1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING M
AN" FIGURE
MONO
BRIDGE
SERIAL NUMBER
MANUFACTURING DATE
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
CAUTION
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
M•1400i
O WNER’ S MANU AL
AND WARRANTY REGISTRA TION
™
HIGH-CURRENT POWER AMPLIFIER
CAUTION AVIS
RISK OF ELECTRIC
RISQUE DE
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC
ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN
ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER
L'ENTRETIEN AU PERSONNEL QUALIFIE.
AVIS: POUR EVITER LES RISQUES D'INCENDIE OU
D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the presence of uninsulated
"dangerous voltage" within the product's enclosure, that may be
of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole éclair avec point de flèche à l'intérieur d'un triangle
équilatéral est utilisé pour alerter l'utilisateur de la présence à
l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur
suffisante pour constituer un risque d'éléctrocution.
The exclamation point within an equilateral triangle is intended to
alert the user of the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
Le point d'exclamation à l'intérieur d'un triangle équilatéral est
employé pour alerter les utilisateurs de la présence d'instructions
importantes pour le fonctionnement et l'entretien (service) dans le
livret d'instruction accompagnant l'appareil.
DO NOT OPEN
CHOC
NE PAS OUVRIR
DO NOT REMOVE COVER (OR BACK)
A LA PLUIE OU A L'HUMIDITE
SHOCK
ELECTRIQUE
SAFETY INSTRUCTIONS
1. Read Instructions — All the safety and operation instructions
should be read before this Mackie product is operated.
2. Retain Instructions — The safety and operating instructions
should be kept for future reference.
3. Heed Warnings — All warnings on this Mackie product and in
these operating instructions should be followed.
4. Follow Instructions — All operating and other instructions
should be followed.
5. Water and Moisture — This Mackie product should not be used
near water – for example, near a bathtub, washbowl, kitchen sink,
laundry tub, in a wet basement, near a swimming pool, swamp or
salivating St. Bernard dog, etc.
6. Ventilation — This Mackie product should be situated so
that its location or position does not interfere with its proper
ventilation. For example, the Component should not be situated
on a bed, sofa, rug, or similar surface that may block any
ventilation openings, or placed in a built-in installation such as a
bookcase or cabinet that may impede the flow of air through
ventilation openings.
7. Heat — This Mackie product should be situated away from heat
sources such as radiators, or other devices which produce heat.
8. Power Sources — This Mackie product should be connected to a
power supply only of the type described in these operation
instructions or as marked on this Mackie product.
9. Power Cord Protection — Power supply cords should be routed
so that they are not likely to be walked upon or pinched by items
placed upon or against them, paying particular attention to cords at
plugs, convenience receptacles, and the point where they exit this
Mackie product.
10. Object and Liquid Entry — Care should be taken so that
objects do not fall into and liquids are not spilled into this Mackie
product.
11. Damage Requiring Service — This Mackie product should be
serviced only by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has spilled into this
Mackie product; or
C. This Mackie product has been exposed to rain; or
D. This Mackie product does not appear to operate
normally or exhibits a marked change in performance;
or
E. This Mackie product has been dropped, or its chassis
damaged.
12. Servicing — The user should not attempt to service this
Mackie product beyond those means described in this operating
manual. All other servicing should be referred to the Mackie Service
Department.
13. To prevent electric shock, do not use this polarized plug with an
extension cord, receptacle or other outlet unless the blades can be
fully inserted to prevent blade exposure.
Pour préevenir les chocs électriques ne pas utiliser cette fiche
polariseé avec un prolongateur, un prise de courant ou une autre
sortie de courant, sauf si les lames peuvent être insérées à fond
sans laisser aucune pariie à découvert.
14. Grounding or Polarization — Precautions should be taken so
that the grounding or polarization means of this Mackie product is
not defeated.
15. This apparatus does not exceed the Class A/Class B (whichever
is applicable) limits for radio noise emissions from digital apparatus
as set out in the radio interference regulations of the Canadian
Department of Communications.
ATTENTION —Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils
numériques de class A/de class B (selon le cas) prescrites dans le
règlement sur le brouillage radioélectrique édicté par les ministere
des communications du Canada.
