Mackie Mix10fxP Owner's Manual

CAUTION AVIS

pag

RISK OF ELECTRIC SHOCK

DO NOT OPEN

RISQUE DE CHOC ELECTRIQUE

NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK

DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE

REFER SERVICING TO QUALIFIED PERSONNEL

ATTENTION: POUR EVITER LES RISQUES DE CHOC

ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN

ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER

L'ENTRETIEN AU PERSONNEL QUALIFIE.

AVIS: POUR EVITER LES RISQUES D'INCENDIE OU

D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE

A LA PLUIE OU A L'HUMIDITE

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de “voltage dangereux” non isolé d'ampleur suffisante pour constituer un risque d'éléctrocution.

The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé pour alerter les utilisateurs de la présence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accom

nant l'appareil.

SAFETY INSTRUCTIONS

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance

with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat

registers, stoves, or other apparatus (including ampliﬁ ers) that produce heat.

9. Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not ﬁ t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories speciﬁ ed by the

manufacturer.

12. Use only with a cart, stand, tripod, bracket, or table speciﬁ ed

by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused

for long periods of time.

14. Refer all servicing to qualiﬁ ed service personnel. Servicing

is required when the apparatus has been damaged in any way, such as when the power-supply cord or plug has been damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15. This apparatus shall not be exposed to dripping or splashing,

and no object ﬁ lled with liquids, such as vases, shall be placed on the apparatus.

16. This apparatus has been designed with Class-I construction

and must be connected to a mains socket outlet with a protective earthing connection (the third grounding prong).

17. The MAINS plug or an appliance coupler is used as the

disconnect device, so the disconnect device shall remain readily operable.

18. This apparatus has been equipped with a double-pole AC

mains power switch. This switch is located on the rear panel and should remain readily accessible to the user.

19. NOTE: This equipment has been tested and found to comply

with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and the receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV

CAUTION: Changes or modiﬁ cations to this device not

20.

technician for help.

expressly approved by LOUD Technologies Inc. could void the user's authority to operate the equipment under FCC rules. This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications.

ATTENTION —Le présent appareil numérique n’émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A/de class B (selon le cas) prescrites dans le règlement sur le brouillage radioélectrique édicté par les ministere des communications du Canada.

21.

Exposure to extremely high noise levels may cause permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufﬁ ciently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has speciﬁ ed the permissible noise level exposures shown in the following chart. According to OSHA, any exposure in excess of these permissible limits could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here:

PORTABLE CART WARNING

Carts and stands - The Component should be used only with a cart or stand that is recommended by the manufacturer. A Component and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the Component and cart combination to overturn.

Duration Per Day Sound Level dBA, Typical In Hours Slow Response Example

8 90 Packed garage concert 6 92 4 95 VW Bus Peace Train 3 97 2 100 Cranked psychedelic tunes

1.5 102 1 105 High speed chase on C.H.I.P.s

0.5 110

0.25 or less 115

Loudest parts at a Heavy Metal concert

WARNING — To reduce the risk of ﬁ re

or electric shock, do not expose this

appliance to rain or moisture.

