Novation Xiosynth 25 User Manual

FA0090-03

Introduction and Credits

Front Panel Features

Rear Panel Features

Synthesizing

Editing a Synth Patch

The Oscillators (OSCS) Section/Menu

The Pulse Width Menu

MIDI Controlling

Selecting/Using a Template

Editing a Template

Template Individual Edit ‘CC’ Menu

Template Individual Edit ‘NRPN’ Menu

Template Individual Edit ‘RPN’ Menu

The Mixer Menu

The Filters Section/Menu

The LFOs Section/Menu

The Envelopes (ENVS) Section/Menu

The X-Gator Section/Menu

The Arpeggiator Section/Menu

The Effects Section/Menu

The 2-D controls Menu (Xpression pad and stick)

The Aftertouch And Breath Menu

The Sync Menu

Global Menu in Synth Mode

Template Individual Edit ‘MMC’ Menu

Template Individual Edit ‘Note On/Off’ Menu

Template Individual Edit ‘Program Change’ Menu

Aftertouch Edit Menu

Template Common Edit Menu

Using the X/Y Touchpad

Using a Sustain Footswitch

Using the Octave Up/Down buttons

Saving/Naming a Template

Playing the Synthesizer in MIDI Controlling Mode – Hybrid Mode

Routing MIDI to and from the Synth

Saving a Synth Patch

Restoring a Synth Patch

Synth Levels

Onboar

d Pr

ograms

(Synth Patches)

Guide to the onboard Templates

Audio Recording and playback

GLOBAL Menu

PREVIEW Mode

Updating the Operating System

oubleshooting

Specifications

Introduction and Credits

hank you for purchasing the Xio. Before reading this User Guide, it is assumed that you have read the

etting Started Guide for the product and so have connected and powered up the keyboard and are aware

f the basics of operation. If not, please read the Getting Started Guide before continuing with this User Guide.

As the Xio is designed with mainly patch playing in mind and only limited patch tweaking, despite being able to create and edit patches to a great extent, the User Guide does not explain all areas of the synthesizer in great detail. For more information about synthesis and the various sections of a Novation synthesizer, consult the X-Station User Guide, available for download at www.novationmusic.com.

All of the onboard patches have been created by or in conjunction with artists and sound designers across the globe. Special thanks go to: Kelvin Russel, James Zabiela, Ferry Corsten, Rennie Pilgrem, Roots Manuva, Shimon, Skeewiff, Olly Burke, Oli Cash, Lars Henning, Matt Derbyshire, Rob Jones, Mick Gilbert, Ian Jannaway, Nick Dowell and Dave Hodder.

Front Panel Features

1. Octave Up/Down buttons – Transpose the keyboard up and down whole octaves when in Synth or

Controller mode. Also move the cursor left and right when naming Synth patches or Templates and using the X-Gator

2. Line Out and Phones Vol – control the level of the signal at the Line Outputs and Headphones Output on the Rear Panel, respectively

3. LCD Screen

4. PLAY button – changes between Synth and Controller modes

5. EDIT/COMPARE buttons – calls up EDIT Menus in MIDI Controlling mode. Also compares an edited

patch with saved settings in Synth mode

6. WRITE button – saves settings

7. GLOBAL button – calls up Global Menus (there are two of these in Synth mode)

8. Tmp/bank/page buttons – cycle through Templates in Controller mode and Banks in Synth mode.

Also move through different pages in Edit or Synth menus

9. Prog/data encoder – sends Program Change data (changes the onboard or software synth sound) in either PLAY mode (in Synth or MIDI controller mode). Also scrolls through options on each menu or Edit page

10. Menus/Audio button – pr

ess to select a Synth Menu with the buttons (lower LED will light) or pr

ess and hold to change Audio settings with the knobs (upper LED will light). In MIDI Controlling Mode, the Menus will be inactive, simply press once to change Audio settings with the knobs (upper LED will light)

11. Gr

oup A/B button – changes the function of the knobs in Synth Mode. Also cycles between Group A

knobs/buttons and Group B knobs/buttons in MIDI Controlling mode

12. 11 buttons – Edit Synth parameters, call up Synth Menus. Also fully assignable buttons in MIDI olling mode

Contr

13. 11 knobs – Edit Synth parameters. Also fully assignable knobs in MIDI Contr

olling mode

14. Effect Select buttons – select the effect to be edited in synth mode and access preview mode in

both synth and template mode

15. Keyboard

16. X/Y T

ouchpad – Controls Filter (or other parameters) in Synth mode. Also 4 fully assignable controllers

