The Classic Keys ROM option equips your PC2 with authentic reproductions of “vintage” keyboard sounds, which
over the years have become essential to the modern keyboardist. The PC2 Classic Keys ROM contains samples of
the following instruments: Hohner Clavinet (Treble Pickup Setting and Release Thump), Mellotron (Strings, Choir
and Flute) ARP Solina String Ensemble, Hohner Pianet, Yamaha CP-80 Electric Grand Piano (Soft and Hard
Strikes), and RMI Electra-Piano (Piano, Harpsi and Accenter). Classic Keys also makes use of the PC2 base ROM
samples, and includes new “vintage” Rhodes, Wurlitzer and KB3 programs.
Each program in this set was created using high-quality audio samples as a starting point. The PC2’s synthesis
engine allowed us to apply a variety of powerful sound-sculpting tools, which included velocity layers and crossfades, envelopes, FUNs and LFOs. The finishing touches were added with the PC2’s effects engine, which utilizes
the same technology as our acclaimed KDFX (for the K2500/K2600 keyboards) and our award-winning KSP8 processor. Effects pedals, speaker cabinets and recording techniques have all been faithfully replicated, giving the
Classic Keys programs a level of detail and realism never before achieved in any “vintage” keyboard emulation.
We were able to precisely recreate the timbres from many live and studio recordings, which have helped define the
“vintage” sound. Therefore, a number of the program names in Classic Keys have been derived from song titles
and not keyboard model numbers.
We have included a detailed chart, which lists the controller assignments for each program and setup. If a program
has been taken from a specific recording, the artist's name and song title have been provided as well. In addition to
this information, we have also put together a brief description for each of the instruments sampled for Classic
Keys.
KB3 Programs
Classic Keys includes four new KB3 programs which can be found in the KB3 bank at ID #s 001-004. The baseROM KB3 programs are each assigned to a bank select button. The Classic Keys programs are located in between
the first two base ROM KB3 programs.
2003, All Rights Reserved. Kurzweil is a product line of Young Chang Co., Ltd. Kurzweil, PC2, LaserVerb, KDFX, and
V.A.S.T. are trademarks of Young Chang Co., Ltd. All other trademarks and registered trademarks are the property of their
respective owners. Product features and specifications are subject to change without notice.
Infinity Looping Tools, a product of Antares Audio Technologies, were used in the creation of some of these sounds.
∞
Part No. 910403, Rev. A
PC2 Classic Keys User’s Guide
Hohner Clavinet
Most famous for having been used on Stevie Wonder’s “Superstition”, Rufus and Chaka Khan’s “Tell Me Something Good”, and on nearly all of Bob Marley’s hits, the Clavinet had originally been conceived by Ernst Zacharias
of Hohner, to be the next stage in the evolution of the clavichord. The electro-mechanical keyboard so well known
for its “funky 70’s sound”, had been intended to play Bach.
The Clavinet’s 60-note keyboard extended from F1 to E6, and its action was light to the touch. Under each key was
a metallic string, which would be pressed down onto an “anvil” when the key was struck. The string would
vibrate as long as it remained in contact with the anvil, and was dampened immediately upon key release. Two
sets of magnetic pick-ups, which resembled the “treble” and “rhythm” pickups on an electric guitar, produced an
electrical signal, which was fed to the output of the instrument.
The Model C, introduced in 1968, and the more popular Model D6, introduced in 1971, were the two most widely
used versions. The D6 featured a series of six rocker switches, which controlled tone and pick-up selection.
Labeled “Brilliant”, “Treble”, “Medium”, and “Soft”, the first four switches were connected to a series of band-pass
filters. The next two switches enabled each of the pick-ups. Both could be selected, with the choice of them being in
or out of phase. The D6 also featured a sliding “mute” lever, which controlled how fast a held note would decay.
Classic Keys features samples of the “treble” pick-up along with a “release thump”, while the PC2 base ROM
already contains samples of the “rhythm” pick-up. Many of the Clavinet programs in Classic Keys were designed
to imitate the D6’s various switch combinations, making use of the PC2’s own MIDI sliders and switches.
ARP Solina String Ensemble
The Solina String Ensemble, built for ARP by the Dutch organ manufacturer, Eminent, was the most well known
string synthesizer of the mid-seventies, amid a field of similar, less successful competitors. Its distinctive string
sound has appeared on a wide variety of recordings, having been used by Herbie Hancock, The Band, Vangelis,
Pink Floyd, Parliament/Funkadelic, New Order, and many other well-known artists. Housed in a sleek wood
enclosure, the Solina was capable of producing haunting, ethereal strings in the upper register, and lush pads in
the lower register.