PORTABLE CART WARNING
Carts and stands - The
Component should be used
only with a cart or stand
that is recommended by
the manufacturer.
A Component and cart
combination should be
moved with care. Quick
stops, excessive force, and
uneven surfaces may cause
the Component and cart
combination to overturn.
This product has been tested and complies with the following
standards and directives as set forth by the European Union:
• EN 500131990 Emissions
• EN 500201988 Immunity
• EN 600651994 and IEC 65: 1985 Safety
WARNING — To reduce the risk of fire or electric
shock, do not expose this appliance to rain or moisture.
Lend Me Your Ears
Exposure to extremely high
noise levels may cause permanent hearing loss.
Individuals vary considerably
in susceptibility to noise-induced hearing loss, but
nearly everyone will lose some hearing if exposed
to sufficiently
intense
noise for a
period of
time. The
U.S.
Government’s
Occupational
Safety and
Health Administration (OSHA) has specified the permissible
noise level exposures shown in this chart.
Duration Per DaySound Level dBA,Typical
In Hours Slow ResponseExample
890Duo in small club
692
495Subway Train
397
2100Very loud classical music
1.5102
1105Lori screaming at Ron about deadlines
0.5110
0.25 or less115Loudest parts at a rock concert
these permissible limits could result in some hearing loss. To ensure against potentially dangerous
exposure to high sound pressure levels, it is recommended that all persons exposed to equipment
capable of producing high sound pressure levels
(such as this amplification system) use hearing
ating this amplification system in order to prevent
a permanent hearing loss if exposure is in excess of
the limits set forth here.
INTRODUCTION
amplifier to handle is clipping. Conventional
Thank you for choosing a Mackie Designs
power amplifier! W e appr eciate your vote of
confidence for the folks in W oodinville who
specialize in awesome and affordable audio.
The Mackie Designs M•1400i power amplifier
is designed to fulfill the amplification needs of
almost any type of application. It boasts a wealth
of features you’d expect to pay extra for — like
subwoofer filtering, constant directivity equalization, speaker-protecting limiter, and gobs of
ultra-clean power , to name a few .
Perhaps the most important feature of the
FR Series™ Power Amplifiers is the attention
to detail in every aspect of the design. At Mackie,
we know what it takes to be roadworthy . After
all, our mixers have traveled all over the world
under the worst of conditions, and we’ve applied
what we’ve learned to the mechanical design of
our amplifiers.
Roadworthiness is only part of the picture.
W e know that reliability is paramount to sound
reinforcement. That’s why we use double-sided
thru-hole-plated fiberglass printed circuit boards.
That’s why our engineers have subjected the amplifie r to the most rigorous and punishing tests
imaginable, to fine-tune the design and extend
its limits beyond those of ordinary amplifiers.
Fast Recovery — where the “FR” comes
from — is more than a buzzword. It is based on
real, proven design principles. The result is an
amplifier that performs better than conventional
designs when presented with adverse conditions.
One of the most difficult things for a power
designs use lots of negative feedback to provide
stability and lower distortion. When clipping
occurs, this “feedback” causes high-frequency
sticking, keeping the amplifier “latched” in the
clipping state longer than necessary. This r esults in painfully audible distortion. Our Fast
Recovery design eliminates this high-frequency
sticking and allows the amplifier to remain
stable when powering highly reactive loads at
high volume levels.
needs an owner’s manual. After all, you just
plug in a few cables and power it up. W ell, it’ s
almost that simple. There’s just a few things
that we’d like you to be aware of, and we’ll discuss those right away — please see the QuickStart
The M•1400i amplifier has a wealth of useful
features, and each of them is explained in detail.
Please write your serial number here for
future reference (i.e., insurance claims,
tech support, return authorization, etc.):
Purchased at:
Date of purchase:
According to OSHA, any exposure in excess of
protectors
while this
unit is in
operation.
Ear plugs
or protectors in the
ear canals
or over the
ears must
be worn
when oper-
Y ou may wonder why a power amp even
on the next page.
Then go ahead and read the entire manual.
3
®
READ THIS P AGE!
QUICK START
I got ants in my pants and I got to dance!
