Do not block any ventilation openings. Minimum distance (5 cm) around the
apparatus for sufficient ventilation. The ventilation should not be impeded
by covering the ventilation openings with items, such as newspapers, tablecloths, curtains, etc. Install in accordance with the manufacturer’s instructions.
8.
Do not install near any heat sources such as radiators, heat registers, stoves,
or other apparatus (including amplifiers) that produce heat. No naked flame
sources, such as lighted candles, should be placed on the apparatus.
9. Do not defeat the safety purpose of the polarized or grounding-type plug.
A polarized plug has two blades with one wider than the other. A groundingtype plug has two blades and a third grounding prong. The wide blade or
the third prong are provided for your safety. If the provided plug does not fit
into your outlet, consult an electrician for replacement of the obsolete outlet.
10.
Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
11.
Only use attachments/accessories specified by the manufacturer.
12.
Use only with a cart, stand, tripod, bracket, or table
specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when
moving the cart/apparatus combination to avoid
injury from tip-over.
13.
Unplug this apparatus during lightning storms
or when unused for long periods of time.
14.
Refer all servicing to qualified service personnel. Servicing is required when
the apparatus has been damaged in any way, such as power-supply cord
or plug is damaged, liquid has been spilled or objects have fallen into the
apparatus, the apparatus has been exposed to rain or moisture, does not
operate normally, or has been dropped.
15.
This apparatus shall not be exposed to dripping or splashing, and no object
filled with liquids, such as vases or beer glasses, shall be placed on the
apparatus.
16.
Do not overload wall outlets and extension cords as this can result in a risk
of fire or electric shock.
17.
Warning: This apparatus has been designed with Class I construction and must
be connected to a mains socket outlet with a protective earthing connection
(the third grounding prong).
18.
This apparatus has been equipped with a rocker-style AC mains power switch.
This switch is located on the rear panel and should remain readily accessible
to the user.
19.
The MAINS plug or an appliance coupler is used as the disconnect device,
so the disconnect device shall remain readily operable.
CAUTION
RISK OF ELECTRIC SHOCK! DO NOT OPEN!
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.
The lightning flash with arrowhead symbol within
an equilateral triangle is intended to alert the user
to the prescence of uninsulated “dangerous voltage”
within the product’s enclosure, that may be of significant magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user of the prescence of important
operating and maintaining (servicing) instructions in the
literature accompanying the appliance.
PORTABLE CART
WARNING
20.
The use of apparatus is in moderate climates.
21. NOTE: This equipment has been tested and found to comply with the limits
for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits
are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses, and can radiate
radio frequency energy and, if not installed and used in accordance with
the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or
more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and the receiver.
• Connect the equipment into an outlet on a circuit different from that
to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modifications to this device not expressly approved
by LOUD Audio, LLC. could void the user's authority to operate
the equipment under FCC rules.
22. This apparatus does not exceed the Class A/Class B (whichever
is applicable)
as
set out in the radio interference regulations of the Canadian Department
limits for radio noise emissions from digital apparatus
of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits radioélec-
triques dépassant las limites applicables aux appareils numériques de class
A/de class B (selon le cas) prescrites dans le réglement sur le brouillage
radioélectrique édicté par les ministere des communications du Canada.
23.
Exposure to extremely high noise levels may cause permanent hearing loss.
Individuals vary considerably in susceptibility to noise-induced hearing loss,
but nearly everyone will lose some hearing if exposed to sufficiently intense
noise for a period of time. The U.S. Government’s Occupational Safety and
Health Administration (OSHA) has specified the permissible noise level
exposures shown in the following chart.
According to OSHA, any exposure in excess of these permissible limits could
result in some hearing loss. To ensure against potentially dangerous exposure
to high sound pressure levels, it is recommended that all persons exposed
to equipment capable of producing high sound pressure levels use hearing
protectors while the equipment is in operation. Ear plugs or protectors in the
ear canals or over the ears must be worn when operating the equipment in
order to prevent permanent hearing loss if exposure is in excess of the limits
set forth here:
Duration, per day
in hours
890Duo in small club
692
495Subway Train
397
2100Very loud classical music
1.5102
1105CR screaming at Troy about deadlines
0.5 110
0.25 or less115Loudest parts at a rock concert
Sound Level dBA,
Slow Response
Typical Example
WARNING — To reduce the risk of fire or electric shock, do not
expose this apparatus to rain or moisture.
CAUTION — To prevent electric shock hazard, do not connect
to mains power supply while grille is removed.
Laite on liitettävä suojakoskettimilla varustettuun pistorasiaan.
Apparatet må tilkoples jordet stikkontakt.
Apparaten skall anslutas till jordat uttag.
Correct disposal of this product. This symbol indicates that this product should not be disposed of with your household waste, according to the WEEE Directive (2012/19/EU) and your national law. This product
should be handed over to an authorized collection site for recycling waste electrical and electronic equipment (EEE). Improper handling of this type of waste could have a possible negative impact on the environment and
human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the effective usage of natural
resources. For more information about where you can drop off your waste equipment for recycling, please contact your local city office, waste authority, or your household waste disposal service.
2
MRS10
ContentsMRS10 Features
Owner’s Manual
Important Safety Instructions ...........................................................2
Contents / Features .........................................................................3
Designed to add the perfect amount of dynamic,
accurate low-end, the MRS10 10" subwoofer will
enhance the listening experience in your studio
MRS10
without artificially adding boomy bass to your mix.
