Marantz SR-7002 Service Manual

Service

SR7002 / PS7002

DIGITAL

RLVIDEO

S-VIDEO

AUX 1 INPUT

AUDIO

VOLUME

DOWN

STANDBY

PHONES

INPUT SELECTOR

AV SURROUND RECEIVER SR8002

M-DAX

ENTER

PURE DIRECT THX

7.1CH INPUT

MODE AUTO

MULTI

A/B

T-MODE

MEMORY CLEAR

DISPLAY

EXIT

SPEAKERS

BAND

MIC

PURE DIRECT

SURROUND

SPEAKER

MULTI

M-DAX

POWER ON/STANDBY

LCR

SL S SR

LFE

DIGITAL

SURROUND

V-OFFDISP MULTI AUTO TUNED ST SPKR A B

NIGHT

PEAK ANALOG

DIGITAL

ATT

SLEEP

SURR DIRECT

AUTO

DISC 6.1 MTX 6.1 EQ

PCM

AAC

SR7002 /

FN/N1B/N1S/U1B

Manual

SECTION PAGE

1. TECHNICAL SPECIFICATIONS............................................................................................ 1

2. TECHNICAL DESCRIPTION ................................................................................................ 5

3. POWER AMPLIFIER ADJUSTMENT ...................................................................................11

4. SERVICE MODE ..................................................................................................................12

5. SYSTEM ERROR .................................................................................................................14

6. DUAL BACKUP MEMORY ...................................................................................................18

7. UPDATE FIRMWARE ...........................................................................................................19

Mode 1: Update/Download MAIN CPU's software to internal Flash-ROM ..................... 20

Mode 2: Update/Download DSP's software to 32M Flash-ROM .................................... 25

Mode 3: Update/Download HDMI CPU's software to internal Flash-ROM ..................... 30

8. WIRING DIAGRAM ............................................................................................................. 35

9. BLOCK DIAGRAM .............................................................................................................. 39

10. SCHEMATIC DIAGRAM ...................................................................................................... 43

11. PARTS LOCATION .............................................................................................................. 75

12. EXPLODED VIEW AND PARTS LIST ................................................................................109

13. MICROPROCESSOR AND IC DATA ................................................................................. 11 5

14. ELECTRICAL PARTS LIST ................................................................................................155

15. ABOUT REPLACE THE MICROPROCESSOR WITH A NEW ONE ............................. 223

SR7002

TABLE OF CONTENTS

AV Surround Receiver

PS7002 /

K1G

AV Surround Amplier

Please use this service manual with referring to the user guide ( D.F.U. ) without fail.

Ver. 3

Please refer to the

MODIFICATION NO

Part no. 90M35CW855030

First Issue 2009.10

TICE.

X0446V02DM/DG0910

SR7002 / PS7002

WARNING: Violators will be prosecuted to the maximum extent possible.

MARANTZ DESIGN AND SERVICE

Using superior design and selected high grade components,

MARANTZ

company has created the ultimate in stereo sound.

Only original

MARANTZ

parts can insure that your

MARANTZ

product will continue to perform to the specications for

which it is famous. Parts for your

MARANTZ

equipment are generally available to our National Marantz Subsidiary or Agent.

ORDERING PARTS :

Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specied.

The following information must be supplied to eliminate delays in processing your order :

1. Complete address

2. Complete part numbers and quantities required

3. Description of parts

4. Model number for which part is required

5. Way of shipment

6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.

SHOCK, FIRE HAZARD SERVICE TEST :

CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary

AC cord connector pins (with unit NOT connected to AC mains and its Power switch ON), and the face or Front Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied,

and veried before it is return to the user/customer.

Ref. UL Standard No. 60065.

In case of difculties, do not hesitate to contact the Technical

Department at above mentioned address.

080702MZ

NOTE ON SAFETY :

Symbol Fire or electrical shock hazard. Only original parts should be used to replaced any part marked with symbol .

Any other component substitution (other than original type), may increase risk of re or electrical shock hazard.

安全上の注意：

がついている部品は、安全上重要な部品です。必ず指定されている部品番号のものを使用して下さい。

USA

MARANTZ AMERICA, INC

100 CORPORATE DRIVE MAHWAH, NEW JERSEY 07430 USA

EUROPE / TRADING

D&M EUROPE B. V.

P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860

KOREA

D&M SALES AND MARKETING KOREA LTD.

CHUNG JIN B/D., #1001, 53-5, WONHYORO 3 GA, YONGSAN-GU, SEOUL, 140-719, KOREA PHONE : +82 - 2 - 323 - 2155 FAX : +82 - 2 - 323 - 2154

CANADA

D&M Canada Inc.

5-505 APPLE CREEK BLVD. MARKHAM, ONTARIO L3R 5B1 CANADA PHONE : 905 - 415 - 9292 FAX : 905 - 475 - 4159

JAPAN

D&M BUILDING, 2-1 NISSHIN-CHO, KAWASAKI-KU, KAWASAKI-SHI, KANAGAWA, 210-8569 JAPAN

D&M Holdings Inc.

CHINA

D&M SALES AND MARKETING SHANGHAI LTD.

ROOM.808 SHANGHAI AIRPORT CITY TERMINAL NO.1600 NANJING (WEST) ROAD, SHANGHAI, CHINA. 200040 TEL : 021 - 6248 - 5151 FAX : 021 - 6248 - 4434

1. TECHNICAL SPECIFICATIONS

DIMENSIONS

DIGITAL

RLVIDEO

S-VIDEO

AUX 1 INPUT

AUDIO

VOLUME

DOWN

STANDBY

PHONES

INPUT SELECTOR

AV SURROUND RECEIVER SR8002

M-DAX

ENTER

PURE DIRECT THX

7.1CH INPUT

MODE AUTO

MULTI

A/B

T-MODE

MEMORY CLEAR

DISPLAY

EXIT

SPEAKERS

BAND

MIC

PURE DIRECT

SURROUND

SPEAKER

MULTI

DSD

POWER ON/OFF

LCR

SL S SR

LFE

DIGITAL

SURROUND

V-OFFDISP MULTI AUTO TUNED ST SPKR A B

NIGHT

PEAK ANALOG

DIGITAL

ATT

SLEEP

SURR DIRECT

AUTO

DISC 6.1 MTX 6.1 EQ

PCM

AAC

7-1/4 ins.

(184 mm)

9/16 ins.

(14 mm)

6-3/4 ins.

(170 mm)

17-5/16 ins.

(440 mm)

13/16 ins.

(20 mm)

15-5/8 ins.

(396 mm)

7/8 ins.

(22 mm)

13-15/16 ins.

(354 mm)

HDMI

Version ......................................................... 1.3a [INPUT]

.........................................................1.3a [OUTPUT]

GENERAL

Power Requirement ................................AC 120 V 60 Hz

Power Consumption ................................. 6.5A (SR7002)

..........................................................6.7A (SR8002)

Weight .................................. 33.1 lbs (15.0 Kg) (SR7002)

.....................................33.1 lbs (15.0 Kg) (SR8002)

ACCESSORIES

Remote Control Unit RC8001SR ................................... 1

Remote Control Unit RC101 .......................................... 1

Microphone .................................................................... 1

AAA-size batteries ......................................................... 5

FM Antenna (SR7002) ................................................... 1

FM Feeder Antenna (SR8002) ....................................... 1

FM Antenna Converter (SR8002) .................................. 1

AM Loop Antenna .......................................................... 1

Front AUX Jack Cover ................................................... 1

AC cable ........................................................................ 1

FM TUNER SECTION (Except PS7002) Frequency Range

Usable Sensitivity Signal to Noise Ratio Distortion

......................................... Mono/Stereo 0.2/0.3 %

Stereo Separation

................................76.0 - 90.0 MHz [ /F ]

............................... 87.5 - 108.0 MHz [ /N ]

................................87.5 - 107.9 MHz [ /U ]

................................ IHF 1.8 µV/16.4 dBf

...................... Mono/Stereo 75/70 dB

.............................................1 kHz 45 dB

Alternate Channel Selectivity

Image Rejection

.......................................................98.1 MHz 70 dB [ /U ]

Tuner Output Level

................................ 98 MHz 70 dB [ /F/N ]

................ 1 kHz, ± 75 kHz Dev 800 mV

AM TUNER SECTION (Except PS7002) Frequency Range

Signal to Noise Ratio Usable Sensitivity

Distortion Selectivity

.......................................400Hz, 30 % Mod. 0.5 %

.....................................................± 20 kHz 70 dB

............................. 531 - 1602 kHz [ /F/N ]

..................................530 - 1710 kHz [ /U ]

.................................................. 50 dB

............................... Loop 400 µV [ /F/N ]

.................................... Loop 500 µV [ /U ]

HDMI SECTION Version

........................................................ 1.3a [INPUT]

..................................................... 1.3a [OUTPUT]

DIMENSIONS

AUDIO SECTION Power Output (20 Hz - 20 kHz/THD=0.08%) Front L&R Center Surround L&R Surround Back L&R

Front L&R

...... ± 300 kHz 60 dB [ /F/N ]

............ ± 400 kHz 60 dB [ /U ]

Center Surround L&R Surround Back L&R

Input Sensitivity/Impedance Signal to Noise Ratio

Analog Input / Pure Direct Frequency Response

Analog Input / Pure Direct Digital Input / 96 kHz PCM

VIDEO SECTION Television Format Input Level/Impedance Output Level/Impedance Video Frequency Response Video Frequency (Component) S/N

GENERAL Power Requirement

Power Consumption

.................................................8 ohms 110 W/Ch

.......................................................8 ohms 110 W/Ch

.......................................... 8 ohms 110 W/Ch

.................................8 ohms 110 W/Ch

................................................ 6 ohms 140 W/Ch

...................................................... 6 ohms 140 W/Ch

......................................... 6 ohms 140 W/Ch

................................ 6 ohms 140 W/Ch

..................168 mV/47 kohms

.................................. 105 dB

........8 Hz - 100 kHz (± 3 dB)

..........8 Hz - 45 kHz (± 3 dB)

............................................... NTSC/PAL

...............................1 Vp-p/75 ohms

............................1 Vp-p/75 ohms

........... 5 Hz to 8 MHz (- 1 dB)

.... 5 Hz to 80 MHz (- 1 dB)

................................................................................ 60 dB

.......................AC 100 V 50/60 Hz [ /F ]

............................. AC 220 V 50 Hz [ /K ]

........................ AC 230 V 50/60 Hz [ /N ]

............................. AC 120 V 60 Hz [ /U ]

...................................770 W [ /F/K/N ]

............................................. 6.5 A [ /U ]

Weight

...................................................... 15.0 kg (33.1 lbs)

ACCESSORIES Remote Control Unit RC8001SR Remote Control Unit RC101 AAA-size batteries Microphone

............................................................. 5

.........................................................................1

FM Antenna (Except PS7002) AM Loop Antenna (Except PS7002) Front AUX Jack Cover AC cable

SR7002

..............................................................................1

........................................................1

........................................ 1

...............................................1

............................................1

.................................. 1

SURROUND MODE

This unit is equipped with many surround modes. These are provided to reproduce a variety of surround sound effects, according to the content of the source to be played. The available surround modes may be restricted depending on the input signal and speaker setup.

The relationship between the selected surround mode and the input signal

The surround mode is selected with the surround mode selector on the unit or the remote controller. However, the sound you hear is subject to the relationship between the selected surround mode and the input signal. That relationship is as follows:

Surround Mode Input Signal Decoding

AUTO Dolby Surr.EX Dolby Digital EX

SOURCE DIRECT PURE DIRECT

EX/ES Dolby Surr.EX Dolby Digital EX

Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic IIx movie Dolby Digital Plus (5.1ch) Dolby Digital Plus (6.1ch) Dolby Digital Plus (7.1) Dolby TrueHD (5.1ch) Dolby TrueHD (6.1ch) Dolby TrueHD (7.1ch) DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 DTS-HD (5.1) DTS-HD DTS-HD (6.1) DTS-HD DTS-HD (7.1) DTS-HD Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz SA-CD (5.1ch) Multi Ch-PCM SA-CD (2ch) PCM (Stereo) PCM (Audio) PCM (Stereo) PCM 96kHz PCM (Stereo 96kHz) HDCD HDCD Analog Stereo

7.1ch input Multi Ch Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic IIx movie Dolby Digital Plus (5.1) Dolby Digital Plus (6.1) Dolby Digital Plus (7.1) Dolby TrueHD (5.1) DolbyTrueHD Dolby TrueHD (6.1) DolbyTrueHD Dolby TrueHD (7.1) DolbyTrueHD DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 DTS-HD (5.1) DTS-HD DTS-HD (6.1) DTS-HD DTS-HD (7.1) DTS-HD Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz SA-CD (5.1ch) SA-CD (5.1ch) SA-CD (2ch) SA-CD (2ch) PCM (Audio) PCM (Stereo) PCM 96kHz PCM (Stereo 96kHz) HDCD HDCD Analog Stereo

7.1ch input Multi Ch

Dolby D (5.1ch) Dolby Digital EX Dolby Digital Plus (5.1) Dolby TrueHD (5.1) DolbyTrueHD DTS-ES DTS-ES DTS (5.1ch) DTS-ES

Multi-PCM

SA-CD (5.1ch)

DolbyDigital + DolbyDigital + DolbyDigital + DolbyTrueHD DolbyTrueHD DolbyTrueHD

Multi Ch-PCM 96kHz

DolbyDigital + DolbyDigital + DolbyDigital +

Multi Ch-PCM 96kHz

DolbyDigital +

Multi Ch-PCM + Dolby Digital EX Multi Ch-PCM + Dolby Digital EX

Output Channel Front information display

L/R C

OOOOO2 DIGITAL EX L, C, R, SL, SR, S, LFE OOO O OOOOO OOO OOOOO OOOOO OOO OOOOO OOOOO OOOOO OOO OOO OOO OOOOO OOOOO OOO OOO OOO O O O O O OOOOO OOOOO OOO O OOOOO OOO OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE OOOOO OOO OOOOO OOOOO2 DIGITAL OOOOO OOO OOO OOO OOOOO OOOOO OOO OOO OOO O O O O O OOOOO OOOOO2 DIGITAL EX L, C, R, SL, SR, S, LFE OOOOO OOOOO OOOOO OOOOO OOOOO

OOOOO

SLSRSBL

---

---ODSD L, R

---OPCM L, R

---OPCM, HDCD L, R

---OANALOG -

---

---ODSD L, R

----PCM L, R

- - - - PCM, HDCD L, R

- - - - ANALOG -

SBR

SubW

Signal format indicators Channel status

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, C, R, SL, SR, S, LFE

DIGITAL

dts, ES L, C, R, SL, SR, S, LFE

dts 96/24 L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE dts L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, S, LFE

PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE

ANALOG -

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, C, R, SL, SR, S, LFE

DIGITAL

dts, ES L, C, R, SL, SR, S, LFE

dts 96/24 L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE dts L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, S, LFE

PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE

ANALOG -

DIGITAL L, C, R, SL, SR, LFE

DIGITAL

dts, ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE

PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE

Depend on speaker setup Depend on speaker setup Depend on speaker setup

Depend on speaker setup

Surround Mode Input Signal Decoding

DOLBY (PLIIx movie) (PLIIx music) (PLIIx game)

DTS (Neo:6 Cinema) (Neo:6 Music)

CSII Cinema CSII Music CSII Mono

STEREO Dolby Surr.EX Stereo

Dolby Virtual Speaker

Multi Ch. Movie Music (O): Movie mode only.

Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (5.1ch) Dolby Digital 5.1 + PLIIx Dolby D (2ch) Pro Logic IIx Dolby D (2ch Surr) Pro Logic IIx Dolby Digital Plus (5.1) Dolby Digital Plus (6.1) Dolby Digital Plus (7.1) Dolby TrueHD (5.1) DolbyTrueHD Dolby TrueHD (6.1) DolbyTrueHD Dolby TrueHD (7.1) DolbyTrueHD Multi Ch-PCM Multi Ch-PCM + PLIIx SA-CD (5.1ch) Multi Ch-PCM + PLIIx SA-CD (2ch) Pro Logic IIx PCM (Audio) Pro Logic IIx HDCD Pro Logic IIx Analog Pro Logic IIx DTS-ES DTS 5.1 DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 DTS-HD(5.1) DTS-HD DTS-HD(6.1) DTS-HD DTS-HD(7.1) DTS-HD Dolby D (2ch) Neo:6 Dolby D (2ch Surr) Neo:6 SA-CD (2ch) Neo:6 PCM (Audio) Neo:6 HDCD Neo:6 Analog Neo:6 Dolby D (2ch) CS Dolby D (2ch Surr) CS SA-CD (2ch) CS PCM (Audio) CS HDCD CS Analog CS

Dolby D (5.1ch) Stereo Dolby D (2ch) Stereo Dolby D (2ch Surr) Stereo Dolby Digital Plus (5.1) Dolby Digital Plus (6.1) Dolby Digital Plus (7.1) Dolby TrueHD (5.1) Stereo Dolby TrueHD (6.1) Stereo Dolby TrueHD (7.1) Stereo DTS-ES Stereo DTS 96/24 Stereo DTS (5.1ch) Stereo DTS-HD (5.1) Stereo DTS-HD (6.1) Stereo DTS-HD (7.1) Stereo Multi Ch-PCM Stereo Multi Ch-PCM 96kHz SA-CD (5.1ch) Stereo SA-CD (2ch) Stereo PCM (Audio) Stereo PCM 96kHz Stereo HDCD Stereo Analog Stereo Dolby Surr.EX Dolby Virtual Speaker Dolby D (5.1ch) Dolby Virtual Speaker Dolby D (2ch) Dolby Virtual Speaker Dolby D (2ch Surr) Dolby Virtual Speaker DTS-ES Dolby Virtual Speaker DTS 96/24 Dolby Virtual Speaker DTS (5.1ch) Dolby Virtual Speaker Multi Ch-PCM Dolby Virtual Speaker SA-CD (5.1ch) Dolby Virtual Speaker SA-CD (2ch) Dolby Virtual Speaker PCM (Audio) Dolby Virtual Speaker HDCD Dolby Virtual Speaker Analog Dolby Virtual Speaker Dolby Surr.EX Dolby Digital EX Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Multi Channel Dolby D (2ch Surr) Multi Channel

DolbyDigital + DolbyDigital + DolbyDigital +

II II II II II II

Stereo Stereo Stereo

Stereo

Output Channel Front information display

L/R C

OOO OOO OOOOO OOOOO OOOOO OOO OOOOO OOOOO OOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOO OOO OOO OOO OOOOO OOOOO OOOOO OOOOO2 DIGITAL 2 SURROUND L, R, S OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O (O) O O O O (O) O O (O) O O O O (O) O O O

SLSRSBL

---

---Odts, ES L, C, R, SL, SR, S, LFE

---Odts 96/24 L, C, R, SL, SR, LFE

---Odts L, C, R, SL, SR, LFE

---Odts L, C, R, SL, SR, S, LFE

---OPCM L, C, R, SL, SR, LFE

---ODSD L, C, R, SL, SR, LFE

---ODSD L, R

---OPCM L, R

---OPCM, HDCD L, R

---OANALOG -

----2 DIGITAL EX L, C, R, SL, SR, S, LFE

----2 DIGITAL L, C, R, SL, SR, LFE

----2 DIGITAL L, R

----2 DIGITAL 2 SURROUND L, R, S

- - - - dts, ES L, C, R, SL, SR, S, LFE

- - - - dts 96/24 L, C, R, SL, SR, LFE

- - - - dts L, C, R, SL, SR, LFE

- - - - PCM L, C, R, SL, SR, LFE

- - - - DSD L, C, R, SL, SR, LFE

----DSD L, R

----PCM L, R

- - - - PCM, HDCD L, R

- - - - ANALOG -

SBR

SubW

Signal format indicators Channel status

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

DIGITAL L,C,R,SL,SR,LFE

DIGITAL L,C,R,SL,SR,S,LFE

DIGITAL

PCM L, C, R, SL, SR, LFE DSD L, C, R, SL, SR, LFE DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

dts, ES L, C, R, SL, SR, S, LFE

dts 96/24 L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE dts L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, S, LFE

DIGITAL L, R

DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, C, R, SL, SR, S, LFE

DIGITAL

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

Depend on speaker setup Depend on speaker setup Depend on speaker setup

Surround Mode Input Signal Decoding

Multi Ch. Movie Music

(O): Movie mode only. Dolby H.P Dolby Surr.EX Dolby H.P

THX (AUTO)

THX Select2 (THX EX) (THX Cinema) (THX Music) (THX Games)

DTS-ES DTS-ES DTS 96/24 DTS-96/24 DTS (5.1ch) DTS 5.1 Multi Ch-PCM Multi Ch-PCM Multi Ch-PCM 96kHz SA-CD (5.1ch) Multi Ch-PCM SA-CD (2ch) Multi Channel PCM (Audio) Multi Channel HDCD Multi Channel Analog Multi Channel

Dolby D (5.1ch) Dolby H.P Dolby D (2ch) Dolby H.P Dolby D (2ch Surr) Dolby H.P Dolby Digital Plus (5.1) Dolby Digital Plus (6.1) Dolby Digital Plus (7.1) Dolby TrueHD (5.1) Stereo Dolby TrueHD (6.1) Stereo Dolby TrueHD (7.1) Stereo DTS-ES Dolby H.P DTS 96/24 Dolby H.P DTS (5.1ch) Dolby H.P DTS-HD (5.1) Stereo DTS-HD (6.1) Stereo DTS-HD (7.1) Stereo Multi Ch-PCM Dolby H.P SA-CD (5.1ch) Dolby H.P SA-CD (2ch) Dolby H.P PCM (Audio) Dolby H.P HDCD Dolby H.P Analog Dolby H.P Dolby Surr.EX Dolby D (5.1ch) Dolby D (2ch) Dolby D (2ch Surr) DTS-ES DTS-ES + THX DTS (5.1ch) DTS + THX 5.1 Multi Ch-PCM Multi Ch-PCM + THX5.1 SA-CD (5.1ch) Multi Ch-PCM + THX5.1 SA-CD (2ch) PCM (Audio) HDCD Analog Dolby Surr.EX Dolby D (5.1ch) Dolby Digital 5.1+ THX

Dolby D (2ch) Dolby D (2ch Surr) DTS-ES DTS-ES + THX DTS (5.1ch) Multi Ch-PCM Mu l ti C h - PC M + T H X

SA-CD (5.1ch) Multi Ch-PCM + THX

SA-CD (2ch) PCM (Audio) HDCD Analog

Multi Ch-PCM 96kHz

Stereo Stereo Stereo

Dolby Digital + THX Surround EX Dolby Digital 5.1+ THX 5.1 Pro Logic IIx movie + THX Pro Logic IIx movie + THX

Pro Logic IIx movie + THX Pro Logic IIx movie + THX Pro Logic IIx movie + THX Pro Logic IIx movie + THX Dolby Digital + THX Surround EX

Select2 Cinema Pro Logic IIx movie + THX Pro Logic IIx movie + THX

DTS + THX Select2 Cinema

Select2 Cinema

Select2 Cinema Pro Logic IIx movie + THX Pro Logic IIx movie + THX Pro Logic IIx movie + THX Pro Logic IIx movie + THX

Output Channel Front information display

L/R C

O (O) O O O O (O) O O (O) O O (O) O O (O) O O (O) O O (O) O O O O (O) O O O O (O) O O O O (O) O O O O O O O O O O O O O O O O O O O O O O O O O OOOOO2 DIGITAL EX L, C, R, SL, SR, S, LFE OOO OOOOO OOOOO OOOOO OOO OOO OOO OOOOO OOOOO OOOOO OOOOO OOOOO OOOOO

OOOOO OOOOO2 DIGITAL 2 SURROUND L, R, S OOOOO OOOOO OOOOO

OOOOO

OOOOO OOOOO OOOOO OOOOO

SLSRSBL

----2 DIGITAL EX L, C, R, SL, SR, S, LFE

----2 DIGITAL L, C, R, SL, SR, LFE

----2 DIGITAL L, R

----2 DIGITAL 2 SURROUND L, R, S

---

----dts, ES L, C, R, SL, SR, S, LFE

----dts 96/24 L, C, R, SL, SR, LFE

----dts L, C, R, SL, SR, LFE

---Odts L, C, R, SL, SR, LFE

---Odts L, C, R, SL, SR, S, LFE

----PCM L, C, R, SL, SR, LFE

----DSD L, C, R, SL, SR, LFE

----DSD L, R

----PCM L, R

----PCM, HDCD L, R

----ANALOG -

SBR

SubW

Signal format indicators Channel status

dts, ES L, C, R, SL, SR, S, LFE

dts 96/24 L, C, R, SL, SR, LFE

dts L, C, R, SL, SR, LFE

PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, C, R, SL, SR, S, LFE

DIGITAL

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

DIGITAL 2 SURROUND L, R, S

dts, ES L, C, R, SL, SR, S, LFE

dts L, C, R, SL, SR, LFE

PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

DIGITAL EX L, C, R, SL, SR, S, LFE

DIGITAL L, C, R, SL, SR, LFE

DIGITAL L, R

dts, ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE PCM L, C, R, SL, SR, LFE

DSD L, C, R, SL, SR, LFE

DSD L, R PCM L, R PCM, HDCD L, R ANALOG -

Depend on speaker setup Depend on speaker setup Depend on speaker setup

Notes:

• Dolby Digital (2 channel L/R): Speakers for signal with Dolby Surround are fully equipped.

• No sound is outputs from the surround speaker, center speaker and subwoofer if the DVD disc has no surround data.

• Surround modes other than Stereo are not available during Dolby TrueHD, Dolby Digital Plus, or DTSHD playback.

If surround modes other than Stereo are selected

and Dolby TrueHD, Dolby Digital Plus, or DTSHD content is played, the surround mode setting is disabled.

Abbreviations L/R : Front speakers C : Center speaker SL/SR : Surround speakers SBL/SBR : Surround back speakers SubW : Subwoofer

2. TECHNICAL DESCRIPTION

DESCRIPTION

The unit was required to pass a rigorous series of quality and performance tests, in addition to incorporating the technologies explained above, in order to be THX certiﬁ ed. THX requirements cover every aspect of performance including pre-amplifier and power amplifier performance and operation, and hundreds of other parameters in both the digital and analog domain. Movies which have been encoded in Dolby Digital, DTS, Dolby Pro Logic, stereo and Mono will all beneﬁ t from the THX mode when being viewed. The THX mode should only be activated when watching movies which were originally produced for a movie theater environment. THX need not be activated for music, movies made especially for TV, or shows such as sports programming, talk shows, etc. This is because they were originally mixed for a small room environment.

THX and Select 2 are trademarks of THX Ltd. THX may be registered in some jurisdictions. Surround EX is a trademark of Dolby Laboratories. Used with permission.

THX® is an exclusive set of standards and technologies established by the world-renowned ﬁ lm production company, Lucasﬁ lm Ltd. THX resulted from George Lucas’ desire to reproduce the movie soundtrack as faithfully as possible both in the movie theater and in the home theater. THX engineers developed patented technologies to accurately translate the sound from a movie theater environment into the home, correcting the tonal and spatial errors that occur. When the THX mode of the unit is on, three distinct THX technologies are automatically added: Re-Equalization-restores the correct tonal balance for watching a movie in a home environment. These sounds are otherwise mixed to be brighter for a large movie theater. Re-EQ compensates for this and prevents the soundtracks from being overly bright and harsh when played in a home theater. Timbre Matching-ﬁ lters the information going to the surround speakers so they more closely match the tonal characteristics of the sound coming from the front speakers. This ensures seamless panning between the front and surround speakers. Adaptive Decorrelation-slightly changes one surround channel’s time and phase relationship with respect to the other surround channel. This expands the listening position and creates with only two surround speakers the same spacious surround experience as in a movie theater with multiple surround speakers.

THX Surround EX—Dolby DIgital Surround EX is a joint development of Dolby Laboratories and THX Ltd.

In a movie theater, ﬁ lm soundtracks that have been encoded with Dolby Digital Surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program. This channel, called Surround Back, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels. This additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization than ever before. Movies that were created using the Dolby Digital Surround EX technology, when released into the home consumer market may exhibit wording to that effect on the packaging. A list of movies created using this technology can be found on the Dolby web site at www.dolby.com. A list of available DVD software titles encoded with this technology an be found at www.thx.com.

Only receiver and controller products bearing the THX Surround EX logo, when in the THX Surround EX mode, faithfully reproduce this new technology in the home. This product may also engage the THX Surround EX mode during the playback of 5.1 channel material that is not Dolby Digital Surround EX eocnded. In such case, the information delivered to the Surround Back channel will be program dependent and may or may not be very pleasing depending on the particular soundtrack and the tastes of the individual listener.

“SURROUND EX™” is a trademark of Dolby Laboratories. Used under authorization.

THX Select2

Before any home theater component can be THX Select2 certified, it must pass a rigorous series of quality and performance tests. Only then can a product feature the THX Select2 logo, which is your guarantee that the Home Theater products you purchase will give you superb performance for many years to come. THX Select2 requirements deﬁ ne hundreds of parameters, including power ampliﬁ er performance, and pre-amplifier performance and operation for both digital and analog domains. THX Select2 receivers also feature proprietary THX technologies (e.g., THX Mode) which accurately translate movie soundtracks for home theater playback.

Neural SurroundTM, THX® Technologies has been chosen as the ofﬁ cial surround sound broadcast format for XM Satellite Radio’s “XM HD Surround” and other leading FM/HD radio stations in the USA and worldwide. Neural Surround, THX Technologies delivers the rich envelopment and discrete image detail of surround sound in a format 100% compatible with stereo.

Neural Surround, THX Technologies draws the brain’s attention to sonic details in musical instruments, vocals and ambience that are typically masked by other playback systems. This allows the listener to fully experience the richness and subtleties in recorded performance as never before for both surround encoded material and regular stereo material such as CDs or digital media players. Neural Surround, THX Technologies is enabling the second surround sound revolution, bringing surround directly to your ears!

This product is manufactured under license from Neural Audio Corporation and THX Ltd. Marantz hereby grants the user a non-exclusive, nontransferable, limited right of use to this product under USA and foreign patent, patent pending and other technology or trademarks owned by Neural Audio Corporation and THX Ltd. “Neural Surround”, “Neural Audio”, “Neural” and “NRL” are trademarks and logos owned by Neural Audio Corporation, THX is a trademark of THX Ltd., which may be registered in some jurisdictions. All rights reserved.

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,003,467 & other U.S. and worldwide patents issued & pending. DTS, DTS Digital Surround, ES, and Neo:6 are registered trademarks and the DTS logos, Symbol and DTS 96/24 are trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.

• dts Digital Surround

DTS was introduced in 1994 to provide 5.1 channels of discrete digital audio into home theater systems. DTS brings you premium quality discrete multichannel digital sound to both movies and music. DTS is a multichannel sound system designed to create full range digital sound reproduction. The no compromise DTS digital process sets the standard of quality for cinema sound by delivering an exact copy of the studio master recordings to neighborhood and home theaters. Now, every moviegoer can hear the sound exactly as the moviemaker intended. DTS can be enjoyed in the home for either movies or music on of DVD’s, LD’s, and CD’s.

• dts Neo:6

The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from twochannel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, bandlimited surround it can be disappointing to users accustomed to discrete multichannel.

Neo:6 offers several important improvements as follow,

• Neo:6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and ﬁ ve separate channels, respectively, corresponding to the standard home-theater speaker layouts.

• Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation.

• Neo:6 offers a music mode to expand stereo nonmatrix recordings into the ﬁ ve- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording.

DTS 96/24 offers the following:

1. Sound quality transparent to the original 96/24 master.

2. Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal)

3. No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players.

4. 96/24 5.1-channel sound with full-quality fullmotion video, for music programs and motion picture soundtracks on DVD-video.

• dts Digital Surround ES

DTS-ES Extended Surround is a new multichannel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTSES Extended Surround greatly improves the 360degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTSES Discrete 6.1 and DTS-ES Matrix 6.1.

• dts Digital Surround 96/24

The stereo CD is a 16-bit medium with sampling at

44.1 kHz. Professional audio has been 20- or 24bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of antialias and reconstruction ﬁ lters with more favorable aural characteristics.

DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player.

DTS-HD Master Audio is capable of delivering audio that is a bit-for-bit identical to the studio master. DTS-HD Master Audio delivers audio at super high variable bit rates -24.5 mega-bits per second (Mbps) on Blu-ray discs and 18.0 Mbps on HD-DVD - that are signiﬁ cantly higher than standard DVDs . This bit stream is so “fast” and the transfer rate is so “high” that it can deliver the Holy Grail of audio: 7.1 audio channels at 96k sampling frequency/24 bit depths that are identical to the original. With DTS-HD Master Audio, you will be able to experience movies and music, exactly as the artist intended: clear, pure, and uncompromised.

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 & other U.S. and worldwide patents issued & pending. DTS is a registered trademark & the DTS logos and Symbol are trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.

DTS-HD High Resolution Audio can deliver up to 7.1 channels of sound that is virtually indistinguishable from the original. DTS-HD High Resolution Audio delivers audio at high constant bit rates superior to standard DVDs---6.0 Mbps on Blu-ray discs and 3.0 Mbps on HD-DVD to produce outstanding sound quality. It is capable of delivering up to 7.1 channels at 96k sampling frequency/24 bit depth resolution. It allows content creators to deliver rich, high deﬁ nition audio on movies where disc space may not allow for DTS-HD Master Audio.

Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 & other U.S. and worldwide patents issued & pending. DTS is a registered trademark and the DTS logos, Symbol, DTS-HD, DTS-HD High Resolution Audio and DTS-HD High Res Audio are trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.

Dolby Pro Logic IIx is fully compatible with Dolby Surround Pro Logic technology and can optimally decode the thousands of commercially available Dolby Surround encoded video cassettes and television programs with enhanced depth and spatiality. It can also process any high-quality stereo or Advanced Resolution 5.1-channel music content into a seamless 6.1- or 7.1-channel listening experience.

Dolby Digital identiﬁ es the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with ﬁ lm sound, Dolby Digital can provide up to ﬁ ve full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth (“.1”) channel for lowfrequency effects.

Dolby Surround Pro Logic II is an improved matrix decoding technology that provides better spatiality and directionality on Dolby Surround program material; provides a convincing three-dimensional soundﬁ eld on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround

Pro Logic

decoders, soundtracks will be able to be encoded speciﬁ cally to take full advantage of Pro Logic

playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.)

Dolby Digital EX creates six full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original recording. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX.

The Dolby Headphone technology provides a surround sound listening experience over headphones. When listening to multichannel content such as DVD movies over headphones, the listening experience is fundamentally different than listening to speakers. Since the headphone speaker drivers are covering the pinna of the ear, the listening experience differs greatly from traditional speaker playback. Dolby utilizes patented headphone perspective curves to solve this problem and provides a non-fatiguing, immersive, home theater listening experience. Dolby Headphone also delivers exceptional 3D audio from stereo material.

Dolby Virtual Speaker is a technologycertified by Dolby Laboratories that creates a virtualized surround sound experience from two speakers using a multichannel Dolby Digital source. Additionally, Dolby Virtual Speaker can simulate the surround sound effect produced by Dolby Pro Logic or Dolby Pro Logic II . Dolby Virtual Speaker retains all the original Multichannel audio information and provides the listener with the sensation of being surrounded by additional speakers.

About Dolby Pro Logic IIx

Dolby Pro Logic IIx technology delivers a natural and immersing 7.1-channel listening experience to the home theater environment. A product of Dolby's expertise in surround sound and matrix decoding technologies, Dolby Pro Logic IIx is a complete surround sound solution that maximizes the entertainment experience from stereo as well as

5.1-channel encoded sources.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol are trademarks of Dolby Laboratories.

Dolby® TrueHD is Dolby’s next-generation lossless technology developed for high-deﬁ nition disc-based media. Dolby TrueHD delivers tantalizing sound that is bit-for-bit identical to the studio master, unlocking the true high-definition entertainment experience on next-generation discs. When coupled with high-deﬁ nition video, Dolby TrueHD offers an unprecedented home theater experience that lets you enjoy sound as stunning as the high-deﬁ nition picture.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol are trademarks of Dolby Laboratories.

Dolby Digital Plus is a highly sophisticated and versatile audio codec based on Dolby Digital and designed specifically to adapt to the changing demands of future audio, video delivery, and audio storage systems while simultaneously retaining backwards compatibility with the existing Dolby Digital 5.1-channel home theater systems in use today.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol are trademarks of Dolby Laboratories.

Circle Surround II (CS-II ) is a powerful and versatile multichannel technology. CS-II is designed to enable up to 6.1 multichannel surround sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener “inside” music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separation and image positioning– adding a heightened sense of realism to both audio and A/V productions.

CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discernable in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies–overcoming the low frequency limitations of the speakers by full octave.

Circle Surround II, Dialog Clarity, TruBass, SRS and

symbol are trademarks of SRS Labs, Inc. Circle Surround II , Dialog Clarity and TruBass technology are incorporated under license from SRS Labs, Inc.

HDCD® (High Definition Compatible Digital ®) is a patented process for delivering on Compact Disc the full richness and details of the original microphone feed. HDCD encoded CDs sound better because they are encoded with 20-bits of real musical information as compared to 16-bits for all other CDs. HDCD overcomes the limitation of the 16-bit CD format by using a sophisticated system to encode the additional four bits onto the CD while remaining completely compatible with the CD format. When listening to HDCD recordings, you hear more dynamic range, a focused 3-D sound stage, and extremely natural vocal and musical timbre. With HDCD, you get the body, depth and emotion of the original performance not a ﬂ at, digital imitation. HDCD system manufactured under license from Microsoft. This product is covered by one or more of the following: In the United States 5,479,168 5,638,074 5,640,161 5,808,574 5,838,274 5,854,600 5,864,311 5,872,531 and in Australia 669,114 with other patents pending.

HDMI, the and High-Deﬁ nition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

XM Satellite Radio Ready

The XM name and related logos are registered trademarks of XM Satellite Radio Inc.

XM HD Surround uses Neural SurroundTM technology to achieve optimal surround sound from XM radio.

There are several factors that can degrade the sound from even the best loudspeakers in a listening room. One of the most important is the interaction of sound from the loudspeakers with large surfaces such as walls, the ﬂ oor, and the ceiling in the room. Even with careful loudspeaker placement and acoustical treatments, there are signiﬁ cant problems that are caused by room acoustics. These include reﬂ ections from nearby surfaces and standing waves that are created between large parallel surfaces in the room. In a home theater the situation is further complicated because there are several listening locations. The effects of room acoustics on the sound arriving at each person’s ears are very different and the result is a listening experience that is degraded in a different way for every person in the room. It is not uncommon to have variations in two adjacent seats that are as large as 10 dB, particularly in the frequency range below 250 Hz.

The solution to this problem is to apply room correction after precisely measuring how each loudspeaker interacts with the room. Because the room causes variations in the frequency response of the loudspeakers that are so large from seat to seat, it is important to measure each loudspeaker at several locations in the listening room. This should be done even if there is only one listener. Measurement at a single location is not representative of the acoustical problems in the room and will in most cases, degrade overall performance. Audyssey MultEQ is the only technology that can achieve room correction for multiple listeners in a large listening area. It does so by combining the data collected at several points in the room from each loudspeaker and then applying correction that minimizes the acoustical effects of the room and is matched to the frequency resolution of human perception (known as psychoacoustics). Furthermore, MultEQ correction is applied both in frequency and time domains and so there are no artifacts (such as smearing of sound or modal ringing)that are sometimes associated with traditional methods of room equalization. In addition to correcting frequency response problems over a wide listening area, Audyssey MultEQ provides a completely automated sound system set-up process. It identiﬁ es how many loudspeakers are connected to the ampliﬁ ers and whether they are fullrange, satellites, or subwoofers. If there is a least one subwoofer connected, Audyssey MultEQ determines the optimum crossover frequency between each satellite and the subwoofer(s). It automatically checks the polarity of each loudspeaker and alerts the user if there are any that may be wired outof-phase relative to the others. It measures the distance to each loudspeaker from the main listening position and adjusts the delays so that sound from each loudspeaker arrives at the same time. Finally, Audyssey MuitEQ determines the playback level of each loudspeaker and adjusts the volume trims so that all levels are equal.

3. POWER AMPLIFIER ADJUSTMENT

Idling Current Alignment

1. Each of the measurement points are provided with the

two test points. Set a digital Voltage meter to DC voltage

input, connect the meter to the test points at both

contact points.

2. After the setup above, turn on the main switch.

3. Adjust variable resistors (VR41 - VR71) according to the

digital voltmeter readings. The target setting value is the

following table for each channel.

Settings: Master Volume — Minimum

Speaker out — No Load

Top lid — OPEN

Channel Alignment Point Measurement Point

Front L VR41 CN41

Center VR61 CN61

Front R VR51 CN51

Surround L VR42 CN42

Surround R VR52 CN52

Surround Back L VR62 CN62

Surround Back R VR71 CN71

アイドリング電流調整

1. 電源を ON する前にそれぞれの "+" 端子と "-" 端子間にデ

ジタルボルトメーターを接続します。デジタルボルトメー

DC 電圧入力にセットします。

ターを

2. 上記のセットアップの後に、本機の電源を ON します。

3. デジタルボルトメーターの電圧値を監視しながら可変抵抗 (VR41 〜 VR71) を調節します。

器

各チャンネルの目標値は下記の表を参照下さい。

セッティング

スピーカー接続  無しトップカバー –– 無し

: マスター・ボリューム  最小

Time Table of Idling Current Rise

Ambient temperature

After Turning ON

10 min. 2.4 mV ± 0.3 mV

20 min. 2.4 mV ± 0.3 mV

30 min. 2.4 mV ± 0.3 mV

20 to 30 degrees centigrade

Measurement Voltage

4. SERVICE MODE

MAIN CPU Version, DSP Version, HDMI CPU Version and

Segment Check Mode.

1. Connect the mains cord into the unit.

2. Press the POWER ON/STANDBY button for turn on the

unit.

3. Press the PURE DIRECT, 7.1CH INPUT and M-DAX

buttons simultaneously more then 3 seconds.

4. The FL display shows "SERVICE MODE" for 2 seconds

then shows the model name.

SERV I CE MODE

SR7002

(/K Ver.:

P S 7 0 0 2 )

5. Press the ENTER button, the software version of the

MAIN CPU (IC17) is displayed in the format below.

V070804 1U

Year

Month Date

Release No. Destination

MAIN CPU Version, DSP Version, HDMI CPU Version and

Segment Check Mode.

本機に電源コードを接続します。

2. POWER ON/STANDBYボタンを押し、本機の電源を入れ

ます。

3. PURE DIRECT, 7.1CH INPUT, M-DAXの3つのボタンを

同時に

3秒以上押します。

4. FLに"SERVICE MODE"と2秒表示し、次にモデル名を表

示します。

SERV I CE MODE

SR7002

5. ENTERボタンを押すと、MAINマイコン(IC17)のバージョ

ンが表示されます。

V070804 1U

Month DateYear

リリース No. 仕向け

6. Press the ENTER button again, the serial Number of the

unit is displayed.

MZ 294967295

7. Press the ENTER button, the software version of the TI

DSP (IC34) B1 Code is displayed in the format below.

B1 10707051

8. Press the ENTER button, the software version of the TI

DSP (IC34) B2 Code is displayed in the format below.

B2 10707051

9. Press the ENTER button, the software version of the

HDMI CPU (IC81) is displayed in the format below.

HDMI Ve r . h 2 1

6. 更にENTERボタンを押すと、シリアルナンバーが表示さ

れます。

MZ 294967295

7. 更にENTERボタンを押すと、TI DSP (IC34) B1 Codeの

バージョンが表示されます。

B1 10707051

8. 更にENTERボタンを押すと、TI DSP (IC34) B2 Codeの

バージョンが表示されます。

B2 10707051

9. 更にENTERボタンを押すと、HDMI CPU (IC81)のバージ

ョンが表示されます。

HDMI Ve r . h 2 1

10. Press the ENTER button again, the left half, right half

and center of the label area in the FLD light on and off

each other.

11. Press the ENTER button again, the segments of the

character area in the FLD flick in checker pattern.

12. Press the ENTER button again, all the FL segments

turns off.

13. Press the ENTER button again to quit this mode.

10. 更にENTERボタンを押すと、FLのラベル部分の左半分と

右半分および中心部が交互に点灯と消灯を繰り返します。

11. 更にENTERボタンを押すと、FLのキャラクタセグメント

部がチェッカーフラグのように点灯と消灯を繰り返します。

12. 更にENTERボタンを押すと、FLは全消灯します。

13. 更にENTERボタンを押すと、サービスモードを終了しま

す。

Product Reset

To reset the back up memory of the unit into the default

status, follow the procedure below.

Should the operation or display seem to be abnormal,

reset the unit with the following procedure.

To turn on the SR7002/SR8002, press and hold the

MULTI and SPEAKERS A/B buttons simultaneously for

3 seconds or more.

Remember that the procedure will reset the settings of

the function selector, Surround mode, delay time, TUNER

PRESET etc., to their initial settings.

初期状態に戻すには（リセット）

但しリセット行うと、セットアップメニューにて設定した内容、サラウンドモードの設定の情報が消去されますことをご了承ください。

1. 電源が入っていることを確認します。

2. 本機のMULTI ボタンを押しながら、SPEAKERS A/B ボタ

ンを

3秒以上押します。

本機は一度スタンバイ状態になった後、再度状態となり、各種設定された内容が初期化され、工場出荷時の状態に戻ります。

POWER − ON

5. SYSTEM ERROR

Check 1

• Indication of abnormalities with the EEP-ROM (DSP

PWB / IC15) Interface

This indicates a communication error wherein the ACK

will not return for 2 seconds or more while the system is

in communication with the EEP-ROM (DSP PWB / IC15).

- Message on FL display

CHECK E2 P I F

Points to be checked

1) The IIC Clock Line (IC17/130pin – IC15/6pin) is normal

when the power is ON;

2) The IIC Data Line (IC17/131pin – IC15 / 5pin) is normal

when the power is ON;

3) The IC15/8pin is supplied with VCC +3.3V;

4) If none of the above is negative, the IC15 may be

having a defect.

Check 2

• +5V supply Error Detection (_5V DOWN)

When the power is turned on or while the unit is in

normal operation, an abnormality occurs with the +5V

power supply, and the +5V power into the CPU 68 pin

cannot be detected.

• Detection of DC on Power Amp Output

(_P AMP FAIL)

When the power is turned on or while the unit is in

normal operation, an abnormality occurs with the Power

Amp, and DC is detected on the CPU 29 pin.

• Detection of abnormal heat of Power Amp (_P AMP FAIL)

The Power Amp is overheated while in normal operation,

with an abnormality detected on the CPU 29pin.

• Detection of Overcurrent below 200msec on Power Amp

(_P CUR FAIL)

When the product is in normal operation, an abnormality

occurs with the POWER AMP, and an overcurrent of less

than 200msec is detected on the CPU 109pin.

When errors like the above abnormalities are detected,

the software automatically puts the product into STANDBY

mode, with the STANDBY LED flickering approximately

every 500msec.

NOTE : The product can recover from the SYSTEM

ERROR when the user turns on and then off

the STANDBY. However, once any of the above

errors is redetected, the product goes into

STANDBY again.

Points to be checked :

1) The CN30 (DSP PWB) 6 & 7 pins are supplied with

+5V when the power is ON

2) The Microprocessor 29pin (Power Amp Fail) is

outputting the "H" signal; (If the 29pin continues to

Check 1

• EEP-ROM (DSP PWB / IC15) Interface

異常検出

EEP-ROM (DSP PWB / IC15)との通信でACKが帰って

こない状態（通信エラー）が約２秒以上生じた場合

に下記の様な表示がされます。

Display

- FL DisplayへのError表示

回路上の確認箇所

①

Power ON時にIIC Clock Line (IC17/130pin - IC15 /

が正常なのを確認する。

6pin)

②

Power ON時にIIC Data Line (IC17/131pin - IC15 /

が正常なのを確認する。

5pin)

③

IC15 / 8pinにVCC (+3.3V)が供給されていることを確

認する。

④

上記の①−③に不具合が生じていない場合はIC15の不

良が考えられます。

Check 2

• +5V Supply

電源ON時又は通常動作時に+5V電源に異常が発生し、

異常検出 (_5V DOWN)

CPUの68pinに入力される+5Vの検出が出来なかった（出

来なくなった）場合。

• Power Amp出力のDC検出 (_P AMP FAIL)

電源ON時又は通常動作時にPower Ampに異常が発生し、

CPUの29pinでPower Amp出力のDC検出がされた場合

• Power Ampの異常温度検出 (_P AMP FAIL)

通常動作時にPower Ampの異常な温度上昇が発生し、

CPUの29pinで異常が検出がされた場合。

• Power Ampの200msec未満の過電流検出

(_P CUR FAIL)

通常動作時にPower Ampに異常が発生し、CPUの

109pinでPower Ampの過電流が200msec未満で検出され

た場合。上記の様な異常検出がされた場合は、を

STANDBY状態にして、STANDBY LEDを約500msec間隔

で点滅させます。

Softwareは自動的に製品

復帰操作 :

このSystem ErrorはUserがSTANDBY ON/OFF操作を行うことで通常動作に復帰しますが、上記の異常を再検出することで製品は再びります。

System Errorとな

回路上の確認箇所

①

電源ON時にCN30 (DSP PWB) 6, 7pinに+5Vが供給

されていることを確認する。

②

電源ON時にマイコンの29pin (Power Amp Fail)が

になっていることを確認する。

"H"

(29pinが電源ONしてから２秒以上"L"状態が継続して

いる場合は

POWER AMP回路に異常が発生している)

be in the "L" state for 2 seconds or more after the

power is turned ON, the Power Amp circuit is having

a problem.)

3) Check that the speaker cable connected to the product

is not in contact and shorting out.

4) The Microprocessor 77pin (Power Down) is outputting

the "H" signal when the power is turned ON; (If the

77pin continues to be in the "L" state after the power

is turned on, the STANDBY PWB circuit , the IC74 and

its adjacent circuits are developing an abnormality.)

NOTE : HOW TO RECOVER FROM SYSTEM ERROR

(STANDBY LED flickering)

The product can recover by turning on

STANDBY on the remote controller after the

above errors are rectified.

Check 3

• Detection of Overcurrent over 200msec on POWER

AMP (_P CUR FAIL)

When the power is turned on or while the product is

in normal operation, an abnormality occurs with the

POWER AMP, and an overcurrent of 200msec or more

(500msec or more when the power is on) is detected on

the CPU 109pin.

• Detection of an abnormality on +/-15V Supply or

Power Amp power supply (_P LINE FAIL)

When the power is turned on or while the product is

in normal operation, an abnormality occurs with the

+/-15V supply or POWER AMP power supply with an

abnormality detected on CPU 66pin.

When errors like the above abnormalities are detected,

the software automatically puts the product into STANDBY

mode, with the STANDBY LED flickering approximately

every 125msec.

NOTE : This SYSTEM ERROR cannot be rectified by

users. In order to power on the product, please

do the following:

Hold down "PURE DIRECT", "7.1CH INPUT"

& "CLEARV at the same time for 3 seconds or

more. However, if any problem remains with the

product, the SYSTEM ERROR will occur again.

Points to be checked on the circuit

1) Check that the 109pin (_P CUR FAIL) of the

microprocessor is outputting "H". (If the 109pin is in

the L-state for 500msec or more after the power is

turned on, the POWER AMP circuit is developing an

abnormality.)

2) Make sure that the 66pin of the microprocessor

(POWER LINE FAIL) is "H". (If the 66pin is in the L-

state for 2 seconds or more after the power is turned

on, the +/-15V power supply or the POWER AMP

power supply is developing an abnormality.)

③ 製品に接続されているSpeaker Cableが+/-又はRear

等にShortしていないか確認する。

Panel

④

電源ON時にマイコンの77pin (Power Down)が"H"に

なっていることを確認する。

(電源ONしても、77pinが"L"状態で継続している場合

は

STANDBY PWB上のIC74及び周辺回路に異常が発

生している

復帰操作 :

System Error (STANDBY LED

上記の不具合を改善後リモコンの作で復帰できます。

)

の点滅)からの復帰は

STANDBY ON操

Check 3

• Power Ampの200msec以上の過電流検出

(_P CUR FAIL)

電源ON時又は通常動作時にPower Ampに異常が発生し、

CPUの109pinでPower Ampの過電流が200msec以上 (Power ON時は500msec以上)検出された場合。

• +/- 15V Supply又は、Power Amp用電源の異常検出

(_P LINE FAIL)

電源ON時又は通常動作時に+/-15V電源又は、Power

用の電源に異常が発生し、CPUの66pinで異常検出が

Amp

された場合。上記の様な異常検出がされた場合は、製品をして、

STANDBY LEDを約125 msec間隔で点滅させます。

STANDBY状態に

Note : このSystem ErrorはUserが通常動作に復帰させること

は出来ません。製品の電源をを行います。

ONさせる場合は次の操作

復帰操作 :

"PURE DIRECT" + "7.1CH INPUT" + "CLEAR"

タンを同時に押して但し、製品に不具合が残っている場合は再び

3秒以上保持する。

SYSTEM ERRORが働きます。

回路上の確認箇所

①

電源ON時にマイコンの109pin (_P CUR Fail) が "H"に

なっていることを確認する。

(109pinが電源ONしてから500 msec以上"L"状態が継

続している場合はている

)

② 電源ON時にマイコンの66pin (Power Line Fail)が

になっていることを確認する。

"H"

POWER AMP回路に異常が発生し

(66pinが電源ONしてから2秒以上"L"状態が継続してい

る場合はが発生している

+/-15V電源又は、Power Amp用の電源に異常

)

ボ

Check 4

• TIMING CHART

Normal operation when the power is turned on

2sec

Check 4.

• TIMING CHART

電源ON時の正常動作

3.5sec

7sec

_STAND BY (43pin)

(OUT)

_PDOWN (77pin)

(IN)

_P_LINE_FAIL (66pin)

(IN)

_P_AMP_FAIL (29pin)

(IN)

_P_CUR_FAIL (109pin)

(IN)

HEAT (41pin)

(OUT)

_STAND BY䋺CANCEL

㪶㪪㪫㪘㪥㪛㩷㪙㪰䋺⸃㒰

㽲

AC POWER SUPPLY: POWER ON

ቯ

INCONSTANT

ቯ

INCONSTANT

500msec

After 500msec, the detection start

㽳

㪌㪇㪇㫄㫊㪼㪺ᓟ䇮ᬌ಴㐿ᆎ

B POWER SUPPLY: Lo

䌈䌩䋺P_AMP=OK

㽴

After 2sec, the detection start

㪉㫊㪼㪺ᓟ䇮ᬌ಴㐿ᆎ

䌈䌩䋺P_CUR=OK

㪟㫀䋺䌂㔚Ḯ㪔㪟㫀஥

Hi: B POWER SUPPLY=Hi

㽵

2sec later, if 㽳,㽴 is Hi, make it Hi 㪉㫊㪼㪺ᓟ䇮㽳䋬㽴䈏䌈䌩䈭䉌㪟㫀䈮䈜䉎

Hi䋺P_LINE=OK

After 3.5sec, the detection start

㽶

㪊㪅㪌㫊㪼㪺ᓟ䇮ᬌ಴㐿ᆎ

_5V_DOWN (68pin)

(IN)

FLRA_ON (IC20 : 13pin) FLRB_ON (IC20 : 12pin) SURR_ON (IC20 : 11pin) SBLR_ON (IC20 : 7pin)

(OUT)

ฦ㪺㪿㩷㪤㪬㪫㪜

EACH CHANNEL MUTE

(OUT)

_STAND BY LED (52pin)

(OUT)

For the product to start operating normally when the

power is turned on, the circuit connected to each input

port of _P DOWN, _5V DOWN, _P CUR FAIL, _P AMP

FAIL and _P LINE FAIL needs to be operating normally.

+5VDD=OK

SPEAKER䋺OFF

MUTE䋺ON

STANDBY LED: LIGHTS OUT

㪪㪫㪘㪥㪛㩷㪙㪰㩷㪣㪜㪛䋺ᶖἮ

電源

ON時に製品が通常動作を開始するためには、上図の様

な

Timingで_P DOWN, _5V DOWN_P CUR FAIL, _P AMP

FAIL, _P LINE FAIL

の各入力Por tで接続されている回路が正常

動作している必要があります。

Abnormal detection operation when the power is turned on

3.5sec

2sec

500msec

if 㽲=H

_STAND BY (43pin)

(OUT)

if 㽲=L

電源ON時の異常検出動作

if 㽳=H

if 㽳=L

if 㽴=H

if 㽴=L

㪶㪪㪫㪘㪥㪛㩷㪙㪰㩿㪦㪬㪫㪀䋺㽲㽳㽴㽵䈱㗅䈪ᬌ಴䉕ⴕ䈇䇮㪣㫆䉕ᬌ಴䈚䈢䉌䇮એᓟ㪣㫆䈮䈜䉎

STANDBY (OUT): If it detects in order of 㽲㽳㽴㽵 and Lo is detected, it will be made after that.

if 㽵=H

if 㽵=L

_P DOWN (77pin)

(IN)

_P_LINE_FAIL (66pin)

(IN)

_P_AMP_FAIL (29pin)

(IN)

_P_CUR_FAIL (109pin)

(IN)

HEAT (41pin)

(OUT)

_5V_DOWN (68pin)

(IN)

AC POWER SUPPLY: POWER ON

ቯ

INCONSTANT

ቯ

INCONSTANT

Hi䋺Normal

㽲

Lo䋺Abnormal

B POWER SUPPLY: Lo

+5VDD=OK

㽳

if 㽳=H

if 㽳=L

Hi䋺Normal

Lo䋺Abnormal

㪣㫆䋺⇣Ᏹ

Hi: Normal

㽴

Lo: Abnormal

㪣㫆䋺⇣Ᏹ

Hi: Normal

㽵 Lo: Abnormal

㪣㫆䋺⇣Ᏹ

㪶㪪㪫㪘㪥㪛㩷㪙㪰㩷㪣㪜㪛䈱ಣℂ㸢䌁

How to respond to the flickering __STANDBY LED㸢A

㪶㪪㪫㪘㪥㪛㩷㪙㪰㩷㪣㪜㪛䈱ಣℂ㸢䌂

How to respond to the flickering _STANDBY LED㸢B

㪶㪪㪫㪘㪥㪛㩷㪙㪰㩷㪣㪜㪛䈱ಣℂ㸢䌁

How to respond to the flickering __STANDBY LED㸢A

㪶㪪㪫㪘㪥㪛㩷㪙㪰㩷㪣㪜㪛䈱ಣℂ㸢䌂

How to respond to the flickering _STANDBY LED㸢B

FLRA_ON (IC20 : 13pin) FLRB_ON (IC20 : 12pin) SURR_ON (IC20 : 11pin) SBLR_ON (IC20 : 7pin)

(OUT)

ฦ㪺㪿㩷㪤㪬㪫㪜

EACH CHANNEL MUTE

(OUT)

_STAND BY LED (52pin)

(OUT)

_STAND BY LED (52pin) STANDBY LED:

(OUT)

䌁

䌂

SPEAKER䋺OFF

MUTE䋺ON

㪣㪜㪛䋺ᶖἮ

STANDBY LED: LIGHTS OUT

㪣㪜㪛䋺ᶖἮ

LIGHTS OUT

Flickering (every 125msec)

ὐṌ㩿㪈㪉㪌㫄㫊㪼㪺㑆㓒㪀

Flickering (every 500msec)

ὐṌ㩿㪌㪇㪇㫄㫊㪼㪺㑆㓒㪀

6. DUAL BACKUP MEMORY

This product has a Dual Backup Memory function. The

conventional Backup functions to memorize, in the EEP-

ROM in the circuit, a current setting of the moment the

main power is turned off so that it can be restored when

it is turned ON again. Meanwhile, the DUAL BACKUP

MEMORY is capable of memorizing any arbitrary setting

that is configured while the product is in operation so as to

restore it at any time.

When servicing units returned from end-users for repairs,

use this function to back up the current setting (e.g. Tuner

Preset). This will enable the units to be returned to the

users after repairs, with the setting unchanged.

NOTE : If end-users use this function, the data will be

overwritten.

• HOW TO OPERATE

-Backup-

1. Configure a setting you would like to save in the

MEMORY and hold down the [MEMORY] and

[ENTER] buttons on the Front Panel at the same

time for 3 seconds or more.

2. The FL Display indicates "MEMORY SAVING" while

the Backup is being performed..

3. The FL Display indicates "COMPLETE" when the

Backup is completed.

-Recovery-

1. Hold down the [MEMORY] and [ENTER] buttons on the

Front Panel at the same time for 3 seconds or more.

2. The FL Display indicates "MEMORY LOAD" while

the Recovery is being performed.

3. After the FL Display indicates "COMPLETE",

the product goes into Standby mode. When the

power is restored, the Recovery is completed.

The FL Display indicates "NO BACKUP" if the

DUAL BACKUP MEMORY has not been activated

with no data to be recovered saved in the Memory.

This function does not back up the levels of Main

Room Volume, Multi Room Volume and Multi

Speaker Volume. When the Recovery is done, -

is indicated.

• SERVICE PRECAUTIONS

When the Flash Rom (IC34) on the DSP PWB is replaced

or when the DSP CODE is rewritten for a version upgrade,

make sure, in order to maintain consistency with the

Backup Memory, to clear the DUAL BACKUP MEMORY in

the following way :

-How to clear the Backup Memory-

1. Hold down the [MENU] and [CLEAR] buttons on the

Front Panel at the same time for 3 seconds or more.

2. The FL Display indicates "BACKUP CLEAR" while

the memory is being cleared.

3. After the FL Display indicates "COMPLETE", the

operation is completed.

本機はDual Backup Memory機能を持っています｡通常の

Backupは製品の主電源が切られた時に､その時の状態を

回路上のにその状態を復帰させますが､は､動作状態にある任意の状態を態を復帰させることが出来る機能です｡この機能を使って

EEP-Rom (IC15)にMemoryして､電源がONされた時

DUAL BACKUP MEMORY機能

Memoryして､いつでもその状

End Userから修理依頼を受けた時の状態を

Back Upさせておけば､修理後に確認の操作をしても､Userが使

用していたときの状態ることもできます｡

注意

: End Userがこの機能を使用していた場合はそのDataは

上書きされてしまうので注意が必要です｡

(TunerのPreset等)を復帰させて返却す

• 操作方法

-Backup

操作-

製品をMemoryしたい状態にして､Front Panel上の

[MEMORY]と[ENTER]ボタンを同時に3秒以上押し続

けます｡

2. FL Displayに"MEMORY SAVING"と表示され Backup処理が行われます｡

3. FL Displayに"COMPLETE"と表示されれば処理は完

了です｡

-Recovery操作-

1. Front Panel

上の[MEMORY]と[MENU]ボタンを同時に

3秒以上押し続けます｡

2. FL Displayに "MEMORY LOAD"と表示されRecovery処

理が行われます｡

3. FL Displayに"COMPLETE"

Standby

状態となり復帰後

と表示され製品は一度

Recovery

処理が完了します｡

この時、DUAL BACK UP MEMORY操作がされて

なく､

RecoveryするDataがMemoryされていない場

合は

FL Displayに"NO BACKUP"と表示されます｡

また､

Main Room Volume , Multi Room Volume , Multi

Speaker Volume

は

Backupされずに-∞でRecoveryされます｡

の各Volume値についてはこの機能で

• Service時の注意点

DSP PWB上のFlash Rom (IC34)を交換した場合または､DSP

をVersion Up等の理由から書き換えた場合は､Backup

CODE

Memory

MEMORY

との整合性の為に必ず次の方法でDUAL BACKUP

の消去を行います｡

-Backup MemoryのClear操作-

1. Front Panel

以上押し続けます｡

上の[MENU]と[CLEAR]ボタンを同時に3秒

2. FL Displayに"BACKUP CLEAR"と表示されClear処理

が行われます｡

3. FL Displayに"COMPLETE"と表示されれば処理は完

了です｡

7. UPDATE FIRMWARE

WRITING AND UPDATE SOFTWARE

Software for MAIN CPU, flash ROM for DSP and HDMI

CPU can be updated/downloaded.

Have update/download application software. ("H8Download.

exe", "da708_writer.exe", "wr36049.exe")

There are three mode of download, regarding to the target of

software as bellow.

• Mode 1: Update/Download MAIN CPU's software to

internal Flash-ROM.

This mode is to update/download the software for MAIN

CPU.

The target devise is internal flash ROM of CPU (IC17) on

CUP11872Z (DSP PWB).

The unit needs to be set to writing condition, by pushing

internal switch from rear panel.

The updating of software takes about 2 minutes and 30

seconds.

• Mode 2: Update/Download DSP's software to 32M

Flash-ROM.

This mode is to update/download the software for DSP.

The target devise is 32M Flash-ROM (IC34) on

CUP11989Z (DSP PWB).

The unit needs to be set writing condition, by three front

buttons.

The updating of software takes about 6 minutes and 30

seconds.

• Mode 3: Update/Download HDMI CPU's software to

internal Flash-ROM.

This mode is to update/download the software for HDMI

CPU.

The target devise is internal flash ROM of CPU (IC90) on

CUP11982Z (HDMI PWB).

The unit needs to be set writing condition, by three front

buttons.

The updating of software takes about 2 minutes.

WRITING AND UPDATE SOFTWARE

MAINマイコン、DSPのフラッシュROM、HDMIマイコンのソ

フトウェアは更新、および書き込みが出来ます。

更新および書き込みには書き込み用アプリケーションが必要です。

("H8Download.exe", "da708_writer.exe", "fdtv306r00.

exe)

書き込みには下記の3つのモードがあります。

• Mode 1: Update/Download MAIN CPU's software to

internal Flash-ROM.

このモードはMAINマイコンの更新および書き込み用です。

基板CUP11989Z (DSP PWB)のIC17のマイコン内部のフラ

ッシュ

ROMに書き込みます。

本機のリアパネルから内部スイッチを押し、書き込みモードにする必要があります。

書き込みにかかる時間は約2分30秒です。

• Mode 2: Update/Download DSP's software to 32M

Flash-ROM.

このモードはDSPのフラッシュROMの更新および書き込み用です。

基板CUP11989Z (DSP PWB)のIC34のフラッシュROMに

書き込みます。

本機のフロントボタン3つから書き込みモードにする必要が

あります。

書き込みにかかる時間は約6分30秒です。

• Mode 3: Update/Download HDMI CPU's software to

internal Flash-ROM.

このモードはHDMIマイコンの更新および書き込み用です。

基板CUP11982Z (HDMI PWB)のIC90のマイコン内部のフ

ラッシュ

本機のフロントボタン3つから書き込みモードにする必要が

あります。

書き込みにかかる時間は約2分です。

ROMに書き込みます。

NECESSARY EQUIPMENT

The following items are required for updating/downloading.

Windows PC (OS: Windows2000 or WindowsXP) with

Serial port.

RS-232C Dsub-9 pin cable (female to female/straight type)

Update software to MAIN CPU. (H8Download.exe, etc...

in MAIN folder)

Update software to flash ROM for DSP. (da708_writer.

exe, etc... in DSP folder)

Update software to HDMI CPU. (Writing data in HDMI

folder)

Use RS232C Dsub-9 pin cable (female to female/straight

type) to connect PC and the RS-232C port in rear panel of

the unit, when updating/downloading MAIN CPU, DSP and

HDMI CPU.

必要機器

下記は更新および書き込みに必要な機器です。

Windows PC (OS : Windows2000 またはWindowsXP) で

Serial ポートのあるもの

RS-232C ストレートケーブル(9Pin メス-9Pin メス)

MAIN

マイコン用書き込みソフトウェア(MAINフォルダ内

H8Download.exeなど)

DSP

HDMI

MAIN

トウェアを更新および書き込みする場合、本機リアパネルのートを接続します。

フラッシュROM用書き込みソフトウェア(DSPフォル

ダ内

da708_writer.exeなど)

マイコン用書き込みソフトウェア(HDMI内 wr36049.

など)

exe

マイコン、DSPフラッシュROM、HDMIマイコンのソフ

RS-232Cケーブルで

RS232CコネクタとWindows PCのSerialポ

Mode 1: Update/Download MAIN CPU's software to

internal Flash-ROM

Update/Download software for MAIN CPU (Mode 1)

1. Put the "main" folder into anywhere on your PC's hard

disc.

Mode 1: Update/Download MAIN CPU's software

to internal Flash-ROM

Update/Download software for MAIN CPU (Mode 1)

1. "main"

フォルダをPCの任意のフォルダにコピーします。

2. Connect RS-232C on the rear panel of the unit and

Serial Port of windows PC with RS-232C cable.

3. Insert a thin rot to the hole near the MULTI RC OUT

terminal and push the switch (SW10) inside to turn on

the switch.

4. Connect the mains cord into the unit. And press the

POWER ON/OFF button for turn on the unit.

(Except U1B)

NOTE : When the unit is into boot mode, STANDBY LED is

lights at green.

本機のリアパネルにあるRS-232CコネクタとWindows

のSerialポートをRS-232Cケーブルで接続します。

3. 細い棒を使い本機のMULTI RC OUT端子の右となりにあ

る穴から内部スイッチします。

4. 本機に電源ケーブルを差し、POWER ON/OFFボタンを押

して電源を入れます。

注意：本機が書き込みモードになると

点灯します。

(SW10)を押して書き込みモードに

Push switch (SW10)

Hole of rear panel

STANDBY LEDが緑色に

5. Double click the H8Download.exe. And launch the

marantz firmware upgrade program.

5. H8Download.exeをダブルクリックし、marantz firmware

upgrade program

を起動します。

6. Click the Set Ports.

7. Choose the COM Port number. And Click the OK.

6. Set Ports

をクリックします。

使用するCOMポート番号を選択し、OKをクリックしま

す。

8. Click the other files... in the Firmware program file.

9. Choose the SR8002MainVyymmdd_x.mot. And click the

Open.

NOTE : The yy is two digits of year. The mm is month. The

dd is date. The x is release number.

8. Firmware program file内のother files...をクリックしま

す。

9. SR8002MainVyymmdd_x.mot

クします。

注意：

yyは年の下二桁、mmは月、ddは日、xはリリースナン

バー

を選択し、Openをクリッ

10. Click the Connect.

10. Connectをクリックします。

11. If the connection with the H8 µ-P is successfully made, a

dialogue box saying "Success to the H8 micro processor

connection" appears. If the connection fails, error

message will appear.

Click the OK.

12. Click the Send to start update/download.

The writing of software takes about 2 minute and 30

seconds.

マイコンとの接続に成功すると"Success to the H8

11. H8

micro processor connection"

スが表示されます。接続に失敗するとエラーメッセージが表示されます。

と表示したダイアログボック

OKをクリックします。

12. Send

をクリックし書き込みを開始します。

書き込みにかかる時間は約2分30秒です。

13. If the firmware is updated/downloaded successfully,

a dialog box saying "Finished the firmware program

sending" appears.

Click the OK.

13. 書き込みが成功すると"Finished the firmware program

sending"

と表示したダイアログボックスが表示されます。

OKをクリックします。

14. Click the Close to close the application.

15. Press the POWER ON/OFF button for turn off the unit.

(Except U1B)

16. Disconnect the mains cord.

17. Disconnect the RS-232C cable from the unit.

18. Insert a thin rot to the hole and push the switch (SW10)

inside to turn off the switch.

14. Close

をクリックしアプリケーションを閉じます。

15. POWER ON/OFF

ボタンを押して本機の電源を切ります。

16. 電源ケーブルを本機から外します。

17. RS-232Cケーブルを本機から外します。

18. 細い棒を使い本機のMULTI RC OUT端子の右となりにあ

る穴から内部スイッチ解除します。

(SW10)を押して書き込みモードを

Mode 2 : Update/Download DSP’s software to 32M

Flash-ROM

Update/Download Software for DSP (Mode 2)

1. Put the "DSP" folder into anywhere on your PC's hard

disc.

Mode 2: Update/Download DSP's software to 32M

Flash-ROM

Update/Download Software for DSP (Mode 2)

1. "DSP"

フォルダをPCの任意のフォルダにコピーします。

2. Connect the RS-232C on rear panel of the unit and the

Serial Port of windows PC with RS-232C cable.

3. Connect the mains cord into the unit.

4. Press the POWER ON/OFF (ON/STANDBY) button for

turn on the unit.

5. Press the ENTER, SURROUND MODE and T-MODE

buttons simultaneously more than 3 seconds to turn the

unit into Loading Mode.

6. The FLD shows "SELECT DSP" after showed

"LOADING MODE".

7. Press the ENTER button.

8. "SELECTED DSP" shows on the FLD.

本機のリアパネルにあるRS-232CコネクタとWindows

のSerialポートをRS-232Cケーブルで接続します。

3. 本機に電源ケーブルを差します。

4. POWER ON/OFFボタンを押し、本機の電源を入れます。

5. ENTER, SURROUND MODE, T-MODEの3つボタンを同

時に

3秒以上押し続け、本機をローディングモードにしま

す。

6. FLに"LOADING MODE"と表示された後、"SELECT

と表示されます。

DSP"

7. ENTERボタンを押します。

8. FLの表示が"SELECTED DSP"に変わります。

9. Double click the da708_writer.exe. And Launch the

SR8001 TI Writer.

9. da708_writer.exeをダブルクリックし、SR8001 TI

を起動します。

Writer

10. Choose the COM Port number.

11. Click the Connect.

使用するCOMポート番号を選択します。

10.

11. Connect

をクリックします。

12. "Connection OK!!" appears on SR8001 TI Writer. And

click the FileOpen.

12. SR8001 TI Writer上に"Connection OK!!"と表示された

ら、

FileOpenをクリックします。

13. Choose the pa17_c78_yymmdd_v.upd. And click the

Open.

NOTE : The yy is two digits of year. The mm is month. The

dd is date. The v is release number.

13. pa17_c78_yymmdd_v.upd

ます。

注意：

yyは年の下二桁、mmは月、ddは日、vはリリース番号

を選択し、Openをクリックし

14. Click the OK.

14. OK

をクリックします。

15. Click the SEND.

15. SENDをクリックします。

16. Software is written into the DSP Flash ROM.

The writing of software takes about 6 minutes and 30

seconds.

17. Click the OK.

ソフトウェアがDSPフラッシュROMに書き込まれます。

16. 書き込みにかかる時間は約6分30秒です。

17. OKをクリックします。

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