Panasonic AJ-D610WAP, D610WA User Manual

Digital Camera/VTR

AJ-

Operating Instructions

For your safety

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (service) instructions in the literature accompanying the appliance.

RBRC

Ni-Cd

FCC NOTE:

This device complies with Part 15 of the FCC Rules. To assure continued compliance follow the attached installation instructions and do not make any unauthorized modifications.

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD AND ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY.

ATTENTION:

The product you have purchased is powered by a nickel cadmium battery which is recyclable. At the end of it’s useful life, under various state and local laws, it is illegal to dispose of this battery into your municipal waste stream. Please call 1-800-8-BATTERY for information on how to recycle this battery.

Replace battery with part No. CR2032 only. Use of another battery may present a risk of fire or explosion. Caution—Battery may explode if mistreated. Do not recharge, disassemble or dispose of in fire.

is the safety information.

WARNING:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, REFER MOUNTING OF THE OPTIONAL BOARD TO AUTHORIZED SERVICE PERSONNEL.

–2–

Contents

Safety Precautions . . . . . . . . . . . . . . . . 2

General and Features . . . . . . . . . . . . . . 5

ÁFeatures of the Camera Section. . . . . 5

ÁFeatures of the VTR Section . . . . . . . 8

ÁSystem Configuration . . . . . . . . . . . . . 9

Controls and Their Functions

ÁPower Supply Section. . . . . . . . . . . . . 10

ÁAccessory Mounting Section . . . . . . . 11

ÁAudio Function Section . . . . . . . . . . . . 12

ÁShooting (Recording)/Playback

Function Section . . . . . . . . . . . . . . . . . 14

ÁMenu Operation Section . . . . . . . . . . . 20

ÁTime Code-Related Section . . . . . . . . 20

ÁWarning/Status Display Section . . . . . 22

Power Supply ÁUsing an Anton Bauer Battery

Pack . . . . . . . . . . . . . . . . . . . . . . . . . . 23

ÁUsing the Panasonic AU-BP402

Battery Pack . . . . . . . . . . . . . . . . . . . . 24

ÁUsing a Sony Battery Pack . . . . . . . . . 26

ÁUsing the Sony BP-90 Battery

Pack . . . . . . . . . . . . . . . . . . . . . . . . . . 27

ÁUsing the Sony BP-L60/BP-L90

lithium-ion Battery Pack . . . . . . . . . . . 27

ÁUsing an AC Power Supply (When

Using the AJ-B75 AC Adaptor) . . . . . . 28

ÁChecking and Selecting the Type of

Battery . . . . . . . . . . . . . . . . . . . . . . . . 029

Mounting the Lens . . . . . . . . . . . . . . . 30

Adjusting the Lens Flange . . . . . . . . . 31

Adjusting the White Shading . . . . . . . 32

Adjusting the Viewfinder

ÁAdjusting the Position . . . . . . . . . . . . . 34

ÁAdjusting the Diopter and

Screen . . . . . . . . . . . . . . . . . . . . . . . . 35

ÁAdjusting the Eyepiece Position . . . . . 35

ÁDetaching the Eyepiece . . . . . . . . . . . 36

ÁMounting the Viewfinder . . . . . . . . . . . 37

ÁDetaching the Viewfinder . . . . . . . . . . 37

Audio Input Preparations ÁUsing the Microphone Mounted to the

Main Unit. . . . . . . . . . . . . . . . . . . . . . . 38

ÁUsing the Accessory Microphone (with

Holder) or the AJ-MC700P Microphone Kit (Option) Microphone Mounted to the

Main Unit. . . . . . . . . . . . . . . . . . . . . . . 38

Bold letters should be set or adjusted immediately after purchase.

ÁMounting the AJ-MH700P Microphone

Holder (Option) . . . . . . . . . . . . . . . . . . 39

ÁUsing the Microphone not Mounted to

the Main Unit. . . . . . . . . . . . . . . . . . . . 40

ÁMounting a Wireless Microphone . . . . 41

Connecting an Audio Component . . . . . 41

Mounting the Unit to a Tripod . . . . . . . . 42

Mounting the Shoulder Belt. . . . . . . . . . 43

Adjusting the Shoulder Pad Position. . . 44

Attaching the Rain Cover . . . . . . . . . . . 45

Connecting the AQ-EC1 Extension

Control Unit (Option) . . . . . . . . . . . . . 46

Displaying Menus on the Viewfinder Screen ÁDisplaying the Setting Menu Inside the

