Mackie hotwire VT12 Owner's Manual

Mode Switching Tube Guitar Amplifier
O W N E R ’ S M A N U A L
Important Safety Instructions
PORTABLE CART WARNING
Carts and stands - The Component should be used only with a cart or stand that is recommended by the manufacturer. A Component and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the Component and cart combination to overturn.
CAUTION AVIS
RISK OF ELECTRIC SHOCK
DO NOT OPEN
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC
ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN
ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER
L'ENTRETIEN AU PERSONNEL QUALIFIE.
AVIS: POUR EVITER LES RISQUES D'INCENDIE OU
D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE
A LA PLUIE OU A L'HUMIDITE
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure, that may be of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur suffisante pour constituer un risque d'éléctrocution.
The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé pour alerter les utilisateurs de la présence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accompagnant l'appareil.
1. Read these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
hotwire VT12
7. Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10.
Protect the power cord from being walked on or pinched particularly at
plugs, convenience receptacles, and the point where they exit from the apparatus.
11.
Only use attachments/accessories specified by the manufacturer.
12.
Use only with a cart, stand, tripod, bracket, or table specified by the
manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13.
Unplug this apparatus during lightning storms or when unused for long
periods of time.
14.
Refer all servicing to qualified service personnel. Servicing is required
when the apparatus has been damaged in any way, such as power­supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
15.
This apparatus shall not be exposed to dripping or splashing, and no
object filled with liquids, such as vases, shall be placed on the apparatus.
16.
This apparatus has been designed with Class-I construction and must
be connected to a mains socket outlet with a protective earthing con
-
nection (the third grounding prong).
17.
This apparatus has been equipped with a single-pole, rocker-style AC
mains power switch. This switch is located on the front panel and should remain readily accessible to the user.
18. This apparatus does not exceed the Class A/Class B (whichever is
applicable) set out in the radio interference regulations of the Canadian Department
limits for radio noise emissions from digital apparatus as
of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage radioélectrique édicté par les ministere des communications du Canada.
19.
Exposure to extremely high noise levels may cause permanent hearing
loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the permissible noise level exposures shown in the following chart.
hotwire VT1
According to OSHA, any exposure in excess of these permissible limits
could result in some hearing loss. To ensure against potentially danger ous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pres sure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here.
Duration Per Day Sound Level dBA, Typical In Hours Slow Response Example
8 90 Duoinsmallclub
6 92
4 95 SubwayTrain
3 97
2 100 Veryloudclassicalmusic
 1.5 102
1 105 TamiscreamingatAdrianaboutdeadlines
0.5 110
 0.25orless 115 Loudestpartsatarockconcert
WARNING — To reduce the risk of fire or
electric shock, do not expose this apparatus
to rain or moisture.
-
-
R
Table of Contents
Introduction .................................................................................................................................5
Getting Started ...........................................................................................................................7
VT1 Features ...............................................................................................................................9
Input Stage and Hotwire Section ......................................................................................................................................9
1. INPUT .................................................................................................................................................................................9
. SIG ......................................................................................................................................................................................9
. CLIP .....................................................................................................................................................................................9
4. GAIN ..................................................................................................................................................................................9
5. MANUAL ...........................................................................................................................................................................9
6. BRIGHT ..............................................................................................................................................................................9
7. MODE Switch ...................................................................................................................................................................9
8. DRIVE ................................................................................................................................................................................10
9. VOLUME ...........................................................................................................................................................................10
EQ and Effects Section ........................................................................................................................................................10
10. USA/UK .........................................................................................................................................................................10
11. BASS ..................................................................................................................................................................................10
1. MIDDLE ...........................................................................................................................................................................10
1. TREBLE .............................................................................................................................................................................10
14. PRESENCE ........................................................................................................................................................................11
15. EFX .....................................................................................................................................................................................11
16. MODULATION ...............................................................................................................................................................11
17. DELAY ..............................................................................................................................................................................1
19. REVERB ............................................................................................................................................................................1
0. MASTER VOLUME .......................................................................................................................................................1
Owner’s Manual
Display and Channel Section .............................................................................................................................................1
1. Display ............................................................................................................................................................................1
. Select/Adjust Knob ....................................................................................................................................................1
. CLEAN .............................................................................................................................................................................1
4. CRUNCH .........................................................................................................................................................................1
5. OVERDRIVE ...................................................................................................................................................................1
6. LEAD ................................................................................................................................................................................
7. EXIT ..................................................................................................................................................................................
8. BUZZ ...............................................................................................................................................................................14
9. NOTCH ............................................................................................................................................................................14
0. SPEAKER .........................................................................................................................................................................14
Don’t forget to visit our website at www.mackie.com for more
information about this and other Mackie products.
Part No. SW0658 Rev. A 02/08 ©2008 LOUD Technologies Inc. All Rights Reserved.
14 14
Owner’s Manual
hotwire VT12
1. SAVE .................................................................................................................................................................................14
. MIC ..................................................................................................................................................................................15
. COMP ..............................................................................................................................................................................15
4. CLICK ...............................................................................................................................................................................15
5. TUNER .............................................................................................................................................................................15
6. TOOLS ............................................................................................................................................................................16
7. OUTPUT POWER ..........................................................................................................................................................16
8. MAINS Switch ..............................................................................................................................................................16
Rear Panel ...............................................................................................................................................................................17
9. AC Power Receptacle
40. USB..................................................................................................................................................................................17
41. PEDAL ..............................................................................................................................................................................17
4. EXTERNAL SPEAKER ...................................................................................................................................................17
4. PHONES OUT ................................................................................................................................................................
44. PHONES LEVEL .............................................................................................................................................................17
45. LINE OUTPUT LEFT/RIGHT ......................................................................................................................................17
46. LINE INPUT LEFT/RIGHT ..........................................................................................................................................18
47. LINE INPUT GAIN .........................................................................................................................................................18
48. INSERT LOOP SEND/RETURN .................................................................................................................................18
49. MIC INPUT .....................................................................................................................................................................18
50. MIC INPUT GAIN .........................................................................................................................................................18
..................................................................................................................................................17
17
Factory Presets .......................................................................................................................... 18
Saving Your Own ....................................................................................................................... 19
VT1 Control Panel ...................................................................................................................0
Installing the Software .......................................................................................................................................................0
Computer Requirements ................................................................................................................................................0
Installing the VT1 Control Panel .................................................................................................................................0
Controls ...................................................................................................................................................................................1
Installing Tracktion ..........................................................................................................................................................4
Appendix A: Service Information .........................................................................................5
Troubleshooting ...................................................................................................................................................................5
Repair ......................................................................................................................................................................................5
Appendix B: Connections .......................................................................................................6
Appendix C: Technical Info ....................................................................................................8
VT1 Specications ..............................................................................................................................................................8
VT1 Block Diagram .............................................................................................................................................................0
VT1 Limited Warranty ............................................................................................................1
4
hotwire VT1

