Basic Operation
LVL |
OVL |
INPUT |
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TM
AUDIO MORPHING PROCESSOR
PEDAL/TAP
ECHO 2
ECHO 1 ENVELOPE MORPH A/B
ECHO FX LVL
MOD FX LVL OUTPUT MIX
FEEDBACK 1 |
STORE |
A/B |
VALUE |
REGISTER/PRESET |
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9 |
DEJA VU |
FEEDBACK 2 |
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DUO |
8 |
10 |
CHOIR |
RATE 1 |
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A |
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MAZE |
7 |
11 |
SHIMMER |
DEPTH 1 |
CLEAR |
B |
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MOSAIC |
6 |
12 |
SWEEP |
RESONANCE 1 |
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AEROSOL |
5 |
13 |
SHADOW |
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RATE 2 |
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VALUE |
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CENTRIFUGE |
4 |
14 |
CYCLOID |
DEPTH 2 |
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ORBITS |
3 |
15 |
BLEEN |
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RESONANCE 2 |
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ATMOSPHERE |
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16 |
FRACTAL |
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REFLEXION |
1 |
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Presets and Registers
Vortex is loaded with 32 permanent presets, arranged in two banks, and numbered 1A-16A and 1B-
16B. Vortex also has 32 memory locations, called registers, where you can store your own effects.
Each preset and register has an A and a B version. In the presets, A and B versions are matched into specific effect pairs. You can set up your own pairing system in the registers.
Vortex has 32 presets and 32 registers for storing your customized effects. Pressing the REGISTER/PRESET button ...
REGISTER/PRESET |
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9 |
DEJA VU |
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DUO |
8 |
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10 |
CHOIR |
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MAZE |
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11 |
SHIMMER |
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MOSAIC |
6 |
12 |
SWEEP |
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AEROSOL |
5 |
13 |
SHADOW |
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CENTRIFUGE |
4 |
14 |
CYCLOID |
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ORBITS |
3 |
15 |
BLEEN |
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ATMOSPHERE |
2 |
16 |
FRACTAL |
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REFLEXION |
1 |
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LED indicates register selection.
The front panel A/B button determines which version of an effect will be loaded. When this button is pressed with an effect running, it will initiate a dynamic transition, or morph from one effect to the other.
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The setting of A/B determines whether the A or B |
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versions of presets and registers will be loaded. |
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...determines whether presets |
A/B |
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(REFLEXION ... FRACTAL), |
A |
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B |
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or registers (1 ... 16) will be |
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VALUE |
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selected by the knob. |
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LEDs indicate A/B selection. |
Editing Effects
Each Vortex effect consists of multiple modulation and delay functions, and each has its own distinctive sonic signature. All 32 effects share a common set of 16 parameters which allow you to access dimensional, rhythmic, and dynamic aspects of each effect.
To adjust a parameter, select it with the PARAMETER knob, then turn the VALUE knob. The first turn of
VALUE will display the current parameter setting and light the
VALUE LED. Subsequent adjustments will increment or decrement parameter values along their entire range (1-64).
Select a parameter.
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Use the VALUE knob to adjust the |
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PEDAL/TAP |
FEEDBACK 1 |
selected parameter. |
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ECHO 2 |
FEEDBACK 2 |
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ECHO 1 |
RATE 1 |
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ENVELOPE |
DEPTH 1 |
A/B |
VALUE |
MORPH A/B |
RESONANCE 1 |
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ECHO FX LVL |
RATE 2 |
A |
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MOD FX LVL |
DEPTH 2 |
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OUTPUT |
RESONANCE 2 |
B |
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MIX |
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VALUE |
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Parameter values (1-64) will be |
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displayed when VALUE is turned. |
The VALUE LED lights whenever |
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parameter values are displayed. |
The decimal point indicates changes have been made since the last store operation.
Storing Effects
Vortex presets cannot be erased or |
ISTER/PRESET knob and the |
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overwritten by parameter changes; |
A/B button. |
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the original version will always be |
3. Releasing STORE will store the |
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restored when loaded. If you make |
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currently running effect into the |
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changes to a preset and want to |
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register indicated on the display, |
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save the changes as a custom ef- |
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overwriting the effect previously |
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fect, or if you want to match certain |
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stored there. The display will |
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effects as A/B pairs, you must store |
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flash briefly to indicate the store |
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your new versions into registers. |
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operation was successful. |
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You can store any effect you want |
4. Store operations are executed |
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into any register space. To store the |
on release of the STORE but- |
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currently running effect: |
ton. If you want to store to a |
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1. Press STORE. |
different register, or to a differ- |
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ent register bank, than the one |
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2. If you were in preset mode, the |
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displayed, turn the REGISTER/ |
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register LED will go on, indicat- |
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PRESET knob to the register |
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ing that Vortex has automatically |
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number you want, and check the |
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switched to register mode — se- |
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setting of the A/B button before |
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lecting whatever register is indi- |
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releasing STORE. |
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cated by the position of the REG- |
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TAP and Echo Rhythms
Vortex allows you to set the tempo for all effects, simply by pressing TAP twice. You can tap with a footswitch, or with the front panel
TAP button.*
To set tempo in Vortex, just press
TAP twice in rhythm to establish the tempo you want. The front panel LED will light on your first press of TAP to indicate a tap interval is being calculated. Your second TAP defines the tap interval and turns off the LED. Now, any effect you select will be synchronized to your tempo.