Viewfinder . . . . . . . . . . . . . . . . . . . . . . 47

ÁSetting Menu Configuration . . . . . . . . 47

ÁChecking and Selecting the Master Gain

Setting. . . . . . . . . . . . . . . . . . . . . . . . . 48

ÁSelecting the Color Bar Setting. . . . . . 49

ÁChecking the DIAGNOSTIC Screen

Setting. . . . . . . . . . . . . . . . . . . . . . . . . 50

ÁTransferring to the MAIN menus and

SUB menus. . . . . . . . . . . . . . . . . . . . . 51

ÁBasic Setting Menu Operations . . . . . 52

Lamp Displays Inside the

Viewfinder . . . . . . . . . . . . . . . . . . . . . 55

ÁSetting the ! Lamp Display . . . . . . . . . 56

Status Displays Inside the Viewfinder

Screen . . . . . . . . . . . . . . . . . . . . . . . . 57

ÁSelecting Display Items. . . . . . . . . . . . 60

ÁDisplay Mode and Setting Change

Message . . . . . . . . . . . . . . . . . . . . . . . 61

ÁChanging the Display Mode . . . . . . . . 62

ÁSetting the Marker Displays . . . . . . . . 62

ÁSetting the Camera ID . . . . . . . . . . . . 63

Displays ÁRemaining Battery Level and Audio

Level Displays. . . . . . . . . . . . . . . . . . . 64

ÁVTR Section Operation/Status-Related

Displays . . . . . . . . . . . . . . . . . . . . . . . 64

ÁTime Code-Related Displays . . . . . . . 65

Adjusting the Time and Date . . . . . . . . . 66

Adjustments and Setup During Recording ÁAdjustments and Setup using the Setting

Menu. . . . . . . . . . . . . . . . . . . . . . . . . . 67

ÁSetting the Gain Selector Value . . . . . 68

ÁSelecting Functions . . . . . . . . . . . . . . 69

–3–

Contents

Adjusting the White Balance/Black Balance

ÁAdjusting the White Balance . . . . . . . . 70

ÁAdjusting the Black Balance . . . . . . . . 75

Setting the Electronic Shutter

ÁShutter Modes . . . . . . . . . . . . . . . . . . 77

ÁSetting the Shutter Mode/Speed. . . . . 78

ÁSetting the Synchro Scan Mode . . . . . 79

ÁChanging the Shutter Speed/Mode

Selection Range . . . . . . . . . . . . . . . . . 80

Changing the Iris Automatic Adjustment

Reference Value . . . . . . . . . . . . . . . . 80

Adjusting the Audio Level . . . . . . . . . . . 81

Setting the Time Data

ÁSetting the Time Code . . . . . . . . . . . . 83

ÁSetting the User Bit. . . . . . . . . . . . . . . 84

ÁLocking the Time Code to an External

Source . . . . . . . . . . . . . . . . . . . . . . . . 85

ÁExternal Lock Operation

Procedure . . . . . . . . . . . . . . . . . . . . . . 85

Using the user data . . . . . . . . . . . . . . . . 86

ÁUser data operation . . . . . . . . . . . . . . 86

ÁSaving the user data . . . . . . . . . . . . . . 86

ÁLoading the user data . . . . . . . . . . . . . 86

Setup Card Operations

ÁSetup Card Handling . . . . . . . . . . . . . 87

ÁSetup Card Data Operations . . . . . . . 88

Cassettes

ÁInserting and Ejecting Cassettes . . . . 93

ÁPreventing Accidental Erasure . . . . . . 94

Recording

ÁBasic Procedures . . . . . . . . . . . . . . . . 95

ÁSuccessive Shooting . . . . . . . . . . . . . 98

Playback — Checking Recorded Contents

ÁRec Review. . . . . . . . . . . . . . . . . . . . . 100

ÁColor Playback . . . . . . . . . . . . . . . . . . 100

Connection With an External VTR. . . . . 101

Recording Simultaneously with the

Internal VTR and an External

VTR . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Recording With an External VTR Instead

of the Internal VTR ÁUsing the 26-pin/12-pin Output

Adaptor . . . . . . . . . . . . . . . . . . . . . . . . 104

RET Button . . . . . . . . . . . . . . . . . . . . . . 106

Replacing the Backup Battery . . . . . . . . 107

Setting Menu Screens . . . . . . . . . . . . . . 108

ÁMAIN menus . . . . . . . . . . . . . . . . . . . . 108

ÁMAIN menu screen 1 of 4

(SUB menu) . . . . . . . . . . . . . . . . . . . . 112

ROP (112), MATRIX (113), LOW SETTING (114), MID SETTING (115), HIGH SETTING (116), ADDITIONAL DTL (117), SKIN TONE DTL (118), KNEE/LEVEL (119), FLARE/ GAMMA (120), CAMERA SETTING (120)

ÁMAIN menu screen 2 of 4

(SUB menu) . . . . . . . . . . . . . . . . . . . . 121

VF DISPLAY (121), VF INDICATOR (123), CAMERA ID (124), SHUTTER SPEED (124), SYNCHRO SCAN (125), !LED (125), CAMERA SW MODE (126), SUPER GAIN (127), VTR FUNCTION (128), BATT/TAPE ALARM (130)

ÁMAIN menu screen 3 of 4

(SUB menu) . . . . . . . . . . . . . . . . . . . . 131

CARD READ/WRITE (131), CARD R/W SELECT (132), REC (ASPECT)/RET (133), MIC/AUDIO (134), GENLOCK/ IRIS (136), VIDEO OUT (137), TIME/DATE (137), LENS SEL/ADJ (137)

ÁMAIN menu screen 4 of 4

(SUB menu) . . . . . . . . . . . . . . . . . . . . 138

USER MENU SEL 1 of 3 (138), USER MENU SEL 2 of 3 (139), USER MENU SEL 3 of 3 (140), AUTO SHADING (141), EVALUATION (141), INITIALIZE (146), DIAGNOSTIC (146)