The String Ensemble was not a true polyphonic synthesizer, and employed a “divide down” single oscillator (common in electronic organs) to generate a polyphonic saw wave. All of its voices were fed into a single envelope generator which afforded the user control over attack (labeled Crescendo) and release (labeled Sustain). A button
labeled, Modulation, enabled the famous “Bucket Brigade” chorus circuit, which added to the warm quality of the
Solina’s sound. Many of the String Ensemble programs in Classic Keys use the PC2’s MIDI sliders and switches to
emulate the Solina’s front panel controls.
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PC2 Classic Keys User’s Guide
The Mellotron
Also famous for its string sound, the Mellotron, later renamed the Novatron, was manufactured in the U.K., by
Streetly Electronics, from 1962-1986. A predecessor to the modern digital sampler, the Mellotron used strips of analog tape, one for each key, to reproduce actual recorded sounds. Every key had its own corresponding motor and
tape head, which were engaged when the key was depressed. When the key was released, the tape was rewound.
A new note on the same key could not be triggered until the tape had completely finished rewinding. The tapes
used were not looped, and each sound had a fixed length of eight seconds. In most cases, there were at least three
tracks on each tape, in succession, and the user was able to select one of these “presets”. The Mark II (produced
1964-1967) and later the M400 (produced 1970-1986) were the most widely used models. The Mark II was equipped
with dual 35 note keyboards, with the one on the left designated to play rhythms and fills, and the one on the right
to play “lead”. The left manual and “rhythm section” were dropped after the mark II. The M400, by far the biggest
seller, featured a single 35-note keyboard, and was housed in a distinctive white cabinet.
While cumbersome, and often plagued by mechanical difficulties, the Mellotron was a breakthrough in its day,
providing reproductions of real acoustic sounds, free of any polyphony constraints, other than the number of notes
one could physically play. Although intended to imitate other timbres, the Mellotron had an identifiable warm
sound of its own, and blended effectively with other instruments in a mix.
Made famous first by The Beatles (flutes on Strawberry Fields), and later by The Moody Blues, David Bowie and
Led Zeppelin, the Mellotron was featured on numerous recordings from the late sixties through the seventies. Its
sound has often been associated with progressive rock, as it was used extensively by bands like Yes, Genesis, and
King Crimson.
Classic Keys features the three most popular Mellotron sounds: strings, flute and choir. Each sample has been
meticulously tuned and looped. We felt that it was appropriate to eliminate the eight second limit, along with the
delayed attack (waiting for the heads and motor to engage) in order to make the sounds more playable. Also, most
of the Mellotron programs in Classic Keys are touch sensitive, another departure from the original. Our goal was to
maximize the playability of the sounds, without compromising their authenticity.
Hohner Pianet
Although featured prominently in a number of classic rock songs by The Beatles, Three Dog Night, The Zombies
and others, the Hohner Pianet remains a lesser-known instrument, its sound having often been mistakenly attributed to the Wurlitzer.
Produced from c.1962-1980 in various console models, the Pianet series differed from the Rhodes and Wurlitzer in
a few important areas. Sound was produced by metal reeds, which were plucked by a set of adhesive pads. Also
distinguishing the Pianet, was the absence of a sustain pedal.
Note: Hohner also manufactured the much more rare Electra-Piano (not to be confused with the RMI ElectraPiano) which featured an enclosure resembling that of an upright piano. Reported to have a hammer mechanism
very much like the one found in the Rhodes, the Hohner Electra-Piano featured a built-in amp and four speakers.
Led Zeppelin made this sound famous, employing it in a number of hits. Using our Pianet samples and bit of processing, we were able to craft some realistic imitations of the Hohner Electra-Piano, and we’ve included them in
the Pianet section of Classic Keys.
3
PC2 Classic Keys User’s Guide
Yamaha CP-80
Known commonly as the “electric grand”, the CP-80 (88 notes), along with it’s smaller counterpart, the CP-70 (76
notes), was the product of clever engineering combined with traditional piano-making craftsmanship. Inside the
CP-80, are the basic workings of a real acoustic piano, which have been altered to fit into a smaller enclosure. On
the outside, the CP-80 looks like a “grand” version of the Rhodes, covered in tolex, with the top portion extending
in the rear to accommodate the piano harp inside. Up until the mid-1980’s, when sampled pianos became available, the CP-70/80 was the only instrument capable of providing a decent substitute for a real piano. While it
served this purpose well, the CP-70/80 had some unique features, which allowed it to have its own very distinct
sound when desired.
With single strings on the lower notes, and double strings on the rest, the CP-70/80 included a modified Yamaha
grand piano action and employed piezo-electric transducers in lieu of pickups. The original CP series featured bass
and treble tone controls and a tremolo circuit. Later, seven bands of EQ, balanced outputs and MIDI capabilities
were added (CP-70/80B and M models). Often used with chorus and compression effects, the CP-80 was known
for having more “punch” than an acoustic piano. Production began in 1977 and ended in 1987.
