Niles Audio SI-1230 User Manual

INSTALLATION & OPERATION GUIDE
B LENDING H IGH F IDELITY AND A RCHITECTURE
®
Systems Integration Amplifier
®
CONGRATULATIONS!
Thank you for purchasing the award winning Niles SI-1230, one of the most versatile and powerful multi-channel amplifiers ever offered. Like all Niles products, the SI-1230 is built to the highest standards of quality and reliability. With proper installation and operation, you'll enjoy years of trouble-free use.
Niles manufactures the industry's most complete line of custom installation compo­nents and accessories for audio/video systems. For a free full-line catalog write:
Niles, Catalog Request, P.O. Box 160818, Miami, Florida 33116-0818
TABLE OF CONTENTS
INTRODUCTION 2
FEATURES AND BENEFITS 3
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS 5
CONFIGURING YOUR SYSTEM 12
INSTALLATION CONSIDERATIONS 13
FRONT AND REAR PANELDETAILS 15
INSTALLA TION 1 9
OPERATION 25
TROUBLESHOOTING GUIDE 27
CONFIGURATION WORKSHEET 29
SPECIFICATIONS 30
1
CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT REMOVE COVER. NO USER-SERVICE­ABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equivalent triangle is intended to alert the user to the presence of important operating and maintnance (servicing) instructions in the literature accompaying the appliance.
INTRODUCTION
We call the SI-1230 a Systems Integration Amplifier because, for the first time, a power amplifier has been specifically designed to solve the problems of interfacing with dif­ferent brands and models of equipment, different acoustic environments in different rooms, and different kinds of applications: home theater, stereo, and background music. As you read this manual and become more familiar with the capabilities of the SI-1230 you’ll understand why its predeccesor, the SI-1200, was selected Best New Product 1994 by Sound & Video Contractor Magazine and CEDIA(Custom Electronic Design and Installation Association). In addition, the SI-1200 also won the Consumer Electronics Show’s Innovations ‘95 Design and Engineering Award.
INTRODUCTION
CEDIA
CUSTOM ELECTRONIC DESIGN& INSTALLATION ASSOCIATION
BEST NEW
PRODUCT
1994
CEDIA and Sound & Video Contractor
Magazine Best New Product 1994 Award
2
SI-1230
Systems Integration Amplifier
FEATURES AND BENEFITS
Real World Power
The SI-1230 is a 12-channel amplifier that delivers a solid 30 watts per channel RMS into 8 ohms and 37 watts per channel RMS into 4 ohms. The massive Multi­T ap Toroid power transformer features six independent secondary transformers for each of the six amplifier modules. As a result, the SI-1230 delivers twenty percent more power than its predecessor, the SI-1200. This extraordinary power supply design provides the energy necessary to deliver solid, deep, controlled bass response to a house full of speakers.
Twelve to Six Channel Configurable Power
Each of the SI-1230's six adjacent output pairs are bridgeable. You can create up to six 80 watt channels by sliding the bridging switches located between each pair to the "bridged" position. This enables you to allocate more power to specif­ic locations, such as large rooms or outdoor applications.
Freedom from Noise and Cross-Talk
The SI-1230’s Input/BusMatrix™PC board incorporates advanced construction ensuring extremely high channel to channel isolation. Signal to noise ratios and cross-talk are equivalent to a professional mixing board found in a recording studio. With the SI-1230 the music playing in the living room cannot interfere with the music in the den.
Transparent Sound
The audio circuitry of the SI-1230 is constructed with the finest parts available, including 1% metal film resistors, high quality capacitors and oversized heat sinks. All this attention to technical detail results in a sound that is clear and uncolored.
BusMatrixSelector
Our unique BusMatrix selector gives you the flexibility to assign each channel to a common Left, Right, or Mono signal bus, or to a dedicated signal input. With BusMatrix, routing surround sound to the master bedroom, stereo to the den and mono to the powder room is as simple as flicking a switch. BusMatrix makes the SI-1230 an ideal multi-room or multi-zone amplifier and offers exciting new features and system design possibilities to the professional installer.
FEATURES AND BENEFITS
3
Independent Level Controls
Each channel has its own independent level control enabling you to adjust the volume settings for twelve different speaker locations. Each speaker can be adjusted for its location and who uses it!