Warning System . . . . . . . . . . . . . . . . . . 147

Emergency eject . . . . . . . . . . . . . . . . . . 149

Error Codes. . . . . . . . . . . . . . . . . . . . . . 149

Maintenance

ÁCondensation . . . . . . . . . . . . . . . . . . . 150

ÁCleaning the Video Heads . . . . . . . . . 150

ÁCleaning the Viewfinder . . . . . . . . . . . 150

ÁCharacteristic Phenomenon of CCD

Cameras . . . . . . . . . . . . . . . . . . . . . . . 150

Inspections Before Shooting

ÁInspection Preparations . . . . . . . . . . . 151

ÁInspecting the Camera Section. . . . . . 151

ÁInspecting the Viewfinder . . . . . . . . . . 152

ÁInspecting the Iris and Zoom

Functions . . . . . . . . . . . . . . . . . . . . . . 153

ÁInspecting the VTR Section . . . . . . . . 153

Specifications

ÁGeneral . . . . . . . . . . . . . . . . . . . . . . . . 155

ÁCamera Section . . . . . . . . . . . . . . . . . 155

ÁViewfinder . . . . . . . . . . . . . . . . . . . . . . 155

ÁVTR Section . . . . . . . . . . . . . . . . . . . . 156

ÁAccessories . . . . . . . . . . . . . . . . . . . . 156

ÁRelated Components . . . . . . . . . . . . . 157

–4–

General and Features

This unit combines as a single integrated unit a 3-CCD color video camera which features ITCCDs and a 520,000-pixel on-chip lens, and a DVCPRO format VTR which incorporates compression technology. In particular, the screen aspect ratio can be switched between 16:9 and 4:3 in a single action. The unit in itself is compact and lightweight, its power consumption is minimal, it yields a high picture quality, and it offers excellent sensitivity, mobility and dust-proof and damp-proof capability. As a camera with built-in VTR, the unit’s functions and performance make it ideal for use in ENG applications. Both the camera unit and VTR unit feature digital signal processing to achieve much higher levels of picture quality and stability. Memory cards complying with global standards can be used for the camera and VTR setting data to provide a system to manage the data.

Features of the Camera Section

The camera section of the AJ-D610WA has the following features.

ÁHigh sensitivity: 2000 lux (F11) ÁHigh S/N ratio: 63 dB (standard) ÁUltra-low smear ÁUltra-low flare

Digital signal processing

Signal processing is digitized by a 18 MHz (typ.) 10-bit AD/DA converter. This improves picture quality, stability and reliability, and allows the viewfinder screen displays as well as numerous adjustment and setup items to be converted to menus.

Setting menu

The setting menu is displayed on the viewfinder screen, and controls the status displays, messages, marker displays, etc. Whether or not to display each item, as well as the display conditions when items are to be displayed, can be selected according to the user’s convenience. For example, display ON/OFF for the ! lamp display which informs the user that the unit has entered irregular status can be selected for 8 different conditions. The setting menu is also used to select various settings and functions and execute memory card operations, etc.

Setup cards

Setting menu and subject data can be stored on SRAM memory cards with a capacity of 64 kilobytes or greater which conform to PCMCIA standard ratings as setup cards. Stored data can be saved individually or according to the shooting conditions, allowing the same setup conditions to be easily reproduced and assisting in standardizing setup conditions between individual data. An ATA flash memory card with a memory size of 4 MB or more is required to operate the Picture Link (Pix Link) function sold as an optional accessory.

High-function electronic shutter

Using the built-in electronic shutter achieves steady images even of quickly moving subjects. In addition, the following special operation modes can also be selected. ÁSynchro scan mode: This mode is suited for shooting personal computer and workstation moni-

tor screens (60.8–250 Hz), and provides images with little horizontal stripe noise.

ÁHigh vertical resolution (Super V) mode: This mode provides images with high vertical resolution

compared to standard mode.

Wide range of video gain selections

Gain values can be selected from p3 dB to o30 dB using the setting menu and the GAIN switch. The high S/N ratio allows images with little noise to be obtained even when the gain is increased for shooting in dark locations. Using the SUPER GAIN switch provided specially to implement the super gain function, the video gain can be set to 30 or 36 dB.

–5–

Features

Automatic adjustment and memory functions for black balance/white balance

The black set, black balance and white balance can be automatically adjusted by simple switch operations. Adjustment values are held in the memory even if the power for the unit is turned off, so there is no need to readjust the balance each time the power is turned on. There are two memory systems for white balance which can hold four adjustment values each for the CC and ND filters, making a total of eight adjustment values. When adjustment values matching the illumination conditions are selected from among the values stored in the memory, the unit is automatically adjusted to the corresponding white balance. (A menu setting also allows adjustment of only two values instead of the values for each filter.) In addition, when the unit is shipped from the factory, the white balance value for 3200K is stored in the memory as a preset value. This value can be called when there is no time to adjust the white balance, etc.

Character display function

The unit is equipped with a function that displays switch settings, the automatic adjustment status for black balance and white balance, warning displays, etc. on the viewfinder screen. In addition, when using an Anton Bauer Digital Magnum series battery as the unit’s power supply, the remaining battery level can be displayed numerically on the viewfinder screen.

Warning system for displaying the VTR section status

The unit informs of VTR trouble, the end of the tape, battery wear, etc. with various warning lamps and a warning tone. The remaining tape time can also be checked by the character display inside the viewfinder.

Four filter disks as standard equipment

CC (color temperature conversion) and ND (neutral density) filters are provided as standard equipment. This allows the optional filter setting to be selected from among four combinations in accordance with the brightness of the subject.

Fine adjustment of the automatic iris reference value

The reference value for automatic iris adjustment can be finely adjusted by setting menu operations.

Auto close function

The unit is equipped with an auto close function which automatically closes the lens in the following cases.

ÁWhen the black balance is automatically adjusted. ÁWhen the power is turned off in the auto iris mode.

Generation of SMPTE/SNG color bar and reference audio signals

The camera section contains a circuit which generates an SMPTE type color bar signal to facilitate color monitor adjustments, and a circuit which generates a reference level audio signal to facilitate audio level adjustments. The unit also contains a circuit for generating SNG color bar signals which come in handy for sending signals to communication satellites.

Functions and circuits for assuring high picture quality

The AJ-D610WA is equipped with the following functions (and circuits) in order to assure high picture quality and is designed to make the fullest use of the advantages of the high-performance CCD. ÁA built-in AUTO KNEE circuit achieves a wide dynamic range which allows large signals to pass

through.