(2 on x-axis and 2 on y-axis) in MIDI Controlling mode

17. Pitch/mod Joystick – Controls pitch-bend and modulation in Synth mode. Also fully assignable joystick

in MIDI Contr

olling mode

Rear Panel Features

1 2 3 4 5 6 7 8 9

1. PSU input – powers the Xio externally (only required if not powering over USB or with batteries)

2. Power select switch – cycles between PSU/battery, Off and USB power

3. USB Connection – sends/receives Audio and MIDI data, and receives power

4. MIDI Out port – sends MIDI data to external hardware

5. Sustain Pedal Input

6. Headphones Output

7. Unbalanced Line Outputs

8. Unbalanced Line Input

9. XLR Input (mic) – with phantom power

Synthesizing

ynth mode is selected with alternate presses of the PLAY button and synth patches are selected using

he encoder to the right of the LCD screen, as detailed in the Getting Started Guide. Make sure that the

enus/Audio button has not been pressed if attempting to scroll to another sound, as the encoder is used

M to edit Synth or Audio Menu pages when either of the LEDs above the button are lit. The synth can then be played using the keyboard, joystick (pitch-bend/modulation) and Touchpad (filter frequency and resonance, or other parameters set in the 2-D controls Menu).

Editing a Synth Patch

Editing a Synth Patch can be done in a number of ways. The most popular synth parameters are accessed using the knobs and buttons, which are all labeled to show the parameters being adjusted. However, as there are only 11 of each, there is a button to change the function of the knobs. With the top LED illuminated, the knobs modify the upper row of parameters. Pressing the button to the left of the knobs will then change the knobs function to the lower row of parameters, as follows:

ress the Group A/B button to switch the function of the

nobs between the upper and lower row of parameters

With the lower LED lit, the bottom row of parameters is active

Furthermore, to access the whole host of other Synth parameters available for editing, a serious of different Menus can be activated. For example, the oscillator section also has Octave select, portamento control and so on. To access these, the Osc Menu needs to be activated. This is done by pressing the Menus/Audio button, so that the lower LED lights, and then pr

Once in Menus mode, press the button above osc (on the blue strip) to activate the Oscillators Menu

Press the Menus/Audio button to activate Menus mode (so that the bottom LED lights). Do not press and hold the button as this activates Audio mode

essing the button directly above ‘osc’ as follows:

If the Menus/Audio button is held for too long, making the upper LED light (activating the Audio parameters across the knobs), then simply press it again to cancel and then once more to make the lower LED light.

The Oscillators (OSCS) Section/Menu

The Xio has three oscillators, a Noise generator and a Ring modulator. The oscillators are selected using the ‘osc’ button and indicated by the corresponding LEDs. For example, with the 2nd LED lit, the remaining three controls will adjust Oscillator 2, as follows:

scillator Level when LED 1 is active and LFO 1

epth when LED 2 is active

scillator Detune (fine tuning) when

O LED 1 is active and Semitone (coarse tuning) when LED 2 is active

Press to select Oscillator 1, 2 or 3 (shown by corresponding LED)

The Waveforms available for each oscillator are four traditional waveforms:

SINE, TRIANGLE, SAWTOOTH, SQUARE/PULSE

ress to change the Oscillator

veform

Four Noise Types:

WHITE NOISE, HP NOISE, BP NOISE, HBP NOISE

And nine digitally sampled waveforms to help construct more traditional instruments or percussive sounds:

ORGAN, HARPSICHORD, ELECPIANO, SLAP BASS, RHOD PIANO, RHOD TINE, WHURLY EP, CLAVINET, ANA BASS.

emaining Oscillator contr

The r

ols are adjusted in the Oscillator Menu, accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘osc’. Once in the Oscillator Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

OSC Por

tamento –

sets the por

tamento (sliding between notes) of the Oscillators to a value between

0 and 127

OSC1ModEnv>Pitch – contr

ols how much the Oscillator 1 pitch is modulated by the Modulation Envelope – negative and positive values have opposite effects on the pitch (falling then rising and vice versa, respectively) – set between -64 and +63, where 0 has no effect

OSC2ModEnv>Pitch – controls how much the Oscillator 2 pitch is modulated by the Modulation Envelope (see above)

OSC3ModEnv>Pitch – controls how much the Oscillator 3 pitch is modulated by the Modulation Envelope (see above)