Safety Instructions .....................................2

Getting Started ..........................................4

Introduction ...............................................5

Hookup Diagrams .....................................6

Rear Panel Features ................................10

1. Power Connection ..................10

2. Power Switch ............................10

3. Speaker-level Outputs .............11

4. Ventilation .................................11

Front Panel Features ...............................12

Connector Section .............................12

5. Mic Inputs..................................12

6. Mono Line Inputs ......................13

7. Stereo Line Inputs .....................13

8. RCA Inputs ................................13

9. Monitor Send ...........................13

10. Tape Outputs ...........................13

11. Main Outputs ...........................13

12. Power Amp Mode Switch .......14

13. Power Amp Inputs ..................14

Channel Controls ................................15

14. High EQ .....................................16

15. Mid EQ .......................................16

16. Low EQ ......................................16

17. Aux Send Mon ..........................17

18. Aux Send FX ..............................17

19. Overload (OL) Led ...................17

20. Channel Level ..........................17

21. Gain Switch ..............................17

Master Controls ...................................18

22. Power Led .................................18

23. Phantom Switch and Led .......18

24. Break Switch and Led .............18

25. Main Master Graphic EQ ........18

26. Main Mix Meters .......................19

27. FX To Main .................................19

28. Main Master Level ....................19

29. Monitor Graphic EQ ................19

30. Monitor Meter ...........................19

31. FX To Monitor ............................19

32. Monitor Master Level ...............20

33. Series 69 EQ ..............................20

Internal Effects .....................................20

34. Preset Selector .........................20

35. OL Led .......................................20

Table of Internal Effects .................21

Appendix A: Service Information ..........22

Appendix B: Connections ......................23

Appendix C: Technical Information ......24

TAPCO Limited Warranty ........................27

Don’t forget to visit our website at www.tapcoworld.com

for more information about this and other TAPCO products.

What me, read a manual?

Your new TAPCO® powered mixer is designed to bring you great joy, as you share your wonderful skills and love of music with the world. Before you begin, make sure you read the safety instructions on page 2 and getting started on page 4. You can read the rest of the manual whenever you get a free moment in your busy schedule.

It is important to keep your receipt in a safe place, and not a bad idea to write your product information here for future reference (i.e., insurance claims, tech support, return authorization, etc.).

Product Serial #:

Purchased at:

Date of purchase:

Getting Started

We realize that you must be really keen to try out your new powered mixer, but please read the safety instructions on page 2, and this page ﬁ rst.

SETUP

1. Place the powered mixer in a position

where it is easy to reach the controls. All the controls and input connections are located on the front panel so you can make quick adjustments and connections on stage.

2. Make sure there is at least 6 inches of

airspace behind the powered mixer for ventilation. Use the powered mixer in a nice clean and dry environment.

CONNECTIONS

1. Be sure the rear-panel power switch is

off before making any connections.

2. Push the linecord securely into the

IEC connector on the rear panel, and plug the other end into a 3-prong AC outlet that is properly conﬁ gured for the voltage of your powered mixer.

3. Plug a balanced microphone into one

of the mic XLR (3-pin) connectors on the front panel. Or you can connect a line-level source (keyboard, or guitar preamp) to a line input jack using a TRS 1/4" plug.

4. You will need a DI box to connect

guitars/instruments to the powered mixer.

READY, STEADY, GO!

1. Turn down all the channel level, mon,

and FX controls.

2. Set all the EQ controls to the center,

including the graphic EQ sliders.

3. Turn down the main master level and

monitor master level controls, and turn on the powered mixer.

4. For condenser mics, push in the

phantom power switch. If you are using both condenser and dynamic mics, don’t worry. Phantom power will not hurt most dynamic mics. Check the micro phone’s user manual if you’re not sure.

5. For each channel 1-6, press the gain

switch in (low gain) if you are using a line-level source. Press it out (high gain) if you are using a microphone or other low-level source.

6. Play something into an input at real-

world levels, and turn up the channel level to U (unity).

7. In normal playing, the channel's OL

LED should only light occasionally. If it stays on for a large portion of your performance, check that the gain switch is set correctly.

8. Slowly turn up the main master level

control until you hear the signal in your speakers.

9. Repeat steps 5 to 7 for the remaining

channels.

10. If needed, apply some EQ wisely.

5. Plug your passive speakers (4 ohms or

greater) into the speaker output jacks on the rear panel. If you plug two speakers into a side, each speaker must be 8 ohms or greater to maintain a 4ohm minimum load on the ampliﬁ er. Use at least 18 gauge speaker cable with 1/4" TS plugs or Speakon now, set the power amp mode switch to stereo mains.

Don’t use guitar cords for speaker cables! They’re not designed to handle speaker-level signals and could overheat.

plugs. For

11. Adjust the levels to get the best mix.

Keep the level controls fully down on unused channels.

Other Notes

• Only connect the powered mixer's speaker-level outputs to passive loudspeakers.