ÁA built-in 2-line image enhancer ÁA built-in shading compensation function for use with a lens extender ÁA built-in sawtooth wave generator for adjustments ÁA zebra pattern ON/OFF selector switch which selects three types of zebra patterns including

spot zebra from two levels of zebra patterns.

–6–

Features

Audio functions

ÁA phantom power supply type super-cardioid microphone (option) can be attached and it can

also be detached from the main unit for use in interviews.

ÁMicrophone can also be connected, and can be attached to the main unit using the

AJ-MH700P microphone holder (option).

ÁThe audio CH1 recording level can be easily adjusted at the front panel of the unit.

Recording by an external VTR

When an external VTR is connected using the 26-pin/12-pin output adaptor (option, AJ-YA900P), recording can be performed by the external VTR instead of the internal VTR.

Remote control

Connecting the Extension Control Unit (option, AQ-EC1) allows a portion of the camera section functions to be operated by remote control.

–7–

Features

Features of the VTR section

Digital system

The VTR section features a component digital recording system that employs the latest compression technology and non-compressed PCM recording for audio. This system provides superior S/ N, frequency band and waveform characteristics as well as reproduction of detailed areas, etc., and realizes even higher picture and sound quality.

Rec review function

By automatically rewinding and playing back the last two to ten seconds or so of the recording, this function enables what has been recorded to be promptly checked out.

Playback function

This function enables the playback picture (black-and-white picture) to be seen on the viewfinder screen. In addition, color playback pictures can be output from the unit’s VIDEO OUT connector.

Built-in time code generator/reader

Time code information can be recorded and played back on a dedicated subcode track.

Locking of the time code to an external source

The built-in time code generator can be locked to an external generator. Also, the built-in time code generator uses a lithium battery as its back-up power supply, allowing time codes to be backed up for approximately one year even if power is not supplied to the unit.

Built-in DOLBY NR SystemF

A Dolby B Noise Reduction System is built in for audio recording in the longitudinal direction.

Successive shooting

Images can be shot successively within an accuracy of 0–o1 frame simply by pressing the VTR START button or the lens VTR button.

FDolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby” and the double-D symbol 0 are trademarks of Dolby Laboratories Licensing Corporation.

–8–

System Configuration

Microphone kit AJ-MC700P

1.5½ viewfinder AJ-VF10P/-VF15P

2.0½ viewfinder AJ-VF20WP

Microphone holder AJ-MH700P

Lens (Bayonet type) Fujinon/Canon

5w EVF mount adaptor AJ-QVF900

5w EVF AJ-VF53P

5w EVF mount adaptor AJ-YA711

Wireless microphone receiver WX-RA700

Camera/VTR AJ-D610WA

Shoulder belt

26P/12P output adaptor AJ-YA900P

Battery case SHAN-B220

Battery case AU-M402H

Battery case/ Battery holder

AC adaptor AJ-B75

VTR cable VTR

Multi connector cable SHAN-C12TCA

Panasonic Battery AU-BP220

Sony Battery NP-1 IDX Battery L-40 Panasonic Battery

AU-BP402

Anton Bauer Battery

Sony Battery BP-90 BP-L60/BP-L90

Battery charger AG-B425

5w EVF WV-VF65B/C

Rain cover SHAN-RC700

Soft carrying case AJ-SC900

Tripot mount adaptor (Accessory)

Extension control unit AQ-EC1

Carrying case AJ-HT900

Cassette tape ÁM size cassette tape

exclusively for DVCPRO

Setup memory card SHL-064HSRVS

Picture Link adaptor board AJ-YAP900

Cleaning tape AJ-CL12MP

–9–

Controls and Their Functions

Power Supply Section

eBattery holder

The battery pack (option) made by Anton Bauer is mounted onto this holder.

fDC IN (external power input) connector (XLR, 4P)

The AJ-B75 AC adaptor (option) is plugged into this socket when the unit is to be operated by AC power. An external battery is plugged in when an external battery is to be used to operate the unit.

gBREAKER (circuit breaker) button

In order to protect the equipment, the circuit breaker is tripped and the power is automatically turned off when an excessively high level of power flows inside. Upon completion of the internal inspection and adjustments, push this button back in. The power will come back on provided that there is no trouble inside the unit.

hPOWER switch

ON: Set to this position to turn on the unit’s power. OFF: Set to this position to turn off the unit’s power.

–10–

Accessory Mounting Section

iHook for mounting shoulder belt

Attach the accessory shoulder belt to this hook.

jLight shoe

Mount the video light, etc. onto this shoe.

kLens mount (bayonet type)

Mount the lens here.

lLens clamping lever

Insert the lens into the lens mount k, and turn the lens mount ring using this lever to clamp the lens.

mLens mount cap

Press up the lens clamping lever l to remove this cap. Keep the cap in place if the lens is not going to be mounted.

nLens cable clamp

This is for clamping the lens cable.

oTripod mount

When the unit is to be secured to a tripod, mount the accessory tripod attachment.

pLENS connector (12-pin)

Hook up the lens connecting cable to this connector. Consult with your dealer concerning the lens which you are going to use.

qShoulder pad

Adjust this pad to facilitate operation when carrying the unit on your shoulder. Its position can be brought forward or backward and adjusted by loosening the two set screws.