OSC Osc1 Octave – sets the octave of Oscillator 1 between -1 and +2

OSC Osc2 Octave – sets the octave of Oscillator 2 between -1 and +2

OSC Osc3 Octave – sets the octave of Oscillator 3 between -1 and +2

OSC Poly Mode – sets whether the synth plays monophonically or polyphonically. Choose from the

following options:

Mono – Monophonic (only one note heard at any time)

Mono AG – Monophonic with Auto Glide (automatic portamento when a note is pressed before

the previous one is released)

Poly 1 – Polyphonic 1 allows multiple notes to be played and will stack up repeated presses of the same note (getting louder and louder)

Poly 2 – Polyphonic 2 allows multiple notes to be played but does not stack up repeated presses of the same note

OSC Unison – allows multiple voices to be used for each note, e.g. pressing one key makes up to 8 voices (8 x the signal from the Oscillators) sound rather than just one

OSC Uni Detune – if using the previous Unison option, this page allows the voices to be detuned with respect to one another. Increase as desired

OSC Vco Drift – sets how much the Oscillators pitch drifts. A good way of emulating old analogue synths that went out of tune as they heated up

OSC Preglide – applies up to an octave pitch slide up (negative value) or down (positive value) to the note when a key is pressed. The time taken for the pitch slide is controlled by the OSC Portamento (first page of this Menu). 127 sets an obvious preglide but at 0 no preglilde will be heard

OSC Porta Mode – sets the type of portamento used. Linear portamento slides between pitches at an equal rate whereas with exponential, the rate of sweep decreases throughout the duration

OSC Start Phase – allows the precise start point of the oscillator waveform to be determined, useful if simulating more percussive or plucked sounds for example. Set to OFF, the start point will be random. Set at 1, the waveform will start at 0 degrees. Each increment will increase the start point by around 3 degrees

OSC 1>2 Sync – allows oscillator 1 and 2 to be synchronised, often creating piercing, metallic effects. If oscillator 2 has a higher frequency (pitch) then it will take the frequency of oscillator 1 but add interesting harmonics due to the repeatedly interrupted waveform

OSC 23 FM Level – increases the amount that oscillator 3 is Frequency Modulated by oscillator 2, making the sound more metallic

OSC 2>3 FM ADEnv – increases the amount that the Frequency Modulation (set in the previous option) is modulated by the AD Envelope (envelope 3 of the Xio – see the Envelopes section for details). This allows a sound with more interesting harmonics at the start to be created

OSC 2>3 FM Lfo1 – allows the FM set in the previous FM Level option to be modulated by LFO 1

OSC Fixed Note – sets a fixed note (the same pitch) to be played by every key on the Xio. A 0 setting has no

effect. 1-127 set the corresponding MIDI Note value

The remaining Oscillator controls can be found in the Pulse Width and Mixer Menus.

The Pulse Width Menu

The Pulse Width Menu allows the pulse width settings for the three oscillators to be set. This increases/decreases the amount of time the waveform spends in a high or low state, to change the sound of the waveform. The Pulse Width Menu is accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘pulse width’. Once in the Pulse Width Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

PW Osc1 Position – increases/decreases the pulse width of Oscillator 1

PW Osc1 Lfo2>PW – sets the amount that the pulse width of Oscillator 1 is modulated by LFO2

PW Osc1 ModEnv> – sets the amount that the pulse width of Oscillator 1 is modulated by the

Modulation Envelope

PW Osc2 Position – increases/decreases the pulse width of Oscillator 2

PW Osc2 Lfo2>PW – sets the amount that the pulse width of Oscillator 2 is modulated by LFO2

PW Osc2 ModEnv> – sets the amount that the pulse width of Oscillator 2 is modulated by the

Modulation Envelope

PW Osc3 Position – increases/decreases the pulse width of Oscillator 3

PW Osc3 Lfo2>PW – sets the amount that the pulse width of Oscillator 3 is modulated by LFO2

PW Osc3 ModEnv> – sets the amount that the pulse width of Oscillator 3 is modulated by the

Modulation Envelope

The Mixer Menu

The Mixer Menu contains the remaining controls for Oscillator levels and mixing. The menu is accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘mixer’. Once in the Mixer Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

MIX Output Level – sets the Level of the signal at the output of the Oscillators section

MIX Noise Level – sets the level of the Noise generator in the Oscillators section

MIX Ring12 Level – sets the amount of Ring Modulation between Oscillator 1 and 2. This multiplies the

two waveforms together to create a metallic (or bell-like) effect – the sound of the Daleks!

