ENTRETIEN DE PIECES INTERIEURES PAR L’USAGER. CONFIER
L’ENTRETIEN AU PERSONNEL QUALIFIE.
AVIS: POUR EVITER LES RISQUES D’INCENDIE OU
D’ELECTROCUTION, N’EXPOSEZ PAS CET ARTICLE
MDR 24/96
A LA PLUIE OU A L’HUMIDITE
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the presence of uninsulated
"dangerous voltage" within the product’s enclosure, that may be
of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole clair avec point de fl che l’int rieur d’un triangle
quilat ral est utilis pour alerter l’utilisateur de la pr sence
l’int rieur du coffret de "voltage dangereux" non isol d’ampleur
suffisante pour constituer un risque d’ l ctrocution.
The exclamation point within an equilateral triangle is intended to
alert the user of the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
Le point d’exclamation l’int rieur d’un triangle quilat ral est
employ pour alerter les utilisateurs de la pr sence d’instructions
importantes pour le fonctionnement et l’entretien (service) dans le
livret d’instruction accompagnant l’appareil.
Important Safety Instructions
1. Read instuctions — Read, understand and follow all safety and operating
instructions before using the MDR24/96.
2. Retain Instructions — Keep these safety and operating instructions for future
reference.
3. Heed Warnings — Follow all warnings on the MDR24/96 and in these
operating instructions.
4. Water and Moisture — Do not use the MDR24/96 near water – for
example, near a bathtub, kitchen sink, garden hose, incontinent poodle,
sweaty drummer, etc. – or when condensation has formed on the unit.
5. Heat and Ventilation — Locate the MDR24/96 away from heat sources such
as radiators, campfires, compost pits, heliarc welders, magma flows, etc. Do
not block MDR24/96 ventilation openings or install in spaces that prevent
adequate air circulation to the unit.
6. Power Sources — Connect the MDR24/96 only to a power source of the type
described in these operating instructions or as marked on the MDR24/96.
7. Power Cord Protection — Route power supply cords so that they are not likely
to be walked upon, tripped over, or abraded by items placed upon or against
them. Pay particular attention to cords at plugs, convenience receptacles, and
the point where they exit the MDR24/96.
8. Object and Liquid Entry — Do not drop objects or spill liquids into the
MDR24/96. Clean only with a damp cloth; do not clean with liquid or aerosol
cleaners.
9. Attachments — Use the MDR24/96 with only the accessories specified in
this manual.
10. Damage Requiring Service — The MDR24/96 should be serviced only by
qualified service personnel when:
A. The power supply cord or the plug has been damaged; or
B. Objects have fallen onto, or liquid has spilled into the unit; or
C. The unit has been exposed to rain or water; or
D. The unit does not appear to operate normally or exhibits a marked
change in performance; or
E. The unit has been dropped, or its chassis damaged.
11. Servicing — Do not attempt to service the MDR24/96. All servicing
should be referred to the Mackie Service Department.
12. Lightning — Unplug the MDR 24/96 during lightning storms or when
unused for long periods of time.
13. Grounding and Polarization — To prevent electric shock, do not use the
MDR24/96 polarized plug with an extension cord, receptacle or other
outlet unless the blades can be fully inserted to prevent blade exposure.
Do not defeat the MDR24/96 grounding by plugging into an ungrounded
receptacle or ground lift adapter.
This apparatus does not exceed the Class A/Class B (whichever is applicable)
limits for radio noise emissions from digital apparatus as set out in the radio
interference regulations of the Canadian Department of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils numériques de
class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage
radioélectrique édicté par les ministere des communications du Canada.
FCC Information
NOTE: This equipment has been tested and found to comply
with the limits for a Class A digital devices, pursuant to Part 15
of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference when the
equipment is operated in a commercial installation. This
equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio
communications. Operation of this equipment in a residential
area is likely to cause harmful interference in which case the
user will be required to correct the interference at his own
expense.
This product has been tested and complies with the
following standards and directives as set forth by the
European Union:
* EN 55022 Radiated and Conducted Emissions
* EN 61000-4-2 Electrostatic Discharge Immunity
* EN 61000-4-3 RF Electromagnetic Fields Immunity
* EN 61000-4-4 Electrical Fast Transient/Burst Immunity
* EN 60950/IEC 950 Electrical Safety Requirements
WARNING — To reduce the risk of fire or electric shock, do not expose this
appliance to rain or moisture.