INSTALLATION
Y ou can mount the
M•1400i amp in any standard rack system (see
or place it horizontally on a
floor or table. The heavier internal components
are located towards the front of the chassis to
make it easier to hold the amp by its front
handles.
IMPORTANT: The M•1400i
amp draws its ventilation
air in from the front and
out through the side panels.
It needs plenty of fresh air
to stay cool.
DO NOT BLOCK THE VENTILATION PORTS
(see
CONNECTIONS AND SETTINGS
1. Be sure the
2. Turn the
3. Set both
4. Set both
5. Set the
subwoofer , you probably do not need an external
crossover . Please see
).
POWER
switch is off befor e
making connections.
GAIN
controls fully down
(counterclockwise) for now.
TYPICAL
their
switches
LOW CUT FILTER
marks (35Hz).
CONST ANT DIRECTIVITY
OFF
(unless you’re using constant
controls to
directivity horns with compression drivers).
LIMITER
switch on.
Note: If you’re using the M•1400i to power a
for details.
6. Determine which
AMP MODE
for your application:
•
STEREO
mode (separate left and right
inputs, separate left and right outputs) is
the typical setup for amplifying stereo
signals.
MONO
),
•
mode (sometimes called DualMono mode – one mono input, two mono
outputs) is for sending a mono signal to
two different speaker sets, with separatelyadjustable level controls.
BRIDGE
•
mode (sometimes called BridgedMono – one mono input, one mono output)
uses both sides of the amp to double the
power to one speaker set. An M•1400i
power amplifier , set to
BRIDGE
delivers 1400 watts (into 4 ohms). Garsh!
Note: 4 ohms is the minimum impedance
you should connect to the amplifier in
mode. If you connect a lower impedance load
BRIDGE
in
mode, the
SHORT
LEDs may
light, putting the amplifier into
mode.
Set the
7. In
AMP MODE
STEREO
mode, connect line-level cables
switch accordingly .
from your signal source to the M•1400i’s
INPUT
jacks, either XLR or TRS:
• The XLR and TRS inputs for each
channel are wired in parallel.
• The balanced XLR inputs are wired
pin 2 = hot (+), pin 3 = cold (–) and
pin 1 = shield (ground).
is best
mode,
BRIDGE
PROTECT
FULL SY MMETRY DUAL DIFFERE NTIA L HIGH CURRE NT DES IGN
CH
GAIN/dB
CH
1
14
SENSITIVITY
OL
3v
20
–3
22
18
2v
2416
–6
–9
26
–20
28
8
30
0
0
1v
1.23v (+4dBu)
SIGOLSIG
GAIN/dB
CH
3v
20
14
8
SENSITIVITY
2
22
18
2v
2416
26
28
30
0
0
1v
1.23v (+4dBu)
–3
–6
–9
–20
CH
1
INTERNAL STATUS
PROTECT
SHORT
TEMP STATUS
CH
1&2
COLD HOT
2
PROFESSIONAL POWER AMPLIFIER
ON
OFF
POWER
4
• The 1/4" TRS inputs are wired
tip = hot (+), ring = cold (–) and
sleeve = shield (ground), and can accept
either balanced (TRS) or unbalanced (TS)
cables.
MONO
8. In
input cable to
and nothing into
(Y ou could plug into
and
BRIDGE
CHANNEL 1
CHANNEL 2
modes, connect an
’s
INPUT
’s
INPUT
CHANNEL 2
’s input,
only,
it just won’t do anything.)
STEREO
9. In
speaker cables to the
and
MONO
modes, connect
SPEAKER OUTPUTS
, either binding post or 1/4" TS:
• The binding post connectors are wired
red = hot (+) and black = cold (–).
• The 1/4" TS connectors are wired
tip = hot (+) and sleeve = cold (–).
10.In
BRIDGE
mode, connect the binding post
cable like this: the hot (+) side goes in the
CHANNEL 1 SPEAKER OUTPUTS
post and the cold (–) side goes in
s red post. Plug nothing into the
NEL 2’
red
CHAN-
black posts or the 1/4" TS jacks.
11.Connect the other ends of the speaker
cables to your loudspeakers.
12.Plug the amp’s power cord
into a
3-prong AC outlet capable of delivering at
least 15 amps.