MIX Lfo1>Osc1 – sets the amount of modulation applied from LFO1 to Oscillator 1

MIX Lfo2>Osc1 – sets the amount of modulation applied from LFO2 to Oscillator 1

MIX Lfo2>Osc2 – sets the amount of modulation applied from LFO2 to Oscillator 2

MIX A/D Env>Osc3 – sets the amount of modulation applied from the AD Envelope to Oscillator 3

MIX Lfo1>Noise – sets the amount of modulation applied from LFO1 to the Noise Generator

Mix Lfo1>Ring12 – sets the amount of modulation applied from LFO1 to the Ring Modulator

MIX Noise Type – sets the Noise Type

WHITE – White Noise

HP – High-pass Noise

BP – Band-pass Noise

HP*BP – High-pass and band-pass (combined effect)

The Filters Section/Menu

The Filters section receives the signal from the Oscillators section (whether that be one oscillator or all three) and allows that signal to be shaped. The signal can be shaped by a High-pass (where low frequencies can be removed), Low-pass (where high frequencies can be removed) or Band-pass (where only a small band of frequencies remains) filter. To select the filter type, press the right hand button, and then adjust the filter using the remaining controls as follows:

ilter Resonance when LED 1 is active

nd Overdrive when LED 2 is active

Filter Frequency when LED 1 is active and Tracking

hen LED 2 is active

Press to switch between a

2dB and 24dB Filter Slope

Frequency – sets the cut-off frequency of the high/low-pass filter or the centre frequency of the band-pass filter

ilter Mod Env Depth when

ED 1 is active and LFO 2

epth when LED 2 is active

Press to switch the Filter

ype between Low-pass,

and-pass and High-pass

Tracking – sets the amount that the resonance of the filter follows the pitch of the key being pressed. At 0, the resonance will always have the same character

Resonance – sets the level of resonance (overtones/harmonics) of the filter. Increasing this value adds character to the sound

Overdrive – increases the filter Overdrive, making the sound richer and more distorted

Mod Env Depth – sets the amount that the Filter Frequency is modulated by the Modulation Envelope in

either direction. A level of 0 will have no effect

LFO2 Depth – sets the amount that the Filter Frequency is modulated by LFO2

The remaining Filter controls are adjusted in the Filter Menu, accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘filter’. Once in the Filter Menu, use the page up/down buttons next to the LCD scr

een to cycle thr

ough the following pages, using the data encoder to

change the settings for each page:

T Shape –

FIL

changes the shape of the Filter to incr

ease the amount of distortion and harmonics

FILT Velocity – sets how much velocity controls the Filter Frequency. A negative value makes the frequency

ease with increased velocity, whereas a positive value has the opposite effect. Increase the value in

decr either direction to increase the effect

FILT Q Normalise – sets the amount of resonance normalisation. At 0, the signal will remain at normal level when resonance is applied. Increasing the value, makes the signal level reduce in relation to the resonance

The LFOs Section/Menu

The LFOs (Low Frequency Oscillators) section allows the settings for either of the LFOs to be edited. LFO1 can be used to modulate the Oscillators and LFO2 the Filter. As there are two LFOs, there is a button for selecting which one is being controlled, indicated by the active corresponding LED. For example, with LED 2 active, the remaining controls modify the LFO as follows:

FO Speed when LED 1 is active and

elay when LED 2 is active

ress to switch between LFO 1 and 2

ress to select

he LFO waveform

Speed – sets the speed of the selected LFO

Delay – sets the delay of the selected LFO (the amount of time before the LFO starts). Useful for

applying vibrato

shown by corresponding LEDs)

(

The available waveforms are:

SINE, TRIANGLE, SAWTOOTH, SQUARE, RANDOM S/H (Sample and Hold), QUANT (Quantize) S/H, CROSSFADE, EXP (Exponential) DECAYS 1-3, ATTACK EXP 1-3, SUST EXPS 1-3, PIANO ENV 1-3, EXP UPDOWN, CHROMATIC, MAJOR MODES, MAJOR-7, PATTERNS 1-9

The CHROMATIC, MAJOR MODES and MAJOR-7 waveforms can be useful if used for LFO 1. This can be used to make an Oscillator play a scale by just holding down a key. If doing this, make sure the LFO1 Depth knob in the Oscillator section is set to + or – 30, so that the scale is in key.