–11–

Controls and Their Functions

Audio Function Section (1)

rAUDIO LEVEL CH1 (audio channel 1 recording level) control

When the AUDIO SELECT CH1/CH2 switch u is set to MAN, the recording level of audio channel 1 can be adjusted by this control in addition to the AUDIO LEVEL CH1 control t on the side panel.

sMIC IN (microphone input) jack (XLR, 3-pin)

Connect an optional microphone to this jack. The power for the microphone is supplied from this jack.

t AUDIO LEVEL CH1/CH2 (audio channel 1/2 recording level) controls

When the AUDIO SELECT CH1/CH2 switch u is set to MAN, the audio level of audio channels 1 and 2 can be adjusted using these controls. However, the audio CH1 level can also be adjusted using the AUDIO LEVEL CH1 control r on the front panel.

uAUDIO SELECT CH1/CH2 switch (audio channel 1/2 auto/manual level adjustment selec-

tor) switch

This selects the method used to adjust the audio levels of audio channels 1 and 2.

AUTO: For adjusting the levels automatically. MAN: For adjusting the levels manually.

vAUDIO IN (audio input selector) switch

This selects the input signals to be recorded on audio channels 1 and 2.

FRONT [MIC]: The microphone input signals connected to the MIC IN jack s are recorded. REAR [MIC]: The microphone input signals connected to the AUDIO IN CH1/CH2 connec-

tors y are recorded.

REAR [LINE]: The line input signals connected to the AUDIO IN CH1/CH2 connectors y

are recorded.

wREAR MIC POWER switch

ON: The phantom power is supplied to the rear microphone. OFF: The phantom power is not supplied to the rear microphone.

xCUE switch

CH1: The audio CH1 signals are recorded on the cue track. 1/2: The signals of audio CH1 and CH2 are mixed together and recorded on the cue track. CH2: The audio CH2 signals are recorded on the cue track.

yAUDIO IN CH1/CH2 (audio input channel 1/2) connectors (XLR, 3P)

An audio component or microphone is connected here.

zAUDIO OUT connector (XLR, 3P)

This is connected to an audio component. The audio channels are coupled to the MONITOR SELECT switch  and switched in tandem.

{DC OUT (DC power output) connector

This is the DC 12 V output connector. A current of approximately 100 mA can be taken out.

–12–

Controls and Their Functions

| }

Audio Function Section (2)

|ALARM (warning tone volume) control

This adjusts the warning tone volume heard from the speaker ~ or the earphone connected to the PHONES jack ¡. When it is set to the lowest position, the warning tone is not audible. However, by making changes to the inside parts, the tone can be made audible even when the control is at its lowest position.

}MONITOR (volume) control

This adjusts the volume of the sound other than the warning tone—the sound from the speaker ~ or earphone ¡. When it is set to the lowest position, no sound is heard.



†

°

{

v w

Audio Function Section (3)

~Speaker

During recording, the EE sound can be monitored; during playback, the playback sound can be monitored. The warning tone is heard through the speaker in synchronization with the flashing or lighting of the warning lamp and warning display. The speaker sound is automatically muted when an earphone is connected to the PHONES jack ¡.

 MONITOR SELECT (audio channel selector) switch

This selects the audio channel whose sound is to be heard through the speaker ~ AUDIO OUT connector z, or earphone.

CH1: The audio channel 1 sound is output. 1/2: The sound produced by mixing the audio channel 1 and 2 sound or the stereo sound is

output. However, only the mixed sound is output from the speaker ~ and AUDIO OUT connector z.

CH2: The audio channel 2 sound is output.

MONITOR (sound selector) switch

This selects the sound of the earphone when 1/2 is selected with the MONITOR SELECT switch .

ST: The stereo sound of audio channels 1 and 2 is output. MIX: The mixed sound of audio channels 1 and 2 is output.

¡PHONES (earphone) jack (mini-jack)

When an earphone (option) is connected to this jack, the sound selected by the MONITOR switch  can be heard. The warning tones relating to the unit’s operation or status can also be heard. An earphone enabling a sufficiently high volume of sound to be heard is recommended. When the earphone is connected, speaker ~ sound is automatically muted.

–13–

Controls and Their Functions

¢

£

¶

§

•

©

(The viewfinder shown in the illustration is the AJ-VF10P.)

Shooting (Recording)/Playback Function Section (1)

¢ Viewfinder (optional accessory)

Black-and-white images can be seen in the viewfinder during recording and playback. Warnings and messages relating to the unit’s operating status and settings, zebra pattern, markers (safety zone marker, center marker), etc. can also be seen.

£PEAKING control

This is used to adjust the contours of the images inside the viewfinder to facilitate focusing. It does not affect the camera’s output signals.

⁄CONTRAST control

This is used to adjust the contrast of the screen inside the viewfinder. It does not affect the camera’s output signals.

¥BRIGHT control

This is used to adjust the brightness of the screen inside the viewfinder. It does not affect the camera’s output signals.

ƒZEBRA (zebra pattern) switch

This displays the zebra pattern inside the viewfinder.

ON: The zebra pattern is displayed. OFF: The zebra pattern is not displayed.

When the unit is shipped from the factory, the zebra pattern is set in such a way that those parts with an IRE video level from approx. 70% to 85% are displayed. The displaying of parts with a level ranging from 50% to 110% or more or with a certain level can also be set on the setting menu.

§Diopter control knob

This is adjusted in such a way that the images on the viewfinder screen are seen most clearly in accordance with the dioptric power of the camera’s operator.

¤Eye cup 'Viewfinder forward-backward/left-right position clamp lever

Loosen this lever to adjust the position of the viewfinder ¢ in the forward-backward or left-right direction.

“Eyecup forward-backward movement ring

Turn this ring to adjust the position of the eyecup ¤ in the forward-backward direction.

«Viewfinder stopper screw

To detach the viewfinder ¢ from the camera, loosen this screw and then detach the viewfinder.

–14–

Controls and Their Functions

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(The viewfinder shown in the illustration is the AJ-VF10P.)

Æ

Shooting (Recording)/Playback Function Section (2)

‹CC/ND FILTER (filter selector) knob

This selects the filter to match the light source which is illuminating the subject. If the setting of this knob is changed when the menu display mode has been set to “3” (default setting), the new setting will appear on the setting change message display area of the viewfinder screen.

È The knob and filter settings are

listed below.

FILTER

knob setting

1 3200 K 2 5600 Ko1/8ND 3 5600 K 4 5600 Ko1/64ND

›Synchro scan adjustment switches

These switches are used to adjust the synchro scan speed. Pressing the “p” switch reduces the shutter speed; pressing the “o” switch increases the shutter speed. Set these switches to a position where the side bar noise in the viewfinder is eliminated during personal computer monitor shooting, etc.

|Note{

When these switches are used for UB/TC/CTL settings while the SET position has been selected as the TCG switch position, they will not serve their function as synchro scan adjustment switches. The TCG switch must be set to F-RUN or R-RUN for these switches to serve their function.

ﬁ WHITE BAL (white balance memory selector) switch

PRST: Set to this position when there is no time to adjust the white balance. The white bal- A or B: When the AUTO W/B BAL switch – is pressed to the AWB side, the white balance

When the FILTER knob and the WHITE BAL switch are set to the same positions as the ones set when the adjustment was made, the adjustment value stored in the memory is called, and the unit is automatically adjusted to the white balance which corresponds to this value. If the setting of this switch is changed when the menu display mode has been set to “3” (default setting), the new setting will appear at the WHITE BAL switch display position on the viewfinder screen. (Example: “A”)

Description

ance value for 3200 K is stored in the memory. is automatically adjusted in accordance with the setting position of the filter knob ‹,

and the adjustment value is stored in memory A or memory B.

È Examples of filter settings to match

shooting conditions

Filter Shooting condition

1 Sunrise, sunset, inside a studio 2 Outdoors under a clear sky 3 Outdoors under a cloudy or rainy sky 4 Snow scenes, high mountains,

coastlines and other extremely clear and bright scenes

–15–

Controls and Their Functions

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Shooting (Recording)/Playback Function Section (3)

ﬂ OUTPUT (output signal selector)/AUTO KNEE switch

This switch selects the video signals which are to be output from the camera unit to the VTR unit, viewfinder and video monitor. The AUTO KNEE function can be used when the images shot by the camera have been selected.

È OUTPUT/AUTO KNEE switch setting positions

BARS Color bar signals are output. The AUTO KNEE circuit

CAM, AUTO KNEE OFF The images shot by the camera are output.

CAM, AUTO KNEE ON The images shot by the camera are output.

°GAIN (gain selector) switch

This is used to change the video amplifier’s gain in accordance with the lighting conditions during shooting. The gain values corresponding to the L, M and H settings are assigned beforehand on the setting menu. When the unit is shipped from the factory, these settings are: Lr0 dB, Mr9 dB and Hr18 dB. If the setting of this switch is changed when the display mode has been set to “3”, the new setting will appear at the gain display position on the viewfinder screen. (Example: “12 dB”)

–AUTO W/B BAL (white balance/black balance automatic adjustment) switch

AWB: Set to this position for automatically adjusting the white balance. When the WHITE BAL

switch ﬁ is now set to “A or B”, the adjusted value will be stored in memory A or memory B.

ABB: Set to this position for automatically adjusting the black balance. When this switch is

held down for at least 6 seconds at the ABB position, the auto black shading will be compensated automatically.

† SHUTTER switch

Set this to ON when using the electronic shutter. When it is pressed to the SEL side, the shutter speed and mode displays change in the ranges preset on the setting menu. If the setting of this switch is changed when the display mode has been set to “2” or “3”, the new setting will appear at the shutter display position on the viewfinder screen. (Example: “:1/250”, “:1/60.8”)

is not activated. Set the switch to this position in the following cases:

ÁWhen adjusting the video monitor ÁWhen recording color bar signals

The AUTO KNEE circuit is not activated. The default setting is “MANUAL KNEE”.

The AUTO KNEE circuit is activated.

1) AUTO KNEE function

When the level is adjusted to people, scenes, etc. for shooting against a very bright background, the background will be whited out and the buildings or scenes in the background will become blurred. If the AUTO KNEE function is activated in cases like these, the background can be reproduced in clear detail. This function is especially effective for shooting in the following conditions:

ÁWhen shooting people in shade under a clear sky ÁWhen simultaneously shooting people in vehicles or indoor and the outdoor scenery seen through the windows ÁWhen shooting scenes with a high contrast

–16–

Controls and Their Functions

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‡ECU REMOTE (remote control) connector (6-pin)

Connect the AQ-EC1 extension control unit (option) here.

|Note{

The POWER switches on unit and extension control unit must be set to OFF before the remote control cable is connected or disconnected.

·26-pin/12-pin output adaptor (See page 104 for mounting method.)

The 26-pin/12-pin output adaptor AJ-YA900P (option) is mounted on this section. When the portable VTR is connected as the external VTR, recording can be performed simultaneously with the unit’s built-in VTR. Furthermore, by connecting the SHAN-C12TCA multi-connector cable (optional accessory) to the 12-pin connector, it is possible to output the sound of audio channels 1 and 2 separately.

µVIDEO OUT connector (BNC)

This outputs the video signals (75° termination, rated level) to be monitored. During recording, EE images can be monitored; during playback, playback images can be monitored. While performing settings on the menu, the setting menu can be superimposed onto the shot images appearing on the monitor screen so that the settings can also be checked.

¶CAM OUT (camera output) connector (BNC)

This outputs the composite video signals (75° termination, rated level). When a video monitor is connected, the images shot by the camera can be monitored. Even while the VTR is playing back, the camera’s images are output at all times.

–17–

Controls and Their Functions

Shooting (Recording)/Playback Function Section (4)

• VTR START button

When this pressed, recording commences; when it is pressed again, recording stops. This button has the same function as the VTR button on the lens side.

‚VTR SAVE/STBY (tape protection) switch

This selects the power supply status while the VTR recording is temporarily stopped (REC PAUSE). SAVE: This is the tape protection mode. The cylinder is stopped in the half-loading status.

Compared with the STBY position, less power is consumed and the unit can be operated longer using the battery. It takes longer for recording to commence after the VTR START button • is pressed in the SAVE position than in the STBY position. When the switch is set to this position, the VTR SAVE lamp inside the viewfinder lights.

STBY: Recording commences immediately when the VTR START button is pressed.

|Note{

This unit will automatically go into SAVE mode when the designated time for standby (STBY) condition is exceeded. To return to standby mode, press the VTR SAVE/STBY switch once to select SAVE mode, then once again to return to STBY mode.

„MODE CHECK button

While this button is kept depressed, the camera’s setting status is displayed in the viewfinder. It does not affect the camera’s output signals.

”SUPER GAIN button (inside sliding cover)

The super gain mode is forcibly established when this button is pressed, and each time the button is pressed when all the super gain values have been set using “SUPER GAIN” on the MAIN menu 2 of 4 screen, the gain is switched by one level in the following sequence: 30 dB> 36 dB>OFF>30 dB, etc. However, the DTL and other menu settings cannot be performed.

»SUPER IRIS button (inside sliding cover)

This is used when backlight compensation (or the super black functionF When it is pressed, the switch settings are displayed inside the viewfinder for 3 seconds. When it is pressed again, backlight compensation (or the super black functionF

See Main Menu Screen 2 of 4 on page 126 for details on the super black function.

) is to be provided.

) is released.

Super gain: When 30 dB is allotted to the SUPER IRIS button, DTL and other menu settings cannot be performed for this

30 dB.

–18–

…MARK button

This is used when the Picture Link (Pix Link)F

function is to be used. Each time it is pressed M1

(MARK1), M2 (MARK2) or no display appears in the viewfinder.

Picture Link adaptor board (AJ-YAP900) is sold as an option.

‰EJECT (cassette eject) button

Press this to insert or eject the cassette.

¾REW (rewind) button

Press this to rewind the tape. Its lamp lights during rewinding. If this button is pressed during playback, the playback images are rewound at approximately quadruple speed while the button is held down.

¿FF (fast forward) button

Press this to fast forward the tape. Its lamp lights during fast forwarding. If this button is pressed during playback, the playback images are fast forwarded at approximately quadruple speed while the button is held down.

ÀPLAY/PAUSE button

Press this to view the playback images on the viewfinder screen or color video monitor. Its lamp lights during playback. If this button is pressed again during playback, playback is paused and the lamp goes off. After playback has been paused for 2 minutes, the unit automatically switches to stop status (STOP).

`STOP button

Press this to stop the tape travel.

´EMERGENCY screw (inside the rubber cap)

For details, refer to the “emergency eject” function (on page 149).

–19–

Controls and Their Functions

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Menu Operation Section

ˆSetup card insertion slot

The optional setup cards are inserted into this slot.

˜MENU SET/OFF switch

This displays the setting menu on the viewfinder screen through VIDEO OUT connector.

SET: The page on which the previous setting menu operations were completed appears on

OFF: The setting menu is not displayed on the viewfinder screen through VIDEO OUT con-

¯ SHIFT/ITEM button

Each time this button is pressed, the cursor moves on the setting menu page now displayed. Use it when selecting items.

|Note{

This switch functions differently depending on the operation item. Check the function by operating the menu item by item.

˘UP button

This is used to increment the setting of the item selected on the setting menu by 1 level each time it is pressed or to switch the setting between ON and OFF.

˙DOWN button

This is used to decrement the setting of the item selected on the setting menu by 1 level each time it is pressed or to switch the setting between ON and OFF.

¨PAGE button

This is used to select the setting menu page.

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the viewfinder screen. (When the menu is used for the first time, the first of the pages which can be displayed appears.)

nector.

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Time Code-Related Section (1)

ÉGENLOCK IN/(VIDEO IN) connector (BNC)

The reference signal is supplied to this connector when the camera section is to be subject to genlock operation or when the time code is to be locked externally. Also, the signal input to this jack can be displayed in the viewfinder as the return video signal. Refer to “RET Button” on page 106 for details.

–20–

Controls and Their Functions

˚TC IN connector (BNC):

The time code serving as the reference is input when the time code is locked to an external source.

¸ TC OUT connector (BNC):

Connect this to the time code TC IN connector on the external VTR when locking the external VTR’s time code to this unit’s time code.

Time Code-Related Section (2)

ÌHOLD button

The time data appearing on the counter display at the instant when this button is pressed is held. (The time code generator will still continue to run.) When the button is pressed again, the hold status is released. Use the button to ascertain the time at which a particular scene was shot, for example.

˝RESET button

This resets the time data on the counter display to “00:00:00:00”. When the TCG switch Ñ is set to SET and this button is pressed, the time code or user’s bit can be reset to “00:00:00:00” or “00 00 00 00”.

˛DISPLAY switch

The time code, CTL or user’s bit is made to appear on the counter display depending on the setting positions of this switch and the TCG switch Ñ.

UB: The user’s bit is displayed. TC: The time code is displayed. CTL: CTL is displayed.

ˇUP button, DOWN button

When setting the time code or user’s bit, these buttons increment or decrement by 1 the figure of the digit made to flash by the SHIFT/ITEM button —.

—SHIFT/ITEM (digit advance) button

When setting the time code or user’s bit, this button is used to cause the digit which is to be set to flash.

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–21–

Controls and Their Functions

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(The viewfinder shown in the illustration is the AJ-VF10P.)

Ñ TCG (time code selector) switch

This is used to set the running mode of the internal time code generator. F-RUN: This position is used when the time code is to be advanced continuously regardless of

the VTR’s operation. Set to this position when aligning the time code with the actual time or locking the time code to an external source.

SET: This position is used for setting the time code or user’s bit. R-RUN: This position is used when the time code is to be advanced only while recording is in

progress. The time code will be recorded continuously on a tape with a succession of unedited shots.

‘

Warning/Status Display Section

Ò Tally lamp

This is activated when the TALLY switch Ó is at HIGH or LOW, and it lights during recording by the VTR section. It flashes in the same way as the REC lamp inside the viewfinder to warn the operator. The brightness when lighted can be selected using the TALLY switch (HIGH or LOW).

Ó TALLY switch

This controls the tally lamp Ò.

HIGH: The tally lamp is made brighter. OFF: The tally lamp is extinguished. LOW: The tally lamp is made darker.

Ô Back tally lamp

This functions in the same way as the tally lamp Ò when the back tally switch Õ is set to ON.

Õ Back tally switch

This controls the back tally lamp Ô.

ON: The back tally lamp operates. OFF: The back tally lamp does not operate.

Ö WARNING lamp

This flashes or lights when trouble occurs in the VTR section.

× LIGHT switch

ON: This illuminates the display window Ø. OFF: This extinguishes the display window illumination.

Ø Display window

The warnings related to the VTR section, remaining battery level, sound level, time data, etc. are displayed in this window.

–22–

–23–

Power Supply

Using the Panasonic AU-BP402 Battery Pack

1 Detach the battery mounts.

2 Connect the unit’s connectors with the connectors of the AU-M402H battery case.

3 Mount the AU-M402H battery case.

Open the battery case cover and lift up the rubber cap to expose the screw holes. Tighten the screws with a screwdriver and mount the case to the unit. Be sure to tighten the screws completely.

|Notes{ ÁDo not pull strongly on the rubber cap. ÁTake care not to catch the connection cord between the battery case and the main unit.

–24–

Power Supply

4 Connect the battery pack plug to the connector inside the case and insert the battery pack.

|Note{

The unit’s power must be set to OFF before the plug is inserted or removed.

–25–

Power Supply

Using a Sony Battery Pack

1 Remove the battery mounts.

See page 24.

2 Mount the accessory battery mounting connector.

3 Mount the Sony battery holder.

Mount the battery case with the cover detached first, and then mount the detached cover as shown in the figure.

A Tighten the mounting screws. B Tighten the power supply contact screws. C Insert the top of the detached cover in the direction of the arrow. D Align the hole at the bottom (metal part) of the cover with the hole at the bottom of the case

and mount the cover to the battery mounting connector with the screw of the battery holder.

|Note{

Take care when attaching the battery holder that the wires are not pinched.

–26–

Power Supply

Using the Sony BP-90 Battery Pack

1 Mount the accessory battery mounting connector.

(See the preceding page.)

2 Mount the BP-90 battery case.

A Tighten the mounting screws. B Tichten the power supply contact screws. C Insert the top of the detached cover in the direction of the arrow. D Align the hole at the bottom (metal part) of the cover with the bottom of the case and mount

the cover to the battery mounting connector with the screw.

Using the Sony BP-L60/BP-L90 lithium-ion Battery Pack

1 Attach the supplied battery mounting terminals. 2 Attach the lithium-ion battery holder.

A As shown in the figure, remove the battery clamp, and attach the holder using the mount-

ing screws.

B Tighten the power supply contact screws. C Put the battery clamp back into place.

|Notes{ ÁThe unit’s power must be set to OFF before the plug is inserted or removed. ÁTake care when attaching the battery case/battery holder that the wires are not pinched.

Battery clamp

–27–

–28–

Checking and Selecting the Type of Battery

MODE CHECK button

To check the type of battery

HOLD button

MENU/ITEM switch

DOWN button

UP button

1 Press the MODE CHECK button.

While this button is held down, the type of battery is displayed in the remaining battery charge display area.

The type of battery is displayed here. NiCd12 NiCd13 NiCd14 IDX L-40 L-60 L-90 ANTON-D IDX-D

Display seen inside the viewfinder

To select the type of battery

1 When the MENU SET/OFF switch is set to SET while the HOLD button is pressed, the battery

selection menu appears on the screen.

2 Press the SHIFT/ITEM button, and move the arrow (cursor) to BATTERY SEL. 3 Press the UP or DOWN button to select the type of battery.

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L18O

GA I N

W D

GA I N

BATT ERY SE L|ECT

BABATT ERY SSEL

CO O

CO OR RBAL

0dB

9dB

dBHH

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NiC 12

SELEECT

The type of battery is displayed here. NiCd12 L-60

{

NiCd13 L-90 NiCd14 ANTON-D IDX L-40 IDX-D

Display seen inside the viewfinder

–29–

Mounting the Lens

Raise the lens clamping lever and remove the mount cap.

Lens Clamping Lever

Mount Cap

2 Align the indentation at the top center of the lens mount with the center mark of the lens and

mount the lens.

Mark

4 Press the cable into the cable clamp and connect it to the LENS connector.

LENS Connector

ÁSee the Handling Instructions provided with the lens for lens handling. |Note{

The lens and camera adjustments listed below may be necessary depending on the lens to be mounted.

1. Lens flange back adjustment

2. Lens auto iris adjustment

3. Lens white shading adjustment (with this unit)

–30–

Lower the lens clamping lever and clamp the lens.

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