13.Make sure your signal source (the cables
feeding the M•1400i’s inputs) is powered
up and delivering signal to the amp.
14.Turn the M•1400i’s
POWER
and verify that the signal present (
switch on
SIG
LEDs are blinking.
GAIN
15.Slowly turn both
Y ou should hear the music and see the
controls up:
SIG
and meter LEDs flashing. If the
OL
topmost LEDs (named
are flashing, turn down either the
, for OverLoad)
GAIN
controls on the amp or the source signal’s
output level controls (i.e., master faders).
.
The point is: The
OL
LEDs should never
light up.
16.For quieter listening, it is preferable to
GAIN
adjust the amp’s
controls rather
than the source signal’s output level
(unless you have the source’s control all
the way up!).
17.Start dancing, but don’t let the ants out of
your pants.
Things You Must Remember:
• Never plug amplifier
outputs into anything
except speakers (unless
you have an outboard box
specifically designed to
handle speaker-level
signals).
• Before making connections to an amp or
reconfiguring an amp’s routing, turn the
GAIN
amp’s level (
) controls down, turn
the power off, make the changes, turn
the power back on, and then turn the
level controls back up.
• If you shut down your equipment, turn
off the amplifiers first. When powering
)
up, turn on the amplifiers last.
• Save the shipping boxes! You may need
them someday, and you probably don’t
want to have to pay for them again.
(MONO BRIDGE)
1400 WATTS
4 OHM LOAD MIN.
700 WATTS CH
2 OHM LOAD MIN.
120 VAC 60 Hz
1500 WATTS
MANUFACTURING DATE
WARNI NG:
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
COPYRIGHT
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MONO
BRIDGE
–
+
––
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
CH
2
SERIAL NUMBER
1
CHANNEL
OFF
2k Hz
LOW CUT
FILTER
TYPICAL
4.5 k Hz
/ BRIDGE/ MONO
35 Hz
STAGE
MONITOR
100 Hz
170 Hz
CONSTANT DIRECTIVITY
HORN EQ/AIR EQ
6k Hz
AIR EQ
AIR EQ
BALANCED
OR
UNBALANCED
ON
OFF
TYPICAL
INPUT
AMP MODE
MONO
STEREO
TYPICAL
OUTPUT APPLICATION
FULL
RANGE
LIMITER
(CH1 & CH2)
STEREO
TYPICAL
OFF
ON
WOOFER
CHANNEL
2
BALANCED
OR
UNBALANCED
ON
OFF
TYPICAL
OFF
CONSTANT DIRECTIVITY
HORN EQ/AIR EQ
2k Hz
LOW CUT
FILTER
TYPICAL
35 Hz
4.5k Hz
STAGE
MONITOR
100 Hz
170 Hz
6k Hz
AIR EQ
AIR EQ
B
R
I
D
G
E
SUB
FREQUENCY
125Hz
63Hz
INPUT
THRUTHRU
5
HOW TO USE THIS MANUAL
APPLICA TION DIAGRAMS
Mackie’s gang of illustrators have created
easy-to-understand diagrams of popular studio
and live-sound setups. Y our setup will probably
be different in some way , but these diagrams
will help you see the big picture so you can add
your own finishing touches.
FEATURE DESCRIPTIONS: MIND
BOGGLING DETAILS
Each and every knob, switch, and connector
on the M•1400i power amplifier is explained in
depth here. Throughout this section you’ll find
illustrations, with each feature numbered like
. If you’re curious about a feature, sim-
this
ply locate it on the appropriate illustration,
note the number attached to it, and find that
number in the nearby paragraphs.
This icon marks information that is critically important or unique to the M•1400i. For
your own good, read them and remember
them. W e may call you someday and quiz you.
THE GLOSSARY: A HAVEN OF NONTECHINESS FOR THE NEOPHYTE
Just in case you’re new to the audio world,
we’ve included a fairly comprehensive dictionary of pro audio terms. If terms like “clipping,”
“noise floor ,” or “unbalanced” leave you blank,
flip to the glossary at the back of this manual
for a quick explanation.
A PLUG FOR THE CONNECTORS
SECTION
Also at the back of this manual is a section on
connectors: XLR, TRS, Binding Post connectors,
balanced connectors, unbalanced connectors,
and special hybrid connectors. If you plan on
wiring your own cables, please visit this section
before you start.