RMI Electra-Piano
Built by Rocky Mount Instruments, a division of the Allen Organ Company, from 1967-1980, the RMI Electra-Piano
is the one electric piano represented in Classic Keys, which did not produce sound by electro-mechanical means.
With an electronic tone-generator for each note, un-weighted plastic keys, which were not touch-sensitive, and a
set of “stops” for sound selection, the RMI more closely resembled an organ than anything else. Both sustain and
volume pedals were included with the unit. Most were black tolex-covered consoles with 61 (later 68) keys, and
rested on a set of metal legs.
There were five stops on the RMI, which controlled the tone: Piano, Piano PP, Harpsi, Harpsi PP, and Lute. There
were two additional stops; Accenter, which added in an attack “thump” as well as Organ Mode, which extended
the decay of held notes.
Though not capable of producing a realistic piano sound, the RMI did provide a viable “electric harpsichord/clavichord” tone. In addition, the overall sound of the RMI was warm, yet manageable, and lent itself nicely to the use
of effects processors and pedals. The RMI appeared on a variety of albums in the early and mid seventies, and was
featured prominently in the music of the progressive rock bands Genesis and Yes.
4
PC2 Classic Keys User’s Guide
Controller Assignments
Here are a few of the guidelines which were used in determining control and slider assignments for the programs
in Classic Keys. These general rules should make it relatively easy to adjust the most basic program settings when
first scrolling and playing through the complete set of sounds. Keep in mind that these are general rules, and there
will be some exceptions. You can refer to the table which we have provided, to view the complete controller assignment information for each program. For those using the PC2R, programs will respond to MIDI messages sent on
the corresponding MIDI channels for each slider or controller listed below.
ModWheel
Slider A (MIDI 91)
Slider B (MIDI 93)
Slider C (Data/MIDI 06)
Slider D (MIDI 13)
Sw2 (MIDI 09)
Sw3 (MIDI 12)
Sw5 (MIDI 29)
FtSw 1 (MIDI 64/Sustain)Functions as a sustain pedal on almost all programs. Enables synth effect on a select
CC Pedal 2 (MIDI 04/Foot)Functions as a "wah" pedal on all of the "wah" programs. This pedal must be
Controls tremolo depth on most electric piano programs, controls envelope shape
on most ARP programs, and doubles as a "wah" controller on any "wah" programs,
for those users who do not have or use the Continuous Controller pedal.
Controls FX A wet/dry.
Controls FX B wet/dry. (Note: Most programs in Classic Keys over-ride this control
in order to allow the program output to go through FX A and then into FX B in
series, as a chain.
Controls brightness (lopass or bandpass filter freq.) on many programs. Also used
to control the volume of certain layers within a program.
Controls filter resonance on many programs. Controls tremolo, phaser, and LFO
rates. Also used to control the volume of certain layers within a program.
This switch is located just below the "Octave Shift" button, to the right of the MIDI
sliders. Used sparingly - consult Controller Assignment Table.
Located directly under Sw2. Used sparingly - consult Controller Assignment Table.
Located just above the modwheel. Used to enable layers on many programs. Also
used to enable certain effects such as phaser or chorus, when they are generated in
the synth engine (not the effects engine).
few.
plugged into the jack labeled "Continuous 2".
5
PC2 Classic Keys User’s Guide
Classic Keys Programs
Classic Keys Programs
ProgProgram NameControllerDescription
000CP80 EnhancedModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
001Gabriel's MeltModwheelExtra Chorus Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Imitates Peter Gabriel's signature chorused CP-80 sound from
"Melt" and "Security" albums.
ProgProgram NameControllerDescription
003Brighter CPModwheel
Slider AFX-A wet/dry: enable chorus
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Inspired by chorused CP-80 on
Toto's "Dune"soundtrack.
004CP Chorus LayersModwheelTremolo Depth
Slider AFX-A Wet/Dry (Enable 4 Tap
Delay)
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Disable Chorus Layer
CC pedal 2
SW pedal 1
00280's EQ ChorusCPModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Bandpass Freq)
Slider DBandpass Width
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Recreates the sound used by
Geoff Downes on The Buggles'
"Video Killed The Radio Star".
005Power CPModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyr 2
Slider DTremolo Rate
SW 2
SW 3
SW 5Detune Lyrs, Enable Chorusing
CC pedal 2
SW pedal 1
006Dark Chorus CPModwheelChorus Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
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PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
007Inside Out CPModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Enable Extra Chorus
CC pedal 2
SW pedal 1
Reproduction of the dense CP
sound on Phil Collins' "Inside
Out".