Introduction

Owner’s Manual
Thank you for choosing the Mackie Hotwire VT12 professional guitar amplifier, the world’s first Class A/A-B mode-switching tube guitar amplifier for live performance and studio recording.
The Hotwire VT12 is a single 12" combo amplifier combining extremely high power with a remarkably light­weight, compact package offering players maximum flex­ibility of features with authentic vacuum tube tonality.
This unique guitar amplifier was created by Greg Mackie over a period of several years of meticulous research and design, using proven techniques (okay, and some trial and error) to fine tune the circuitry and obtain the sounds for each mode. Other guitar amp manufacturers use DSP to “model” the sound of various vacuum tube amplifiers. Greg thought, “Why use DSP to model tubes when we can simply put tubes in the amp?” So the VT12 has two 12AX7A tubes in the preamp section, which can be literally rewired, or “Hotwired,” to create different tube circuits by using the Mode control. The VT12 comes with 12 Factory Modes, with the capa­bility to modify and store them, and recall the original Factory Modes at any time using the VT12’s control panel application (more on that later).
These modes serve as the basis to create presets, which can also be stored in memory. You can create up to 96 presets (24 banks of 4 channels each: Clean, Crunch, Overdrive, and Lead). The distortion sounds are created by the tube circuitry for that genuine tube overdrive sound.
A 1.35" compression driver is included for high­frequency enhancement of the Line, Acoustic, and Hi-Fi modes. Thus, the VT12 can become a full-range system for acoustic guitars, keyboards, microphones, and other sources. There is a microphone input on the rear panel, so as an example you could sing through the micro­phone in full-range mode while the guitar is routed through the tubes and limited to the 12” speaker.
A USB connection is provided on the rear panel for connecting to your computer. You can install the VT12 control panel application on your computer (PC or Ma­cintosh), which gives you access to even more editing of user modes, presets, speaker EQ curves, and effects set­tings. It also allows you to stream audio from the VT12 to your computer’s DAW application for recording.
An optional foot pedal board is available (PB-1) for switching channels, changing banks, wah, volume, and expression foot control, and controlling the VT12’s ten­second onboard loop recorder, with unlimited overdubbing capability. A simpler four-button footswitch (PB-4) is also available that can switch among the four channels.
The features built into the VT12 go on and on, so we’ve listed them below to provide a quick overview of all of them. Be sure to read the “Getting Started” section next. It will help you quickly understand how the VT12 works, and have you enjoying your new guitar amp in no time.
VT12 Features
• Authentic tube amplifier tone, ranging from Hi-Fi
clean sounds to full-on high gain distortions.
• Fully-configurable dual 12AX7A vacuum tube
circuitry with 12 factory wiring modes (including LINE, ACOUSTIC, HI FI, JAZZ, BLUES, CLASS A, UK I, UK II, USA I, USA II, HI GAIN I, and HI GAIN II), which can be modified for your own personal preference.
• High power: 120 W main amplifier, + 30 W com
pression driver amplifier, + 30 W external speaker amplifier.
• Extremely light weight: at less than 25 lbs., the
VT12 is roughly half the weight of many typical single 12" combo amplifiers.
-
Of course, standard tone stack controls are provided; Bass, Middle, and Treble, along with a Presence control. Standard effects controls are also included; Modulation, Delay, and Reverb, with numerous types to choose from for each effect.
