIP REC mode. Displayed when a combined clip is complete in ONE CLIP REC mode. Gamma mode selected with the GAMMA MODE SEL menu option.

You can select the GAMMA MODE SEL menu option from the <GAMMA> screen of the PAINT page.

which the ATW LOCK function is assigned while ATW is operating.

marker as a percentage.

¢CLIP” may remain displayed.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 82

Displays in mode check only

Display screens and menu options Status when displayed

!LED screen

GAIN (0 dB) DS.GAIN SHUTTER WHITE PRE. EXTENDER B.GAMMA MATRIX COLOR COR. FILTER

AT W

FUNCTION screen Displays video output status and recording media information.

SDI OUT

OUTPUT

TYPE CHAR

MON OUT

OUTPUT

SELECT

CHAR

P2CARD STATUS

TOTAL

SLOT1

SLOT2

AUDIO screen Displays audio settings and selection status of each recording channel

SAMPLE RES Displays the number of audio recording bits. MIC POWER (MENU)

VR SELECT

LEVEL CH1/2/3/4 Displays the recording level adjustment method selected for each channel.

F.VR CH1/2/3/4

R.XLR CH1/2/3/4

A. IN CH1/2/3/4 METER CH1/2/3/4 Displays the recording level of each channel.

FRONT

REAR

Displays menu options that become !LED lighting factors.

z Indications selected through the menu option !LED are marked with [ ! ]. z Indications which may activate the !LED are marked with [ ].

Gain status DS. GAIN value Shutter status White balance status Extender status (EX2 or OFF) BLACK GAMMA status (ON or OFF) MATRIX status (A, B, or OFF) Color correction status (ON or OFF) Filter status ATW status

Displays status of signals output from the SDI OUT connector Displays MEM/CAM status displayed with the SDI OUT MODE menu option. You can select the SDI OUT MODE menu option from the <OUTPUT SEL> screen of the SYSTEM SETTING page. Displays format of signals output from the SDI OUT connector with HD-SDI/SD-SDI. Displays superimposition status of characters selected with the SDI OUT CHAR menu option as ON/OFF. You can select the SDI OUT CHAR menu option from the <OUTPUT SEL> screen of the SYSTEM SETTING page.

Displays status of signals output from the MON OUT connector Displays status of MEM/CAM selected with the MONITOR OUT MODE menu option. The MONITOR OUT MODE item can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page. Displays signal format set with the MONITOR OUT menu option as HD-SDI/ SD-SDI/VBS. The MONITOR OUT item can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page. Displays the position of the MON OUT CHARATER switch as ON/OFF.

Displays the status of a P2 card inserted into the P2 card slot, and total space and remaining space for recording. The card status is indicated as: ACTIVE/ACCESSING/INFO READING/FULL/PROTECTED/ NOT SUPPORTED/FORMAT ERROR/NO CARD > [P2 CARD ACCESS LED and Status of P2 cards] (page 33). Displays the total space and remaining space for recording of a P2 card inserted into the P2 card slot 1 and 2. Displays the status of a P2 card inserted into the P2 card slot 1, and total space and remaining space for recording. Displays the status of a P2 card inserted into the P2 card slot 2, and total space and remaining space for recording.

Displays menu setting status for power provided to the microphone. Displays status of power supplied to the front microphone, selected with the FRONT MIC POWER menu option, as ON/OFF. You can select the FRONT MIC POWER menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page. Displays whether the rear AUDIO IN connector is set to not supply power to the microphone with the REAR MIC POWER menu option.

OFF: power is not supplied. ON: supplies power when the switch is at MIC +48 V ON.

VR SELECT Displays whether the audio level adjustment knob is selected to enable either CH1/2 or CH3/4 with the VR SELECT menu option. You can select the VR SELECT menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

VR: manual adjustment with the adjustment knob MENU:manual adjustment with the menu LVL CONTROL CH# menu option

(# is the channel number)

AUTO: automatic adjustment

Displays with ON/OFF whether the F.AUDIO LEVEL control is enabled for channels to which VR (manual adjustment with the adjustment knob) is selected above.

Displays with ON/OFF the selection status of the REAR XLR AUTO CH1/2 and REAR XLR AUTO CH3/4 menu options that automatically select rear input when a connector is connected to the rear AUDIO IN XLR connector. You can select each menu option from the <MIC/AUDIO> screen of the MAIN OPERATION page.

Displays the input status of each channel as FRONT (front)/REAR (rear)/W.L. (wireless).

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 83

Adjustments and Settings for Recording

Display screen Indication Status

[1]

CAC INFO Screen

CAC CONT Displays the CAC operation mode as ON/STOP/OFF.

CAC MODE Displays the CAC operating mode.

CONNECT LENS TYPE Displays the lens ID of the connected digital lens. SELECT FILE TYPE Displays the file name of the currently operated CAC.

CAC WARNING Indicates that the CAC operation is in a stop state.

USER SW Screen

USER MAIN (UM) Displays the assignment for USER MAIN (UM). USER1 (U1) Displays the assignment for USER1 (U1). USER2 (U2) Displays the assignment for USER2 (U2). SHOT MARK (U3) Displays the assignment for SHOT MARK (U3). TEXT MEMO (U4) Displays the assignment for TEXT MEMO (U4).

Displays the CAC active status and information.

ON: CAC CONTROL in <CAC ADJ> is set to “ON”, and CAC is operating. STOP: “ON” is selected in the menu, but data or lens conditions stop CAC

from operating.