008Pianet ClassicModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
009She's Not ThereModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CParametric Mid EQ freq lyr 1
Slider DBrightness (Bandpass Freq) Lyr
2
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Models Rod Argent's Pianet
sound from the Zombies' "She's
Not There".
ProgProgram NameControllerDescription
0103 Dog ZeppelinModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider DVibrato Rate
SW 2
SW 3
SW 5Resonance Boost
CC pedal 2
SW pedal 1
Imitates sound from Three Dog
Night's "Joy To The World".
Modwheel enables warbly sound
from "Mama told Me Not To
Come". SW5 enables resonance
boost, imitating John Paul Jones'
sound on Led Zeppelin's "Misty
Mountain Hop".
011Flaming HohnerModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
012No Quarter PntModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5Disable filter LFO
CC pedal 2
SW pedal 1
Recreates John Paul Jones' "bubbly" EP sound on Led Zeppelin's
"No Quarter".
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PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
013Sly BalladModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Based on the EP sound from Sly
and the Family Stone's recording
of "Que Sera".
014Black FridayModwheelFilter LFO Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Bandpass Freq)
Slider DBandpass Width
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Reproduces the phased Pianet
sound on Steely Dan's "Black
Friday".
015These EyesModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Inspired by Burton Cummings’
Pianet part on The Guess Who's
"These Eyes".
ProgProgram NameControllerDescription
016Old Sly RhdsModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Env Release Decay (Subtle- imi-
tates the older suitcase models.)
CC pedal 2
SW pedal 1
Inspired by the electric piano
parts on Sly Stone's album,
"Back On The Right Track".
017Rhds WAHModwheelWah (Bandpass Freq)
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider DBandpass Width
SW 2
SW 3
SW 5
CC pedal 2 Wah (Bandpass Freq)
SW pedal 1
018Studio RhdsModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyr2
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
019Fagen PhaserModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider D
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Inspired by Donald Fagen's
album, "The Night Fly".
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PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
020TK's MutronModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
021RoyalScam EP ffModwheelPhaser Notch Width
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CPhaser Depth
Slider DPhaser Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Based on Rhodes sound from
Steely Dan's "Royal Scam".
022Vintage TremoloModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Fliter Cutoff Freq)
Lyrs 2-4
Slider D
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Tremolo can be edited in the FX section, with
choices for mono/stereo, rate and shape. Select
the "pulse" shape to imitate the more abrupt
"hard pan" tremolo found on the old suitcase
model.
ProgProgram NameControllerDescription
024Rufus WurlyModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Env Release Decay (Subtle- imi-
tates the older models.)
CC pedal 2
SW pedal 1
Inspired by early R&B recordings of Rufus Thomas.
025Warm ClunkerModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo rate
SW 2
SW 3
SW 5Env Release Decay (Subtle- imi-
tates the older models.)
CC pedal 2
SW pedal 1
026What'd I SayWrlyModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Env Release Decay (Subtle-
imitates the older models.)
CC pedal 2
SW pedal 1
Replicates the classic Wurly
sound used by Ray Charles on
"What'd I Say".
023Rhds EQ AmpModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Bandpass Freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
027Stereo WurlinetModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5Enable Attack and Release
Thumps
CC pedal 2
SW pedal 1
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PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
028Walrus PianetModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff freq)
Lyr 3
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Reproduces the sound of a
Pianet run through a Leslie
speaker, used on the Beatles’ "I
Am The Walrus".
029Pianet/Wurly WAH ModwheelWah (Bandpass Freq)
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider DBandpass Width
SW 2
SW 3
SW 5Select Wurly or Pianet Lyr
CC pedal 2 Wah (Bandpass Freq)
SW pedal 1
030Swirling Pnt sloModwheel Tremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyr 2
Slider DFilter Resonance
SW 2Env Release Decay
SW 3
SW 5Enable Lyr 1
CC pedal 2
SW pedal 1
031Van Halen WurlyModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DTremolo Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
ProgProgram NameControllerDescription
032Crisp ClavModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
033Stereo PickupsModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
034
035
70sBubblegumClav
TreblClavWhlmute
ModwheelLyr 2 Volume Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Bandpass Freq) Lyr
1
Slider DLyr 3 Volume Control (Attack
Thump)
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Inspired by intro to Jackson
Five's "I'll Be There".
ModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Bandpass Freq) Lyr
1
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
10
Re-reates the sound of a Wurlitzer played through a guitar
amp, as on Van Halen's "The
Cradle Will Rock".
PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
036Joe's ClavModwheelEnv decay control lyr 4
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 1 Volume Control (Release
Thump)
Slider DLyr 3 Volume Control (Attack
Thump)
SW 2
SW 3
SW 5Disable Lyr 4
CC pedal 2
SW pedal 1
037Shoobie Model CModwheelEnv decay control lyr 2
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 1 Volume Control
(ReleaseThump)
Slider DLyr 3 Volume Control (Attack
Thump)
SW 2
SW 3
SW 5Disable Lyr 4
CC pedal 2
SW pedal 1
Emulates the Model C played by
Stevie Wonder on "Shoo Be
Doo".
038RealSupasticiousModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 3 Volume Control (Attack
Thump)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Inspired by the single note percussive comp-line on Stevie
Wonder's hit, "Superstition".
Suggestion: For best results, try playing single
note patterns in the lower register. (F2-C4)
ProgProgram NameControllerDescription
039StopMakingSenseModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 4 Volume Control (Attack
Thump)
Slider DPhaser Rate
SW 2
SW 3
SW 5Enable Phaser
CC pedal 2
SW pedal 1
Reproduction of Clav sound
from Talking Heads' "Stop Making Sense" played by Bernie
Worrell.
040Stevie FuzzModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 3 Volume Control
Slider DLyr 1 Volume Control (Attack
Thump)
SW 2
SW 3
SW 5Disable Lyr 2 and 4
CC pedal 2
Imitates distorted Clav sound on
Stevie Wonder's version of "We
Can Work It Out".
041VCS3 Filter+DistModwheel
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider DFilter LFO Rate
SW 2Filter LFO Depth
SW 3
SW 5
CC pedal 2
SW pedal 1 Filter LFO Rate
Simulates the effect of plugging
a Clav into an EMS VCS3 synth,
with an LFO sweping the filter,
then into an amp.
042DualClav sw DistModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DLyr 2 Volume Control
(ReleaseThump)
SW 2
SW 3
SW 5Enable "Rhythm" or "Treble"
Lyr
CC pedal 2
SW pedal 1
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PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
043TrampledUnder D6 ModwheelEnv Decay Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CLyr 4 Volume Control (Attack
Thump)
Slider DEnv Release Decay Control
(Subtle)
SW 2
SW 3
SW 5Select Pickups In or Out of
Phase
CC pedal 2
SW pedal 1
Recreates heavy pulsing sound
of John Paul Jones' Clav on Led
Zeppelin's "Trampled Underfoot".
Rick Wakeman's Mellotron
strings and flutes from David
Bowie's "Space Oddity".
067RocknRollSuicideModwheelLyr 2 Volume Control (Bari Sax)
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyr 1 (Strings)
Slider DFilter Resonance Lyr 1
SW 2
SW 3
SW 5Enable Lyr 3 (Piano)
CC pedal 2
SW pedal 1
Mellotron strings layered with
piano and bari sax, emulating
David Bowie's "Rock And Roll
Suicide".
ProgProgram NameControllerDescription
068Octave Tron StrModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5Disable Octave Lyr
CC pedal 2
SW pedal 1
069Siberian KhatruModwheelLyr 2 and 3 Volume Control
(Organ)
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyr 1 (Strings)
Slider DFilter resonance
SW 2
SW 3
SW 5Detune Lyrs 2 and 3 (Organ)
CC pedal 2
SW pedal 1
Another one of Rick Wakeman's
sounds from "Close To The
Edge,” featuring Mellotron
strings doubled with Hammond
organ on "Siberian Khatru".
070LightYearStringsModwheelTremolo Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
15
PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
071Pdl Pitch HiStrgModwheelLyr 2 (Strings, no pitch-bend)
Volume Control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff freq)
Lyr 2
Slider DFilter Resonance
SW 2
SW 3
SW 5Pedal Pitch-Bend Direction
CC pedal 2
SW pedal 1 Pitch-Bend - Lyr 1 strings will
sound either a whole step above
or below the target note- use
SW5 to select. Depressing the
sustain pedal will cause the
sound to bend up to or down to
the target pitch.