• When shutting down, turn off any external ampliﬁ ers or powered loudspeakers ﬁ rst. When powering up, turn on any external ampliﬁ ers or powered loudspeakers last.

• Save the shipping box!

Introduction

Thank you for choosing a TAPCO MIX10fxP powered mixer. We grin with happiness over all

the fun you will have.

The TAPCO product line hails back to the days of TAPCO Corporation, Greg Mackie’s ﬁ rst company. TAPCO revolutionized the audio industry back in 1969 with the very ﬁ rst 6channel mixer speciﬁ cally designed for keyboards and rock ‘n’ roll.

In essence, TAPCO redeﬁ ned the price/performance ratio, and made high-quality professional audio equipment accessible to virtually anyone. Today, TAPCO is reborn with the same ideals, and is backed by the world-class engineering and manufacturing horsepower of LOUD Technologies.

This versatile powered mixer can be used in a variety of applications, and we hope you have a wonderful time using it. With its 10 splendid channels, two powerful ampliﬁ ers, and lightweight power supply, all ﬁ tted into a box smaller than a medium-sized pirate’s treasure chest, it makes the ideal companion for those who want to spread their musical love.

Here’s a quick look at all the features packed into the powered mixer:

• Two internal power ampliﬁ ers, each rated at 500 watts peak into 4 ohms

• Two selectable ampliﬁ er modes (stereo mains, mono-main/monitor)

• 10 channels.

• XLR microphone inputs on all channels

• TRS Line-level inputs (mono on Ch. 1 to 6, stereo on Ch. 7 and 8)

• RCA stereo inputs on Ch. 9 and 10

• 3-band EQ on each channel

• Separate Aux mon and FX controls on each channel

• Monitor send line-level output

• Main mix stereo line-level output

• RCA stereo tape outputs for recording the main mix

• Ampliﬁ er line-level inputs allow the connection of external mixers if more channels are needed

• Phantom power can be applied to all mic inputs

• 16 built-in TAPCO-designed effects from an internal digital processor

• 7-band stereo graphic EQ on the main outputs

• 7-band graphic EQ on the monitor output

• Stereo meters on main mix, and mono meter on monitor mix

• Overload LED on each channel

• Break switch mutes channels 1-8

• Speakon and 1/4" power amp speaker-level outputs

• Series 69 EQ switch for enhanced clarity and low-frequency response with TAPCO Series 69 passive speakers

• Top-mounted handle for easy and joyous transport from gig to gig

• Can be placed in wedge position for easy access to controls during gig

• Ultra-lightweight and portable

• This powered mixer with all its knobs, buttons and lights, will make you almost completely irresistible

• People will love the way you ﬁ x your hair, ﬁ nd you charming, and laugh at all your jokes

Hookup Diagrams

Club System

Microphones

DB-1A DI Box

Electric

Guitar

Acoustic Guitar

and Mic

Amp Mode

switch set to

Stereo Main

6915 Passive Speakers

(plays stereo main mix)

Recorder

Keyboard

TAPCO Thump-15A Powered Speakers used as Stage Monitors

This diagram shows microphones attached to channels 1 to 4, an electric guitar connected via a TAPCO DB-1A DI box to channel 5, an acoustic guitar and mic to channel 6, and a keyboard attached to channel 7's stereo inputs. A portable recorder is attached to the stereo tape outputs to record the performance.

TAPCO Thump TH15A powered speakers are connected to the monitor send, and are set up as stage monitors. The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the main mix. Use the monitor graphic EQ to adjust the stage monitor EQ as desired.

TAPCO 6915 passive speakers are connected to the speaker-level power output of the powered mixer, and they play the main stereo mix to your audience. The Series 69 EQ switch is engaged to enhance the performance with these Series 69 speakers. TAPCO 6918s passive subwoofers are powered by a TAPCO J-2500 power ampliﬁ er, connected to the main line outputs to reinforce the low end in your system.