Turn-On Modes
The SI-1230 features three turn-on modes: 1. Manual turn-on via the front panel switch, 2. Audio Sense and 3. External Voltage trigger. Audio Sense and External Voltage trigger modes enable allow you to configure the SI-1230 to interface with any kind of system and turn on automatically.
Automatic Protection
Each channel has independent thermal and short circuit protection. In the unlike­ly event that a problem occurs on one channel, the other channels will continue to play. When conditions return to normal, regular operation resumes.
Status Display for Troubleshooting
LED's on the front panel indicate Power, Active andProtection Status. With a glance at the front panel a troubleshooter is quickly provided with key information!
Made in the USA.
Limited two year parts and labor Warranty.
FEATURES AND BENEFITS
4
System Design Basics –Assigning Rooms to Zones
You define a multi-room music system by how many listening zones it has. Within a listening zone you can only listen to one source (CD, radio, tape, etc.) at a time. A zone can consist of just one room or a group of rooms. To achieve different volumes and greater convenience in different rooms within a zone, indi­vidual volume controls can be used. Niles makes volume controls in various styles and colors. Consult your local Niles dealer for more information.
When designing your system, take into account who will use the system and when they will use it. For example, a family might wire their family room for surround sound and their living room for background music.
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
5
5 System Design Basics —Assigning Rooms
to Zones.
6 Advantages of using the SI-1230 in a Single
Zone System 7 Using Level Controls as Limiters 7 Bridging Channels for Areas That Require
More Volume and Power 8 Using Mono for Smoother Coverage
8 Adding More Than Two Surround
Sound Speakers
9 Creating a Low-Cost Second Zone Using
a Dedicated Source
10 Adding Preamps to Create More Listening
Zones
11 Surround Sound in Two Rooms
A Multi-Zone System allows different sources to be heard in each of the zones, simultane­ously.
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
CD PLAYER
TAPE PLAYER
VCR
TV
RECEIVER
FAMILY ROOM
LISTENING ZONE 1
RECEIVER
LIVING ROOM
LISTENING ZONE 2
A Single-Zone System allows only one source to be heard throughout the house at a given time. However, if the system is configured to be a Multi zone system it would offer the household more flexibility. In a two-zone system, the children could watch TV in surround sound while Mom and Dad read the paper and listen to music in the living room.
Advantages of using the SI-1230 in a Single Zone System
In order to connect multiple pairs of speakers to a single stereo amplifier, they must connect in parallel to offer the best sound quality and to allow the convenience of an individual room volume control. Because parallel connections of multiple speak­er pairs lower the overall impedance presented to an amplifier, damage may occur. An impedance matching device will allow amplifiers to safely play multiple pairs of speakers. However, the amount of power actually delivered to the speakers when all of the speakers are playing simultaneously is very low. Typically a 100 watt stereo amplifier with an impedance matching device will deliver about 5 watts to each speaker in a system comprised of six pairs of eight ohm speakers. By connecting an SI-1230 to the preamplifier outputs of your stereo receiver (or preamp) you dedicate a robust 30 watts to each speaker in your multi-room system. Since each channel has its own level control, you can compensate for architectural differences that cre­ate sonic imbalances. In addition, you can fine tune the system so that when all of the room volume controls are set to the loudest level, the large rooms and the small rooms play at the same volume.
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
6
A Single-Zone System allows only one source to be heard throughout the house at a given time.
CD PLAYER
FAMILY ROOM LIVING ROOM
TAPE PLAYER
RECEIVER
LISTENING ZONE 1
VCR
TV
7
Using Level Controls as Limiters
If your system is remote controlled, or if you think that some of the users like to play the stereo too loudly, you can choose to calibrate the system so that it is lim­ited to a volume level you assign. The SI-1230 allows you to set different volume levels for different rooms.
Calibrate your system volume levels with the steps outlined below:
1. Lower all of the SI-1 230 level controls to the minimum volume position. If there
are any other amplifiers in the system, lower their level controls to the mini­mum (all of the amplifiers in your system must have level controls).