There is a unique Output Power control, with set­tings from 120 watts down to 1 watt. Each click of the control reduces the output power by 3 dB (or one-half), Most guitar players like the sound of their amp at high volumes, but can’t always play it that loud (rehearsal, small clubs, etc.). The Output Power control allows you to retain the soft overload and distortion characteristics of the amplifier without the high volume.
• Four-band tone stack (Bass, Middle, Treble, and Presence), with user-selectable USA and UK tone stack types.
• 32-bit onboard digital effects, including modulation (chorus, flanger, phaser, tremolo, modulated delay, and rotary speaker), delay (mono delay, tape echo, multitap delay), and reverb (room, hall, plate, spring short, and spring long).
• 2 x 8 character amber-backlit LCD display.
• Storage capability for 96 presets, arranged in banks of Clean, Crunch, Overdrive, and Lead channels.
• One-button Buzz feature, for eliminating noise due single-coil pickups or other noisy input sources.
Owner’s Manual
5
• Notch filter, for reducing feedback on acoustic instrument sources.
• Front-panel selectable USA speaker emulations.
• Manual mode, for “what-you-see-is-what-you-get” (basic guitar amp) operation.
• Rear-panel microphone input, with user-selectable routing options.
hotwire VT12
• Onboard compressor/limiter.
• Click (metronome) function, with variable tempo, sample type, and volume.
• Onboard chromatic strobe tuner.
• Tools menu, allowing access to utility functions.
• Output Power control, providing fully-cranked amplifier tones at low volumes.
• A 12" custom-voiced speaker, with neodymium mag net structure for reduced weight.
• A 1.35" Celestion neodymium compression driver with custom waveguide.
• Insert loop, for inserting external effects/signal processors.
• Stereo line inputs, for jamming along with a CD or MP3 player.
and UK
HOW TO USE THIS MANUAL
We know that many of you can’t wait to get your new guitar amplifier working, and you’re probably not going to read the manual first (sigh!). So the first section after this introduction is a Quick-Start Guide called “Getting Started” to help you get the VT12 set up fast so you can start using it right away.
Then, when you have time, read the Features Descrip­tion section. This describes every knob, button, and connection point on the VT12, as well as the software control panel application settings and controls.
Throughout this section you’ll find illustrations with each feature numbered. If you want to know more about a feature, simply locate it on the appropriate illustra­tion, notice the number attached to it, and find that number in the nearby paragraphs.
This icon marks information that is
-
critically important or unique to the VT12. For your own good, read them and remember them. They will be on the final test.
This icon leads you to in-depth explanations of features and practi­cal tips. While not mandatory, they usually have some valuable nugget of information.
• Cabinet-emulated stereo line outputs.
• Stereo headphone output.
• External speaker jack, for connecting the optional EX12 extension speaker cabinet.
• Pedal jack, for connecting optional PB-1 and PB-4 pedal boards.
• USB jack — provides streaming audio to PC (cabi net emulated) for recording applications, and al­lows for deep editing, preset archiving, live control, and firmware upgrade functions.
• Seven-ply Italian poplar cabinet construction, for warm tone and light weight.
• Universal switching power supply.
Includes Tracktion Music Production
digital audio recording.
Software for
A PLUG FOR THE CONNECTOR SECTION
Appendix C is a section on connectors: XLR connec­tors, balanced connectors, unbalanced connectors, and the insert connectors used on the VT12.
More resources on our website at www.mackie.com
­Visit our website and click “Support.” There you will
find links to the Glossary of Terms (brief explanations of many pro audio terms), Frequently Asked Questions (FAQs), and our forums (our online help community).
Now, let’s get started!
6
hotwire VT1