OFF: “OFF” is selected in the menu, and CAC is not operating.

AUTO: CAC files are selected automatically. MANUAL: A CAC file number is selected from the menu.

When CAC operation is “OFF”, the file name of the number selected in the CAC FILE NAME is displayed. The CAC FILE NAME can be selected from the <CAC ADJ> screen on the MAINTENANCE page.

CAC LENS DATA INVALID:

Displayed when the unit cannot respond to the return data from the lens.

LENS INITIALIZE NOT COMPLETED:

Displayed when initialization of the lens has not yet completed.

Displays the assignment of USER switches. > [User button functions] (page 79)

P2 Card Remaining Free Space/capacity Indication

Status of

unit

Under normal conditions

During MODE CHECK

Recording status

Other than LOOP REC mode

LOOP REC mode TOTAL/ONE CARD Indicated as [LOOP] Not provided

Other than LOOP REC mode

LOOP REC mode Indicated as [LOOP] The estimated recording time is

Menu option

P2 CARD REMAIN

TOTAL The total remaining free space of all

ONE CARD The number of the P2 card slot

OFF Not provided Not provided

OFF Not provided Not provided TOTAL/ONE CARD/

OFF

5.P2 card remaining free space

P2 cards loaded in the P2 card slots is indicated in minutes. Example: 30min

holding the target P2 card, together with that card’s remaining free space indicated in minutes. Example: 8min

The total remaining free space and capacities of all P2 cards loaded in the P2 card slots are indicated in minutes. Example: 20/40

indication

6.P2 card remaining free space

indication (during MODE CHECK)

Not provided

The number of the P2 card slot holding the target P2 card, together with that card’s remaining free space, indicated in minutes. Example: 8min

indicated in minutes. Example: 7min

* The menu option P2CARD REMAIN can be found in the <VF INDICATOR> screen, which is accessible from the VF page.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 84

Indications Available in the Viewfinder Screen

Selectable

between on and

off through menu

options

1. System mode ± – z ± –

2. Camera mode ± – z ± –

3. REC FORMAT ± – z ± –

4. Shutter speed/mode ±±z ± –

5. P2 card remaining free space ± – z ± –

6. P2 card remaining free space (MODE CHECK)

7. Camera-recorder REC indication ±± – ± –

8. Battery type (MODE CHECK) ––z ± –

9. Battery remaining level/voltage ± – z ± –

10. GAIN switch assignment information (during MODE CHECK)

11. Camera warning and report area – ±±± –

12. User button functions – ±±± –

13. System information and warnings ±±z ±±

14. Time code indication ± – z ±±

15. Chromatic aberration compensation ±± z ± –

16. Extender ±± z ± –

17. Color temperature ±±z ± –

18. Filter position ± – z ± – Dynamic range stretcher mode ± – z ± –

19.

20. WHITE BAL switch position ± – z ± –

21. Stored gain indication ± – z ± –

22. Gain value ± – z ± –

23. Audio input channel and level meter ± –

24. Super iris ON ±±z ± –

25. Iris override indication ±± z ± –

26. Super black ON ±± z ± –

27. Iris, F value ± – z ± –

28. Zoom indication ± – z ± –

29. INTERVAL REC/PRE RECORDING information display

30. Gamma mode display ±± z ± –

31. ATW lock status ±±z ± –

32. Types of markers ––z ± –

33. Y GET value – ± z ± –

34. Digital zoom – ± z ± –

* ±: Not provided when the menu option STATUS is set to OFF, which can be found in the <MODE CHK IND> screen, accessible from the

VF page.

z: Provided regardless of the menu option setting.

––z ± –

––±± –

±±z ––

Provided when the appropriate

status is

encountered.

Provided during

MODE CHECK*

All 4ch input

information

Selectable

± –

Provided during

playback

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 85

Adjustments and Settings for Recording

Display Modes and Setting Changes/adjustment Result Messages

< VF DISPLAY >

DISP CONDIT ION :NORMAL DISP MODE :3 VF OUT :Y VF DTL :05 ZEBRA1 DETE CT :070% ZEBRA2 DETE CT :085% ZEBRA2 :SPOT LOW LIGHT L VL :35% RC MENU DIS P. :OFF MARKER/CHAR LVL :50% SYNCHRO SCA N DISP. :

sec

The messages that appear on the viewfinder screen to indicate changes to settings and adjustment results may be limited, or set not to appear, through the menu option DISP MODE. This menu option can be found in the <VF DISPLAY> screen, which is accessible from the VF page. >For directions on navigating the menu, see [Setting Menu

Options] (page 160).

Setting change/adjustment result messages and DISP MODE settings

DISP MODE

Message appears when: Message

CC/ND filter changed.

Gain changed.

FILTER: n (n=1, 2, 3, 4), m (m=A, B, C, D) ±±z

GAIN: n dB (n=–6, –3, 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30)

WHITE BAL switch re-positioned.

OUTPUT/AUTO KNEE switch positioned at [AUTO KNEE] or [OFF].

Shutter speed/mode changed.

White balance adjusted (AWB performed).

Black balance adjusted (ABB performed).

Extender selected.

USER button selected.

MARKER SELECT function selected

Iris being overridden.

The CAC lens is connected or removed.