emaining LFO contr

The r

ols are adjusted in the LFO Menu, accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘lfo’. Once in the LFO Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

LFO1 V

elocity –

sets the amount that velocity contr

ols LFO1. Setting a positive value makes LFO1 incr

ease

with velocity, whereas setting a negative value has the opposite effect. Increase the value to increase the effect

LFO1 MonoDelT

rig –

allows a dif

ferent LFO effect to be applied when in either Monophonic mode. For example, if wanting a delayed vibrato only on the first note of a musical phrase, set this to SGL (single). However, if wanting a delay on every note, set this to MLT (multi)

LFO1 Keysync – synchronises LFO1 to the keyboard. Set to ON, each key press will retrigger the LFO

LFO1 Init Phase – sets a different start point for the LFO waveform when the previous option (Keysync)

is set to ON

LFO1 Unipolar – sets whether the LFO modulates in a positive and negative direction (set to OFF) or just in a positive direction (set to ON)

LFO1 Common – allows the LFO applied to each of the eight voices to be phase locked, creating a more unnatural sound. Note that with this set to ON, the Keysync page will have no effect. Instead, the Synth Global Sync option in the Synth Global Menu will override it

LFO1 One-Shot – makes the LFO cycle through its waveform only once and then stop, when set to ON

LFO2 Velocity – sets the amount that velocity controls LFO2. Setting a positive value makes LFO2 increase

with velocity, whereas setting a negative value has the opposite effect. Increase the value to increase the effect

LFO2 MonoDelTrig – allows a different LFO effect to be applied when in either Monophonic mode. For example, if wanting a delayed vibrato only on the first note of a musical phrase, set this to SGL (single). However, if wanting a delay on every note, set this to MLT (multi)

…and the same as the remainder of options for LFO1.

The Envelopes (ENVS) Section/Menu

mp Attack with LED 1

ctive and Mod Attack

ith LED 2 active

hanges the Amp

nvelope Trigger (in

onophonic mode)

Changes the Mod Envelope Trigger (in Monophonic mode)

mp Decay with LED 1

ctive and Mod Decay

ith LED 2 active

mp Sustain with LED 1

ctive and Mod Sustain

ith LED 2 active

mp Release with LED 1

ctive and Mod Release

ith LED 2 active

hanges the A/D

nvelope Trigger (in

onophonic mode)

The Envelopes section allows the Amplitude, Modulation and A/D (Attack/Decay) Envelopes to be adjusted. The Amplitude Envelope is the level of the signal from the Oscillators section over time. The Modulation Envelope can be used to control three other area of the synth: Oscillator pitch, Oscillator pulse width and Filter frequency – each with individual settings in the respective sections or menus. The A/D Envelope can be used to modulate Oscillator 3 and control the FM amount. The options for AMP and MOD envelopes are as follows:

Attack – sets the amount of time taken for the envelope to reach maximum level

Decay – sets the amount of time taken for the envelope to fall to the sustain level after maximum level

has been reached

Sustain – sets the level when a note is held down after the decay period

Release – sets the amount of time taken for the level to decrease when a note is released

The three buttons can be used to set the Trigger of each envelope. This sets whether or not an envelope is triggered with every key press, and is only applicable when the Oscillator section is in Monophonic Mode (see the Oscillators section for details). For example, you may want the AMP envelope to only be triggered on the first note of a legato phrase (so the phrase gets progressively quieter) but the MOD envelope to be triggered on ever

y key pr

ess; in this case, the AMP ENV TRIG should be set to SGL (Single) and the MOD ENV TRIG to

MLT (Multi). Press each button to alternate between these states.

emaining Envelope controls are adjusted in the Envelopes Menu, accessed by pressing the

The r Menus/Audio button (so that the lower LED lights) followed by the button above ‘env’. Once in the Envelopes Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

ENV Amp Velocity – sets the amount that velocity effects the volume of the sound. Setting a negative value has the opposite effect (decreasing when pressed harder)

ENV Mod Velocity – sets the amount that velocity effects the level of the Modulation Envelope. Setting a negative value has the opposite effect (decreases when pressed harder)

ENV A/D Velocity – sets the amount that velocity effects the level of the A/D Envelope (Envelope 3). Setting a negative value has the opposite effect (decreasing when pressed harder)

