Table of Contents |
|
English ..................................................................................................................................................................................................................................................................................... |
3 |
Introduction ....................................................................................................................................................................................................................................................................... |
3 |
M-Audio O2 Features.................................................................................................................................................................................................................................................... |
3 |
What’s in the package?............................................................................................................................................................................................................................................... |
3 |
Power and Connection Via USB.............................................................................................................................................................................................................................. |
3 |
Windows XP and Mac OS X...................................................................................................................................................................................................................................... |
4 |
M-Audio O2 Features and Functions.................................................................................................................................................................................................................... |
4 |
Programming and Editing the M-Audio O2 ...................................................................................................................................................................................................... |
6 |
MIDI Messages Explained......................................................................................................................................................................................................................................... |
12 |
General Trouble-Shooting......................................................................................................................................................................................................................................... |
13 |
Contact M-Audio ........................................................................................................................................................................................................................................................... |
14 |
Warranty Terms & Registration............................................................................................................................................................................................................................... |
14 |
Technical Info................................................................................................................................................................................................................................................................... |
15 |
Appendices...................................................................................................................................................................................................................................................................... |
16 |
Français ................................................................................................................................................................................................................................................................................ |
23 |
Introduction ..................................................................................................................................................................................................................................................................... |
23 |
Fiche technique M-Audio O2 ................................................................................................................................................................................................................................... |
23 |
Contenu de la boîte..................................................................................................................................................................................................................................................... |
23 |
Alimentation et connexion via USB...................................................................................................................................................................................................................... |
23 |
Windows XP et Mac OS X........................................................................................................................................................................................................................................ |
24 |
Caractéristiques et fonctions du M-Audio O2................................................................................................................................................................................................. |
24 |
Programmation et édition du M-Audio O2....................................................................................................................................................................................................... |
26 |
Signification des messages MIDI ........................................................................................................................................................................................................................ |
32 |
Dépannage..................................................................................................................................................................................................................................................................... |
33 |
Contact M-Audio .......................................................................................................................................................................................................................................................... |
33 |
Garantie............................................................................................................................................................................................................................................................................ |
34 |
Spécifications ................................................................................................................................................................................................................................................................ |
34 |
Annexes............................................................................................................................................................................................................................................................................ |
35 |
Deutsch.................................................................................................................................................................................................................................................................................. |
43 |
Einführung........................................................................................................................................................................................................................................................................ |
43 |
M-Audio O2 Produktmerkmale.............................................................................................................................................................................................................................. |
43 |
Lieferumfang................................................................................................................................................................................................................................................................... |
43 |
Stromversorgung und Anschluss über USB.................................................................................................................................................................................................... |
43 |
Windows XP und Mac OSX..................................................................................................................................................................................................................................... |
44 |
M-Audio O2 Merkmale und Funktionen............................................................................................................................................................................................................. |
44 |
Programmieren und Bearbeiten mit O2 ............................................................................................................................................................................................................ |
46 |
MIDI-Befehle ................................................................................................................................................................................................................................................................... |
52 |
Allgemeine Fehlerbehebung.................................................................................................................................................................................................................................. |
53 |
Kontaktinformation...................................................................................................................................................................................................................................................... |
54 |
Produktgarantie ............................................................................................................................................................................................................................................................ |
54 |
Technische Informationen........................................................................................................................................................................................................................................ |
55 |
Español................................................................................................................................................................................................................................................................................... |
63 |
Introducción .................................................................................................................................................................................................................................................................... |
63 |
Prestaciones del M-Audio O2 ................................................................................................................................................................................................................................. |
63 |
¿Qué hay dentro de la caja? .................................................................................................................................................................................................................................. |
64 |
Alimentación y conexión a través del bus USB............................................................................................................................................................................................. |
64 |
Windows XP y Mac OS X.......................................................................................................................................................................................................................................... |
64 |
Prestaciones y funciones del M-Audio O2........................................................................................................................................................................................................ |
64 |
Programación y edición con el M-Audio O2.................................................................................................................................................................................................... |
67 |
Programación básica................................................................................................................................................................................................................................................. |
68 |
Descripción de los mensajes MIDI....................................................................................................................................................................................................................... |
73 |
Resolución de problemas ........................................................................................................................................................................................................................................ |
74 |
Contacte con M-Audio............................................................................................................................................................................................................................................... |
74 |
Información sobre la garantía............................................................................................................................................................................................................................... |
75 |
Información técnica..................................................................................................................................................................................................................................................... |
75 |
Apéndices........................................................................................................................................................................................................................................................................ |
76 |
Italiano .................................................................................................................................................................................................................................................................................. |
83 |
Introduzione.................................................................................................................................................................................................................................................................... |
83 |
Caratteristiche di M-Audio O2 ................................................................................................................................................................................................................................ |
83 |
Cosa c’è dentro la scatola?..................................................................................................................................................................................................................................... |
83 |
Alimentazione e connessione tramite USB..................................................................................................................................................................................................... |
83 |
Windows XP e Mac OSX........................................................................................................................................................................................................................................... |
84 |
Funzioni e caratteristiche della tastiera M-Audio O2 .................................................................................................................................................................................. |
84 |
Programmazione della M-Audio O2 ................................................................................................................................................................................................................... |
86 |
Spiegazione dei messaggi MIDI............................................................................................................................................................................................................................ |
91 |
Risoluzione dei problemi .......................................................................................................................................................................................................................................... |
92 |
Contattare M-Audio.................................................................................................................................................................................................................................................... |
93 |
Informazioni garanzia................................................................................................................................................................................................................................................ |
93 |
Informazioni tecniche................................................................................................................................................................................................................................................. |
93 |
Appendices..................................................................................................................................................................................................................................................................... |
94 |
................................................................................................................................................................................................................................................................................... |
103 |
......................................................................................................................................................................................................................................................................... |
103 |
M-Audio O2 ............................................................................................................................................................................................................................................... |
103 |
................................................................................................................................................................................................................................................ |
103 |
USB .................................................................................................................................................................................................................................... |
103 |
Windows XP Mac OS X........................................................................................................................................................................................................................... |
104 |
M-Audio O2 ................................................................................................................................................................................................................................ |
104 |
M-Audio O2 ............................................................................................................................................................................................ |
106 |
MIDI ...................................................................................................................................................................................................................................... |
112 |
......................................................................................................................................................................................................................................... |
113 |
.......................................................................................................................................................................................................................................................... |
114 |
..................................................................................................................................................................................................................................................... |
114 |
................................................................................................................................................................................................................................................................................... |
115 |
Congratulations on your purchase of M-Audio’s O2. The O2 follows in the footsteps of the mobile USB MIDI controller that started it all—the Oxygen8. Small enough to fit in a bag along with your laptop, the slim-line M-Audio O2 is perfect for throwing down bass lines, programming drum patterns, triggering effects and tweaking virtual studio parameters—anywhere, anytime.
You get 25 full-size, half-action, touch-sensitive keys, along with eight fully assignable knobs, 8 fully assignable buttons and other real-time control features for performance and programming. One simple USB connection serves as both a MIDI interface and bus-power source. Class compliancy with Windows XP and Mac OS X means that you can get down to business without even installing any drivers.
You can also expand on the functions of the O2 by downloading the Enigma software editor and librarian. For more information, see the Enigma Software Editor section of this manual or visit www.m-audio.com to register and download the free software.
Ports:
<MIDI OUT
<USB MIDI OUT/IN
Power:
<USB powered
<DC IN for external PSU
Keyboard:
<25-note velocity-sensitive keyboard
<9 velocity curves
Controls:
<8 programmable rotary dials
<1 programmable fader
<8 programmable buttons
<assignable button controls for pitch bend and modulation.
<MIDI-assignable foot switch
MIDI Data from controllers
<MIDI control number
<RPN/NRPN
<Program, Bank LSB, Bank MSB
<pitch bend
< GM/GM2/XG SysEx Messages
MIDI Data from buttons:
<Note on
<Note on/off Toggle
<MIDI CC on/off Toggle
<Program, Bank LSB, Bank MSB presets
<MIDI Machine Control functions
<GM/GM2/XG SysEx Messages
<MIDI CC increment/decrement
“On the fly” features:
<Program and Bank changes
<Snap Shot sends current status for all controllers
<Controller Mute mutes controller output to avoid parameter jumps
Other features:
<memory storage on your computer via SysEx
<free Enigma software to edit and store memories
<5 memory locations store all settings
<MIDI out from USB interface
Your M-Audio O2 package should contain the following items:
<O2 keyboard
<Driver CD
<Software Bundle CD
<USB Cable
You can power the keyboard via USB or an optional external power supply. Use only one method at a time.
1.Check that the on/off button on the back of the unit is set to “Off.”
2.Plug in the USB cable provided with the M-Audio O2 to a free USB port on your computer.
3.Plug in the other end of the USB cable to the USB input on the M-Audio O2.
The single USB cable not only powers the M-Audio O2 but also sends MIDI data to and from your computer system.
You can also use a power adapter (not included) with the following specification: 9V DC output, 250-300mA, center positive.
Verify that you are not powering the M-Audio O2 keyboard via USB, then simply plug in the power supply to the input labelled DC 9V and switch the power on.
Note: Do not leave the adapter plugged in for long periods of time if the unit is not in use.
3
If you are using Windows XP or Mac OS X, you may simply switch the power position to “on.” Because the M-Audio O2 keyboard is class compliant, it will work with out any further installation.
If the installation process has been completed successfully, please read through the following pages for a better understanding of the O2 and how it works.
Program Mode
This manual refers to “Program Mode.” Program Mode defines the state of the M-Audio O2 when the ADVANCED FUNCTION button is pressed.
In Program Mode, the keyboard of the M-Audio O2 is set up for selecting functions. The functions are listed above each key on the O2 keyboard. The second octave of the O2 keyboard is for numerical data entry while in Program Mode.
The Preset “+” and “-“ buttons can be used for increment or decrement changes in assigned value when in Program Mode.
When
If the M-Audio O2 is in Program Mode, a small dot will appear in the bottom right hand corner of the LED display.
Note that pressing the GLOBAL CHAN button will also engage Program Mode, since the numerical data entry keys are required to enter the new channel assignment. Also, the preset “+” and “-“ buttons can be used.
Exit Program Mode by pressing the ADVANCED FUNCTION button when you are finished with programming. The ENTER key must be pressed each time the numerical data entry keys are used to enter a value. Once the ENTER key has been pressed, Program Mode will exit.
Testing the M-Audio O2 with Your Software
We recommend that you verify that your software application is properly communicating with the M-Audio O2 keyboard. Most software applications have a MIDI IN indicator. To confirm data is being received, press any key on the keyboard.
If you encounter any issues or the software receives no data, please verify you selected the keyboard’s USB driver as the MIDI Input for your software. In addition, please read the troubleshooting section at the back of this manual and please consult the manual that came with your
software for proper configuration within the software application.
Recalling Presets
Press the Preset “+” and “-“ button to recall one of the preset memories. The LED will display the currently selected preset, preceded by a “p.” Press the button again to change the preset to the next one in the series.
The following is a list of the presets contained in the 5 memory locations.
<01 GM Preset
<02 Reason Native
<03 Reason Mixer
<04 Yamaha XG/Roland JV Preset
<05 Undefined CC’s for MIDI learn*
*Some Applications do not have any default settings and require you to set the MIDI controllers for the application’s parameters yourself. This normally involves placing the application in MIDI Learn Mode, clicking on a controller and moving the dial. With such an application, it is recommended that you use controller numbers that tend not to have any function associated with them. Ableton Live is an example of an
application that uses the MIDI Learn feature.
Saving and Organizing Presets
You may want to save and reorganize the order of Presets to suit your setup.
Note that the factory presets are stored in ROM within the keyboard and can be restored at any time.
For example, let’s move preset 2 (“Reason Native”) to location 4 by carrying out the following procedure:
1.Recall preset 2 by pressing the Preset “+” and “-“ buttons accordingly.
2.Press the ADVANCED FUNCTION button. The keyboard will enter Program Mode.
3.Press the STORE key on the keyboard.
4.Type in “4” using the numerical data entry keys.
5.Press the ENTER key to confirm.
This will save or store the current setup to preset location 4.
4
If you want to reset the M-Audio O2 to the factory defaults, hold down the Preset “+” and “-“ buttons while switching the keyboard on.
Note: Restoring the Factory presets will erase all setups you have programmed and stored to memory.
You can also organize and store your presets on your computer using the Enigma software. This software is available as a free download at www.m-audio.com. Simply register your M-Audio product and follow the instructions from there.
Sending a Snap Shot
Press the GLOBAL CHAN and MUTE buttons together to send a Snap Shot of the current controller assignments and their values.
Whe
Snap Shot is one way of synchronizing the receiving device with the faders and rotary controllers on your keyboard. The function can also be used as a creative tool, often with interesting and surprising results.
This function can also be used to set up the control parameters at the start of a song. If you set all the
controller values to obtain the desired effect levels in your song, you can then record the Snap Shot to ensure the song will always play back with the correct effect levels. To do this, put your sequencer into record mode and press the Snap Shot buttons.
Muting All Controllers
To Mute all rotary controllers and the fader, press the function button labelled MUTE.
This feature allows you to alter the position of the rotary controllers without affecting the settings of your
software. CTRL MUTE does not affect buttons, the foot switch or the keyboard. As soon as an assignable
button, a function key, or the keyboard is pressed, the controllers are turned back on. While Controller Mute
is engaged, the LED displays “Off”
Use this feature if you are switching between presets with the controllers out of position. You will be able to move the controller to a position relative to the software’s controller value, rather than causing the software’s controller value to jump.
Setting the Global MIDI Channel
The M-Audio O2 can transmit on any of the standard 16 MIDI channels. If you are using a computer-based system, the software usually controls the routing of MIDI signals.
If you are using a MIDI sound module or connecting to another piece of MIDI equipment, you will need to make sure that both your M-Audio O2 keyboard and the receiving unit are set to the same MIDI channel. The Global MIDI Channel affects the keyboard, Program, and Bank Changes, plus whatever controllers have been set to respond to the global setting.
To set the Global MIDI Channel:
1.Press the GLOBAL CHANNEL button. The keyboard enters Program Mode. The LED will display the currently selected Global Channel, preceded by a “c.”
2.Type in the MIDI channel number using the numeric keys or use the preset “+/-“ keys.
3.Press the ENTER key to accept the new channel, and exit Program Mode.
Octave
The keyboard can be shifted up or down to give you access to a total of 11 octaves on the M-Audio O2.
1.Press “OCTAVE +” for every octave you want to shift the keyboard up.
2.Press “OCTAVE -” for every octave you want to shift the keyboard down
Transpose
You can transpose the keyboard to change the key of the music you are playing without changing the key you are playing in.
1.Press “TRANSPOSE” (OCTAVE + and OCTAVE – together).
2.Press the OCTAVE + or - key for every semi tone you want to transpose up or down.
You may have learned to play a piece of music in the key of C. To now play it in F you would need to press “TRANSPOSE” followed by 5 presses on the OCTAVE + key or 7 presses on the OCTAVE - button.
Pitch Bend Control
The Pitch Bend is used to bend the notes played on the keyboard up or down. This allows phrases not normally associated with keyboard playing, such as guitar riffs, to be played.
Your sound source determines how far you can bend the note. It is typically set to 2 semitones but can be up to 2 octaves +/-. When you release the control, it will reset back to 0.
5
The Pitch Bend control on your M-Audio O2 keyboard is fully MIDI assignable. Please refer to the “Programming and Editing” section of this manual for more information.
Modulation Control
The Modulation control is used for modulation of the sound being played. This type of real-time controller was introduced on electronic keyboards to give the performer the option of adding vibrato to similar to acoustic instruments.
The Modulation control on your M-Audio O2 keyboard is fully MIDI assignable. Please refer to the “Programming and Editing” section of this manual for more information.
Foot Switch
Any polarity foot switch (not included) can be plugged in to the foot switch input on your M-Audio O2 keyboard. The keyboard will automatically detect the correct polarity upon powering on. If you want to reverse the polarity, make sure the pedal is pressed when you switch on your keyboard.
The foot switch is normally used for sustaining the sound you are playing without having to keep your hands on the keyboard. This is also the default function on your M-Audio O2 keyboard.
On the M-Audio O2, you can program the footswitch to send out MIDI notes that can trigger samples on different MIDI channels, without moving your hands from the keyboard. You can also send Program Changes any other MIDI message that can be sent from the 8 assignable MIDI buttons on your keyboard.
For more detail about how to program the foot switch, please read the “Programming and Editing” section of this manual.
MIDI Out
On the back of the keyboard is the MIDI output port that can connect to an external sound module or MIDI keyboard. By default, all controller data is sent out via the MIDI output as well as the USB out.
To have the MIDI output function like a USB-to-MIDI interface, engage “MIDI Out from USB” Mode by pressing the ADVANCED FUNCTION button and then the key on the keyboard labeled MIDI OUT.
For more information on “MIDI Out from USB” Mode, please read the “Programming and Editing” section of this manual.
Introduction to Programming Options
Each of the M-Audio O2’s controllers can send MIDI CC, RPN/NRPN, GM 1&2, and SysEx messages. They can also be assigned to individual MIDI channels.
MIDI CC (continuous controller) numbers are part of the standard MIDI specifications and are typically used to control the real-time changing o
Any of the real-time controllers on the keyboard can be assigned to a MIDI CC number; the 8 assignable buttons and pedal have slightly different options from the Fader or rotary controllers.
The 2 charts show the transmit messages that can be programmed for each of the 8 knobs, the fader, and assignable MIDI buttons.
Please pay extra attention to the differences between programming the faders or knobs and programming the buttons.
6
The Fader and Rotary
Knobs: MIDI CC |
Description |
Data 2 |
Data 3 |
|
|
|
|
0-119 |
Standard MIDI CCs |
Max |
Min |
120-127 |
Channel Mode Messages |
Max |
Min |
128 |
Pitch Bend Sensitivity |
- |
- |
129 |
Channel Fine Tune |
- |
- |
130 |
Channel Coarse Tune |
- |
- |
131 |
Channel Pressure |
- |
- |
132 |
RPN Coarse |
RPN LSB |
RPN MSB |
133 |
RPN Fine |
RPN LSB |
RPN MSB |
134 |
NRPN Coarse |
NRPN LSB |
NRPN MSB |
135 |
NRPN Fine |
NRPN LSB |
NRPN MSB |
136 |
Master Volume GM* |
- |
- |
137 |
Master Pan GM* |
- |
- |
138 |
Master Coarse Tune GM* |
- |
- |
139 |
Master Fine Tune GM* |
- |
- |
140 |
Chorus Mod Rate GM2* |
- |
- |
141 |
Chorus Mod Depth GM2* |
- |
- |
142 |
Feedback GM2* |
- |
- |
143 |
Send to Reverb GM2* |
- |
- |
144 |
Pitch Bend |
- |
- |
255 |
Controller Off*** |
- |
- |
The Buttons and Pedal:
MIDI CC |
Description |
Data 1 |
Data 2 |
Data 3 |
|
|
|
|
|
0-119 |
Standard MIDI CC’s |
- |
Toggle value 2 |
Toggle value 1 |
|
|
|
|
|
120-127 |
Channel Mode Messages |
- |
Toggle value 2 |
Toggle value 1 |
|
|
|
|
|
128 |
Pitch Bend Range |
- |
Sensitivity value |
- |
|
|
|
|
|
129 |
Channel Fine Tune |
- |
Tuning amount |
- |
|
|
|
|
|
130 |
Channel Coarse Tune |
- |
Tuning amount |
- |
|
|
|
|
|
131 |
Channel Pressure |
- |
Pressure amount |
- |
|
|
|
|
|
132 |
RPN Coarse |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
133 |
RPN Fine |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
134 |
NRPN Coarse |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
135 |
NRPN Fine |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
136 |
Master Volume GM* |
- |
Volume LSB |
Volume MSB |
|
|
|
|
|
137 |
Master Pan GM* |
- |
Pan LSB |
Pan MSB |
|
|
|
|
|
138 |
Master Coarse Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
139 |
Master Fine Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
140 |
Chorus Mod rate GM2* |
- |
Mod rate |
- |
|
|
|
|
|
141 |
Chorus Mod Depth GM2* |
- |
Mod depth |
- |
|
|
|
|
|
142 |
Feedback GM2* |
- |
Feedback level |
- |
|
|
|
|
|
143 |
Send to Reverb GM2* |
- |
Reverb send level |
- |
|
|
|
|
|
144 |
Pitch Bend |
- |
Pitch shift LSB |
Pitch shift MSB |
|
|
|
|
|
145 |
Program/Bank Preset |
Program |
Bank LSB |
Bank MSB |
|
|
|
|
|
146 |
MIDI CC (on/off) |
MIDI CC |
Button press value |
Button release value |
|
|
|
|
|
147 |
Note (on/off) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
148 |
Note (on/off toggle) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
149 |
MMC Command** |
- |
Command select. |
- |
|
|
|
|
|
150 |
Reverb Type GM2 * |
- |
Type |
- |
|
|
|
|
|
151 |
Reverb Time GM2 * |
- |
Time |
- |
|
|
|
|
|
152 |
Chorus Type GM2* |
- |
Type |
- |
|
|
|
|
|
153 |
MIDI CC Decrement |
MIDI CC |
Start value |
End value |
|
|
|
|
|
154 |
MIDI CC Increment |
MIDI CC |
Start value |
End value |
|
|
|
|
|
255 |
Controller Off*** |
- |
- |
- |
|
|
|
|
|
*General MIDI Sys Ex messages (for details please see page 12 & 13) **General MIDI 2 Sys Ex messages
*** MMC Sys Ex messages (for details please see page 7 & 13)
****This value cannot be typed in using the numerical data entry keys. Type in 144 and then press the preset + button to set this value.
7
Basic Programming Operations
To alter the assignment of one of the 02’s controllers:
1.Press the ADVANCED FUNCTION button. The keyboard will enter Program Mode.
2.Press the CTRL ASSIGN key on the keyboard.
3.Type in the new MIDI CC number using the numerical data entry keys. You should see the LED display show this number.
4.Press the ENTER key to confirm.
Move any of the rotary controllers to see the numbers in the LED display change and show the controller’s current value. The MIDI controller number that is assigned to the dial last turned is shown on the LED. The last turned dial is always the one selected for editing in Program Mode.
As you create custom setups, be sure you store your changes to a memory location before recalling any other setups.
Selecting a Controller for Editing
To assign a MIDI CC to one of the M-Audio O2’s controllers, it needs to be selected for editing.
1.Press the ADVANCED FUNCTION button, then the CTRL SEL key.
The LED will display the number of the currently selected controller, preceded by a “C,” or “F” if the controller is the fader.
2.Type in the number of the controller using the numerical data entry keys, or the preset +/- buttons.
3.Press the ENTER key to confirm. or
1.Move a rotary controller/fader.
Simply move the controller, assignable button, or pedal to select it for editing.
Assigning MIDI CCs
After the controller to edit is selected, change the assigned MIDI CC number in the following way:
1.Press the ADVANCED FUNCTION button, then the CTRL ASGN key. The LED will indicate the currently assigned MIDI CC number.
2.Type in a new MIDI CC value using the numerical data entry keys, or the preset +/- buttons.
3.Press the ENTER key to confirm.
Assigning an Individual MIDI Channel
1.Select the controller you wish to edit.
2.Press the ADVANCED FUNCTION button, then the CHAN ASGN key.
The LED will show the current channel assignment of the selected controller, preceded by a “c.”
3.Type the MIDI channel number the controller is to send on (0-16) using the numerical data entry keys or the preset +/- buttons.
4.Press the ENTER key to confirm.
If the controller is assigned to channel 0, it will transmit on the Global Channel.
Limiting the Range of the Controls
Normally, the range of a MIDI controller is 0 to 127. It is possible to limit the maximum and minimum in this range.
1.Press the ADVANCED FUNCTION button, followed by the DATA 2 (MIN) key. The LED will display the current Minimum limit of the controller.
2.Type in the Minimum desired value using the numerical data entry keys or the Preset +/- buttons.
3.Press the ENTER key to confirm.
Program Mode will exit and the controller’s CC assignment will be displayed on the LED.
4.Press the ADVANCED FUNCTION button, followed by the DATA 3 (MAX) key. The LED will display the current Maximum limit of the controller.
5.Type in the Maximum value using the numerical data entry keys or the Preset +/- buttons.
6.Press the ENTER key to confirm.
It is possible to limit the range of any rotary dial, the fader, or the Pitch bend and modulation controls. Buttons and the pedal can be set to decrement or increment between two limits. To do this:
1.Press the ADVANCED FUNCTION button, followed by the CTRL ASGN key.
2.Enter ’153’ for decrement or ’154’ for increment.
3.Press the ENTER key to confirm.
4.Press the ADVANCED FUNCTION button, followed by the DATA 1 key.
5.Enter the value of the MIDI CC you want the button to send out.
6.Press the ENTER key to confirm.
7.Enter the limits as described above.
8
Setting Toggle Values for the Buttons
The 8 assignable buttons and the pedal can each be assigned to toggle between two values.
This is how:
1.Press the ADVANCED FUNCTION button, followed by the DATA 2 (MIN) key.
2.Type in the Minimum desired toggle number using the numerical data entry keys or the Preset +/- buttons.
3.Press the ENTER key to confirm.
4.Press the ADVANCED FUNCTION button, followed by the DATA 3 (MAX) key.
5.Type in Maximum desired toggle number using the numerical data entry keys or the Preset +/- buttons.
6.Press the ENTER key to confirm.
If you want the button to send the same value every time, type in the same value both times.
The above method will toggle the button each time you press it. It is also possible to set the button to send one value when you press it, and another value when you release it. To do this:
1.Press the ADVANCED FUNCTION button, followed by the DATA 1 key.
2.Type in 146 using the numerical data entry keys.
This sets the button up for MIDI CC (On/Off) mode, as shown in Appendix B.
3.Press ENTER to confirm.
4.Assign the two toggle values for press (DATA 3) and release (DATA 2) as described above.
Program Changes
Send out a program change message to the sound card, sound module, instrument or other MIDI device that will receive this standard MIDI message. The program change will be sent on the global MIDI channel.
1.Press the ADVANCED FUNCTION button. The keyboard will enter Program Mode.
2.Press the PROGRAM key on the keyboard.
3.Type in the program number you wish to send, using the numerical data entry keys, or the
4.Preset +/- buttons.
5.Press the ENTER key to confirm.
The assignable buttons can be programmed to send out fixed program messages to individual MIDI channels. For further information regarding this method, please refer to the “MIDI Messages Explained” section of this manual
Bank Changes
If the receiving device has more than 128 programs, access the additional banks by sending out Bank Change LSB and MSB messages.
1.Press the ADVANCED FUNCTION button. The keyboard will enter Program Mode.
2.Press the BANK LSB or BANK MSB key on the keyboard.
3.Type in the bank number you wish to send, using the numerical data entry keys, or the Preset +/- buttons.
4.Press the ENTER key to confirm.
Please check the documentation for your receiving device to ensure that it will respond to these messages.
For more information about LSB and MSB, please refer to the “MIDI Messages Explained” section of this manual.
RPN/NRPN, GM 1&2, Sys Ex and Other Messages
The standard MIDI controller numbers range from 0 to 131. The list of MIDI CC's that can be assigned to the controllers of the keyboard has been extended to include RPN/NRPN, MMC, and General MIDI 1&2 Sys Ex messages.
These advanced messages are as easily programmed by entering values 132 to154 when programming MIDI CCs. The charts in Appendix B show which number corresponds to each message.
To program the values required for these advanced messages, press the ADVANCED FUNCTION button to enter Program Mode. After entering Program Mode, press the DATA 1, DATA 2 or DATA 3 button. For more information, please refer to Appendix B.
9
Assigning MMC Control to a Button
1.Select the button you want to control the MMC message.
2.Press the ADVANCED FUNCTION button, then the CTRL ASGN key.
3.Type in “149” using the numerical data entry keys.
This is the number that corresponds to the MMC instruction, as per the chart in Appendix B.
4.Press the ADVANCED FUNCTION button, then the CHAN key.
5.Type in “127” using the numerical keypad.
This ensures that the message is sent to all device ID numbers. For more information about this, please read “the About Sys Ex Messages & Device ID” section later in the manual.
6.Press the ADVANCED FUNCTION button, then the DATA 2 key.
7.Enter a number from the chart below to select the MMC message you want:
Number |
MMC Command |
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01 |
STOP |
02 |
PLAY |
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03 |
DEFERRED PLAY |
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04 |
FAST FORWARD |
05 |
REWIND |
06 |
RECORD STROBE |
07 |
RECORD EXIT |
08 |
RECORD PAUSE |
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|
09 |
PAUSE |
10 |
EJECT |
11 |
CHASE |
12COMMAND ERROR RESET
13MMC RESET
Assigning RPN/NRPN to a Fader/Rotary Controller
Note: For a detailed description of RPN/NRPN data, see the “RPN/NRPNs Explained” section later in the manual.
1.Select the controller to assign as described earlier.
2.Press the ADVANCED FUNCTION button, then the CTRL ASGN key.
While the display is flashing, enter controller 132 for RPN Coarse, 133 for RPN Fine, 134 for NRPN Coarse or 135 for NRPN Fine using the numerical data entry keys or Preset +/- buttons.
3.Press Enter to confirm the number entered.
4.Press the ADVANCED FUNCTION button, then the DATA 3 key. This assigns the number for the RPN/NRPN MSB.
5.Press the ADVANCED FUNCTION button, then the DATA 2 key. This assigns the number for the RPN/NRPN LSB.
6.Finally, set the channel that the message should be sent on.
Many data sheets for synths make use of NRPN messages and will give the MSB and LSB values that
should be entered for DATA 3 and DATA 2 (See Appendix F). Some manuals may only give the hex values, but the M-Audio O2 requires the decimal value be entered. Convert hexadecimal values to decimal values using the windows calculator; select Scientific mode, select Hex, then enter the hexadecimal value needed to convert. Press the Dec button to convert it to a decimal value. Please reference Appendix C for more information.
10
Assigning a Note to a Button
The following shows the procedure for setting a button to transmit a MIDI Note On message when pressed, and a MIDI Note Off message when released.
1.Press the ADVANCED FUNCTION button, then the CTRL ASGN key.
2.Enter “147” using the numerical data entry keys or the preset +/- buttons.
3.Press the ENTER key to confirm.
This is the MIDI CC number that corresponds to Note On/Off mode, shown in Appendix B.
4.Press the ADVANCED FUNCTION button, then the DATA 3 key.
5.Enter “100” using the numerical data entry keys or the Preset +/- buttons.
6.Press the ENTER key to confirm.
When a button is pressed, a Note On message is sent out with a velocity of 100.
7.Press the ADVANCED FUNCTION button, then the DATA 2 key.
8.Enter “0” using the numerical data entry keys or the Preset +/- buttons.
9.Press the ENTER KEY to confirm.
When a button is released, a Note Off message will be sent out.
10.Press the ADVANCED FUNCTION button, then the DATA 1 key.
11.Enter “64” using the numerical data entry keys or the Preset +/- buttons.
12.Press the ENTER key to confirm.
These assignments will send out MIDI Note 64 or E4 each time the button is pressed.
The MIDI Note numbers are given in Appendix D.
Note: When you press the button in Note Mode, the LED display will briefly show the note velocity.
About SysEx Messages and Device ID
When transmitting SysEx messages, the individual control channel number does not define a transmit channel, but a Device ID. When the CHAN key is pressed, the “c” is NOT displayed in the LED screen.
Device IDs range between 00–127. In most cases, the Device ID should be set at 127. This means that the SysEx message will be received by all devices.
The Device ID for a SysEx message assigned to a controller cannot be changed using the
DEV ID key. This key is used for varying the global Device ID of the M-Audio O2.
For more information please reference the “SysEx Messages” and “Device ID” sections later in the manual.
Non-Volatile Memory
The M-Audio O2 uses non-volatile memory, allowing the memory to save after powering down and restarting. The current controller and channel assignments are stored whether you have stored the setup to a memory location or not. The Program, Bank LSB and Bank MSB data,
global channel setting, MIDI Out from USB setting and last used memory preset are also stored.
Memory Dump
Press the ADVANCED FUNCTION, then MEM DUMP key to send out a number of SysEx data packets that represent the 5 memories set up in the M-Audio O2. This can be used for storing or backing up the contents of the memory presets externally.
It is possible to record the complete Memory Dump to a standard sequencer. Recall the Memory Dump by
playing the MIDI track containing the recorded Memory Dump, making sure that the M-Audio O2’s drivers are selected as output for that particular track.
The current controller assignments are not affected by a Memory Dump, or a memory send to the keyboard. Recall a preset to access the new memory settings after a memory dump has been sent to the keyboard.
Assigning the Device ID
Press the ADVANCED FUNCTION, then DEV ID key to assign a Device ID to the M-Audio O2. The default Device ID is 127 when a memory dump is performed; that dump can be received by the same keyboard model regardless of the Device ID setting.
If a Device ID is assigned to any number other than 127, the Memory Dump performed will be specific to the
M-Audio O2, with the same device ID. If the Device ID of the M-Audio O2 differs from the one recorded with the Memory Dump, the data will be ignored.
The Device ID is a way of differentiating between multiple keyboards. It is recommended to keep the Device ID setting as 127.
When the DEV ID key is pressed, the LED display represents the assigned Device ID. It is possible to enter a new device ID using the numerical data entry keys, or the Preset +/- buttons. Press the ENTER key to confirm.
For more information on Sys Ex messages and device ID, please reference the “MIDI Messages Explained” section of this manual.
11
MIDI Out from USB Mode
MIDI Out from USB Mode allows use of the M-Audio O2 as a USB-to-MIDI interface. When MIDI Out from USB Mode is engaged, data transmitted from the MIDI Out port of the O2 is received at the USB port. If MIDI Out from USB is active and the M-Audio O2 is selected as the USB output device in your software, all data from the software is passed to the MIDI Out port of the O2.
To activate MIDI Out from USB Mode:
1.Press the ADVANCED FUNCTION button.
2.Press the MIDI OUT key.
The LED display will show “USB,” indicating that the MIDI Out port is now set to transmit data from the USB port. Program Mode will automatically cancel.
When MIDI Out from USB Mode is NOT active, the MIDI Out port will mirror the data that is sent via USB from the M-Audio O2 controller. To disengage MIDI Out from USB Mode:
1.Press the ADVANCED FUNCTION button.
2.Press the MIDI OUT key.
The LED display will show ‘Int’. This indicates that the M-Audio O2 keyboard is transmitting data from the keys and controllers of the M-Audio O2.
Resetting to the Factory Default Setting
To reset the M-Audio O2 back to the factory defaults, switch off the O2. Then, with the unit off, hold down the Preset +/- buttons and turn the unit on.
Note: Restoring the factory presets will erase all setups you have stored to memory.
Program and Bank Changes Explained
The original GM MIDI specification allowed for only 128 voices, numbered from 0-127. It is possible to access a different voice by sending a Program Change.
In order to expand on the GM set of voices, Bank Changes were devised. Each bank contains 128 patches that can be accessed using a Program Change. There are 16,384 available banks that can be accessed by sending a 14-bit Bank Change message. The first 7 bits of this message are sent in a single byte known as the Bank LSB. The last 7 bits are specified by another byte known as the Bank MSB. The BANK LSB is the most commonly used. This allows for 128 Bank Changes, and often there is no need to send a Bank MSB.
Almost all MIDI devices respond to the Program Change, but some that do not conform to the GM set of voices use the Program Change message for other purposes. Many VST instruments have adopted this approach, allowing the use of a Program Change to change the instrument patch. (The FM7 by Native Instruments is an example of this.)
Bank Changes are used more rarely. Bank Changes are useful in manufacturer's extensions to the MIDI specification, such as Roland's GS specification and Yamaha's XG specification. Both of these require the specification of a Bank Change in order to access the extra voices and effects that these specifications provide.
Sending Program, Bank LSB and Bank MSB data is done via the M-Audio O2. Simply press the ADVANCED FUNCTION button followed by the PROGRAM, DATA LSB or DATA MSB key, then enter the Program or Bank Change desired.
RPN/NRPNs Explained
Non-registered parameter numbers (NRPN’s) are device-specific messages that enable the control of synths via MIDI. The MIDI specification defines parameter numbers to allow room for manufacturers to specify their own controllers. The more common of these have been registered by the MIDI Manufacturer’s Association and are part of the MIDI specification (hence the term Registered Parameter Numbers
– RPN’s). (See Appendix F for additional information.)
MIDI controllers 98 and 99 represent the NRPN LSB and MSB respectively, while 100 and 101 represent the RPN LSB and MSB. This can be seen in the MIDI controllers list in Appendix D. To transmit an NRPN/RPN, these two controller messages are sent along with their user-specified values. An additional controller message and value needs to be sent to specify the (coarse or fine) value adjustment. This is specified by controller number 6 (Data Entry) for coarse adjustments or number 38 for fine adjustments.
Devices that receive NRPN messages will list NRPNs in the User Manual. It is essential that the NRPN MSB and LSB messages are sent together. Both will be specified in the device’s manual, but oftentimes only in Hexadecimal format. If this is the case, you may refer to Appendix C for help translating the value to Decimal.
The M-Audio O2 keyboard greatly simplifies the process of transmitting NRPNs. Enter the appropriate NRPN LSB by pressing the LSB/DATA button twice, enter the NRPN MSB by pressing the MSB/DATA button twice, and as the controller is moved, an appropriate NRPN message will be sent out. Assign NRPN Coarse to make big sweeps, or NRPN Fine to make slight adjustments.
12
SysEx Explained
System Exclusive (SysEx) messages were defined in the MIDI specification to allow individual devices to have individual control via MIDI. The format of SysEx messages allows for virtually any function to be performed via MIDI—so long as the receiving device is able to translate the message and act accordingly. This allows devices to send audio sample memory data, memory dumps, controller settings, and much more. It also allows the controllers of one device to be controlled by another.
It is not possible to program your own specified SysEx message into the M-Audio O2. However, several useful Sys Ex messages are preprogrammed into the keyboard. They can be accessed by assigning the appropriate MIDI CC to a controller (see Appendix B).
It should be noted that a SysEx message is not transmitted on any specified channel. All SysEx messages contain a Device ID, which is used to single out devices to respond to the SysEx message. All other devices are ignored. If you are using a SysEx message on the M-Audio O2, the Global Channel is ignored. When you press the CHAN key, instead of entering a channel for the controller, you will enter a Device ID instead. This is indicated by the fact that the LED displays a 3-digit number, not a 2-digit number proceeded by a “c.”
Device ID’s run from 00 to 127. 127 is the default device number setting on the M-Audio O2. This setting transmits the SysEx message to all devices.
Although it is not possible to program the controllers of the M-Audio O2 with your own SysEx messages, there are software applications that can receive a MIDI input signal and transmit a different, user-specified message. You can program your SysEx messages into the translator software, and then translate the incoming data from the keyboard to your SysEx, depending on the controller you are using.
Here are answers to common questions you may have, using your M-Audio O2 keyboard:
Problem 1: My keyboard suddenly stopped working after having performed fine since installation.
Solution 1: Switch off the unit and let it sit for 10 seconds. Then restart your computer and try again. If the problem persists you may have to reinstall drivers for the unit.
Problem 2: I have plugged a sustain pedal into my keyboard, but it works the wrong way around.
Solution 2: The polarity of the sustain pedal is calculated by the keyboard when it is powered up. On power up, the sustain pedal is assumed to be in the OFF position. So if you want the sustain pedal to be off when it is not depressed, make sure the pedal is not depressed when you power up.
Problem 3: When I press a key, there is a delay before I hear any sound.
Solution 3: This delay is known as latency. Latency with MIDI signals is due to the software application you are using. MIDI data is simply control data. The MIDI data is read by your software. The software then completes a large number of complex calculations in order to produce the sound you hear–all this takes time.
We strongly recommend a proper soundcard. Refer to www.m-audio.com for a selection of USB, PCI and FireWire audio cards. If you already have an adequate sound card, try reinstalling the latest drivers for the sound card, or try reducing the buffer sizes of the audio drivers.
13
If you have any questions, comments or suggestions about this or any M-Audio product, we invite you to contact us by using the following
M-AUDIO U.S. |
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Unit 5, Saracen Industrial Estate, Mark Road, Hemel Hempstead, Herts HP2 7BJ, England |
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Warranty Terms
M-Audio warrants products to be free from defects in materials and workmanship, under normal use and provided that the product is owned by the original, registered user. Visit www.m-audio.com/warranty for terms and limitations applying to your specific product.
Warranty Registration
Thank you for registering your new M-Audio product. Doing so immediately both entitles you to full warranty coverage and helps M-Audio develop and manufacture the finest quality products available. Register online at www.m-audio.com/register to receive FREE product updates and for the chance to win FREE M-Audio gear.
14
Modifications not authorized by the manufacturer may void users authority to operate this device.
Note:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
•Reorient or relocate the receiving antenna.
•Increase the separation between the equipment and receiver.
•Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
•Consult the dealer or an experienced radio/TV technician for help.
VST is a trademark of Steinberg Soft– und Hardware GmbH
ASIO is a trademark of Steinberg Soft– und Hardware GmbH
DirectX is copyright 2002 Microsoft
Sound Studio II, PictureBoard and Music Teacher are copyright 2003 Evolution Electronics Ltd
All rights reserved
ESD and Fast Transient may cause the unit to temporarily malfunction. Switch off and on again to restore normal operation.
O2
Tested to comply with FCC standards
FOR HOME OR STUDIO USE
15
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Function |
Transmitted |
Received |
Remarks |
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Basic |
:Default |
1-16 |
X |
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Channel: Changed |
1-16 |
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:Default |
--------- |
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Mode :Messages |
X |
X |
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:Altered |
********* |
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Note |
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0-127 |
X |
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Number: True Voice |
********* |
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Velocity: Note ON |
0 |
X |
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: Note OFF |
X |
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After |
: Keys |
X |
X |
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Touch |
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:Ch’s |
0 |
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Pitch Bend |
0 |
X |
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Control |
0-119 |
0 |
X |
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Change |
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120-127 |
0 |
X |
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Program |
0-127 |
X |
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Change: True Number |
********* |
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System Exclusive |
GM, GM2, MMC |
Memory Dump |
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Song Position |
X |
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X |
X |
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Common: Song Select |
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System |
:Clock |
X |
X |
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Exclusive: Commands |
X |
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Aux |
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:Local ON/OFF |
0 |
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Messages :All Notes OFF |
0 |
X |
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:Active Sense |
0 |
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:Reset |
0 |
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Notes: |
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0 = YES |
X=NO |
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16
Appendix B - Assignable MIDI CC’s on the M-Audio O2
B1 - The Fader and rotary Controllers:
MIDI CC |
Description |
Data Lsb (Press Twice) |
Data Msb (Press Twice) |
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0-119 |
Standard MIDI CC’s |
- |
- |
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120-127 |
Channel Mode Messages |
- |
- |
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128 |
Pitch Bend Sensitivity |
- |
- |
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129 |
Channel Fine Tune |
- |
- |
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130 |
Channel Coarse Tune |
- |
- |
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131 |
Channel Pressure |
- |
- |
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132 |
RPN Coarse |
RPN LSB |
RPN MSB |
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133 |
RPN Fine |
RPN LSB |
RPN MSB |
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134 |
NRPN Coarse |
NRPN LSB |
NRPN MSB |
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135 |
NRPN Fine |
NRPN LSB |
NRPN MSB |
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136 |
Master Volume GM* |
Volume LSB |
Volume MSB |
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137 |
Master Pan GM* |
Pan LSB |
Pan MSB |
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138 |
Master Coarse Tune GM* |
Tuning LSB |
Tuning MSB |
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139 |
Master Fine Tune GM* |
Tuning LSB |
Tuning MSB |
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140 |
Chorus Mod Rate GM2* |
Mod rate |
- |
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141 |
Chorus Mod Depth GM2* |
Mod depth |
- |
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142 |
Feedback GM2* |
Feedback level |
- |
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143 |
Send to Reverb GM2* |
Reverb send level |
- |
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144 |
Pitch Bend |
Pitch shift LSB |
Pitch shift MSB |
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255 |
Controller Off*** |
- |
- |
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*Sys Ex messages
**MMC Sys Ex messages
***This value cannot be typed in using the numerical keypad. Type in 144 and then press the Preset + button to set this value.
17
The Buttons and Pedal:
MIDI CC |
Description |
Program |
Data Lsb (Press Twice) |
Data Msb (Press Twice) |
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(Press Twice) |
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0-119 |
Standard MIDI CC’s |
- |
Toggle value 2 |
Toggle value 1 |
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120-127 |
Channel Mode Messages |
- |
Toggle value 2 |
Toggle value 1 |
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128 |
Pitch Bend Range |
- |
Sensitivity value |
- |
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129 |
Channel Fine Tune |
- |
Tuning amount |
- |
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130 |
Channel Coarse Tune |
- |
Tuning amount |
- |
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131 |
Channel Pressure |
- |
Pressure amount |
- |
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132 |
RPN Coarse |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
|
|
133 |
RPN Fine |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
|
|
134 |
NRPN Coarse |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
|
|
135 |
NRPN Fine |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
|
|
136 |
Master Volume GM* |
- |
Volume LSB |
Volume MSB |
|
|
|
|
|
|
|
137 |
Master Pan GM* |
- |
Pan LSB |
Pan MSB |
|
|
|
|
|
|
|
138 |
Master Coarse Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
|
|
139 |
Master Fine Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
|
|
140 |
Chorus Mod Rate GM2* |
- |
Mod rate |
- |
|
|
|
|
|
|
|
141 |
Chorus Mod Depth GM2* |
- |
Mod depth |
- |
|
|
|
|
|
|
|
142 |
Feedback GM2* |
- |
Feedback level |
- |
|
|
|
|
|
|
|
143 |
Send to Reverb GM2* |
- |
Reverb send level |
- |
|
|
|
|
|
|
|
144 |
Pitch Bend |
- |
Pitch shift LSB |
Pitch shift MSB |
|
|
|
|
|
|
|
145 |
Program/Bank Preset |
Program |
Bank LSB |
Bank MSB |
|
|
|
|
|
|
|
146 |
MIDI CC (on/off) |
MIDI CC |
Button press value |
Button release value |
|
|
|
|
|
|
|
147 |
Note (on/off) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
|
|
148 |
Note (on/off toggle) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
|
|
149 |
MMC Command** |
- |
Command select. |
- |
|
|
|
|
|
|
|
150 |
Reverb Type GM2 * |
- |
Type |
- |
|
|
|
|
|
|
|
151 |
Reverb Time GM2 * |
- |
Time |
- |
|
|
|
|
|
|
|
152 |
Chorus Type GM2* |
- |
Type |
- |
|
|
|
|
|
|
|
153 |
MIDI CC Decrement |
MIDI CC |
Start value |
End value |
|
|
|
|
|
|
|
154 |
MIDI CC Increment |
MIDI CC |
Start value |
End value |
|
|
|
|
|
|
|
255 |
Controller Off*** |
- |
- |
- |
|
|
|
|
|
|
*Sys Ex messages
**MMC Sys Ex messages
***This value cannot be typed in using the numerical keypad. Type in 144 and then press the Preset + button to set this value.
18
Appendix C - Hexadecimal Conversion Chart
Hexadecimal to Decimal Conversion Chart
Hexadecimal |
Decimal |
Hexadecimal |
Decimal |
Hexadecimal |
Decimal |
Value |
Value |
Value |
Value |
Value |
Value |
|
|
|
|
|
|
0 |
0 |
2B |
43 |
56 |
86 |
1 |
1 |
2C |
44 |
57 |
87 |
2 |
2 |
2D |
45 |
58 |
88 |
3 |
3 |
2E |
46 |
59 |
89 |
4 |
4 |
2F |
47 |
5A |
90 |
5 |
5 |
30 |
48 |
5B |
91 |
6 |
6 |
31 |
49 |
5C |
92 |
7 |
7 |
32 |
50 |
5D |
93 |
8 |
8 |
33 |
51 |
5E |
94 |
9 |
9 |
34 |
52 |
5F |
95 |
0A |
10 |
35 |
53 |
60 |
96 |
0B |
11 |
36 |
54 |
61 |
97 |
0C |
12 |
37 |
55 |
62 |
98 |
0D |
13 |
38 |
56 |
63 |
99 |
0E |
14 |
39 |
57 |
64 |
100 |
0F |
15 |
3A |
58 |
65 |
101 |
10 |
16 |
3B |
59 |
66 |
102 |
11 |
17 |
3C |
60 |
67 |
103 |
12 |
18 |
3D |
61 |
68 |
104 |
13 |
19 |
3E |
62 |
69 |
105 |
14 |
20 |
3F |
63 |
6A |
106 |
15 |
21 |
40 |
64 |
6B |
107 |
16 |
22 |
41 |
65 |
6C |
108 |
17 |
23 |
42 |
66 |
6D |
109 |
18 |
24 |
43 |
67 |
6E |
110 |
19 |
25 |
44 |
68 |
6F |
111 |
1A |
26 |
45 |
69 |
70 |
112 |
1B |
27 |
46 |
70 |
71 |
113 |
1C |
28 |
47 |
71 |
72 |
114 |
1D |
29 |
48 |
72 |
73 |
115 |
1E |
30 |
49 |
73 |
74 |
116 |
1F |
31 |
4A |
74 |
75 |
117 |
20 |
32 |
4B |
75 |
76 |
118 |
21 |
33 |
4C |
76 |
77 |
119 |
22 |
34 |
4D |
77 |
78 |
120 |
23 |
35 |
4E |
78 |
79 |
121 |
24 |
36 |
4F |
79 |
7A |
122 |
25 |
37 |
50 |
80 |
7B |
123 |
26 |
38 |
51 |
81 |
7C |
124 |
27 |
39 |
52 |
82 |
7D |
125 |
28 |
40 |
53 |
83 |
7E |
126 |
29 |
41 |
54 |
84 |
7F |
127 |
2A |
42 |
55 |
85 |
|
|
|
|
|
|
|
|
19
Appendix D - Useful MIDI data
General MIDI Instruments
|
Piano |
|
|
|
|
|
Bass |
|
|
|
|
|
|
Reed |
|
|
Synth Effects |
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
0 Acoustic Grand Piano |
|
|
32 Acoustic Bass |
|
|
|
|
64 |
Soprano Sax |
|
|
|
|
96 SFX Rain |
|||||||||||
1 Bright Acoustic Piano |
|
|
33 |
Fingered Bass |
|
|
|
|
65 Alto Sax |
|
|
|
|
97 SFX Soundtrack |
|||||||||||
2 Electric grand Piano |
|
|
34 |
Electric Picked Bass |
|
|
66 Tenor Sax |
|
|
|
|
98 SFX Crystal |
|||||||||||||
3 Honky Tonk Piano |
|
|
35 |
Fretless Bass |
|
|
|
|
67 |
Baritone Sax |
|
|
|
|
99 SFX Atmosphere |
||||||||||
4 Electric Piano 1 |
|
|
|
36 |
Slap Bass 1 |
|
|
|
|
68 |
Oboe |
|
|
|
|
|
|
100 SFX Brightness |
|||||||
5 Electric Piano 2 |
|
|
|
37 |
Slap Bass 2 |
|
|
|
|
69 |
English Horn |
|
|
|
|
101 SFX Goblins |
|||||||||
6 Harpsichord |
|
|
|
38 |
Syn Bass 1 |
|
|
|
|
70 |
Bassoon |
|
|
|
|
102 SFX Echoes |
|||||||||
7 Clavinet |
|
|
|
39 |
Syn Bass 2 |
|
|
|
|
71 |
Clarinet |
|
|
|
|
103 SFX Sci-Fi |
|||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
Chromatic Percussion |
|
|
|
Strings/Orchestra |
|
|
|
|
|
|
Pipe |
|
|
Ethnic |
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
8 Celesta |
|
|
|
40 |
Violin |
|
|
|
|
|
|
72 |
Piccolo |
|
|
|
|
104 Sitar |
|||||||
9 Glockenspiel |
|
|
|
41 |
Viola |
|
|
|
|
|
|
73 |
Flute |
|
|
|
|
|
|
105 Banjo |
|||||
10 |
Music Box |
|
|
|
42 |
Cello |
|
|
|
|
|
|
74 |
Recorder |
|
|
|
|
106 Shamisen |
||||||
11 Vibraphone |
|
|
|
43 |
Contrabass |
|
|
|
|
75 |
Pan Flute |
|
|
|
|
107 Koto |
|||||||||
12 |
Marimba |
|
|
|
44 |
Tremolo Strings |
|
|
76 |
Bottle Blow |
|
|
|
|
108 Kalimba |
||||||||||
13 |
Xylophone |
|
|
|
45 |
Pizzicato Strings |
|
|
77 |
Shakuhachi |
|
|
|
|
109 Bag Pipe |
||||||||||
14 |
Tubular bells |
|
|
|
46 |
Orchestral Harp |
|
|
78 |
Whistle |
|
|
|
|
110 Fiddle |
||||||||||
15 |
Dulcimer |
|
|
|
47 |
Timpani |
|
|
|
|
79 |
Ocarina |
|
|
|
|
111 Shanai |
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
Organ |
|
|
|
|
|
Ensemble |
|
|
|
|
|
|
Synth Lead |
|
|
Percussive |
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
16 |
Drawbar Organ |
|
|
48 |
String Ensemble 1 |
|
|
80 |
Syn Square Wave |
|
|
112 Tinkle Bell |
|||||||||||||
17 |
Percussive Organ |
|
|
49 |
String Ensemble 2 |
|
|
81 |
Syn Sawtooth Wave |
|
|
113 Agogo |
|||||||||||||
18 |
Rock Organ |
|
|
|
50 |
Syn Strings 1 |
|
|
|
|
82 |
Syn Calliope |
|
|
|
|
114 Steel Drums |
||||||||
19 |
Church Organ |
|
|
|
51 |
Syn Strings 2 |
|
|
|
|
83 |
Syn Chiff |
|
|
|
|
115 Woodblock |
||||||||
20 |
Reed Organ |
|
|
|
52 |
Choir Aahs |
|
|
|
|
84 |
Syn Charang |
|
|
|
|
116 Taiko Drum |
||||||||
21 Accordion |
|
|
|
53 |
Voice Oohs |
|
|
|
|
85 |
Syn Voice |
|
|
|
|
117 Melodic Tom |
|||||||||
22 |
Harmonica |
|
|
|
54 |
Syn Choir |
|
|
|
|
86 |
Syn Sawtooth Wave |
|
|
118 Syn Drum |
||||||||||
23 |
Tango Accordion |
|
|
55 |
Orchestral Hit |
|
|
|
|
87 |
Syn Brass & Lead |
|
|
119 Reverse Cymbal |
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
Guitar |
|
|
|
|
|
Brass |
|
|
|
|
|
|
Synth Pad |
|
|
Sound Effects |
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
24 |
Nylon Acoustic |
|
|
|
56 Trumpet |
|
|
|
|
88 |
New Age Syn Pad |
|
|
120 Guitar Fret Noise |
|||||||||||
25 |
Steel Acoustic |
|
|
|
57 Trombone |
|
|
|
|
89 |
Warm Syn Pad |
|
|
121 Breath Noise |
|||||||||||
26 |
Jazz Electric |
|
|
|
58 |
Tuba |
|
|
|
|
|
|
90 |
Polysynth Syn Pad |
|
|
122 Seashore |
||||||||
27 |
Clean Electric |
|
|
|
59 |
Muted Trumpet |
|
|
|
|
91 |
Choir Syn Pad |
|
|
123 Bird Tweet |
||||||||||
28 |
Muted Electric |
|
|
|
60 |
French Horn |
|
|
|
|
92 |
Bowed Syn Pad |
|
|
124 Telephone Ring |
||||||||||
29 |
Overdrive |
|
|
|
61 |
Brass Section |
|
|
|
|
93 |
Metal Syn Pad |
|
|
125 Helicopter |
||||||||||
30 |
Distorted |
|
|
|
61 |
Syn Brass 1 |
|
|
|
|
94 |
Halo Syn Pad |
|
|
|
|
126 Applause |
||||||||
31 Harmonics |
|
|
|
62 Syn Brass 2 |
|
|
|
|
95 Sweep Syn Pad |
|
|
127 Gun Shot |
|||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
MIDI Note Numbers |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
Octave (n) |
|
|
|
|
|
|
|
|
Note Numbers |
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
|
|
Cn |
C#n |
Dn |
|
D#n |
En |
|
Fn |
|
F#n |
Gn |
|
G#n |
|
An |
|
A#n |
|
Bn |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
-1 |
|
0 |
1 |
2 |
|
3 |
4 |
|
5 |
|
6 |
7 |
|
8 |
|
9 |
|
10 |
|
11 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
0 |
|
12 |
13 |
14 |
|
15 |
16 |
|
17 |
|
18 |
19 |
|
20 |
|
21 |
|
22 |
|
23 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
1 |
|
24 |
25 |
26 |
|
27 |
28 |
|
29 |
|
30 |
31 |
|
32 |
|
33 |
|
34 |
|
35 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
2 |
|
36 |
37 |
38 |
|
39 |
40 |
|
41 |
|
42 |
43 |
|
44 |
|
45 |
|
46 |
|
47 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
3 |
|
48 |
49 |
50 |
|
51 |
52 |
|
53 |
|
54 |
55 |
|
56 |
|
57 |
|
58 |
|
59 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
4 |
|
60 |
61 |
62 |
|
63 |
64 |
|
65 |
|
66 |
67 |
|
68 |
|
69 |
|
70 |
|
71 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
5 |
|
72 |
73 |
74 |
|
75 |
76 |
|
77 |
|
78 |
79 |
|
80 |
|
81 |
|
82 |
|
83 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
6 |
|
84 |
85 |
86 |
|
87 |
88 |
|
89 |
|
90 |
91 |
|
92 |
|
93 |
|
94 |
|
95 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
7 |
|
96 |
97 |
98 |
|
99 |
100 |
|
101 |
|
102 |
103 |
|
104 |
|
105 |
|
106 |
|
107 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
8 |
|
108 |
109 |
110 |
|
111 |
112 |
|
113 |
|
114 |
115 |
|
116 |
|
117 |
|
118 |
|
119 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
9 |
|
120 |
121 |
122 |
|
123 |
124 |
|
125 |
|
126 |
127 |
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20
Appendix E - Standard MIDI Controller numbers (MIDI CC's)
00 |
Bank Select |
46 |
Controller 46 |
01 |
Modulation |
47 |
Controller 47 |
02 |
Breath Control |
48 |
Gen Purpose 1 LSB |
03 |
Controller 3 |
49 |
Gen Purpose 2 LSB |
04 |
Foot Control |
50 |
Gen Purpose 3 LSB |
05 |
Porta Time |
51 |
Gen Purpose 4 LSB |
06 |
Data Entry |
52 |
Controller 52 |
07 |
Channel Volume |
53 |
Controller 53 |
08 |
Balance |
54 |
Controller 54 |
09 |
Controller 9 |
55 |
Controller 55 |
10 |
Pan |
56 |
Controller 56 |
11 |
Expression |
57 |
Controller 57 |
12 |
Effects Controller 1 |
58 |
Controller 58 |
13 |
Effects Controller 2 |
59 |
Controller 59 |
14 |
Controller 14 |
60 |
Controller 60 |
15 |
Controller 15 |
61 |
Controller 61 |
16 |
Gen Purpose 1 |
62 |
Controller 62 |
17 |
Gen Purpose 2 |
63 |
Controller 63 |
18 |
Gen Purpose 3 |
64 |
Sustain Pedal |
19 |
Gen Purpose 4 |
65 |
Portamento |
20 |
Controller 20 |
66 |
Sostenuto |
21 |
Controller 21 |
67 |
Soft Pedal |
22 |
Controller 22 |
68 |
Legato Pedal |
23 |
Controller 23 |
69 |
Hold 2 |
24 |
Controller 24 |
70 |
Sound Variation |
25 |
Controller 25 |
71 |
Resonance |
26 |
Controller 26 |
72 |
Release Time |
27 |
Controller 27 |
73 |
Attack Time |
28 |
Controller 28 |
74 |
Cut-off Frequency |
29 |
Controller 29 |
75 |
Controller 75 |
30 |
Controller 30 |
76 |
Controller 76 |
31 |
Controller 31 |
77 |
Controller 77 |
32 |
Bank Select LSB |
78 |
Controller 78 |
33 |
Modulation LSB |
79 |
Controller 79 |
34 |
Breath Control LSB |
80 |
Gen Purpose 5 |
35 |
Controller 35 |
81 |
Gen Purpose 6 |
36 |
Foot Control LSB |
82 |
Gen Purpose 7 |
37 |
Porta Time LSB |
83 |
Gen Purpose 8 |
38 |
Data Entry LSB |
84 |
Portamento Control |
39 |
Channel Volume LSB |
85 |
Controller 85 |
40 |
Balance LSB |
86 |
Controller 86 |
41 |
Controller 41 |
87 |
Controller 87 |
42 |
Pan LSB |
88 |
Controller 88 |
43 |
Expression LSB |
89 |
Controller 89 |
44 |
Controller 44 |
90 |
Controller 90 |
45 |
Controller 45 |
91 |
Reverb Depth |
92Tremelo Depth
93Chorus Depth
94Celeste (De-tune)
95Phaser Depth
96Data Increment
97Data Decrement
98Non-Reg Param LSB
99Non-Reg Param MSB
100Reg Param LSB
101Reg Param MSB
102Controller 102
103Controller 103
104Controller 104
105Controller 105
106Controller 106
107Controller 107
108Controller 108
109Controller 109
110Controller 110
111Controller 111
112Controller 112
113Controller 113
114Controller 114
115Controller 115
116Controller 116
117Controller 117
118Controller 118
119Controller 119
Channel Mode Messages
120All Sound off
121Reset all Controllers
122Local Control
123All Notes Off
124Omni Off
125Omni On
126Mono On (Poly Off)
127Poly On (Mono Off)
Extra RPN Messages
128Pitch Bend sensitivity
129Fine Tune
130Coarse Tune
131Channel Pressure
21
Appendix F - Roland GS and Yamaha XG NRPN Support to Roland JV/XP
NRPN |
NRPN |
Data |
Data |
MSB |
LSB |
MSB |
LSB |
CC99 |
CC98 |
CC06 |
CC38 |
01 |
08 |
00-7F |
n/a (-64 - 0 - +63) Vibrato Rate (relative change) |
01 |
09 |
00-7F |
n/a (-64 - 0 - +63) Vibrato Depth (relative change) |
01 |
0A |
00-7F |
n/a (-64 - 0 - +63) Vibrato Delay (relative change) |
01 |
20 |
00-7F |
n/a (-64 - 0 - +63) Filter Cutoff Freq. (relative change) |
01 |
21 |
00-7F |
n/a (-64 - 0 - +63) Filter Resonance (relative change) |
01 |
63 |
00-7F |
n/a (-64 - 0 - +63) EG (TVF&TVA) Attack Time (relative change) |
01 |
64 |
00-7F |
n/a (-64 - 0 - +63) EG (TVF&TVA) Decay Time (relative change) |
01 |
66 |
00-7F |
n/a (-64 - 0 - +63) EG (TVF&TVA) Release Time (relative change) |
*14 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum Filter Cutoff Freq. (relative change) |
*15 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum Filter Resonance (relative change) |
*16 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum EG Attack Rate (relative change) |
*17 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum EG Decay Rate (relative change) |
18 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum Instrument Pitch Coarse (relative change) |
*19 |
00-7F |
00-7F |
n/a (-64 - 0 - +63) Drum Instrument Pitch Fine (relative change) |
1A |
00-7F |
00-7F |
n/a (0 to Max) Drum Instrument Level (absolute change) |
1C |
00-7F |
00-7F |
n/a (Random, L>C>R) Drum Instrument Panpot (absolute change) |
1D |
00-7F |
00-7F |
n/a (0 to Max) Drum Instrument Reverb Send Level (absolute change) |
1E |
00-7F |
00-7F |
n/a (0 to Max) Drum Instrument Chorus Send Level (absolute change) |
%1F |
00-7F |
00-7F |
n/a (0 to Max) Drum Instrument Variation Send Level (absolute change) |
* added by Yamaha XG; % changed from Delay to Variation by Yamaha XG
Appendix G - General MIDI Reverb and Chorus Types
Reverb Types
0:Small Room
1:Medium Room
2:Large Room
3:Medium Hall
4:Large Hall
8:Plate
Chorus Types
0:Chorus 1
1:Chorus 2
2:Chorus 3
3:Chorus 4
4:FB Chorus
5:Flanger
22
Nous vous félicitons d’avoir acheté le M-Audio O2. Le M-Audio O2 suit les traces du précurseur des contrôleurs mobiles USB MIDI — l’Oxygen8. Assez compact pour être glissé dans un sac qui contient votre ordinateur portable, le M-Audio O2 ultra-mince convient parfaitement à la création de rythmes de basse, à la programmation de séquences de batterie, au déclenchement d’effets et au peaufinage des paramètres de studios virtuels — où que vous soyez.
Vous avez accès à 25 touches dynamiques au toucher semi-lourd, 8 sélecteurs rotatifs et 8 boutons tous entièrement programmables, ainsi que d’autres contrôleurs en temps réel qui assurent une performance de qualité et une programmation aisée. Une simple connexion USB sert à la fois d’interface MIDI et de bloc d’alimentation. L’appareil s’accommode facilement à Windows XP et Mac OS X; il est prêt à utiliser sans aucune installation de pilote supplémentaire.
Il vous est également possible d’étendre encore davantage les fonctionnalités du M-Audio O2 en téléchargeant le logiciel éditeur/bibliothèque Enigma. Pour de plus amples renseignements, consultez la section sur l’éditeur de logiciels Enigma de ce manuel ou visitez notre site www. m-audio.fr pour vous inscrire et télécharger les logiciels gratuits.
Ports
<SORTIE MIDI
<ENTRÉE/SORTIE USB MIDI
Alimentation
<USB
<entrée pour alimentation externe
Clavier
<clavier dynamique 25 touches
<9 courbes de vélocité
Contrôleurs
<8 sélecteurs rotatifs programmables
<1 curseur programmable
<8 boutons programmables
<contrôleurs de pitch bend et de modulation programmables
<pédale programmable MIDI
Données MIDI des contrôleurs
<chiffre de contrôle MIDI
<RPN/NRPN
<Programme, Bank LSB, Bank MSB
<pitch bend
<Messages Sys Ex GM/GM2/XG
Données MIDI des boutons
<Note on
<Note on/off bascule
<MIDI CC marche/arrêt bascule
<Préréglages Program, Bank LSB/MSB
<Fonctions MIDI Machine Control
<Messages GM/GM2/XG SysEx
<CC MIDI +/-
Options instantanées
<modification des Program et Bank
<Snap Shot transmet instantanément le statut de tous les contrôleurs
<Controller Mute mise en sourdine des contrôleurs afin d’éviter les sauts de paramètres
Autres caractéristiques
<stockage-mémoire sur votre ordinateur par SysEx
<logiciel d’édition et de stockage mémoire Enigma gratuit
<5 mémoires stockent tous vos réglages
<sortie MIDI de l’interface USB
Votre boîte M-Audio O2 contient les articles suivants :
<Clavier O2
<CD d’installation
<CD progiciel
<Câble USB
Le clavier peut être alimenté par le bus USB ou un bloc d’alimentation externe en option. N’utilisez qu’une méthode à la fois.
1.Assurez-vous que le bouton de mise en marche à l’arrière de l’appareil est en position “Off”.
2.Débranchez le câble USB fourni avec le M-Audio O2 pour libérer un port USB sur votre ordinateur.
3.Branchez l’autre bout du câble USB à l’entrée USB du M-Audio O2.
À lui seul, le câble USB alimente non seulement le M-Audio O2 mais transmet également les données MIDI de votre ordinateur.
Vous pouve
Assurez-vous que le clavier M-Audio O2 n’est pas alimenté par USB, puis branchez-le simplement au bloc d’alimentation à l’entrée libellée DC 9V et allumez-le.
Remarque : Ne pas laisser l’adaptateur branché pendant de longues périodes lorsqu’il ne sert pas.
23
Si vous utilisez Windows XP ou Mac OS X, il vous suffit de mettre l’appareil en position ”on”. Comme le clavier M-Audio O2 s’accommode facilement à cette norme, aucune autre installation n’est nécessaire.
Si l’installation s’est déroulée correctement, veuillez lire les pages qui suivent afin de mieux comprendre le fonctionnement de votre O2.
Mode de programmation
Ce manuel fait référence au “Mode de programmation”. Le mode de programmation définit les options du M-Audio O2 lorsque vous appuyez sur le bouton ADVANCED FUNCTION (fonctions avancées).
En mode de programmation, le clavier du M-Audio O2 est prêt à sélectionner des fonctions. Ces fonctions sont indiquées au-dessus de chaque touche du clavier O2. Le deuxième octave du clavier O2 sert à entrer les données numériques en mode de programmation.
Les boutons “+” et “-” préréglés permettent de modifier les valeurs vers le haut ou vers le bas en mode de programmation.
Les valeurs numériques saisies en mode de programmation s’affichent au moyen du voyant DEL. Cette valeur est mise à jour à mesure de la saisie de données numériques.
Quand le M-Audio O2 est en mode de programmation, un point apparaît dans le coin inférieur droit du témoin DEL.
Nous attirons votre attention sur le fait que d’appuyer sur le bouton GLOBAL CHAN active également le mode de programmation, puisque les touches de saisie de données numériques sont nécessaires pour sélectionner les nouveaux canaux. Les boutons “+” et “-” préréglés peuvent également être utilisés.
Pour quitter le mode de programmation, appuyez sur le bouton ADVANCED FUNCTION lorsque vous avez terminé. Vous devez enfoncer la touche ENTER chaque fois que vous entrez une valeur à l’aide des touches de saisie numériques. Pour quitter le mode de programmation, appuyez sur la touche ENTER.
Tests du M-Audio O2 avec votre logiciel
Nous vous recommandons de vérifier que votre logiciel communique correctement avec le clavier M-Audio O2. La plupart des logiciels sont dotés d’un indicateur d’entrée MIDI. Il suffit d’appuyer sur n’importe quelle touche du clavier pour confirmer la transmission des données.
Si vous éprouvez quelque difficulté ou si le logiciel ne reçoit pas de données, veuillez vous assurer d’avoir bien sélectionné le pilote USB du clavier comme entrée MIDI de votre logiciel. De plus, veuillez consulter la section Dépannage à la fin de ce manuel ainsi que la documentation fournie avec votre logiciel pour vous assurer que la configuration correspond aux exigences de ce dernier.
Rappel des préréglages
Appuyez sur le bouton “+” et “-” afin d’accéder à l’une des mémoires préenregistrées. Le témoin DEL affichera alors les réglages actuels, précédés d’un “p”. Appuyez de nouveau sur le bouton afin de passer d’un préréglage au suivant.
Vous trouverez ci-dessous la liste des préréglages stockés dans 5 emplacements de la mémoire :
<01 GM Preset
<02 Reason Native
<03 Reason Mixer
<04 Yamaha XG/Roland JV Preset
<05 Undefined CC’s for MIDI learn*
*Certaines applications n’ont aucun réglage par défaut; dans ce cas, vous devez régler les contrôleurs MIDI vous-même, selon les paramètres du logiciel. Généralement, il faut mettre le logiciel en mode MIDI Learn, en cliquant sur un contrôleur et en faisant tourner le sélecteur rotatif. Avec ce type de logiciel, nous vous recommandons d’utiliser les chiffres de contrôleur qui ne sont pas encore associés à une fonction. Le logiciel Ableton Live, par exemple, utilise cette option MIDI Learn.
Sauvegarde et organisation des préréglages
Vous jugerez peut-être utile de sauvegarder et de réorganiser la séquence des préréglages en fonction de vos besoins particuliers.
Nous attirons votre attention sur le fait que les réglages en usine sont sauvegardés dans le clavier, et peuvent être restaurés en tout temps.
Par exemple, déplaçons le préréglage 2 (“Reason Native”) au numéro 4 en procédant de la façon suivante :
1.Accédez au préréglage 2 en appuyant sur les boutons préréglés “+” et “-”.
2.Appuyez sur le bouton ADVANCED FUNCTION. Le clavier est maintenant en mode de programmation.
3.Appuyez sur la touche STORE (Enregistrer) sur le clavier.
4.Tapez “4” à l’aide des touches de saisie de données numériques.
5.Confirmez votre choix en appuyant sur la touche ENTER.
Vous sauvegardez ou conservez ainsi l’installation actuelle à l’emplacement préréglé 4.
24
Pour restaurer les réglages par défaut M-Audio O2, gardez les boutons préréglés «+” et “-” enfoncés quand vous allumez le clavier.
Remarque : Le fait de réinitialiser les réglages en usine efface tous les réglages que vous avez programmés et sauvegardés dans la mémoire.
Vous pouvez également organiser et sauvegarder vos préréglages sur votre ordinateur, à l’aide du logiciel Enigma. Ce logiciel peut être téléchargé gratuitement depuis www.m-audio.fr. Il vous suffit d’enregistrer votre appareil M-Audio et de suivre les indications à l’écran.
Envoi d’un instantané (Snap Shot)
Appuyez simultanément sur les boutons GLOBAL CHAN et MUTE afin d’envoyer un instantané des valeurs et réglages actuels des contrôleurs.
Lorsque vous envoyez un instantané, les données du contrôleur en question sont transmises au canal attribué à ce contrôleur.
Snap Shot vous permet notamment de synchroniser le récepteur et les atténuateurs et sélecteurs rotatifs de votre clavier. Cette fonction peut également être utilisée comme un outil de création, souvent avec des résultats intéressants et même étonnants.
Elle vous permet également de régler les paramètres de contrôle au début d’un morceau. Si vous réglez toutes les valeurs des contrôleurs pour obtenir l’effet désiré dans un morceau, vous pouvez ensuite enregistrer l’instantané, et vous assurer que le morceau conservera toujours les effets choisis. Pour ce faire, mettez votre séquenceur en mode Enregistrer et appuyez sur les boutons Snap Shot.
Mise des contrôleurs en sourdine
Pour mettre tous les sélecteurs rotatifs et l’atténuateur en sourdine, appuyez sur le bouton de fonction MUTE.
Cette option vous permet de modifier la position des sélecteurs rotatifs sans modifier les réglages de votre logiciel. CTRL MUTE n’affecte pas les boutons, la pédale ou le clavier. Dès qu’un bouton programmable, une touche de fonction ou le clavier est enfoncé, les contrôleurs sont réactivés. Lorsque le contrôleur de sourdine est activé, le témoin DEL affiche le mot “Off”.
Servez-vous de cette option si vous alternez entre des préréglages alors que les contrôleurs sont hors position. Vous avez la possibilité de déplacer la position du contrôleur en fonction des paramètres du logiciel, au lieu de faire sauter les paramètres.
Réglage du canal global MIDI
Le M-Audio O2 peut transmettre sur n’importe lequel des 16 canaux standards MIDI. Si vous utilisez un système informatique, le logiciel contrôle habituellement le routage des signaux MIDI.
Si vous utilisez un module son MIDI ou que votre installation est reliée à un autre appareil MIDI, vous devez vous assurer que votre clavier M-Audio O2 et le récepteur sont réglés au même canal MIDI. Le canal global MIDI affecte le clavier, la programmation et les modifications à la Bank, en plus des contrôleurs ajustés en fonction du réglage global.
Pour régler le canal global MIDI :
1.Appuyez sur le bouton GLOBAL CHANNEL. Le clavier est maintenant en mode de programmation. Le témoin DEL affiche le canal global sélectionné, précédé d’un “c”.
2.Tapez le chiffre du canal MIDI à l’aide des touches numériques ou des touches préréglées “+/-”.
3.Appuyez sur la touche ENTER pour confirmer l’acceptation du nouveau canal et quitter le mode de programmation.
Décalage d’octaves
Le décalage d’octaves sur le M-Audio O2 vous donne accès à 11 octaves en tout.
1.Appuyez sur le bouton “OCTAVE +” pour décaler la tonalité d’un octave vers le haut.
2.Appuyez sur le bouton “OCTAVE -” pour décaler la tonalité d’un octave vers le bas.
Transposition
Il vous est possible de transposer le clavier afin de modifier la clef du morceau que vous jouez, sans modifier la clef dans laquelle vous jouez.
1.Appuyez sur “TRANSPOSE” (OCTAVE + et OCTAVE – en même temps).
2.Appuyez sur la touche OCTAVE + ou – pour réduire ou augmenter la hauteur tonale d’un demi-ton.
Par exemple, si vous avez appris à jouer un morceau dans la clef de C et que vous voulez le jouer dans la clef de F, il vous suffit d’appuyer sur “TRANSPOSE” puis d’appuyer 5 fois sur la touche OCTAVE + ou encore 7 fois sur OCTAVE -.
Contrôleur de pitch bend
Le pitch bend vous permet de moduler les notes jouées sur le clavier vers le haut ou vers le bas, ce qui vous donne la possibilité de jouer des phrases mélodiques qui ne sont pas habituellement associées avec des notes de clavier, comme des riffs de guitare, par exemple.
Votre source de son détermine l’ampleur de modulation permise. Elle est généralement réglée à 2 demi-tons, mais elle a une amplitude de 2 octaves vers le haut ou vers le bas. Dès que vous relâchez le contrôle, il revient à 0.
LecontrôleurdepitchbenddevotreclavierM-AudioO2 estentièrementprogrammableMIDI.Veuillezvousreporteràlasection“Programmation et édition” de ce manuel pour de plus amples renseignements.
25
Contrôleur de modulation
Le contrôleur de modulation permet de moduler le son joué. Ce type de contrôleur en temps réel a été introduit sur les claviers électroniques pour offrir au musicien l’option d’ajouter un vibrato semblable à ceux des instruments acoustiques.
LecontrôleurdemodulationdevotreclavierM-AudioO2 estentièrementprogrammableMIDI.Veuillezvousreporteràlasection“Programmation et édition” de ce manuel pour plus de précisions.
Pédale
Toute pédale à polarité (non incluse) peut être reliée à l’entrée de pédale de votre clavier M-Audio O2. Le clavier détecte automatiquement la polarité correcte dès que vous l’allumez. Pour inverser la polarité, assurez-vous que la pédale est enfoncée quand vous allumez votre clavier.
La pédale sert normalement à prolonger le son que vous jouez sans avoir à garder les mains sur le clavier. Il s’agit également de la fonction par défaut de votre clavier M-Audio O2.
Sur le M-Audio O2, vous pouvez programmer la pédale pour envoyer des notes MIDI qui peuvent transmettre des échantillons décalés sur divers canaux MIDI, sans que vos mains ne quittent le clavier. Vous pouvez également acheminer des modifications à la programmation ou tout autre message MIDI depuis les 8 boutons programmables MIDI sur votre clavier.
Pour de plus amples informations sur la programmation de la pédale, veuillez consulter la section “Programmation et édition” de ce manuel.
Sortie MIDI
Vous trouverez à l’arrière du clavier le port de sortie MIDI qui peut être relié à un module son externe ou à un clavier MIDI. Par défaut, toutes les données des contrôleurs sont acheminées par la sortie MIDI et par la sortie USB.
Pour que la sortie MIDI fonctionne comme une interface USB-MIDI, activer le mode “MIDI Out from USB” en appuyant sur le bouton ADVANCED FUNCTION puis sur la touche du clavier libellée MIDI OUT.
Pour de plus amples renseignements sur le mode “MIDI Out from USB”, veuillez consulter la section “Programmation et édition” de ce manuel.
Introduction aux options de programmation
Chacun des contrôleurs du M-Audio O2 peut acheminer des messages MIDI CC, RPN/NRPN, GM 1&2 et SysEx. Ils peuvent également être programmés selon divers canaux MIDI individuels.
Les chiffres CC MIDI (contrôleur continu) font partie de l’équipement MIDI standard et servent généralement à contrôler les modifications en temps réel des paramètres de l’équipement musical. La liste complète des commandes standards MIDI de 0 à 131 est jointe à l’annexe E.
Vous avez la possibilité d’assigner à chacun des contrôleurs en temps réel du clavier un chiffre MIDI CC; les 8 boutons programmables et la pédale offrent des options légèrement différentes de celles de l’atténuateur ou des sélecteurs rotatifs.
Les deux tableaux ci-dessous présentent la transmission des messages qui peuvent être programmés dans chacun des 8 sélecteurs rotatifs, l’atténuateur et les boutons programmables MIDI.
Veuillez porter une attention particulière aux différences entre la programmation des atténuateurs et sélecteurs rotatifs et celle des boutons.
26
L’atténuateur et les sélecteurs rotatifs
Knobs: MIDI CC |
Description |
Data 2 |
Data 3 |
|
|
|
|
0-119 |
Standard MIDI CCs |
Max |
Min |
120-127 |
Channel Mode Messages |
Max |
Min |
128 |
Pitch Bend Sensitivity |
- |
- |
129 |
Channel Fine Tune |
- |
- |
130 |
Channel Coarse Tune |
- |
- |
131 |
Channel Pressure |
- |
- |
132 |
RPN Coarse |
RPN LSB |
RPN MSB |
133 |
RPN Fine |
RPN LSB |
RPN MSB |
134 |
NRPN Coarse |
NRPN LSB |
NRPN MSB |
135 |
NRPN Fine |
NRPN LSB |
NRPN MSB |
136 |
Master Volume GM* |
- |
- |
137 |
Master Pan GM* |
- |
- |
138 |
Master Coarse Tune GM* |
- |
- |
139 |
Master Fine Tune GM* |
- |
- |
140 |
Chorus Mod Rate GM2* |
- |
- |
141 |
Chorus Mod Depth GM2* |
- |
- |
142 |
Feedback GM2* |
- |
- |
143 |
Send to Reverb GM2* |
- |
- |
144 |
Pitch Bend |
- |
- |
255 |
Controller Off*** |
- |
- |
Les boutons et la pédale
MIDI CC |
Description |
Data 1 |
Data 2 |
Data 3 |
|
|
|
|
|
0-119 |
Standard MIDI CC’s |
- |
Toggle value 2 |
Toggle value 1 |
|
|
|
|
|
120-127 |
Channel Mode Messages |
- |
Toggle value 2 |
Toggle value 1 |
|
|
|
|
|
128 |
Pitch Bend Range |
- |
Sensitivity value |
- |
|
|
|
|
|
129 |
Channel Fine Tune |
- |
Tuning amount |
- |
|
|
|
|
|
130 |
Channel Coarse Tune |
- |
Tuning amount |
- |
|
|
|
|
|
131 |
Channel Pressure |
- |
Pressure amount |
- |
|
|
|
|
|
132 |
RPN Coarse |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
133 |
RPN Fine |
Value |
RPN LSB |
RPN MSB |
|
|
|
|
|
134 |
NRPN Coarse |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
135 |
NRPN Fine |
Value |
NRPN LSB |
NRPN MSB |
|
|
|
|
|
136 |
Master Volume GM* |
- |
Volume LSB |
Volume MSB |
|
|
|
|
|
137 |
Master Pan GM* |
- |
Pan LSB |
Pan MSB |
|
|
|
|
|
138 |
Master Coarse Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
139 |
Master Fine Tune GM* |
- |
Tuning LSB |
Tuning MSB |
|
|
|
|
|
140 |
Chorus Mod rate GM2* |
- |
Mod rate |
- |
|
|
|
|
|
141 |
Chorus Mod Depth GM2* |
- |
Mod depth |
- |
|
|
|
|
|
142 |
Feedback GM2* |
- |
Feedback level |
- |
|
|
|
|
|
143 |
Send to Reverb GM2* |
- |
Reverb send level |
- |
|
|
|
|
|
144 |
Pitch Bend |
- |
Pitch shift LSB |
Pitch shift MSB |
|
|
|
|
|
145 |
Program/Bank Preset |
Program |
Bank LSB |
Bank MSB |
|
|
|
|
|
146 |
MIDI CC (on/off) |
MIDI CC |
Button press value |
Button release value |
|
|
|
|
|
147 |
Note (on/off) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
148 |
Note (on/off toggle) |
Note |
Velocity off |
Velocity on |
|
|
|
|
|
149 |
MMC Command** |
- |
Command select. |
- |
|
|
|
|
|
150 |
Reverb Type GM2 * |
- |
Type |
- |
|
|
|
|
|
151 |
Reverb Time GM2 * |
- |
Time |
- |
|
|
|
|
|
152 |
Chorus Type GM2* |
- |
Type |
- |
|
|
|
|
|
153 |
MIDI CC Decrement |
MIDI CC |
Start value |
End value |
|
|
|
|
|
154 |
MIDI CC Increment |
MIDI CC |
Start value |
End value |
|
|
|
|
|
255 |
Controller Off*** |
- |
- |
- |
|
|
|
|
|
*Les messages généraux Sys Ex MIDI
**Messages généraux MIDI 2 Sys Ex.
***Messages MMC Sys Ex (pour plus de précisions
****Cette valeur ne peut être entrée à l’aide des touches de saisie des données numériques. Pour ce faire, tapez 144 puis appuyez sur le bouton préréglé +.
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Programmation de base
Pour modifier la programmation de l’un des contrôleurs de l’O2 :
1.Appuyez sur le bouton ADVANCED FUNCTION. Le clavier est maintenant en mode de programmation.
2.Appuyez sur la touche CTRL ASSIGN de votre clavier.
3.Tapez le nouveau chiffre CC MIDI à l’aide des touches de saisie de données numériques. Ce chiffre devrait s’afficher sur le témoin DEL.
4.Confirmez votre choix en appuyant sur la touche ENTER.
Chaque fois que vous déplacez n’importe lequel des sélecteurs rotatifs, le nouveau chiffre du contrôleur s’affiche sur le témoin DEL. Le chiffre du contrôleur MIDI attribué au sélecteur rotatif modifié en dernier s’affiche sur le témoin DEL. Le dernier sélecteur rotatif modifié est toujours celui qui est sélectionné pour l’édition en mode de programmation.
Chaque fois vous créez une installation sur mesure, assurez-vous de sauvegarder vos modifications dans la mémoire avant de rappeler toute autre installation.
Le choix d’un contrôleur pour l’édition
Pour assigner un CC MIDI à l’un des contrôleurs du M-Audio O2, il faut tout d’abord le sélectionner pour l’édition :
1.Appuyez sur le bouton ADVANCED FUNCTION, puis sur la touche CTRL SEL.
Le témoin DEL affiche le chiffre du contrôleur sélectionné précédé d’un “C”, ou d’un “F” si le contrôleur est l’atténuateur.
2.Tapez le chiffre du contrôleur en utilisant les touches de saisie de données numériques ou les boutons +/- préréglés.
3.Confirmez votre choix en appuyant sur la touche ENTER.
ou
1.Déplacez un sélecteur rotatif/atténuateur.
Déplacez simplement le contrôleur, le bouton programmable ou la pédale afin de le sélectionner pour l’édition.
Programmation des CC MIDI
Une fois sélectionné le contrôleur à programmer, modifiez le chiffre CC MIDI comme suit :
1.Appuyez sur le bouton ADVANCED FUNCTION, puis sur la touche CTRL ASGN. Le témoin DEL affiche le chiffre CC MIDI sélectionné.
2.Tapez un nouveau chiffre CC MIDI à l’aide des touches de saisie de données numériques ou des boutons +/- préréglés.
3.Confirmez votre choix en appuyant sur la touche ENTER.
Programmation d’un canal MIDI individuel
1.Sélectionnez le contrôleur que vous désirez programmer.
2.Appuyez sur le bouton ADVANCED FUNCTION, puis sur la touche CHAN ASGN. Le témoin DEL affiche le canal relié au contrôleur sélectionné, précédé d’un “c”.
Tapez le chiffre du canal MIDI à partir duquel le contrôleur doit transmettre (0-16) à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
3.Confirmez votre choix en appuyant sur ENTER.
Si le contrôleur est assigné au canal 0, il transmet sur le canal global (Global Channel).
Limiter la plage des contrôleurs
La plage d’un contrôleur MIDI s’échelonne généralement de 0 à 127. Il est possible d’en modifier les minima et maxima.
1.Appuyez sur le bouton ADVANCED FUNCTION, puis sur la touche DATA 2 (MIN). Le témoin DEL affiche le minimum sélectionné pour le contrôleur.
2.Tapez la valeur minimale désirée à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
3.Confirmez votre choix en appuyant sur ENTER.
Vous quittez alors le mode de programmation et la programmation CC du contrôleur s’affiche sur le témoin LED.
4.Appuyez sur le bouton ADVANCED FUNCTION, puis sur la touche DATA 3 (MAX). Le témoin DEL affiche alors la limite maximale sélectionnée pour le contrôleur.
5.Tapez la valeur maximum à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
6.Confirmez votre choix en appuyant sur ENTER.
Il est possible de réduire la plage de tout sélecteur rotatif, de l’atténuateur ou des contrôleurs de pitch blend et de modulation. Les boutons et la pédale peuvent être réglés pour augmenter ou diminuer d’une valeur à la fois, entre deux valeurs limites. Pour ce faire :
1.Appuyez sur le bouton ADVANCED FUNCTION puis sur la touche CTRL ASGN.
2.Entrez ’153’ pour la diminution ou ’154’ pour l’augmentation.
3.Confirmez votre choix en appuyant sur la touche ENTER.
4.Appuyez sur le bouton ADVANCED FUNCTION puis sur la touche DATA 1
5.Entrez le chiffre CC MIDI depuis lequel le bouton doit transmettre.
6.Confirmez votre choix en appuyant sur ENTER.
7.Entrez les valeurs limites selon les indications ci-dessus.
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Réglage des 2 positions des interrupteurs à bascule
Les 8 boutons programmables et la pédale peuvent être réglés de façon à basculer entre deux positions.
Voici comment :
1.Appuyez sur le bouton ADVANCED FUNCTION puis sur la touche DATA 2 (MIN).
2.Tapez la valeur minimum désirée à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
3.Confirmez votre choix en appuyant sur ENTER.
4.Appuyez sur le bouton ADVANCED FUNCTION puis sur la touche DATA 3 (MAX).
5.Tapez la valeur maximum désirée à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
6.Confirmez votre choix en appuyant sur ENTER.
Si vous voulez que le bouton transmette la même valeur chaque fois, tapez la même valeur les deux fois.
La méthode ci-dessus fera basculer l’interrupteur à chaque pression. Il vous est également possible de régler le bouton pour la transmission d’une valeur à chaque pression, et d’une autre valeur à chaque relâchement. Voici comment procéder :
1.Appuyez sur le bouton ADVANCED FUNCTION puis sur la touche DATA 1.
2.Tapez 146 à l’aide des touches de saisie des données numériques.
Le bouton est maintenant en mode CC MIDI (Marche/Arrêt), tel qu’illustré à l’Annexe B.
3.Confirmez votre choix en appuyant sur ENTER.
4.Programmez les deux valeurs de l’interrupteur à bascule pour la pression (DATA 3) et le relâchement (DATA 2) tel que décrit plus haut.
Modifications des Program Changes
Envoyez un message de modification de programme à la carte son, au module son, à un instrument ou à un autre périphérique MIDI qui reçoit ce message MIDI standard. Ce message est transmis par le canal global MIDI.
1.Appuyez sur le bouton ADVANCED FUNCTION. Le clavier est maintenant en mode de programmation.
2.Appuyez sur la touche PROGRAM du clavier.
3.Tapez le numéro du programme que vous désirez envoyer, à l’aide des touches de saisie des données numériques ou des boutons +/- préréglés.
4.Confirmez votre choix en appuyant sur ENTER.
Les boutons assignables peuvent être programmés de façon à transmettre des messages de programme déterminés à des canaux MIDI individuels. Pour plus de précisions au sujet de cette méthode, veuillez consulter la section “Signification des messages MIDI” de ce manuel.
Modifications de Bank (Bank Changes)
Si le récepteur a plus de 128 programmes, l’accès à des banks supplémentaires se fait par l’envoi de messages de modifications de Bank LSB et MSB.
1.Appuyez sur le bouton ADVANCED FUNCTION. Le clavier est maintenant en mode de programmation.
2.Appuyez sur la touche BANK LSB ou BANK MSB sur le clavier.
3.Tapez le chiffre du bank que vous désirez transmettre, à l’aide des touches de saisie de données numériques ou des boutons +/- préréglés.
4.Confirmez votre choix en appuyant sur ENTER.
Veuillez consulter le manuel de votre récepteur afin de vous assurer qu’il répond à ces messages. Pour plus de précisions au sujet de LSB et MSB, veuillez consulter la section “Signification des messages MIDI” de ce manuel.
Messages RPN/NRPN, GM 1&2, Sys Ex et autres
Les chiffres standard des contrôleurs MIDI s’échelonnent de 0 à 131. La liste des CC MIDI qui peut être attribuée aux contrôleurs du clavier comprend maintenant les messages RPN/NRPN, MMC et les messages généraux MIDI 1&2 Sys Ex.
Ces messages avancés se programment tout aussi aisément en entrant des valeurs entre 132 et 154 lors de la programmation des CC MIDI. Vous trouverez à l’annexe B les messages correspondant à ces chiffres, présentés sous forme de tableaux.
Pour programmer les valeurs requises pour ces messages avancés, appuyez sur le bouton ADVANCED FUNCTION afin d’activer le mode de programmation. Appuyez ensuite sur le bouton DATA 1, DATA 2 ou DATA 3. Pour de plus amples renseignements, veuillez consulter l’annexe B.
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