Getting Started

M
O
D
E
HI-FI
JAZZ
ACOUSTIC
HI GAIN I
HI GAIN II
BLUES
LINE
GAIN
SIG
INPUT
CHANNEL
BRIGHTMANUAL
USA II
USA I
UK II
CLASS A
UK I
STYLE
EQ
TYPE TYPE TYPE
EFX
02
READ THIS PAGE!!
4. Turn up the VOLUME and DRIVE controls about
Owner’s Manual
halfway (12 o’clock position). SLOWLY turn up the MASTER VOLUME control while strumming your guitar until you hear your guitar, and set it for a comfortable listening level.
Even if you’re one of those people who never reads manuals, all we ask is that you read this page now before you begin using the VT12. You’ll be glad you did!
The Hotwire VT12 may seem daunting at first with all the knobs and buttons on the top panel. However, once you understand the concept and the signal-flow of the amplifier, you will see that it operates very much like any other guitar amplifier. It just has more features and options to spark your creativity than any other guitar amp you’ve ever seen.
Input Stage and Hotwire Section
Now that you are getting sound through your ampli­fier, let’s talk about the Hotwire section. The input stage of the VT12 is comprised of two 12AX7A vacuum tubes, with two gain stages per tube (it’s a dual-triode vacuum tube for those of you interested in such things), for a total of four vacuum tube gain stages.
The MODE switch is used to rewire the configura­tion of these four gain stages and, along with carefully applied EQ voicing, create the different sounds that represent the many styles of guitar amplifiers that have been used throughout the years.
The following screenshot from the VT12 PC applica­tion shows a graphical representation of the UKI Mode.
1. Turn down the VOLUME, DRIVE and MASTER VOL­UME controls, and set the MODE control to JAZZ.
2. Plug your guitar into the INPUT jack and turn the POWER switch on.
3.
Set the GAIN control to NORMAL and strum your
guitar. If your guitar has its own volume control(s), adjust them to where you normally set them when you play. You should see the yellow SIG LED light, indicating that the VT12 sees a signal coming from your guitar. If the SIG LED doesn’t light, try turning up the GAIN control or the volume control(s) on your guitar. If the CLIP LED lights continuously or frequently, turn down the GAIN control or the volume control(s) on your guitar (it’s okay if the CLIP LED lights occasionally).
As you switch through the various modes, the switch­es in the above tube wiring diagram change positions to represent how the tubes are rewired. In addition, EQ is applied before and after the tube preamp stage.
There are two more controls to discuss in relation to the input stage: the DRIVE control and VOLUME control (we’ll discuss the MANUAL button on page 9; the BRIGHT button simply adds a fixed mid-to-high-fre­quency boost to the signal).
The DRIVE control provides additional gain before the tube stage. You can use this to adjust the amount of ana­log tube distortion you can hear for the particular mode you have selected. The more DRIVE, the more distortion.
The VOLUME control adjusts the signal level after the tube stage and the EQ section (described next). With high drive levels and high gain modes, you may need to turn the VOLUME control down to compensate. On the other hand, with low drive levels and low gain modes, you can turn the VOLUME control up more for a cleaner sound.
Owner’s Manual
7
EQ and Effects Sections
W
A
T
T
S
8
4
16
30
2
60
1
120
MAINS
CHANNEL
OVERDRIVE LEADCRUNCHCLEAN
SPEAKERNOTCHBUZZ
CLICKCOMP TOOLSTUNERMIC
MODE SWITC HING T UBE A MPLIFI ER
BY
STYLE
EQ
TYPE TYPE TYPE
EFX
SAVE
EXI T
Silver Surfer
02
W
A
T
T
S
8
4
16
30
2
60
1
120
MAINS
CHANNEL
OVERDRIVE LEADCRUNCHCLEAN
SPEAKERNOTCHBUZZ
CLICKCOMP TOOLSTUNERMIC
MODE SWITC HING T UBE A MPLIFI ER
BY
SAVE
EXI T
Silver Surfer
02
Silver Surfer
02
hotwire VT12