ARCANE MYSTERIES ILLUMINATED
Almost last but not least, we’ve included
an appendix entitled Arcane Mysteries Illumi-nated. This section discusses some of the down
’n’ dirty practical realities of signal transmission,
balancing a sound system, grounding, and balanced versus unbalanced lines. It’s a gold mine
for the neophyte and even the seasoned pro
might learn a thing or two.
TECHNICAL INFO
This section is for you tech-heads who like
to use a calculator and read specifications.
Y ou’ll find it all her e.
This icon leads you to in-depth explanations
of features and practical tips. While not mandatory, they’ll have some valuable information.
GENERAL PRECAUTIONS AND
CONSIDERA TIONS
This section discusses important things to
keep in mind when installing and using the
M•1400i, including rack mounting, AC power ,
and wiring.
6
CONTENTS
QUIC K STA R T.......................................................... 4
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING M
AN" FIGURE
MONO
BRIDGE
SERIAL NUMBER
MANUFACTURING DATE
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
CAUTION
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
TYPICAL 35Hz
FROM MIXING CONSOLE MAIN OUT L/R
STEREO/TYPICAL
TYPICAL 35Hz
LIMITER ON
CD OFF
FROM MIXING
CONSOLE
AUX 1 OUT
FROM MIXING
CONSOLE
AUX 2 OUT
CD OFF
STAGE MONITOR 100Hz
STEREO/TYPICAL
STAGE MONITOR 100Hz
LIMITER ONCD OFF
CD OFF
TWO M•140
8
0iS: MAIN SPEAKERS AND ST AGE MONITORS
FROM MIXING CONSOLE
MAIN OUT
TYPICAL 35HzSTEREO/TYPICAL
FROM MIXING CONSOLE
MONITOR OUT
STAGE MONITOR 100Hz
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
COPYRIGHT
(MONO BRIDGE)
1400 WATTS
4 OHM LOAD MIN.
700 WATTS CH
2 OHM LOAD MIN.
120 VAC 60 Hz
1500 WATTS
M•14
00i
: MAIN SPEAKERS AND ST AGE MONITORS WITH ONE AMPLIFIER
* SEE NOTE BELOW
MANUFACTURING DATE
WARNI NG:
MONO
BRIDGE
+
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
–
+
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
–
CH
2
+
––
00i
: EIGHT MONITOR SPEAKERS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MONO
BRIDGE
+
SPEAKER OUTPUTS
–
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
+
––
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
COPYRIGHT
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
MONO
BRIDGE
+
SPEAKER OUTPUTS
–
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
+
––
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
COPYRIGHT
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
–
CH
2
+
––
WARNI NG:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
–
CH
2
+
––
00i
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • 98072 • USA • MADE IN USA • FABRIQUE AU USA • PATENTS PENDING
COPYRIGHT
1997 • THE FOLLOWING ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", FR SERIES, AND THE "RUNNING MAN" FIGURE
These giant knobs control the levels to the
output section of the M•1400i amplifier . You’ll
notice that their travel is detented, meaning
there are 40 built-in “resting points” so you can
easily set both controls to the same level. Usually, these controls ar e set all the way up.
The gain structure of the amplifier is designed so that a +4 dBu (1.23V rms) input
signal drives the amplifier to full rated power
into 4 ohms (41.23V rms @ 4 ohms = 425 watts).
This is how the sensitivity of an amplifier is defined. In this case, it equates to a voltage gain
of about 30 dB (okay, 30.51 dB for those of you
sittin’ there with your calculator!).
The graphics around the knob depict two
different methods for setting the gain. The inner circle is marked in dB, calibrated from off
(∞) to 30. This r epresents the amount of voltage gain from input to output. When using
professional equipment with +4 dBu output
GAIN
levels, set the
The outer circle is labeled in volts, with indications of 1V , 2V, and 3V. These corr espond to
the input sensitivity of the amplifier . W ith the
GAIN
control all the way up (fully clockwise),
the input sensitivity is 1.23V , which works well
with professional equipment operating at a
nominal +4 dBu level.