115My Old PPG*2.3Modwheel Env attack & release control
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CEnv Filter Amount Lyr 1
Slider Denv attack boost: impact
SW 2
SW 3
SW 5Transpose Lyr 4 Up One Fifth
CC pedal 2
SW pedal 1
116Env BassModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider D
SW 2
SW 3
SW 5Disable Lyr 1 and 2
CC pedal 2
SW pedal 1
117RMI Synth BassModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CEnv Filter Amount
Slider D
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
21
PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
118EP Env SynthModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CEnv Filter Amount
Slider D
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
119GuitarLikeSynthModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CEnv Filter Amount
Slider DResonance
SW 2Slow Attack Envelope
SW 3
SW 5Toggle guitar-like/bass-like tim-
bre
CC pedal 2
SW pedal 1
120Cosmic Sus PedalModwheelOctave Pitch-Bend Lyr 3 (w/sus
pedal) , Enable Filter LFO Lyr 4
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Lyrs 1 and 4
Slider D
SW 2
SW 3
SW 5Enable pedal pitchbend
CC pedal 2
SW pedal 1 Octave pitchbend Lyr 2 when
SW5 on, Enable modwheel bend
Lyr 3
121PADzillaModwheelVibrato Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
ProgProgram NameControllerDescription
122Piano & Tron VoxModwheelFilter on Choir, Chorus Depth on
Piano when SW2 is On
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness lyr 4 (choir)
Slider DVolume Control Lyr 4
SW 2Enable chorus on piano
SW 3
SW 5Disable Choir Lyr
CC pedal 2
SW pedal 1
123Solina ChoirModwheel Slight Chorus Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (Filter Cutoff Freq)
Slider DFilter Resonance
SW 2Shorter release on choir and
strings; longer attack on choir
SW 3Longer attack on strings
SW 5Disable Choir layer
CC pedal 2
SW pedal 1
124Swell & HoldModwheelStepped Pitch LFO Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2
SW 3
SW 5Filter LFO Rate
CC pedal 2
SW pedal 1 Enable Filter LFO
125TouchRezSynthCPModwheel Filter LFO Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider C
Slider DFilter LFO Rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
Try playing this one softly and then hard, with
the modwheel turned up.
22
PC2 Classic Keys User’s Guide
Classic Keys Programs
ProgProgram NameControllerDescription
126Funeral GigModwheelVibrato Depth (slight)
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness (filter cutoff freq)
Slider DFilter Resonance
SW 2Shorter release on choir and
organ; longer attack on choir
SW 3Softer attack on organ
SW 5Disable organ layer
CC pedal 2 Swell choir (breath activated
also)
SW pedal 1
127The AncientModwheelChorus Depth
Slider AFX-A Wet/Dry
Slider BFX-B Wet/Dry
Slider CBrightness:
Slider DLayer tuning, chorus rate
SW 2
SW 3
SW 5
CC pedal 2
SW pedal 1
ProgProgram NameControllerDescription
KB3 Programs
KB3
Blues & GospelLots of distortion and leakage using upper 2
001
KB3
Sly's RevengeInspired by the organ sound on Sly and the
002
KB3
MegaLeeMichaelsInspired by blues-rock legend Lee Michaels'
003
KB3
Purple WolfhoundBased on Tony Kaye's Hammond sound on
004
Classic Keys includes four new KB3 programs
which can be found in the KB3 bank at ID #s
001-004. The base ROM KB3 programs are
each assigned to a bank select button. The
Classic Keys programs are located in between
the first two base ROM KB3 programs.
and lowest 2 drawbars.
Family Stone's "Dance To The Music".
live recordings.
"Yours Is No Disgrace", from "The Yes
Album". This one also imitates Steve Winwood's B3 sound on Traffic's "Empty Pages".
Zone 1
Slider CPhaser Depth Zone 3 (EP)