The EQ section contains the four EQ controls: BASS, MIDDLE, TREBLE, and PRESENCE. These controls come after the tube stage, and provide the opportunity to adjust the overall sound of the particular mode you have selected.
The EQ section also has a USA/UK tone stack switch. This changes the characteristics of the EQ to resemble either USA or UK style tone controls.
The Effects section contains Modulation, Delay, and Reverb controls. You can switch the Effects section on and off with the EFX button next to the MODULATION control.
Each effect has a number of types you can select by pressing the TYPE button just above the MODULATION, DELAY, and REVERB controls. The currently selected type appears in the display. Rotate the Select/Adjust knob to change the type of the effect, and press the Select/Adjust knob to cycle through the parameters for each effect.
Select/Adjust Knob
Display and Channel Section
The four channel buttons, CLEAN, CRUNCH, OVER­DRIVE, and LEAD, give you access to four preset sounds stored within the current bank.
There are 24 banks of four stored presets, one for each channel. Change banks by turning the Select/Adjust knob next to the display, then press a channel button to recall the preset for that bank and channel.
A preset stores the following settings: Mode, Drive, Volume, EQ, Bass, Middle, Treble, Presence, Modulation, Delay, Reverb, and Compressor.
You can create your own preset and save it to a bank and channel using the SAVE button. Refer to page 14 for more details on how to do this.
There are several miscellaneous buttons in this sec­tion, including EXIT, BUZZ, NOTCH, SPEAKER, SAVE, MIC, COMP, CLICK, TUNER, and TOOLS. These are described in more detail in the “Display and Channel” section beginning on page 13.
Finally, the OUTPUT POWER switch allows you to reduce the amplifier power in 3 dB increments (halving the power reduces it by 3 dB). As the output power is reduced, so is the overall volume and the point at which the amplifier overloads. This allows you to get a “loud” (i.e., overdrive) sound without having the amplifier playing loud. Good for practicing and keeping peace with your neighbors.
The MASTER VOLUME control is also in this section. It controls the amount of signal that is sent to the power amplifier section, after the EQ and Effects sections. Use this to control the overall volume of the amplifier.
That’s it for the Getting Started section. Hopefully, this has provided enough information to get you well on your way to enjoying your new Hotwire VT12. The next section, VT12 Features, goes into more detail describ­ing every input, output, knob, and button on the VT12. After that, there is a section on the VT12 Control Panel, which describes how to install the VT12 Control Panel application on your computer. This provides access to even more editing and control features than you have available on the top panel of the VT12.
8
hotwire VT1
Owner’s Manual
M
O
D
E
HI-FI
JAZZ
ACOUSTIC
HI GAIN I
HI GAIN II
BLUES
LINE
GAIN
SIG
INPUT
CHANNEL
OVERDRIVE LEADCRUNCHCLEAN
SPEAKERNOTCHBUZZ
CLICKCOMP TOOLSTUNERMIC
BRIGHTMANUAL
USA II
USA I
UK II
CLASS A
UK I
STYLE
EQ
TYPE TYPE TYPE
EFX
Silver Surfer
02

VT12 Features

Input Stage and Hotwire Section

1. INPUT

This is where you plug in your guitar or other instru­ment. It is a 1/4" TS connector that accepts an unbal­anced
instrument-level input signal from a high-imped­ance instrument like a guitar or a line-level signal from a low-impedance source (LINE mode [7]).

2. SIG

This LED indicates when signal is present at the input jack. It senses the signal after the input GAIN control, but before the DRIVE and VOLUME controls.

3. CLIP

The CLIP LED lights when the input preamp reaches its maximum output and is on the verge of clipping. It’s okay for the CLIP LED to blink occasionally, but if it is blinking frequently or continuously, turn down the GAIN control [4] or the volume control on your instrument.

4. GAIN

The GAIN controls adjust the input sensitivity of the instrument input. This allows the signal from the outside world to be adjusted to optimal internal operating levels.
Set the GAIN control to the NORMAL position (12 o’clock). The SIG LED should stay lit while you are play­ing your instrument. If the SIG LED doesn’t light or blinks occasionally, turn the GAIN control up. It’s okay if the CLIP LED blinks occasionally, but if it blinks frequently or lights continuously, turn the GAIN control down.

5. MANUAL

Push this button to activate manual mode. When manual mode is active, the LED next to the button lights
and the display goes blank. All of the channel presets and effects are bypassed by default when in manual mode, so only the MODE switch and EQ controls are active. Use manual mode to simplify the operation of the VT12 for basic guitar amp operation.
You can reactivate the effects by pressing the EFX [15] button. The previous effects settings are activated. You cannot change the effects settings from the VT12 top panel, but you can from the VT12 Control Panel on your computer.

6. BRIGHT

This button applies a fixed mid/high frequency boost to the input signal. When Bright is activated, the LED next to the button lights.

7. MODE Switch

Use the Mode switch to select among 12 different am­plifier modes, emulating various classic guitar amplifier sounds. As described in the “Getting Started” section, the various sounds are created by “hotwiring” the tube gain stages into different configurations and levels of gain, along with applying selected EQ voicings.
Note: You can modify and overwrite a factory mode setting using the VT12 Control Panel’s FILE button (see page 22 for more info).
The VT12 has a 12" speaker as well as a 1.35" com­pression driver. The compression driver and 12 combination
is used for the microphone input and the Line, Acoustic, and Hi-Fi settings on the Mode switch and provides a full-range output. The remaining settings on the Mode switch only use the 12" speaker.
" speaker
Owner’s Manual
9
The following table provides a brief description of
M
O
D
E
HI-FI
JAZZ
ACOUSTIC
HI GAIN I
HI GAIN II
BLUES
LINE
GAIN
SIG
INPUT
CHANNEL
OVERDRIVE LEADCRUNCHCLEAN
SPEAKERNOTCHBUZZ
CLICKCOMP TOOLSTUNERMIC
BRIGHTMANUAL
USA II
USA I
UK II
CLASS A
UK I
STYLE
EQ
TYPE TYPE TYPE
EFX
Silver Surfer
02
each of the Mode settings:
LINE
Works like a standard line input and provides a clean signal for keyboards and other line-level sources.
ACOUSTIC
Provides a voicing optimized for acous­tic electric and hybrid guitars.
HI-FI
hotwire VT12
JAZZ
Full-range clean sound for electric guitar or keyboard.
Warm, dark, and clean sound for jazz guitar.
BLUES
Brighter sound with a bit of grit, de­signed to accentuate touch sensitivity.
CLASS A
Pure clean tone ranging to ragged overdrive.
USA I
USA II
UK I
UK II
HI GAIN I
HI GAIN II
Late-50s “tweed” sound.
Early 60s “black face” sound.
Classic British rock sound.
High gain British rock sound.
West coast high gain sound.
Modern metal sound.

8. DRIVE

control down to compensate. On the other hand, with low drive levels and low gain modes, you can turn the VOLUME control up more for a cleaner sound.

EQ and Effects Section

10. USA/UK

The EQ section has a USA/UK tone stack switch. This changes the characteristics of the EQ to resemble either USA or UK style tone controls. The UK setting has a bit more midrange presence. Experiment to find the setting that you like best for a particular riff or song.

11. BASS

Use this to adjust the output level of the low frequen­cies of the selected channel. The adjustment range and frequency is determined by the USA/UK button.

12. MIDDLE

Use this to adjust the output level of the mid frequen­cies of the selected channel. The adjustment range and frequency is determined by the USA/UK button.
The Drive control adjusts the amount of gain within each amplifier mode, just before the tube stage. The higher the Drive control setting, the more overdrive sound you can achieve.

9. VOLUME

The Volume control provides the final overall gain for the signal from the preamp tube stage of the amplifier, after the Drive and EQ controls. and high gain modes, you may need to turn the VOLUME
With high drive levels

13. TREBLE

Use this to adjust the output level of the high frequen­cies. The adjustment range and frequency is determined by the USA/UK button.
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