WARNING — Before applying power to the MDR24/96, make sure that the
Voltage Selector switch next to the AC inlet jack on the rear panel is set to
the line voltage used in your region. Powering-on the MDR24/96 with
the Voltage Selector switch set incorrectly will cause an electrical and fire
hazard that may result in irreparable damage to the unit.
2
MDR 24/96
Contents
Quick Start Guide
Introduction ----------------------------4
Save your Box! -------------------------------- 4
How To Use This Guide --------------------- 4
Conventions ---------------------------------- 5
About “Tape” --------------------------------- 5
Overview -------------------------------------- 6
9. It’s actually a time capsule, packed with a biological code that can’t be
decrypted until 2043.
8. Its festive graphics will cheer up those other boxes forgotten in your
attic.
7. Impress your friends: tape it up and pretend that you actually have two
MDR24/96s.
6. If you throw it away, bad people will know you have a studio in your
house.
5. Someday, when paper costs more than steel, it could net you a fortune.
4. The MDR24/96 itself only costs $47.95. The balance is what you paid for
the box.
3. Properly sealed, it can be used as a flotation device in the unlikely event
of a water landing.
2. It’s a great place to hide your old digital 8-track recorder.
1. If you collect ten MDR24/96 boxes, Greg will come over for dinner (this
offer does not apply to dealers or distributors).
In the unlikely event that you should need to send the MDR24/96 back to Mackie
for service, please use the shipping box it came in. This box has been specially
designed to minimize damage to the MDR24/96 during shipping, so that it won’t
end up more broken than when you sent it.
How To Use This Guide
Welcome to the cutting edge of affordable multitrack recording and editing! We
know you’re feeling eager, but please take a few minutes and read this brief Quick
Start Guide before you jump into your first MDR24/96 session. The first part of
this guide explains how to install and configure the various MDR24/96 I/O cards
and connect the MDR24/96 to an analog or digital console. The second part
describes how to start a session, operate the basic transport and monitoring
controls, and explains the terms and conventions used to name, store, and retrieve
projects on disk.
We have purposely excluded all the extra stuff from this guide to give you just the
basic information you need to get going right away. For step-by-step tutorials, indepth feature descriptions, and endless technical details, see the MDR24/96
Technical Reference Manual on the companion CD-ROM. Updated manuals and the
latest software releases can be obtained via Mackie’s website at:
www.mackie.com.
4
MDR 24/96
Conventions
The MDR24/96 Quick Start Guide uses the following conventions to help you find
information quickly:
Text Conventions
a) File or folder names (example: C:\HDR Projects\Ode To Masters\Ode
To Masters.hdr)
b) Software or hardware controls (example: Punch)
c) Proper names of objects in GUI or front/rear panel (example: Transport)
Icons
This icon identifies in-depth explanations of features and practical tips. Though
not required reading, they do offer some choice tidbits of knowledge that will
leave you wiser for the reading.
This icon identifies information that is critically important to the operation of the
MDR24/96. So for your own sake, please read these sections.
Quick Start Guide
About “Tape”
No, you’re not reading the wrong manual. Our goal was to build a hard disk
recorder that is comfortable for someone familiar with tape recording, but that
doesn’t require you to get a brain transplant from a computer geek to use. When
familiar terms such as Tape Inputs, Tape Returns, Transport, and the like are
applied to the MDR24/96, they mean exactly what you expect them to mean.
Where the well-worn shoe fits, we continue to wear it.
Quick Start Guide
5
Overview
By combining traditional multitrack tape recording features with the power and
flexibility of hard disk recording, the Mackie Designs MDR24/96 takes multitrack
recording to a level never before achieved by a product in its price range. In
addition to the standard battery of traditional tape-based features, the MDR24/96:
• Combines the familiarity of a multitrack tape machine with the security of
non-destructive recording and non-degrading recording media.
MDR 24/96
• Records simultaneously on all 24 tracks at 44.1 or 48 kHz and on 12
tracks at 88.2 or 96 kHz. At 48 kHz the internal hard drive stores over
2200 track-minutes of 24-bit audio (90 minutes of 24 full tracks). That’s
more than six reels of 2” tape at 30 inches per second! At 96 kHz the drive
stores 1100 track-minutes of 24-bit audio (45 minutes of 24 full tracks).