WHITE: n (n=A, B, PRE) ±±z

AUTO KNEE: ON (or OFF)

SS: 1/100 (or 1/60, 1/120, 1/250, 1/500, 1/1000,

1/2000,

11/¢¢.¢ or 1¢¢¢.0d)

Example: AWB A OK 3.2 K ± zz

Example: ABB OK ± zz

Example: EXTENDER ON ±± z

Example: UM: S.GAIN 30 dB ± zz

Example: MKR: A ±±z

Example: ++ F 5.6 ± zz

Example: CAC LENS DATA INVALID

settings

123

±±z

± zz

z: Message appears.

±: Message does not appear.

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

Page 86

Setting the Marker Displays

< VF MARKER >

MKR:A TABLE :A CENTER MARK :1 SAFETY MARK :2 SAFETY AREA :90% FRAME MARK :OFF FRAME SIG :4:3 FLAME LVL :15

MARKER SEL, MODE CHK / MENU CANCEL switch

Center marker

Markers

Safety zone

The view angle specified through the menu option FRAME SIG is displayed.

< SW MODE >

RET SW :R.REVIEW S.BLK LVL :-10 AUTO KNEE S W :ON SHD.ABB SW CTL :ON COLOR BARS :SMPTE S.GAIN OFF :L/M/H DS.GAIN OFF :DS.GAIN D.ZOOM a2 :ON D.ZOOM a3 :ON D.ZOOM a4 :ON RC CHECK SW :R.REVIEW

The center, safety zone, safety zone area and frame markers may be set to ON or OFF, along with specifications of the marker types. To set and select markers, go to the <VF MARKER> screen from the VF page and select the appropriate options. > For directions on navigating the menu, see [Setting Menu

Note

The indication MKR:A at the upper right of the screen shows the current indication status. To view TABLE B, press the MARKER SEL, MODE CHK / MENU CANCEL switch on the unit. This changes the indication to MKR:B, allowing you to view the set conditions.

Options] (page 160).

Marker Check Screen Displays (MARKER SELECT button function)

The viewfinder can display a screen that allows you to view the marker settings of the unit. When you press the MARKER SEL, MODE CHK / MENU CANCEL switch on the side of this unit, the marker displayed by the viewfinder changes.

Marker A > Marker B > No marker

If the menu item FRAME SIG is set to 16:9 as the information of Marker A and 4:3 as the information of Marker B, then the 16:9 and 4:3 view angles can easily be checked with the button, as required. The menu item FRAME SIG is found in the <VF MARKER> screen on the VF page.

Checking Return Video Signal in the Viewfinder

The viewfinder displays the return video signal input to the GENLOCK IN or SDI IN connector while the RET button at the lens is held down. To enable this function, select “CAM RET” for the menu option RET SW. In HD (1080i) mode, either the HD SDI signal from the SDI IN connector, or the HD-Y signal from the GENLOCK IN connector in the RETURN SIGNAL item can be selected. In SD mode, only the SD SDI signal from the SDI IN connector can be viewed. The menu item RETURN SIGNAL is found in the <GENLOCK> screen on the SYSTEM SETTING page, and

Adjustments and Settings for Recording : Viewfinder Screen Status Displays

the menu item RET SW is found in the <SW MODE> screen on the CAM OPERATION page.

Page 87

Adjustments and Settings for Recording

Adjusting and setting the LCD monitor

BRIGHTNESS :+0 COLOR LEVEL :+0 CONTRAST :+0 BACKLIGHT :NORMAL SELF SHOOT :MIRROR

OUTPUT ITEM :MENU ONLY SDI OUT MOD E :MEM SDI OUT CHA R :ON MONITOR OUT :VBS MONITOR OUT MODE:MEM

VF/LCD CHAR :ON VF MODE :MEM THUMBNAIL O UT :OFF

Using the LCD Monitor

5 Through the menu option VF/LCD CHAR,

specify whether or not the LCD should display

1 Turn on the POWER switch of the unit. 2 Slide the OPEN button in the arrow 1

direction to open the LCD monitor in the arrow

the same characters as the viewfinder.

The menu item VF/LCD CHAR is found in the <OUTPUT SEL> screen on the SYSTEM SETTING page.

2 direction.





3 Adjust the angle of the LCD monitor for most

convenient viewing.

The monitor can turn up to 180 degrees towards the lens and up to 90 degrees towards you.

Note

To prevent camera-recorder failure, do not allow undue force to be applied to the monitor (when it is open).

Notes

z When closing the LCD monitor make sure that it is shut

tight.

z In an environment with sudden temperature changes,

condensation may form on the liquid crystal surface of the monitor. If this happens, wipe off the moisture with a soft, dry cloth.

z When the camera-recorder is very cold, the video image

in the LCD monitor will appear slightly darker immediately after the power is turned on. Once the interior of the camera-recorder warms up, the LCD monitor delivers normal brightness.

Self-portrait Shooting

4 The options BRIGHTNESS, COLOR LEVEL,

and CONTRAST show respectively the brightness, color level and contrast of the screen.

These menu items are found in the <LCD MONITOR> screen on the SYSTEM SETTING page.

When shooting with the LCD display angled 180 degrees towards the lens, you can set the menu item SELF SHOOT to “MIRROR”, to horizontally flip the video image on the LCD display, and allow you to view a mirror image while shooting. Note that only the video image on the LCD monitor is horizontally flipped, not the actual video being recorded. The menu item SELF SHOOT is found in the <LCD MONITOR> screen on the SYSTEM SETTING page.

Note

When the LCD monitor is angled 180 degrees towards you with the menu option SELF SHOOT to “MIRROR”, the LCD monitor does not provide the same status indication as the viewfinder, regardless of the setting for the menu option VF/LCD CHAR.