On the other hand, you may want your listening level to be quieter than the M•1400i’s
maximum level. For instance, if you’re using
the M•1400i as a control room amp, and your
control room is the size of a telephone booth,
you’ll probably never want to hear the amp at
its maximum level.
reach full power at the amplifier’s output.
See the sidebar “Constant Gain vs. Constant
Sensitivity” for a better understanding of how
this works.
Like all amplifier controls, you’ll typically
determine the optimal settings during installation or sound check, then leave them alone,
using your signal source (usually a mixer) to
control listening levels as you work. Or play .
control all the way up to 30.
GAIN
Y ou can set the
trols as low as you like.
However , reducing the
GAIN
controls requires an
increased input level to
con-
Constant Gain vs. Constant Sensitivity
There are two viewpoints, or philosophies,
regarding the gain structure of power amplifiers — constant gain and constant sensitivity .
Constant gain means that regardless of the
output power of the amplifier , the gain from input to output remains the same. (By the way ,
this refers to the full gain of the amplifier, with
the gain or level controls all the way up.)
Within a product line of constant gain power
amplifiers, as the output power rating of an
amplifier increases, the level of the input voltage must also increase.
For example, if an amplifier is rated at
100W into an 8-ohm load, and it has 26 dB of
gain, it requires an input signal of 1.4V rms to
drive it to full power . This is about +5 dBu, a
reasonable operating point for professional
gear .
Now take an amplifier rated at 200W into an
8-ohm load. If it also has a gain of 26 dB, it requires an input signal of 2.0V rms to drive it to
full power , or +8 dBu.
This can become problematic as the power
of the amplifier increases. What if you have a
power amp rated at 800W into 8 ohms? This
will require an input signal of 4.0V rms to drive
it to full power . This equates to a whopping
+14.3 dBu!! Y ou’ve just robbed your mixer of
10 dB of headroom. Y ou’ll either have to have a
good limiter to keep the transient peaks down,
or turn down the level from the mixer and not
use all the power available from the amplifier .
Constant sensitivity means that regardless
of the output power of the amplifier , the input
sensitivity of the amplifier (the input voltage
required to attain full output power) r emains
the same. As the output power of an amplifier
increases, the gain of the amplifier must also
increase.
Referring back to the previous example, an
amplifier rated at 100W into 8 ohms with a
gain of 26 dB requires an input signal of 1.4V
rms to drive it to full power . It has an input
sensitivity of 1.4V rms. In order for the 200W
amplifier to reach full power into 8 ohms with
a 1.4V rms input signal, it must have a gain of
29 dB. And the 800W amplifier will require a
gain of 35 dB to reach full power with a 1.4V
input signal.
Continued on page 12
11
So what are the pros and cons of these two
approaches? The reason some amplifier
manufacturers use the constant gain approach is because the noise specification
looks better . It’ s a fact of physics that as the
gain of the amplifier increases, the circuit
noise is amplified and increases too. By maintaining a constant gain, the noise spec for an
800W amplifier can look as good as the noise
spec for a 100W amplifier . The downside to
this is that you have to crank up your mixer
level feeding the input of the amplifier , losing
headroom and possibly increasing the noise
level from the mixer (unless you have a
Mackie mixer with low-noise VLZ circuitry!).
Conversely, constant sensitivity demands
that as the power increases, so must the gain.
Y es, the output noise of the amplifier will
increase, but you maintain the critical headroom available from your mixer . The additional noise is generally not a problem in live
sound reinforcement situations. If it is, you
GAIN
can turn down the
control a few clicks
to find a happy compromise between noise
floor and headroom available (see “Optimizing Sound System Levels” in Appendix D).
As an added benefit, you can drive multiple
amplifiers with the same signal and get the
maximum power available from all of them.
Mackie subscribes to the philosophy of
constant sensitivity. Our amplifiers can be
driven to full power with an input level of
+4 dBu (1.23V rms).
Y ou may wonder why we
didn’t use just one stereo
control to control both sides.
That’s in case your applica-
tion requires a left/right
imbalance (due to an irregularly shaped room)
or if you’re using the two sides for completely
different purposes (monitor in channel 1 and
side-fill in channel 2, for instance). Besides,
they look cool.