TAPCO J-2500 Power Amplifier

Po l e M ou nt

6918s Passive Subwoofers

House of Worship

Microphones

DB-1A DI Box

6912 Passive Speakers

Electric

Guitar

Acoustic Guitar

and Mic

Amp Mode

switch set to

Stereo Main

6912 Passive Speakers

CD/DVD

Player

Keyboard 1

Thump TH-15A

Powered Speakers

in Overflow Room

Keyboard 2

TAPCO J-2500 Power Amplifier

Stage Monitors

This diagram shows microphones attached to channels 1 to 4, an electric guitar connected via a TAPCO DB-1A DI box to channel 5, a guitar mic to channel 6, keyboards attached to channel 7 and 8 stereo inputs, and a CD/DVD player connected to channel 9's RCA inputs. A TAPCO Link.USB Digital Audio Interface is attached to the stereo tape outputs to record the performance via USB onto a laptop.

A TAPCO J-2500 power ampliﬁ er is connected to the line-level monitor send output, and powers four passive stage monitors, two per side.

TAPCO 6912 passive speakers are connected to the speaker-level power output of the powered mixer, and they play the main mix to your audience. There are two per side, connected in parallel, (minimum impedance of 4 ohms per side).

TAPCO Thump TH15A powered speakers are connected to the main line-level outputs, and are set up to play the main mix to an overﬂ ow room. Alternatively, you could run Thump TH18s powered subwoofers to reinforce the low end in your main room.

TAPCO Link.USB

USB

Laptop

or Cry Room

Band Practice

Drum Kit Mics

Bass

Guitar

DI Box

Electric

Guitar

Processor

Voca l

Microphones

Floor Monitors

(play monitor mix)

Amp Mode

switch set to

Main/Mon

CD Player

iPod Dock

6912 Passive Speakers (plays mono main mix)

TAPCO Link.USB Digital Audio Interface

USB

Pole Mount

Laptop

Thump TH-18s Powered Subwoofers

This diagram shows drum kit microphones connected to channels 1 to 4, a guitar connected via a TAPCO DI box to channel 5, a guitar processor connected to the line input of channel 6, vocal mics connected to channels 7 and 8, a CD player connected to channel 9's stereo RCA inputs, and an iPod dock connected to channel 10's stereo RCA inputs. A TAPCO Link.USB Digital Audio Interface is attached to the stereo tape outputs to record the performance via USB to a laptop.

The amp mode switch is set to main/mon. Passive stage monitors are connected to the speaker-level Ch.B output, and play the monitor mix for your performers. TAPCO 6912 passive speakers are connected to the speaker-level Ch.A output, and they play the main mono mix to your audience. TAPCO Thump TH18s powered subwoofers are connected to the main line-level outputs, to reinforce the low end in your system.

Outdoor gig

Drum Kit Mics

DI Box

Gtr

Pro c.

Electric

Guitar

Bass

Acoustic Guitar

and Mic

Voc al Microphones

Amp Mode

switch set to

Stereo Main

6912 Passive Speakers

TAPCO J-1400 Power Amplifier

Recorder

Stage Monitors

This diagram shows drum kit microphones connected to channels 1 to 4, a guitar connected via a TAPCO DI box to channel 5, a guitar processor connected to the line input of channel 6, an acoustic guitar with guitar mic connected to channel 7, and vocal mics connected to channels 8, 9 and 10.

A TAPCO J-1400 power ampliﬁ er is connected to the line-level monitor send output, and powers two passive stage monitors. Monitor EQ can be adjusted with the monitor graphic EQ, and internal FX added.

A portable recorder is attached to the stereo tape RCA outputs to record the performance.

The amp mode switch is set to stereo mains. TAPCO 6912 passive speakers are connected to the speaker-level outputs, and they play the main stereo mix to your audience. A TAPCO J-2500 power ampliﬁ er is connected to the main line-level outputs, and supplies speaker-level power to 6925 passive speakers to reinforce the volume for outdoor events.

(play stereo main mix)

TAPCO J-2500 Power Amplifier

6925 Passive Speakers

(play stereo main mix)

+ 19 hidden pages

Mackie Mix10fxP Owner's Manual

SAFETY INSTRUCTIONS

Contents

Getting Started

Introduction

Hookup Diagrams