Adjustments and Settings for Recording : Adjusting and setting the LCD monitor

Page 88

Selection of video output signals

The unit employs the SDI OUT connector and the MON OUT connector as connectors for outputting video signals.

Settings of signals output from SDI OUT connector

The type of output signal from the SDI OUT connector is in accordance with the SYSTEM MODE item. Additionally, the signal output from the SDI OUT connector is switched from the SDI OUT MODE item. The SYSTEM MODE can be selected from the <SYSTEM MODE> screen on the SYSTEM SETTING page, and the SDI OUT MODE can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Item

SDI OUT MODE MEM

Variable

range

CAM

Remarks

MEM: During EE such as recording,

video images taken by the camera are output. Meanwhile, signals on the P2 card are output during playback.

CAM: Camera images are output at

all times.

Set the characters to be superimposed on the signals output from the SDI OUT connector in the OUTPUT ITEM and SDI OUT CHAR items. Items can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Item

OUTPUT ITEM MENU

SDI OUT CHAR OFF

Variable

range

ONLY TC STATUS

Remarks

Set the characters to be superimposed on the output signals from the VIDEO OUT connector.

MENU ONLY:

The menu screen is superimposed only when the menu is accessed. This normally displays nothing.

TC:

Time codes are superimposed (when the menu is accessed, the menu screen is superimposed.)

STATUS:

The characters that are the same as the characters superimposed in the viewfinder screen are superimposed. (When the menu is accessed, the menu screen is superimposed.)

Select whether to superimpose characters on the image output from the SDI OUT connector.

OFF: Do not superimpose. ON: Superimpose.

Note

The content of the superimposed characters is the same as that superimposed on video output from the MON OUT connector

Adjustments and Settings for Recording : Selection of video output signals

Page 89

Adjustments and Settings for Recording

Settings of signals output from MON OUT connector

MON OUT CHARACTER switch

The MON OUT connector outputs HD SDI signals, downconverted SD SDI signals, and analog signals. In the MONITOR OUT item, set the video signal output from the MON OUT connector. The MONITOR OUT item can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Item

MONITOR OUT HD SDI

Variabl e

range

SD SDI VBS

Remarks

Select the output signal format for the MON OUT connector. HD SDI:output an HD SDI signal.

(1080i mode only)

SD SDI:output an SD SDI signal. VBS: output a composite signal.

Set the signals output from the MON OUT connector in the MONITOR OUT MODE item. The MONITOR OUT MODE item can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Item

MONITOR OUT MODE

Variabl e

range

MEM CAM

Remarks

Select the output signal for the MON OUT connector. MEM: During EE such as recording,

video images taken by the camera are output. In playback mode, this is the playback image.

CAM: always the camera image.

Use the MON OUT CHARACTER switch to set whether to superimpose characters on the signals output from the MON OUT connector.

ON:

Superimpose.

OFF:

Do not superimpose.

>[MON OUT CHARACTER switch] (page 22)

However, the OUTPUT ITEM item sets details of the characters to superimpose both on the output from the SDI OUT connector, and that from the MON OUT connector. The OUTPUT ITEM item can be selected from the <OUTPUT SEL> screen on the SYSTEM SETTING page.

Adjustments and Settings for Recording : Selection of video output signals

Page 90

Set data file configuration

LENS FILE READ

LENS FILE WRITE

WRITE USER DATA

READ USER DATA

LENS FILE CARD R/W WRITE

LENS FILE CARD R/W READ

READ FACTORY DATA

SD CARD READ/WRITE WRITE

SD CARD READ/WRITE READ

SCENE WRITE

SCENE READ

CAC FILE CARD READ READ

CAC CONTROL

CAC FILE CARD READ DELETE

CAC ADJ CAC FILE DELETE

Menu operations

To revise the set

value

SD memory card

SET UP data

No. of files: 8

It is possible to write eight setup files on the SD memory card.

CURRENT data

(Operating status of the unit)

No. of files: 1

USER data

No. of files: 1

FACTORY data

(Revision disable)

No. of files: 1

: Files built in the unit

: Menu operations

SCENE file

No. of files: 4

LENS file

No. of files: 8

SD memory card

Lens file

No. of files: 8a8

It is possible to write eight titles for eight lens files on the SD memory card.

CAC file

No. of files: 32

SD memory card

Handling data

The unit employs 6 sets for the file data area.

FACTORY data:

The area for storing factory settings. Data cannot be revised with menu operations.

USER data:

The area for storing the data set by menu operations The FACTORY data is stored as the factory setting.

CURRENT data:

The area for storing the operating status of the unit The set value in this area is revised by menu operations.

SCENE file:

Four sets of scene files are provided.

LENS file:

Eight sets of lens files are provided.

CAC file:

32 chromatic aberration compensation data area sets are provided.

> For menu items that can be read from or stored in the

respective areas, refer to [Menu] (page 158)

Notes

z For information about how to navigate through the menu for

this section, see [Setting Menu Options] (page 160).

z Access the respective data settings files after switching the

PC MODE to “OFF”. If the respective data settings files are accessed when the unit is in USB DEVICE mode, an error may occur. The menu item PC MODE is found in the <SYSTEM MODE> screen on the SYSTEM SETTING page.