Slider DPhaser Rate Zone 3
SW 1Octave Shift, Zone 2 (Bass)
SW 2
SW 3
SW 4
SW 5Enable/Disable Octave Lyr
Zone 1 (Brass)
CC pedal 2 Volume Cntrl Zone 1 (Brass)
SW pedal 1 Sustain Zones 1 and 3
PwheelPitchbend, Zone 2
A02Ac&E Bass SplitModwheel
Slider AFXA (Phaser) Wet/Dry, Zone
2 (EP)
Slider BVolume Cntrl Zone 2
Slider C
Slider DBrightness (Filter Cutoff Freq)
Zone 1 (Ac Bass)
SW 1Octave Shift, Zone 1
SW 2
SW 3
SW 4
SW 5Toggle Between Zone 2 & 3
(Ac and Elec Bass) (Volume
Control)
CC pedal 2
SW pedal 1 Sustain Zone 2
MpressVibrato Depth, Zone 1
PwheelPitchbend Zones 1 and 3 (Ac
and Elec Bass)
SetupSetup NameControllerDescription
A03Sneakin SallyModwheel Wah (Bandpass Freq) Zones 1
and 4
Slider AVolume Control Zone 1 (Wah
Clav)
Slider B
Slider CTremolo Depth Zone 2 (EP)
Slider DTremolo Rate Zone 2
SW 1Octave Shift, Zone 1
SW 2
SW 3
SW 4Enable/Disable Arpeggiator,
Zone 1
SW 5Toggle Between Zone 2 and 4
(EP and Wah EP) (Volume
Control)
CC pedal 2 Wah (Bandpass Freq) Zones 1
and 4
SW pedal 1 Sustain Zones 1 and 4
PwheelPitchbend, Zone 1
Inspired by Clav and EP
sounds from Little Feat's Billy
Payne, on Robert Palmer's
"Sneakin' Sally"
A0480's MindsModwheel
Slider AFXA Wet/Dry Zones 1 and 2
(CP and ARP Str)
Slider BFXAB Wet/Dry, All Zones
Slider CBrightness (Filter Cutoff Freq)
Zone 2 (ARP Str)
Slider DFilter Resonance Zone 2
SW 1Sustain Zones 1 and 2
SW 2
SW 3
SW 4
SW 5
CC pedal 2
SW pedal 1 Sustain Zones 1 and 2
MpressVibrato Depth, Zone 3 (Syn
Bass)
PwheelPitchbend, Zones 2 and 3
(ARP and Syn Bass)
24
PC2 Classic Keys User’s Guide
Classic Keys Setups
SetupSetup NameControllerDescription
A05Super StrTheoryModwheel Env Control, Zone 2 (ARP Str)
Slider AFXA Wet/Dry, Zones 1, 2 and
4
Slider BFXAB Wet/Dry, All Zones
Slider CBrightness (Filter Cutoff Freq)
Zones 1, 2 & 4
Slider DFilter Resonance Zone 1 (Mel-
Str/Flt/Piano)
Slider CVolume Control, Zone 2
Slider DVolume Control "LP Scratch"
Lyr, Zone 1
SW 1Octave Shift Zones 1 and 2
SW 2
SW 3
SW 4
SW 5Enable/disable str lyr, zone 2
CC pedal 2
SW pedal 1 Sustain, Zones 1 and 2
PwheelPitchbend, All Zones
A10Electric SheepModwheel Env Control Zone 2 (ARP Str)
Slider AVolume Control, Zone 1 (Syn
Lead)
Slider BBrightness (Filter Cutoff freq)
Zone 2
Slider CVolume Control, Zone 2
Slider DFilter Resonance, Zone 1
SW 1Octave shift zones 1 & 2
SW 2
SW 3
SW 4Arpeggiator On, Zone 1
SW 5
CC pedal 2
SW pedal 1 Arpeggiator Latch, Zone 1
Sustain, Zone 2
MpressVibrato Depth, Zone 1
PwheelPitchbend, Zone 1
25
PC2 Classic Keys User’s Guide
Classic Keys Setups
SetupSetup NameControllerDescription
A11Phase Dist SpltModwheel Phaser Notch Width, Zone 2
(EP)
Slider AVolume Control, Zone 1
(Clav)
Slider BVolume Control, Zone 2
Slider CPhaser Depth, Zone 2
Slider DPhaser Rate Zone 2
SW 1Octave Shift, Zone 1
SW 2
SW 3
SW 4
SW 5enable/disable phaser, zone 1
CC pedal 2
SW pedal 1 sustain, Zone 2 (EP)
PwheelPitchbend, Zones 1 & 3
4 (CP, Flutes, Str)
Slider BFXAB Wet/Dry All Zones
Slider CBrightness, Zones 1 and 2
Slider DFilter Resonance, Zone 1
SW 1Octave Shift, Zones 1 and 4
SW 2Filter Boost, Zone 3 (Fretless
Bass)
SW 3
SW 4
SW 5
CC pedal 2
SW pedal 1 Sustain, Zones 1, 2 & 4
MpressVibrato, Zone 3
PwheelPitchbend Zone 3
A1412 Str Arp&VoxModwheel Filter LFO Depth, Zone 3
(ARP+Syn)
Slider ABrightness (Filter Cutoff Freq)
Zone 1 (12-str Guitar)
Slider BBrightness (Filter Cutoff Freq)
Zone 2 (Mellotron Vox)
Slider CVolume Control Zone 2 ,
Brightness, Zone 3
Slider DVolume Control ARPStr Lyr,
Zone 3
SW 1Octave Shift, All Zones
SW 2
SW 3
SW 4
SW 5
CC pedal 2
SW pedal 1 Sustain, All Zones
PwheelPitchbend, All Zones
Inspired by 2 songs- Pink
Floyd's "Wish You Were Here"
and "Entangled" by Genesis.