To select a new tempo at any time, just TAP twice. Vortex will update the tempo throughout the box on receipt of the second TAP.
Vortex has two independent delay lines which are configured in a variety of ways to create rhythmic effects. The ECHO 1 and ECHO
2 controls allow you to set independent rhythms, which will always be related to the tap interval, for each of Vortex's two delay lines.
For example, if you tap in a whole note interval (4 beats between taps), the parameter value 4 corresponds to quarter-note echoes, the parameter value 8 corresponds to eighth-note echoes...64 to sixty- fourth-note echoes.
* If you have a footpedal connected to Vortex, you must select one of the ECHO parameters in order for the button to function as TAP — footswitch TAP function is always active.
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ECHO |
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Value |
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1 2 3 4 5 |
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6 7 8 |
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Rhythmic Divisions |
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TAPs) |
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IntervalTap betweenBeatsof |
2 |
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5:4 |
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(Number |
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5:4 |
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Tap intervals can be as long as 28 seconds, allowing long phrases of music, rather than single beats, to determine tempo. Whenever Vortex is turned on, the tap interval will return to the default value. (1=a quarter-note at 65 bpm)
The ability to set different rhythmic divisions for Vortex's two echoes allows you to set up some very interesting patterns. For example:
1.Load preset 8. DUO B.
2.Tap in a whole note interval (4 beats between taps).
3.Turn the Parameter knob to
ECHO 1 , and set the VALUE knob to 16. This will give ECHO 1 a sixteenth-note rhythm.
4.Select ECHO 2 , and set its VALUE to 8, giving ECHO 2 an eighth-note rhythm.
Now, you can tap any interval, and ECHO 1 will always have a rhythm which is twice as fast as that of ECHO 2.
Copyright 1994, Lexicon Inc. |
All Rights Reserved. |
Basic Operation
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A/B |
FOOTSWITCHES |
FOOTPEDAL |
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A/B RELAY |
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SPECIFICATION |
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< 100V, < 100mA |
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:TIP |
A |
BYPASS |
TAP |
STEREO |
:RING |
B |
STEP |
A/B |
PLUG |
:SLEEVE |
COM |
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ONLY |
THIS DEVICE COMPLIES WITH PART
15 OF THE FCC RULES.
OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS:
(1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND
(2)THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED<
INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
POWER |
OUTPUTS |
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INPUTS |
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VORTEX |
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LEXICON, INC. |
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WALTHAM MA 02154 |
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MADE IN U.S.A. |
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9V~, 1A, |
P/N 021-09504 |
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L |
R |
L |
R |
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50-60Hz |
(HI-Z PHONES) |
(MONO) |
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(MONO) |
USE LEXICON |
SERIAL # |
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MSA AC ADAPTER
Audio Morphing™
Vortex gives you the ability to con- |
Morphing is accomplished auto- |
When you morph between two ver- |
Preset 3 ORBITS |
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tinuously transform one effect into |
matically when you press the A/B |
sions of the same effect, all of the |
A and B in this preset are variations on a |
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another. This feature, which we call |
switch. The MORPH A/B param- |
parameter values move smoothly |
single effect, B having slow orbital paths, |
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Audio Morphing,™ allows you to |
eter allows you to set the time it |
from one version to the other.When |
and A having faster orbits. This is a good |
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transform closely related, or wildly |
takes for one effect to transform into |
you morph between two different |
example of using morphing to produce |
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subtle changes in the overall sound of an |
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dissimilar effects — and to set the |
another when A/B is pressed. The |
effects, the entire structure of the |
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effect. |
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time period over which the transfor- |
combined morph rates set for A and |
effect transforms to the other effect. |
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Preset 15 BLEEN |
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mation occurs. |
B determine the total length of time |
Everything changes — |
rates, lev- |
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a morph will take. The total duration |
els, audio routing, routing of the |
A and B are completely different from |
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Morphs are performed between |
one another. A is based on envelope |
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of the morph can be varied from 10 |
LFOs and envelope, etc. Try listen- |
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register pairs. To set up a morph, |
detune, while B is based on "ring modu- |
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seconds to .01 second. (1=slowest |
ing to some of the preset effect |
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store an effect into any A register, |
lated" echo feedback. The sound is com- |
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rate; 64=fastest rate) Morph rates, |
pairs to get an idea |
of what |
pletely transformed as the effect morphs |
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then store another effect into the |
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like other parameters, are stored as |
morphing can do with different ef- |
from A to B. |
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corresponding B register. |
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part of the effect. |
fect combinations. |
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Pedal Control
Any one of 14 parameters can be assigned to pedal control — and pedal assignment can be stored as part of an effect. A and B effects can each have different pedal assignments. To make use of the many features available through pedal control, simply connect a pedal via the rear panel FOOTPEDAL connector. Each time an effect is loaded,
Vortex checks this connection. When a pedal is connected, the PEDAL function of the PEDAL/TAP button is activated.