Adjustments and Settings for Recording : Handling data

Page 91

Adjustments and Settings for Recording

Setting Data Using an SD memory card

< SD CARD RE AD/WRITE >

R.SELECT :1 READ W.SELECT :1 WRITE CARD CONFIG TITLE READ

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

An SD memory card (optional accessory) can be used as a setup card that stores up to eight files of settings menu specifications. This data allows you to quickly reproduce an optimum state. ><Cautions in using SD memory cards> (page 22).

Handling SD memory cards

An SD memory card may be inserted or removed, either before or after the power is turned on.

To insert an SD memory card To remove the SD memory card

Open the slot cover, and insert an SD memory card (optional accessory) into the SD memory card slot with the notch upward. Close the slot cover.

Open the slot cover, and ensure that the BUSY lamp is not illuminated. Then, further depress the SD memory card towards the main unit. This releases the SD memory card from the insertion slot. Take hold of the SD memory card and remove it. Close the slot cover.

SD memory cards must not be used or stored in an environment where they may be

z Exposed to high temperatures/humidities; z Exposed to water droplets; or z Electrically charged.

For storage, the SD memory card must be kept inserted into the unit with the lid closed.

Note

An SD memory card must be inserted with the right side facing the slot. If the card is hard to insert, it may be reversed or upside down. Do not force it into the slot. Check the card before re-inserting it.

Formatting, Writing and Reading an SD memory card

To format an SD memory card, write settings data or read data on an SD memory card, navigate the menu to the <SD CARD READ/ WRITE> screen from the FILE page.

If an SD memory card that is formatted in a standard other than the SD standards and SDHC standards, [FORMAT ERROR] is displayed in the top right section of the window. In this case, reformat the card as follows. Note that the indication “FORMAT ERROR” does not disappear if the SD memory card is replaced with this menu page open. When the SD memory card is replaced, perform TITLE READ.

Adjustments and Settings for Recording : Handling data

Page 92

To format an SD memory card

CONFIG? YES

CONFIG OK

To select a file number

< SD CARD RE AD/WRITE >

R.SELECT :1 READ

W.SELECT :1 WRITE CARD CONFIG TITLE READ

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

To give the selected file a title

< SD CARD RE AD/WRITE >

R.SELECT :1 READ W.SELECT :1 WRITE CARD CONFIG TITLE READ

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

Note

SD memory cards may be formatted via the thumbnail screen.

> [Formatting SD memory cards] (page 131).

4 To exit the menu, press the MENU button.

The settings menu disappears and the status of the unit is indicated at the top and bottom of the viewfinder screen.

1 Navigate the menu to the <SD CARD READ/

WRITE> screen.

2 Turn the JOG dial button to move the cursor to

the menu option CARD CONFIG.

3 Press the JOG dial button.

The following message is displayed.

z To format the SD memory card, turn the JOG dial

button to move the cursor to YES. Then, press the dial button.

z When the SD memory card has been formatted, the

following message appears:

Notes

z Data erased by formatting cannot be restored, so be

sure to perform the format after first confirming the data.

z If an SD memory card is inserted or removed with the

<SD CARD READ/WRITE> screen open, the data title cannot be edited. Move the cursor to the option TITLE READ and press the JOG dial button. Edit the data title.

To write set data on an SD memory card

Select the type of the menu to write to the <SD CARD R/W SELECT> screen in advance, and then perform the writing to the SD memory card via the following procedure.

1 Navigate the menu to the <SD CARD READ/

WRITE> screen.

2 Turn the JOG dial button to move the cursor to

the option W. SELECT. Then, press the dial button.

The card will not be formatted if the following message appears when the JOG dial button is pressed:

Error message Remedy

CONFIG NG NO CARD (No SD memory card inserted.)

CONFIG NG ERROR (SD memory card cannot be formatted.)

CONFIG NG WRITE PROTECT (SD memory card is writeprotected.)

CONFIG NG CANNOT ACCCESS (SD memory card not accessible).

Adjustments and Settings for Recording : Handling data

Insert an SD memory card.

The card may be defective. Replace the card.

Remove the card and cancel the protect.

Example: The SD memory card is not accessible because it is being played back. After the operation in process, format the card.

3 Turn the JOG dial button to select a desired

number (1 - 8). Then, press the dial button.

4 Turn the JOG dial button to move the cursor to

the option TITLE:.

Page 93

Adjustments and Settings for Recording

5 Press the JOG dial button.

< SD CARD RE AD/WRITE >

R.SELECT :1 READ W.SELECT :1 WRITE CARD CONFIG TITLE READ

;

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

To write data on a selected file

< SD CARD RE AD/WRITE >

R.SELECT :1 READ W.SELECT :1 WRITE CARD CONFIG TITLE READ

;

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

WRITE? YES

TITLE:

WRITE OK

This moves the cursor to the entry area, putting the unit

Press the JOG dial button to display the following message:

in entry mode.

The data will not be written if any of the following messages

6 Turn the JOG dial button until a desired

character appears.

The characters that appear are switched in the following order:

Space: 

Alphabetical characters: A to Z

Numerals: 0 to 9

Symbols: ', >, <, /, -

7 Press the JOG dial button to accept a desired

character.

8 Turn the JOG dial button to move the cursor to

the next digit (clockwise), and repeat Steps 6 -

7 to set characters (up to eight characters).

9 When the title is set, turn the JOG dial button

appears when the JOG dial button is pressed:

Error message Remedy

WRITE NG NO CARD (No SD memory card inserted.)

WRITE NG FORMAT ERROR (SD memory card not properly formatted.)

WRITE NG ERROR (SD memory card not writable.)