2. Raise all of the individual in-wall volume controls to the loudest setting.
3. Play a loud radio station with the tuner set to Mono.
4. Raise the volume of your preamplifier or receiver slowly – if you hear any
sound, lower the volume again and recheck all of your amplifier levels, they
must be at minimum. If no sound is heard, proceed to step five.
5. Have someone step into each room and listen as you adjust each level control
to the desired maximum level for that room. Adjust the balance between
speakers for the most common listening position in each room.
Bridging Channels for Areas That Require More Volume and Power
There are several situations where bridging is an excellent way to improve the sound. Likewise, there are some applications that would seem to be appropriate but are not recommended. Plan to bridge channels to increase the power to 80 watts per channel when required. Here are some of the most common DO'S and DON’TS:
Surround Sound Systems (DO)– The dynamic demands for the center channel are much higher than the left, right or surround channels. This is an excellent application for two channels to be bridged into one 80 watt channel.
Outdoors (DO)– Sound dissipates faster outside than within a room where the walls enclose the sound and reflect it back to the listener. A pair of speakers play­ing into a large patio or yard will greatly benefit from bridging four channels into two 80 watt channels.
More than Two Speakers (DON’T)– In a large room or a long hallway, you will often find that the best way to get good background music is to install multiple pairs of speakers. You will actually deliver more power to four eight ohm speak­ers by using two unbridged channels than you would if you bridged four chan­nels into two. An unbridged channel is stable down to four ohms (two pair of eight ohm speakers), but a bridged channel is only useful with an eight ohm load.
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
8
Using Mono For Smoother Coverage
In a large or irregularly shaped room you will often discover that in a particular chair, all you can hear is one speaker. If the room’s speakers are connected to a stereo amplifier you hear only half the music. The solution would be to connect that room’s speakers to a monophonic amplifier. However, if you make one room mono with conventional systems, all of the other rooms in the system are mono as well. For the first time, the SI-1230's BusMatrix enables you to route mono to one speaker without affecting the quality of the stereo in the rest of the system. You can configure each room to stereo or mono with no ill effects. Some of the most popular areas where mono will greatly enhance the quality of the sound would be:
1. Large rooms with many seating areas and/or many pairs of speakers
2. Irregularly shaped rooms
3. Bathrooms with one speaker over the tub and one speaker over the sink(s)
4. Hallways or passageways (even those with multiple speakers)
5. Small rooms where only one speaker will physically fit
Adding More than Two Surround Sound Speakers
In a home theater, we try to reproduce the experience of a great movie theater in our homes. The biggest difference between a commercial theater and your home is the rear or surround speaker array. In a home with a single pair of speakers it is easy for the surround effects to sound like they are "in the middle of your head", just like headphones!
The best way to create a strong "surround" effect is to use multiple speakers. In large or unusually shaped rooms this might be the only way to achieve good sound. However, the built-in surround amplifier channels of a typical receiver will
not successfully power more than one pair of speakers. If your surround proces­sor or receiver has rear pre-outputs you can easily improve the surround effect with additional speakers and one or two channels of an SI-1230. The individual level controls of the SI-1230 allow six decibels of gain over the main and center amplifiers for easy calibration of a mix of brands/models of speakers.
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
Additional surround speakers fed by the SI-1230 greatly enhance the effectiveness of your surround sound system.
9
APPLICATIONS AND SYSTEM DESIGN CONSIDERATIONS
Creating a Low-Cost Second Zone Using A Dedicated Source
The biggest problem in a single zone system is that when the TV is in use in one room, you cannot listen to music in another room. For a listener who only listens to CD’s it is possible to create a low-cost second zone, allowing simultaneous CD listening while the rest of the system plays the TV (or any source). This is possible with the advent of CD players which have two audio outputs; one variable and controlled via remote control and one which is fixed. You connect the variable output of the CD player to the SI-1230 channels for a particular room where you are willing to listen only to CD’s. The fixed outputs remain connected to the main preamp or receiver so that you can listen to CD’s in the rest of the house. The crowning touch is a Niles remote control repeater system so that you can raise and lower the CD player’s volume from your CD listening room.
AM/FM TUNER
TAPE PLAYER CD PLAYER
AMPLIFIER
OR RECEIVER
ZONE 1 ZONE 2
AUDIO
SPLITTER
SI-1230
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