Optimizing features include an adjustable crossover
to dial in the right amount of low end for your studio
plus a polarity switch to make sure your mix is always
in phase.
With foot-switchable bypass functionality, MRS10
can be muted while returning your monitors to full
range at the push of a button.
When your mix has some serious low end that needs
to be heard, look no further than the MRS10.
A Brief History Of Time...
We have been designing and re-designing studio
monitors and subwoofers for nearly 20 years.
Our talented engineering team has now designed
monitors and subwoofers that love music as much
as you do. Targeted at music lovers and post-production
studios alike, the new MRS10 Powered Studio Subwoofer
has been re-voiced and re-kitted, offering unparalleled
clarity and unbelievable depth for today’s demanding
home project or post-production studio requirements.
Music Is All That Matters
When designing the MRS10 Powered Studio
Subwoofer, we didn’t start on paper
poured through countless hours of music from every
possible genre and source. From perfectly optimized
electronics to amps and a woofer custom-matched for
performance, the
designed for your music.
MRS10 Powered Studio Subwoofer
. Instead, we
Designed To Enhance Your Sonic
Experience
All studio spaces are different. As such, having the
right connection types and customizable control over
your acoustics is necessary.
Adding an MRS10 studio subwoofer to your system
only adds to the experience. It not only delivers
the chest-pounding punch critical for genres like
hip-hop and dance, but also lets your mains focus
on what they do best for optimum studio performance.
What’s more, two types of professional input
connectors are provided [XLR and 1/4"] to interface
with virtually any application you may have.
Also, the variable crossover allows you to dial in the
perfect amount of low end for your studio.
Your studio deserves a professional monitoring system
with the flexibility and performance to up the level of
your music production.
A Variety Of Applications...
An MRS10 Powered Studio Subwoofer may be used in a
variety of applications. Some examples include:
•
Home and project studios – Music production for
solo artists, small bands and DJs. Post-production edit/
mix suites, recording, editing, mixdown, mastering of
everything from spoken word performances to full music
productions.
•
A/V broadcast studios – Live broadcast/streaming
of audio-only or AV content such as radio and TV.
Production/Post-production focused on podcasts
or other streaming audio. Voiceovers, too.
•
Video post-production – Edit suites for small
is
productions such as commercials, budget films
or multimedia for internet broadcast, etc.
•
Home theater and other multimedia – Music
and
movie playback, video game sound system,
social function/party system, etc.
The ability to reveal the character of your music
is the number one reason to get professional studio
. The
monitors and subwoofers
Studio Subwoofer
to enhance this experience. From the added
punch and bass extension provided by the
custom-tuned ports to the rugged cabinet packed
with sound-tightening acoustic absorption material,
you can be confident that this subwoofer is revealing
the natural, low-end character that your music
deserves.
4
MRS10
is packed with design features
MRS10 Powered
Quick Start
Owner’s Manual
An Extremely Important Note
We realize that you can’t wait to hook up your
MRS10
Studio Subwoofer and try it out.
Nevertheless, please take the time to read this page
NOW, and the rest can wait until you’re good and ready.
1. Turn the input level control on the back of the cabinet
down (fully counterclockwise) before turning on the
subwoofer for the first time.
2. Set the power switch on the back panel off. This will
prevent you from accidentally connecting a hot signal
source to the subwoofer and getting a rude surprise.
3. Connect the L/R line-level signal from your mixer,
interface, or other signal source to the input jacks on
MRS10
the
4. Connect the line-level signal from the output jacks on
the
input jacks (XLR or 1⁄4").
Studio Subwoofer (XLR or 1⁄4").
MRS10
Studio Subwoofer to the studio monitors’
on MRS10 Bass Response and
Your Control Room
MRS10s achieve the best bass response in a
room that’s optimized for bass reproduction.
A lot of factors can conspire to thwart the
MRS10s’ extended low frequency – including room shape,
room volume and acoustical treatment.
This is not a cop-out or an apology. It’s plain old
physics in action. Luckily we’ve armed you with some
compensating controls that you can use to optimize the
frequency response of the speakers in your particular
room. Consider the following:
MRS10
When you put your
up against walls, their bass characteristics change.
The apparent loudness of the low frequencies increases
when the subwoofers are placed close to a wall, and
even more so when they are placed in a corner.
Additional Tidbits of Wisdom
s in a corner or
5. Connect the supplied AC power cord to the IEC socket
on the back of the subwoofer. Plug the other end into
an AC outlet properly configured with the voltage
corresponding to the markings next to the IEC socket.
6. Start your signal source (mp3 player, CD player, DAW,
8-track player, turntable, other), but leave the master
volume control on the mixer or preamp down.
MRS10
7. Turn on the power switch on the
8. Slowly turn up the input level control on the back
of the subwoofer to center position (12 o’clock,
aka unity gain).
9. Adjust the master volume on the mixer or preamp
to a comfortably loud listening level.
10. Balance the subwoofer to your desired low-frequency
output level and adjust the crossover to your desired
setting.
.
• Never listen to loud music for prolonged periods.
Please see the Safety Instructions on page 2 for
information on hearing protection.
When you shut down your equipment, turn off the MRS10
•
studio subwoofers first to prevent thumps and
other noises
coming out the
the subwoofers last.
• Save the shipping box! You may need it someday.
• Save your sales receipt in a safe place. It’s your
warranty!
generated by any upstream equipment from
speakers. When powering up, turn on
Enjoy the authoritative, commanding lows of the
MRS10
. Then read the rest of this manual.
Owner’s Manual
5
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