• Has eight Virtual Takes per track, allowing you to record multiple passes
without having to change routing and bussing assignments or use
additional tracks.
• Iinterfaces with any analog or digital console. The MDR24/96 uses the
same I/O cards as the Mackie Digital 8•Bus console: the AIO•8 (24-bit
analog A/D and D/A), DIO•8 (TDIF/ADAT Optical), PDI•8 (AES/EBU),
and low-cost OPT•8 (ADAT Optical).
• Provides three convenient methods of backup: Mackie Media M•90, a
removable hard drive (also capable of 24-track recording and playback),
Mackie Media PROJECT, a removable drive using inexpensive, removable
2.2 GB ORB cartridges; and data transfer to another computer through the
MDR24/96’s 100 Base-T Ethernet port via the built-in FTP server.
• Offers two optional remote control devices – the compact Remote 24 for
smaller project studios, and the full-featured Remote 48 for controlling up
to 48 tracks on two MDR24/96 recorders.
Record Ready
24TRACK/24BIT DIGITAL AUDIO HARD DISK RECORDER
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POWER
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Media TrayFloppy Drive
Meter Display
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Locate &
Loop
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LOC 2LOC 1STORE
Monitoring &
Record Safe
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2019181716151413121110987654321
REC
LOOP
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1–2
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21
ALL
AUTO
AUTO
INPUT
TAKE
INPUT
Auto Take &
Time code
Chase
Status Display
MDR 24/
OL
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VARI
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PROJECT: Little love
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PLAYLIST: Playlist 1
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DRIVE: C:Internal
AVAIL: 01:35:00
242322212019181716151413121110987654321
242322
T-CODE
DELETE LASTPROJECT BACKUP DISK UTIL SYSTEM DIGI-I/O SYNC DEC INC
CHASE
REWIND
Transport
TRACK/
16 BIT
EDIT
48k
TC CLOCK
Current
Time Display
96
96k
24 BIT
BARS
FAST FWD
System Control
HIGH RESOLUTION AUDIO
44.1/48/96K SAMPLE RATES
MINUTESHOURS
SECONDS FR AMES
SELECTSELECTSELECT
STOP
LCD Control
BEATS
SELECT
PLAY
LCD Display
TICKS
RECORD
6
MDR 24/96
Setup & Configuration
This chapter explains how to set up and configure the MDR24/96 for use in your
studio. Two application examples show how to interface the MDR24/96 with
analog and digital recording consoles.
Required Equipment
Of course, there’s more to a studio than a recorder and some musicians. At a
minimum, you’ll need the following to make the MDR24/96 feel at home:
• 3 Mackie 8-channel I/O (input/output) cards.
• A console with a minimum of 24 tape sends (busses or direct outputs) and
returns (line inputs or monitor returns). If your analog console has only 8
tape sends, use Y-cord splitters to send tape out 1 to MDR24/96 Inputs 1,
9 and 17; tape out 2 to MDR24/96 Inputs 2, 10, and 18, and so forth.
• Cables to connect the MDR24/96 to the console: 3 or 6 multi-channel
snakes or fiber optic cables, depending on your I/O setup.
• All the stuff that typically connects to a console: microphones,
instruments, outboard equipment, control room monitors, and so on.
Quick Start Guide
Installation
This section describes how to install the I/O cards and how to connect the
MDR24/96 to your console. Before you begin, you should choose a location for
your MDR24/96 considering the following:
• If you’re not using the Remote 24, or Remote 48, position the front panel
within convenient reach of your normal recording/mixing position. Be
aware that although analog and AES/EBU cables can be fairly long, TDIF
Optical and Remote 24/Remote 48 cables are limited to about 10 meters.
ADAT Optical cables can reach up to about 15 meters.
• The MDR24/96 requires a reliable AC power source with a good ground.
Do not use a ground lift adapter or plug the MDR24/96 into an
ungrounded receptacle. Remember, this is a computer. Using an
uninterruptible power supply (UPS) to power the MDR24/96 is a good idea
to avoid an unexpected shutdown and protect it from transient line
voltages.