Now, PEDAL/TAP functions as a TAP button only when ECHO 1 or ECHO 2 is selected. (Footswitch
TAP function is unaffected.) When the Parameter knob is turned to any other position, pressing this button assigns the selected parameter to pedal control.
1.Plug a pedal into Vortex, and load a new effect (so that Vortex will recognize pedal connection.)
2.Turn the Parameter knob to select any assignable parameter
— for example, MIX.
3.Press PEDAL/TAP. The LED will light to indicate that the pedal has been assigned to that parameter.
4.When the pedal is moved beyond the displayed value of MIX, the pedal will acquire control over the parameter's full range.
When a pedal is plugged into Vortex, the PEDAL/TAP button |
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The PEDAL/TAP button performs TAP functions |
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assigns any one of 14 parameters* to pedal control. |
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when ECHO 1 or ECHO 2 |
is selected. |
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The LED will light when you assign a parameter and |
PEDAL /TAP |
FEEDBACK 1 |
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PEDAL/ TAP |
FEEDBACK 1 |
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ECHO 2 |
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FEEDBACK 2 |
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ECHO 2 |
FEEDBACK 2 |
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whenever an assigned parameter is selected with the |
ECHO 1 |
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RATE 1 |
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ECHO 1 |
RATE 1 |
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ENVELOPE |
DEPTH 1 |
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ENVELOPE |
DEPTH 1 |
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knob, until the assignment is changed or removed. |
MORPH A/B |
RESONANCE 1 |
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MORPH A/B |
RESONANCE 1 |
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ECHO FX LVL |
RATE 2 |
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ECHO FX LVL |
RATE 2 |
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MOD FX LVL |
DEPTH 2 |
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MOD FX LVL |
DEPTH 2 |
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OUTPUT |
RESONANCE 2 |
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OUTPUT |
RESONANCE 2 |
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MIX |
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MIX |
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If you unplug the pedal, load a new effect to make sure that Vortex recognizes the disconnection.
Morphing with a Pedal
When you assign the MORPH A/B parameter, the pedal immediately acquires control over the morph, and the morph jumps to the current pedal position. (Toe up=1=effect B; toe down=64=effect A.)
A/B still selects the A or B effect, and the A and B LEDs indicate which effect is available for editing. Edits can be made via the front panel to either A or B effect parameters, but the pedal determines which effect is being heard.
When you deassign the pedal, Vortex will immediately switch to whichever effect, A or B, is indicated by the front panel LEDs.
If either the A or B effect has been stored with the pedal assigned to MORPH A/B, (and a pedal is connected) pedal control is immediate when the effect is loaded.
Once a parameter is assigned to a pedal, pedal control of the parameter is always active, even if you move the Parameter knob to select another parameter for editing.
While an assigned parameter is selected, value changes made with the pedal will be displayed. When pedal motion stops, the display will return to display of the register or preset number.
When the Parameter knob is turned to another position, the Pedal LED will turn off, and the value of the new parameter will be displayed. The new parameter can be edited with VALUE; the pedal will continue to control its assigned parameter.
To remove a pedal assignment, select the assigned parameter and press PEDAL/TAP, or select another parameter for assignment and press PEDAL/TAP. When a pedal is deassigned, the parameter returns to its original value (as set prior to pedal assignment.)
Other Features
Vortex offers many other features |
• One footswitch is provided with |
• Vortex is supplied with an electri- |
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you'll want to explore: |
Vortex for control of either TAP |
cally isolated analog switch that |
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• |
All Vortex effects are dynami- |
and A/B functions, or register |
allows remote control of a guitar |
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STEP and BYPASS. A second |
amplifier lead/rhythm channel |
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cally sensitive. |
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footswitch can be connected to |
selection. Simply connect a stan- |
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• |
Vortex has a CLEAR function |
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control the remaining footswitch |
dard 1/4" guitar cable between |
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which allows registers to be |
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functions. |
the Vortex rear panel A/B relay |
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skipped in any effect sequence |
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you create.You can also set up |
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Contact Lexicon, or your local dealer for more |
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chains which use cleared regis- |
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information on this, or any Lexicon product. |
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ters as loop points. |
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switch and the A/B switching input on your amp. Both the front panel A/B button, and the footswitch A/B control will activate this switch, allowing you to simultaneously switch effects and amplifier settings.
3 Oak Part, Bedford, MA 01730 • Tel: (781) 280-0300 • Fax: (781) 280-0490