LR Baggs Venue DI User Manual

VENUE
Full Isolation D.I.
USER’S GUIDE
www.lrbaggs.com/venue
INTRODUCTION
Thank you for purchasing our Venue D.I. This is the rst all-discrete acoustic guitar preamp to combine a transformer-coupled D.I. output for maximum isolation, an EQ specically tuned for acoustic guitars, a variable boost control to compliment your playing styles and a chromatic digital tuner to help you stay in tune.
We trust that you are going to enjoy and come to understand the full capability of this new preamp as you use it. We have also included in this manual some tips on how to get the most out of this product.
TO GET STARTED
1. Insert a 9-volt battery or plug in a 9-volt DC power supply (not provided). NOTE: The preamp cannot be phantom powered through the D.I.
2. Plug your guitar into the INPUT of the Venue D.I. (upper right hand side of the box) and a cable to either the 1/4” OUTPUT (upper left hand side) or the XLR output located on the back panel of the unit.
3. Adjust the gain knob to the appropriate level using the clip meter.
4. Plug the output cable into your amp or PA and experiment with the features. To learn more about the specics of the Venue D.I., continue on with this manual.
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N KH I M J
FRONT CONTROLS
A. Bass Control
The bass control is a 12dB boost/cut centered at a frequency of 90Hz.
B. Low Midrange Controls
This adjustment is split into two knobs: level and frequency. The two knobs are vertically adjacent to each other; the level knob is the upper one and frequency is directly below it. Set the frequency knob to a particular frequency (100Hz-500Hz) then either boost or cut that frequency using the level knob.
C. Hi Midrange Controls
The high midrange controls function the same as the low midrange controls except that they cover the frequency range of 500Hz to 2.8kHz.
D. Presence
The presence control is a 12dB boost/cut centered at 3kHz.
E. Treble
The treble control is a 12dB boost/cut centered at 10kHz.
F. Notch
The Venue D.I. incorporates our proprietary Garrett Null anti-feedback notch lter. Sonically it is virtually invisible and it can be used to sweep the primary feedback range of an acoustic guitar (60Hz - 360Hz) to cut out a frequency that is causing feedback or ringing. This control can also be disabled and taken out of the signal path by turning the dial all the way to the counter-clockwise position past the “click.”
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