METERS
The M•1400i’s meters indicate the relative
output level of the amplifier referenced to full
power . The numbers next to the meter’ s LEDs
are in dB below full power.
Ideally, the M•1400i’ s
–20, –9, –6,
LEDs will flicker at normal signal levels, while
OL
LED may flicker occasionally during
the
peak moments.
OL
is short for Overload. Overloading, or
clipping, occurs when the output voltage no
longer linearly follows the input voltage and
simply stops. This causes a sine wave to
“square off,” or get “clipped off.” Thus, the term
clipping. Fear not — this scenario is quite un-
If the
is blinking frequently or
continuously, turn down
the source signal (i.e. the
mixer’s master faders).
and
–3
(Overload) LED
12
FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN
CH
CH
1
GAIN/dB
18
14
8
SENSITIVITY
3v
20
0
0
22
2416
26
28
30
1v
1.23v (+4dBu)
OL
–3
2v
–6
–9
–20
–3
–6
–9
–20
SIGOLSIG
GAIN/dB
18
14
8
SENSITIVITY
3v
20
0
0
22
2416
26
28
30
1v
1.23v (+4dBu)
CH
2
2v
CH
1
INTERNAL STATUS
PROTECT
SHORT
TEMP STATUS
CH
1& 2
COLDHOT
2
SIG
SIG
(short for “signal present”) is the lowest
step in the meters’
prior to the
GAIN
ladder . It senses the signal
control, so when
SIG
is lit,
you know the M•1400i is receiving signal. If it’s
the only meter LED lit (meaning the other meter
LEDs are not lit), the M•1400i is receiving a
very weak signal (below –20 dB).
PROTECT
If the
PROTECT
output section has shut down. That, of course,
means you won’t hear anything until you rectify
the situation. Three things can cause the
circuit to engage:
TECT
1. Powering up the M•1400i. A built-in delay
circuit saves your speakers (and ears)
from the thumps or pops that can sometimes occur when powering up a system.
During this 3 second delay, the
LEDs light up.
2. A short circuit (or near short) in either of
the outputs. Both the
SHORT
LEDs light up.
3. The temp erat ure in th e M•1400i ha s risen
to an unsafe level. The
TEMP ST ATUS HOT
stay cool. DO NOT BLOCK THE VENTILATION
PORTS. See
LEDs are on, the M•1400i’s
PROTECT
PROTECT
and the
PROTECT
LEDs light up.
The M•1400i amp draws
its ventilation air in from
the front and out through
the side panels. The amp
needs plenty of fresh air to
“Thermal Considerations”
PRO-
and the
.
SHORT
If this LED comes on, the M•1400i has detected a short circuit in either of the outputs,
meaning that the hot (+) and cold (–) speaker
wires are touching, or a speaker itself is
shorted out. Such a condition causes the
M•1400i to engage its
PROTECT
(when a signal is present), muting all signals
at the amp’s outputs.
This short-circuit LED is a Mackie exclusive
(until the other guys “borrow” the idea) and
can save precious minutes of your troubleshooting time. Without it, you’d still have
speaker and amp protection (via the
circuit), but you wouldn’t be able to determine
the source of the problem. But with the
LED, the M•1400i comes right out and tells you!
W ARNING: The
SHORT
unsafe condition for the power amplifier . When
the short-circuit protection is activated, the
SHORT
LED lights, then the
SHORT
lights and the
LED turns off. After
about four seconds, the protection circuit turns
off and the amplifier resumes normal operation.
If it senses the shorted condition again, the
cycle repeats until you fix the problem.
Typical causes for a “short” indication would
be either a shorted speaker cable or too many
speaker cabinets connected to the amplifier
(i.e., the load impedance is too low). If a “short”
is indicated, please check your cables. If the
cabling is OK, then reduce the number of cabinets driven by the amplifier .
Note: When using the amplifier in
mode, one or both
SHORT
under shorted or low impedance conditions.
Regardless of whether one or both LEDs light,
it’s an indication of a problem that requir es
further investigation.
mode
PROTECT
SHORT
LEDs indicate an
PROTECT
LED
BRIDGE
LEDs may light
PROFESSIONAL POWER AMPLIFIER
ON
OFF
POWER
13
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