Numark 200FX User Manual [it]

mkII PROFESSIONAL 19” MIXER

Quick Start Owner’s Manual

BOX CONTENTS

• MIXER

• POWER CABLE

Manual de inicio rápido para el usuario

(ESPAÑOL)

CONTENIDOS DE LA CAJA

• MEZCLADOR

• CABLE DE ALIMENTACIÓN

Schnellbedienungsanleitung (DEUTSCH)

SCHACHTELINHALT

• MISCHPULT

• STROMKABEL

Manuel d’utilisation du propriétaire

(FRANÇAIS)

CONTENU DE LA BOÎTE

• MIXER

• CÂBLE D’ALIMENTATION

Manuale rapido di utilizzazione

(ITALIANO)

CONTENUTO DELLA CONFEZIONE

• MIXER

• CAVO DI ALIMENTAZIONE

TO MIC

DUAL CD PLAYER

FROM

START

DJ MIC

TO PHONO 2

TO LINE

FADER

TO LINE

TO LINE

VARI-CUT

LOPASS

RATE

FILTERED

RATE

AUTOCUT

LR

AUTOPAN

FLANGER

FILTERS

OUTPUT

NORMAL

REMOTE MIXER

TO PHONO 3

CD PLAYER

DVD PLAYER

TO LINE

TO LINE

DJ HEADPHONE

TO LINE

OR

FROM RECORD

TO AMP

TO AMP

CD BURNER

or or

HOUSE AMP

TAPE DECK

BOOTH AMP

MIXER QUICK SETUP

1. Make sure all items listed on the front of
this guide are included in the box.

2. READ SAFETY INSTRUCTION BOOKLET
BEFORE USING THE PRODUCT.

3. Study this setup diagram.

4. Place mixer in an appropriate position for
operation.

5. Make sure all devices are turned off and all
faders and gain knobs are set to “zero”

6. Connect all stereo input sources as
indicated in the diagram.

7. Connect the stereo outputs to power
amplifier(s), tape decks, and/or other audio
sources.

8. Plug all devices into AC power.

9. Switch everything on in the following order.

• audio input sources (i.e. turntables or
CD players)

• mixer

• last, any amplifiers or output devices

10. When turning off, always reverse this
operation by,

• turning off amplifiers

• mixer

• last, any input devices

11. Go to http://www.numark.com for product
registration.

More information about this product may be
found at http://www.numark.com

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REAR CONNECTIONS

1. Phono Inputs: This input is used for
connecting your turntables through the
sensitive RIAA phono preamplifiers. Only
turntables with phono level output should be
attached. Line level turntables must be
attached to the line inputs.

2. GND: This screw connector should be used
to secure any turntables or other devices
connected to the mixer that need to be
grounded.

3. Line Inputs: CD players, Tape Decks,
Samplers or other line level input devices
should be connected to these inputs.

4. Microphone Input: Microphones with a ¼”
connector can be connected to these input
terminals.

5. Fader Start Connector: to attach your
mixer to a remote start equipped Numark CD
player using industry standard 1/8”(3.5mm)
cables.

6. Zone Output (RCA): This output is for
connecting an external monitoring device
such as a PA system, powered monitors or a
home stereo. The level of the zone stereo
output signal is controlled by the zone fader.

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7. Record Output: This RCA output is for
connecting a recording device such as a tape
deck or CD recorder. The level of the record
output is based upon pre-master levels.

8. Master Output (RCA): This output is for
connecting an external monitoring device
such as a PA system, powered monitors or a
home stereo. The level fo the mas ter stereo
out put signal is controlled by the master
fader.

9. Stereo Balanced Master Outputs (XLR):
low-impedance XLR type connectors
controlled by the Master fader.

10. AC In: This mixer is designed to work with
the power supply cord that comes with the
unit. While the power is switched off, plug
the power supply into the mixer first, then
plug it into the outlet.

11. Voltage Selector: Set this to the correct
voltage for your location standard.

12. Power Switch: Use this switch to turn on
the mixer after all input devices are already
connected to prevent damage to y o ur
equipment. Turn the mixer on before you
turn on amplifiers and turn of amplifiers
before you turn off the mixer.

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FRONT PANEL FEATURES

1. Power LED: Illuminates when the mixer is on.

2. Mic ON/OFF: Toggles activation of the DJ Mic.

3. Mic Gain: This knob adjusts the volume of the
microphone input.

4. Mic Bass: This knob adjusts the low-tone of the
microphone.

5. Mic Treble: This knob adjusts the high-tone of
the microphone.

6. XLR/¼” Combo Microphone Input Jack:
Connect your DJ mic at this location.

7. Channel Gain: This rotary control adjusts the
pre-fader input level.

8. Channel Treble: This rotary control adjusts the
high-tone level.

9. Channel Middle: This rotary control adjusts the
middle-tone level.

10. Channel Bass: This rotary control adjusts the
low-tone level.

11. Input Selector: This toggles select what input
source is routed to the channel from the rear
panel connected units.

12. Channel Fader: This slide fader is used to
adjust the level sent to program mix.

13. Cue Button: pressing this button sends post
gain, post EQ, and pre channel fader level audio
the PFL “Pre–fader level” section of the
headphone cue.

14. Headphone Volume: This rotary control
adjusts the volume level of the headphone
output.

15. Headphone Mix: Program level and PFL (CUE)
signal levels can be mixed by this slider. When
all the way left, audio heard will be determined
by Cue Button selections. When all the way
right final only (PGM) program mix audio will be
heard.

16. Split/Blend Button: When in the down
position, headphone audio will be split so mono
PFL audio is in the left ear and mono PGM audio
is in the right ear. When the button is up,
stereo PFL and PGM audio will be mixed
(blended).

17. Headphone Jack: Your headphones can be
connected to this ¼” terminal. The volume
should always be set at its lowest setting while
connecting and disconnecting headphones to
prevent damage to headphones and/or your
hearing.

18. Replaceable Crossfader: This slide fader
blends audio between the channels assigned to
the left and right assign switches.

Note: This fader is user replaceable if it should
ever wear out. Simply remove the facepanel and
then remove the screws holding it in position.
Replace the fader with a quality authorized
replacement from your local Numark retailer.

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19. Assign Knob: Rotary position determines
which input channel will be heard when the
crossfader is moved towards this knob.

Volume levels of channels not selected will be
determined only by the individual channel
sliders.

20. Fader Start: Activates the crossfader to send
play and cue digital pulse commands to your
auto-start Numark CD player or other popular
brand. For fader start, attach your mixer to a
remote start CD player using industry standard
1/8”(3.5mm) cables. When you move the
crossfader toward the active channel, the
attached CD player will start. When it is
moved away, that side will cue (similar to
pressing the cue button) or stop depending
upon brand of CD player.

21. Master Slider: This control adjusts the main
output volume using the PROGRAM audio as a
source.

22. Stereo/Mono toggle: Adjusts the Master
output for stereo or mono operation.

23. Panning: Adjusts the balance of right to left
audio in all outputs (Master, Record, Zone).

24. Meter Assign: Determines whether PFL or
post master level audio is sent to the stereo
LED meter.

25. Stereo Level Indicator: Quickly and
accurately tracks level of audio sent to it.
When using as a master output meter, set
the crossover, equalizer and power amp inputs
to avoid distortion at each step in the audio
chain. Proper attention to the peak meter
results in the punchiest possible sound without
audible distortion. When used to adjust the
PFL levels, PFL cue signal is sent to the meter
through the cue assign buttons. Accurately
match channel levels with the Pre-fader gain
and EQ controls before mixing them together.
The idea is to properly match PFL inputs
the input with the stereo output meter!

26. Booth/Zone Fader: Controls volume for a
remote zone or booth monitors using
PROGRAM audio as a source.

NOTE: This could also be used to supply line
level audio to a lighting controller or to lights
that are sound activated.

27. Effects ON/OFF: Toggles activation of Digital
Effects.

28. Blend Control Knob: Rotary position
determines amount of effect added to selected
channel(s).

29. Effects Assign Button: Determines what
channel(s) the effects are added to.

30. Effects Selector: Rotary position
determines what type of effect is assigned to
selected channel(s).

, not

HALL REVERB 1, 2: This is a simulation of a large concert hall. Halls tend to be large rooms with lots of
reflective surfaces, where sounds can swi m around, changing timbre over time. This is a classic reverb which
sounds good on just about anything. Try it on vocals, drums, acoustic, electric, or orchestral instruments. Set
the Blend Knob to: 60-80% WET.

ROOM REVERB 1, 2, 3: This program gives you the sound of a medium-size studio room. This algorithm uses
a lot of processing power for a rich sound and smooth decay. It has a punchier, bigger sound than a hall
reverb, which makes it good for rock and dance music. The attack is also more reflective. It sounds good on
drums, keyboards and guitars. Set the Blend Knob to: 60-80% WET.

PLATE REVERB 1, 2, 3: This is a simulation of a classic echo plate, a 4' by 8' suspended sheet of metal with
transducers at either end used to produce reverb. Popular in the 1970’s, it is still prized for its transparent
sound, particularly on vocals and guitars. It works well for a lush lead vocal, piano, or guitar, especially when
looking for a classic rock and roll sound. Set the Blend Knob t o: 60-80% WET.

STEREO: The stereo effect is achieved by sp litting the signal into four parts with a dry signal and a separate
detuning section for both left and right channels. The detuning is further effected by being modulated by an
LFO (low frequency oscillator) which causes the detuning to vary. Set the Blend Knob to: 100% WET.

FLANGER: Flanging is similar to chorusing , but modulates the delayed signal over a much shorter delay range
(typically 0-12 ms). This produces a jet airplane-like sound. In the case of the 200FX flan ger, the signal is split
into four parts with a stereo dry signal and a separate delay section for both left and right channels with one
channel flanging up while the other channel flanges down. Once again, this causes the effect to become more
pronounced and dramatic. Set the Blend Knob to: 80-100% WET.

ECHO 1, 2: These programs provide a delay or an echo effect. This is a useful utility feature which can add
space to vocals or instruments without "muddying up" a mix. Set the Blend Knob to: 40-80% WET.

CHORUS/REVERB: This multi-effects program is a layered true stereo chorus and room reverb. It works
great on guitars, synths and electric pianos. Set the Blend Knob to: 80-100% WET.

AUTOWAH: This program provides a guitar “wah” p edal effect. Set the Blend Knob to: 80-100% WET.
VOCAL CANCEL: Vocal processor that reduces vocals from stereo program material. Allows you to add your

own vocals to your favorite CDs, tapes, records, etc. Note: does not work on all recordings (such as mono
recordings or compressed MP3 files). Also, this effect won’t work properly when the mixer is set to MONO
mode. Set the Blend Knob to: 100% WET.

ROTARY PAN: The Rotary Pan effect emulates a rotating speaker. Set the Blend Knob to: 80-100% WET.

DIGITAL EFFECTS

HACIA MICRO

MICRO DE DJ

HACIA PHONOHACIA PHONO

HACIA LINEA

REPRODUCTOR DE CD

HACIA LINEA

HACIA LINEA

DESDE FADER START

HACIA LINEA

HACIA LINEA

HACIA LINEA

O

DESDE LA GRABADORA

A AMPERIOS

A AMPERIOS

REPRODUCTOR DE CD DUAL

VARI-CUT

LOPASS

RATE

FILTERED

RATE

AUTOCUT

LR

AUTOPAN

FLANGER

FILTERS

NORMAL

GRABADORA DE CD

O O

SEGUNDA SALIDA DEL MEZCLADOR

CINTA DE CASSETTE

REPRODUCTOR DE DVD

AURICULARES DE DJ

AMP LOCAL

AMP DE CABINA

MIXER QUICK SETUP (ESPAÑOL)

1. Asegúrese de que todos los artículos
incluidos al inicio de este manual están
incluidos en la caja.

2. LEA LAS INSTRUCCIONES DEL FOLLETO
DE SEGURIDAD ANTES DE UTILIZAR EL
PRODUCTO.

3. Estudie este diagrama de instalación.

4. Coloque el mezclador en una posición
adecuada para su funcionamiento.

5. Asegúrese de que todos los di spositivos
están apagados y de que todos los faders y
controles de ganancia están en posición
“zero”.

6. Conecte todas las fuentes de entrada al
estéreo como se indica en el diagrama.

7. Conecte las salidas del estéreo a los
amplificadores de alimentación, unidades
de cinta magnética y/o otras fuentes de
audio.

8. Enchufe todos los dispositivos a la toma de
corriente alterna.

9. Prenda todo en el siguiente orden:

• fuentes de entrada de audio (por ej.
giradiscos o reproductores de CD)

• mezclador

• por último, cualquier amplificador o

10. Al apagar, realice siempre esta operación al

11. Visite http://www.numark.com para

Para más información sobre este producto

dispositivo de salida

contrario,

• apague los amplificadores

• el mezclador

• por último, cualquier dispositivo de

entrada

registrar el producto.

visítenos en http://www.numark.com

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CONEXIONES TRASERAS

1. Entradas de Phono: Esta entrada se usa
para conectar sus giradiscos utilizando los
pre-amplificadores phono RIAA. Solo los
giradiscos con salida de nivel phono deben
ser conectados. Los giradiscos con nivel de
línea deben ser conectados a las entradas
de línea.

2. GND: Este conector de tornillo debe ser
usado para sujetar cualquier giradiscos u
otro dispositivo conectado al mezclador que
debe ser conectado a tierra.

3. Entradas de línea: Los Reproductores de
CD, unidades de cinta magnética, samplers
u otros dispositivos de entrada de nivel de
línea deben ser conectados a estas
entradas.

4. Entrada de micrófono: Los micrófonos
con un conector de ¼” pueden conectarse a
estas terminales de entrada.

5. Conector fader Start: Para conectar su
mezclador a un reproductor de CD Numark
con start remoto usando cables estándar de
1/8 (3.5mm).

6. Salida de grabación: Esta salida RCA es
para conectar un dispositivo de grabación
como una unidad de cinta magnética o
grabador de CD. El nivel de la salida de
registro se basa en los niveles de pre­master.

7. Salida de zona (RCA): Esta salida es para
conectar un dispositivo de monitorización
como un sistema de megafonía, monitores

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de potencia o un estéreo. El nivel de la
señal de salida de la zona de estéreo está
controlado por el zone fader.

8. Salida Master (RCA): Esta salida es para
conectar un dispositivo de monitorización
externo como un sistema de megafonía,
monitores de potencia o un estéreo. El
nivel de la señal de salida de la zona de
estéreo está controlado por el master
fader.

9. Salidas Master balanceadas de estéreo
(XLR): Conectores tipo XLR de baja
impedancia controlados por el Master fader.

10. AC In: Este mezclador está diseñado para
trabajar con el cable de suministro de
alimentación que acompaña a la unidad.
Mientras esté apagada la alimentación,
enchufe el suministro de al imentación al
mezclador primero y luego enchúfelo a la
toma de corriente.

11. Selector de voltaje: Regule este selector
al voltaje correcto para su estándar de
ubicación.

12. Interruptor de alimentación: Use este
conmutador para prender el mezclador
después que todos los dispositivos de
entrada hayan sido conectados para
prevenir daño a su equipo. Prenda el
mezclador antes de prender los
amplificadores y apague los amplificadores
antes de apagar el mezclador.

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