Warning!
Before applying power to the MDR24/96, make sure that the Voltage Selector
switch next to the AC inlet jack on the rear panel is set to the line voltage used
in your region. Powering-on the MDR24/96 with the Voltage Selector switch
set incorrectly will cause an electrical and fire hazard that may result in
irreparable damage to the unit.
Quick Start Guide
7
MDR 24/96
OPT•8
ANALOG I/O
INPUTOUTPUT
AIO•8
APOGEE
DIGITAL I/O
ADAT OPTICAL
PDI•8
I/O Cards & Cables
While the MDR24/96 ships with AIO•8 cards already installed, three other flavors
of I/O cards are also available. All I/O cards can be mixed and matched in any
combination.
AIO•8
• Each AIO•8 provides 8 analog line-level inputs and outputs on two 25-pin
D-subminiature (DB25) connectors. These connectors are pin-for-pin
DIO•8
TDIF
INOUT
SYNC
compatible with the analog (not TDIF) DB25 connectors found on the
TASCAM DTRS recorders. DB25 cables that break out to XLR or 1/4” TRS
connectors for mating with your console are readily available.
DIO•8
• Each DIO•8 provides 8 digital inputs and outputs in two formats:
1. TASCAM Digital Interface (TDIF) provides 8 input and output channels
of digital audio on a single DB25 connector. It requires a TASCAM
PW-88D or equivalent TDIF-compatible cable.
2. ADAT Optical provides 8 channels of digital audio on fiber-optic cable.
Two optical cables are required for each card, one for inputs, the other
for outputs. Both cables must connect to the same device, creating a
closed loop.
3. The DIO•8 also provides a TDIF word clock sync output for use with
older TASCAM equipment.
OPT• 8
• The OPT•8 is a low-cost, ADAT Optical-only version of the DIO•8 card.
The previous ADAT information also applies to this card.
PDI• 8
PDI• 8
AES/EBU I/O
• Each PDI•8 carries four stereo pairs (eight channels) of digital input and
output on a single DB25 connector. This card supports the AES/EBU
(IEC-958 Type 1) digital interfacing standard carrying two channels of
digital audio on a single balanced cable. The PDI•8 can also be configured
for the consumer (IEC-958 Type 2, or S/PDIF) data format if required.
DB25 cables that break out to XLR connectors, and double-ended DB25 to
DB25 AES/EBU cables for mating with your console, are readily available.
The PDI•8 is the only Mackie I/O card that currently supports 88.2 or 96
kHz operation. At these Sample Rates the PDI•8 card runs in “doublewide” (dual-wire) mode. In double-wide mode, the PDI•8 carries four mono
channels of digital I/O by transmitting two consecutive 88.2/96k samples
of the same channel on a single conductor.
Note: Different manufacturers use different wiring standards for DB25 interface cables (both analog and digital) that otherwise look the same. Make
sure the cable you are using is the correct one. See Appendix A for a list of
compatible MDR24/96 I/O card cables.
8
MDR 24/96
To replace the AIO-8 cards with different I/O cards:
1. If the MDR24/96 is plugged into AC power, unplug it.
2. Unscrew the thumbscrews at the top and bottom of each I/O card to be
removed. Grasp one thumbscrew with each hand and gently pull the card
out.
ANALOG I/O ANALOG I/O ANALOG I/O
M
INPUTOUTPUT
INPUTOUTPUT
INPUTOUTPUT
TAPE IN/OUTS
3. Before you take I/O cards from their bags, touch a grounded metal object
to discharge any static electricity from your body.
4. Remove the new I/O card from its anti-static bag and put the I/O
card you just removed from the MDR24/96 into the bag.
Quick Start Guide
5. Hold the new card so the component side
faces left and line up the top and bottom
edges with the white card guides. Push the
card all the way into the slot until its
faceplate is flush with the back panel.
6. Hand-tighten the thumbscrews at the top
and bottom of the card. Do not use a
screwdriver.
If you want to hook up the MDR24/96 I/O cables
to your console right now, see the console hookup
diagrams in Hookups. Be sure to come right back
here when you’re done.
Note:Note:
Note: Always hand tighten the thumbscrews
Note:Note:
at the top and bottom of all I/O cards before operating the MDR 24/96.
Quick Start Guide
9
SMPTE Input/
Output
MDR 24/96
Termination
Switch
Word Clock/
Video Input
Word Clock
Output
Sync Card & Cables - Word Clock and Digital Synchronization
The Sync Card provides ports to synchronize the MDR24/96’s sample clock and
time/transport position to other equipment. The functions of the jacks and switch,
from top to bottom are:
• SMPTE Input / Output – This 1/4” TRS jack serves as an input when
slaved to incoming SMPTE time code, and as an output when generating
SMPTE time code to synchronize other devices with the MDR24/96.
• Termination Switch – This pushbutton switch selects the termination
impedance of the Word Clock / Video Input jack. When the switch is out,
the impedance is 3.3kΩ (bridging); when in, the impedance is 75Ω
(terminated).
• Word Clock / Video Input – This BNC jack receives either word clock,
composite video, or video blackburst as determined by the MDR24/96
SYNC
Whenever digital audio connections are made between devices, the sample clock
of every device must run at exactly the same rate. This is usually accomplished by
selecting one device as the “master” clock source and distributing its word clock
signal to all the “slave” devices in the system. The master is configured to run
from its internal clock, and the slaves from external word clock. Some digital
interfaces are self-clocking (such as the AES input on many DAT machines) and
do not require a separate work clock connection. Others simply cannot be
configured as slaves. The master/slave designation must be correctly made for
each device to avoid the clicks and pops associated with asynchronous clocks.
Sample Clock setting. Use this input when the MDR24/96 is operating as a
word clock slave.
• Word Clock Output - This BNC jack transmits word clock to other devices
in the system when the MDR24/96 is configured as the clock master.
Whenever time code (positional) synchronization is used, all the devices in a
system, both analog and digital, must be synchronized to a common timing (speed)
reference. This is often achieved by distributing video from a master video sync
generator (sometimes called “house sync”) to all the slave devices in the system
when word clock cannot otherwise be used. The MDR24/96, like many other
digital devices, can synchronize its sample clock to a video signal. However, video
does not provide enough timing precision to properly synchronize devices whose
digital audio paths are interconnected; word clock must be used instead.
Generally it doesn’t matter which device in a system serves as the word clock
master, except when synchronizing to time code or video. For example, if your
MDR24/96 Inputs and Outputs are connected to the Tape Inputs and Outputs of a
Mackie Digital 8•Bus console using TDIF, either the MDR24/96 or D8B can be the
word clock master. However, if you later synchronize the MDR24/96 to time code
from a VTR, you must lock the VTR and MDR24/96 to a master video sync source
and lock the D8B (which can’t sync to video) to word clock from the MDR24/96.
In this case the MDR24/96 becomes both a video slave and a word clock master.
For more detailed information on setups involving video and time code
synchronization, see the Technical Reference manual.
Note: Note:
Note: For audio-for-video applications, the MDR24/96 can lock its word clock to
Note: Note:
a video signal. In this configuration, there must be only one word clock dependent device (The MDR24/96) locked to the video source. The MDR24/96 then
becomes the word clock master for the other digital devices in the system (for
example, a digital mixing console). Do not attempt to lock multiple digital devices to the video signal, or you’ll get clicks.
10
MDR 24/96
The following are recommended setups for establishing proper sample clock
synchronization with the devices connected to the MDR24/96 digital I/O cards.
TDIF (DIO•8)
With the MDR24/96 as a master, connect Word Clock Out of the MDR24/96
to Word Clock In on the receiving device(s). If connecting to older TASCAM
DTRS recorders, use the Sync Out port on the first DIO
Word Clock Out. If there is more than one DTRS recorder in the chain,
connect Sync Out to the word clock input of the first DTRS recorder only; the
other recorders are synchronized through their interconnecting DTRS cables.
With the MDR24/96 operating as a slave to another TDIF device, connect the
word clock output from the master TDIF device to Word Clock In on the
MDR24/96.
•8 card instead of
ADAT Optical (DIO•8, OPT•8)
With the MDR24/96 as a master, set the receiving device(s) to derive sample
clock from their ADAT Optical ports if the ports are self-clocking. In this
case, no word clock connection is necessary. If the ADAT Optical ports on the
receiving devices are not self-clocking, connect Word Clock Out of the
MDR24/96 to Word Clock In on the receiving device(s).
With the MDR24/96 configured as a slave, connect the word clock out of the
master ADAT Optical device to Word Clock In on the MDR24/96.
Quick Start Guide
AES/EBU (PDI•8)
With the MDR24/96 as a master, set the receiving device(s) to derive their
sample clock from the AES/EBU ports if the ports are self-clocking. In this
instance, no word clock connection is necessary. If the AES/EBU ports on the
receiving device(s) are not self-clocking, connect Word Clock Out of the
MDR24/96 to Word Clock In of the receiving device(s).
With the MDR24/96 as a slave, connect the word clock out of the master
AES/EBU device to Word Clock In on the MDR24/96.
Note:Note:
Note: Use 75 Ω coaxial cables when con-
Note:Note:
necting word clock or video to the Sync
Card Word Clock/Video input jack. If the
Termination
Switch
Word Clock to
other Slaves
MDR24/96 is at the end of a cable that’s
connected to several devices, push the
Termination Switch in; otherwise leave it
Word clock
input jack
out and use a BNC Tee adapter to feed the
signal on to the next device in the chain.
Note:Note:
Note: If you are using an MDR24/96 with the Mackie Digital
Note:Note:
SYNC
Word Clock
From Master
8•Bus console, you may need to turn on the Digital 8•Bus first.
The Clock I/O on the D8B prefers not to see an active signal at
its Word Clock input when it powers up.
BNC-Tee
adaptor
Quick Start Guide
11
MDR 24/96
Mackie Media (Optional)
The MDR24/96 emulates the tape library tradition with Mackie Media M•90 and
Mackie Media PROJECT drives. Both drives come complete with a plug-in tray for
quick removal and a nifty storage case for shelving and transporting the drives.
Trays can be purchased separately if you want to use your own UDMA IDE drives.
The MDR24/96 can record or play directly off the M
sessions as quickly as changing tape on a 24-track – no backup time required.
PROJECT drives are for backup only and use removable 2.2GB ORB cartridges that
fit in your pocket. Each can hold a couple of 5-minute 24-track masters.
Mackie Media Tray
Mackie Media
Receiver
To install or remove a Mackie Media tray:
1. Power the MDR24/96 off whenever inserting or removing media trays.
If you have an active project, don’t forget to save it first!
DELETE LAST PROJECT BACKUP DISK UTIL SYSTEM DIGI-I/O SYNC DEC INC
REWIND
TICKS
SELECT
SELECTSELECTSELECT
TRACK/
EDIT
PLAY
FAST FWD
STOP
RECORD
2. To remove a drive, first unlock it by inserting the key and turning it a
quarter-turn counterclockwise. Two keys are packed with the recorder, and
one with each M•90 drive.
3. Lift the bail handle to release the drive, and pull it out of the drive bay.
4. To install a new M•90 or PROJECT drive, slide the media tray into the
front panel drive bay. Press it firmly into place, and latch it by pressing the
bail handle downward until it’s fully seated.
5. Insert the key into the lock and turn it a quarter-turn clockwise. The key
locks the drive into place and powers the tray.
6. The MDR24/96 will automatically detect the Mackie Media drive when you
next power it up.
Note: Note:
Note: Mackie Media are hard drives, and as we all know, hard drives
Note: Note:
involve some pretty intricate technology. So don’t shake the little
darlin’, and if a tray has just come in from a freezing car or airplane
cargo hold, do not install it until it has reached room temperature.
12
MDR 24/96
Note:Note:
Note: The Remotes
Note:Note:
duplicate nearly all
of the front panel
operating controls.
When we describe a
front panel opera-
tion, you’ll probably
find it available on
the Remote also. If
you have a Remote,
try it both ways. If
you don’t have a Re-
mote yet, think of
how convenient it
would be.
Remote 24 / Remote 48 (Optional)
Installing either remote is as simple as plugging in a telephone. Connect one end
of the cable (supplied with the Remote) to the ‘REMOTE’ jack on MDR24/96 rear
panel, and the other end to the ‘TO HDR REMOTE JACK’ jack on the Remote 24,
or to the “TO HDR” jack on the Remote 48. It’s OK to plug or unplug either
Remote with the MDR24/96 powered on. However, if you plug the Remote 48 into
the MDR24/96 while both are powered on, you must power cycle the Remote 48 to
reset the connection.
REMOTE 24
Remote
connection
ANALOG I/O ANALOG I/O ANALOG I/O
WARNING
DO NOT PLUG INTO
ETHERNET
TO HDR/MDR
FOOT SW
REMOTE JACK
Footswitch
Note:Note:
Note: The MDR24/96 ‘REMOTE’ and Eth-
Note:Note:
ernet jacks both accept CAT-5 Ethernet
cables - don’t get them mixed up!
Back panel of the
Mackie Remote 24
Footswitch
Ethernet Jack
Quick Start Guide
Note:Note:
Note: If you are us-
Note:Note:
ing an MDR24/96
with the Mackie
Digital 8•Bus con-
sole, you may need
to turn on the Digi-
tal 8•Bus first. The
Clock I/O on the
D8B prefers not to
see an active signal
at its Word Clock
input when it pow-
ers up.
M
INPUTOUTPUT
INPUTOUTPUT
INPUTOUTPUT
TAPE IN/OUTS
Footswitch (Optional)
For hands-free do-it-yourself punches and other frequently-used functions like
Play/Stop, Punch In/Out and Take Select, connect the cable of a momentary,
normally open footswitch to the ‘FOOT SWITCH’ 1/4" TS jack on the rear panel of
the MDR24/96, the Remote 24, or Remote 48. If you have a Remote installed you
can connect two foot switches, one to the MDR24/96 and one to the Remote. Each
footswitch functions independently of the other. Footswitch functionality is
assigned in the front panel System menu. See the MDR24/96 Technical Reference
Manual for more details.
Power-Up
OK, NOW you can turn it on. Assuming you have already connected the MDR24/96
to your console, power up the MDR24/96 first, then the outboard equipment and
console, and finally the power amplifiers or powered monitors. Audio equipment
tends to generate unexpected clicks and pops when you power it up, so by
powering up your monitoring system last, you’ll save your speakers and your ears.
Before you read the next section, take a quick, self-guided tour of the front panel
display and controls to get a sense of where they are.
Quick Start Guide
13
Configuration
Before starting a Project, you will need to configure the MDR24/96 I/O card
options and synchronization parameters. These parameters determine where the
sample clock is coming from, how fast the sample clock runs, and how many bits
are recorded in every sample. Some options, like sample rate and bit depth, will
become “standards” that you won’t need to change very often. The remaining
synchronization options (for time code and video) are covered in detail in the
Technical Reference manual.
MDR 24/96
Note:Note:
Note: The front
Note:Note:
panel display’s back-
light sw it ches off
aft er several min-
utes of inactivity. It’ll
come back on auto-
matically when it’s
needed to display
new information, but
you can revive it at
any time by pressing
either the
<<
(
<) or
<<
>>
(
> ) b ut to n below
>>
Page LeftPage Left
Page Left
Page LeftPage Left
Page Page
RightRight
Page
Right
Page Page
RightRight
the display.
I/O Cards
Only the DIO•8 and PDI•8 cards require special configuration. If you are using
AIO•8 or OPT•8 cards only, you can skip to the next section.
DIO•8 Card
To set the DIO•8 input and output formats:
1. Press Digi I/O to enter
the Digital I/O Card Setup
screen.
2. Select In.
The Setup Tape Inputs screen shows
you the current input settings for
each of the three I/O cards.
3. Press the Select button
corresponding to each DIO•8 card
and toggle the selection between ADAT and TDIF.
4. Press the Page Left (<) button to return to the previous screen.
5. Now select Out.
The Setup Tape Outputs screen
shows you the current output
settings for each of the three I/O
cards.
6. For each DIO•8 card present,
press the Select button to select the desired output format. Or, select
the TD–>AD or AD–>TD option to convert between formats, bypassing
the MDR24/96 tape signal path entirely.
7. When done, press Digi I/O to exit the menu.
DIGI-I/O
DIGITAL I/O Card Setup
Stat Rate
In Out Bits Convert
(SETUP TAPE INPUTS)
1-8 9-16 17-24
ADAT ADAT ADAT
(SETUP TAPE OUTPUTS)
1-8 9-16 17-24
ADAT ADAT ADAT
14
MDR 24/96
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