ENV A/D Attack – sets the Attack time of the A/D (Attack/Decay) Envelope

ENV A/D Decay – sets the Decay time of the A/D (Attack/Decay) Envelope

The X-Gator Menu

The X-Gator is turned On and Off, as well as latched (by pressing and holding), using the button above X-GATOR as follows:

ress to turn the X-Gator On and Off, press and

old to latch the X-Gator

The X-Gator is a patch programmer that literally gates the synth sound over time to allow patterns to be created. These patterns are set in a 32-step sequencer in the X-Gator Menu, where the remaining X-Gator parameters can be edited. The X-Gator Menu is accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘x-gator/arp’. Pressing this button, alternates between the X-Gator and Arp Menus so make sur Menu. Once in the X-Gator Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

e you can see one of the pages below to ensure you are in the correct

Page 1 allows the X-Gator patter

n to be set:

Use the x-g buttons (also the Octave buttons) on the 6 to move the cursor through the 32 steps and the encoder to increase/decrease the level of each step.

XGATE Latch – sets the X-Gator Latch to ON or OFF

XGATE Mode – sets the mode of the X-Gator

MONO 16 – repeats the first 16 steps

MONO-ALT 1 – repeats all 32 steps

MONO-ALT 2 – plays the first 16 steps twice then plays the next 16 steps twice, then repeats

STEREO 16 – pans the first 16 steps (repeated)

ST-SWAP 1 – pans the first 16 steps in an alternating sequence - left then right etc. (repeated)

ST-SWAP 2 – pans the first 16 steps in a different alternating sequence (repeated)

XGATE Level – sets the level of the X-Gator

XGATE Edge – sets the edge of the X-Gator. Increase to soften and make the effect smoother

XGATE Decay – sets the decay time of each step. Below 64 shortens and above 64 lengthens

XGATE Delay – increases/decreases the amount of delay on the X-Gator

XGATE Keysync – synchronises the X-Gator start with each key press. Set to OFF to make the X-Gator run freely

The X-Gator tempo can be set in the Sync Menu (see the Sync Menu section for details).

The Arpeggiator Section/Menu

The Arpeggiator controls allow the Arpeggiator to be turned on and off, latched (by pressing and holding) and the speed to be set, as follows:

hange the Arp Speed when LED 2 is active

ress to turn the Arp On and Off,

ress and hold to latch the Arp

Note that the speed will be overridden by the Arp tempo set in the Sync Menu (see the Sync Menu section for details) if the Xio is synchronising to MIDI clock (received over USB). The Xio will synchronise automatically unless the MIDI Clock Sync option is changed in the Synth Global Menu (see the Synth Global Menu section for details).

The remaining Arpeggiator controls are adjusted in the Arpeggiator Menu. The Arpeggiator Menu is accessed by pressing the Menus/Audio button (so that the lower LED lights) followed by the button above ‘x-gator/arp’. Pressing this button, alternates between the X-Gator and Arp Menus so make sure you can see one of the pages below to ensure you are in the correct Menu. Once in the ArpMenu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

ARP Mode – sets the Arpeggiator pattern to various up and down combinations (UP, DOWN, UP-DOWN 1, UP-DOWN 2), as played (PLAYED), randomly (RANDOM) or a chord of any notes pressed (CHORD)

ARP Latch – turns the Arpeggiator latch ON and OFF. Setting to ON makes the Arpeggiator sustain after a note is pr

essed

ARP Octaves – sets the number of octaves that the arpeggiator spans across from 1 to 4

ARP Pattern – sets the Arpeggiator to play a rhythmic pattern. Choose between 32 options

ARP Pattern Vel – sets the velocity of notes within the Arpeggiator pattern to follow the velocity of notes

being played. Set to OFF to make the Arpeggiator pattern follow preset velocities

ARP Gate Time – sets the gate time (duration) of Arp notes. Set to a small value to make the notes more staccato. Increase to create a legato effect

ARP Keysync – synchronises the Arp to each note press

ARP Notes – allows the Arpeggiator MIDI data (Note On/Off messages) to be sent to a number of

destinations: INT (Internal Sound Engine), EXT (MIDI Output) or I+E (both)

The Effects Section/Menu

The Effects controls are used to apply any or all of the Effects (Delay, Reverb, Chorus/Phaser, Distortion, EQ/Vol and Panning) to the Synthesizer. The effect select buttons are also used to access the preview mode where it is possible to see the current value of any parameter without changing a parameter's value - see the preview mode section in this user guide.