WRITE NG WRITE PROTECT (SD memory card writeprotected.)

WRITE NG CANNOT ACCCESS (SD memory card not accessible.)

WRITENG CARD FULL (SD memory card has no free space.)

Insert an SD memory card.

The card has not been formatted using the unit. Replace the card.

The card may be defective. Replace the card.

Remove the card and disable the protect.

Example: The SD memory card is not accessible because it is being played back. After the operation in process, format the card.

The card is not writable because it has no free space. Delete unwanted files or replace the card with a new one.

to move the cursor to [:].

Turn the JOG dial button to move the cursor to YES. Then, press the dial button.

When the data has been written, the following message appears:

Press the JOG dial button to return the cursor to the option TITLE:.

Turn the JOG dial button to move the cursor to the option WRITE.

Adjustments and Settings for Recording : Handling data

Page 94

To select a file number

< SD CARD RE AD/WRITE >

R.SELECT 1 READ W.SELECT 1 WRITE CARD CONFIG TITLE READ

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

To read data on a selected file

< SD CARD RE AD/WRITE >

R.SELECT :1

READ W.SELECT :1 WRITE CARD CONFIG TITLE READ

TITLE: 1: ******** 5: ******** 2: ******** 6: ******** 3: ******** 7: ******** 4: ******** 8: ********

READ? YES

READ OK

To exit the menu, press the MENU button.

The settings menu disappears and the status of the unit is indicated at the top and bottom of the viewfinder screen.

Notes

z It is possible to overwrite the setup file on the unit with a

setup file from another device. Note that if the file is overwritten, the original setup file from the other device will be lost.

z We recommend managing the respective SD memory cards

on the respective devices independently.

5 Press the JOG dial button to display the

following message:

To read data on an SD memory card

Select the type of the menu to read from the <SD CARD R/ W SELECT> screen in advance, and then perform the reading from the SD memory card via the following procedure.

1 Navigate the menu to the <SD CARD READ/

WRITE> screen.

2 Turn the JOG dial button to move the cursor to

the menu option R. SELECT. Then, press the dial button.

3 Turn the JOG dial button to select a desired

number (1 - 8). Then, press the dial button.

4 Turn the JOG dial button to move the cursor to

the option READ.

6 Turn the JOG dial button to move the cursor to

YES. Then, press the dial button.

When the data has been read, the following message appears:

The data will not be read if any of the following messages appears when the JOG dial button is pressed:

Error message Remedy

READ NG NO CARD (No SD memory card inserted.)

READ NG FORMAT ERROR (SD memory card not properly formatted.)

READ NG NO FILE (No file found.)

READ NG ERROR (SD memory card not readable.)

READ NG CANNOT ACCCESS (SD memory card not accessible.)

Insert an SD memory card.

The card has not been formatted using the unit. Replace the card.

Write file data.

Only data written with the unit is readable.

Example: The SD memory card is not accessible because it is being played back. After the operation in process, read data.

Adjustments and Settings for Recording : Handling data

7 To exit the menu, press the MENU button.

The settings menu will be replaced by status indications for the unit.

Page 95

Adjustments and Settings for Recording

How to Use the User Data

< INITIALIZE >

READ FACTOR Y DATA

WRITE USER DATA

WRITE? YES

< SCENE >

READ USER D ATA SCENE SEL :1 READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

READ? YES

WHITE BAL Switch

It is possible to transfer settings and other data to the user area of the internal memory of the unit. This data allows you to quickly reproduce an optimum setup state.

To write data, go to the <INITIALIZE> screen from the FILE page. To read the written user data, go to the <SCENE> screen from the FILE page.

To write settings data in the user area

2 Turn the JOG dial button to move the cursor to

the option READ USER DATA.

1 Navigate the menu to the <INITIALIZE>

screen.

3 Press the JOG dial button to display the

2 Turn the JOG dial button to move the cursor to

the option WRITE USER DATA.

following message:

3 Press the JOG dial button.

The following message is displayed.

4 Turn the JOG dial button to move the cursor to

YES. Then, press the dial button.

This writes the settings data into the user area of the internal memory of the unit.

5 To exit the menu, press the MENU button.

To read written user data

1 Navigate the menu to the <SCENE> screen.

4 Turn the JOG dial button to move the cursor to

YES. Then, press the dial button.

The data written in the user area of the internal memory of the unit is read to complete the setting.

5 To exit the menu, press the MENU button.

The set user data may be also read without navigating the menu.

1 Turn off the POWER switch. 2 Position the WHITE BAL switch at [PRST].

3 With the AUTO W/B BAL switch flipped up,

turn on the POWER switch.

This resets all settings for USER menu options to their defaults.

Adjustments and Settings for Recording : Handling data

Page 96

How to Use Scene File Data

< SCENE >

READ USER D ATA

SCENE SEL :1 READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

< SCENE >

READ USER D ATA SCENE SEL :1 READ

WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

WRITE? YES

TITLE:

It is possible to write the settings data into the scene file area of the internal memory of the unit, or to read data written in this area. Four types of scene files are available. This data allows you to quickly reproduce an optimum setup state.

To change the settings, go to the <SCENE> screen from the FILE page.

To write settings data for scene files

1 Navigate the menu to the SCENE screen. 2 Turn the JOG dial button to move the cursor to

the SCENE SEL option.

3 Press the JOG dial button to blink scene file

numbers. Then, turn the dial button to select a desired scene file number.