26
PC2 Classic Keys User’s Guide
Classic Keys Setups
SetupSetup NameControllerDescription
A15Analog Ether
A16Old Movie ScoreModwheel Tremolo Depth, Zone 3
Modwheel Arpeggiator Tempo
Slider ABrightness (Filter Cutoff Freq)
Zone 1 (Swell&Hold)
Slider BVolume Control, Zone 2
(Piano)
Slider CBrightness (Filter Cutoff Freq)
Zone 3
Slider DVolume Control Zone, 3
SW 1Octave Shift, All Zones
SW 2
SW 3
SW 4Enable/Disable Arpeggiator,
Zone 3
SW 5
CC pedal 2
SW pedal 1 Sustain, All Layers,
Enable/Disable Filter LFO,
Zone 1
PwheelPitchbend, Zone 1
(Mellotron Flutes)
Slider AFXB Wet/Dry, All Zones
Slider BBrightness (Filter Cutoff Freq)
Zone 1 (Mellotron Str/Flute)
Slider CEnv Attack Control, Zone 2
(Mellotron Str & Orch Pad)
SW 2Enable/Disable Alt Start,
Zone 3
SW 3
SW 4
SW 5
CC pedal 2
SW pedal 1 Sustain, Zones 1 and 4
PwheelPitchbend, All Zones
SetupSetup NameControllerDescription
B01F#1Kick CP/StrModwheel Tremolo Depth, Zone 1 (CP)
Slider AFXA Wet/Dry Zones 1 and 2
(CP and Beat Box)
Slider BFXAB Wet/Dry All Zones
Slider CBrightness (Filter Cutoff Freq)
Zones 1 and 2
Slider DTremolo Rate, Zone 1
SW 1Octave Shift, Zone 1
SW 2Enable/Disable octave lyr,
zone 3 (Mellotron Strings)
SW 3
SW 4Enable/Disable Arpeggiator,
Zone 2
SW 5Arpeggiator latch, zone 2
CC pedal 2
SW pedal 1 Sustain, Zone 1
Inspired by U2's song, "Beau-
tiful Day"
B02LittleFeat KeysModwheel Tremolo Depth, Zone 1
(Wurly)
Slider ABrightness (Filter Cutoff Freq)
Zone 1
Slider BBrightness (Filter Cutoff Freq)
Zone 2 (ARP+Synth)
Slider C
Slider D
SW 1Octave Shift, All Zones
SW 2
SW 3
SW 4
SW 5Unmutes Zone 3 (piano),
Mutes Zones 1 and 2 (Volume
Control)
CC pedal 2
SW pedal 1 Sustain, All Zones
Pwheel
B03Mono MayhemModwheel Delay Time for Echo Lyrs,
Zone 3 (RMI)
Slider AArpeggiator Tempo
Slider B
Slider CFilter env amount, zone 3
Slider D
SW 1
SW 2Enable/Disable Pitch LFO
Zone 2 (Syn Lead)
SW 3
SW 4Enable/Disabl e Arpeggiator,
Zones 1 and 3 (PPG and RMI)
SW 5Enable/Disable Transposed
Lyrs, Zones 1 & 3
CC pedal 2
SW pedal 1 Sustain, Zones 1 and 2
PwheelPitchbend, Zones 2 & 4
27
PC2 Classic Keys User’s Guide
Classic Keys Setups
SetupSetup NameControllerDescription
B04Tight & BrightModwheel Vibrato Depth Zones 2 and 4
(RezPoly and FlangeComp)
Slider AVolume Control, Zone 2
Slider BVolume Control, Zone 1 (Syn
Bass)
Slider CVolume Control, Zone 4
Slider DBrightness (Filter Cutoff
Freq), Zone 1
SW 1Octave Shift, Zone 1
SW 2
SW 3
SW 4
SW 5Enable/Disable Octave Lyr,
Zone 4
CC pedal 2 Brightness (Filter Cutoff
Freq), Zones 2 and 4
SW pedal 1 Sustain, Zones 2 & 4
PwheelPitchbend, Zones 2 & 4
MpressVibrato Depth Zone 4
B05Sad GabrielModwheel Vibrato Depth, Zone 3 (ARP
Pad)
Slider ABrightness (Filter Cutoff Freq)
Zone 1 (CP)
Slider BBrightness (Filter Cutoff Freq)
Zone 2 (ARP Pad)
Slider CBrightness (Filter Cutoff Freq)
Zone 3 (ARP Pad)
Slider DFilter Resonance, Zone 2
SW 1Octave Shift, All Zones
SW 2
SW 3
SW 4
SW 5
CC pedal 2
SW pedal 1 Sustain, All Zones
PwheelPitchbend All Zones
SetupSetup NameControllerDescription
B06MonoBass /E.Pno Modwheel Tremolo Depth, Zone 1 (EP)
Slider AFXA Wet/Dry Zones 1 2 and
4 (EP, RMI and Mooginet)
Slider BFXAB Wet/Dry, All Zones
Slider CBrightness (Filter Cutoff Freq)
Zone 1,
Slider DHipass Filter, Zone 4
Sw 1Octave Shift, Zone 4
SW 2Enable/Disable Octave Lyr,
Zone 3 (Mono Syn Bass)
SW 3
SW 4Enable/Disable Arpeggiator,
Zones 3 and 4
SW 5Arpeggiator Latch
CC pedal 2
SW pedal 1 Sustain, Zones 1 and 2