Increase the Effect Level with LED 1 active

Press to select the Effect

shown by corresponding LED)

(

Delay – adds a delayed version of the signal (like an echo) a certain time after the original. This can be made to repeat many times if required (determined by the Feedback level)

Reverb – sets the amount of reverberant (reflected) sound to simulate an environment like a performance hall or small chamber

Chorus/Phaser – adds a repetition of the original signal with a variable delay to create the effect of multiple voices (hence chorus). The Phaser adds a repetition of the original signal with variable phase to create a swirling effect

Distortion – adds distortion (loud overtones) to the signal to create a heavier sound

EQ/Vol – increases/decreases the level of Low (as default), Mid or High (within the Menu) Frequencies.

Also sets the MIDI Volume (within the Menu)

Panning – allows the sound to bounce fr

om left to right. Incr

easing the level of this Effect increases the

amount of stereo panning (PAN Mod Depth)

The remaining parameters for each effect can be accessed in each of the Effects’ Menus. Note that there are 6 different Effects’ Menus, all accessed in the same way but dependent on what Effect LED is active on the Xio. For example, if wanting to edit the r

emaining parameters for Delay

, use the Effect Select buttons (shown above) to select Delay then press the Menus/Audio button (so that the lower LED lights) followed by the button above ‘effects’. Once in the Delay (Effects) Menu, use the page up/down buttons next to the LCD

een to cycle through the following pages, using the data encoder to change the settings for each page:

scr

DEL Delay Time – sets the length of the Delay

DEL Feedback – sets the amount of Feedback (the length of time for which the Delay continues)

DEL Stereo Width – sets the stereo width of the Delay

DEL L/R Ratio – sets the delay ratio between Left and Right channels

Whilst in the Effects Menu, you can move to another Effect simply by selecting it with the Effect Select buttons shown in the diagram above. For example, to access the Reverb parameters from the Delay Menu, press the downward Effect Select button so that the Reverb LED lights. Now, use the page up/down buttons next to the LCD screen to cycle through the following pages:

REV Type – sets the type of Reverb between: Chamber, S-Room (Small Room), L-Room (Large Room), S-Hall (Small Hall), L-Hall (Large Hall), G-Hall (Giant Hall)

REV Decay Time – sets the amount of time taken for the Reverb to decay

To view the Chorus parameters, press the downward Effect Select button once more so that the Chorus LED is active. Once in the Chorus (Effects) Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

CHOR Type – selects either CHORUS or PHASER mode

CHOR Mod Rate – sets the rate of Chorus modulation

CHOR Mod Depth – sets the amount of Chorus modulation

CHOR Centre Posn – shifts the centre point of the Chorus modulation between either extreme (dependent

on the previous Depth setting)

CHOR Feedback – sets the amount of Feedback. It is normally advisable to have low levels of feedback when in Chorus mode and higher levels in Phaser mode

CHOR Init Posn – sets the Chorus start point to Left, Right, Middle or Off (where there is no defined start point)

To view the Distortion parameters, press the downward Effect Select button once more so that the Distort LED is active. Once in the Distortion (Effects) Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

DIST Compensate – compensates for/decreases the level overload caused by the Distortion

DIST Output Lvl – compensation can cause the overall level to be low so this page allows the level to

be increased

To view the EQ/Vol parameters, press the downward Effect Select button once more so that the EQ/Vol LED is active. Once in the EQ/Vol (Effects) Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

EQ Mid – increases/decreases the level of Mid Frequencies

EQ Treble – increases/decreases the level of High Frequencies

MIDI Volume – sets the MIDI Volume from 0 to 127

To view the Panning parameters, press the downward Effect Select button once more so that the Panning LED is active. Once in the Panning (Effects) Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

PAN Position – sets the permanent pan position from fully left (-64) to fully right (+63)

PAN Mod Rate – sets the rate at which the signal oscillates between left and right extremes

PAN Init Posn – sets the start point of the signal to Left, Middle or Right. Setting to OFF makes the signal

begin in a random position, unless no panning modulation is occurring

Delay, Chorus and Panning effects can all be synchronised to MIDI clock from the sequencer (received over USB). This is set up in the Sync Menu (see the Sync Menu section for details).

The 2-D controls Menu (Xpression pad and stick)

The 2-D controls Menu allows the function of the Xpression pad and joystick to be edited. All preset synth patches have the Xpression pad set up on the filter frequency (x-axis) and resonance (y-axis) but this can be changed within this Menu. Similarly, the joystick horizontal function and vertical function can be set.