7 Turn the JOG dial button to move the cursor to

YES. Then, press the dial button.

This writes the setting data into the scene file area of the unit internal memory.

8 To exit the menu, press the MENU button.

4 Press the JOG dial button to accept the scene

file.

5 Turn the JOG dial button to return the cursor

to the option WRITE.

6 Press the JOG dial button to display the

following message:

Adjustments and Settings for Recording : Handling data

Page 97

Adjustments and Settings for Recording

To read settings data for scene files

< SCENE >

READ USER D ATA

SCENE SEL :1 READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

< SCENE >

READ USER D ATA SCENE SEL :1

READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

READ? YES

< SCENE >

READ USER D ATA

SCENE SEL :1 READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

< SCENE >

READ USER D ATA SCENE SEL :1 READ WRITE

RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

RESET? YES

To return data for scene files to their defaults

1 Navigate the menu to the <SCENE> screen. 2 Turn the JOG dial button to move the cursor to

the option SCENE SEL.

3 Press the JOG dial button to blink scene file

numbers. Then, turn the dial button to select a desired scene file number.

4 Press the JOG dial button to accept the scene

file.

5 Turn the JOG dial button to move the cursor to

the READ option.

1 Navigate the menu to the <SCENE> screen. 2 Turn the JOG dial button to move the cursor to

the option SCENE SEL.

3 Press the JOG dial button to blink scene file

numbers. Then, turn the dial button to select the scene file that you want to reset.

4 Press the JOG dial button to accept the scene

file.

5 Turn the JOG dial button to move the cursor to

the option RESET.

6 Press the JOG dial button to display the

7 Turn the JOG dial button to move the cursor to

8 To exit the menu, press the MENU button.

following message:

YES. Then, press the dial button.

The data stored in the scene file area of the internal memory of the unit is read to complete the setting.

6 Press the JOG dial button.

The following message is displayed.

7 Turn the JOG dial button to move the cursor to

YES. Then, press the dial button.

The data stored in the scene file area of the internal memory of the unit is reset to the defaults.

8 To exit the menu, press the MENU button.

Adjustments and Settings for Recording : Handling data

Page 98

To title settings data for scene files

< SCENE >

READ USER D ATA SCENE SEL :1 READ WRITE RESET

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

< SCENE >

READ USER D ATA SCENE SEL :1 READ WRITE RESET

;

TITLE1 : ** ******

TITLE2 : ** ******

TITLE3 : ** ******

TITLE4 : ** ******

WRITE? YES

TITLE:

1 Navigate the menu to the <SCENE> screen. 2 Turn the JOG dial button to move the cursor to

the option [TITLE 1 - 4] for the appropriate scene file.

3 Press the JOG dial button.

The cursor moves to the title entry area, putting the unit in entry mode.

Press the JOG dial button.

The following message is displayed.

Turn the JOG dial button to move the cursor to YES. Then, press the dial button.

This writes the title into the scene file area of the unit internal memory.

To exit the menu, press the MENU button.

4 Turn the JOG dial button until a desired

character appears.

The characters that appear are switched in the following order:

Space: 

Alphabetical characters: A to Z

Numerals: 0 to 9

Symbols: ', >, <, /, -

5 Press the JOG dial button to accept a desired

character.

6 Turn the JOG dial button to move the cursor to

the next digit (clockwise), and repeat Steps 4 -

5 to set characters (up to eight characters).

7 When the title is set, turn the JOG dial button

to move the cursor to [:].

8 Press the JOG dial button,

The cursor returns to the options TITLE 1 - 4.

9 Turn the JOG dial button to return the cursor

to the option WRITE.

Adjustments and Settings for Recording : Handling data

Page 99

Adjustments and Settings for Recording

Resetting Menu Option Settings to Defaults

< INITIALIZE >

READ FACTOR Y DATA WRITE USER DATA

< LENS FILE ADJ >

LENS FILE A DJ MODE:ON LENS R GAIN OFFSET:+000 LENS B GAIN OFFSET:+000

LENS R FLAR E :000 LENS G FLAR E :000 LENS B FLAR E :000

The menu settings can be reset to their defaults. To reset the settings to their defaults, select the menu option READ FACTORY DATA in the <INITIALIZE> screen, which is accessible from the FILE page. All settings will be reset to their defaults.

Note

This operation does not delete the scene file, lens file, and the information stored as the user data.

Lens file

The built-in memory of the unit stores eight sets of lens files. On the SD memory card, eight titles for eight sets of lens files in a table (total 64 sets) can be written. The following data are recorded on the lens file.

z Title name z White shading correction value z Flare compensation value z RB gain offset correction value

How to provide lens files

Adjustment of white shading

For the white shading adjustment, refer to [Adjusting the Lens White Shading] (page 112)

Adjustment of the flare

Using the menu operations, adjust the flare in the LENS R FLARE item, the LENS G FLARE item and the LENS B FLARE item. These menu items are found in the <LENS FILE ADJ> screen on the MAINTENANCE page.

Adjustment of gain offset

For correcting changes in white balance that may occur when replacing the lens.

1 Mount the lens to memory the lens file on the

unit.

2 Shoot the grayscale chart with appropriate

lighting (2000 lx, 3200 K are preferable).

3 Set the WHITE BAL switch to the “A” position. 4 Adjust the lens aperture so that the white

window at the center of the grayscale chart is about 80%.

Example of the chart for flare adjustment

0.1H

0.1W

5 Push the AUTO W/B BAL switch to “AWB” to

adjust the white balance automatically.

6 Measure the signal level of RGB by using the

waveform monitor (WFM).

7 Adjust the lens aperture so that the signal

level of Gch is the same signal level as the one obtained in 6 above.

8 Set the LENS FILE ADJ MODE to ON.

The menu item LENS FILE ADJ MODE is found in the <LENS FILE ADJ> screen on the MAINTENANCE page.

Adjust the signal level of Rch to be the same as Gch in the LENS R GAIN OFFSET item.

In the same way, adjust the signal level of Bch to be the same as Gch in the LENS B GAIN OFFSET item.

Adjustments and Settings for Recording : Handling data

Page 100

To save the lens file into the built-in memory

Select the file No.

< LENS FILE >

FILE NO. :1 READ WRITE RESET ALL

TITLE:

1: 5: 2: 6: 3: 7: 4: 8:

Give a title to the selected file.

< LENS FILE >

FILE NO. :1 READ WRITE RESET ALL

TITLE:

1: 5: 2: 6: 3: 7: 4: 8:

< LENS FILE >

FILE NO. :1 READ WRITE RESET ALL

;

TITLE:

1: 5: 2: 6: 3: 7: 4: 8:

< LENS FILE >

FILE NO. :1 READ WRITE RESET ALL

;

TITLE:

¢¢¢¢¢¢¢¢¢¢¢¢

1: 5: 2: 6: 3: 7: 4: 8:

< LENS FILE >

FILE NO. :1 READ WRITE RESET ALL

TITLE:

¢¢¢¢¢¢¢¢¢¢¢¢

1: 5: 2: 6: 3: 7: 4: 8:

< LENS FILE >

FILE NO. :1 READ

WRITE RESET ALL

TITLE:

¢¢¢¢¢¢¢¢¢¢¢¢

1: 5: 2: 6: 3: 7: 4: 8:

1 Using the menu operations, open the <LENS

FILE> screen from the FILE page.

2 Turn the JOG dial button to move the arrow

(cursor) to the FILE NO. item.

3 Press the JOG dial button and the file number

will flash. Turn the JOG dial button to select the file (1 to 8) to be recorded.

4 Press the JOG dial button to enter the file

number.

7 Press the JOG dial button again and turn it

until the character to be set is displayed.

When the button is turned, the character displayed is switched in the following sequence:

Space: 

Alphabetical characters: A to Z

Numerals: 0 to 9

Symbols: ', >, <, /, -, . , x

8 Press the JOG dial button to enter the

character.

9 Turn the JOG dial button to move the arrow

(cursor) to the next position (right), and repeat steps 7 and 8 to set the characters (maximum of 12).

When the title has been input, turn the JOG dial button to move the arrow (cursor) to the “:” position.

5 Turn the JOG dial button to move the arrow

(cursor) to the TITLE : item.

6 Press the JOG dial button.

The arrow (cursor) moves to the title input area, and the input mode is established.

Press the JOG dial button.

The arrow (cursor) returns to the “TITLE : ” item.

Turn the JOG dial button to move the arrow (cursor) to the WRITE position.

Adjustments and Settings for Recording : Handling data

100

Panasonic AJ-HPX3100G User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Read this first!

General

Features of Camera unit

Features of Recorder/player unit

Features of the Input/Output unit

Other features

Dimensions drawing

System Configuration

Parts and their Functions

Power Supply and Accessory Mounting Section

Audio (input) Function Section

Audio (output) Function Section

Shooting and Recording/Playback Functions Section

Menu Operation Section

Time Code Section

Warning and Status Display Functions

Display Window Functions

LCD Monitor

Viewfinder

Recording and Playback

P2 Cards

How to handle data recorded on P2 cards

Basic Procedures

Normal Recording

Normal Recording and Native Recording

PRE-RECORDING function

Loop Recording

Interval Recording

ONE CLIP REC Function

Recording Review Function

Normal and Variable Speed Playback

Text Memo Function

Shot Mark Function

Recording Setting and Operation Mode

Adjustments and Settings for Recording

Multi Format

Video system and Recording format

Selecting a recording signal and method

Recording formats and output connector signal formats

Adjusting the White balance and Black Balance

Adjusting the White Balance

Setting Color Temperature Manually

Adjusting the Black Balance

Setting the Electronic Shutter

Shutter Modes

Setting the Shutter Mode and Speed

Placing the Camera-recorder in SYNCHRO SCAN Mode

Assigning Functions to USER Buttons

Setting the Switchover of USER SW GAIN

Selecting Audio Input Signals

Recording level adjustment

Setting External Reference Signal and GENLOCK

Locking video signal to external reference signal

Setting Time Data

Description of time data

Recording time code and user bits

Setting of the User bits

Setting the Internal Clock’s Date and Time

Setting the Time Code

Externally Locking the Time Code

Providing an ID to the Camera

Setting UMID Information

CTL Count Setting and Display

Viewfinder Screen Status Displays

Lamps in the Viewfinder Screen

Mode Check Screen Displays (MODE CHK function)

Selecting Viewfinder Display Information

Viewfinder Status Indication Layout

Display Modes and Setting Changes/adjustment Result Messages

Setting the Marker Displays

Marker Check Screen Displays (MARKER SELECT button function)

Checking Return Video Signal in the Viewfinder

Adjusting and setting the LCD monitor

Selection of video output signals

Settings of signals output from SDI OUT connector

Settings of signals output from MON OUT connector