To access the 2-D controls Menu, press the Menus/Audio button (so that the lower LED lights) followed by the button above ‘pitch/mod/pad’. Once in the 2-D Controls Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

BW Osc1 Bend – sets the amount of pitch bend across the joystick (horizontal motion) for oscillator 1 between -12 and +12 semitones

BW Osc2 Bend – sets the amount of pitch bend across the joystick (horizontal motion) for oscillator 2 between -12 and +12 semitones

BW Osc3 Bend – sets the amount of pitch bend across the joystick (horizontal motion) for oscillator 3 between -12 and +12 semitones

MW Pitch Direct – increases/decreases the amount of Oscillator pitch variation in semitones when modulation (joystick vertical motion) is increased

MW Pitch Mod – sets the amount that modulation (joystick vertical motion) results in LFO1 modulating Oscillator pitch

MW Filter Freq – sets the amount that modulation (joystick vertical motion) affects the filter frequency. A negative value decreases the filter frequency as modulation is increased and a positive value increases it

MW Filter Freq Mod – sets the amount that modulation (joystick vertical motion) results in LFO2 modulating the filter fr

MW Output Level – allows modulation (joystick vertical motion) to control the overall output level. A positive value makes the volume increase with modulation and a negative value makes the volume decrease

MW Delay Level – allows modulation to contr increase the send level and a negative one will decrease it

MW Reverb Level – allows modulation to contr increase the send level and a negative one will decrease it

equency

ol the send level to the Delay ef

ol the send level to the Reverb effect. A positive value will

fect. A positive value will

MW Chor

increase the send level and a negative one will decrease it

MW Distort Level – allows modulation to control the send level to the Distortion effect. A positive value will increase the send level and a negative one will decrease it

us Level –

allows modulation to contr

ol the send level to the Chorus effect. A positive value will

Touchpad X Type – sets the Action of the Touchpad to: No Spring (value remains at the last contact point), Spring Left (value jumps to the extreme left value when contact with the pad is ended), Spring Centre (value jumps to the centre value when contact with the pad is ended)

Touchpad Y Type – sets the Action of the Touchpad to: No Spring (value remains at the last contact point), Spring Down (value jumps to the bottom value when contact with the pad is ended), Spring Centre (value jumps to the centre value when contact with the pad is ended)

Touchpad X Assign – sets the parameter controlled by the Touchpad x-axis between:

OFF – no control

BEND – pitch-bend

MOD - modulation

AFTERTOUCH - aftertouch

BREATH - breath

FILTER FREQ – filter frequency

FILTER RES – filter resonance

LFO1 RATE – speed of LFO1

LFO2 RATE – speed of LFO2

LFO2>FIL

Touchpad Y Assign – sets the parameter controlled by the Touchpad y-axis between the identical

parameters above

TF –

amount that LFO2 modulates the Filter Fr

equency

The Aftertouch And Breath Menu

This Menu allows the Aftertouch and Breath settings to be edited. Although the Xio keyboard does not have Aftertouch, it can be assigned to the Touchpad to allow effects to be created. The Breath settings determine how the Xio will respond to Breath (CC2) Messages, normally received from a MIDI wind instrument. Again, Breath can be assigned to either Touchpad axis and both Breath and Aftertouch messages can be received over USB.

To access the Aftertouch and Breath Menu, press the Menus/Audio button (so that the lower LED lights) followed by the button above ‘a’touch/breath’. Once in the Aftertouch and Breath Menu, use the page up/down buttons next to the LCD screen to cycle through the following pages, using the data encoder to change the settings for each page:

AT Pitch Direct – increases/decreases the amount of Oscillator pitch variation in semitones when aftertouch is applied

AT Pitch Mod – sets the amount that aftertouch results in LFO1 modulating Oscillator pitch

AT Filter Freq – sets the amount that aftertouch affects the filter frequency. A negative value decreases

the filter frequency as aftertouch is increased and a positive value increases it

AT Filter Freq Mod – sets the amount that aftertouch results in LFO2 modulating the filter frequency

AT Output Level – allows aftertouch to control the overall output level. A positive value makes the volume

increase with modulation and a negative value makes the volume decrease

BR Pitch Direct – increases/decreases the amount of Oscillator pitch variation in semitones when breath is applied

BR Pitch Mod – sets the amount that breath results in LFO1 modulating Oscillator pitch

…followed by the remaining options for Aftertouch.

+ 58 hidden pages

Novation Xiosynth 25 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual